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Displayed below are some selected recent viaLibri matches for books published in 1634
2018-01-27 13:10:25
HELDVAD, NIELS. - FRA OTTO THOTTS BIBLIOTEK.
Kiøbenhaffn, Henrich Kruse paa Henrich Waldkirchs Arffvingers Bekostning, 1634. 4to. Samtidigt helpergamentsbind. Forreste fals med revne i pergamentet, dog ikke løs. På forpermen et blindtrykt monogram hvor bogstaverne TZZ er adskilte af et blindtrykt stempel. Nederst i blindtryk 1635. Fællestitelbladet trykt i rødt og sort indenfor en bred røskenramme. De 4 deltitelblade alle med årstallet 1634 og alle med den trykte deltitel inden for en bred træskåren renæssanceramme. Nederst i rammen et portræt af forfatteren. Alle blade med en smal træskåren røskenramme. (14),320,(72) blade. Med 120 halv-sides illustrationer i træsnit signerede IM, MI eller HH. Fællestitelbladet repareret i kanter, ellers gennemgående i god stand. Af en bogtrykt etiket på indersiden af forpermen fremgår det, at geheimestatsminister Otto Thott har skænket bogen til Herlufsholm, og af en tilskrift (underskrevet Wad) fremgår det, at eksemplaret er udgået af Herlufsholms Bibliotek ved salg 8.12.1878 som dublet. ¶ Her foreligger originaltrykket i den version som på titelbladet angiver "Waldkirch Arffvingers bekostning" (den anden "Peder Anderssøns bekostning"). Bogen er Heldvads mest omfangsrigeste værk i hans litterære produktion og omfatter 4 dele som er særdeles rigt illustreret med motiver fra bibelhistorien. Denne "samling af hellige historier" indeholder Jesu Liv efter Evangelierne, apostlenes historie, Danmarks kirkehistorie og martyrberetninger.Bøger fra det Thottske bibliotek er yderst sjældne i privateje. Otto Thott var en af Danmark største bogsamlere og hans bibliotek bestod ved hans død af mer … [Click Below for Full Description]
Bookseller: Herman H J Lynge & Søn A/S [DK]
2018-01-24 13:17:57
DAVID (Adrien).
Valentienne Jean Veruliet 1634 1Valentienne, Jean Veruliet, 1634. In-12 de (14)-188-(4) pp., veau fauve, dos orné à nerfs orné, pièce de titre en maroquin rouge, tranches rouges (reliure du XVIIIe siècle). Rare édition originale imprimée à Valenciennes dédiée en 1634 au prélat de l'abbaye de Vicogne, l'abbé Matthias Bar. Trois ans plus tôt, suite à la démolition du choeur de cette abbaye fondée au XIIe siècle, furent découvertes « 26 niches dans l'épaisseur des constructions renfermant des saintes reliques provenant des onze mille vierges, de la légion thébaine commandée par St Géréon, de St Blaise, de St Sébastien et d'autres martyrs ; dans les deux années suivantes, ces reliques furent visitées par l'archevêque et les évêques qui les reconnurent en présence de tous les illustres et révérends prélats de la province, les approuvèrent et laissèrent des attestations en due forme de leur authenticité. L'abbé Matthias Bar pensa que le temps était venu de donner aux reliques de Vicogne un nouvel éclat et d'en faire une translation solennelle et organisa le 3 septembre 1634 une procession qui eut un grand retentissement (partie de Vicogne pour Valenciennes ndlr). Le 15 septembre, ces précieux restes reprirent le chemin de Vicogne avec la même pompe et la même foule qui les accompagna jusqu'à l'abbaye. A la suite de cette expédition, l'abbé Bar replaça ses saints dans son église restaurée, termina ses constructions, creusa lui-même son tombeau, et mourut en paix en 1642 » (Arthur Dinaux). Vignette de titre gravée aux armes de l'abbé Mathias Bar qui porte sa devise A terra ad astr … [Click Below for Full Description]
Bookseller: Bonnefoi Livres Anciens [France, Paris]
2018-01-24 09:55:15
Savoia - VITTORIO AMEDEO I (1587-1637).
Datata Torino, 15 luglio, 1634. 1 pagina in-4, al verso invio e sigillo, con firma autografa ''Amedeo''. Nella missiva il Duca prega suo cugino il Conte di Masino di rimuovere alcuni pezzi di artiglieria e di far restaurare le parti in rovina del Castello di Asti. Inoltre prescrive di stilare l'inventario di tutto ciò ''che si trova ne' magazeni per le munitioni'' e di fargliene pervenire una copia. Vittorio Amedeo I di Savoia, figlio di Carlo Emanuele I e di Caterina d'Asburgo, sposò nel 1619 Cristina di Borbone. Con la pace di Cherasco nel 1634 cedette ai francesi Pinerolo. [Attributes: Hard Cover]
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2018-01-19 14:10:05
FONTANA (Carlo)
- EDITION ORGINALE.Très belle suite d'inspiration baroque. 80 figures en taille douce et deux planches repliées en premier tirage. Les dessins de l'auteur ont été gravés d'une pointe alerte et spirituelle par l'architecte romain Alessandri Specchi.Architecte et ingénieur, Carlo Fontana, 1634-1714, a occupé une place qui n'est pas sans rappeler celle d'un Jules Hardouin-Mansart en France: il fut l'autorité suprême en matière de monuments et le chef d'un atelier entre les mains de qui toutes les affaires passaient.Il avait été formé dans l'atelier du Bernin. Il fut chargé de travaux innombrables sous le règne de sept Papes. A Rome, il construisit les palais Grimani et Bolognetti, la façade baroque de San Marcello et l'une des fontaines de la Place Saint-Pierre.Technicien accompli, son traité porte sur les eaux courantes, les machines hydrauliques et l'art des jardins au XVII siècle. Selon les principes de l'hydrodynamique, il examine le projet d'élévation et de conduite des eaux du lac Bracciano pour alimenter la fontaine du Bernin place Saint Pierre.Bel exemplaire, bien complet des toutes ses planches reliées et des "Capitoli aggiunti", qui manquent parfois. [Attributes: Hard Cover]
Bookseller: Oslo Rare Books (NABF/ILAB)
2018-01-17 03:24:21
SIRMOND, J.)
Bruxelles, 1634. 368 pp. 8vo. Modern half vellum, label with gilt lettering, marbled boards. Bourgeois & André, iv, 2798; Thuau, Raison d'Etat et pensée politique à l'époque de Richelieu, p. 443; not in BMSTC, French Books 1601-1700. Scarce first edition. Refutation of a pamphlet by Antoine de Vera et Zuniga, comte de la Rocca, Spanish ambassador in Venice, who had renewed the accusations against the French and their willingness to form coalitions with the heretics (Protestants). Sirmond here defends Louis XIII and his decision to cooperate with the Swedish protestants. This refutation has also been attributed to Père Joseph and to B. Milletot. [Attributes: First Edition; Hard Cover]
Bookseller: A. Gerits & Son b.v. [Diemen, Netherlands]
2018-01-15 21:12:26
MARCUS AURELIUS.
London: printed by M. Flesher for Richard Mynne, 1634. London: printed by M. Flesher for Richard Mynne,, 1634. treating of a naturall mans happinesse; wherein it consisteth, and of the meanes to attaine unto it. Translated out of the original Greek; with notes: by Meric Casaubon. Small quarto (185 x 132 mm), without blank A1, otherwise complete as issued. Mid 20th-century plain calf, spine gilt-lettered and dated direct, double gilt rules, red edges. Housed in a burgundy flat-back cloth box by the Chelsea Bindery. Engraved plate. Bookplate of the Philadelphia architect Hamilton Vogdes (1893–1979) to front pastedown. With contemporary marginalia and underlining on approximately 50 pages, often struggling to reconcile the text with Christian orthodoxy, a few comments just shaved at fore edge. Light toning to contents, a very good copy. First edition in English, a translation that proved an enduring success, remaining in print into the 20th century. "The charitable-sociable Stoicism of Casaubon's Marcus Aurelius appealed to a peaceful cosmic holism and rational moral duty in urging the pious conformity widely praised by Stuart advocates of the established church" (Barbour, English Epicures and Stoics, p. 195). In the 19th century Marcus Aurelius' reputation became increasingly contested, on the one hand being praised by liberal Anglican scholars who read his Stoicism as prefiguring Christianity, on the other championed by a number of prominent writers who found it difficult to believe in the existence of God at all. Copies have occasionally appeared on the market with the Fai … [Click Below for Full Description]
Bookseller: Peter Harrington. ABA member [London, United Kingdom]
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2018-01-15 13:06:05
TRONSARELLI, Ottavio.
Roma, Franc. Corbelletti, 1634. in-12, pp. 418, (2), leg. p. perg. coeva, tit. ms. al dorso e sul piatto super. Bel frontespizio inciso con Apollo che regge la lira entro la quale è iscritto il nome dell'A., fregi silogr., impresa tipogr. in fine. Prima edizione. L'Apollo è una raccolta di poesie in metri vari, mentre le tre composizioni seguenti sono più che altro componimenti destinati a rappresentazioni encomiastiche e di corte e predisposti per una successiva ''messa in musica''. Ottavio Tronsarelli (Roma...-1641), esponente di alcune Accademie romane, fra cui quella degli Ordinati e degli Umoristi, fu autore di veri e propri drammi musicali, fra cui ''Le catene di Adone'', tratto dal Marino, e di una raccolta di componimenti latini in versi, pubblicata nel 1639. ''L'isola della felicità'' è dedicata al card. Maurizio di Savoia, ''Il giuoco degli affetti'' al Duca Vittorio di Savoia e ''La Corte'' alla ''Invittissima città di Roma''. Buon esemplare (malgrado brunitura della carta e due timbri di collezioni nel margine dei due primi fogli).. Manca al Cat. Vinciana. Michel-Michel VIII, 77. BMC, XVII sec. 921..
Bookseller: Libreria Antiquaria Pregliasco [IT]
2018-01-15 13:06:01
BARBIERI NICOLO' DETTO BELTRAME.
Venezia, per Marco Ginammi, 1634. In-8ø; 8 cc. (la prima bianca assente), 234 pp., 1 c.; frontespizio inciso in rame con grande ritratto della maschera di Beltrame. Legatura settecentesca in tutta pergamena, titolo manoscritto al dorso e al taglio inferiore, tagli a spruzzo. Una piccola firma di possesso cancellata al frontespizio, margine superiore sobrio: titolo corrente di poche carte un poco rifilato. Seconda edizione (la prima Š stampata a Ferrara), caratterizzata dalla presenza del bellissimo frontespizio interamente inciso e raffigurante il ritratto dell'autore sotto le spoglie della maschera di Beltrame, personaggio della commedia dell'arte che il Barbieri impersonava sulla scena e che "fiss• nei suoi caratteri precisi in maniera definitiva" (DBI). La dedica Š a Luigi XIII di Francia, protettore del Beltrame durante il suo periodo di attivit... a Parigi. Con il Trattato sopra l'arte comica (prima edizione Genova 1627), qui presente nella seconda parte del volume, e con la Supplica, Barbieri si schier• con decisione a favore della professione comica e "fu uno dei primi ad alzare la voce in difesa di un'arte considerata unanimemente come diabolica, anticipando la cospicua trattatistica" successiva (DBI). L'autore (Vercelli, 1576- Modena, 1641), rappresentante della commedia dell'arte, fu comico di grande successo e scrittore di commedie fortunate: dal suo L'Inavvertito (1629) MoliŠre trasse l'?turdi (1653). Rasi, I comici italiani I, pp. 265-272. Vinciana 4173 (altre ed.). A. Zapperi, DBI VI (1964), pp. 237-238.
Bookseller: Mediolanum [IT]
2018-01-13 19:55:16
Samuelis Pufendorf,
(12)+ 1634 + Index sider, Berolini, 1695, Bound in a very fine contemporary full calf ( Folio) with 5 raised band and very rich golddecoration on spine. Wuth titellabel with goldprint With 2 titelpages with titel copper
Bookseller: Andersens Antikvariat [DK]
2018-01-12 11:30:27
MARCUS AURELIUS.
London: printed by M. Flesher for Richard Mynne, 1634. Small quarto (185 x 132 mm), without blank A1, otherwise complete as issued. Mid 20th-century plain calf, spine gilt-lettered and dated direct, double gilt rules, red edges. Housed in a burgundy flat-back cloth box by the Chelsea Bindery. Bookplate of the Philadelphia architect Hamilton Vogdes (1893–1979) to front pastedown. With contemporary marginalia and underlining on approximately 50 pages, often struggling to reconcile the text with Christian orthodoxy, a few comments just shaved at fore edge. Light toning to contents, a very good copy. Engraved plate. First edition in English, a translation that proved an enduring success, remaining in print into the 20th century. "The charitable-sociable Stoicism of Casaubon's Marcus Aurelius appealed to a peaceful cosmic holism and rational moral duty in urging the pious conformity widely praised by Stuart advocates of the established church" (Barbour, English Epicures and Stoics, p. 195). In the 19th century Marcus Aurelius' reputation became increasingly contested, on the one hand being praised by liberal Anglican scholars who read his Stoicism as prefiguring Christianity, on the other championed by a number of prominent writers who found it difficult to believe in the existence of God at all. Copies have occasionally appeared on the market with the Faithorne engraved portrait of Marcus Aurelius from Gataker's edition of 1652 inserted as frontispiece, but none is called for in this edition. Aside from the initial blank, this copy is complete as issued. The engraved plate in t … [Click Below for Full Description]
Bookseller: Peter Harrington. ABA member [London, United Kingdom]
2018-01-12 11:30:27
MARCUS AURELIUS.
London: printed by M. Flesher for Richard Mynne, 1634. Small quarto (185 x 132 mm), without blank A1, otherwise complete as issued. Mid 20th-century plain calf, spine gilt-lettered and dated direct, double gilt rules, red edges. Housed in a burgundy flat-back cloth box by the Chelsea Bindery. Bookplate of the Philadelphia architect Hamilton Vogdes (1893–1979) to front pastedown. With contemporary marginalia and underlining on approximately 50 pages, often struggling to reconcile the text with Christian orthodoxy, a few comments just shaved at fore edge. Light toning to contents, a very good copy. Engraved plate. First edition in English, a translation that proved an enduring success, remaining in print into the 20th century. "The charitable-sociable Stoicism of Casaubon's Marcus Aurelius appealed to a peaceful cosmic holism and rational moral duty in urging the pious conformity widely praised by Stuart advocates of the established church" (Barbour, English Epicures and Stoics, p. 195). In the 19th century Marcus Aurelius' reputation became increasingly contested, on the one hand being praised by liberal Anglican scholars who read his Stoicism as prefiguring Christianity, on the other championed by a number of prominent writers who found it difficult to believe in the existence of God at all. Copies have occasionally appeared on the market with the Faithorne engraved portrait of Marcus Aurelius from Gataker's edition of 1652 inserted as frontispiece, but none is called for in this edition. Aside from the initial blank, this copy is complete as issued. The engraved plate in t … [Click Below for Full Description]
Bookseller: Peter Harrington. ABA member [London, United Kingdom]
2018-01-09 22:38:02
(Bayly, Lewis)
(London): Printed for Robert Allot, and are to be sold at the signe of the Beare in Pauls Church-yard, 1634. (London): Printed for Robert Allot, and are to be sold at the signe of the Beare in Pauls Church-yard, 1634. Hardcover. Good. Published 1634. 12mo, contemporary dark brown calf wth elaborate gilt floral chain-link design to both covers and spine, (18) 701 (1) pp, with engraved title page borders. Good copy, neat Japanese paper reinforcement to front inner hinge, some wear to edges of front flyleaf, contents very good, binding shows some loss of leather to bottom half inch of spine, otherwise a splendid example of this oft-published Puritan devotional manual first published in the early 1600s. This is its 32nd edition. It was a wildly popular book and an enormous influence on John Bunyan, who credits it with causing his spiritual awakening. Intact copies from the early 17th century are rare on the market as most copies were read to the point of tatters. No copy has come up for auction from before 1650 in the last several decades. OCLC lists one copy at Oxford (COPAC lists the same copy; ESTC S90427).
Bookseller: Common Crow Books [U.S.A.]
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2018-01-08 20:28:35
Grabador/Engraver: Mitelli, Giuseppe Maria, Dibujante/Draw Artist:Carracci, Annibale
Rossi, Giovanni Giacomo, Italia - AGOSTINO, LUDOVICO I ANNIBALE CARRACCI (dibujo); GIUSEPPE MARIA MITELLI (1634-1718) (grabado); GIOVANNI GIACOMO ROSSI (1627-1691) (editor) Serie completa de las trece estampas de L'Enea Vagante pitture dei Caracci (portada + 12 estampas). Editada en Roma en 1663. Edición siglo XVIII. Aguafuerte estampado en rojo sobre papel verjurado encolado a papel verjurado. Buen estado de conservación pero cortadas cerca de la huella. Ref.: Bartsch, XIX, 291, 56. Siglo/Century: XVII Aguafuerte Papel verjurado Grabador/Engraver: Mitelli, Giuseppe Maria Dibujante/Draw Artist: Carracci, Annibale 1663 Altura papel/Paper height: 345 Anchura papel/Paper width: 535 Altura plancha/Plate height: Anchura plancha/Plate width:
Bookseller: Palau Antiguitats
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2018-01-07 19:01:03
LAMPADIUS JACOBUS
ex Officina Ioannis Maire, 1634. Cm. 11, pp. 380 + 2 cc.b. Bellissimo frontespizio inciso finemente in rame. Ottima legatura coeva in piena perg. rigida con titoli ms. al dorso. Prima carta di guardia mancante. Qualche trascurabile piccolo alone. Esemplare ben conservato. Jacob Lampadius (1593-1649), giurista e uomo politico tedesco, fu professore ad Helmstadt e protagonista di numerose ed importanti azioni diplomatiche. Opera dedicata all'impianto istituzionale e costituzionale dell'Impero (rapporti con il papato, teoria dello Stato e del contratto, sistemi elettivi dei principi, politica estera ecc.). Edizione originale. Cfr. Kvk..
Bookseller: Studio Bibliografico Apuleio
2018-01-07 17:01:10
Grabador: Barcelón, Juan, Dibujante:Giordano, Luca
España. LUCA GIORDANO (1634-1705) (pintor); JUAN BARCELON (1739-1801) (grabado) Pareja de estampas. Madrid, 1785. Buen estado de conservación. Siglo: XVIII.Aguafuerte y buril. Papel verjurado. Grabador: Barcelón, Juan. Dibujante: Giordano, Luca. 1785. Altura papelt: 297. Anchura papel: 757. Altura plancha:268. Anchura plancha: 725
Bookseller: Palau Antiguitats [Barcelona, Spain]
2018-01-05 18:38:43
1634 - Documento de 2 hojas manuscritas y 8 hojas impresas.
Bookseller: Librería Anticuaria García Prieto
2018-01-05 03:58:54
1634. Antique Master Print, titled: 'The most vertueous and illustrious Princesis, Mary by the Grace of God [ ]' - Portrait of Henrietta Maria of France, queen consort of England, Scotland, and Ireland as the wife of Charles I. Engraving on hand laid paper. Watermark: Grapes with a monogram. Description: Published by Thomas Booth (active ca. 1634-1636). State: Only state. Ref: Undescribed, based on Hollstein 3 by W. J. Delff. Very rare, undescribed version of the portrait published by Delff. This print was published by the little known publisher Thomas Booth. Not in BM.Artists and Engravers: Made by an anonymous engraver after 'Daniel Mytens'. Daniel Mytens (Dutch; 1590-1647) trained with Michiel van Mierevelt. He worked around 1634 in London. Condition: Very good, given age. Margins cropped to the image edge, a small rust spot in the middle of the image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPCLA-C17-28 The overall size is ca. 5.9 x 8.5 inch. The image size is ca. 5.9 x 8.5 inch. The overall size is ca. 15.1 x 21.6 cm. The image size is ca. 15.1 x 21.6 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
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2018-01-02 15:25:26
RHEINLAUF:
mit altem Grenzkolorit, um 1634, 76 x 49 (H) Krogt, Koeman's Atlantes Neerlandici, Bd. II, Nr. 1120. 2A. - Sehr seltene Karte des Rheinlaufes bei Blaeu, die nur in 2 Varianten der deutschen Ausgabe des Atlas Novus ( 1634 und 1635 ) erschienen ist und bereits 1635 in den anderssprachigen Ausgaben durch die bekannte Karte des Rheinlaufs ersetzt wurde. Mit den Platten der Germaniakarte wurde diese Rheinlaufkarte separat für die ersten Blaeu - Atlanten gedruckt. Zeigt den ganzen Rheinverlauf. Oben links kol. Windrose, oben rechts separat gedruckte, kol. Titelkartusche. Unten links ein kol. Meilenanzeiger, darüber ein großer Adler mit Wappen ( kol. ). - Bruchstellen restauriert.
Bookseller: Antiquariat Clemens Paulusch GmbH [Berlin, Germany]
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2018-01-02 03:06:08
MITELLI, Giuseppe Maria.
In Bologna, Giuseppe Longhi, s.d. (fine '600). In folio (cm. 44,5x32), front. con vedutina di Bologna e 40 tavole (cm. 27,5x19) inc. in rame da Franc. Curti, br. (senza legatura). Strappo alla prima tavola, macchie di umidità e lievi tracce di fango alle ultime 3 tavole e al front, restauro al margine interno del front. e ad un angolo della tav. 28. Le altre tavole in buono stato. Serie completa delle famose incisioni di Mitelli raffiguranti i vari tipi di venditori ambulanti. Toschi, Stampe popolari ital., pp. 23-24: "Viene a occupare un posto a sè e a segnare una decisa svolta nello sviluppo dell' iconografia popolare, il bolognese G. Maria Mitelli (1634-1718)...Egli fu l' erede di quella tradizione popolare, fecondandola di un umorismo nuovo, e trasmettendola alla generazione successiva, e rappresentò il legame tra il '500 e il '600, ma la sua personalità è così spiccata, impronta di sé tutta la produzione, anche quella che riprende antichi temi e motivi (i mestieri ambulanti, il paese della Cuccagna, i proverbi ecc.ecc.)".
Bookseller: Libreria Salimbeni [IT]
2018-01-01 16:59:17
Rettenpacher, Simon
30 x 21 cm. 4 Bll., 246 Seiten, 12 Bll. Mit gestochenem Frontisp. und 3 (1 doppelblattgroß) Kupfertafeln (statt 4). Neuer feiner Handeinband in Ganzleder mit Blindprägung. *Dünnhaupt 3306, 1 - Nebehay-W. 553 - Coreth 95f. - ADB XXVIII, 274.- Erste Ausgabe der ersten Geschichte des Stiftes Kremsmünster, verfaßt anläßlich der 900 Jahrfeier des Stiftes.- Hauptwerk des Benediktiner Mönches Simon Rettenpacher (1634-1706 in Kremsmünster). - Die 3 Kupfer zeigen Ehrenpforten und die Prozession. Es fehlen die gefaltete Ansicht und eine der 3 Ehrenpforten (das Werk ist selten komplett), ansonsten sehr gut erhalten in einem schönen Ganzledereinband.
Bookseller: Antiquariat Bernd Braun
2017-12-27 12:09:32
MITELLI, Giuseppe Maria.
In Bologna, Giuseppe Longhi, s.d. (fine '600). In folio (cm. 44,5x32), front. con vedutina di Bologna e 40 tavole (cm. 27,5x19) inc. in rame da Franc. Curti, br. (senza legatura). Strappo alla prima tavola, macchie di umidità e lievi tracce di fango alle ultime 3 tavole e al front, restauro al margine interno del front. e ad un angolo della tav. 28. Le altre tavole in buono stato. Serie completa delle famose incisioni di Mitelli raffiguranti i vari tipi di venditori ambulanti. Toschi, Stampe popolari ital., pp. 23-24: "Viene a occupare un posto a sè e a segnare una decisa svolta nello sviluppo dell' iconografia popolare, il bolognese G. Maria Mitelli (1634-1718)...Egli fu l' erede di quella tradizione popolare, fecondandola di un umorismo nuovo, e trasmettendola alla generazione successiva, e rappresentò il legame tra il '500 e il '600, ma la sua personalità è così spiccata, impronta di sé tutta la produzione, anche quella che riprende antichi temi e motivi (i mestieri ambulanti, il paese della Cuccagna, i proverbi ecc.ecc.)".
Bookseller: Libreria Salimbeni [IT]
2017-12-26 09:05:26
Dottor Don Tomas Carleval
Ex Typographia Regia Aegidij Longhi - Neapoli, 1634. LATINO 1,41 Seicentina in folio, stato discreto, coperta in pergamena semifloscia, molto rovinata e staccata dalla legatura, autore e titolo manoscritti sul dorso, fioritura sparsa, tagli ed alcune pagine bruniti, una con becca, testo posto su due colonne, con marginalia. Presenta lettera dedicatoria, segnatura dei fascicoli, richiami, Indici, Registrum. Foglio di guardia con fori e catalogazione bibliotecaria. Bella antiporta con incisione in nero, strappata la punta inferiore. Frontespizio con marca tipografica in nero, altra marca più elaborata su Registrum. Veste tipografica arricchita da magnifica testatina, capilettera, cornici tipografiche e finalini in nero. I stupenda tavola, fuori testo, in b. e n. con incisione del ritratto dell'Autore, scolpita da Nicolas Perry. Tomo Primo della collana Disputationum Iuris variarum ad interpretationem Regiarum Legum Regni Castelle, & illis similiumtàm ex Iure Neapolitano, quàm ex utroque communi Civili, & Canonico. USATO
Bookseller: Biblioteca di Babele
2017-12-23 10:53:55
CROON, Petrus.
STCV 3151545 (3 copies); Verberckmoes, Laughter, jestbooks and society in the Spanish Netherlands, p. 189 Rare first and only edition of a book with entertaining riddles in prose and verse, for use within the family or at social parties, by the popular author Petrus Croon IV (1634-1682). He states in his preface, that because his earlier published book Moy-al was so graciously received, he presents his readers with another collection of riddles and epigrams, to feed both their lust for pleasure and their lust for learning. All riddles are presented to Philoxenus, a lover of guests, and are told by Conviva, an invited friend. The riddles are given in verse and the answers are afterwards discussed in dialogues, with the solutions hinted at but not bluntly given, because Croon believed it would keep interest when the answer was not fully known. Included at the end is a section containing the solutions to all riddles and emblems of the Moy-al .With library stamps and bookplate. Frontispiece and title-page closely trimmed, but without loss of the image or text. Rebacked, lacking last flyleaf. Overall in good condition.
Bookseller: Antiquariaat FORUM BV [Netherlands]
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2017-12-23 09:20:13
[GUIBERT (GUYBERT), Philbert].
WorldCat (5 copies of Griset issue only); this edition not in Krivatsy; Wellcome; SUDOC. Only copy located of the Gesselin issue of the 1634 edition of a remarkably popular collection of medical texts by the French physician Philibert Guibert (1579?-1633) (and others). As indicated by the title, Guibert wrote these "charitable" texts to make academic medical recipes available to the general public for an affordable price. At the same time it was an attack on the practices and utility of apothecaries as he provided details on how to compose common pharmaceutical compounds and advised the public to buy the ingredients directly. Of course the recipes where to be made under a physician's directions.The present edition is only known from the, also rare, Claude Griset issue published in the same year, the engraved title-page includes Griset's name, while the letterpress title-page just has Jean Gesselin's name in the imprint.With owner's inscription of A. de Grateloup on paste-down. Some occasional minor foxing, three leaves have a small corner torn-off and some leaves have some wormholes in the margins. A good copy.
Bookseller: Antiquariaat FORUM BV
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2017-12-22 21:12:24
Dottor Don Tomas Carleval
NAPOLI: Ex Typographia Regia Aegidij Longhi - Neapoli, 1634. Rilegato. DISCRETO. 22 31,7. Disputationum Iuris variarum ad interpretationem Regiarum Legum Regni Castelle, & illis similiumtàm ex Iure Neapolitano, quàm ex utroque communi Civili, & Canonico. I USATO
Bookseller: Controcorrente Group srl BibliotecadiBab
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2017-12-22 06:32:03
Machiavelli Niccolo
1634. Ebert 12672 - Gerber III, 53.- Vor allem aufgrund seines Werkes "Il Principe" (dt. Der Fürst) gilt er als einer der bedeutendsten Staatsphilosophen der Neuzeit.- Vorliegende Ausgabe in der französischen Übersetzung und mit den Kommentaren des Historikers Nicolas Amelot de la Houssaye (1634-1706).- Vord. Innendeckel mit Exlibris der "Gr. Chotekische Bibliothek"; tls. leicht braunfleckig, Ebd. etwas fleckig, Rücken mit kleiner Wurmspur. # Rare French edition in the translation and with the comments of the historian Nicolas Amelot de la Houssaye (1634-1706).- With engraved portrait of the author.- [Attributes: Hard Cover]
Bookseller: Antiquariat Johannes Müller [Salzburg, Austria]
2017-12-20 07:43:57
Tacito (Publius Cornelius Tacitus)
ex Officina Elzeviriana, 1634. 12mo (cm. 11,9), opera legata in 2 Voll., 10 cc.nn. (compreso frontis. interamente inciso ed una tav. a piena pagina), 432 pp.; da p. 433 a p. 786, 15 cc.nn. Splendide legature coeve in marocchino rosso con nervi, ricchissimi fregi e titolo in oro su tassello nero al ds. Piatti incorniciati da duplici fili oro, dentelle decorate, tagli oro. Carte di guardia marmorizzate con disegno a pettine. Piccole mancanze alle cuffie superiori, ma nel complesso ottimo esemplare. Willems (415): ‘L’édition est fort belle et très recherchée’. Provenienza: collezione Wardington (Ex libris cartaceo ai contropiatti posteriori).
Bookseller: Libreria Antiquaria Ex Libris s.r.l. [IT]
2017-12-13 07:26:03
Antique print, titled: 'The virtuous parents. Laetitia endeavours in vain by presents to reconcile her parents.' - Interior scene with parents, their daughter and granddaughter. Stipple engraving, hand coloured on laid paper. Description: Undescribed copy after the print by Smith.Artists and Engravers: Made by 'Bartoloti, Probably a member of the Remondini family' after 'George Morland'. Giuseppe Antonio Remondini (1634 -1711), around 1660, founded a printing office where he developed in particular the production of illustrated books. He created the famous school of chalcography which became one of the major European centers of this art. Then to his son Giuseppe (1672-1742), and to his sons Giovanni Antonio (1700-69) and Giambattista (1713-73). Next Giuseppe (1745-1811). Firm finally closed in 1860. George Morland (1763-1804) was an English painter of animals and rustic scenes. He was born in London, third son of Henry Robert Morland. His father, artist, engraver and picture restorer. Morland's work in painting is characterised by the simple subjects he painted. He depicted the life he knew from his own experience. Morland worked closely with William and James Ward, and later married their sister Anne. Condition: Good, given age. Margins cropped to the platemark. Modern coloring. Some faint soiling (mainly in the lower margin). Two closed wormholes in the caption below the image (backed with paper and acid-free archival tape). General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: E33-47 The overall size is c … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
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2017-12-13 04:23:21
MITELLI, Giuseppe Maria.
In Bologna, Giuseppe Longhi, s.d. (fine '600). In folio (cm. 44,5x32), front. con vedutina di Bologna e 40 tavole (cm. 27,5x19) inc. in rame da Franc. Curti, br. (senza legatura). Strappo alla prima tavola, macchie di umidità e lievi tracce di fango alle ultime 3 tavole e al front, restauro al margine interno del front. e ad un angolo della tav. 28. Le altre tavole in buono stato. Serie completa delle famose incisioni di Mitelli raffiguranti i vari tipi di venditori ambulanti. Toschi, Stampe popolari ital., pp. 23-24: "Viene a occupare un posto a sè e a segnare una decisa svolta nello sviluppo dell' iconografia popolare, il bolognese G. Maria Mitelli (1634-1718)...Egli fu l' erede di quella tradizione popolare, fecondandola di un umorismo nuovo, e trasmettendola alla generazione successiva, e rappresentò il legame tra il '500 e il '600, ma la sua personalità è così spiccata, impronta di sé tutta la produzione, anche quella che riprende antichi temi e motivi (i mestieri ambulanti, il paese della Cuccagna, i proverbi ecc.ecc.)".
Bookseller: Libreria Salimbeni [IT]
2017-12-11 16:18:33
CROON, Petrus.
- STCV 3151545 (3 copies); Verberckmoes, Laughter, jestbooks and society in the Spanish Netherlands, p. 189 Rare first and only edition of a book with entertaining riddles in prose and verse, for use within the family or at social parties, by the popular author Petrus Croon IV (1634-1682). He states in his preface, that because his earlier published book Moy-al was so graciously received, he presents his readers with another collection of riddles and epigrams, to feed both their lust for pleasure and their lust for learning. All riddles are presented to Philoxenus, a lover of guests, and are told by Conviva, an invited friend. The riddles are given in verse and the answers are afterwards discussed in dialogues, with the solutions hinted at but not bluntly given, because Croon believed it would keep interest when the answer was not fully known. Included at the end is a section containing the solutions to all riddles and emblems of the Moy-al.With library stamps and bookplate. Frontispiece and title-page closely trimmed, but without loss of the image or text. Rebacked, lacking last flyleaf. Overall in good condition.
Bookseller: Antiquariaat FORUM BV
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2017-12-10 06:41:27
Antique print, titled: 'Prospectus Capitoplii Romani cum scala versus templum Aracaeli et Capitolio de Roma con l' escalera hacia la iglesiad d' araceli. ' - This plate shows antique Roman buildings and the Stairs on the Capitoline Hill in Rome.On the left the church Santa Maria in Aracoeli. Handcoloured etching/engraving on hand laid (verge) paper. Description: So called optical print by the famous Italian publishing firm Remondini. An optical print, also called 'vue d'optique', were made to be viewed through a Zograscope, or other devices of convex lens and mirrors, all of which produced an optical illusion of depth. Optical. Artists and Engravers: Made by 'Remondini' after 'G.B. Piranesi'. Publisher: Giuseppe Antonio Remondini (1634 -1711), around 1660, founded a printing office where he developed in particular the production of illustrated books. He created the famous school of chalcography which became one of the major European centers of this art. Then to his son Giuseppe (1672-1742), and to his sons Giovanni Antonio (1700-69) and Giambattista (1713-73). Next Giuseppe (1745-1811). Firm finally closed in 1860. Condition: Very good, given age. Small tear in top margin and hole in lower of print, reinforced using contemporary paper backed with acid free archival tape. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: E36-31 The overall size is ca. 16.3 x 11.7 inch. The image size is ca. 15.9 x 11.5 inch. The overall size is ca. 41.3 x 29.7 cm. The image size is ca. 40.5 x 29.3 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
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2017-12-07 07:39:21
Tryckt i Stockholm, aff Ignatio Meurer, Åhr 1634. 4:o. (52) s. Modernt stänkmarmorerat pappersomslag. Äldre löpande paginering i bläck övre yttre hörn. Nära skuren övre kant, tre blad med förlust av övre delen på av en del bokstäver. Sista bladet ett par ord till hälften bortskurna. 18 x 14,5 cm.
Bookseller: Antiquaria Bok- & Bildantikvariat AB [SE]
2017-12-06 12:52:11
Dottor Don Tomas Carleval
Ex Typographia Regia Aegidij Longhi - Neapoli, NAPOLI, 1634. Disputationum Iuris variarum ad interpretationem Regiarum Legum Regni Castelle, & illis similiumtàm ex Iure Neapolitano, quàm ex utroque communi Civili, & Canonico. LATINO Seicentina in folio, stato discreto, coperta in pergamena semifloscia, molto rovinata e staccata dalla legatura, autore e titolo manoscritti sul dorso, fioritura sparsa, tagli ed alcune pagine bruniti, una con becca, testo posto su due colonne, con marginalia. Presenta lettera dedicatoria, segnatura dei fascicoli, richiami, Indici, Registrum. Foglio di guardia con fori e catalogazione bibliotecaria. Bella antiporta con incisione in nero, strappata la punta inferiore. Frontespizio con marca tipografica in nero, altra marca più elaborata su Registrum. Veste tipografica arricchita da magnifica testatina, capilettera, cornici tipografiche e finalini in nero. I stupenda tavola, fuori testo, in b. e n. con incisione del ritratto dell'Autore, scolpita da Nicolas Perry. Tomo Primo della collana Disputationum Iuris variarum ad interpretationem Regiarum Legum Regni Castelle, & illis similiumtàm ex Iure Neapolitano, quàm ex utroque communi Civili, & Canonico. Numero di pagine: 584
Bookseller: Biblioteca di Babele [Tarquinia, VT, Italy]
2017-12-04 20:39:33
CROON, Petrus.
STCV 3151545 (3 copies); Verberckmoes, Laughter, jestbooks and society in the Spanish Netherlands, p. 189 Rare first and only edition of a book with entertaining riddles in prose and verse, for use within the family or at social parties, by the popular author Petrus Croon IV (1634-1682). He states in his preface, that because his earlier published book Moy-al was so graciously received, he presents his readers with another collection of riddles and epigrams, to feed both their lust for pleasure and their lust for learning. All riddles are presented to Philoxenus, a lover of guests, and are told by Conviva, an invited friend. The riddles are given in verse and the answers are afterwards discussed in dialogues, with the solutions hinted at but not bluntly given, because Croon believed it would keep interest when the answer was not fully known. Included at the end is a section containing the solutions to all riddles and emblems of the Moy-al.With library stamps and bookplate. Frontispiece and title-page closely trimmed, but without loss of the image or text. Rebacked, lacking last flyleaf. Overall in good condition.
Bookseller: Antiquariaat FORUM BV
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2017-11-30 23:59:49
Thomas Ridley
Oxford: Printed by William Turner, Printer to the University [etc.], 1634. Contemporary vellum, lightly worn, remains of ties, especially well preserved with the signature of Ricci Hippisley on the title; the Taussig copy One of the earliest treatises (the second) on English ecclesiastical law (including defamation and bastardy), treating also of the law of admiralty, martial law, and international law; in Holdsworth's view "learned and clearly expressed
Bookseller: Meyer Boswell Books, Inc. [U.S.A.]
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2017-11-26 20:30:29
Aurelius, Marcus, Emperor of Rome (Meric Casaubon translator)
London: M. Flesher for Richard Mynne, 1634. First English language edition. Translated out of the original Greek; with notes: by Meric Casaubon, Marcus Aurelius' extremely influential expression of Stoic philosophy. Small quarto (185 x 132 mm), without blank A1, otherwise complete as issued. Mid 20th-century plain calf, spine gilt-lettered and dated direct, double gilt rules, red edges. Engraved plate. Bookplate of the Philadelphia architect Hamilton Vogdes (1893-1979) to front pastedown. With contemporary marginalia and underlining on approximately 50 pages, often struggling to reconcile the text with Christian orthodoxy, a few comments just shaved at fore edge. Light toning to contents, a very copy. First edition in English, a translation that proved an enduring success, remaining in print into the 20th century. "The charitable-sociable Stoicism of Casaubon's Marcus Aurelius appealed to a peaceful cosmic holism and rational moral duty in urging the pious conformity widely praised by Stuart advocates of the established church" (Barbour, English Epicures and Stoics, p. 195). In the 19th century Marcus Aurelius' reputation became increasingly contested, on the one hand being praised by liberal Anglican scholars who read his Stoicism as prefiguring Christianity, on the other championed by a number of prominent writers who found it difficult to believe in the existence of God at all. Copies have occasionally appeared on the market with the Faithorne engraved portrait of Marcus Aurelius from Gataker's edition of 1652 inserted as frontispiece, but none is called for in this edit … [Click Below for Full Description]
Bookseller: Whitmore Rare Books [USA]
2017-11-25 17:11:36
Venne, Adriaen van de (1589-1662) [?]
"Pages from several booklets from 1634 published in Amsterdam by Pieter Iansz. Slyp. All the pages present text in letterpress and plates by Adriaen van de Venne (?). Images (19) from the first volume: 'Eenighe brvylofts-ghedichten' are emblematic representations of love. The others are all from 'happy-ending' theatrical pieces; from the second volume: 'Diana Bly-eyndend-spel, Op de Sin. Ghedenckt te Sterven' is the frontispiece with a plate representing the beheading of a personage in front of a sultan seated on a high chair; in the frontispiece of the third volume: 'Minne-beelden toe-gepast, de lievende ionckheyt' are people gathered around a Cupid standing on a hill; people reading or singing from booklets; frontispiece of the 'Noodsakelyck WERELD-HATEN op De woorden Christi'; plate introducing the composition: 'Voor-spel, Eerste Vytkomste'; plate for the 'Voldoeningh,Op 't versoeck van Ivffrovw Amira' with a Cupid handing a booklet to a young lady in an interior; couples wondering in the countryside are represented in the plate introducing the 'Minnelycke Harders-klacht'; frontispiece and other five plates from 'HELENA Bly-eyndend-spel'; frontispiece and four plates from 'ROSEMONDT en RANCILIS and title page and one plate of 'Pastorel Bly-eyndend-spel van CLORIS en PHILIDA'. "."Etching and letterpress on paper; plate mark: ca. 111 x 140 mm; total: 209 x 173 mm; the plates are all in good condition; in some cases there are smudges along the external borders, some dirt and foxing. In a few cases are also worm holes, though not affecting the plates; sometimes are also te … [Click Below for Full Description]
Bookseller: Antiquariaat Arine van der Steur / ILAB [Den Haag, Netherlands]
2017-11-22 21:09:07
Spanheim, Friedrich père
Pierre Albert, Geneve 1634 - 8vo (150x92 mm); leg. in piena pelle marrone chiara, con dorso in pelle leggermente più scura, doppio filetto dorato ai piatti, dorso a quattro nervi, con decori dorati e titolo a caratteri dorati su tassello in pelle verde, tagli rossi, carte di guardia marmorizzate, nastro segna-pagina; pp. [56], 556; una carta della Svizzera più volte ripiegata, marca tipografica incisa, capilettera e testatine finemente incise. Rara prima edizione, una delle quattro uscite contemporaneamente (le altre furono pubblicate a Paris, a Rouen e senza località), redatta dal teologo protestante Spanheim (1600-1649); il "Mercure" doveva essere un periodico, ma apparve solo questo volume; espone gli avvenimenti politici occorsi in Svizzera tra il 1630 e il 1634, tra le fazioni opposte all'interno dei cantoni cattolici e protestanti, a Soleure, Berna e Costanza; opera di particolare interesse storico-locale. Rif.: Questa prima ed. di Ginevra non è censita presso ICCU, che invece riporta la prima ed. di Parigi, pubblicata sempre nel 1634 (IT\ICCU\BVEE\042223). OCLC, 613446607 (1 copia in USA, presso la Harvard University - Houghton Library - Cambridge). Cond.: Qualche leggero rossore; opera in perfette condizioni generali. -- Rel. hybride du 18e: plats de veau brun sertis d'un double filet doré, dos en maroquin rouge fleuronné doré avec étiq. de cuir vert, tranches rouges (coins et coupes lég. frottés; rousseurs éparses, qqs ff. brunis). Une des quatre éditions parues à la même date (Paris, Rouen ou sans lieu) de cet ouvrage rédigé par le théologien protestant Spanheim ( … [Click Below for Full Description]
Bookseller: Books and collectibles di Paola Suaria
2017-11-22 20:15:08
TASSIN (Nicolas).
Paris Sébastien Cramoisy 1634 2 parties reliées en un fort volume in-8 oblong, bradel vélin, titre de l'ouvrage calligraphié sur le dos (reliure ancienne). Boîte-étui et étui de Devauchelle.Première édition de ce précieux recueil établi par Christophe Tassin (et non pas Nicolas, d'après la Bibliothèque nationale de France), Géographe du Roi, consacré aux villes du royaume de Louis XIII. Entrepris à la demande de Richelieu, cet ouvrage est le premier de ce format à représenter la France de façon aussi détaillée et précise. Il comporte de nombreuses vues panoramiques, généralement dessinées à partir d'un point éloigné et que Tassin qualifiait lui-même de profils, qui révèlent les configurations des sites, les limites de l'habitat, les silhouettes des monuments et les enceintes. Nombre de planches ont été publiées séparément dès 1631. A chaque province est consacré un cahier indépendant, ayant son titre propre et sa table avec sa propre numérotation [sauf pour les 4 planches d'Orange et du Contat de Venaissin et les 6 planches de Foix Béarn, qui ne comportent pas de table] et une carte de la région. La première partie contient une carte générale de la France (manque la seconde) et couvre les régions suivantes, dans l'ordre: Picardie (45 pl.), Champagne (52 pl.), Lorraine (25 pl. dont 2 non répertoriées dans la table), Bretagne (24 pl. sur 26, manquent les planches 12 et 13), Normandie (25 pl.), Ile-de-France (15 pl. sur 16, manque la planche 5), Brie (15 pl.). La deuxième partie contient: Bourgogne (21 pl.), Dauphiné (38 pl.), Orange et Contat de Venaissin (4 pl.), Provence (1 … [Click Below for Full Description]
Bookseller: Galerie Paul Blaizot [France, Paris]
2017-11-22 20:00:47
Forer, Laurenz.
München, Nikolaus Heinrich, 1634. (20), 268 SS. (Vorgebunden) II: Ders. Mantissa ant-anatomiae Jesuiticae, opposita famosis quibusdam contra Societatem Jesus parsis libellis, quorum tituli sunt: I. Mysteria Patrum Societatis Jesu. II. Consultatio Fr. Iuniperi de Ancona Minoritae. III. Fr. Ludovici Soteli relatio, de ecclesiae Iaponicae statu. Innsbruck, Johann Gäch, 1635. (4), 153, (3) SS. (Beigebunden) III: Anatomia anatomiae Societatis Jesu, sive antanatomia qua infamis ille liber, qui sub titulo Anatomia Societatis Jesu, nuper ab anonymo quodam anatomico furtim in lucem protrusus est [.]. Köln, Heinrich Kraft, 1635. (8), 191 (falsch: 173), (1) SS. Jeweils mit kl. Titelvignette in Holzschnitt. Pergamentband der Zeit auf 3 durchzogenen Bünden mit blindgepr. Deckelfileten und hs. Rückentitel. Dreiseitiger Farbschnitt. Bindebänder fehlen. 4to. Hübscher Sammelband mit drei Streitschriften des Luzerner Jesuiten Forer (1580-1659), der in Ingolstadt und Dillingen Moral- und Kontroverstheologie lehrte, gegen den beißenden antijesuitischen Polemiker Kaspar Schoppe. Verfaßt während Forers Jahren in Tirol, wohin er sich wegen der vorrückenden Schweden mit Heinrich von Knoringen, dem Bischof von Augsburg, zurückgezogen hatte. I: Zweite Ausgabe; ein Jahr nach der Erstausgabe im selben Verlag. II: Erste Ausgabe. III: Zweite Ausgabe; ein Jahr nach der Innsbrucker Erstausgabe. "Auf [Schoppes] 'Actio' erschien 1633 Forers 'Anti-Melander'; der 'Anatomia' setzte er die 'Anatomia Anatomiae . sive Ant-Anatomia.' entgegen [.] (u. a. gegen die Echtheit der 'Monita Secreta'); [.] Die 1627 in Rom … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
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