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Displayed below are some selected recent viaLibri matches for books published in 1640
2017-10-13 06:54:21
Trentino
Excudebat Guiljelmus Blaeu (Wilhelm Blaeu): um 1640 . altkolor. Kupferstich m. zwei ausgemalten figürl. Kartuschen., 37,5 x 49,5 cm - Oberecken leicht gebräunt u. weiße Ränder tlw. etwas fleckig, Mittelfalz. Versand D: 4,00 EUR Südtirol, Trento,
Bookseller: Antiquariat Gallus [Austria]
2017-10-12 18:03:44
BLAEU, WHILLEM.
Amsterdam, 1640 circa. Incisione in rame all'acquaforte, colore d'epoca, cm 39 x 50,7 (alla lastra) più margini, testo francese al verso. Minime tracce di umido nella parte inferiore del foglio, discreta conservazione. .
Bookseller: Studio Bibliografico Botteghina D'arte G
2017-10-12 18:03:44
BLAEU, WHILLEM.
- Amsterdam, 1640 circa. Incisione in rame all'acquaforte, colore d'epoca, cm 39 x 50,7 (alla lastra) più margini, testo francese al verso. Minime tracce di umido nella parte inferiore del foglio, discreta conservazione. .
Bookseller: BOTTEGHINA D'ARTE GALLERIA KÚPROS [Italy]
2017-10-12 14:03:01
Podestá, Giovanni Andrea (1608-c.1674)
"Putti in a landscape engaged in different activities: one is painting a couple of putti on a large canvas resting on a easel. On the top of it a dedication to Guido Reni:'Al Sig. Guido Reni / Apd. P.D.D.D.'; on the bottom left:'Romae apud Franciscum Salvucium'; on a cartouche date:'1640' and eight lines of Latin text:'Pulcher Amicitiam et lasciuu pinting Amore, / Dum Puer Idalius spectat Phebea Ptesis / Musica, quam soquitur Princepsq; huic ....boni summi Phenix est quae quatit alas'. "."Etching on paper; trimmed to platemark; total: ; in outstanding conditions; stateI/4, before address of G. Rossi and before change of date. Bartsch 5. On the verso collector's mark Wetterauer, J. E., L.3183 "
Bookseller: Antiquariaat A.G. VAN DER STEUR [Den Haag, Netherlands]
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2017-10-12 03:54:13
BIBLE
Apud R. Young, 1640. 8vo. pp. (264). A2, A-Q8, R2. Roman letter. Engraved title of King David, highlighted in red ink in a contemporary hand, calendar printed in red and black, woodcut initials in various sizes, occasional contemporary marginal note. Light age yellowing. A very good copy in beautiful English black morocco, c. 1670, covers blind ruled to a panel design, outer panel with blind tooled sprays of tulips and floral motifs with small bird tools, central panel entirely filled with finely worked blind tooled floral sprays, semé of small tools and birds, spine with blind ruled raised bands, blind tooled with small leaf tools, comb-marbled end papers, all edges black, joints, spine head and tail and corners somewhat worn. Rare edition of this book of Psalms beautifully bound in a London "sombre" binding of finely worked blind tooling on black morocco. This binding is very similar in style to a binding by the "Sombre binder" illustrated in the Henry Davis gift Catalogue (vol II, 116) and shares the same tools as another "Sombre" binding in the online British library catalogue of bindings, BL Shelfmark c72e7, an Eikon Basilike printed in London in 1649. These bindings were most often made in Puritan London where ostentation was frowned upon though a dislike of display did not deter people from wanting to own sumptuous bindings on books that they would use in public. The richness of the binding was effectively disguised with this 'black on black' work. It is also thought that Restoration period, "sombre" bindings, using only blind stamps, were produced for periods of mou … [Click Below for Full Description]
Bookseller: Sokol Books Limited [GB]
2017-10-11 18:07:41
Parker, Henry
1640. An Important Statement Concerning an Act that Pitted Parliament against Charles I [Parker, Henry (1604-1652)]. The Case of Shipmony Briefly Discoursed, According to the Grounds of Law, Policy, And Conscience. And Most Humbly Presented to the Censure and Correction of the High Court of Parliament, Nov. 3. 1640. [London: Printed by Thomas Harper], 1640. [ii], 49, [1] pp. Octavo (6-1/2" x 3-3/4"). Stab-stitched pamphlet bound into recent textured paper boards, gilt title to front board. Light browning and faint dampstaining to text, title page printed off-center with some loss to text. $450. * Only edition, first issue. Ship money, a tax levied on coastal regions to pay for naval protection, was one of a handful of taxes that English monarchs could levy without parliamentary approval. Believing King Charles I was abusing this power, Parliament passed the Ship Money Act 1640 to abolish the tax. The conflict that resulted from this act was one of the causes of the Civil War. A barrister, Parker was "the most influential writer to defend the parliamentary cause in the 1640s" (Goldsworthy). His pro-Parliament review of the case is considered to be one of the first significant political statements of the 1640s. He published his works anonymously, some under the pseudonym "Observator." According to the STC, there are two issues of this work; the second has "policie" rather than "policy" in the title. Goldsworthy, The Sovereignty of Parliament 97. Pollard and Redgrave, Short-Title Catalogue of Books Printed in England, Scotland and Ireland 19216. English Short-Title Catalogue … [Click Below for Full Description]
Bookseller: The Lawbook Exchange, Ltd. [U.S.A.]
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2017-10-11 17:23:48
MENDES DE CARMONA, Luis.
Bookseller: Richard C. Ramer Old & Rare Books [U.S.A.]
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2017-10-11 14:00:41
BIDERMANN, Jakob,
Dillingen, C. Sutor, 1640. 5 Bl., 396 (recte 394) S., 1 Bl. Pergamentband der Zeit. 12mo. (Vorderdeckel durch Wasserschaden stärker fleckig und gewellt, ohne die Schließbänder, vorderes Innegelenk gelockert, innen etwas braun- und fingerfleckig, anfangs und am Ende mit Nässespuren, teilweise eselohrig, 3 Blätter mit Randeinriss ohne Textverlust, S. 183/84 in der Paginierung übersprungen). Seltene erste Ausgabe.- Diese literarischen 'Salzkörner' oder geistvoll-heiteren, mit Ernst untermischten Einfälle behandeln "verschiedene Aspekte einer utopischen Idealgesellschaft . (Der Form nach) kein Staatsroman, sondern eine Folge kürzerer Prosastücke mit Rahmen" (Dünnhaupt 43.1). Bereits 1602 entstandenes, aber erst posthum veröffentlichtes Frühwerk Bidermanns, dem wohl bedeutendsten Vertreter des Jesuitendramas. Bemardinus ist ein Anagramm seines Namens.- Faber du Faur I, 947; de Backer/Somm. I, 1453,41; Paisey B 1407. [Attributes: First Edition]
Bookseller: Buch & Consult Ulrich Keip [Berlin, Germany]
2017-10-11 01:39:33
Ovidius Naso, Publius ; Valentijn, Abraham (vert )
Contemporary parchment binding. 150 x 90 mm, 12º: (dl 1:) pi2 *6 (-*4) A-K#12 L#8, [14] 256 pp.; (dl 2:) pi#2 A-Q#12, [4] 382 pp.; (dl 3:) pi#2 A-Q#12, [4] 338 [44] pp. Three identical engraved title pages with a circular portrait engraving. Part II has 15 etchings by C[oenraad] Decker. Little foxing, good copy. Prose translation (prozavertaling) of the complete works of Ovid (and more, because some poems are now known not to be Ovid's). The works are arranged in the usual chronological order: first the heroines letters (Heldinnenbrieven) and erotic poetry (erotische poezie), then the metamorphoses, illustrated with 15 engravings by C Decker and in part III the incomplete calendar (only six of the 12 months) and mourning songs and letters from the Black Sea. These last two titles were written by Ovid while he was in exile. The translator, Abraham Valentijn (1640 – after 1697) was preceptor and rector at the Latin School in Dordrecht and from 1681 also the librarian for the Dordrecht city library. In his dedication to Mayor Adriaan van Blyenborch, he blames previous Ovid translators that they had not studied Greek historians and poets enough, thus “op tallijke blinde klippen gestooten sijn” (which means that they had a lot of difficulties translating). The 15 prints by Decker for the first edition of Valentijn's translation, which appeared at Daniel Gaasbeeck at Leiden, are only a small part of the originally intended prints. When you read the message to the binder in the back, you'll see that there was another set of prints (124 pieces!) that could have been bound with … [Click Below for Full Description]
Bookseller: Historisch Antiquariaat A.G. van der Steur [Netherlands]
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2017-10-09 20:56:36
HOWELL (James)
[London] [Printed] By T B [Thomas Badger] for H. Mosley at the Princes Armes in St Paules Churchyard, 1640. [London] [Printed] By T B [Thomas Badger] for H. Mosley at the Princes Armes in St Paules Churchyard, 1640. FIRST EDITION. Folio, 278 x 161 mms., pp. [x], 32, 39-135, 166-219 [i.e. 183, 184 blank], engraved frontispiece, engraved title-page, two leaves of engraved trees, contemporary sheepskin, rebacked, title in gilt on spine, new end-papers; corners slightly worn, but a very good copy with the bookplate of D. G. Mackenzie on the front paste-down end-paper. Born in Llangamarch, Brecknockshire, James Howell (?1594 - 1666) attended Jesus College, Oxford, and took his B. A. in 1613. He worked in a glass factory and travelled abroad on behalf of his employer. He tried to enter other occupations but was unsuccessful, and, as ODNB records, "In the face of further disappointment Howell began his literary career in earnest in 1640 with the political allegory Dendrologia: Dodona's Grove, or, The Vocall Forest, an account of events since 1603; on travelling to France in that year he took with him his own French translation of the book, which was published at Paris." A rather eccentric article in Wikipedia claims that "This curiosity purports to be a history of Europe since the accession of James I of England put into an allegorical form in which the roles of the various kings, princes and nobles are taken by various trees. Its effect, however, is not quite what that would imply, as the tree-allegory remains on the level of the emblem, whereas the action demands if not p … [Click Below for Full Description]
Bookseller: John Price Antiquarian Books, ABA, ILAB [LONDON, United Kingdom]
2017-10-09 19:13:02
MAGDEBURG - ANHALT:
- mit altem Grenzkolorit, um 1640, 37 x 49 Mit ausgemalter fig. Kartusche. Zeigt das Erzbistum Magdeburg und das Herzogtum Anhalt. Der Harz im Kartenmittelpunkt, im Westen die Weser die Begrenzung (Treffurt/Werra - Hoya)
Bookseller: Antiquariat Nikolaus Struck
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2017-10-08 16:34:57
Cerchia di Jusepe de Ribeia detto lo Spagnoletto
1640 - Acquaforte, circa 1640, priva di firma. Magnifica prova, ricca di toni, impressa su carta vergata coeva priva di filigrana, con sottili margini, piccoli fori di tarlo perfettamente restaurati nella parte inferiore, per il resto in ottimo stato di conservazione. L’opera è copie in controparte della rara incisione del Ribera che, negli esemplari di secondo stato, reca le iniziali dell’incisore, editore e mercante di stampe fiammingo Frans van den Wyngaerde (1614-1679). La stampa rappresenta un uomo affetto dal morbo di Reclinghausen (neuro fibromatosi multipla) che si manifesta con la comparsa di grossi tumori benigni. Possibile che la lastra fu realizzata per un progettato, ma mai completato, manuale per gli artisti principianti, una sorta di compendio per il disegno molto in voga negli artisti del periodo. Possibile inoltre che sia da assegnare allo stesso Frans van den Wyngaerde. Rara. Etching, circa 1640, unsigned. Magnificent proof, rich tone, printed on contemporary laid paper without watermark, with narrow margins, small wormholes perfectly restored at the bottom, otherwise in excellent condition. The works is a counterpart copy of rare etching by Ribera, in the example of the second state, bearing the initials of the engraver, publisher and print dealer Flemish Frans van den Wyngaerde (1614-1679). The print shows a man suffering from Alzheimer's Reclinghausen (neuro fibromatosis multiple) which is manifested by the appearance of large benign tumors. Possible that is made for a planned, but never completed, a manual for beginners artists, a sort of com … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2017-10-08 16:34:57
Cerchia di Jusepe de Ribeia detto lo Spagnoletto
Acquaforte, circa 1640, priva di firma. Magnifica prova, ricca di toni, impressa su carta vergata coeva priva di filigrana, con sottili margini, piccoli fori di tarlo perfettamente restaurati nella parte inferiore, per il resto in ottimo stato di conservazione. L’opera è copie in controparte della rara incisione del Ribera che, negli esemplari di secondo stato, reca le iniziali dell’incisore, editore e mercante di stampe fiammingo Frans van den Wyngaerde (1614-1679). La stampa rappresenta un uomo affetto dal morbo di Reclinghausen (neuro fibromatosi multipla) che si manifesta con la comparsa di grossi tumori benigni. Possibile che la lastra fu realizzata per un progettato, ma mai completato, manuale per gli artisti principianti, una sorta di compendio per il disegno molto in voga negli artisti del periodo. Possibile inoltre che sia da assegnare allo stesso Frans van den Wyngaerde. Rara. Etching, circa 1640, unsigned. Magnificent proof, rich tone, printed on contemporary laid paper without watermark, with narrow margins, small wormholes perfectly restored at the bottom, otherwise in excellent condition. The works is a counterpart copy of rare etching by Ribera, in the example of the second state, bearing the initials of the engraver, publisher and print dealer Flemish Frans van den Wyngaerde (1614-1679). The print shows a man suffering from Alzheimer's Reclinghausen (neuro fibromatosis multiple) which is manifested by the appearance of large benign tumors. Possible that is made for a planned, but never completed, a manual for beginners artists, a sort of compendium for desig … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-10-07 15:52:18
Parkinson, John
London, Thomas Cotes, 1640. Fol. Kupfertit., 9 Bll., 1755 SS., 1 Bl., mit über 2700 Holzschn. Zustand: Seiten 1185 u. 1711 stärker verschmutzt. Vorsätze erneuert. Neu aufgebunden. Einbd. beschabt u. leicht bestoßen, Rücken unter Verwendung des alten Materials erneuert. Ecken ebenfalls erneuert. Kupfertit. (mit kl. Fehlstelle oben rechts) u. typogr. Tit. beschnitten u. aufgezogen, einige Bll. aus der Titelei und wieder ganz am Schluß sauber angerändert. Stellenw. im Rand etwas wasserfl. bzw. gebräunt. Vereinzelt kl. Einrisse unten. , De Belder 267 (falsch "1649"); Henrey 286; Hunt 235; Nissen, BBI 1490; Pritzel 6934; Rohde 142ff. mit Abb. - Einzige Ausgabe. - "The last of the great English herbalists was John Parkinson, the author of... the largest herbal in the English language" (Rohde).
Bookseller: Hartung & Hartung KG · Antiquariat - Auktionen [DE]
2017-10-06 10:40:33
Jansonio Joannes
1640. Carta geografica del territorio di Orvieto, colorata. restauro alla piega
Bookseller: Libreria Trippini Sergio
2017-10-06 10:40:33
Jansonio Joannes
1640 ca, Orvieto. Carta geografica del territorio di Orvieto, colorata. restauro alla piega mm 382x488
Bookseller: Sergio Trippini [Gavirate, Italy]
2017-10-06 10:37:18
Blaeu Guglielmus 1571-1638
1640 ca., Orvieto 1640 - Carta geografica originale, in bella coloritura eseguita all'acquerello, del territorio di Orvieto con parte del Ducato di Castro e il lago di Bolsena. mm 380x505
Bookseller: Sergio Trippini
2017-10-05 04:09:48
OVIDIUS NASO, Publius.:
Cambridge, printed by Roger Daniel, printer to the University of Cambridge: And are to be sold by M[ichael]. S[parke]. junior, in the little Old-Baily in London, 1640. FIRST ENGLISH EDITION TRANSLATED BY JOHN GOWER, Master of Arts and sometimes of Jesus Colledge in Cambridge 1640. Small 8vo, approximately 135 x 85 mm, 5¼ x 3½ inches, LACKS final imprimatur leaf, collation: Par6, A-L8, M2 (lacks M2 final imprimatur leaf). Title page in red and black with printer's ornament, the first blank leaf which is in the collation and is often missing, is completely blank with an early ink signature and date of 1673 and another of 1733, and has three vertical chain lines, the same as the title page, but we cannot guarantee that it is has not been replaced at sometime, pages: [42], 1-146, (page 146 has 2 lines of latin underneath Finis), bound in full later vellum, gilt lettered maroon label to spine and gilt lettered label with date at foot of spine, marbled endpapers, speckled edges. Vellum slightly darkened, pale stain to title page several corners lightly stained, occasional small ink spot, slight shaving to top edges, with loss of running title to last page, 1 lower margin has loss to 1 catch word, 4 line neat old ink manuscript note in early hand to lower blank margin of 1 prelim, last page has a little old ink jotting otherwise a very good copy. See: Carl H. Pforzheimer Library, English Literature 1475-1700, Volume Two, page 782, No. 782 and for De Ponto No. 780; Carew Hazlitt, Hand-Book to the Popular, Poetical and Dramatic Literature of Great Britain, page 430, No. 14; ESTC S11 … [Click Below for Full Description]
Bookseller: Roger Middleton P.B.F.A.
2017-10-04 12:55:01
Buxtorf, Johann, the elder.
Bookseller: Philadelphia Rare Books & Manuscripts Co., LLC (PRB&M) [U.S.A.]
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2017-10-04 12:54:56
Buxtorf, Johann, the elder.
Basel: Sumptibus et typis Ludovici K�nig, 1640. Basel: Sumptibus et typis Ludovici König, 1640. Very large folio (36 cm, 14.2"). Frontis., pl., [6] ff., 2680 cols., [32] ff. Second edition of the second Biblical Hebrew–Latin dictionary compiled by Johann Buxtorf the Elder (1564–1629), left incomplete at his death and completed and published by his son in 1639. A leading Hebraist of the late 16th and early 17th centuries, Buxtorf taught Hebrew at Basel for nearly 40 years, and was a friend and correspondent of Bezè and Grynaeus. This is not to be confused with Buxtorf's preceding Hebrew–Latin dictionary, the Lexicon hebraicum et chaldaicum (1607), another famous and standard reference.    The text is printed in double columns in Hebrew and Latin, in roman and italic, sparsely decorated with woodcut head- and tailpieces, ornaments, and one large historiated initial. The title-page is preceded by a => full-page engraved portrait of the author and an added engraved title-page dated 1639, in an allegorical frame flanked by figures of Daniel and Esra with an image of the Tower of Babel above and a king praying in a gothic cathedral below.    Provenance: Engraved title-page with minute owner's inscription dated 1723 of => Ernst Wilh[elm] Christoph Christfels of Fürth, Germany, who published a treatise, "Concerning Ialtha, daughter of the prince, an example of the learned women of the Jewish race," in 1725, citing Buxtorf's Institutio epistolaris hebraica of 1629 at least once (and using this dictionary for the Hebrew vocabulary?).         VD17 12:128987E; Vancil, Cordell Collectio … [Click Below for Full Description]
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books & MSS Co.) [U.S.A.]
2017-10-03 19:51:46
Landkarte Brandenburg
1640. 30x53cm. Kräftiger Druck.Alle unsere Graphiken sind Originalstiche aus der angegebenen Zeit und befinden sich in gutem Zustand, soweit nicht anders beschrieben oder abgebildet Mittelfalz,Gut erhaltenes Exemplar. Kupferstich-Karte,. Links unten Titelkartusche mit Wappen, rechts unten Meilenzeiger mit Putten. Zeigt die Ostseeküste von Mecklenburg und Pommern von Lübeck bis Rügenwalde, mit Fischland, Darss und Zingst und dem Süden von Rügen, reicht bis Stargard, Landsberg an der Warthe, Glogau und Beuthen in Schlesien, Finsterwalde, Wittenberg, Dessau, Magdeburg bis nach Uelzen und Lauenburg, im Zentrum Berlin. Für unsere Schweizer Kunden : Konto auch in der Schweiz vorhanden (PostFinance) Versand D: 2,50 EUR
Bookseller: Antiquariat Kastanienhof
2017-10-02 09:45:32
MERIAN MATTHEUS.
1640 c.. Incisione in rame, 195x310. Bella veduta della città di Perugia. Tratta da "Itinerarium Italiae". Buon esemplare con lievi tracce della piega centrale. Ottime condizioni, ampi margini.
Bookseller: Libreria Antiquaria Perini s.a.s.
2017-10-01 21:41:47
Podestá, Giovanni Andrea (1608-c.1674)
Putti in a landscape engaged in different activities: one is painting a couple of putti on a large canvas resting on a easel. On the top of it a dedication to Guido Reni:'Al Sig. Guido Reni / Apd. P.D.D.D.'; on the bottom left:'Romae apud Franciscum Salvucium'; on a cartouche date:'1640' and eight lines of Latin text:'Pulcher Amicitiam et lasciuu pinting Amore, / Dum Puer Idalius spectat Phebea Ptesis / Musica, quam soquitur Princepsq; huic ....boni summi Phenix est quae quatit alas'. Etching on paper; trimmed to platemark; total: ; in outstanding conditions; stateI/4, before address of G. Rossi and before change of date. Bartsch 5. On the verso collector's mark Wetterauer, J. E., L.3183
Bookseller: Historisch Antiquariaat A.G. van der Ste
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2017-10-01 14:20:29
Merian, Matthäus
Frankfurt am Main Merian Matthias, 1640. "Florentia". Orig. copper-engraving from M. Merian's Theatrum Europeanum, published in Frankfurt am Main, ca. 1640. With decorative title cartouche with a coat-of-arms. 23:34 cm (9 x 13 1/2 inch.). A view of Florence with the Arno river. - A small hole (ca. 5x5 mm) in the paper on the hills above the town professionally resored.
Bookseller: Antikvariat Krenek [Prag, Czech Republic]
2017-10-01 14:07:35
Matthaus MERIAN "il vecchio"
Francoforte 1640 - Pianta della città tratta dal "Topographia Italiae." di M. Zeiler, edizione di Francoforte 1688. Taken from "Topographia Italiae." By Martin Zeiler, 1688. Dimensioni 375 275mm
Bookseller: Libreria Antiquarius [Italy]
2017-09-29 12:35:39
TAMIZEY DE LARROQUE
1640. IMPRIMERIE NATIONALE. 1880. In-Folio Carré. Relié. Etat d'usage. Plats abîmés. Dos abîmé. Quelques rousseurs. XXIV + 746 pages + 967 pages - TExte sur 2 colonnes - Coins et tranches des plats émoussés - Mors fendus - Dos brunis - 1 etiquette collée e ncoiffe en pied pour chacun des volumes. NOTA : Jean Chapelain, né à Paris le 4 décembre 1595 et mort le 22 février 1674, est un poète et critique littéraire français.
Bookseller: Le-Livre.Com
2017-09-29 10:40:38
OVIDIUS NASO, Publius.:
Cambridge, printed by Roger Daniel, printer to the University of Cambridge: And are to be sold by M[ichael]. S[parke]. junior, in the little Old-Baily in London, 1640.. FIRST ENGLISH EDITION TRANSLATED BY JOHN GOWER, Master of Arts and sometimes of Jesus Colledge in Cambridge 1640. Small 8vo, approximately 135 x 85 mm, 5¼ x 3½ inches, LACKS final imprimatur leaf, collation: Par6, A-L8, M2 (lacks M2 final imprimatur leaf). Title page in red and black with printer's ornament, the first blank leaf which is in the collation and is often missing, is completely blank with an early ink signature and date of 1673 and another of 1733, and has three vertical chain lines, the same as the title page, but we cannot guarantee that it is has not been replaced at sometime, pages: [42], 1-146, (page 146 has 2 lines of latin underneath Finis), bound in full later vellum, gilt lettered maroon label to spine and gilt lettered label with date at foot of spine, marbled endpapers, speckled edges. Vellum slightly darkened, pale stain to title page several corners lightly stained, occasional small ink spot, slight shaving to top edges, with loss of running title to last page, 1 lower margin has loss to 1 catch word, 4 line neat old ink manuscript note in early hand to lower blank margin of 1 prelim, last page has a little old ink jotting otherwise a very good copy. See: Carl H. Pforzheimer Library, English Literature 1475-1700, Volume Two, page 782, No. 782 and for De Ponto No. 780; Carew Hazlitt, Hand-Book to the Popular, Poetical and Dramatic Literature of Great Britain, page 430, No. 14; ESTC S1 … [Click Below for Full Description]
Bookseller: Roger Middleton
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2017-09-29 05:31:19
UWENS, LAURENTIUS/POIRTERS, ADRIAAN.
Bookseller: BOOKSELLER - ERIK TONEN BOOKS [antwerpen, Belgium]
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2017-09-28 20:05:38
[FINCH
1640. following the Speech from the Throne, a summary at Charles I's request of what has happened since the Short Parliament of April - May 1640, saying that "Since the conquest there was never yet a time that did more require & pray for the best advice & affection of the English people", not by looking at objects "in a multiplying glass" or "in the pieces of a broken glass ... by halves" but in a mirror (para. 1), namely "The Kingdom of England ... to whom conquerors never yet gave new laws", but which has "the ... constitution of a Commonwealth made glorious by antiquity" (para. 2), and by beholding there "The King ... the life of the law" (para. 3) whose "glorious ancestors have so long swayed the sceptre ... in the high attributes & great prerogatives which these so ancient ... laws have ... invested him" (para. 4), if you "wipe the glass ... you shall surely behold him a king of exemplary piety & justice ... depth of judgment & unparalleled temper & moderation", as shown "at the great Council of the Peers at York", (in August this year) (para.5), praising too "another part of himself, his dearest Consort ... there is none (his Majesty only excepted) whose affection and endeavour ... can cooperate more to ... a right understanding between the King & his people" (para. 7), and "his best image and superscription, our excellent young Prince, and the rest of the royal and lovely progeny" (para. 8). "From the throne turn your eyes to the 2. supporters", Finch continues, namely "the nobility & clergy ... the gentry & commons" (para. 9), asking "where is there in any part of t … [Click Below for Full Description]
Bookseller: Sophie Dupre [United Kingdom]
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2017-09-26 16:03:57
Janssonius Johann (1588 - 1664) Amsterdam
Artist: Janssonius Johann ca ; issued in: Amsterdam; date: ca1640. - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 38 x 49; - description: Map depicts the county of Foggia in South Italy.; - vita of the artist: "Johannes Janssonius (Jansson),( 1588- 1664) Amsterdam was born in Arnhem, the son of Jan Janszoon the Elder,a publisher and bookseller. In 1612 he married Elisabeth de Hondt, the daughter of Jodocus Hondius. He produced his first maps in 1616 of France and Italy. In 1623 Janssonius owned a bookstore in Frankfurt am Main, later also in Danzig, Stockholm, Copenhagen, Berlin, Königsberg, Geneva and Lyon. In the 1630s he formed a partnership with his brother in law Henricus Hondius, and together they published atlases as Mercator/Hondius/Janssonius.Under the leadership of Janssonius the Hondius Atlas was steadily enlarged. Renamed Atlas Novus, it had three volumes in 1638, one fully dedicated to Italy. 1646 a fourth volume came out with "English County Maps", a year after a similar issue by Willem Blaeu. Janssonius' maps are similar to those of Blaeu, and he is often accused of copying from his rival, but many of his maps predate those of Blaeu and/or covered different regions. By 1660, at which point the atlas bore the appropriate name "Atlas Major", there were 11 volumes, containing the work of about a hundred credited authors and engravers. It included a description of "most of the cities of the world" (Townatlas), of the waterworld (Atlas Maritimus in 33 maps), and of the Ancient World (60 maps). The eleventh volume was the Atlas … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
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2017-09-23 22:04:51
Carlo RIDOLFI
1640. Acquaforte, monogrammata in lastra in basso a destra CRF. Magnifica prova, particolarmente nitida e contrastata, impressa su carta vergata coeva priva di filigrana, rifilata al rame, in eccellente stato di conservazione. La composizione deriva da un soggetto di Simone Cantarini, come evidenziato in lastra in basso dall’iscrizione SCP exe. L’opera è sconosciuta al Bartsch, mentre è catalogata dal Bellini nei lavori d’apres Cantarini. L’attribuzione dubitativa al Ridolfi si deve al De Vesme che interpreta la firma in basso come Simone Cantarini Pinxit/ Carolus Ridolfi Fecit. Straordinario esemplare. Etching, monogrammed on plate at lower right CRF. Magnificent proof, with good contrast and very sharp details, on contemporary laid paper, no watermark, trimmed at the platemark, in excellent conditions. This print derives from a theme by Simone Cantarini, as proven by the inscription at the bottom of the plate bearing the words "SCP exe." This etching is unknown to Bartsch, while Bellini places it among the works d'apres Cantarini. De Vesme, instead, ascribes it to Ridolfi, interpreting the inscription as "Simone Cantarini pinxit/Carolus Ridolfi Fecit". Exceptional example. Bellini pag. 165, De Vesme pag. 17. 185 248mm [Attributes: Soft Cover]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-09-23 12:57:23
Anonymus
Artist: Anonymus ; issued in: Italy; date: ca, 1640. - technic: Copper print; colorit: original colored; - condition: Double fold lower right; - size (in cm): 18 x 11,5; - description : Map shows Scandinavia with Great Britain and Iceland
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2017-09-22 00:16:54
Jonsonius
c. 1640, Belgium - (Stolen)A fine and early depiction of the city of Riga. , Size : 393x503 (mm), 15.47x19.80 (Inches), Hand Colored Very Good, a tear from the lower margin entering the plate repaired professionally and hardly noticeable.
Bookseller: Alexandre Antique Prints, Maps & Books [Canada]
2017-09-21 20:20:44
Britton John le]
Printed by the assignes of John Moore Esquire [etc.], London 1640 - Contemporary vellum, the spine hand lettered, light browning, else a very good, wide-margined and untrimmed copy, with the remains of the original ties The second edition of the first substantial medieval English legal treatise to be printed, written in the late 13th century; much superior to the first edition (printed circa 1540) supplying an omitted chapter and providing emendations in an appendix [Attributes: First Edition]
Bookseller: Meyer Boswell Books, Inc., member ABAA [U.S.A.]
2017-09-21 13:42:49
BLAEU, WILLEM JANSZOON (BLAEUW, GUILJELMUM JANSONIUS).
Amsterdam, 1640 circa. Dal "Theatrum Orbis Terrarum sive Atlas Novus", incisione in rame, vecchia coloritura, cm 39 x 51,3 (alla lastra). Edizione francese con testo al verso. La fossa Eugeniana, mai compiuta, era il canale che avrebbe dovuto collegare il Reno alla Mosa. Diffusi aloni di umido e qualche fioritura, in ampi margini.
Bookseller: BOTTEGHINA D'ARTE GALLERIA KÚPROS [Rosignano Solvay, LI, Italy]
2017-09-21 10:47:39
Merian, Matthaeus:
Grafik 1640. original Kupferstich aus Merian\'s \"Theatrum Europaeum\" von ca. 1640 - von 2 Platten gedruckt - Blattmasse: ca. 52,5 x 39 cm - gut erhalten | original copper engraving out of Merian\'s \"Theatrum Europaeum\" from circa 1640 - printed from two plates - good condition. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Versand D: 5,00 EUR
Bookseller: Antiquariat Völkel
2017-09-21 10:47:39
Merian, Matthaeus
originalKupferstich aus Merian's "Theatrum Europaeum" von ca. 1640 - von 2 Platten gedruckt - Blattmasse: ca.52,5 x39 cm - gut erhalten original copper engraving out of Merian's "Theatrum Europaeum" from circa 1640 - printed from two plates - good condition. Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!
Bookseller: Antiquariat Steffen Völkel GmbH
2017-09-21 08:59:01
Blaeu, Willem Janszoon
Amsterdam Blaeu Willem Janszoon, 1640. "Saxonia Superior, cum Lusatia et Misnia". Altkol. Kupf.-Kte. von W. J. Blaeu, um 1635. Mit dekorative Titelleiste. 39,5:51 cm. Koeman II, map 2100:2A, ed. 2:231 (1641-42 German) - Dekorative Karte von Obersachsen, Lausitz und Meissen; mit nördlichen Teil Böhmens (Prag).
Bookseller: Antikvariat Krenek [Prag, Czech Republic]
2017-09-20 20:37:18
Matthaus MERIAN "il vecchio"
Francoforte 1640 - Veduta a volo d’uccello della città tratta dal "Topographia Italiae", edizione di Francoforte, 1688. Incisione in rame, bella coloritura a mano, in ottimo stato di conservazione. Dimensioni 345 220mm
Bookseller: Libreria Antiquarius
2017-09-20 20:37:18
Matthaus MERIAN "il vecchio"
Francoforte 1640 - Dimensioni 345 220mm
Bookseller: Libreria Antiquarius
2017-09-20 20:37:18
Matthaus MERIAN "il vecchio"
Francoforte, 1640. Pianta tratta dal "Topographia Italiae" di Martin Zeiler. Incisione in rame, in ottimo stato di conservazione. Map taken from the "Topographia Italiae" by Martin Zeiler. Copper engraving, in excellent condition. 345 255mm
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-09-20 18:00:34
Bonn - Hollar, Wenzel (1607-1677)
Norden, Blickrichtung rheinabwärts. Kupferstich von Wenzel Hollar 1640. Gesamtansicht von Norden, Blickrichtung rheinabwärts. Kupferstich von Wenzel Hollar, um 1640. Querformat. 16,5 : 5 cm. Bis an die Einfassungslinie beschnitten und montiert, unsigniert und undatiert, in der Platte unten links mit "5" gekennzeichnet. Gering gebräunt.
Bookseller: Antiquariat Patzer & Trenkle [Germany]
2017-09-20 14:23:02
LAVRENTII, Iosephi (LAURENZI, Giuseppe)
Lucae (Lucca, Italy): Sumptibus Balthassaris de Iudicibus, 1640. [8], 960 [900], 88 p. 24 cm. Full leather over wooden boards. Brass clasps. Elaborate blindstamp decoration on front and back. Red and white title page with vignette. Text in two columns. Front board detached and rear board loosening. Leather cracked along spine. Large chip in leather at spine head with smaller chip at tail. Ink inscription and stain on front pastedown, front free endpaper missing, ink notation (1641) and spot on title page, small chip in title, tiny wormhole pp. 137-140, some foxing and spots, tear in margin p. 249, mild dampstain on bottom corners of pp. 345-349, small hole in rear p. 88, rear free endpaper detached. Errors in pagination: 744-783, 870-889 lacking in numbering; 802-803 misnumbered 982-983. Title continues: -"In qua Voces Vniversae, Abstrvsiores, Sacrae, Profanae, Antiqvae, Antiqvatae, Vsurpatae, Vsurpandae, E Latisis, Latinograecis, Latinobarbaris, Criticis, Antiquarjs, Thesauris, Lexicis, Onomasticis, Glassarijs, Matheseos, Iurisprudentiae, Medicinae, aliarumq; Disciplinarum, Auctoribus quibusq; indicatis, exerpta, Italice Interpretatae, Cum Onomositico Intalicolatino, ad calcerm addito, Ordine Alphabetico Digestae.". Fair. [Attributes: Hard Cover]
Bookseller: Attic Books (ABAC, ILAB) [London, ON, Canada]
2017-09-20 10:07:35
Amsterdam Broer Jansz 1640 - 8°. 4 Bll., 119 S. 2 Bll., 41(2) S. Pergament des 19. Jahrhunderts mit handgemaltem Rückentitel, dreiseit. Goldschnitt. Aus der Bibliothek des Orientalisten, Schriftstellers und Übersetzers Charles Schefer (Paris 1820 - 1898) mit seinem Exlibris. Schönes, wohlerhaltenes Exemplar! Sprache: Deutsch 1.100 gr. Pergament des 19. Jahrhunderts mit handgemaltem Rückentitel, dreiseit. Goldschnitt.
Bookseller: Klaus Schöneborn [Germany]
2017-09-19 14:47:16
Del Rio Martino.
Apud Guerilios., Venetiis. 1640 - In-4. Legatura in tutta pergamena coeva semirigida, titolo calligrafato al dorso, buone condizioni generali, uniformi bruniture ad alcune carte. pp. (24), 768, (92). Celebre opera sulla magia, stregoneria, profezie e vaticini del gesuita Martino Del Rio, il quale offre anche un’approfondita e accurata analisi sulle procedure adottate dai tribunali dell’Inquisizione duranti i processi di stregoneria. Cfr. Graesse, II, 355.
Bookseller: Libreria Antiquaria di Porta Venezia [Italy]
2017-09-19 11:30:39
Merian, Matthaeus:
Grafik 1640. original Kupferstich aus Merian\'s \"Theatrum Europaeum\" von ca. 1640 - prächtige Gesamtansicht von 2 Platten gedruckt - Blattmasse: ca. 75,5 x 33 cm - gut erhalten | original copper engraving out of Merian\'s \"Theatrum Europaeum\" from circa 1640 - printed from two plates - good condition. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Versand D: 5,00 EUR
Bookseller: Antiquariat Völkel
2017-09-18 21:33:22
Johannes BLAEU
Amsterdam 1640 - Crata geografica del Polesine edita dalla tipografia di Johannes Blaeu, basata sulla carta che Giovanni Antonio Magini pubblica all'inizio del XVII secolo. Esemplare proveniente dall'edizione olandese del "Atlas Major". Incisione in rame, insolita coloritura coeva, in ottimo stato di conservazione. Dimensioni 505 390mm
Bookseller: Libreria Antiquarius
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