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Displayed below are some selected recent viaLibri matches for books published in 1606
2017-12-09 21:50:36
Parsons, Robert
Only edition of the polemic which Laski called "an attempt of great importance to show how the common law leaves room for the Pope", challenging Coke's reports of decisions limiting the jurisdiction of the ecclesiastical courts and to Coke's response. Contemporary calf, rubbed, label lacking, definite browning, margins cut close (no text affected), else sound; the Taussig copy. Imprinted with licence [by F. Bellet], St. Omers, 1606.
Bookseller: Meyer Boswell Books, Inc. [U.S.A.]
2017-12-06 23:51:38
Kepler, Johannes
Frankofurti (Frankfurt), 1606. First edition of the Keplers's important study. Part 3 (of 4), 44 pp; p.169-212. Later cloth. Internally very good. Bibliographic reference: CASPAR 27: III. Pictures on request. [Attributes: First Edition; Hard Cover]
Bookseller: Rosenbad Antique Books [Stockholm, Sweden]
2017-11-22 21:07:28
PARADIN (Claude).
Bookseller: Librairie Jeanne Laffitte [Marseille, France]
2017-11-22 20:46:20
ARISTOTLE
Bookseller: Sokol Books Limited [GB]
2017-11-22 20:12:41
Boyvin du Villars François de
Chez Iean [Jean] Gesselin, 1606. In-4° (250x180mm, pp. (10), 683 (41) di indice bicolonne, (2) bianche, bella legatura coeva in pieno vitello biondo glacé con bordura a secco lungo il perimetro dei piatti con fleurons angolari. Dorso a 5 nervi decorati in oro con titolo in oro entro tassello e, entro scomparti, fiorellini, filetti e decori fitomorfi riccamente impressi in oro. Tagli rossi, fogli di guardia marmorizzati. Impresa tipografica con Pegaso al frontespizio. Testatine e capilettera riccamente ornati in xilografia. Qualche normale e leggera brunitura e fioritura. Ex-libris nobiliare antico "Elize Gulston". Si tratta di Elizabeth-Brigitte Gulston, morta nel 1780, bibliofila e acquafortista. Il di lei marito, Joseph Gulston, era un avido collezionista di libri e di stampe; la loro biblioteca venne venduta nel giugno del 1784, e tra gli acquirenti dei volumi vi fu lo stesso re Giorgio III. Stando al Bouland (Marques de livres, Paris, Giraud-Badin, 1925, pp. 236-239), la Gulston stessa avrebbe disegnato e inciso il proprio ex-libris. Altro ex-libris ottocentesco "L. Dussieux". Si tratta di Louis Étienne Dussieux (Lione, 1815-Parigi, 1894), storico dell'arte e geografo, professore all'École Militaire de Saint-Cyr. Ex-libris manoscritto al foglio di guardia anteriore ("M. de Sainte-Valière"). Bellissimo esemplare. Edizione originale, assai rara, di queste memorie storiche di estrema importanza per la storia del Piemonte, segnatamente in relazione alle Guerre del Monferrato, e della Savoia. François de Boyvin (1530 ca-1618 ca), consigliere e maître d'hôtel delle regine Eli … [Click Below for Full Description]
Bookseller: Gilibert [Italy]
2017-11-22 20:01:34
LUTHER, Martin (1483-1546).
Bookseller: Sanctuary Books, A.B.A.A. [New York, NY, U.S.A.]
2017-11-22 19:45:44
LUTHER, Martin (1483-1546).
Bookseller: Sanctuary Books, A.B.A.A. [New York, NY, U.S.A.]
2017-11-22 19:39:05
AUSONIO da Popma / FRONTONE, Cornelio
Bookseller: Libreria Antonio Pettini [IT]
2017-11-22 19:31:55
FABRIS, Salvatore.
Di Salvator Fabris, Capo dell"Ordine dei sette Cori. Copenhaven, Henrico Walkirch, 1606. in-folio, 2 parti in un volume, 3 ff. nn. 256 pp., 1 f. in fin8je di Indici, sontuosa legatura del XIX secolo firmata Bretault/Maillard in marocchino testa di moro con intarsi in marocchino rosso profilati in oro formanti una duplice cornice intrecciata ai piatti; al dorso riproposto un raffinato gioco di intarsi delle due pelli formanti scomparti rettangolari; i contropiatti sono in marocchino granata con cornice vegetale a terminazioni floreali, il tutto impresso in oro. Frontespizio inciso, armi araldiche inc. a piena pag., ritratto del Re di Danimarca Christiano IV. I due fogli, affiancati entro superbe bordure figurate, sono tra i più eclatanti esempi dell'ornamentazione barocca; ritratto del Fabris all'inizio della seconda parte. Illustrato da 191 scene di scherma a due duellanti nudi, incise in rame da Jan van Haelbeck. Prima edizione di uno dei più importanti trattati antichi di scherma, impresso a Copenhagen ove il Fabris era famoso maestro d'armi. Lo dedicò al re Christiano IV. Le illustrazioni sono tra le più belle che abbiano adornato un trattato di scherma. Questa prima edizione è di grandissima rarità, particolarmente così completa ed in ottimo stato di conservazione. L'esemplare proviene dalla collezione di André Beauvois Devaux, famoso maestro di scherma e collezionista: precede il titolo un foglio con lo splendido ex-libris inciso a colori, con stemma al cui centro compaiono le lettere ''DAB'' incrociate, con due spade che s'intersecano e sul drappo il motto ''Toujours … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-11-22 18:58:40
REIMS - TONNELIERS (Tonneliers)
Bookseller: LIBRAIRIE CHAMONAL [Paris, France]
2017-11-19 21:45:05
Tartaglia Nicolò
al Segno del Lione, 1606. 8vo (cm. 21), 4 cc.nn., 284 pp., 1 c.nn. (bianca), 52 pp., 48 pp. Ciascuna opera ha un proprio frontis. con ritratto xilografico del Tartaglia (al secolo Nicolò Fontana). Una tavola allegorica a fronte del primo frontis. Num.se ill.ni xilografiche n.t. Legatura antica in piena pergamena con titolo oro su tassello in pelle al ds. Tagli spruzzati. Antiche scritte sulla prima carta di guardia. Percorso di tarlo marginale da p. 119 a p. 150. Alone chiaro, anch’esso marginale, su circa 50 pagine. Per il resto buone condizioni complessive. Esemplare privo delle 71 pagine della ‘Nova Scientia’. Invertito nella impaginazione l’ordine della terza e quarta opera. Manca una tavola f.t. Riccardi I, 507.
Bookseller: Libreria Antiquaria Ex Libris s.r.l. [IT]
2017-11-19 17:20:53
Willem Janszoon BLAEU (Uitgeest 1571- Amsterdam 1638)
- Prima carte à figures della penisola - Incisione in rame, acquaforte e bulino, 1606, firmata e datata in lastra in basso a destra. Esemplare nel rarissimo primo stato di quattro, con la firma Guilelmus Iannsonius, edito nel 1606. Magnifica prova, ricca di toni, impressa su carta vergata coeva, rifilata alla linea marginale e con margini aggiunti, nel complesso in ottimo stato di conservazione. Delicata coloritura coeva. I primi esempi delle così denominate "carte con figure", nascono nell'Olanda Meridionale del tardo '500. Una delle prime rappresentazioni di carta geografica decorata è il celebre Viaggio di Abramo di Ortelius, pubblicata nel Parergon del 1586. Per questa carta Ortelius si avvalse della collaborazione del pittore Maarten de Vos, che realizzò le scene per il bordo decorato. Jodocus Hondius, nel 1590, produce 3 piccole mappe di Inghilterra, Francia e Paesi Bassi con dei bordi decorati, seguito da Pieter van den Keere (Kaerius) che nel 1596 realizza una mappa decorata dell'Olanda. Ma lo sviluppo vero e proprio alle mappe con le decorazioni lo diedero la carta murale in 15 fogli dell'Europa di Jodocus Hondius (1595) e la carta del Mondo in 20 fogli di Willem J. Blaeu del 1605. Negli anni seguenti, il Blaeu realizzò diverse carte decorate di formato in-folio, a partire proprio dalla carta dell'Italia del 1606. Dal punto di vista cartografico, la mappa è interamente basata sulla carta di Mercator del 1589, che venne poi inserita anche negli atlanti Mercator & Hondius editi a partire dal 1606, in Amsterdam da Jodocus Hondius. La carta si presenta decorata su tre … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2017-11-17 03:14:23
Fitzherbert, Thomas
Doway - Douai: Laurence Kellam, 1606 Vol 1 - [52], 424, 427-461, [1] pages. Vol 2 - [24], 463, 446-654, 685-697, [19] pages. Both volumes complete according to ESTC - references S102248 + S102251. 2nd part published in 1610. Part 1 is in modern full vellum with new end papers. It is the re-issue with the cancel title page showing the name of the publisher. Part 2 in old full leather, so definitely not a matching pair! Occasional staining to part 1. Part 2 pages lightly browned and some are stained. The title page of part 2 is trimmed and laid down on a new sheet of paper, repair to the corner of the following leaf also. The final page is soiled. Single wormhole to the first 70 pages of part 2.. Hard Cover. Good.
Bookseller: Stephen Rench
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2017-11-05 17:55:57
Aquarell mit Autograph des Wappenträgers, Freiburg i.Br., dat. 15.8. 1606, 14,5 x 9,5 cm (Blattgröße). Streitheimer stammte aus Freiburg i.Br. Die Devisen lauten: \"In manu tua Domine omnes sortes meae\" (In Deiner Hand, Herr, liegen alle meine Schicksale), darunter \"Gnad dir der Liebe Gott\". Versand D: 6,00 EUR Dekorative Graphik, Autographen, Stammbuch, Wappen, Wappenaquarelle
Bookseller: Antiquariat Bierl
2017-11-05 17:55:57
Aquarell mit Autograph des Wappenträgers, dat. 1606, 14,5 x 9,5 cm (Blattgröße). Die Devise lautet: \"Vor ander Khurzweil uf diser Erd/ Erfreut mich ein schon wohl abgericht Pferd\". Die Widmung lautet: \"Tuus fr(ater) intimus\" (Dein vertrauter Bruder). Versand D: 6,00 EUR Dekorative Graphik, Autographen, Stammbuch, Wappen, Wappenaquarelle
Bookseller: Antiquariat Bierl
2017-11-05 17:55:57
Aquarell mit Autograph des Wappenträgers, um 1606, 14,5 x 9,5 cm (Blattgröße). Identisch mit dem Wappen der Glöckler (Klöckler), Ulm. Versand D: 6,00 EUR Dekorative Graphik, Autographen, Stammbuch, Wappen, Wappenaquarelle
Bookseller: Antiquariat Bierl
2017-11-05 16:45:59
- Map : 'Andaluziae Nova Descript.' Beautiful map of the region surrounding Seville including Cadiz, Gibraltar and Spain's popular Costa del Sol. With two cartouches, scale and ship on the Mediterranean Sea. Based on Mercator's map. Engraving on verge type hand laid paper. Original fold. Original hand colouring. Description: Original antique map by Hondius, dated 1606.Artists and Engravers: Jodocus Hondius born 1563 in Ghent (Flanders) and grown up there. He became a globe maker and map engraver. In 1593 set up his business in Amsterdam after he spent some years in London. He was one of the most important engravers of his time and engraved maps for van den Keere, Waghenaer or Speed. Hondius bought the plates of Mercator in 1604, added around 40 maps and published the Atlas first 1606 still under Mercators name. After his death 1612 in Amsterdam, the business was carried out by his sons Jodocus II and Henricus (1597-1651). Condition: Good. General age-related toning and light staining. Irregular edges with small tears. Paper separation lower middle fold; restored. Thin paper spots alond middle fold backed. Two tears just right of lower middle fold barely extending into image; backed. Please study scan carefully. Despite imperfections map makes nice impression. Storage location: DP-P3-09 The overall size is ca. 22 x 18.9 inch. The image size is ca. 19.7 x 14 inch. The overall size is ca. 56 x 48 cm. The image size is ca. 50 x 35.5 cm.
Bookseller: ThePrintsCollector
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2017-11-05 16:45:59
- Map : 'La Haute Bourgoigne'. (Map of High Burgundy.) Rare map by Mercator/Hondius of part the Burgundy region in France, depicting the area nort and west of Lake Geneva. This map is oriented west on top of the map. Copperplate engraving on verge type hand laid paper with watermark. Original recent hand colouring. Description: Published by Jodocus Hondius in Amsterdam 1606.Artists and Engravers: Mercator was born in Rupelmonde in Flanders and studied in Louvain under Gemma Frisius, Dutch writer, astronomer and mathematician. The excellence of his work brought him the patronage of Charles V, but in spite of his favor with the Emperor he was caught up in the persecution of Lutheran protestants and charged with heresy, fortunately without serious consequences. No doubt the fear of further persecution influenced his move in 1552 to Duisburg, where he continued the production of maps, globes and instruments. Mercator's sons and grandsons, were all cartographers and made their contributions in various ways to his atlas. Rumold, in particular, was responsible for the complete edition in 1595. The map plates were bought in 1604 by Jodocus Hondius who, with his sons, Jodocus II and Henricus, published enlarged editions which dominated the map market for the following twenty to thirty years. Condition: Excellent; general age related toning; some light staining from handling. The map shows very nice but has some weak spots and small tears / separations backed by japanese paper, paper and tape. Storage location: B17-31 The overall size is ca. 20.1 x 15.9 inch. The image size is ca. 18 … [Click Below for Full Description]
Bookseller: ThePrintsCollector
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2017-11-05 14:24:03
TALENTI C.
In Firenze, appresso Volemar Timan, 1606, in-4, privo di copertine, pp. [12]. Con stemma mediceo in xilografia sul front. Non censito in ICCU.
Bookseller: Libreria Oreste Gozzini snc [Firenze, FI, Italy]
2017-11-04 09:15:43
KEPLER, Johannes
Pavel Sessius and Wolfgang Richter, Prague & Frankfurt, 1606. FIRST EDITION. 4to, 4 parts in one volume, pp. [12], 212, 35, [5], wanting final blank. Predominantly Roman letter, little Italic and Greek; four separate title-pages, woodcut printer's device on first, neat double-page engraved plate and several diagrams; very light browning throughout, small damp and rust stain to margins of very few ll. A good copy in early nineteenth-century calf, gilt panel and blind-tooled roll of interlacing flowers; a.e.r; corners slightly chipped. Contemporary inscriptions on front fly, including title, author owner’s inscription ‘John M .’ in an English hand written over; early monogram ‘H G’ on head of title. First edition of Kepler's detailed essays describing the supernova which appeared at the foot of the costellation Ophiucus in 1604. Johann Kepler (1571-1630) is one of the most important modern astronomers and mathematicians, along with his teacher Tycho Brahe and Galileo Galileo. Working at the court of the Emperor Rudolph II in Prague, he was able to improve the refracting telescope and formulate the fundamental laws of planetary motion correcting Copernicus. This invaluable account provides information on the supernova's colour, brightness, distance to the earth as well as other events related to this still unsolved astronomical phenomenon announcing the death of a star. The supernova was the last to be seen in the Milky Way and was named after Kepler in the 1940s. Its appearance revived the debate among scholars on whether the incorruptibility of the cosmos established by Aris … [Click Below for Full Description]
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2017-11-01 18:54:19
Antique Master Print, untitled. Old man seen en profil. Etching on hand laid paper. Description: Source unknown, to be determined. State: Fifth state of 5. Ref: New Hollstein 62/Bartsch 292. Very good impression of this print.Artists and Engravers: Made by 'Rembrandt van Rijn' after an anonymous artist. Rembrandt van Rijn (1606-1669) is undoubtedly the most famous artist of the dutch Golden age. He made a large oeuvre of prints throughout his live, which are famous sougt after, particularly in early impressions. Condition: Very good, given age. Thread margins General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LA The overall size is ca. 2.8 x 2.4 inch. The image size is ca. 2.3 x 2.7 inch. The overall size is ca. 7.2 x 6 cm. The image size is ca. 5.8 x 6.9 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-11-01 16:30:10
Antique map, titled: 'Belgii Inferioris descriptio emendata cum circumiacentium regionum confiniis.' - Map of the 17 Provinces, the Imperial states of the Habsburg Netherlands. This encompasses the Netherlands, Belgium and Luxemburg. Etching/engraving, handcoloured on wove paper. Description: From the Mercator-Hondius Atlas of 1606. The variant b (1:101) with Friesland extended over the border of the actual map. Ref: Koeman 3000:1A, 1:101 (1606 Latin).Artists and Engravers: Made by 'Gerard Mercator' after an anonymous artist. Gerard Mercator (Kremer) was born in Rupelmonde in Flanders and studied in Louvain. He made his first map in 1537 and became a cartographer and globe maker. In 1552 he moved to Duisburg, Germany where he published his famous 18-sheet world map in 1569 with his own new projection, today called Mercator projection. Later he decided to publish a new edition of Ptolemy's Geographia. Followed by his major work, a 3 volume collection of maps to which the word "Atlas" was applied the first time. The first volume was published 1585, followed by the second in 1589 and the third one after his death in 1595 by his son Rumold. A second edition of all three parts was published 1602. In 1604 Jodocus Hondius acquired the plates and published several editions together with his sons Jodocus II and Henricus until 1633. More editions followed until 1666 by Janssonius who was in partnership with Henricus. Some of the plated where also used in W.J. Blaeu in 1630. Condition: Very good, given age. Middle fold, as issued. Top margin reinforced on the rear. A few small nicks i … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-31 16:54:23
1606. Antique print, titled: 'Militum seges e draconis dentium Seminio', Athena instructs Cadmus to sow the teeth of the dragon that guarded the spring of Ares before it was killed by Cadmus. From these teeth sprang the spartoi, a group of ferocious warriors. The print illustrates the moment when Cadmus has thrown a jewel in the midst of the group, turning the warriors on each other. Athena is visible in a cloud. Etching, watermark: Arms of Burgundy-Austria (=Laurentius 165, 1606) Description: From the set of Ovid's Metamorphoses. State: Only state. Ref: Bartsch 661. Artists and Engravers: Made by Antonio Tempesta after own design. Antonio Tempesta (ca. 1555-1630) was a Rome born artist, who specialised in etchings. His prints with hunting scenes, biblical matter etc. attracted great popularity in the early 17th. Century and were copied widely. Condition: Very good, impression with large margins. Very early impression from the first edition published by Petrus de Iode in Antwerp. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LA-C1-25 The overall size is ca. 7.5 x 6.5 inch. The image size is ca. 4.7 x 4.2 inch. The overall size is ca. 19 x 16.5 cm. The image size is ca. 12 x 10.6 cm. [Attributes: First Edition]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
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2017-10-31 14:13:15
Antique print, titled: 'A la solsataria detta da Plinio campi Flegrei Strabone ' - Horse riders at an encampment near the center of a vulcano near Pozzuolo. Original etching and engraving on laid paper. "Description: No. 48 of a series: 'Vestigli della Antichita di Roma, Tivoli, Pozzuolo e altri locchi ' From a series of 52 published in Prague in 1606. Ref: Wurzbach 88(48). Artists and Engravers: Made by 'Aegidius II Sadeler' after own design. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers. The Sadelers were descended from "chasers," engravers of armour, from Aalst. Jan de Saeyelleer or Sadeleer had three sons, all usually called "Sadeler": Jan I (1550 Brussels - 1600 Brussels or possibly Venice),[3] Aegidius I (c. 1555 Brussels - c. 1609 Frankfurt am Main) and Rafael I (1560/61 Antwerp - 1628 or 1632). Another Sadeler, Marcus or Marco, was a printer and perhaps publisher who was working in Haarlem in c. 1586-87, and is presumed to be a member of the family, though it is not known where he fits in. Jan I was the father of Justus (c. 1572-c. 1620) and Marcus Christoph (active 1614 to after 1650). Aegidius / Gilles was the father of Aegidius / Gilles II (c. 1570-1629 Prague). Rafael I was the father of Rafael II (1584 - 1627 or 1632), Jan II (c. 1588 - 1665 or later) and Filips (c. 1600, active to 1650). Aegidius II was the father of Tobias, who was active from 1670-75 in Vienna." Condition: Very … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-30 17:21:35
Bottrigari, Jacopo.
Sala Bolognese Arnaldo Forni Editore, 1606. Sala Bolognese; 2 voll., br., pp. 864, cm 24x30. (Opera iuridica rariora. 14). italiano 88-271-521 Opera Iuridica Rariora. 0014
Bookseller: Libro Co. Italia s.r.l. - Libri Moderni
2017-10-28 08:50:05
GESSNER, C.
Heidelberg, A. Cambier, 1606. Folio (360 x 240mm). pp. 127, (1, blank), (6, indices), with woodcut printer's device and 141 woodcuts. [With:] Icones Avium omnium, quae in historia avium Conradi Gesneri describuntur . Editio Tertia. Novis aliquot Eiconibus auctior . Die Figuren und contrafacturen der vögeln. Heidelberg, A. Cambier 1606. pp. 137. (7), with large woodcut on title and 229 woodcuts of birds. [With:] Nomenclator Aquatilium Animantium. Icones Animalium Aquatilium in mari & dulcibus aquis . Figuren und Contrafacturen von allerley Fischen und anderen Thieren/ die im meer und süssen wasseren gefunden werdend . Zurich, C. Froschauer, 1560. pp. (28), 374, (2), with 737 woodcuts. [With:] Historiae Animalium Liber II. Qui est de Quadrupedibus Oviparis Frankfurt, H. Laurentius, 1617. pp. (6, 2 blank), 119, with woodcut on title and 19 woodcuts. Contemporary vellum, contemporary manuscript title on spine. A set of the complete 'Icones Animalium', which comprises the complete series of woodcuts from Gesner's 'Historia Animalium' (1551-1558), along with some that appear in this edition for the first time. This was the greatest zoological encyclopaedia of the sixteenth century and the greatest pictorial assembly of zoological illustration of its time. The illustrations are the first original zoological illustrations and the first naturalistic representations of animals to be published. As such they herald the birth of zoological book illustration. They are the archetypes of much subsequent animal illustrations, even into the eighteenth century. The woodcuts were cut after pai … [Click Below for Full Description]
Bookseller: Antiquariaat Junk [Amsterdam, Netherlands]
2017-10-28 02:07:06
BIBLE.:
London, printed by the Robert Barker, printer to the Kings most excellent Maiestie, 1606. and other things of great importance. Geneva version 1606. 4to, approximately 200 x 150 mm, 8 x 6 inches, engraved pictorial general title page with title within heart shaped central panel enclosed by block border with symbols of the twelve tribes to the left, the twelve apostles to the right and an evangelist at each inner corner, Matthew and Mark above, separated by a dove, and Luke and John below, separated by a lamb, divisional title page to Second Part of Old Testament, LACKS ENGRAVED TITLE TO NEW TESTMENT, some pictorial woodcut head- and tailpieces, maps and illustrations in the text of the Old Testament, plus 1 map in the New Testament (The Printer to the diligent Reader, with a map of the Holy Land to the verso), leaves numbered on rectos only: (4), 1-190, Genesis to Job; (1)-187 (i.e. 197), Psalms to Apocrypha; 2-121 New Testament; (12), First and Second tables, dated 1605, some errors in foliation, signatures: [par.]4, A-Z8, [-par.]1, &6; 2A-2Z8, 2&8, 2*4; 3A-3Q8 (-3A1), 3R4, lacks initial blank before O.T. engraved title. Bound in old calf, double ruled gilt border to covers, crude amateur reback in old calf, no lettering or label, marbled endpapers. Binding very worn, discoloured and scraped, small grazed patches on endpapers where something had been pasted and removed, no inscriptions, lower margin trimmed from general engraved title page, also missing a tiny piece from lower outer corner, small red chapel ink stamp on [par.]4, occasional light staining and light soiling, … [Click Below for Full Description]
Bookseller: Roger Middleton P.B.F.A.
2017-10-27 22:10:08
Bacon, Francis
London: [By William Jaggard] for John Jaggard, 1606. First Jaggard edition (?piracy). Woodcut headpiece and printer's ornaments on title and "Of the Colours" section title, woodcut initials. [110] pp. Collation: A-G^8 (A1, G8 blank, --G8). Small 8vo. The Corser-Huth-Hartz-Pirie Copy. The first Jaggard edition and the fourth overall edition of the Essayes of statesman and philosopher Francis Bacon (1561-1626). Jaggard made no entry of this or his 1612 and 1613 editions of the Essayes in the Stationers' Register, and so it has been customary to regard his editions as piracies. Jackson gently disputes this notion in the note to Pforzheimer 29, suggesting that a later transfer of rights to Jaggard's widow in 1624, as well as the silence of Hopper and Beale (who did register their rights with the Stationers' Company), argues for Jaggard having some right to the Essayes. "In some manner, therefore, Jaggard must have himself secured 'rights' which the Stationers' Company regarded as transferable even though not previously entered in the Register" (Pforzheimer). In any case, a rare edition: we trace only this copy at auction. The Essayes, which went into numerous editions in the author's lifetime and eventually expanded from the 10 essays printed here to 58 in the 1625 edition, treat moral and political topics in "a terse, aphoristic style ... which Bacon conceived as a genre setting down discrete observations on life, and aspiring to some kind of objective validity" (ODNB). "In an age of complicated and superficial verbiage, [Bacon] turns the licence of imaginative and allusive ex … [Click Below for Full Description]
Bookseller: James Cummins Bookseller [USA]
2017-10-27 13:32:39
1606. "Titel mit Vignette, 36 Blätter (vita Iustiniani, de confirmatione, epitome institutionum, index paragraphorum, index materiarum), 854 Spalten und 67 Blätter Index legum + materiarum; 2630 Spalten digestorum prooemium (mit einer Abbildung "arbor iurisdictionum"), liber 1 - 24 und 20 Blätter Additiones novae suppletiones, declarationes & intellectus ad quamplures es varijs titulus Degesti veteris leges, clarissimis iureconsultis, regijsq, regno neapolitàno illustribus consiliarijs. Venetiis, MDCVI, sub signo Aquilae renouantis. 27 x 20 cm, neu in Halbleder gebunden, Lederecken, marmorierte Deckel. Photos anfordern" 0 S. Sonderangebot: Dieser Verkäufer bietet Kunden einen exklusiven Rabatt von 40% auf sämtliche Preise. Alter Preis: 990,00 EUR. [Attributes: Hard Cover]
Bookseller: Buchhandlung W. Neugebauer GmbH & Co.KG [Linz, Austria]
2017-10-27 07:01:29
García de Céspedes, Andres.
en casa de Juan de la Cuesta,, Madrid, 1606. Frontis grabado, 184 folios, un mapa plegado. Encuadernación original en pergamino rígido con el título rotulado en el lomo. Cortes tintados. Ilustrado con 200 grabados en el texto. Ejemplar falto de las cuatro hojas de preliminares, una de ellas blanca. Puntos ocasionales de óxido pero por lo general buen ejemplar. Palau 98619. Medina 515. Sabin 11718: "The second part includes information about the navigation in the West Indies and about the line of demarcation of the Spanish and Portuguese dominions in America." Para el mapamundi Shirley 256. Piloto Mayor de la Casa de Contratación desde 1596 hasta 1598. En el gran centro sevillano participó en la corrección de los instrumentos de navegar e ideó otros nuevos, ya que era un notable diseñador y constructor de aparatos científicos. También corrigió numerosos errores existentes en el "padrón real" que servía de modelo oficial a las cartas de marear.En 1598, García de Céspedes se trasladó a Madrid como cosmógrafo del Consejo de Indias, cargo en el que permaneció hasta su muerte. Por disposición del Consejo, escribió su Regimiento, último título importante de la gran serie de tratados de náutica españoles de la época. Se le encargó explícitamente que corrigiera "algunos errores en las cartas de marear de la carrera de Indias, y en los demás instrumentos y usos de la navegación". Para escribir el libro, utilizó los escritos de Pero Nunes, aunque no incorporó el concepto de loxodromía. También se apoyó en la obra de Copérnico -que usó de modo pragmático, sin entrar en cuestiones doctr … [Click Below for Full Description]
Bookseller: Els Llibres del Tirant [Barcelona, Spain]
2017-10-26 22:04:29
GERSON JEAN
Volume in 8° (mm 213 x 164), cartonato pesante coevo, titolo manoscritto al dorso. Contiene 3 scritti, il primo di Jean Gerson senza indicazione di anno e di stampatore cc. 6, seguito dalla traduzione in italiano: TRATTATO ET RESOLUTIONE SOPRA LA VALIDITA' DELLE SCOMUNICHE DI GIO. GERSONE THEOLOGO & CANCELLIERO PARISINO, COGNOMINATO IL DOTTORE CHRISTIANISSIMO TRADOTTO DALLA LINGUA LATINA NELLA VOLGARE CON OGNI FEDELTA' IN OPUSCOLI DUE, s.l., s.a., s.t. cc 8.Unito con: PAOLO SARPI, APOLOGIA PER LE OPPOSITIONI FATTE DALL'ILLUSTRISSIMO, & REVERENDISS. SIGNOR CARDINALE BELLARMINIO ALLI TRATTATI, ET RISOLUTIONI DI GIO. GERSONE SOPRA LA VALIDITA' DELLE SCOMUNICHE DEL PADRE MAESTRO PAULO DA VINETIA DELL'ORDINE DE' SERVI, IN VENETIA, APPRESSO ROBERTO MEIETTI, 1606, pp. 66 + 2 n.n., marca tipografica nel frontespizio con il Cristo " Regum meum non est de hoc mundo", iniziali e fregi in xilografia; vecchie sottolineature a penna. Unito con: TRATTATO DELL'INTERDETTO DELLA SANTITA' DI PAPA PAULO V. NEL QUALE SI DIMOSTRA CHE EGLI NON E' LEGITIMAMENTE PUBLICATO..., IN VENETIA, APPRESSO ROBERTO MEIETTI, 1606, cc. 21, leone di San Marco in xilografia nel frontespizio, iniziali e fregi in xilografia. Copia buona. RARO.
Bookseller: Hobbylibri [Italy]
2017-10-25 15:26:29
Tite Live (Titus Livius; Livy); Blaise de Vigenere
Bookseller: Pazzo Books (ABAA-ILAB) [Boston, MA, U.S.A.]
Check availability:
2017-10-25 15:26:29
Tite Live (Titus Livius; Livy); Blaise de Vigenere
Paris: Abel Langelier, 1606. Early Edition. Hardcover (Full Leather). Very Good Condition. Contemporary full calf, worn at edges, one corner wormed, lettering piece chipped with loss, spine ends with wear and some rubbing to hinges - quite sound overall. Slight worming to bottom corner of first few pages and a small dampstain, scattered mostly minor foxing and age toning, a few early notes, light staining in the outer margin early on and at very end, folding map of the Adriatic chipped at the edges - very clean overall internally and a very good copy of the second edition of scholar, cryptographer, and alchemist Blaise de Vigenere's translation, first published in 1583. Illustrated. (16), 462pp, (blank), 463-1752 (numbered in columns), (1), 1753-1786 (leaves), (114) leaves. Graesse L 234 (1617 ed.) Size: Folio. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: History; Antiquarian & Rare. Inventory No: 046540.
Bookseller: Pazzo Books (ABAA-ILAB) [Boston, MA, U.S.A.]
2017-10-25 05:44:19
Tite Live (Titus Livius; Livy); Blaise de Vigenere
Bookseller: Pazzo Books (ABAA-ILAB) [Boston, MA, U.S.A.]
Check availability:
2017-10-25 05:44:19
Tite Live (Titus Livius; Livy); Blaise de Vigenere
Paris: Abel Langelier, 1606. Early Edition. Hardcover (Full Leather). Very Good Condition. Contemporary full calf, worn at edges, one corner wormed, lettering piece chipped with loss, spine ends with wear and some rubbing to hinges - quite sound overall. Slight worming to bottom corner of first few pages and a small dampstain, scattered mostly minor foxing and age toning, a few early notes, light staining in the outer margin early on and at very end, folding map of the Adriatic chipped at the edges - very clean overall internally and a very good copy of the second edition of scholar, cryptographer, and alchemist Blaise de Vigenere's translation, first published in 1583. Illustrated. (16), 462pp, (blank), 463-1752 (numbered in columns), (1), 1753-1786 (leaves), (114) leaves. Graesse L 234 (1617 ed.) Size: Folio. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: History; Antiquarian & Rare. Inventory No: 046540.
Bookseller: Pazzo Books [United States]
Check availability:
2017-10-24 12:01:55
MERCATOR Gérard - HONDIUS.
1606. Carte géographique, feuille de 540 x 450 mm., gravure de 550 x 360 mm., carte gravée par I. HONDIUS datée de 1606, issue de l'édition française de l'atlas publié par HONDIUS entre 1613 et 1616 (Koeman 1:112), trace de pli central, 2 petits trous de vers, claires taches brunes, très belle carte. L’Atlas de Gérard MERCATOR (1512-1594)Dans sa Chronologia publiée en 1569, Mercator révèle son projet d’écrire un ouvrage cosmologique en cinq parties sur la création du monde et son histoire. La troisième partie consacrée à la géographie devait comprendre une géographie ancienne qui ne fut jamais réalisée, une réédition de la Geographia de Ptolémé (publiée en 1578 et 1584) et une géographie moderne que constituera l’Atlas. La première édition de l’Atlas paraîtra en 1585 avec les cartes de France, de Suisse, des Pays-Bas espagnols et de l’Allemagne. Italiae, Sclavoniae et Graeciae tabule geographice furent ajoutées pour la deuxième édition de 1589.Après la mort de Mercator, en 1594, l’Atlas a continué à paraître par les soins de son fils Rumold et la collaboration des trois petits-fils de Mercator. La nouvelle édition de 1595 comportera les cartes de l’Orbis terrae et d’Europa par Rumold, Africa et Asia par Gérard junior et America par Michel. En 1604, la famille Mercator vendra les plaques de cuivre de l’Atlas au cartographe et éditeur Jodocus Hondius (1563-1612) qui consacra le reste de sa vie professionnelle à cette entreprise. Il ajoutera trente-six cartes à sa nouvelle édition de 1606. Après sa mort, son fils Jodocus junior continuera à assurer l’édition de l’Atlas, il s’a … [Click Below for Full Description]
Bookseller: Librairie Ancienne Richard (SLAM-ILAB) [COLMAR, France]
2017-10-22 20:44:31
GREGORIUS PETRUS
Lugduni, sumptibus Ioannis Pillehotte, 1606. Pp. (16) 168; 298 (2); (24) 851 (200). Tre parti (con autonomi frontespizi) in un imponente volume di cm. 38. Marchi tip. ai frontespizi, il primo dei quali bicromo e numerosi capilettera xil. Affascinante legatura coeva in piena pelle; dorso a sei nervi con titoli e fregi in oro, piatti inquadrati da duplice filetto dorato. Antica firma di possesso al frontespizio. Abili (e difficilmente visibili) integrazioni a cerniere ed estremità del dorso, alone all'angolo interno superiore, lievi arrossature. Ben conservato. Pierre Grégoire (1540-1597), giureconsulto tolosano, raggiunse grande fama in tutta Europa per la profonda autorevolezza della dottrina giuridica e del pensiero politico. Recentemente, anche nell'ottica degli studi su Jean Bodin, la storiografia ha riscoperto l'importanza dell'opera di Grégoire: obbligato è il riferimento al "Syntagma juris universalis", per quanto concerne la sfera giusprivatistica ed al "De republica" per quanto riguarda la sfera giuspubblicistica. Raro ed importante. Cfr. Kvk.; non in Sapori. [Attributes: Hard Cover]
Bookseller: Studio Bibliografico Apuleio [Trento, Italy]
2017-10-22 20:44:31
GREGORIUS PETRUS
Lugduni, sumptibus Ioannis Pillehotte, 1606. Pp. (16) 168; 298 (2); (24) 851 (200). Tre parti (con autonomi frontespizi) in un imponente volume di cm. 38. Marchi tip. ai frontespizi, il primo dei quali bicromo e numerosi capilettera xil. Affascinante legatura coeva in piena pelle; dorso a sei nervi con titoli e fregi in oro, piatti inquadrati da duplice filetto dorato. Antica firma di possesso al frontespizio. Abili (e difficilmente visibili) integrazioni a cerniere ed estremità del dorso, alone all'angolo interno superiore, lievi arrossature. Ben conservato. Pierre Grégoire (1540-1597), giureconsulto tolosano, raggiunse grande fama in tutta Europa per la profonda autorevolezza della dottrina giuridica e del pensiero politico. Recentemente, anche nell'ottica degli studi su Jean Bodin, la storiografia ha riscoperto l'importanza dell'opera di Grégoire: obbligato è il riferimento al "Syntagma juris universalis", per quanto concerne la sfera giusprivatistica ed al "De republica" per quanto riguarda la sfera giuspubblicistica. Raro ed importante. Cfr. Kvk.; non in Sapori. [Attributes: Hard Cover]
Bookseller: Studio Bibliografico Apuleio [Trento, Italy]
2017-10-22 20:44:31
GREGORIUS PETRUS
Lugduni, sumptibus Ioannis Pillehotte 1606 - Pp. (16) 168; 298 (2); (24) 851 (200). Tre parti (con autonomi frontespizi) in un imponente volume di cm. 38. Marchi tip. ai frontespizi, il primo dei quali bicromo e numerosi capilettera xil. Affascinante legatura coeva in piena pelle; dorso a sei nervi con titoli e fregi in oro, piatti inquadrati da duplice filetto dorato. Antica firma di possesso al frontespizio. Abili (e difficilmente visibili) integrazioni a cerniere ed estremità del dorso, alone all'angolo interno superiore, lievi arrossature. Ben conservato. Pierre Grégoire (1540-1597), giureconsulto tolosano, raggiunse grande fama in tutta Europa per la profonda autorevolezza della dottrina giuridica e del pensiero politico. Recentemente, anche nell'ottica degli studi su Jean Bodin, la storiografia ha riscoperto l'importanza dell'opera di Grégoire: obbligato è il riferimento al "Syntagma juris universalis", per quanto concerne la sfera giusprivatistica ed al "De republica" per quanto riguarda la sfera giuspubblicistica. Raro ed importante. Cfr. Kvk.; non in Sapori. [Attributes: Hard Cover]
Bookseller: Studio Bibliografico Apuleio
2017-10-22 20:01:43
Homer; de Sponde, Jean (1557-1595), editor
Sebastian Henric Petri, Basel, 1606. Folio: [alpha]-[gamma]6, a-z6, A-P6, Q4, R-S6; [alpha]2, Aa-Zz6, AA-HH6, II4, KK-LL6 Jean de Sponde?s edition of HomerA Very Large Copy inContemporary Dutch Vellum Second edition with the commentary of the French Calvinist scholar Jean de Sponde (1557-1595), dedicated to his patron Henri de Navarre. Includes the Greek text and Latin translations of the Iliad, Odyssey, Batrachomyomachia, and the Homeric Hymns. This volume also includes the fifth century (?) pseudo-historical "De Bello Troiano" by Dares the Phrygian and the "Ilias Latina", a first century (?) Latin epitome of the Iliad ascribed in medieval manuscripts to "Pindarus Thebanus". "The 'Iliad' and the 'Odyssey' are the first perfect poetry of the Western world. The legend of the Trojan War and of the return of Odysseus are the common heritage of all; the form, in some cases the words, of the two epics have the determined the composition of Vergil's 'Aeneid', Dante's 'Divine Comedy' and Milton's 'Paradise Lost'." (PMM)George Chapman used the edition of Spondanus to write his translation of Homer. "While Chapman showed himself unusually independent of philosophical sources in the Odyssey, there are two works of continental humanists which he used constantly, the Homer of Johannes Spondanus (Jean de Sponde) and the Greek-Latin Lexicon of Johannes Scapula (see Scapula in this catalogue). Spondanus prints alongside the Greek the word-for-word Latin translation in hexameters of Andreas Divus and he also includes extensive commentaries. Chapman used Spondanus? commentaries with discrim … [Click Below for Full Description]
Bookseller: Liber Antiquus Early Books & Manuscripts [Chevy Chase, MD, U.S.A.]
2017-10-22 14:04:55
CARLOS SPRIANO
DEL AUTOR, ARGENTINA - Tratado de Cocina Universal. Selección de más de 5.500 recetas, es el codex alimentorum de la dueña de casa. Vademécum del gastrónomo, del cocinero y del camarero. Higiene, mesa, fiambrería, cocina, salchichería, química culinaria, respostería, confitería, pastelería y otros conocimientos útiles. Cuarta edición. Libro en buen estado general, tapas con cierto deterioro, interior en muy buen estado, completo y sin marcas ni escrituras, con las primeras y últimas hojas desprendidas y vueltas a pegar con cinta adhesiva. 1606 pp. Los gastos de envío son calculados para un peso inferior a 0,500 kg, superándose este peso le informaremos de los gastos de envío adicionales. [Attributes: Hard Cover]
Bookseller: Gustavo I. Gonzalez
2017-10-22 11:25:50
GIGANTI, Nicoletto.
Venetia, de Francesci, 1606. in-4 obl., pp. (16), pp. 95, buona legatura posteriore in pergamena floscia. Prima edizione, dedicata a Cosimo de Medici. Adorna di un ritratto, stemma mediceo con putti e soldati, e 42 nitide incisioni in rame a piena pag. raffiguranti due combattenti nudi di Odoardo Fialetti (Bologna 1573-Venezia 1638), pupillo di Tintoretto. Il trattato è fra i migliori della prima metà del XVII secolo, per semplificazione estrema dei movimenti, perfezionamento della stoccata lunga partendo dalla posizione di guardia di difesa, ideazione della fianconata e di due azioni schermistiche alle quali diede il nome di controcavazione dentro e controcavazione fuori, definizione del colpo chiamato oggi ''tagliata''. La rarissima opera del Giganti è una delle poche opere classiche di scherma che siano prese in considerazione dai letterati; citata da Scipione Maffei, la Scola fu da questi reputata degna di essere annoverata fra le opere della nostra letteratura. Bell'esemplare, della prima edizione, assai più rara di quella del 1628. ''Giganti's volume, like Fabris' book, is a lucid exposition of Italian fencing theory and practice in the first decade of the seventeenth century. By limiting his work to the rapier and the rapier and dagger, rather than including the various combinations of weapons typical of the preceding century, Nicoletto joins other seventeenth-century Italian fencing masters in concentrating their instruction on pure swordplay, placing emphasis on use of the point, rather than point and cut''. (Gaugler).. Gelli, p. 112-116, «Opera alquanto rara». Gau … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco
2017-10-20 19:11:55
Antique print, titled: 'A Rouine d'un Tempio, et grotta presso Tivoli [ ].' - Plate 41: a view of a ruin and a cave near Tivoli, with one of the waterfalls in the right edge. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after an anonymous artist. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the la … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Ponte Janicolense [ ].' - Plate 39: a view of the river Tiber and Ponte Sisto in Rome. In the background, the dome of Saint Peter and the Hospital of Sisto to the left. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after an anonymous artist. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European pri … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Un tempio rotondo [ ] Sito di Pozzuolo [ ].' - Plate 42: a view of a ruined round temple near the city of Pozzuoli on the coast of Italy, south of Rome. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after 'J. Bruegel'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 1 … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
1606. Antique Master Print, untitled. Ruins of the Baths of Caracalla in Rome. Engraving on hand laid paper. Watermark: Circle with a french lily. "Description: No. 48 of a series: 'Vestigli della Antichita di Roma, Tivoli, Pozzuolo e altri locchi ' From a series of 52 published in Prague in 1606. State: Second state of 3. Ref: Hollstein 151-201.Artists and Engravers: Made by 'Aegidius Sadeler' after 'Etienne Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers. The Sadelers were descended from "chasers," engravers of armour, from Aalst. Jan de Saeyelleer or Sadeleer had three sons, all usually called "Sadeler": Jan I (1550 Brussels - 1600 Brussels or possibly Venice),[3] Aegidius I (c. 1555 Brussels - c. 1609 Frankfurt am Main) and Rafael I (1560/61 Antwerp - 1628 or 1632). Another Sadeler, Marcus or Marco, was a printer and perhaps publisher who was working in Haarlem in c. 1586-87, and is presumed to be a member of the family, though it is not known where he fits in. Jan I was the father of Justus (c. 1572-c. 16 … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
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