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Displayed below are some selected recent viaLibri matches for books published in 1637
2016-10-27 16:12:20
CVIACCI IACOBI
1637. Hervetum du Mesnil. 1637. In-Folio.Carré. Relié plein cuir. Etat d'usage. Coins frottés. Dos abîmé. Intérieur frais. 2 tomes de 1500p environ, relié cuir, dos à nerf, caisson, fleuron, et tomaison doré sur dos, armes et filet doré sur plat, tome2 : plat émoussé avec manque de 1cm en vertical au milieu gauche,2ème plat avec quelques manques, coins frottés, mors légèrement fendus, manque de 3 cm sur coiffe en tête, coiffe en pied émousée, tome 4 : grand manque sur le dos et plats, coins frottés, mors légèrement fendus.2ème page de garde avec lettrage rouge et noir, gravure sur page de titre, lettrine. seconde édition: tome2 : Sive ivlius paulus et tome 4 : "Ivrisconsulti , recitationes solemnes.
Bookseller: Le-Livre.Com
2016-10-19 13:02:20
L'Empereur, Constantijn, Translator and Editor
1637. An Important Seventeenth-Century Scholar on the Jewish Law of Torts and Damages L'Empereur, Constantijn [1591-1648], Translator and Editor. Baba Kamma Mi-Masekhet Nezikin/De Legibus Ebraeorum Forensibus Liber Singularis. Ex Ebraeorum Pandectis Versus & Commentariis Illustratus. Leiden: Ex Officina Elzeviriorum, 1637. (Hebrew Title Romanized.) [xlviii], 306, [22] pp. Parallel Hebrew and Latin texts, commentary in Latin. Quarto (7-3/4" x 6"). Contemporary calf, gilt rules to boards, gilt spine with raised bands. Light rubbing to boards, moderate rubbing to extremities, some wear to spin ends, joints starting, corners bumped and somewhat worn, crack in text block between front free endpaper and title page, later armorial owner bookplate to front pastedown. Large Elzevier Solitary-Man device to title page. Some toning to text, annotation dated 1693 in miniscule hand near foot of title page. * Only edition. The holder of doctoral degrees in theology and law, L'Empereur was a prominent Dutch Hebraist and Orientalist. Also active as a lawyer, he was professor of theology and Hebrew at the University Harderwijk, later professor of Hebrew at the University of Leiden. His multi-faceted background is reflected in his heavily annotated translation of the Bava Kamma, a section of the Talmud dealing with torts and damages. Divided into ten chapters, it discusses damages caused without criminality, damages caused by a criminal act and compensation for damages. Thomas Jefferson owned a copy of this book. It is now part of the Jefferson collection at the Library of Congress. OCLC loca … [Click Below for Full Description]
Bookseller: The Lawbook Exchange, Ltd.
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2016-10-19 09:41:12
[Gonzaga]. Ferdinand III, emperor (1608-1657).
1637. Folio. Latin ms., ink on vellum. 156 unnumbered pp., 27 lines. Contemp. vellum binding with attractive giltstamped tendril border, fleuronnée corner stamps, gilt spine and two different giltstamped heraldic supralibros on the covers. All edges gilt. Inner margin shows two holes drilled through covers and interior for a decorative cord with the seal (now lost). Remains of ties. Collection of copies of Habsburgian documents relating to the Gonzaga family and the War of the Mantuan Succession, compiled by the Imperial Registry and signed by the Emperor, Ferdinand III. The collection, which unites documents by Frederick III, Maximilian I, Charles V, Maximilian II, Rudolf II, Matthias, Ferdinand II, etc., was probably drawn up for Duke Ferrante III Gonzaga, Duke of Guastalla (1618-78), to record and secure his claims upon the Duchy of Mantua (claims which lay in the interest of the Imperial family), while the War of Succession had ended a few years previously with Mantua becoming part of the French sphere of influence. - The Gonzaga family had ruled Mantua since 1328; in 1530, Federico II Gonzaga assumed the title of a Duke of Mantua. When the family gained control over the counties of Monferrato and Guastalla in the mid-16th century, they had reached their apogee of political, financial, and cultural importance. When Francesco IV Gonzaga died in 1612 without leaving a male successor, he was succeeded by his brothers Ferdinando and Vincenzo, both cardinals without children. Upon the death of Vincenzo II Gonzaga in 1627 the direct male line of the House of Gonzaga became ex … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris
2016-10-11 15:27:15
LE CLERC Sébastien
Eau-forte en couleurs,du XVIIIème siècle.380x245mm à la cuvette 450x310mm avec la marge. A Paris chez Chereau.Deux petites déchirures, réparées, en marge inférieure. Sébastien Le Clerc (1637 1714)ingénieur géographe professeur de perspective et membre de l'académie de peinture grave d'après ses propres dessins dont deux se trouvent dans les collections, de l'école des Beaux-Arts, Paris, et un autre au Science Museum de Londres. D'après Jombert, les dessins furent exécutés en 1711, une épreuve avant la lettre, conservée à la bibliothèque de l'Arsenal et datée 1712. Mais la gravure ne fut pas éditée du vivant de Le Clerc. CHEREAU Jacques graveur éditeur et marchand d'estampes. Natif de Blois( 1688-1776) élève de son frère François Chereau dit l'Aîné. Une déchirure réparée dans la marge supérieure
Bookseller: Charbonnel [France, Bar le Duc]
2016-10-08 13:30:46
Valérien Regnard (attivo a Roma dal 1626 al 1650 circa)
1637. "Rara veduta panoramica di Bassano Romano. Sulla sinistra emerge il monumentale palazzo del marchese Vincenzo Giustiniani II (1564 - 1637), il cui nome è riportato sul nastro tenuto da due putti, con al centro lo stemma araldico ""un'aquila ad ali spiegate al di sopra delle tre torri"". L'incisione viene attribuita a Valérien Regnard, incisore e stampatore attivo a Roma dal 1626 al 1650 circa. Da un disegno di Nicolò Lorenese La veduta è parte di una serie di incisioni pubblicata sotto il titolo Galleria Giustiniana, della quale non si conoscono né la data di stampa né lo stampatore Si tratta di due volumi di incisioni a bulino, per un totale di 330 tavole, delle più importanti opere classiche della collezione del marchese Vincenzo Giustiniani (1564 - 1637), ordinate per soggetti. Il primo volume è composto di 153 incisioni e riproduce 150 statue; il secondo consta di 169 tavole ed è prevalentemente dedicato a busti e rilievi. Il frontespizio dell'opera fu realizzato da François Du Quesnoy; due incisioni riproducono il ritratto del marchese, a opera di Claude Mellan. La datazione della Galleria Giustiniana costituisce un problema particolarmente composito, in primo luogo in ragione della natura del lavoro. Molti furono, infatti, gli artisti coinvolti nelle varie fasi della sua realizzazione. Fra questi, vi sono alcune personalità di grande spicco della scena artistica romana (oltre al Du Quesnoy, Giovanni Lanfranco, Pietro Testa e altri) ma anche autori quasi del tutto sconosciuti, per un totale di 16 disegnatori e 23 incisori. Claude Mellan vi ricoprì un ruolo di pri … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2016-10-05 05:30:38
LASENA Petri
Typis Jacobi Facciotti, 1637. in 8°, pp. 8 nn., 192, 16 nn., leg. coeva in p / perg. molle rimontata con tit. manos. al ds., vignetta in rame al front. con le armi del cardinale Barberini a cui l'opera è dedicata, alcuni capil. L'opera è composta da 11 capitoli, con alcuni brani in greco, dedicati a personaggi morti per annegamento o per naufragio ed è ornata da 8 incisioni in rame n.t. tra cui la prima rappresentazione della barcaccia del Bernini; manca l'occhietto, antico piccolo restauro al dorso. ICCU \ TO0V \ 191620, raro. 353 / 29 359
Bookseller: Libreria Antiquaria La Fenice
2016-09-29 18:00:14
Stefano della BELLA (Firenze 1610 - 1664)
1637. "Acquaforte, 1637, firmata in lastra in basso a sinistra. Da un soggetto di Alfonso Parigi. Dalla serie ""Le nozze degli Dei"". Splendida prova, impressa su carta vergata coeva priva di filigrana, rifilata al rame o con sottilissimi margini, lieve restauro nella piega centrale, nel complesso in ottimo stato di conservazione." "Etching, 1637, signed at lower left. After Alfonso Parigi. From the ""Le nozze degli Dei"". A fine impression on contemporary paper, trimmed to the platemark or with small margins, repaired areas at cental fold, otherwise in very good condition." De Vesme - Massar 921 290 200
Bookseller: Libreria Antiquarius
2016-09-29 14:16:58
Le Clerc
1637 - 1714. Chemin de la Croix, dédié à Monseigneur le Cardinal de Richelieu, par son humble et très obeissant serviteur S. le Clerc F. Collection de 36 planches. Raccolta completa di incisioni (mm. 85 x 60) del secolo XVII applicate su fogli bianchi in un volume in - 8° con una stupenda legatura settecentesca in pelle rossa profusamente decorata in oro ne dorso e su entrambi i piani. Le artistiche incisioni raffiguranti la Passione di Cristo sono opera di Sébastien Leclerc, disegnatore e incisore all' acquaforte e al bulino, nato a Metz nel 1637 e morto a Parigi nel 1714. Rara, graziosissima > in piccolo formato. Splendida la legatura. Le Blanc, Manuel de l' amateur d' estampes, II, p. 519, nn. 17 - 52.
Bookseller: Brighenti libri esauriti e rari
2016-09-21 18:15:50
MANZINI LUIGI.
Facciotti, 1637. In 4° (220x155); pagg. 90 (mal numerate 92), 1 carta bianca, 72, frontespizio inciso in rame a piena pagina con allegorie e stemma di Ferdinando D'Asburgo sostenuto da putti alati. Assai raffinato l'apparato iconografico rappresentato da 11 belle tavole a piena pag. f.t. ripiegate più volte, incise in rame da Luca Ciamberlano su disegni originali di Orazio Turiani e Niccolò Torniolo. Grandi incisioni in legno ai capilettera che sono inscritti entro grandi vignette, fregi silografici. Piena pelle ottocentesca con note editoriali incise in oro al dorso. Prima edizione di quest'opera che venne redatta per l'elezione a re di Roma nel 1636 di Ferdinando d'Asburgo re d'Ungheria e di Boemia, futuro imperatore del Sacro Romano Impero. Per l'occasione furono organizzati grandiosi festeggiamenti su commissione del cardinale Maurizio di Savoia, che fece trasformare la piazza antistante Monte Giordano, in un grandioso teatro barocco su progetto di Orazio Turiani. Le tavole descrivono l'enorme apparato allestito per l'incoronazione, la ricchezza dei fasti, gli effetti pirotecnici, oltre a molte decorazioni architettoniche. Bell'esemplare, stampato su carta forte, che presenta fioriture marginali, alcune tracce di umidità, qualche piccolo strappo marginale alle tavole. Nota manoscritta al frontespizio, rifilato di circa 1 cm al margine superiore. Ruggeri 797; Berlin Kat. 3046; Olscki, Choix, 17483,"Ouvrages courieux surtout pour les planches des machines pyrotecniques dressées pour l'occasion"; Fagiolo Bibl. della festa barocca a Roma, 134.
Bookseller: Libreria Antiquaria Perini s.a.s.
2016-09-21 12:06:20
ADIMARI Alessandro
1637. in-8, pp. 125, (1), manca l'ultimo bianco; leg. coeva in pergamena floscia, titolo calligrafato lungo il dorso. L'occhietto è seguito da un bel frontespizio figurato inciso. Prima edizione, che raccoglie ''50 sonetti fondati principalmente sopra l'autorità d'A. Seneca il morale'', ed un capitolo che concatena in rima i terzetti degli argomenti di ognun sonetto. Adimari, uno tra i maggiori protagonisti del Seicento fiorentino, ci propone un bizzarro intreccio tra richiami alla tradizione classica, gusto del paradosso e intenti moraleggianti. Esalta la bellezza delle donne a dispetto dei loro difetti morali (bugiarda, dispettosa, insensata..) ed ancor più di quelli fisici (calva, gobba, guercia, nasuta, monocula..). Sono le bellezze irregolari e non convenzionali che vengono paradossalmente descritte in questi 50 poemi. ''An eloquent sample of baroque poet's obsession with feminine tainted beauty .. Adimari attempts to do what Renaissance mock encomia would not: affirm women's beauty despite their defects and physical flaws'' (P.Bettella, The Ugly Woman .. in Italian poetry. University of Toronto Press, 2005) Il fiorentino Adimari (1579-1649), tra gli esponenti più apprezzati della poesia barocca italiana, pubblicò altre tre raccolte e ne compose altre tre inedite, tutte intitolate ad una delle 9 Muse). Buon esemplare (nota di possesso del 1666 all'occhietto).
Bookseller: Libreria Antiquaria Pregliasco [IT]
2016-09-20 18:11:14
COPPOLA
Firenze Amadore Massi et Lorenzo Landi 1637 1 In-4 Veau blond[Avec :] Relazione delle nozze degli dei favola dell abate Gio : Carlo Coppola [...]. Firenze, Amadore Massi et Lorenzo Landi, 1637. Livret du spectacle. In-4 de : I/ (1) f.bl., (4) ff. dont 1 frontispice gravé, 104 pp. et 7 planches gravées sur double page ; II/ 50 pp., (1) f., (2) ff.bl. Restaurations au feuillet de titre et à 3 autres ff. Relié en veau blond du XVIIIe siècle, dos à nerfs restauré, pièce de titre de maroquin rouge, roulette dorée sur les coupes, tranches marbrées. Coins restaurés. RARE EDITION ORIGINALE DE CE TRES BEAU LIVRE DE FETE ITALIEN ECRIT PAR COPPOLA A L'OCCASION DU MARIAGE DU GRAND DUC FERDINAND II ET DE LA PRINCESSE D'URBINO, COMPLET DU RARE LIVRET DU SPECTACLE. L'illustration superbe consiste en 1 frontispice sur lequel on voit l'ouverture du théâtre et 7 planches sur double page gravées par Stefano della Bella d'après Alfonso Parigi. Bon exemplaire de ce rare livre de fête italien illustré par Stefano della Bella. L'exemplaire Schaefer, relié en maroquin moderne, fut vendu pour plus de 19 000 $ à la vente Sotheby's NY du 8 décembre 1994 (lot 64, adjugé 17 000 $), soit plus de 100 000 fr. il y a près de 16 ans. A.M. Nagler, Theater Festivals of the Medici, pp. 162-174; Vinet 612; Vesme & Massar, Della Bella, 918-925; Cicognara 1445; Vinciana 209; Berlin Kat. 4116; BL 17th-Century Italian I, p. 259; Brunet II, 262; Ruggieri 795; Lipperheide 2746. ***Rare first edition of this very beautiful Italian festival book written by Coppola on the occasion of the great duke Ferdinand II and the … [Click Below for Full Description]
Bookseller: Librairie Camille Sourget [France, Paris]
2016-09-18 18:57:58
TAVERNIER (Melchior) & SAINT-CLAIR.
Paris, Melchior Tavernier, 1637. 405 x 533 mm. Très rare carte gravée figurant les îles de Sainte-Marguerite et Saint-Honorat, formant l'archipel de Lérins dans la baie de Cannes. Dressée par l'ingénieur Saint-Clair, elle fut publiée en 1637 par Melchior Tavernier dans son Théâtre géographique du royaume de France, puis par Pierre Mariette en 1650 dans le Théâtre géographique de France. La carte représente les escadres de navires commandées par Menty, Treillebois et de Poincy. Les deux îles furent reprises en 1637 par le comte d'Harcourt aux Espagnols qui l'occupaient depuis 1635. Graveur, imprimeur et hydrographe du roi, Melchior Tavernier, frère du célèbre voyageur Jean-Baptiste, fut à l'origine du développement de la cartographie française gravée du XVIIe siècle. Bel exemplaire aux contours coloriés à l'époque. Pastoureau, TAVERNIER II C.
Bookseller: Librairie Le Bail [France, Paris]
2016-09-17 18:26:17
[PHILOSTRATE de LEMNOS] et Blaise de VIGENÈRE
Paris, Mathieu Guillemot, 1637. in-folio, titre- 8ff.n.ch.- 921pp.- 23ff.n.ch.- 2ff. blancs. Relié veau blond, encadrement double filet doré, dos à nerfs, caissons double filet doré, médaillon au centre des caissons, pièce de titre. (Reliure de l'époque). Magnifique livre illustré baroque : 67 grandes figures (environ 19 x 24 cm) gravées en taille-douce par Th. de Leu ; Léonard Gaultier, Jasper Isaac, etc. Antoine Caron a fourni plus de la moitié des dessins. Nombreux bandeaux et culs-de-lampe gravés sur bois. Au sujet des gravures de Gaultier, voir Fonds Français V, p.502 - Quirielle, "Bio-bibliogr. des écrivains anciens du Bourbonnais" décrit longuement les différentes éditions de ce beau livre (la plus ancienne date de 1614, celle-ci est la dernière), et reproduit l'étonnant titre gravé par Jasper Issac : de l'une des fenêtres d'une vaste et étrange composition architecturale, Vigenère contemple le groupe des muses que domine un rocher d'où s'élance Pégase. Blaise de Vigenère est né à Saint-Pourçain-sur-Sioule en 1523. Il est le traducteur très érudit de nombreux auteurs anciens et l'auteur de plusieurs ouvrages cabalistiques. "Les Plattes peintures", attribuées à l'orateur grec Philostrate de Lemnos et placées généralement à la suite des œuvres de Philostrate d'Athènes, sont la description des 76 tableaux qui décoraient le portique du temple de Naples. Remises en lumière par Filippo Giunta et publiées par Alde dès le début du XVI°s., elles ont été traduites et publiées en français en 1578, sans illustrations, par le savant bourbonnais Blaise de Vigenère. Il proposait ai … [Click Below for Full Description]
Bookseller: Librairie Devaux
2016-09-16 14:35:50
CEPEDA/CARRILLO
Mexico Francisco Salbago 1637 1 In-folio Veau brun4 parties reliées en 1 volume in-folio de (2) ff., 31 ff., 41 ff. (chiffrés par erreur 42), 41 ff. chiffrés 1 à 28 puis 29 à 39 (les ff. 17-18 sont répétés), (1) f., 11 ff. Exemplaire complet. Relié en veau brun, dos lisse orné, gardes renouvelées, tranches rouges. Charnières frottées. Reliure de l'époque. TRES RARE EDITION ORIGINALE DE CET " OUVRAGE PRECIEUX POUR L'HISTOIRE DE MEXICO ".C'est l'histoire de tous les travaux faits pour préserver la ville des inondations, dont celle de septembre 1629 fut la plus désastreuse. La quatrième partie fut imprimée plus de trois mois après la publication de l'ouvrage, et cette pièce (ainsi que la fin de la troisième partie) manque généralement. Elle a été insérée dans les exemplaires par ordre du vice-roi, en raison des observations judicieuses qu'elle présentait ". Précieux exemplaire, bien complet de la rarissime quatrieme partie, conservé dans sa reliure de l'époque". Leclerc, Bibliotheca Americana, 1095 ; Brunet, I, 1739 ; Graesse, Trésor de livres rares, 103 ; Sabin 11693 ; Medina, La imprenta en México, II, 484. ***Very rare first edition of this precious work for the history of Mexico City. Written 8 years after the terrible flood that devastated Mexico City in 1629. A precious complete copy, with the very rare fourth part, preserved in its contemporary brown calf binding.*** Très bon
Bookseller: Librairie Camille Sourget [France, Paris]
2016-09-16 12:35:26
Richelieu, Alphonse, Louys du Plessis de,
Document in-folio manuscrit signé de la main du Cardinal de Richelieu qui nomme le sieur Comte de Vennes prieur de Saint Rambert en poste de directeur spirituel et temporel du couvent de Ste Ursule de Montbrison en Forez. À Lyon, le 24 mars 1637, sceau de cire rouge recouvert de papier, aux armes du Cardinal. C'est à la demande du couvent que cette nomination intervient, n'ayant à l'époque aucun syndic, les religieuses ne pouvaient intervenir dans le procès en cours au Bailliage de Montbrison, concernant les bien de feu M. Francoys du Barry.Beau document, somptueusement encadré de tissu violet sur un fond de tissu noir et large baguette dorée (encadrement moderne 71,5 x 54 cm au total) et en très bel état. Port et assurance inclus pour tout envoi en France Métropolitaine (sauf mention contraire).
Bookseller: Librairie Ancienne Clagahé [France, Lyon]
2016-08-29 21:14:16
Firenze - BARDI Ferdinando
Zanobi Pignoni, 1637. in - 4, pp. 55 e una bianca, legatura moderna in cartone e carta marmorizzata. Armi araldiche degli sposi sul titolo, una testata e una iniziale istoriata alla pag. 3, una grande tavola ripegata fuori testo incisa in rame da Stefano Della Bella raffigurante il Balletto equestre, d' invenzione di Agnolo Ricci, nei Giardini di Boboli. L'incisione è divisa in 17 scomparti di misure diverse: quello più grande al centro raffigura un anfiteatro tondo con un arco di trionfo, un carro trainato da 4 elefanti ed un dragone morto. Le altre sezioni rappresentano il "carro d'amore" ed i vari movimenti dei cavalieri. La dettagliata derscrizione della tavola di Della Bella figura nelle pagine 36 a 54 del testo. Varie altre pagine sono dedicate al commento dell'opera "le Nozze degli Dei" che fu recitata nel contesto della Festa per nozze. Esemplare ben conservato.
Bookseller: Libreria Antiquaria Pregliasco
2016-08-24 08:39:01
Simone CANTARINI detto "Il Pesarese" (Pesaro 1612 - Verona 1648)
1637. Acquaforte, circa 1637 - 40, priva di dati editoriali. Bellissima prova, impressa su carta vergata coeva, con margini, in perfetto stato di conservazione. Le figure di Elisabetta e del piccolo Giovanni compaiono in controparte rispetto al disegno attribuito al Cantarini conservato a Brera e databile, secondo Emiliani al periodo 1637 - 40. L'opera deriva probabilmente da un dipinto dell'artista andato perduto, un tempo di proprietà della famiglia Boscoli di Parma. La composizione è semplice e ariosa e la testa del San Giuseppe è di chiarissima matrice reniana. L'incisione è dunque databile al periodo bolognese dell'artista, appena successivo al litigio con Guido Reni (1637 - 39). Bellissimo esemplare. Ex collezione: Martin - von - Wagner - Museum der Universität Würzburg (Lugt 2541c). W.S. (non identificato, Lugt 2650c) Etching, about 1637 - 40, without publishing details. Excellent work, printed on contemporary laid paper, with margins, in perfect condition. The figures of Elizabeth and the infant John appear in counterpart to the drawing attributed to Cantarini stored at Brera and, according with Emiliani, datable to the period 1637 - 40. The work probably comes from a painting by the artist lost, once property of the family Boscoli of Parma. The composition is simple and airy and the head of St. Joseph is clear matrix of Guido Reni. The etching is then dated to the Bolognese period of Cantarini, just after the quarrel with Guido Reni (1637 - 39). Beautiful example. Ex collection: Martin - von - Wagner - Museum der Universität Würzburg (Lugt 2541c). W.S. (unidentifie … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2016-08-22 15:46:46
DELLA BELLA STEFANO
1637. Acquaforte, 1637, firmata in lastra in basso a sinistra. Da un soggetto di Alfonso Parigi. Dalla serie "Le nozze degli Dei". Buona prova, impressa su carta vergata coeva priva di filigrana, rifilata al rame o con sottilissimi margini, nel complesso in ottimo stato di conservazione. Firenze 1610 - 1664 Stefano della Bella fu uno degli incisori più interessanti e originali nella Firenze del XVII secolo e può considerarsi l'unico geniale continuatore dell'opera del Callot. La sua educazione artistica ebbe inizio a Firenze nella bottega degli orafi Gasparo Mola e Orazio Vanni ad una precisione di segno tipica dell'orafo resterà caratteristica del suo stile. Studiò poi presso Giovanni Battista Vanni e forse anche presso il Cantagallina e Cesare Dandini, ma ben presto, come afferma il Baldinucci "posta da parte la pittura, si diede tutto all'intaglio". Il suo vero maestro può considerarsi Jacques Callot, l'incisore francese che soggiornò a lungo a Firenze lasciando una forte impronta nel panorama artistico della città. Lorenzo de' Medici prese a proteggere il piccolo Stefanino,e dal 1633 al 1636 lo invitò a Roma, dove l'artista studiò realizzando numerose copie dall'antico,da Polidoro e dove incise la sua prima opera importante: l'Entrata a Roma dell'ambasciatore di Polonia Giorgio Ossolinsky nel 1633. Nel 1639 Stefano partì per Parigi, con una pensione di Lorenzo dè Medici, e dove si trattenne fino al 1650 circa. Questi sono gli anni più importanti della sua carriera durante i quali lavorò insieme ad Israel Sil vestre, con gli editori Langlois, Ciartres e Pierre Mariette. … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Perini s.a.s.
2016-08-19 02:26:00
Conti Natale
Pauli Frambotti, 1637. In - 8° (225 x 155 mm ) pp. [44] 614,56 [4] una tavola ripiegata illustra i segni zodiacali, oltre a 106 xilografie nel testo, capilettera e finalini incisi, qualche pagina brunita. Numerose parti del testo sono in greco. Lagatura in piena pergamena coeva, abile restauro alle cuffie. Titolo manoscritto al dorso. Ottimo stato. La prima edizione di quest'opera venne pubblicata a Venzia nel 1568, seguirono diverse edizioni a conferma della grande fortuna del libro, ma solo a partire dalla quarta edizione del 1616, l'opera fu pubblicata con le ricche illustrazioni che troviamo anche in questa quinta edizione. Manca al Cat. Vinciana. M. FOSCARINI, Della letteratura veneziana 1854. Natale CONTI Nacque probabilmente a Milano nel 1520, dove si era trasferita la sua famiglia, di origine romana. Fanciullo, fu condotto poi dai genitori a Venezia. L'unica testimonianza sicura che si abbia circa il luogo della sua nascita è un'osservazione del Conti stesso. Nelle sue Historiae (l. IX, 1581, c. 182), dopo aver lodato la cortesia dei Milanesi, egli aggiunge: "neque illud dico, quod nostri eo migrarint Roma antiquitus, unde propter bella postea Venetias, cum essem parvulus profugerunt, sed quia res docet ita esse". Nelle sue opere il Conti si definisce costantemente "Venetus", e tale lo ritiene il Foscarini (p. 303), senza negare d'altra parte una sua nascita a Milano "per caso", sulla scorta dei Picinelli (p. 325). Per il più recente biografo, il Cranz (p. 31), il Conti, di famiglia veneziana, sarebbe nato e morto in Milano. Le notizie biografiche che lo riguardano … [Click Below for Full Description]
Bookseller: Studio Giuseppina Biggio
2016-08-05 15:26:48
Smith, Samuel.
Printed by Iohn Okes, and are to be sold by H. Blunden at his shop in Corn-hill neare the Royall Exchange, 1637. Smith (1584-1665), an English clergyman and trusted mentor of theologian Richard Baxter (1615-91), produced several often reprinted publications, of which this is one. This edition of six sermons is advertised as "the ninth impression, corrected, amended, and and much enlarged," but an interesting prefatory note from the printer claims it is the first truly correct edition as Smith was "dwelling far distant from the City, and having a Pastorall charge to attend upon, could not attend the Press" for earlier printings. Provenance: Round armorial bookplate of Baronet Heathcote of Hursley on front pastedown; bookplate of Thomas Vernon of Hanbury (1654-1721) dated 1703 attached to title-page verso. Later in the Howell Bible Collection, Pacific School of Religion (properly released), with library bookplate tucked in front cover. Copies of any early edition of this text are scarce, and => searches of NUC, COPAC, and OCLC reveal only three known copies, this copy one of only two in North America, and now deacessioned. Two other reported copies in COPAC are false. The other North American copy is described in the library's catalogue record as "Imperfect: leaves B4-B5, C3 and V7 lacking; faded and stained in places, spine broken; covers detached."
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books & MSS Co.) [U.S.A.]
2016-08-05 15:26:48
Smith, Samuel
London: Printed by Iohn Okes, and are to be sold by H. Blunden at his shop in Corn-hill neare the Royall Exchange 8vo (14.1 cm; 5.625"). [6], 182, 185?307, [3], 309?88, 373?86. Lacks added engr. t.-p. & pp. 183?84.. 1637 Smith (1584?1665), an English clergyman and trusted mentor of theologian Richard Baxter (1615?91), produced several often reprinted publications, of which this is one. This edition of six sermons is advertised as "the ninth impression, corrected, amended, and and much enlarged," but an interesting prefatory note from the printer claims it is the first truly correct edition as Smith was "dwelling far distant from the City, and having a Pastorall charge to attend upon, could not attend the Press" for earlier printings. Provenance: Round armorial bookplate of Baronet Heathcote of Hursley on front pastedown; bookplate of Thomas Vernon of Hanbury (1654?1721) dated 1703 attached to title-page verso. Later in the Howell Bible Collection, Pacific School of Religion (properly released), with library bookplate tucked in front cover. Copies of any early edition of this text are scarce, and => searches of NUC, COPAC, and OCLC reveal only three known copies, this copy one of only two in North America, and now deacessioned. Two other reported copies in COPAC are false. The other North American copy is described in the library's catalogue record as "Imperfect: leaves B4-B5, C3 and V7 lacking; faded and stained in places, spine broken; covers detached. Contemporary calf, Cambridge?style binding with raised bands ruled in blind and gilt-lettered red leather spine label, cov … [Click Below for Full Description]
Bookseller: Philadelphia Rare Books & Manuscripts Co
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2016-08-03 08:18:54
Lauro, Giacomo.
4 parts in one volume, incl. title, dedication, and 166 fine etched plates by Lauro showing a wide array of images of the city of Rome, including monuments and ruins from the Roman era as well as more recent additions during the Renaissance and Baroque eras, ranging from views of temples, amphitheaters, circuses and triumphal arches to depictions of myths and allegories. Title page rubbed and chipped at edges and with some significant stains; numerous instances of waterstains throughout the volume, mostly marginal; a few plates towards the beginning of the volume bound out of order. Oblong large 4to. Early vellum, edges rubbed, minor soiling, some splitting along spine.. Rome (Vitale Mascardi) 1637. Ex-libris copy. Rossetti 6077; Borroni 7995/5; Olschki 17385.
Bookseller: F.A. Bernett Books
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2016-07-29 17:21:21
QUINTANADUEÑAS, Antonio de.
1637. 17 hh.(incluído frontis grabado)+374 pp.+3 hh. Enc. en pergamino de época. 20,5x15,5. Por Francisco de Lyra. Sevilla, 1637. "Palau ref. 244906: "Se ha censurado esta obra por fundarse en los falsos cronicones. Una de las principales impugnaciones la escribió Martín Anaya y Maldonado".La obra de Quintanadueñas se enmarca en el ámbito de la literatura devocional, un género que, durante mucho tiempo y sobre todo en la Baja Edad Moderna, despertó el interés y la atracción de un importante número de lectores. En este sentido, las hagiografías o historia de las vidas de los santos se convirtieron en pleno siglo XVII en verdaderos paradigmas para los fieles, ya que constituían una fuente inagotable de donde extraer miles de ejemplos a imitar. Estas obras nos relatan todas las peripecias que acontecen al futuro santo, desde su nacimiento hasta el anhelado momento en que se reviste de categoría celestial. El lector, atraído por estas singulares historias, dará rienda suelta a su imaginación y "acompañará" al santo en su "camino de perfección".Además, estas fantásticas narraciones, muchas veces revestidas de gran realismo, se leían en los púlpitos como sermones y se incluían en los calendarios anuales, de los que se hacían versiones cortas del santo de cada día. Precisamente, Quintanadueñas, en la dedicatoria de su obra Santos de la ciudad de Sevilla que hace al cabildo catedralicio hispalense, fechada el 4 de febrero de 1637, se refiere a los motivos que le impulsaron a escribir esta obra, relatar la vida de aquellos santos que dicha instancia, por acuerdo capitular de 1624, d … [Click Below for Full Description]
Bookseller: Librería Anticuaria Galgo [Ribadeo, LUGO, Spain]
2016-07-08 13:36:44
LÓPEZ, Luis.
Zaragoza, En el Hospital Real, y General de Nuestra Señora de Gracia, 1637.. FIRST and ONLY EDITION. 8°, contemporary limp vellum (hinges gone, text block loose in binding), title vertically in manuscript on spine. Typographical border on title page. Typographical headpiece and woodcut initial on p. 1. Dampstaining to upper and lower margins, with slight loss to typographical border around title page, and some damage to lower blank margins of final 16 leaves, touching a few letters of text, but without any loss. Still, overall in good condition. Old manuscript signature ("Chaves") in ink on verso of title page. Some old ink marginalia. (3 ll.), 145 pp. *** FIRST and ONLY EDITION of this timeline of the rulers of Spain and important ecclesiastical figures, with biographical and historical annotations. The entries range from 5 to 20 lines. The author was a pastry cook in Zaragoza. Several other works appeared under his name. *** Palau 140203 (cites Biblioteca Nacional de España, without mention of any copy having been offered for sale). Nicolao Antonio I, 48. Jiménez Catalán, Siglo XVII, 368. Latassa II, 157. Simón Díaz, Bibliografia de la literatura hispanica, XIII, 2808. HSA p. 313: imperfect. Not in Salvá or Heredia. CCPBE locates four copies: Biblioteca Municipal de Zaragoza, Seminario Mayor o Conciliar de San Julián, Cuenca, Biblioteca Pública Episcopal del Seminario de Barcelona, and Palacio Real-Biblioteca-Madrid. Rebiun locates a single copy, at Universitat Ramon Llull. Porbase locates a single copy, in the Biblioteca Nacional de Portugal (with some worming). … [Click Below for Full Description]
Bookseller: Richard C. Ramer Old and Rare Books [New York, NY, U.S.A.]
2016-06-21 18:51:05
ALDROVANDI, U.
Bononiae, apud Nicolaum Tebaldinum, 1637. Folio (345 x 235 mm). pp. (6), 718, (16), with engraved title and 130 woodcuts in the text of which some full-page. Later half calf, spine in 5 compartments with red and blue gilt lettered label (head of spine a bit chafed). First edition. Aldrovandi's complete natural history works consist of 11 works, he spent 45 years amassing the material. The volumes on birds and insects were completed by himself, the others by his pupils. The present work is on ?fingered? quadrupeds, such as dogs and cats, rodents, bears, etc. The second part 'De Quadrupedib' Digitatis Oviparis Libri duo' covers reptiles (lizards, crocodiles, turtles), and amphibians./"Although Aldrovandi is not identified with any revolutionary discoveries, his work as a teacher and as the author of volumes that constitute an irreplacable cultural patrimony earns him a place among the fathers of modern science. Perhaps most importantly he was among the first to attempt to free the natural sciences from the stifling influence of the authority of textbooks, for which he substituted, as far as possible, direct study and observation of the animal, vegetable, and mineral worlds" (D.S.B. I, pp. 108-110). Title page with small paper repair at the outer upper corner and as usual a few leaves a bit browned.//Nissen ZBI, 77; Wood p. 185.
Bookseller: Antiquariaat JUNK B.V. (Natural History
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2016-06-16 21:07:25
GAGLIANO, Marca da 1582-1643
Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC [Syosset, NY, U.S.A.]
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2016-06-16 21:07:25
GAGLIANO, Marca da 1582-1643
Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC [Syosset, NY, U.S.A.]
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2016-06-16 21:07:25
GAGLIANO, Marca da 1582-1643
1637. Blumenthal: Theatre Art of the Medici 81 and pp. 160-77. Le Nozze degli Dei was written to celebrate the wedding of Duke Ferdinando II de' Medici and Vittoria della Rovere, daughter of the Duke of Urbino, and first performed in Florence at the Palazzo Pitti on July 8, 1637. The libretto was by Giovanni Carlo Coppola, the music by Gagliano and others, the staging by Alfonso Parigi, and the dances by Agnolo Ricci. Della Bella executed a series of six etchings of scenes from the opera. "As maestro di cappella for nearly 35 years to the Grand Duke of Tuscany and of Florence Cathedral (S Maria del Fiore), [Gagliano] was one of the most important Italian musicians of the period. His Dafne (1608) is a milestone in the early history of opera, and his secular madrigals and monodies and many sacred works in various genres, though now little known, were much acclaimed in the first half of the 17th century." Edward Strainchamps in Grove Music Online. Della Bella (1610-1664), a noted Italian printmaker, enjoyed the patronage of the Medicis; he also made trips to Florence to record the court festivities of the Medici. Parigi (1606-1656) was a noted Italian architect and engraver.. 205 x 290 mm. A fine impression on laid paper. One vertical crease, flattened; trimmed just outside borderline; remnants of hinges to upper corners of verso.
Bookseller: J & J Lubrano Music Antiquarians LLC [USA]
2016-06-11 10:41:54
ALDROVANDI, U.
- Bononiae, apud Nicolaum Tebaldinum, 1637. Folio (345 x 235 mm). pp. (6), 718, (16), with engraved title and 130 woodcuts in the text of which some full-page. Later half calf, spine in 5 compartments with red and blue gilt lettered label (head of spine a bit chafed). First edition. Aldrovandi's complete natural history works consist of 11 works, he spent 45 years amassing the material. The volumes on birds and insects were completed by himself, the others by his pupils. The present work is on ‘fingered’ quadrupeds, such as dogs and cats, rodents, bears, etc. The second part 'De Quadrupedib' Digitatis Oviparis Libri duo' covers reptiles (lizards, crocodiles, turtles), and amphibians."Although Aldrovandi is not identified with any revolutionary discoveries, his work as a teacher and as the author of volumes that constitute an irreplacable cultural patrimony earns him a place among the fathers of modern science. Perhaps most importantly he was among the first to attempt to free the natural sciences from the stifling influence of the authority of textbooks, for which he substituted, as far as possible, direct study and observation of the animal, vegetable, and mineral worlds" (D.S.B. I, pp. 108-110). Title page with small paper repair at the outer upper corner and as usual a few leaves a bit browned.Nissen ZBI, 77; Wood p. 185. [Attributes: First Edition; Hard Cover]
Bookseller: Antiquariaat Junk
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2016-06-07 11:14:35
London: Imprinted at London by Robert Barker [etc.], 1637. Modern crushed brown morocco, the spine extra gilt, skillful repair to the front joint, without the leaf before the title; the Taussig copy First edition, first issue of one of the landmarks in the struggle to establish freedom of the press in England, seeking to license all printing, provoking Milton's Areopagitica and ultimately proving unenforceable; with the Royal arms on the title
Bookseller: Meyer Boswell Books, Inc.
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2016-04-01 18:28:24
Cowell, John
Second edition of Cowell's controversial yet highly regarded law dictionary (and the first entirely in English), banned and burnt by Royal proclamation upon its appearance for its absolutist definitions offending the Commons and disavowed by James. Modern 3/4 calf over marbled boards, light browning, the margins cut a bit close, occasional minor worming, else well preserved; the Taussig copy. Printed [by Augustine Mathewes] for William Sheares, London, 1637.
Bookseller: Meyer Boswell Books, Inc. [U.S.A.]
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2016-03-26 12:46:37
Cowell, John
1637. The Best English Law Dictionary of the Seventeenth and Early Eighteenth Centuries Cowell, John [1554-1611]. The Interpreter: Or Booke Containing the Signification of Words: Wherein is Set Foorth the True Meaning of All, Or the Most Part of Such Words and Termes, as are Mentioned in the Lawe Writers, or Statutes of This Victorious and Renowned Kingdome, Requiring Any Exposition or Interpretation. A Worke not Onely Profitable, but Necessary for Such as Desire Throughly to be Instructed in the Knowledge of Our Lawes, Statutes, and Other Antiquities. London: Printed for William Sheares, 1637. [584] pp. Text in parallel columns within black-ruled borders. Quarto (7-1/2" x 5-1/2"). Contemporary calf, blind rules to boards, rebacked in period style with raised bands and lettering piece, hinges mended, edges rouged. Moderate rubbing to extremities, a few negligible scuffs to boards, corners bumped. Woodcut head-pieces, tail-pieces and decorated initials. Moderate toning to text, light staining to a few leaves. Early owner annotation to head of title page in small hand, another annotation in miniscule later hand to foot of another leaf, interior otherwise clean. A handsome copy. * Second edition, one of two issues from 1637. The Interpreter is considered to be the best law dictionary until Jacob's and it is still used by scholars of early English legal documents. Its publication provoked controversy. At a time when Parliament and crown were vying for power, the Commons disapproved of Cowell's royalist sympathies, which were evident in such definitions as "King," "Parliament," … [Click Below for Full Description]
Bookseller: The Lawbook Exchange, Ltd.
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2016-02-27 15:15:37
[Book of Common Prayer - Episcopalian Church in Scotland]
Edinburgh: Printed by Robert Young, 1637. Small folio (signed in 8s). 19th century blindstamped calf, beveled edges, decorated in blind. Printed in black letter, with decorated initials, title within typographic frame, in red and black. Edges rubbed but binding sound; significantly tanned and with marginal soiling and occasional stains and wandering marginal tidemarks, a few ink annotations, small repair at lower edge of first title on verso, early retained binder's preliminary blank heavily smudged, with early annotations, bookplate on pastedown, and long 19th century provenance statement and bibliographic note on binder's blank closely written in ink. Obviously a heavily used copy, but collated essentially complete (see below) and sound. First edition of the first Scottish Book of Common Prayer. This controversial edition of the Liturgy was overseen by Charles I and Archbishop Laud for use by the people of Scotland. The text was drafted by John Maxwell and James Wedderburn. However, upon its first reading in churches in Scotland, the opposition was so strong that it was withdrawn from use shortly thereafter. The text eventually was influential in the compilation of the English revision of 1661- 2, and served as a model for the American BCP of 1789 and its successors. As usual, leaves R7-8, which were suppressed, are not present, and leaf 2h3 is in the second of four settings noted by ESTC, Accompanied by the 1636 Psalter, which although equipped with a separate full title, is its normal companion. Also bound with a quite imperfect copy of THE PSALMS OF KING DAVID: TRANSLA … [Click Below for Full Description]
Bookseller: William Reese Company - Literature ABAA-
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2016-02-22 11:45:01
Cowell, John (1554-1611)
William Sheares, London. London: William Sheares, 1637. Second edition, 1637. First published 1610. Early law dictionary in what appears to be the original or contemporary binding. Full brown leather with blind ruled lines to covers and spine, but with title, author and some subtle decorations added in neat handwriting with a gilt pen probably in the 20th century, and what appears to be 18th or early 19th century decorative gilt borders around the far outer edges of the front cover. Unpaginated, 7.75" tall, about 1.75" thick. Pastedown endpapers present but separated with fragments of older printed text in English visible between covers. Some external wear and chipping, binding sound with one gathering slightly loosened, very minor insect damage to the far top inner margins throughout most of the book, some old initials on what is now the exposed verso of the front pastedown along with a large rubber stamped "BOND" in purple, and a more modern name and address stamp in blue on the verso of the title page - which unfortunately bleeds through to the top of the title page, just above and to the right of the title, page age-toned but generally very clean with additional darkening and dampstaining to the title page and preface. The author's name, Cowell, is neatly handwritten on the upper outside corner of the text block. Hard Cover. Fair. 8vo - over 7¾" - 9¾" tall. [Attributes: Hard Cover]
Bookseller: Resource Books, LLC [East Granby, CT, U.S.A.]
2016-02-18 23:54:48
Theodore Haak
First English Edition of 1637 Dutch Bible. Rare reformation Commonwealth Bible with Cavinist Annotations. Renowned influential First Edition english translation of both text and notes of the famous dutch Bible of 1637, the preparation of which had been ordered by the Synod of Dort. Haak executed this work at the request of the Westminster Assembly of Divines. 2 volumes bound in 2. First edition. Only 6 copies known in Britain and 6 in America, a notably low tally for an English Bible. Its rarity is presumed due to later reaction against such "low church" theology: many such works were destroyed after the Restoration. The Annotations are enclosed within brackets, and mingled with the text, which is printed in italics. Box - 22
Bookseller: Cross and Crown Rare Books
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2016-02-14 07:22:02
DELLA BELLA STEFANO
Bookseller: libreria antiquaria perini Sas di Perini [Verona, VR, Italy]
2016-01-18 22:28:21
CLOPPENBURG, JOHANNES
Leiden, Elzevier, 1637. (8) 240 (16) p. Contemporary folding Vellum, 12° (corner frontcover damaged)
Bookseller: Antiquariaat De Roo [Netherlands]
2016-01-13 13:11:41
CATS, Jacob (1577-1660);
t' Amsterdam Hendrick vander Putte, Papier en Boekverkooper op't Water, in de Lootsman [n.d.] Early eighteenth century edition (based on the imprint) of the Dutch poet and politician's rhymed dissertations on marriage and conjugal fidelity, first published in Dordrecht, in 1637. 16mo: [44], 673, [3]pp, with an engraved title page (in addition to the letterpress title) to the first work, two engraved full-page portraits (one of Anna Maria Schurmans and one of Jacob Cats), and a full-page allegorical engraving, 'Het Derde Deel,' in addition to 51 half-page engravings in the text. Contemporary vellum, with 'J. Cats' in manuscript to the spine. The binding is soiled but sound, the pages and plates clean, but with occasional browning, finger-soiling and mild staining. Marginal loss to S3, affecting neither the text nor the plate on p. 234. Contemporary ownership inscriptions to both fly leaves. Very Good+ Cats was one of the distinguished Dutch writers of Holland's golden age, but his Orangist and Calvinistic opinions set him apart from the liberal school of Amsterdam poets. Still, for nearly two centuries, he enjoyed enormous popularity. In this, perhaps his most important work, Cats treats human behavior and society in all its aspects through the lens of marriage, both human and spiritual (the marriage of Christ and His Church). Examples are taken from the Bible (Adam and Eve, David and Abigail) and from classical and modern authors (Cyrus and Aspasia, Marc Anthony and Cleopatra). Also included are discussions of marriage after rape, the breaking of marriage bonds, adultery, … [Click Below for Full Description]
Bookseller: Fine Editions Ltd
2016-01-07 20:43:57
WELBY, Henry [HEYWOOD, Thomas]
N. Okes for Richard Clotterbuck, London, 1637. FIRST EDITION. 4to. 25 unnumbered ll. . *Š A-E4 F3. (without last blank). Woodcut initials, typographical and woodcut head and tail pieces, engraved portrait frontispiece of Welby, trimmed and mounted (probably from the 1794 reprint). Title and verso of last dusty, light age browning, upper margin cut close, running headline just trimmed in places, the odd marginal mark. A good copy in excellent C19 blue morocco gilt by Ramage, covers triple gilt ruled to a panel design gilt fleurons to outer corners, spine richly gilt in compartments, inner dentelles gilt, all edges gilt. A rare and most interesting account of the life of the famous recluse Henry Welby of Grub Street, with epistles and epitaphs by Shakerly Marmion, John Taylor the water poet, Thomas Brewer, and Thomas Heywood himself, who was most probably was the author of the main text. Heywood (?1574-1650), actor and dramatist, one of Shakespeare’s colleagues in the Admiral’s men in the 1590’s, composed principally for the stage but wrote also a small number of works unconnected with the theatre. In this work he relates the life of Welby, a wealthy land owner, who became a recluse living in his house in Grub Street for forty four years with no contact with the outer world except through his elderly maidservant. He retreated to this solitude after a quarrel, in which a younger brother traumatised him by trying to murder him (attempting to shoot him with a double-charged pistol, which only 'flashed in the pan'). Up to this point, Welby had been a student, had travelled abroad … [Click Below for Full Description]
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2015-12-27 20:58:48
ZUTPHEN / Prov. Gelderland (Niederlande / Netherland):
- Kolorierter Kupferstich b. Johannes Janssonius (Jansson) in Amsterdam, 1637, 38 x 48 van der Krogt, Koeman's Atlantes Neerlandici, Vol. I, 3713.1A. - 1. Ausgabe - ohne Rückentext! (dieser Zustand nicht bei van der Krogt!) - Zeigt die niederländische Grafschaft Zutphen. - Die größeren Städte Deventer, Zutphen, Doesburg, Bredevoort, Groenlo, Arnhem, Nijmegen, Schenkenschanz, Emmerich und Kleve mit Befestigungsanlagen. - Oben links Titelkartusche; oben rechts Wappen. - Unten rechts Meilenzeiger. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)
Bookseller: Antiquariat Norbert Haas
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2015-12-18 04:31:17
Pietersz., Roelof
Amsterdam, Marten Jansz. Brandt 1637/1661/1650. 3 delen, (gegraveerde titelpagina, 10) 486 (12), (gegraveerde titelpagina, 10) 534 (30), (gegraveerde titelpagina, 14) 413 (14) p. (Vochtvlek achterin deel 1, deel 3: vernieuwde schutbladen,, register wat teer aan de randen, bovenkant rug gerestaureerd. Zeldzame verklaring van het Evangelie van Johannes.).
Bookseller: Antiquariaat De Roo
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2015-12-18 04:31:17
Pietersz., Roelof
Amsterdam, Marten Jansz. Brandt 1637/1661/1650 - 3 delen, (gegraveerde titelpagina, 10) 486 (12), (gegraveerde titelpagina, 10) 534 (30), (gegraveerde titelpagina, 14) 413 (14) p. (Vochtvlek achterin deel 1, deel 3: vernieuwde schutbladen, register wat teer aan de randen, bovenkant rug gerestaureerd. Zeldzame verklaring van het Evangelie van Johannes.)
Bookseller: Antiquariaat de Roo
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2015-12-12 02:40:10
Cowell, John
Second edition of Cowell's controversial yet highly regarded law dictionary (and the first entirely in English), banned and burnt by Royal proclamation upon its appearance for its absolutist definitions offending the Commons and disavowed by James. Modern 3/4 calf over marbled boards, light browning, the margins cut a bit close, occasional minor worming, else well preserved; the Taussig copy. Printed [by Augustine Mathewes] for William Sheares, London, 1637.
Bookseller: Meyer Boswell Books, Inc. [U.S.A.]
2015-11-21 19:43:27
Morton, Thomas
Amsterdam, 1637. Small quarto. 20th-century brown morocco, gilt, a.e.g., gilt innder dentelles, by Riviere & Son. Minor toning and soiling to text. Near fine. In a brown half morocco and cloth slipcase, spine gilt, leather labels. One of the classic accounts of the early settlement of New England, looked to increasingly by modern historians and anthropologists for its unbiased and detailed accounts of Indian life in early New England, descriptions of flora and fauna, and internecine struggles among the colonists. Morton first came to New England in 1622 and lived there until his expulsion by the Plymouth colonists a decade later. He was particularly sympathetic to the way of life of the Indians and provides extensive descriptions of customs, hunting, planting, artifacts, and lifestyles in the first section of the work. The second part provides a remarkable account of the landscape and ecology of New England (William Cronon draws heavily on Morton in his pioneering CHANGES IN THE LAND). The final section of Morton's account is the most famous historically, since it gives an account of his long and often amusing feud with the Plymouth Colony and a description of his separate settlement at Merry-Mount, where his close association with the Indians of the area and open defiance of the laws of the Plymouth settlers provided one of the more colorful episodes in early colonial New England. Morton's work is very scarce on the market, only three copies having appeared at auction in the last thirty years. A book of the greatest importance, perhaps the best single account of early New … [Click Below for Full Description]
Bookseller: William Reese Company - Americana
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2015-11-19 14:37:53
GAFFAREL, Jacques
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2015-11-19 14:37:53
GAFFAREL, Jacques
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2015-11-07 06:36:43
Gruiwardt, Ferdinandus
4°, (42)+59+100+29+16+13+31+52+16+100+24+8+44+11 pag. Eigentijdse perkamenten band, met een anoniem gegraveerd portret van Petronella Wilhelmi, echtgenote van Ferd. Gruiwardt (1637-1675) (Muller 2059 'zeer zeldzaam'). De eerste ca. 20 tekstpagina's aangetast door boekenwurm."Lindeboom 736-737; Nagtglas I 298-300; Banga 504; Zeelandia Illustrata deel I (1879) pag. 352. Verzameling van 14 pamfletten van de hand van Ferdinand Gruiwardt (1628-1701), medisch doctor te Middelburg betreffende een erfenis die zijn echtgenote Petronella Wilhelmi, was ontzegd. Deze erfenis, groot 1139 ponden Vlaams werd hen op aanstoken van haar stiefmoeder, onthouden. De later beroemd geworden advocaat A. van Citters pleitte voor Gruiwardt. Uiteindelijk verhuisde Gruiwardt naar Goes waar hij een gezien lid van de stadsregering werd. De hier gebundelde pamfletten:$1. Titel als boven, Knuttel 11741 (met jaartal 1680 i.p.v. 1693).$2. Deductie van Ferd. Gruiwardt ... 1667, Knuttel 9593a-.$3. Ampliatie van de documenten en stucken ... 1668, Knuttel 9702a-.$4. Appendix van de voorgaende deductie en ampliatie ... 1671, Knuttel 9908a-.$5. Index van de voorgaende deductie, ampliatie en appendix ... 1672, Knuttel 10638a-.$6. Finis of besluijt ... 1673, Knuttel 10972.$7. Het tweede deel van de deductie ... 1674, Knuttel 11228.$8. Een christelijke waerschouwinge ... 1678, Knuttel 11633.$9. Een considerabilen brief ... 1682 Knuttel 11820.$10. Naeckte ontdeckinge ... 1683, niet in Knuttel.$11. Finis of besluyt des tweede deels ... 1685, niet in Knuttel.$12. Een considerabilen brief ... 1685, niet in Knuttel.$13. … [Click Below for Full Description]
Bookseller: Antiquariaat A.G. VAN DER STEUR
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2015-10-19 18:36:44
Salteur, Jacobi (Jacques)
A Nobilissimo Carolo Salteur, in eadem provincia juridico majore, Authoris filio, in lucem editae, in quibus variae de varijsquae stionibus. Ex Typographia Geoffredij Du - Four (Geoffrey Dufour), Camberii (Chambéry), 1637. Petit in - 8° en plein velin ivoir, avec titre manuscrit au dos et comprenant 5 feuillets, 1 f. blanc, 227 pages, 11 ff pour l'index, 1 ff d'errata. Jacques Salteur, Docteur en Droit, avocat au Parlement de Savoie, Conseiller et Sénateur, Seigneur de Culoz, il écrivit plusieurs ouvrages de Droit Sarde.
Bookseller: Librairie Librairie Le Beau Livre
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