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Displayed below are some selected recent viaLibri matches for books published in 1609
2018-01-11 15:20:09
Grabador: Waterloo, Anthonie, Dibujante:Waterloo, Anthonie
Países Bajos. ANTHONIE WATERLOO (1609-1690) Considerado uno de los mejores grabadores de paisajes del siglo XVII. Es de destacar el modo en que representaba los árboles y los juegos de luz en los bosques. Algunos de sus aguafuertes se cuentan entre los más tempranos ejemplos de paisajes "puros", sin presencia humana, y cuando incluye figuras, éstas se insertan en el paisaje para crear una escena natural y verosímil. En el siglo XVIII William Gilpin dijo de Waterloo que nadie representaba los árboles mejor que él. Ref.: Bartsch, 133. Sello en seco en reverso: "B.T." en una corona. Buen estado de conservación. Siglo: XVII.Aguafuerte y buril. Papel verjurado. Grabador: Waterloo, Anthonie. Dibujante: Waterloo, Anthonie. Mediados siglo XVII. Altura papelt: 297. Anchura papel: 252. Altura plancha:. Anchura plancha:
Bookseller: Palau Antiguitats [Barcelona, Spain]
2018-01-11 15:20:09
Grabador: Waterloo, Anthonie, Dibujante:Waterloo, Anthonie
Países Bajos. ANTHONIE WATERLOO (1609-1690) Considerado uno de los mejores grabadores de paisajes del siglo XVII. Es de destacar el modo en que representaba los árboles y los juegos de luz en los bosques. Algunos de sus aguafuertes se cuentan entre los más tempranos ejemplos de paisajes "puros", sin presencia humana, y cuando incluye figuras, éstas se insertan en el paisaje para crear una escena natural y verosímil. En el siglo XVIII William Gilpin dijo de Waterloo que nadie representaba los árboles mejor que él. Ref.: Bartsch, 61. Buen estado de conservación. Brillante estampación. Siglo: XVII.Aguafuerte y buril. Papel verjurado. Grabador: Waterloo, Anthonie. Dibujante: Waterloo, Anthonie. Mediados siglo XVII. Altura papelt: 126. Anchura papel: 143. Altura plancha:123. Anchura plancha: 139
Bookseller: Palau Antiguitats [Barcelona, Spain]
2018-01-11 15:20:09
Grabador: Waterloo, Anthonie, Dibujante:Waterloo, Anthonie
Países Bajos. ANTHONIE WATERLOO (1609-1690) Considerado uno de los mejores grabadores de paisajes del siglo XVII. Es de destacar el modo en que representaba los árboles y los juegos de luz en los bosques. Algunos de sus aguafuertes se cuentan entre los más tempranos ejemplos de paisajes "puros", sin presencia humana, y cuando incluye figuras, éstas se insertan en el paisaje para crear una escena natural y verosímil. En el siglo XVIII William Gilpin dijo de Waterloo que nadie representaba los árboles mejor que él. Ref.: Bartsch, 92. Buen estado de conservación. Siglo: XVII.Aguafuerte. Papel verjurado con filigrana. Grabador: Waterloo, Anthonie. Dibujante: Waterloo, Anthonie. Circa 1660. Altura papelt: 230. Anchura papel: 154. Altura plancha:206. Anchura plancha: 124
Bookseller: Palau Antiguitats [Barcelona, Spain]
2018-01-11 15:20:09
Grabador: Waterloo, Anthonie, Dibujante:Waterloo, Anthonie
Países Bajos. ANTHONIE WATERLOO (1609-1690) Considerado uno de los mejores grabadores de paisajes del siglo XVII. Es de destacar el modo en que representaba los árboles y los juegos de luz en los bosques. Algunos de sus aguafuertes se cuentan entre los más tempranos ejemplos de paisajes "puros", sin presencia humana, y cuando incluye figuras, éstas se insertan en el paisaje para crear una escena natural y verosímil. En el siglo XVIII William Gilpin dijo de Waterloo que nadie representaba los árboles mejor que él. Ref.: Bartsch, 109. Buen estado de conservación. Siglo: XVII.Aguafuerte y buril. Papel verjurado. Grabador: Waterloo, Anthonie. Dibujante: Waterloo, Anthonie. Mediados siglo XVII. Altura papelt: 252. Anchura papel: 335. Altura plancha:226. Anchura plancha: 290
Bookseller: Palau Antiguitats [Barcelona, Spain]
2018-01-11 15:20:09
Grabador: Waterloo, Anthonie, Dibujante:Waterloo, Anthonie
Países Bajos. ANTHONIE WATERLOO (1609-1690) Considerado uno de los mejores grabadores de paisajes del siglo XVII. Es de destacar el modo en que representaba los árboles y los juegos de luz en los bosques. Algunos de sus aguafuertes se cuentan entre los más tempranos ejemplos de paisajes "puros", sin presencia humana, y cuando incluye figuras, éstas se insertan en el paisaje para crear una escena natural y verosímil. En el siglo XVIII William Gilpin dijo de Waterloo que nadie representaba los árboles mejor que él. Ref.: Bartsch, 112. Buen estado de conservación. Siglo: XVII.Aguafuerte. Papel verjurado. Grabador: Waterloo, Anthonie. Dibujante: Waterloo, Anthonie. Mediados siglo XVII. Altura papelt: 242. Anchura papel: 320. Altura plancha:223. Anchura plancha: 293
Bookseller: Palau Antiguitats [Barcelona, Spain]
2018-01-11 15:20:09
Grabador: Waterloo, Anthonie, Dibujante:Waterloo, Anthonie
Países Bajos. ANTHONIE WATERLOO (1609-1690) Considerado uno de los mejores grabadores de paisajes del siglo XVII. Es de destacar el modo en que representaba los árboles y los juegos de luz en los bosques. Algunos de sus aguafuertes se cuentan entre los más tempranos ejemplos de paisajes "puros", sin presencia humana, y cuando incluye figuras, éstas se insertan en el paisaje para crear una escena natural y verosímil. En el siglo XVIII William Gilpin dijo de Waterloo que nadie representaba los árboles mejor que él. Ref.: Bartsch, 71. Buen estado de conservación. Siglo: XVII.Aguafuerte y buril. Papel verjurado. Grabador: Waterloo, Anthonie. Dibujante: Waterloo, Anthonie. Mediados siglo XVII. Altura papelt: 155. Anchura papel: 178. Altura plancha:114. Anchura plancha: 165
Bookseller: Palau Antiguitats [Barcelona, Spain]
2018-01-11 15:20:09
Grabador: Waterloo, Anthonie, Dibujante:Waterloo, Anthonie
Países Bajos. ANTHONIE WATERLOO (1609-1690) Considerado uno de los mejores grabadores de paisajes del siglo XVII. Es de destacar el modo en que representaba los árboles y los juegos de luz en los bosques. Algunos de sus aguafuertes se cuentan entre los más tempranos ejemplos de paisajes "puros", sin presencia humana, y cuando incluye figuras, éstas se insertan en el paisaje para crear una escena natural y verosímil. En el siglo XVIII William Gilpin dijo de Waterloo que nadie representaba los árboles mejor que él. Ref.: Bartsch, 88. Buen estado de conservación. Siglo: XVII.Aguafuerte y buril. Papel verjurado. Grabador: Waterloo, Anthonie. Dibujante: Waterloo, Anthonie. Mediados siglo XVII. Altura papelt: 138. Anchura papel: 163. Altura plancha:. Anchura plancha:
Bookseller: Palau Antiguitats [Barcelona, Spain]
2018-01-11 15:20:09
Grabador: Waterloo, Anthonie, Dibujante:Waterloo, Anthonie
Países Bajos. ANTHONIE WATERLOO (1609-1690) Considerado uno de los mejores grabadores de paisajes del siglo XVII. Es de destacar el modo en que representaba los árboles y los juegos de luz en los bosques. Algunos de sus aguafuertes se cuentan entre los más tempranos ejemplos de paisajes "puros", sin presencia humana, y cuando incluye figuras, éstas se insertan en el paisaje para crear una escena natural y verosímil. En el siglo XVIII William Gilpin dijo de Waterloo que nadie representaba los árboles mejor que él. Ref.: Bartsch, 67. Buen estado de conservación. Siglo: XVII.Aguafuerte y buril. Papel verjurado. Grabador: Waterloo, Anthonie. Dibujante: Waterloo, Anthonie. Mediados siglo XVII. Edición siglo XVIII. Altura papelt: 138. Anchura papel: 154. Altura plancha:130. Anchura plancha: 144
Bookseller: Palau Antiguitats [Barcelona, Spain]
2018-01-10 20:49:26
OSTFRIESLAND und OLDENBURG:
mit altem Grenz- und Flächenkolorit, 1609, 34 x 42,5 Koeman Me 19. - Zeigt Ostfriesland und Oldenburg. - Links unten, im breiten weißen Rand, ein Eckausriß.
Bookseller: Antiquariat Clemens Paulusch GmbH [Berlin, Germany]
2018-01-09 05:57:05
BIBLE; English, Douai-Rheims version.)
Rheims [NT] & Douai [OT]: John Fogny [NT]; printed by Laurence Kellam [OT], 1582 & 1609-10. Together 2 works in 3 quarto volumes. NT: quarto (214 x 155 mm). Late 17th-century calf, covers with a gilt rule border and gilt panel with a small fleuron at the corners, spine with 6 panels, the 2nd and 3rd with early 19th-century contrasting morocco labels; early 19th-century wove paper endleaves; sprinkled edges. Woodcut initials and ornaments; woodcut title from an early 17th-century Geneva Bible bound-in as frontispiece. Title and following leaf somewhat soiled and browned and repaired on the verso along the inner margin, text lightly browned throughout with some minor dampstaining, minor grubby marks and soiling in places, inner margin of the final leaf repaired, a very good copy. Old ink initials "AK" at the foot of the title; Rev. Joseph Abbot, perhaps the Catholic priest of St Chad's, Birmingham, circa 1838-40, with his early 19th-century signature on the front pastedown; pencil purchase note on the front flyleaf "Hodgson 423 10/10/69 AMX". OT: 2 volumes, quarto (225 x 168 mm). Contemporary gilt-tooled calf, central gilt-stamped oval "IHS" with crucifix surrounded by flames, frames with elaborate scrollwork, spines gilt-stamped with repeated floral stamp; rebacked with original spines laid down, corners mended. Titles within typographic ornament borders, woodcut headpieces and decorative initials. Bookplates of Robert S. Pirie. An occasional minor marginal spot or smudge, a very good copy. Each volume housed in a burgundy flat-back cloth box by the Chelsea Bindery First edi … [Click Below for Full Description]
Bookseller: Peter Harrington. ABA/ ILAB. [London, United Kingdom]
2017-12-29 07:32:24
Drusius, Johannes:
Franekerae, Aegidius Radaeus, 1609. 4 unn. Bll., 152; 55; 4 unn. Bll.; 95 S. 19 x 15 cm, Halbpergament mit umlaufendem Rotschnitt Einband berieben, bestoßen und mit etwas Verlust des Überzugpapiers. Innen immer wieder etwas fleckig. Insgesamt guter Zustand. "Johannes van den Driesche [or Drusius] (28 June 1550 ? February 1616) was a Flemish Protestant divine, distinguished specially as an Orientalist, Christian Hebraist and exegete. He was born at Oudenarde, in Flanders. Intended for the church, he studied Greek and Latin at Ghent, and philosophy at Leuven; but his father having been outlawed for his religion, and deprived of his estate, retired to England, where the son followed him in 1567. He found a teacher of Hebrew in Antoine Rodolphe Chevallier, with whom he resided for some time at Cambridge. In 1572 he became professor of Oriental languages at Oxford. Upon the pacification of Ghent (1576) he returned with his father to their own country, and was appointed professor of Oriental languages at the University of Leiden in the following year. In 1585 he removed to Friesland, and was admitted professor of Hebrew in the university of Franeker, an office which he discharged with great honour till his death. He acquired a reputation as a professor, and his class was frequented by students from all the Protestant countries in … [Click Below for Full Description]
Bookseller: Göppinger Antiquariat [Göppingen, Germany]
2017-12-29 03:44:51
Lorini, Buonaiuto
Venice: Presso Francesco Rampazetto, 1609. Second edition. Full Leather. Near Fine. Folio. Modern brown calf, heavily decorated, with attractive inlay stamping to front and rear panels. Collates complete: [12], 303 [i.e. 299], [1] with pages 57-60 omitted in printing as in all copies. This edition is enlarged from the first edition of 1596, adding fifty illustrated leaves not present there. A nice copy of a famous fortification book in a pleasing modern binding.
Bookseller: Sanctuary Books [US]
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2017-12-26 19:17:29
NIEDERRHEIN:
1609. Kupferstich v. Pompeo Giustiniano aus Delle Guerre Di Flandra Libri VI. Di Pompeo Givstiniano . b. Ioachimo Trognesio in Antwerpen, 1609, 30 x 38,5 Zeigt das Gebiet von Lingen bis Kempen und von der Zuidersee bis Gorinchem. - Oben rechts Kartusche mit Kartentitel; unten links Kartusche mit 2 verschiedenen Meilenzeigern.
Bookseller: Antiquariat Norbert Haas [Bedburg-Hau, Germany]
2017-12-26 19:17:29
LINGEN/Ems:
Kupferstich b. Giustiniano, 1609, 21 x 30 Am rechten Rand ein Kasten mit Erklärungen von A - I.
Bookseller: Antiquariat Nikolaus Struck [Berlin, B, Germany]
2017-12-26 19:17:29
- Kupferstich b. Giustiniano, 1609, 21 x 30 Am rechten Rand ein Kasten mit Erklärungen von A - I. Sprache: Deutsch
Bookseller: Antiquariat Clemens Paulusch GmbH
2017-12-25 03:14:13
VIRGILIO MARONE, Publio.
Commentate in lingua volgare toscana da Giov. Fabrini, Carlo Malatesta, Fil. Venuti. Con ordine che l'espositione volgare dichiara la latina, e la latina la volgare ... Nuovamente ornate di vaghe, et bellissime figure. Venetia, appresso i Sessa, 1609. 2 parti in un vol. in-folio, ff. 100, 322 (ma i.e.326 per errore di numeraz. dopo f. 196), leg. moderna in p. perg. rigida, dorso a nervi con tit. ms. Frontesp. a stampa rossa e nera con grande impresa tipogr., testatine, fregi, iniziali istoriate e ornate, 15 illustrazioni silografate n.t. (11 alle Egloghe, 4 alle Georgiche). Precede la Vita di Virgilio. Testo latino in car. corsivo, racchiuso dalla traduzione volgare, commento ed annotazioni in car. tondo. Pregevole edizione seicentesca delle opere di Virgilio, tradotte in italiano ed ampiamente commentate. Buon esempalre di edizione assai bella. (Piccola porzione del margine bianco esterno del titolo abilmente rifatto, lievi arrossature o aloni).. Michel-Michel VIII, 221. BMC, XVII sec., 964 (stessa ediz., ma altre date). Graesse VII, 340..
Bookseller: Libreria Antiquaria Pregliasco [IT]
2017-12-20 08:46:39
(Rhetoricians - Antwerp) Herpener, Peter de -
Antwerpen, Met K.M. Commissaris visiteringhe ende consent, gheprint t'..., Gillis van Diest, 1609. Later halfvellum with gilt title, (16)pp, interleaved copy. Ca. 18 x 13,5 cm.Second edition (the first edition is of 1556); fine copy. The society of rhetoricians "De Violieren" at Antwerp was one of the most famous of The Netherlands and founded probably in ca. 1400. The play was performed for the first time at the occasion of the peace of Vaucelles with France in the presence of King Philips II in 1556.
Bookseller: Antiquariaat SECUNDUS [Netherlands]
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2017-12-17 13:25:08
Gregorius Nazianzenus.
Paris, Typis Regiis, apud Claudium Morellum (Claude Morell), 1609. - Erstausgabe des ersten Bandes der ersten vollständigen Gesamtausgabe; 1611 erschien noch ein weiterer Band. - Griechisch-lateinischer Paralleldruck. - „Morell widmete diese Ausgabe dem Papst Paul V. [.]. Am Ende des ersten Bandes stehen die Bemerkungen zu Gregor‘s Werken und Briefen, die Morell zuerst herausgab" (Hoffmann). - Titelblatt angestaubt u. gestempelt. Wenige Bll. m. kl. Randläsuren. Etw. gebräunt u. durchg. (bes. Ränder) stockfleckig. - Brunet II, 1728 („Cette édition est préferée à celle de 1630 [.]"); Hoffmann II, 173. gr Gewicht in Gramm: 5000 Fol. Titel in Rot u. Schwarz m. Holzschn.-Vignette. Mit einigen Holzschn.-Vignetten u. -Initialen. 34 Bll., 916 S., 20 Bll., Mod. HLdr. [Attributes: First Edition; Hard Cover]
Bookseller: Antiquariat Wolfgang Friebes [Austria]
2017-12-13 04:26:31
Pompeo Giustiniano
Ioachimo Trognesio, 1609. In 4° piccolo (cm 24) pergamena coeva esemplare slegato e staccato dalla legatura, pp 4-329-16. Belle tavole rip. F.t. di campi di battaglia Tavola XII doppia . Esemplare completo Italiana
Bookseller: Libreria Antiquaria Elia Zali [IT]
2017-12-12 14:35:07
James I, King of England
1609. London, 1609. London, 1609. King James I Urges Loyalty to the Crown James I, King of England [1566-1625]. An Apologie for the Oath of Allegiance. First Set Foorth Without a Name: And Now Acknowledged by the Author, The Right high and Mightie Prince, Iames, By the Grace of God, King of Great Britaine, France and Ireland; Defender of the Faith, &c. Together with a Premonition of His Maiesties, To All Most Mightie Monarches, Kings, Free Princes and States of Christendome. London: By Robert Barker Printer to the Kings most Excellent Maiestie, 1609. [iv], 135, [13]; 112 pp. Two parts, each with title page and pagination. Quarto (7-1/4" x 5-1/4"). Eighteenth-century speckled calf, raised bands and lettering piece to spine, joints discreetly reinforced. A few minor scuffs to boards, moderate rubbing to extremities, corners bumped and somewhat worn, hinges starting, a few partial cracks to text block. Text printed within ruled borders, woodcut head-pieces, large woodcut royal arms on p. [iv] of Part I and p. [2] of Part II. Moderate toning, minor worming and dampstaining to margins of a some leaves, soiling to title page of Part I, early owner signature to its verso. An attractive copy. $850. * Second and final edition, one of three issues from 1609. James I published this work anonymously in 1607 to encourage his subjects to remain loyal to the throne. Due perhaps to its anonymous nature and part-Latin text, the work received little attention and, as one would expect, disappointing sales. Hoping to improve sales, James published second edition under his name with the Latin s … [Click Below for Full Description]
Bookseller: The Lawbook Exchange, Ltd.
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2017-12-06 20:22:32
Lorini, Buonaiuto
Presso Francesco Rampazetto, Venice 1609 - Folio. Modern brown calf, heavily decorated, with attractive inlay stamping to front and rear panels. Collates complete: [12], 303 [i.e. 299], [1] with pages 57-60 omitted in printing as in all copies. This edition is enlarged from the first edition of 1596, adding fifty illustrated leaves not present there. A nice copy of a famous fortification book in a pleasing modern binding. [Attributes: First Edition; Hard Cover]
Bookseller: Sanctuary Books, A.B.A.A. [U.S.A.]
2017-12-06 13:54:43
Heser Georg
- VD17 824:735935L (nicht in Wolfenbüttel).- 365 Betrachtungen über das Leben Christi aus den 4 Evangelien zusammengestellt von Georg Heser (* 1609 Weyern oder Wegern bei Passau; ? nach 1676). Er lehrte am Jesuitenkolleg in Ingolstadt und München.- Tls. etw. braunfleckig, Ebd. berieben u. mit Wurmspuren, Kapitale beschädigt.
Bookseller: Antiquariat Johannes Müller
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2017-12-05 03:27:03
James I, King of England
1609. London, 1609. King James I Urges Loyalty to the Crown James I, King of England [1566-1625]. An Apologie for the Oath of Allegiance. First Set Foorth Without a Name: And Now Acknowledged by the Author, The Right high and Mightie Prince, Iames, By the Grace of God, King of Great Britaine, France and Ireland; Defender of the Faith, &c. Together with a Premonition of His Maiesties, To All Most Mightie Monarches, Kings, Free Princes and States of Christendome. London: By Robert Barker Printer to the Kings most Excellent Maiestie, 1609. [iv], 135, [13]; 112 pp. Two parts, each with title page and pagination. Quarto (7-1/4" x 5-1/4"). Eighteenth-century speckled calf, raised bands and lettering piece to spine, joints discreetly reinforced. A few minor scuffs to boards, moderate rubbing to extremities, corners bumped and somewhat worn, hinges starting, a few partial cracks to text block. Text printed within ruled borders, woodcut head-pieces, large woodcut royal arms on p. [iv] of Part I and p. [2] of Part II. Moderate toning, minor worming and dampstaining to margins of a some leaves, soiling to title page of Part I, early owner signature to its verso. An attractive copy. $850. * Second and final edition, one of three issues from 1609. James I published this work anonymously in 1607 to encourage his subjects to remain loyal to the throne. Due perhaps to its anonymous nature and part-Latin text, the work received little attention and, as one would expect, disappointing sales. Hoping to improve sales, James published second edition under his name with the Latin sections transl … [Click Below for Full Description]
Bookseller: The Lawbook Exchange, Ltd. [USA]
2017-12-01 17:54:20
Malespini Celio
Al Segno dell'Italia. 2 parti in un volume in-8° (208x150mm), cc. (8), 281; (1) bianca, 312; cartonatura antica con dorso rivestito in carta a decori romboidali in rosso e in azzurro. Marca tipografica in xilografia al frontespizio con figura allegorica, motto "Hinc religio vera" e figure di putti. Testatine e capilettera ornati e animati incisi su legno. Indici delle novelle in principio. Vari errori di numerazione alla seconda parte, che salta dalla pp. 112 alla 115 e da 152 a 155, errori presenti nella totalità degli esemplari e registrati anche nella scheda catalografica di SBN. Alcuni marginali antichi all'ultima c. di indice. Minimali macchioline ed aloni ad alcune cc., minima mancanza al margine inferiore della c. 192 della prima parte e restauro alla c. 216 della seconda parte. Restauri alla carta decorata del dorso. Ottima copia nell'insieme. Edizione originale delle 202 novelle del Malespini. Ricalcando quasi letteralmente la cornice boccacciana del grande paradigma novellistico del "Decameron", lo scrittore fiorentino finge le sue novelle ambientate in una villa del Trevigiano, e narrate da una brigata fuggita da Venezia a causa della peste. Esse sono solo per una novantina originali e derivano, nel resto, oltre che dal Certaldese, dal "Cent nouvelles nouvelles", dalla "Diana" di Giorgio di Montemayor, dal "Mambriano" del Cieco da Ferrara, da Anton Francesco Doni. Di singolare interesse le novelle contenenti precisi riferimenti alla realtà storica, come gli amori di Bianca Capello e di Francesco de'Medici (particolarmente insistiti sono i temi licenziosi, anch'es … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Galleria Gilibert
2017-11-30 19:58:09
James I, King of England
1609. London, 1609. London, 1609. King James I Urges Loyalty to the Crown James I, King of England [1566-1625]. An Apologie for the Oath of Allegiance. First Set Foorth Without a Name: And Now Acknowledged by the Author, The Right high and Mightie Prince, Iames, By the Grace of God, King of Great Britaine, France and Ireland; Defender of the Faith, &c. Together with a Premonition of His Maiesties, To All Most Mightie Monarches, Kings, Free Princes and States of Christendome. London: By Robert Barker Printer to the Kings most Excellent Maiestie, 1609. [iv], 135, [13]; 112 pp. Two parts, each with title page and pagination. Quarto (7-1/4" x 5-1/4"). Eighteenth-century speckled calf, raised bands and lettering piece to spine, joints discreetly reinforced. A few minor scuffs to boards, moderate rubbing to extremities, corners bumped and somewhat worn, hinges starting, a few partial cracks to text block. Text printed within ruled borders, woodcut head-pieces, large woodcut royal arms on p. [iv] of Part I and p. [2] of Part II. Moderate toning, minor worming and dampstaining to margins of a some leaves, soiling to title page of Part I, early owner signature to its verso. An attractive copy. $850. * Second and final edition, one of three issues from 1609. James I published this work anonymously in 1607 to encourage his subjects to remain loyal to the throne. Due perhaps to its anonymous nature and part-Latin text, the work received little attention and, as one would expect, disappointing sales. Hoping to improve sales, James published second edition under his name with the Latin … [Click Below for Full Description]
Bookseller: The Lawbook Exchange, Ltd. [US]
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2017-11-25 01:51:55
Saenredam, I.P.
(Cornelis Claesz), (no place), (1609). Two sheets of paper pasted together. Very good condition and very nicely hand coloured. 293x371 mm. Map by I.P. Saenredam, based on the original by Ortelius. The plate was used many times for several publications, like Guicciardini's description of The Netherlands and loose prints like this one. In 1612 Bleau took the plate over and eventually broke the top left corner (where a crack is visible in this copy). Nontheless the plate remained to be used until 1648.
Bookseller: Historisch Antiquariaat A.G. van der Ste
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2017-11-24 17:14:26
Heser Georg
- I) VD17 12:100320P.- Lateinisch-deutsch-italienische Übersetzungen von Schlüsselsätzen aus Thomas a Kempis "Vier Bücher von der Nachfolgung Christi" nach den Kapiteln angeordnet.- II) VD17 12:100318T (nicht in Wolfenbüttel).- 70 kurze Lobreden Jesuitischer Schriftsteller auf Thomas a Kempis "Vier Bücher von der Nachfolgung Christi".- Beide Werke in erster Ausgabe.- Georg Heser (* 1609 Weyern oder Wegern bei Passau; ? nach 1676) lehrte am Jesuitenkolleg Ingolstadt und München.- Erster Titel wasserfleckig, sonst tls. gering wasserrandig od. braunfleckig, Nachsatz u. hint. Umschl. mit kl. Randläsuren, Umschl. etw. fleckig. [Attributes: Hard Cover]
Bookseller: Antiquariat Johannes Müller
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2017-11-23 15:22:40
ARETINO PIETRO.
Parigi, Matteo il Maestro nella strada di San Giacomo, 1609. Sei volumi in-8ø. I: 8 (2 bb.), 283 cc. (i.e. 277), 1 c.b. - II: 10, 326 cc. (i.e. 324) - III: 10, 362 cc. (i.e. 366), 2 cc. bb. - IV: 8, 296 cc. - V: 8, 338, 6 cc. - VI: 8, 301 cc., 3 cc. bb. Bella legatura francese coeva in tutto marocchino rosso, doppio inquadramento di filetti e motivi floreali alla Du Seuil sui piatti, titoli, filetti e fregi in oro al dorso, tagli dorati (lievi tracce d?uso, due volumi con aloni ai piatti). Antiche note di possesso manoscritte ai titoli: una della famiglia Blonay. Alcune macchie e gore lievi soprattutto all'inizio del IV volume, ma nel complesso buon esemplare. Prima edizione completa del famoso Epistolario dell'Aretino. Questa edizione di Parigi, nonostante non sia priva di errori e di omissioni, Š la pi-- ampia e la prima completa in quanto in precedenza i singoli volumi erano usciti separatamente e da diversi tipografi. "Una delle pi-- grandi, se non la pi-- grande, raccolta di lettere che sia mai stata pubblicata. Lettere che sono capolavori del genere, meravigliose non solo per i pregi intrinseci, ma anche per il sentimento di modernit... e d'arte che le anima. Ô tutto il Cinquecento che passa come un'opulenta visione in quella serie di quadri sentiti e vivi attraverso i fascini di uno stile tutto grazia e naturalezza" (Bertani). I destinatari sono personaggi tra i pi-- disparati, dagli uomini potenti - come re, principi, duchi - ad artisti, letterati, condottieri, medici, amici, mercanti e soldati. Non mancano fra i corrispondenti dell'Aretino anche alcune cortigiane c … [Click Below for Full Description]
Bookseller: Mediolanum [IT]
2017-11-22 21:03:03
DU VAL (Jean-Baptiste)
Bookseller: Librairie Ancienne J.-Marc Dechaud [France, Crissay-sur-Manse]
2017-11-22 20:12:17
ZAPATA Y SANDOVAL (Juan)
Bookseller: LIBRAIRIE CHAMONAL [Paris, France]
2017-11-21 01:45:22
HONDIUS, Jodocus.
Amsterdam, 1609, French text edition. Old colour. 355 x 490mm. A good, dark impression. An early example of this map of Cyprus with six inset maps of other Ægean islands underneath: Lemnos, Chios, Mitiline, Euboea, Kythira & Rhodes. In the seas of the main map are two strapwork cartouches, a sea-monster and a galley flying a Crescent Moon flag. This example is from the first French edition, published only three years after its first issue. ZACHARAKIS: 2211, illus.; KOEMAN: Me 19. [Attributes: First Edition]
Bookseller: Altea Antique Maps [London, United Kingdom]
2017-11-19 17:20:53
Ortelius Abraham
Anversa, Ioannem Bapt. Vrintium 1609. Incisione all'acquaforte di mm 460 x 344 su carta di filo. Foglio a larghi margini in perfetto stato di conservazione. Numerosissimi toponimi nella pianta in tedesco ed in sloveno. Si tratta del foglio n 88 del più che celebre atlante di Ortelio "Theatrum orbis terrarum". Abramo Ortelio: nome italianizzato del geografo e cartografo fiammingo Abraham Oertel (Anversa, 2 aprile 1527 – 28 giugno 1598). Ortelius fu il grande fondatore della cartografia fiamminga con Mercatore, nome italianizzato di Gerardus Mercator, il cartografo e geografo fiammingo Gerhard Kremer (Rupelmonde 1512-Duisburg 1594). Dopo avere studiato greco, latino e matematica, Oertel si stabilì ad Anversa - il grande porto delle Diciassette Province - come libraio e cartografo. Viaggiò molto e pubblicò in 1564 una carta del mondo in 8 fogli che conobbe un grande successo. Il suo modo di lavorare era sensibilmente differente del suo rivale e amico Mercatore: Ortelius redigeva le carte per mezzo dei suoi contatti professionali o amichevoli con i cartografi europei. Nel 1564 pubblicò una carta del mondo (Typus Orbis Terrarum) in otto fogli. Venticinque anni prima dell'atlante di Mercatore, fece incidere da Franz Hogenberg la sua collezione di carte in una stessa scala (1570) che fu pubblicata sotto il titolo di Theatrum Orbis Terrarum che costituisce in effetti il primo atlante, una pubblicazione che conobbe quattro ristampe nei suoi primi dieci anni dall'uscita. In totale, il Theatrum fu pubblicato in sette lingue e trentasei edizioni. Ortelius fu anche il primo a citare le … [Click Below for Full Description]
Bookseller: Libreria Emiliana [Venezia, VE, Italy]
2017-11-13 15:44:39
GUILLEMEAU (Jacques)
Paris, Nicolas Buon, 1609. In-8 de (32), 439 et (1) pages [sans les 16 pages d'index] ; veau moucheté vers 1700, pièce de titre de maroquin rouge, tranches rouges (quelques frottements aux angles et manque à la coiffe inférieure). L'invention de la manoeuvre dite de Mauriceau. Rare première édition, illustrée d'un frontispice architectural et de douze bois dans le texte, d'un des premiers textes scientifiques de gynécologie publiés par un chirurgien français et en français. L'ouvrage est dédié à André Du Laurens qui mourut l'année de la parution de l'ouvrage. Elève d’Ambroise Paré à l’Hôtel Dieu, lecteur assidu de Vésale, Guillemeau (1549-1613) se fait vite remarquer par ses talents en anatomie et en pathologie, et est appelé à pratiquer l’autopsie du roi Charles IX en mai 1574. Il s’engage ensuite comme chirurgien du champ de bataille. A son retour à Paris, Maurice retrouve Paré, qui l’accueille chez lui, en fait son gendre, et le traducteur de ses oeuvres en latin. De l'heureux accouchement est une oeuvre de maturité, rédigée à l’âge de 60 ans, dans laquelle Guillemeau plaide pour une collaboration étroite entre le chirurgien et ses aides, pour enfin rompre la mésentente entre médecins et sages-femmes. Dans l'heureux accouchement, Guillemeau étudie les soins prénataux, les maladies qui peuvent arriver à la femme enceinte, et la manière d'aider au mieux l'accouchement. Les douze bois gravés montrent des foetus in utero afin d'aider les chirurgiens et sage-femmes lors de présentations compliquées demandes des manipulations complexes. Le chapitre 25 de la seconde partie est … [Click Below for Full Description]
Bookseller: Le Zograscope [Paris, France]
2017-11-08 11:33:31
Foullon Jean-Erard
- Der belgische Jesuit Jean-Erard Foullon (1609 - 1668) war Rektor, Prediger u. Schriftsteller in Lüttich.- Vorsatz u. Titel gestempelt, tls. leicht fleckig, Ebd. etw. berieben u. mit kl. Bibliotheksaufkleber.
Bookseller: Antiquariat Johannes Müller
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2017-11-08 09:52:03
HALL, Joseph (Bishop of Exeter and Norwich).:
London, printed by H. L. for Eleazar Edgar, and Samuel Macham, 1609. FIRST EDITION 1609, 8vo, approximately 160 x 100 mm, 6¼ x 4 inches, illustrated title page, woodcut headpieces and some decorated initials, text printed within ruled border throughout, pages: (viii), 1-174, (8), 1-87, (3), in addition to the general title page there are 4 separate dated title pages and pagination restarts with the Paraphrase upon the Song of Songs, register is continuous throughout, last 3 pages are blank except for ruled border. Bound in contemporary full limp vellum, faded ink title to spine, remains of ties at fore-edges. Vellum darkened and discoloured, stained on upper hinge, small brown stain and a couple of light scratches to lower cover, 3 tiny holes to upper hinge of spine, small piece missing from corner of front endpaper, neatly repaired, small neat repair to top edge of title page, on blank side, 2 lower margins have paper fault neatly repaired, not affecting text, small neat ink initials on endpaper, a little faint spotting to title page, very small patch of worming in inner margin throughout, not affecting text, 2 pages slightly dusty (one blank), last free endpaper crinkled at outer edge,otherwise contents clean and bright, binding tight and firm. A very good copy. Joseph Hall (1574-1656), eminent prelate and author, was educated at Emmanuel College, Cambridge, and became bishop of Exeter, (1627-41), and of Norwich, (1641-47). The rise of Puritanism involved him in serious church difficulties, and his vigorous defence of the episcopacy against its attackers resulted in his i … [Click Below for Full Description]
Bookseller: Roger Middleton P.B.F.A.
2017-11-08 09:52:03
HALL, Joseph (Bishop of Exeter and Norwich).:
London, printed by H. L. for Eleazar Edgar, and Samuel Macham, 1609.. FIRST EDITION 1609, 8vo, approximately 160 x 100 mm, 6¼ x 4 inches, illustrated title page, woodcut headpieces and some decorated initials, text printed within ruled border throughout, pages: (viii), 1-174, (8), 1-87, (3), in addition to the general title page there are 4 separate dated title pages and pagination restarts with the Paraphrase upon the Song of Songs, register is continuous throughout, last 3 pages are blank except for ruled border. Bound in contemporary full limp vellum, faded ink title to spine, remains of ties at fore-edges. Vellum darkened and discoloured, stained on upper hinge, small brown stain and a couple of light scratches to lower cover, 3 tiny holes to upper hinge of spine, small piece missing from corner of front endpaper, neatly repaired, small neat repair to top edge of title page, on blank side, 2 lower margins have paper fault neatly repaired, not affecting text, small neat ink initials on endpaper, a little faint spotting to title page, very small patch of worming in inner margin throughout, not affecting text, 2 pages slightly dusty (one blank), last free endpaper crinkled at outer edge, otherwise contents clean and bright, binding tight and firm. A very good copy. Joseph Hall (15741656), eminent prelate and author, was educated at Emmanuel College, Cambridge, and became bishop of Exeter, (162741), and of Norwich, (164147). The rise of Puritanism involved him in serious church difficulties, and his vigorous defence of the episcopacy against its attackers resulted in his im … [Click Below for Full Description]
Bookseller: Roger Middleton
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2017-11-05 22:54:56
1609. Antique print, titled: 'La chasse, passetemps des princes.' - Title page (Hunting, pastime of princes.). It shows two hunters with their weapons, horses and catch. Etching/engraving on hand laid (verge) paper. Description: "La chasse, passetemps des princes." by J. David, published 1609. Artists and Engravers: Made by 'Domenico di Rossi' after 'Antonio Tempesta'. Engraver unclear. Antonio Tempesta (ca. 1555-1630) was a Rome born artist, who specialised in etchings. His prints with hunting scenes, biblical matter etc. attracted great popularity in the early 17th. Century and were copied widely. Condition: Very good, given age. Small tear lower left, backed with contemporary paper and acid free archival tape. A crease in the top left corner margin and image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LATPC-A2-30 The overall size is ca. 12.7 x 10.3 inch. The image size is ca. 11.2 x 8.1 inch. The overall size is ca. 32.2 x 26.2 cm. The image size is ca. 28.5 x 20.5 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-11-03 13:59:49
Grégoire, Pierre.
Frankfurt am Main, Rhodius [Rhode], 1609. Ca. 25,3 x 18,5 cm. 8 Blätter, 908 Seiten, 34 Blätter. Pergamentband der Zeit mit Farbschnitt. Hauptwerk des französischen Juristen und Philosophen Pierre Grégoire (Petrus Gregorius Tholosanus; ca. 1540-1597). Mit der Druckermarke von Nikolaus Hoffmann auf dem Titelblatt. Einband fleckig, Titelblatt gestempelt, teils stärker gebräunt.
Bookseller: Antiquariat Rainer Schlicht [Berlin, Germany]
2017-11-01 18:43:35
Antique print, titled: 'Von den Frisen oder Groninger hengsten. Von den Teutschen Landt pferden. ' - This print and accompanying tekst shows a Frisian / Groninger stallion (page 89) and German country horse (page 90). Rare print from a monumental work on horsemanship. Woodcut on hand laid paper. Description: From: 'Della Cavalleria, Grundtlicher Bericht von allem was zu der Reutterei gehoerig .', by Georg Engelhard(t) von Lohneysen, published in Remlingen, 1609-1610. Ref: VD17 23:295275G & 23:295280A (volumes listed separately); Nissen ZBI 2451VD17 23:295275G & 23:295280A (volumes listed separately); Nissen ZBI 2451VD17 23:295275G & 23:295280A (volumes listed separately); Nissen ZBI 2451VD17 23:295275G & 23:295280A (volumes listed separately); Nissen ZBI 2451VD17 23:295275G & 23:295280A (volumes listed separately); Nissen ZBI 2451Nissen ZBI 2451.Artists and Engravers: Anonymous. Condition: Very good, given age. Print on front and rear. Some small stains in margin. A crease in middle of print. Margins cropped close to the plate mark. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: RC-A12-37 The overall size is ca. 11.8 x 16.1 inch. The image size is ca. 8.5 x 7.3 inch. The overall size is ca. 29.9 x 40.9 cm. The image size is ca. 21.7 x 18.5 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-11-01 02:18:35
Marcellinus, Ammianus.
Hamburg:: In bibliopolio Frobeniano, 1609. Full Vellum. Good. 4to.. Two Volumes in one. ([8], 504, [50]; 276, [4] p. Contemporary full vellum, yapped edges. Some discolouration, marks, soiling. Page ends soiled, foxing throughout. Initials of PJF to the pastedown, writing to the base of the rear endpaper. Stain to the bottom edge of prelims, two words added to title page and crossed out (old ink) & ink stain. Vol. [2] has special t.p.: "Fr. Lindenbrogi Observationes in Ammianum Marcellinum; et in eundem collectanea variarum lectionum. Hamburgi Apud M. Hludovicum Frobenium. M D CIX." Text - Latin Includes indexes. Title vignettes; initials; head-pieces. Errata page Ammianus Marcellinus, (born c. 330, Antioch — died 395, Rome), last major Roman historian, whose work continued the history of the later Roman Empire to 378.
Bookseller: Pinwell Books
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2017-10-31 13:58:39
Tuning, Gerard
Ex Officina Plantiniana Raphelengii, 1609. in 8°, 16 cm, ril. coeva in piena pergamena, tit. manoscritto al dorso, p.(20), 95, (9), 100, (4), 136, (4), 116, (4), 104. Marca: (Mano con compasso: Labore et constantia) al frontespizio. Testo in greco, latino, italiano, francese e spagnolo. Lavoro di tarlo a 35 carte alla parte superiore lontano dal testo
Bookseller: Studio Bibliografico Orfeo (ALAI-ILAB)
2017-10-31 13:58:39
Tuning, Gerard
Ex Officina Plantiniana Raphelengii, 1609. in 8°, 16 cm, ril. coeva in piena pergamena, tit. manoscritto al dorso, p.(20), 95, (9), 100, (4), 136, (4), 116, (4), 104. Marca: (Mano con compasso: Labore et constantia) al frontespizio. Testo in greco, latino, italiano, francese e spagnolo. Lavoro di tarlo a 35 carte alla parte superiore lontano dal testo Molto buono [Attributes: Hard Cover]
Bookseller: Studio Bibliografico Orfeo (ALAI - ILAB) [Bologna, BO, Italy]
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