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Displayed below are some selected recent viaLibri matches for books published in 1606
2017-10-22 20:44:31
GREGORIUS PETRUS
Lugduni, sumptibus Ioannis Pillehotte, 1606. Pp. (16) 168; 298 (2); (24) 851 (200). Tre parti (con autonomi frontespizi) in un imponente volume di cm. 38. Marchi tip. ai frontespizi, il primo dei quali bicromo e numerosi capilettera xil. Affascinante legatura coeva in piena pelle; dorso a sei nervi con titoli e fregi in oro, piatti inquadrati da duplice filetto dorato. Antica firma di possesso al frontespizio. Abili (e difficilmente visibili) integrazioni a cerniere ed estremità del dorso, alone all'angolo interno superiore, lievi arrossature. Ben conservato. Pierre Grégoire (1540-1597), giureconsulto tolosano, raggiunse grande fama in tutta Europa per la profonda autorevolezza della dottrina giuridica e del pensiero politico. Recentemente, anche nell'ottica degli studi su Jean Bodin, la storiografia ha riscoperto l'importanza dell'opera di Grégoire: obbligato è il riferimento al "Syntagma juris universalis", per quanto concerne la sfera giusprivatistica ed al "De republica" per quanto riguarda la sfera giuspubblicistica. Raro ed importante. Cfr. Kvk.; non in Sapori. [Attributes: Hard Cover]
Bookseller: Studio Bibliografico Apuleio [Trento, Italy]
2017-10-22 20:44:31
GREGORIUS PETRUS
Lugduni, sumptibus Ioannis Pillehotte, 1606. Pp. (16) 168; 298 (2); (24) 851 (200). Tre parti (con autonomi frontespizi) in un imponente volume di cm. 38. Marchi tip. ai frontespizi, il primo dei quali bicromo e numerosi capilettera xil. Affascinante legatura coeva in piena pelle; dorso a sei nervi con titoli e fregi in oro, piatti inquadrati da duplice filetto dorato. Antica firma di possesso al frontespizio. Abili (e difficilmente visibili) integrazioni a cerniere ed estremità del dorso, alone all'angolo interno superiore, lievi arrossature. Ben conservato. Pierre Grégoire (1540-1597), giureconsulto tolosano, raggiunse grande fama in tutta Europa per la profonda autorevolezza della dottrina giuridica e del pensiero politico. Recentemente, anche nell'ottica degli studi su Jean Bodin, la storiografia ha riscoperto l'importanza dell'opera di Grégoire: obbligato è il riferimento al "Syntagma juris universalis", per quanto concerne la sfera giusprivatistica ed al "De republica" per quanto riguarda la sfera giuspubblicistica. Raro ed importante. Cfr. Kvk.; non in Sapori. [Attributes: Hard Cover]
Bookseller: Studio Bibliografico Apuleio [Trento, Italy]
2017-10-22 20:44:31
GREGORIUS PETRUS
Lugduni, sumptibus Ioannis Pillehotte 1606 - Pp. (16) 168; 298 (2); (24) 851 (200). Tre parti (con autonomi frontespizi) in un imponente volume di cm. 38. Marchi tip. ai frontespizi, il primo dei quali bicromo e numerosi capilettera xil. Affascinante legatura coeva in piena pelle; dorso a sei nervi con titoli e fregi in oro, piatti inquadrati da duplice filetto dorato. Antica firma di possesso al frontespizio. Abili (e difficilmente visibili) integrazioni a cerniere ed estremità del dorso, alone all'angolo interno superiore, lievi arrossature. Ben conservato. Pierre Grégoire (1540-1597), giureconsulto tolosano, raggiunse grande fama in tutta Europa per la profonda autorevolezza della dottrina giuridica e del pensiero politico. Recentemente, anche nell'ottica degli studi su Jean Bodin, la storiografia ha riscoperto l'importanza dell'opera di Grégoire: obbligato è il riferimento al "Syntagma juris universalis", per quanto concerne la sfera giusprivatistica ed al "De republica" per quanto riguarda la sfera giuspubblicistica. Raro ed importante. Cfr. Kvk.; non in Sapori. [Attributes: Hard Cover]
Bookseller: Studio Bibliografico Apuleio
2017-10-22 20:01:43
Homer; de Sponde, Jean (1557-1595), editor
Sebastian Henric Petri, Basel, 1606. Folio: [alpha]-[gamma]6, a-z6, A-P6, Q4, R-S6; [alpha]2, Aa-Zz6, AA-HH6, II4, KK-LL6 Jean de Sponde?s edition of HomerA Very Large Copy inContemporary Dutch Vellum Second edition with the commentary of the French Calvinist scholar Jean de Sponde (1557-1595), dedicated to his patron Henri de Navarre. Includes the Greek text and Latin translations of the Iliad, Odyssey, Batrachomyomachia, and the Homeric Hymns. This volume also includes the fifth century (?) pseudo-historical "De Bello Troiano" by Dares the Phrygian and the "Ilias Latina", a first century (?) Latin epitome of the Iliad ascribed in medieval manuscripts to "Pindarus Thebanus". "The 'Iliad' and the 'Odyssey' are the first perfect poetry of the Western world. The legend of the Trojan War and of the return of Odysseus are the common heritage of all; the form, in some cases the words, of the two epics have the determined the composition of Vergil's 'Aeneid', Dante's 'Divine Comedy' and Milton's 'Paradise Lost'." (PMM)George Chapman used the edition of Spondanus to write his translation of Homer. "While Chapman showed himself unusually independent of philosophical sources in the Odyssey, there are two works of continental humanists which he used constantly, the Homer of Johannes Spondanus (Jean de Sponde) and the Greek-Latin Lexicon of Johannes Scapula (see Scapula in this catalogue). Spondanus prints alongside the Greek the word-for-word Latin translation in hexameters of Andreas Divus and he also includes extensive commentaries. Chapman used Spondanus? commentaries with discrim … [Click Below for Full Description]
Bookseller: Liber Antiquus Early Books & Manuscripts [Chevy Chase, MD, U.S.A.]
2017-10-22 14:04:55
CARLOS SPRIANO
DEL AUTOR, ARGENTINA - Tratado de Cocina Universal. Selección de más de 5.500 recetas, es el codex alimentorum de la dueña de casa. Vademécum del gastrónomo, del cocinero y del camarero. Higiene, mesa, fiambrería, cocina, salchichería, química culinaria, respostería, confitería, pastelería y otros conocimientos útiles. Cuarta edición. Libro en buen estado general, tapas con cierto deterioro, interior en muy buen estado, completo y sin marcas ni escrituras, con las primeras y últimas hojas desprendidas y vueltas a pegar con cinta adhesiva. 1606 pp. Los gastos de envío son calculados para un peso inferior a 0,500 kg, superándose este peso le informaremos de los gastos de envío adicionales. [Attributes: Hard Cover]
Bookseller: Gustavo I. Gonzalez
2017-10-22 11:25:50
GIGANTI, Nicoletto.
Venetia, de Francesci, 1606. in-4 obl., pp. (16), pp. 95, buona legatura posteriore in pergamena floscia. Prima edizione, dedicata a Cosimo de Medici. Adorna di un ritratto, stemma mediceo con putti e soldati, e 42 nitide incisioni in rame a piena pag. raffiguranti due combattenti nudi di Odoardo Fialetti (Bologna 1573-Venezia 1638), pupillo di Tintoretto. Il trattato è fra i migliori della prima metà del XVII secolo, per semplificazione estrema dei movimenti, perfezionamento della stoccata lunga partendo dalla posizione di guardia di difesa, ideazione della fianconata e di due azioni schermistiche alle quali diede il nome di controcavazione dentro e controcavazione fuori, definizione del colpo chiamato oggi ''tagliata''. La rarissima opera del Giganti è una delle poche opere classiche di scherma che siano prese in considerazione dai letterati; citata da Scipione Maffei, la Scola fu da questi reputata degna di essere annoverata fra le opere della nostra letteratura. Bell'esemplare, della prima edizione, assai più rara di quella del 1628. ''Giganti's volume, like Fabris' book, is a lucid exposition of Italian fencing theory and practice in the first decade of the seventeenth century. By limiting his work to the rapier and the rapier and dagger, rather than including the various combinations of weapons typical of the preceding century, Nicoletto joins other seventeenth-century Italian fencing masters in concentrating their instruction on pure swordplay, placing emphasis on use of the point, rather than point and cut''. (Gaugler).. Gelli, p. 112-116, «Opera alquanto rara». Gau … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco
2017-10-20 19:11:55
Antique print, titled: 'Disegno della colonna Antonina [ ].' - Plate 32: The Column of Marcus Aurelius in Piazza Colonna, Rome. At the time of the engraving this column was known as the Column of Antoninus Pius, due to a mistaken inscription. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after 'E. Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
1606. Antique print, titled: '[Dedication page].' - Plate 1: The dedication page to the described work. It features two obelisks with hieroglyphics, and two central putti around a coat of arms and several other objecets (mirror, books, scales, mathematical instruments). Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after 'E. Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dyn … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
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2017-10-20 19:11:55
Antique print, titled: 'Promontorio, cive luocho stretto [ ].' - Plate 45: View of ruins near the coast, with a group of people in the foreground and a sailboat to the right. In the background a castle/villa. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after an anonymous artist. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in North … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Vestigii del Theatro che fu edificato da Augusto [ ].' - Plate 36: a view of the Theatre of Marcellus, an open-air theatre in Rome. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after 'E. Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centurie … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'L'orientale laso del detto Tempio [ ].' - Plate 44: a view of a ruined temple near the Italian coast near Naples. A villa on a cliff in the background. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after an anonymous artist. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the l … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Vestigii della parte di fuora dell'Anfiteatro di Tito [ ].' - Plate 16: a view of the ruins of the Flavian Amphitheatre, now known as the Colosseum. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after 'E. Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Disegno della colonna Traiana [ ].' - Plate 31: Trajan's Column, a triumphal column in Rome that commemorates Emperor Trajan's victory in the Dacian Wars. The column is located in Trajan's Forum near Quirinal Hill. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after 'E. Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Altre sorte di bellissimi marmori et mischi come sino al di d'hoggi [ ].' - Plate 27: a view of the ruins of the Baths of Diocletian, the largest Imperial baths in Rome. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after 'E. Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaki … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Una gran fabrica dal vulgo cento camerelle [ ].' - Plate 47: Ruins of a factory producing sweets (caramels) near Miseno (Bacoli), Italy. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after an anonymous artist. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 1 … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Vestigii di una Piramide di marmoro, che su un Sepolcro di C. Cestio Settenviro [ ].' - Plate 22: A view of the Pyramid of Cestius, in Rome. It was built as a tomb for Gaio Cestio Epulone. As it was later incorporated in the city's fortifications, it is one of the best preserved ancient buildings of Rome. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after 'E. Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family w … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique Master Print, untitled. View of the Aventine near the Tiber in Rome. Engraving on hand laid paper. "Description: No. 19 of a series: 'Vestigli della Antichita di Roma, Tivoli, Pozzuolo e altri locchi ' From a series of 52 published in Prague in 1606. State: Second state of 3. Ref: Hollstein 151-201.Artists and Engravers: Made by 'Aegidius Sadeler' after 'Etienne Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers. The Sadelers were descended from "chasers," engravers of armour, from Aalst. Jan de Saeyelleer or Sadeleer had three sons, all usually called "Sadeler": Jan I (1550 Brussels - 1600 Brussels or possibly Venice),[3] Aegidius I (c. 1555 Brussels - c. 1609 Frankfurt am Main) and Rafael I (1560/61 Antwerp - 1628 or 1632). Another Sadeler, Marcus or Marco, was a printer and perhaps publisher who was working in Haarlem in c. 1586-87, and is presumed to be a member of the family, though it is not known where he fits in. Jan I was the father of Justus (c. 1572-c. 1620) and Marcus Christoph (active 1614 to … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique Master Print, untitled. Ruins of the Baths of Caracalla in Rome. Engraving on hand laid paper. Watermark: Circle with a french lily. "Description: No. 48 of a series: 'Vestigli della Antichita di Roma, Tivoli, Pozzuolo e altri locchi ' From a series of 52 published in Prague in 1606. State: Second state of 3. Ref: Hollstein 151-201.Artists and Engravers: Made by 'Aegidius Sadeler' after 'Etienne Duperac'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers. The Sadelers were descended from "chasers," engravers of armour, from Aalst. Jan de Saeyelleer or Sadeleer had three sons, all usually called "Sadeler": Jan I (1550 Brussels - 1600 Brussels or possibly Venice),[3] Aegidius I (c. 1555 Brussels - c. 1609 Frankfurt am Main) and Rafael I (1560/61 Antwerp - 1628 or 1632). Another Sadeler, Marcus or Marco, was a printer and perhaps publisher who was working in Haarlem in c. 1586-87, and is presumed to be a member of the family, though it is not known where he fits in. Jan I was the father of Justus (c. 1572-c. 1620) an … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Un tempio rotondo [ ] Sito di Pozzuolo [ ].' - Plate 42: a view of a ruined round temple near the city of Pozzuoli on the coast of Italy, south of Rome. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after 'J. Bruegel'. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 1 … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'Ponte Janicolense [ ].' - Plate 39: a view of the river Tiber and Ponte Sisto in Rome. In the background, the dome of Saint Peter and the Hospital of Sisto to the left. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after an anonymous artist. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European pri … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 19:11:55
Antique print, titled: 'A Rouine d'un Tempio, et grotta presso Tivoli [ ].' - Plate 41: a view of a ruin and a cave near Tivoli, with one of the waterfalls in the right edge. Engraving on hand laid paper. Description: From: "Vestigi delle Antichiat di Roma, Tivoli, Puzzuolo et altri Luochi", printed in Prague: 1606. (Views of the antiquities of Rome, Tivoli, Pozzuolo and surroundings.) This antique book contains a beautifully engraved collection of images of Roman ruins and antiquities. This includes the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. The final 2 plates are odd plates and represent castle Baarland in the Netherlands and castle Vysehrad near Prague. Plates 42, 43, 46, 49 are after J. Bruegel, 40 after P. Bruegel, 1-38 after Duperac, the others unknown. Ref: Brunet V: 23, Graesse VI: 211, Thieme Becker XXIX: 299, Hollstein XXI p.41: 151-201. Provenance: Ex. Coll. Jean-Conte DevolaArtists and Engravers: Made by 'Aegidius Sadeler' after an anonymous artist. Aegidius Sadeler (1570-1629) was a Flemish engraver from a large family of engravers. He worked in Prague and Italy. He was a pupil of Hans Sadeler and a brother of Hans and Raphael. He travelled widely. In 1600 he started working exclusively for the the emperor's Rudolf II and his succeeders court in Prague. He was a famous artist in his time and named 'the Phoenix of engravers'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the la … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-20 15:12:18
- Antique print, titled: 'Siciliae Veteris typus.' - Very decorative map shows the island Cyprus with inset map of port Gyas, including decorative scroll-cartouches and ships. Hand coloured engraving on hand laid paper. Anonymous. Condition: Good, given age. Original middle fold as issued. Margins reinforced on rear. Worm holes in lower, near middle fold, remargined using contemporary paper backed with acid free archival tape. Print has been in matting, some discolouring on print. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 20.5 x 16.7 inch. The image size is ca. 19.3 x 14.7 inch. The overall size is ca. 52 x 42.3 cm. The image size is ca. 49 x 37.3 cm.
Bookseller: ThePrintsCollector
2017-10-16 21:57:32
FABRIS, SALVATOR. - [A MILESTONE PUBLICATION ON FENCING]
- Copenhagen, Henrik Waldkirch, 1606. Folio. Later marbled paper binding with handwritten title to spine. A neat repair to blank margin of title-page, no loss of imprint, and A3 with a repaired lower corner, resulting in loss of four words, supplied in old hand. Tiny loss to lower blank margin of last three leaves, far from affecting printing. Apart from that a very nice copy with only some light brownspotting to the first leaves. Engraved title-page inside a large composition in baroque-style (Jan Halbeeck) and on verso of title the Danish Royal Coat of arms (Halbeeck), engraved portrait of King Christian IV, to whom the work is dedicated (drawn and engraved by Nicolaus Andrea). Title to the second part with a large engraved portrait of Fabris (Nic. Andrea, after Melchior Lorck). (6), 256, (2) pp. The work comprises 190 splendid half-page engravings (ab 15 x 18 cm.), showing all sorts of difficult fencing positions, each with two naked fencers (engraved by Jan Halbeeck and Francesco Valeggio). The scarce first edition, first issue of this splendid work, which not only constitutes one of the most important works ever produced on combats with rapier and dagger, but also the first Danish book with copper-engravings and one of the absolute highlights of Danish book production. Chs. Richard Cammell in "Philobiblon" 1936 calls it "the most complete work produced in this art.It is also the first book printed in Denmark to have copper-engraved illustrations". The work is also known as "The Fencing Book of Christian IV", as the book was dedicated to and made for the great king, who … [Click Below for Full Description]
Bookseller: Lynge & Søn ILAB-LILA [Denmark]
2017-10-16 14:09:20
SACROBOSCO, Johannes de
Lyon, Hugonem Gazaeum, 1606. ______ Format : In-12. [172 x 100 mm] Collation : 174 pp., 2 planches h.-t. Reliure : Veau, dos à nerfs orné, plats ornés d'armes dorées sur le premier plat et d'un monogramme doré sur le second plat, filets d'encadrement, tranches marbrées. (Reliure de l'époque.). ____ La "Sphère" de John of Holywood, ou Sacrobosco avec les commentaires de l'humaniste Elie Vinet, connut de nombreuses éditions au cours du XVIe et du XVIIe siècle. On sait le succès de cet ouvrage qui a servi de manuel pour l'enseignement de l'astronomie pendant plusieurs siècles. Le saintongeais Elie Vinet (1509-1587) a été l'un des plus brillants maîtres du Collège de Guyenne. Ce collège était au centre de la vie intellectuelle de Bordeaux et de sa région. Montaigne qui l'a qualifié de "meilleur de France", y entra comme élève en 1539, l'année même où Vinet commença à y professer. Vinet a été l'éditeur de nombreux ouvrages qui pour la plupart, ont servi à l'enseignement qu'il dispensait. Illustré par 84 bois gravés dans le texte et par trois planches dépliantes dont deux tableaux. Exemplaire aux armes et au chiffre sur les plats et entre les nerfs de Claude V Molé, maître d'hôtel ordinaire du Roi Louis XIV. Selon Olivier, les livres de sa bibliothèque "étaient remarquablement reliés en veau fauve par LE PETIT LORRAIN, relieur de Troyes." Discrètes restaurations aux coiffes. Bon exemplaire. Desgraves, Elie Vinet 129. Olivier 1335. *-------* Fine copy bound for Claude Molé, "maître d'hôtel ordinaire" of the king Louis XIV, bound by Le Petit Lorrain, binder in Troyes. This edition … [Click Below for Full Description]
Bookseller: Hugues de Latude [FRANCE]
2017-10-16 13:24:08
Collado, Luigi
Bookseller: Argonaut Book Shop, ABAA [San Francisco, CA, U.S.A.]
2017-10-16 13:23:50
Collado, Luigi
Girolamo Bordoni & Pietromartire Locarni, Milan, 1606. Later printing, first published in 1586. Small quarto. [20], 387pp. Illustrated with 16 folding woodcut plates plus an abundance of full-page and half-page woodcut text illustrations; decorated initials throughout. Old full paneled calf. Minor extremity wear to binding, a few marginal repairs to preliminaries, old ink-scored names on blank portion of title page, lower outer corner of title restored with imprint date supplied in manuscript, light marginal damp staining to a few end leaves. Small bookplate on inner cover. A handsome copy complete with all the woodcut illustrations and plates. This famous work is the first really detailed, well-illustrated manual on both the theory and practice of artillery. It is very rare and one of the earliest works, if not the earliest, dealing exclusively with artillery. The numerous types of cannon figured are of great interest, while the work itself represents a fine specimen of typography. The 16 folding woodcut plates are enhanced with over sixty further woodcut illustrations, many being half or full-page. A handsome copy complete with all the woodcut illustrations and plates.
Bookseller: Argonaut Book Shop, ABAA [San Francisco, CA, U.S.A.]
2017-10-16 13:17:47
[GUNPOWDER PLOT] [GARNET, Henry, 1555-1606, defendant.]
London: Robert Barker, 1606. First Edition, 4th issue.. Small 4to, PP. 416 unnumbered pages. Signatures: A-Z4, Aa-Zz4, Aaa-Fff4 (last leaf blank). Corner of titlepage restored (not afecting text) Contemp signature on titlepage, "M Erington" Bound in contemporary some soiled vellum, with a contemporary bookplate from Gordon Castle (Gordon Castle is located in Gight, near Fochabers in Moray, Scotland. Historically known as the Bog-of-Gight, it was the principal seat of the Dukes of Gordon) as well as a modern one. ESTC, S2009; STC (2nd ed.), 11619a.from Wikipedia:"The Gunpowder Plot of 1605, in earlier centuries often called the Gunpowder Treason Plot or the Jesuit Treason, was a failed assassination attempt against King James I of England and VI of Scotland by a group of provincial English Catholics led by Robert Catesby. The plan was to blow up the House of Lords during the State Opening of England's Parliament on 5 November 1605, as the prelude to a popular revolt in the Midlands during which James's nine-year-old daughter, Princess Elizabeth, was to be installed as the Catholic head of state. Catesby may have embarked on the scheme after hopes of securing greater religious tolerance under King James had faded, leaving many English Catholics disappointed. His fellow plotters were John Wright, Thomas Wintour, Thomas Percy, Guy Fawkes, Robert Keyes, Thomas Bates, Robert Wintour, Christopher Wright, John Grant, Ambrose Rookwood, Sir Everard Digby and Francis Tresham. Fawkes, who had 10 years of military experience fighting in the Spanish Netherlands in suppression of the D … [Click Below for Full Description]
Bookseller: Second Life Books Inc [US]
Check availability:
2017-10-16 13:10:19
Isidoro Pelusiota; De Billy (interprete)
(Heidelberg), Ex Officina Commeliniana, 1606. In folio (cm 21,6 x 35), suggestiva legatura piena pelle coeva con filetto dorato ai piatti e stemma floreale impresso al centro dei piatti. Pp (16), 357 (la paginazione passa da p 124 a 145, ma completo, come segnalato anche da COPAC), per la prima opera; (24), 112, (8) per i "Labores"; (108) di "Emendationes" ed Indici. La collazione delle ultime cc differisce da quella degli esemplari censiti in COPAC, ma quanto presente pare completo: COPAC avverte che esistono varianti con numero diverso di carte. Bellissimo frontespizio architettonico, testo su due colonne, latino e greco. Splendidi testatine, finalini, capilettera; marginalia impressi ai lati della pagina. Esemplare in discrete condizioni: bruniture dovute alla qualità della carta; integrazioni con striscioline di carta al frontespizio; da pag 309 della prima opera alla 99 dei "Labores", gallerie di tarlo da restaurare nel margine bianco inferiore, senza perdita di testo; Tarletti al fondo senza gravità nella parte superiore; il "Registrum" è incollato su sguardia moderna al verso dell'ultima carta, . De Billy, erudito francese, teologo, giurista, linguista, abate benedettino, nacque nel 1535 a Guise in Piccardia; morì a Parigi nel 1581. Dal giorno in cui entrò novizio, abbandonò ogni studio profano per dedicarsi ai Padri della Chiesa, coadiuvato dalle eccezionali abilità linguistiche -scriveva greco e latino con eccezionale purezza, e come il francese. L'esegesi biblica gli deve molto: molto fece nel'ambito della collazione dei testi e comprensione di parecchi passi oscu … [Click Below for Full Description]
Bookseller: Studio Bibliografico Bosio Giovanni [IT]
2017-10-16 13:06:11
TANSILLO Luigi
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-10-16 13:06:11
TANSILLO Luigi
cavate dal suo proprio originale. Poema sacro, et heroico, in cui si narrano i lamenti, i dolori, i digiuni, et le astinenze di Pietro...Con gli argomenti, et allegorie di Lucretia Marinella, et con un Discorso nel fine del sig. Tomaso Costo...Vinegia, 1606. 2 parti in un vol. in-4, pp. (16), 155 (mal num. 151); 32; leg. coeva p. perg. con uno stemma a inchiostro di china sul piatto super. e le iniziali ''V.B.K.''. Sul tit. vignetta inc. con Madonna e Bambino, figura a piena pag. di S. Pietro inc. in rame, frontesp. proprio con diversa impresa tipogr. per il ''Discorso'', testatine, finaletti ed iniz. silogr., argomento dei canti in bordura silogr.; testo su due colonne in car. corsivo. Dedica dello stampatore a Mons. Massimiliano Bianchi. Prima edizione del testo completo dei 15 canti di questo poema (l'ediz. orig. del 1560 aveva solo le prime 42 stanze), corredato di 16 allegorie in prosa (una di utto il poema e una a ciascun canto) e 15 ottave di ''Argomenti'' della Marinelli), della ''Canzone a Papa Paolo IV'' del Tansillo, del ''Discorso'' e delle ''Rime spirituali'' di T. Costo, che curò l'edizione. «T: Costo si propose di ridurre il poema quanto più esattamente potesse al testo originale conforme...; ma in effetto il Costo pure lo ritoccò in diversi passi, accomodò versi per renderli più numerosi e sonori, ed accrebbe l'opera di pressoché 400 stanze» (Gamba 1675, note). Luigi Tansillo (Venosa, Napoli, ca. 1510-1568) fu uno dei più validi poeti italiani del XVI sec., da alcuni considerato il creatore del dramma pastorale; prima ''Il vendemmiatore'' (1534) … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [IT]
2017-10-16 12:59:48
KEPLER (Johannes)
35-[3] pages et [1] feuillet Francofurti, In officina Typographica Wolgangi Ricteri, 1606, , 35-[3] pages et [1] feuillet blanc, cartonnage postérieur, muet, Quatrième et dernière partie du De Stella nova sur la question de l'année de naissance du Christ, souvent citée par son titre courant "Sylva chronologica". Ici, Kepler réagit à la lecture d'un écrit de l'historien jésuite Laurentius Suslyga, Velificatio seu Theoremata de anno ortus et mortis domini, paru en 1605 ; l'auteur y postule que le calcul de notre ère commune est en retard de 4 ans. Cette publication coïncide avec l'apparition de la Nova Stella observée d'octobre 1604 à octobre 1605, à la faveur d'une conjonction Jupiter-Saturne, et que Kepler associe à l'étoile des Rois-Mages rapportée dans l'Évangile de Matthieu. L'astronome reprend ainsi les arguments historiques de Suslyga et établit, par des calculs astronomiques, une nouvelle date pour la naissance du Christ : -5 avant notre ère. Le De Stella nova a paru à l'automne 1606 : seuls 600 exemplaires ont été imprimés. Les exemplaires complets sont d'une insigne rareté et ses parties isolées le sont également. Une mouillure marginale fine et une auréole pâle en pied des feuillets. Biblioteca Kepleriana n° 27. Lalande 145 [Attributes: Hard Cover]
Bookseller: Librairie Alain Brieux [paris, France]
2017-10-16 12:19:46
Del Rio, Martin-Antonio
Bookseller: Argonaut Book Shop [US]
Check availability:
2017-10-16 12:06:38
CIANTES (Ignacio)]
Bookseller: LIBRAIRIE CHAMONAL [Paris, France]
2017-10-16 12:06:38
[CIANTES (Ignacio)]
Bookseller: Librairie Chamonal [Paris, France]
2017-10-16 11:34:00
REIMS - TONNELIERS (Tonneliers)
Bookseller: LIBRAIRIE CHAMONAL [Paris, France]
2017-10-16 11:33:33
MERCATOR-HONDIUS
Bookseller: Librairie Ancienne Laurencier [France, Bordeaux]
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