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Displayed below are some selected recent viaLibri matches for books published in 1595

        Historia ecclesiastica, continens religionis propagatae gesta, quæ à temporibus Karoli Magni, usque ad Henricum IIII acciderunt, in ecclesia non tam Hamburgensi quàm Bremensi, vicinisque locis septentrionalibus. Ad. ms. exemplar multis in locis aucta. Eiusdem auctoris libellus de situ Daniæ, & reliquarum quæ trans Daniam sunt regionum natura: deque gentium istarum istis temporibus, moribus religionibusque; nunc primùm in lucem editus. Ex bibliotheca generosi ac illustris domini Henrici Ranzovii, producis cimbrici. Cura ac labore Erpoldi Lindenbruch.

      - Leyden, ex officina Plantiniana, apud Franciscum Raphelengium, 1595. 4:o. (12),+ 156,+ (31) s. Med ett flertal marginalanteckningar från slutet av 1700-talet. Enstaka fläckar. En fuktfläck på pärmen berör även inlagan till s. 50 och en pappersspricka i yttre marginalen återfinns på s. 155. Sammanbunden med: CANISIUS, Heinrich. Chronicon victoris episcopi Tunnunensis. Chronicon Ioannis Biclarensis, episcopi Gerundensis. Legatio luitprandi episcopi Cremonensis, ad nicephorum phocam græcorum imperatorem, nomine Othonis Magni imp. Augusti. Synodus Bauarica, sub tassilone Bavariæ duce tempore Caroli Magni. Omnia nunc primùm in lucem edita. Studio et opera Henrici Canisii Noviomagi. Ingolstadt, ex officina typographica Ederiana, apud Andream Angermarium, 1600. 4:o. (2),+ 148,+ (2, blanka) s. Litet hål upptill på s. 54, med delförlust av pagina. Sammanbunden med: AVENTINUS, Johannes. Chronicon sive annales Schirenses, à Ioanne Aventino, principum boiariæ à literis & historijs, perscripti. Ex publicis bibliothecis, diplomatibus, annalibus, illustribusq; scriptoribus diligentissimè excerpti. Et ex manu scripto nunc typis editi: atque impressi. Zweibrücken, per Casparum Wittelium, 1600. 4:o. (38),+ (2, blanka) s. Något nött samtida pergamentband, handskriven ryggtitel, sparsamt blindornerade men bågnande pärmar med gröna knytband, röda snitt. Bakre pärmens insida med maskspår, som även återfinns nedtill på eftersättsbladet och i form av två små hål nederst på de två sista bladen i inlagan. Titelbladen med samtida namnteckning och datering i bläck. Äldre anteckningar på försättsbladet. Från Ericsberg bibliotek, med Carl Jedvard Bondes exlibris.Adams B2746, Bibl. danica III, sp. 898, Zeeberg, Rantzau 130, Thesaurus 208 och Warmholtz 1637 för det första arbetet. VD16 C 662 för det andra och VD16 T2323 för det tredje arbetet som ej noterar det i båda fallen avslutande blanka bladet. Detta är den andra tryckta, förbättrade och utökade utgåvan av Adam av Bremens historik över Hamburgstiftet, ?Gesta Hammaburgensis?, men den första med uppgifterna om hednatron i Uppsala, vilket gör den till en av de viktigaste källorna till den svenska hedniska förhistorien. Den första utgåvan utgavs av Anders Sørensen Vedel och trycktes av Andreas Gütterwitz i Köpenhamn 1579. Till denna andra upplaga kunde historikern och kaniken i Hamburg Erpold Lindenbrog (1540-1616) använda ett manuskript ur Henrik Rantzaus bibliotek, ?Libellus de situ Daniæ.?, vilket nu är försvunnet. Han tryckte även de däri befintliga scholierna, marginalkommentarerna, samt försåg det med register. Det skulle dröja ända till publiceringen av Maders edition 1670 innan det kom en bättre textkritisk utgåva. På sidan 143 återfinns texten om templet i Ubsola med sin staty föreställande de tre gudarna Thor, Wodan & Fricco. Det andra arbetet i samlingsvolymen är en av den tyske professorn Heinrich Canisius redigerad utgåva av den afrikanske biskopen Viktor av Tunnunas (död ca. 570) världshistoriska krönika, med fortsättning av Joannes Gothus. Det tredje arbetet är en krönika över det bayerska klostret Scheyern, författad av den tyske historieskrivaren Johannes Aventinus, eg. Turmair (1477-1534).

      [Bookseller: Centralantikvariatet]
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        Freuden feuer So I.C.F.G. Von Brandenburg zu Cüstrin gehalten den 23 Juny Ano95 uff die gluck selige ankunft des Margraffen zu Brandenburg vnd Herzogen in Preußen & als die Historia erklert.

      - Kupferstich aus Francus, Meßrelation, 1595, 21,5 x 29,3 Bernd, Märkische Ansichten, Nr. 640 ( = die erste Ansicht von Küstrin ). Dargestellt ist die Feier im Schloßhof. - Mit geglätteten alten Längs- und Querfalten, der rechte Rand wurde restauriert.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Vrteils publication des garffen Ferdinanden von Hardeck. Vnd denn . geschehen zu Wien den 15 iuny 95 als weiter in der Historien erkläret.

      - Kupferstich aus Francus, Meßrelation, 1595, 23 x 29,2 Nicht bei Nebeh.- Wagner, nicht bei Fauser. - Dargestellt ist die Hinrichtung des Grafen Hardegg auf dem "Hof" in Wien.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Sardinia

      Basilea 1595 - "Rarissima carta della Sardegna, pubblicata nel volume "Pomponii Mela De Orbis Situ Libri III & C. Julii Solini Polyhistor " edito a Basilea da Sebastian Henricpetri nel 1595. Il volume consiste di due opere: il De Orbis Situ di Pimponio Mela (I sec.d.C.) e il Polyhistor di Gaio Giulio Solino (III sec. d.C.). Corredano il volume, 33 mappe xilografiche numerate. Le carte dalla num. 20 in poi, che accompagnano il Polyhistor, sono di formato più piccolo. La num. 22 è appunto questa "Sardinia". Xilografia, lieve alone d'umido nell'angolo sinistro, per il resto in ottimo stato di conservazione." "Rare small map of Sardinia, from "Pomponii Mela De Orbis Situ Libri III & C. Julii Solini Polyhistor " edited by Sebastian Henricpetri, Basle, 1595. 33 woodcut maps accompannying with text "This volume consists of works by both Pomponius Mela and Caius Julius Solinus, with maps bound at intervals within the text. There are new maps accompanying the Polyhistor from no. 20 onwards which are smaller in size than hitherto " The num. 22 is this map of Sardinia. Woocut,waterstain to left margin, otherwise in good condition." Shirley G.Mela-1c, Nr. 21. Dimensioni 77 124mm

      [Bookseller: Libreria Antiquarius]
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        Silesiae Typus

      Anversa 1595 - Tratta dal "Thetarum Orbis Terrarum". Edizione spagnola del 1612. Incisione in rame, bellissima coloritura coeva,in ottimo stato di conservazione. Taken from " Thetarum Orbis Terrarum". Spanish edition of 1612. Etching with original hand colour, in good condition. M. Van den Broecke "Ortelius Atlas Maps" (2011), n. 103 Dimensioni 425 355mm

      [Bookseller: Libreria Antiquarius]
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        Tabula Hispaniae Intra promontorium S. Vincenty et premontorium Bagador, ut et Canarie insulae

      Amsterdam 1595 - Carta è tratta dal rarissimo atlante nautico del Barentsz edito postumo dal Janssonius con il titolo "Descriptio Maris Mediterranei per tabulas hidrographicas & geographicas", Amsterdam nel 1654. L'opera contiene dieci carte nautice del Barentsz, per la prima volta incluse nel suo "Caertboeck vande Middelandtsche Zee", 1595; le carte sono stampate con la lastra originale ma sono completamnete rilavorate, con numerose varianti e con meno elementi decorativi nel mare. L'atlante è completato da alcune carte dello stesso Janssonius e da altre del Mercator, sempre modificate dal Jannsonius. Il Koeman cita solo 4 esemplari di questo atlante!!! Incisione in rame, coloritura coeva dei contorni, in ottimo stato di conservazione. Rarissima edizione. Striking map from Barentsz's "Descriptio Maris Mediterranei, per tabula hydographics & geographicas, . . .", published by Janssonius in Amsterdam in 1654. This is a rare variant edition. The atlas includes re-issues of Barentsz's 10 maps (first included in "Caertboeck vande Middelandtsche Zee", 1595) of the Mediterranean, with Jansson having completely changed the title and reworked the decorative embellishments, removing many of the great images originally added by Barentsz. Copperplate, original outline colour, in very good conditions. Dimensioni 540 390mm

      [Bookseller: Libreria Antiquarius]
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        Ecce Homo

      1595 - Acquaforte, 1595 cicra, siglata in lastra in basso destra col monogramma HW e un grappolo d’uva. Stato unico. Bellissima impressione, stampata su sottile carta vergellata con filigrana "Stemma" (Briquet, 2177). Applicata a supporto di carta riquadrato a penna. Il foglio è assottigliato in alcuni punti, presenta una piccola mancanza nel margine inferiore, per il resto in buono stato di conservazione. Al verso, sul supporto l'annotazione a penna «Riggall Colln Sale June 6th, 7th & 8th 1901 Lot 326. Secondo Nagler il soggetto potrebbe essere da Friedrich Sustris o da Christoph von Schwarz, quest’ultima derivazione è, invece, esclusa da Geissler. Han Weiner, pittore e incisore tedesco, giocando col suo cognome, che contiene la parola Wein, vino, siglava le sue opere con un grappolo d’uva. La sua produzione grafica è limitata a soli tre soggetti. Opera di estrema rarità. Etching, circa 1595, signed with the monogram 'HW' and a bunch of grapes at lower right. Only state. Superb impression, printed on contemporary laid paper, with watermark "coat-of-arms" (Briquet, 2177), applied on a paperframed in ink, trimmed to the platemark, just worn, generally in good condition. On the back, an ownership inscription Riggall Colln Sale June 6th, 7th & 8th 1901 Lot 326» Nagler suggested that the print was after a painting or design by Friedrich Sustris or Christoph Schwartz, but Geissler has rejected the suggestion after Schwartz. The work is very rare. The German painter Hans Weiner, in allusion to the genial beverage from which his name is derived, marked his works with the sign of a bunch of grapes. His graphic works is limited to three subjects. Heinrich Geissler, 'Christoph Schwarz, c. 1548-1592', PhD dissertation, Freiburg 1960, p. 309; Le Blanc, 1. Nagler (Lexicon) XXI, 232; Andresen, Der Deutsche Peintre-Graveur , II.213.2; Dimensioni 195 270mm

      [Bookseller: Libreria Antiquarius]
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        Chronica der weitberuempten Keyserlichen Freyen und deß H. Reichs Statt Augspurg in Schwaben. In unser teutschen Spraach in Truck verfertigt durch E. Werlichum Teil 1+2+3 + Antiqua monumenta: Das ist, Alte Bilder, Gemählde, und Schriften, so wol deren so zu Augspurg....als ausserhalb...gefunden

      Chronica der weitberümpten keyserlichen freyen und dess h. Reichs Statt Augspurg in Schwaben, von derselben altem Ursprung, Schöne, Gelegene, zierlichen Gebäwen unnd namhafften gedenckwürdigen Geschichten in acht underschiedliche Capitul (dero Innhalt vor anfang dieser Chronicken sampt Abbildung und Deutung gedachter Statt alter Monumenten zufinden) abgetheilt auss dess Edlen und Ehrenvesten Marx Welsers dess Jüngern Patricij und Bürgermeisters daselbsten acht Büchern (so er in lateinischer Spraach beschrieben und vor einem Jhar in offnen Truck auszgehen lassen) gezogen und derselben Burgerschafft sampt dero benachbarten zu sondern Ehren unnd gefallen in unser teutschen Spraach in Truck verfertigt durch Engelbertum Werlichium, der Historien liebhabern Angebunden: Ders.+ Antiqua monumenta: Das ist, Alte Bilder, Gemählde, und Schriften, so wol deren so zu Augspurg....als ausserhalb...gefunden...durch E.Wielich....in teutsche Sprache Teile 1-2-3 u. Anhang 'Antiqua Monumente' in 1 Bd. Frankfurt, Egenolffs Erben 1595(-96). Fol. zahlr. Textholzschnitte. VD 16, W 1894 u. G 507 Adams V 361 u. 362 Wegele 391 f. Richter, Egenolffs Erben 614 Burmeister, Gasser 48. Erste deutsche Ausgabe. Welsers Chronik behandelt die Geschichte der Stadt bis 522. Tl. 2+3 ist eine deutsche Übersetzung von Gassers 'Annales civitatis Augsburgensis', deren Veröffentlichung vom Augsburger Rat wegen ihres lutherischen Standpunktes verboten worden war. Als Anhang ist Welsers auch separat erschienenes Werk 'Antiqua Monumente' beigegeben, das besonders den in und um Augsburg gefundenen römischen Altertümern gewidmet ist. Exemplar ohne die (auch bei Richter nicht erwähnte) Karte, die einigen Ex. Beigebunden war. Die Titelbögen zu Tl. 2+3 (mit 'Basel' als fingierten Druckort) nur als leere Blatt eingebunden. Diese sind beim größten Teil der Exemplare unterdrückt wurden um die Verfasserschaft Gassers zu verschleiern. Gasser, der auch an Sebastian Münsters Cosmographia beteidigt war, wurde wegen seiner Nähe zu Luther in Augsburg verboten sein Werk zu veröffentlichen. Pergamenteinband der Zeit, Rücken oben kleine Restaurierung, Titel gering Fingerfleckig. Papierbedingt nur leicht gebräunt und kaum fleckig. Vorsätze erneuert. Kleiner Wasserrand auf Seite 93-96. Sehr schöne Ausgabe. hier eine Digitale Ansicht des Werkes http://books.google.de/books?id=TodPAAAAcAAJ&printsec=frontcover&dq=Chronica+der+weitberuempten+Keyserlichen+Freyen+und+de%C3%9F+H.+Reichs+Statt&hl=de&sa=X&ei=M_4bUe7SGqTb4QStooDwCw&ved=0CEoQ6AEwBA#v=thumbnail&q&f=false Deutschland kostenloser Versand DHL

      [Bookseller: HGomoll]
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        La solfatara a Pozzuoli)

      Anversa 1595 - Questa rarissima e sconosciuta veduta della solfatara di Pozzuoli rappresenta una derivazione dalla famosa ed altrettanto rara analoga opera eseguita da Philip Galle su disegno di Johannes Stradanus. Rispetto al prototipo, datato 1587, manca la scritta in alto e le dimensioni sono leggermente inferiori. Il monogramma "CG" è aggiunto in basso al centro; secondo il Nagler, Die Monogrammisten, questo monogramma è da ascrivere a Cornelis Galle oppure a Conrad Goltzius, parenti dei più famosi Philip e Hendrick. Certa comunque appare la provenienza fiamminga, con probabile luogo di stampa ad Anversa. La veduta rappresenta una dei luoghi più visitati e noti dell'area campana nonché tappa obbligata nel tour che si effettuava nell'Italia, alla scoperta del mondo antico, per la formazione umana e culturale dei giovani dell'aristocrazia e delle classi colte d'Europea. Nel grande numero di visitatori si notano uomini a cavallo e persone che si recano a piedi, alcune intente a osservare o a fare esperimenti, mentre altri si servono di una più riservata portantina; in primo piano un artista, forse l'autore della veduta, disegna mentre un servitore lo protegge con un ombrello dai raggi del sole. Incisione in rame, rifilata alla linea marginale ed applicata su supporto cartaceo, in perfette condizioni. Sconosciuta ai repertori. This very rare and unknown view of the solfatara of Pozzuoli represents a derivation of the famous and equally rare work realized by Philip Galle after a drawing of Johannes Stradanus. If compared to the prototype, dated 1587, this work lacks the writing on upper part and the dimensions are smaller. T he monogram "CG" is added on lower centre; according to Nagler, Die Monogrammisten, this monogram has to be ascribed to Cornelis Galle or to Conrad Goltzius, relatives of the more famous Philip and Hendrick. In any case, the map has a Flemish origin, very likely printed in Antwerp. Copper engraving, trimmed to marginal line and laid on paper support, in excellent condition. Not listed. Cfr. Hollstein p. 80, 422; B. Vannucci, Jan van der Straet detto Stradano, p. 441, 786; V. Valerio, E. Bellucci, Piante e vedute di Napoli dal 1486 al 1599, pp. 13/14; Nagler, Die Monogrammisten, p. 23, 57 e 58. Dimensioni 212 142mm

      [Bookseller: Libreria Antiquarius]
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        Africa ex magna orbis terrae descriptione Gerardi Mercatoris desumpta. Studio & industria G. M. Iunoris

      Amsterdam 1595 - Questa splendida carta dell'Africa appare per la prima volta nell' Atlas sive Cosmographicae di Gerard Mercator, pubblicato postumo nel 1595. Come indicato nel titolo, questa mappa è realizzata dal nipote di Gerard Mercator, Gerard Mercator Jr. che ha desunto le informazioni dalla grande mappa del mondo di suo nonno del 1569. Mercator senior, a sua volta, ha utilizzato come fonti i lavori di Gastaldi e Waldseemuller. Questa mappa ha un alto grado di precisione in particolare lungo la costa che non è stata ineguagliata per tutto il XVI secolo (Klemp). Gran parte delle regioni interne del continente rimanda alla tradizione tolemaica; il fiume Nilo è mostrato con le sue sorgenti nei Lunae Montes. A differenza però di altri cartografi, Mercator non ricorre alle raffigurazioni di animali. L'unica figura nella mappa è quella leggendaria del Prete Gianni, nell'area nordorientale. Il grande cartiglio con il titolo è decorato con dei frutti e due satiri. Incisione su rame, magnifica coloritura coeva, lievi fioriture sui margini bianchi, nel complesso in ottimo stato di conservazione. Questo esemplare è tratto dall'edizione francese dell'Atlas sive Cosmographicae A classic map of Africa. The map first appeared in Gerard Mercator’s Atlas sive Cosmographicae., published posthumously in 1595. As stated in the title, this map is by Gerard Mercator's grandson, Gerard Mercator Jr. He extracted the information for this map from his famous grandfather's large world map of 1569. Mercator also used as sources the Waldseemuller and Gastaldi maps. This map has a high degree of accuracy especially along the coastline that was unsurpassed by any other 16th century cartographer (Klemp). Much of the interior of Africa defers to the traditions of Ptolemy; the Nile river is shown with the two lakes and the Mountains of the Moon across southern Africa. Mercator tried to adhere to a more scientific approach and did not include the numerous beasts of other cartographers. The only figure within Africa is the seated legendary priest-king Prester John in Ethiopia. The cartouche is quite decorative with fruit and two satyrs. This particular map is from a French edition of the Atlas sive Cosmographicae Copper engraving, original colours, in very good condition. Betz #31; Norwich #21; Van der Krogt (Vol. I) #8600:1A. Dimensioni 475 380mm

      [Bookseller: Libreria Antiquarius]
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        Itala nam Tellus Graecia Maior

      Anversa 1595 - Carta tratta dal "Parergon" di Ortelius, edizione latina del 1595. Incisione in rame, in ottimo stato di conservazione. M. Van den Broecke "Ortelius Atlas Maps" (2011), n. 210. Dimensioni 480 345mm

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        La Famosa Citta d'Ancona

      Siena 1595 - Rarissima pianta prospettica della città di Ancona, orientata con il nord a sinistra e inquadramento su tre. Firmata in lastra, in basso a destra nella legenda "Matteo Florimi for In Siena". I pochi esemplari noti di questa pianta si conservano al Gabinetto delle Stampe degli Uffizi, Biblioteca Augusta di Perugia, Biblioteca Nazionale di Roma, e alla Biblioteca Nazionale di Francia. Incisione in rame, rifilata al rame con margini coevi aggiunti, restauro integrativo, con parziale perdita di testo in basso al centro, in corrispondenza della legenda, e strappi restarurati lungo il margine sinistro, per il resto in buone condizioni. Van der Heyden p. 123, 19. Dimensioni 498 390mm

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        Itala nam tellus Graecia Maior erat. Ovid. 4 Fast.

      Anversa 1595 - Carta storica della Magna Grecia tratta dal "Parergon" di Ortelius, edizione italiana del 1608/1612. Il titolo dell'opera è una citazione da Ovidio, Fasti, IV che recita "La terra ora detta Italia, un tempo era la Magna Grecia". Orientata con l'est in alto, margini graduati ma senza scala metrica di riferimento. Nel cartiglio in alto a destra, la dedicata di Ortelius al suo amico medico Ioachim Camerarius di Norimberga. La mappa, come tutte le carte contenute nel Parergon, è basata su fonti classiche: Tolomeo, Tucidide, Teocrito, Livio, Plinio, Strabone, Cassiodoro ecc. Nel cartiglio, in alto a sinistra, una mappa delle Isole Tremiti, un tempo dette Isole di Diomede. In basso a sinistra, entro cartiglio, la notizia del privilegio decennale:"Hanc Italiæ partem exteriorem sic de:|scribere conabar Abrahamus Ortelius. | cum | Priuilegio decennali, | 1595". Incisione in rame, finemente colorata a mano, testo latino al verso, in ottimo stato di conservazione. Map of Southern Italy from Ortelius' Parergon, Italian edition 1608/1612. The title is from Ovidius, Book 4,Fastorum: "Italy which was once Greater Greece." The map, with the regions of Ancient Greece in Italy, is based on the classical sources: Theocritus, Tolomeus, Plinius, Strabo, Cassidorus etc. Oriented with East at the top. Includes an inset map of the Island ot Tremite, and an inset with the dedication to Ortelius'friend to the most famous lordship Mr. Ioachim Camerarius of Nurnberg, most celebrated physician. In the cartouche at the bottom left: "Hanc Italiæ partem exteriorem sic de:|scribere conabar Abrahamus Ortelius. | cum | Priuilegio decennali, | 1595" i. e.This exterior part of Italy is thus depicted in the records of Abraham Ortelius with a privilege for ten years, 1595 Copper engraving, hand-coloured, Italian text on the verso, in very good condition. M. Van den Broecke "Ortelius Atlas Maps" (2011), n. 210; Koeman/Meurer: 29P, Karrow: 1/204, van der Krogt AN: 7400H:31 M. Van den Broecke "Ortelius Atlas Maps" (2011), n. 210. Dimensioni 482 346mm

      [Bookseller: Libreria Antiquarius]
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        Geschlechter-Buch. Darinn Der löblichen Kayserlichen Reichs Statt Augspurg so vor Fünffhundert und mehr Jahren hero, daselbst gewohnet, und biß auf Acht abgestorbe[n], auch deren so an der Abgestorbnen statt eingenommen und erhöhet worden seyn. Deßgleichen mit was Personen dieRöm. Käy. May. [et]c. am dritten Augusti, im M.D.XLVIII. Jahre, ein Neu Regiment, von Rath und Gericht, auch alle Empter besetzt hat, sampt eines jeden Geschlechts Wapen, Zeichen, Schilt und Helm, auch Ankunfft und Herkommen, alles mit künstlichen Figuren angezeigt, und allen Kunstliebhabern, jetzt von neuem wiederumb an Tag gegeben.

      Mit Titelholzschnitt (monogrammiert CM), 156 ganzseit. Textholzschnitten, meist von J. Amman (4 monogr. CW), breiter Holzschnittbordüre (monogr. MF) auf dem Zwischentitel und großer Druckermarke am Ende. 1 Bl., 162 S., 1 Bl. - Vorgebunden: Welser, Marx: Chronica Der Weitberuempten Keyserlichen Freyen vnd deß H. Reichs Statt Augspurg in Schwaben/ Von derselben altem Vrsprung/ Schöne/ ... Gebäwen vnnd ... gedenckwürdigen Geschichten in acht vnderschiedliche Capitul ... abgetheilt. 3 Tle. und Anhang. Frankfurt, Egenolffs Erben, 1595-(96). Mit Holzschnitt-Druckermarke und zahlr. Textholzschnitten (ohne die doppelblattgr. Kupferstichkarte). 8 Bl., 110, 282, 141 S. (3 weiße Bl. zwischengeb.), 1 Bl., 97 S. Lederband d. Zt. mit Rückenverg., dreiseit. Goldschnitt und zwei intakten Messingschließen. Folio. I. (Mair): Becker 105. Bartsch IX, 191. Lipperheide Rc 4, Anm. Nagler, Monogrammisten, II, 818. Die berühmte Holzschnittfolge stellt die Vertreter der Augsburger Geschlechter in Rüstungen mit ihren Wappen dar. Sie erschien erstmals 1538 (dann 1550 und 1580). Hinter dem Monogramm CW verbirgt sich Christoph Weiditz II., der Sohn des berühmten Hans Weiditz (vgl. Röttinger 19). Die Titelbordüre (S. 55) schnitt Lucas Mayer aus Ammans Werkstatt, der Titelholzschnitt stammt vermutlich von einem unbekannten Formschneider der Schule Jost Ammans (vgl. dazu Nagler IV, 1777 und 1699). 1580 gingen die Stöcke in den Besitz des Frankfurter Verlegers Feyerabend über. In dieser Ausgabe ist der Holzschnitt zum Zwischentitel auf Seite drei entfallen. - II. (Welser): rste deutsche Ausgabe. STC 886 (3 Teile). Adams V 361 und 362. VD 16 G 507 und W 1894. Richter 614. Pfister I, 633. Lentner 6597. Dekesel W 6. - Marx Welser war der bedeutendste Gelehrte aus dem bekannten Augsburger Patriziergeschlecht. Der erste Teil des "wichtigen und wertvollen Werks" (Lentner) enthält die deutsche Übersetzung der erstmals 1590 lateinisch erschienenen Chronik. Die anderen beiden Teile bestehen aus der deutschen Ausgabe von Gassers "Annales civitatis Augsburgensis" (übers. von W. Hartmann), die ursprünglich im Reichsgebiet nicht erscheinen durften (vgl. dazu ADB VIII, 397). Im Anhang, "Antiqua monumenta", werden archäologische Funde beschrieben. - Wie meist ohne die Titelei der Teile II (2 Bl.) und III (3 Bl.) die offenbar vom Drucker sporadisch beigegebene Karte ist nur in wenigen Vergleichsexemplaren nachweisbar. ---- Einband etwas beschabt und mit kleineren Wurmspuren. Vorderer Vorsatz mit alten Vermerken und gestempelter Signatur, die letzten 6 Bll. und die hinteren Vorsätze mit starken Wurmspuren und infolgedessen Ausbrüchen, vor allem im unteren Rand (minimaler Bildverlust), mehrere Bl. davor mit nur kleiner Wurmspur, Titel etw. stärker, sonst nur leicht gebräunt, stellenw. im Rand leicht braun- und wasserfleckig.

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        Lettera indirizzata al Conte Guido di Sangiorgio. Datata ''Di Casale li 20 di Marzo 1595''

      1595. 1 pagina in-folio bella grafia cancelleresca con varie firme e sigillo del Duca con stemma e corona in calce. Vincenzo II di Gonzaga, duca di Mantova e Monferrato, indirizza la missiva al Conte Guido Sangiorgio, uno dei più titolati feudatari monferrini, e gli conferisce pieno potere sui territori di Frassineto, Pontestura, Cucaro, Camagna, Isola e Balzola e vieta a chiunque di tagliare alberi o andare a pesca in queste zone, pena il pagamento di un'ammenda di uno scudo. Al verso annotazione notarile. Vincenzo I Gonzaga (Mantova, 21 settembre 1562 ? Mantova, 18 febbraio 1612) era il figlio di Guglielmo duca di Mantova e del Monferrato e di Eleonora d'Austria. Nel 1587 successe al padre nella titolarità dei due ducati.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Eglentiers poëtens borst-weringh.Amsterdam, Paulus van Ravesteyn for Jan Evertsz. Cloppenburgh, 1619. 4to. Contemporary vellum.

      Alblas, pp. 50-51; Borst & Verkruijsse, eds., pp. 486-487; Praz, p. 475. First edition, in Dutch, of a remarkable example of the cross-fertilization of English and Dutch literature in the early 17th century. Rodenburgh's Dutch adaption of Sir Philip Sidney's The defence of poesie (1595) and of excerpts from Thomas Wilson's The arte of rhetorique form the theoretical prose core of the present work about poetry and expresses this view as well. Rodenburgh complemented it with a great number of exemplary poems, short verse plays, occasional verse and emblematic poems, both borrowed and original, many published here for the first time.With early notes about the content on an endleaf. With occasional minor stains, mostly in the foot margin, a couple small marginal tears and a few tiny marginal worm holes, but otherwise in very good condition and with generous margins. With the vellum slightly soiled and one headband partly detached, but binding still good. A landmark in the history of Dutch poetry.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        The high court of justice Or Cromwells new slaughter-house England C.Walker 1651

      The high court of justice. Or Cromwells new slaughter-house in England With the authoritie that constituted and ordained it, arraigned, convicted, and condemned; for usurpation, treason, tyrannie, theft, and murder. Being the III. part of the Historie of independencie: written by the same author. Walker, Clement, 1595-1651., Andrews, Eusebius, [London: s.n.], Printed anno Dom. 1651., 71 pp., size 18.4 x 14.3 cm., as it is.First lifetime edition.Condition: Title page and last page darkend, stained, small tears andsmall missing places to edges. Last page (cover) with damping and rose discoloringBinding started getting looseMany pages with pale damping: to upper edge and to right edge.Several pages with some rose places as a result of damping.Bends to corners. Several pages with some light foxing.I send it EMS Shipping cost to USA $28. Sorry for this misleading but I'm registered on ebay of USA therefore I can not put above more than $18. I send it FROM ISRAEL airmail registered Clement Walker (died 1651) was an English lawyer, official and politician. As a member of the Long Parliament, he became an outspoken critic of the conduct of its affairs, and allied himself to William Prynne. Author of the History of Independency, which as a project with several editions included also his Anarchia Anglicana, he was a strong opponent of religious factionalism, and was imprisoned in the Tower of London, where he died without being brought to trial. He used the pseudonym Theodorus Verax. He was born at Cliffe in Dorset, and is said to have been educated at Christ Church, Oxford, but his name does not appear in the matriculation register. In 1611 he became a student of the Middle Temple, being described as son and heir of Thomas Walker, esq., of Westminster. Before the First English Civil War began, Walker was made usher of the exchequer, an office which he held till February 1650 Walker had an estate at Charterhouse, Somerset, and was reputed to be an enemy to Puritans; but on the outbreak of the war he supported the parliamentary cause, and on 1 April 1643 became a member of the parliamentary committee for Somerset. He was advocate to the court-martial which condemned Robert Yeomans and George Bouchier (Bowyer) for seeking to betray Bristol to Prince Rupert, and was at first a strong supporter of Colonel Nathaniel Fiennes as governor of that city. After the surrender of Bristol by Fiennes to Prince Rupert, Walker became his most bitter enemy, co-operated with William Prynne in publishing pamphlets against him, and finally secured his condemnation by a court-martial. One of these pamphlets[1] was complained of by William Fiennes, 1st Viscount Saye and Sele, father of Colonel Fiennes, to the House of Lords, on the ground that it impugned his reputation. Walker was consequently arrested, brought before the house, fined £100, and ordered to pay £500 damages to Lord Say. He refused to make the submission that was also demanded, alleging that it was against the liberty of the subject, and that, as he was a commoner and a member of a committee appointed by the House of Commons, he ought not to be judged by the lords without being heard also by the lower house. He was sent to the Tower (7 October 1643), but released on bail (3 November) after he had petitioned the commons and caused his articles against Fiennes to be presented to them. Walker was elected member for Wells about the close of 1645, and made himself notorious by his hostility to the Independents. After the triumph of the army over the Presbyterians he was accused of being one of the instigators of the London riots of 20 July 1647. Walker denied this; he described himself in his writings as opposed to all factions, both presbyterians and independents, and never a member of any 'juntos' or secret meetings. In his Mystery of the Two Juntos, published in 1647, he attacked with acrimony the corruption of parliamentary government which the Long Parliament's assumption of all power had produced. Expulsion and death In December 1648 Walker was one of the members who voted the king's concessions sufficient ground for an agreement with him, and was consequently expelled from the house by Pride's Purge. He remained under arrest for about a month, which did not prevent him from publishing a protest against the king's trial. On the publication of the second part of his History of Independency, Parliament ordered Walker's arrest and the seizure of his papers (24 October 1649). A few days later (13 November) he was committed to the Tower to be tried for high treason.Walker was never brought to trial, but remained a prisoner in the Tower until his death in October 1651. He was buried in the church of All Hallows, Barking. The History of Independency Walker's major work was a composite, consisting of: The Mystery of the two Juntos, Presbyterian and Independent, 1647 (reprinted as a preface to the History of Independency);The History of Independency, with the Rise, Growth, and Practices of that powerful and restless Faction, 1648, (part i.);A List of the Names of the Members of the House of Commons, observing which are Officers of the Army contrary to the Self-denying Ordinance, 1648 (subsequently incorporated in part i. of the History of Independency.);A Declaration and Protestation of W. Prynne and C. Walker against the Proceedings of the General and General Council of the Army, 1649, and Six serious Queries concerning the King's Trial (both reprinted in the second part of the History of Independency).;Anarchia Anglicana, or the History of Independency, the second part, 1649;The High Court of Justice, or Cromwell's New Slaughter House in England, being the third part of the " History of Independency," written by the same Author, 1651. The History of Independency and Anarchia Anglicana were published under the pseudonym of Theodorus Verax. One particular aim of the work was to show up the Anglia Rediviva of 1647, by Joshua Sprigge (and perhaps others), as myth-making in its account of the civil war just ended.[2] The Anarchia was answered by George Wither in Respublica Anglicana, where he alleges that the author is Verax (truth-telling) on the title-page but not in the others. According to John Aubrey, who derived his information from one of Walker's fellow prisoners, Walker wrote a continuation of his 'History' giving an account of the king's coming to Worcester, which was lost.[3] A fourth part of the History was added by a certain T. M., who published it with the preceding three parts in one volume (1661). In this volume is Walker's often quoted criticism of the democrats of the English civil war, in reference to spreading an awareness of meritocracy and the workings of government: "They have made the people thereby so curious and arrogant that they will never find humility enough to submit to a civil rule." An abridgment in Latin of part of the History of Independency, entitled Historia Independentiae, is included in Sylloge Variorum Tractatuum, 1649, and in Metamorphosis Anglorum, 1653.  

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        Orationes Aeschinis et Demosthenis. In Ctesiphontem et de corana seu pro Ctesiphonte. Cum interpretatione Dionysii Lambini.

      Ingolstadt, David Sartorius, 1595. 8°. Mit Holzschn.-Titelvignette. 6 Bll., (1) 464 (1) S., Blindgepr. Schweinsldr.-Bd. d. Zt. a. 4 Bünden, Vorderdeckel m. den goldgepr. Initialen „C. D.“ sowie der Jahreszahl „1604“, einer (von 2) Schließe u. dreiseitigem Rotschnitt. Hübsche griechisch-lateinische Parallelausgabe der griechischen Redner Aeschines und Demosthenes. - Der schöne zeitgenössische Einband etw. berieben u. fleckig. Vorderdeckel mit dem gestoch. Exlibris des Regensburger Bischofs Sebastian Denichius von 1672. Titel m. entferntem Besitzvermerk (min. Papierfehlstellen ohne Textverlust). Hinteres Vorsatzbl. u. hinterer Innendeckel m. Federproben. Vereinzelte Wurmspuren u. tlw. leicht gebräunt. - VD16, A 401; IA 100.911; Stalla 1766; Versand D: 12,00 EUR Aeschines et Demosthenes, Orationes Aeschinis et Demosthenis. In Ctesiphontem et de corana seu pro Ctesiphonte. Cum interpretatione Dionysii Lambini

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Holy Land - Abraham Ortelius, 1595.

      HOLY LAND WITH THE WANDERINGS OF ABRAHAM IN BEAUTIFUL ORIGINAL COLOUR?Abrahami Patriarchae peregrinatio, et vita?. Copper engraving published by Abraham Ortelius as part of his Theatrum Orbis Terrarum, in the (rare) Latin edition of 1595. Beautiful original hand colouring. Size: 35,3 x 46,6 cm.During the sixteenth century in the Low Countries, while Gerard Mercator was the preeminent cartographical innovator and draftsman, his friend and rival Abraham Ortelius became the most important map and atlas publisher. Ortelius? atlas Theatrum Orbis Terrarum, revolutionised geographical publishing. As he expanded it in subsequent editions, he included a number of maps important to the history of mapping the Holy Land; one of which being this beautiful map surrounded by vignettes of the life of the Patriarch Abraham.The map became part of the expanding supplement of historical maps, entitled the Parergon, that Ortelius appended to his atlas of modern maps. Largely the work of the master himself, the maps in the Parergon, and this one in particular, are the best engravings that reflect the widespread sixteenth-century interest in classical geography.Territorial divisions on the map are taken from the story Abraham in Genesis. Ancient tribal names are preserved in the regions of the Philistines, Amelechites, Jebusites, Cenezites, and Gergesites. The cities of Sodom and Gomorrah still thrive along the southern Jordan in the ?Valley of the Forest of Salt?, which was to become the Dead Sea. An inset shows the stages of the wanderings of Abraham, from Ur of the Chaldees, the lower Euphrates Valley, to Shechem, Bethel, Damascus, Egypt, and Hebron.In keeping with the title and biblical theme of the engraving, twenty-two medallions depicting scenes from the life of Abraham leaving Ur, sacrificing on the newly built altars at Shechem and Bethel, receiving the promise of the land, the birth of Isaac, the expulsion of Hagar, the sacrifice of Isaac, and the burials of Sarah and Abraham.The Wanderings of Abraham is among the most elaborate of Ortelius? compositions. It demonstrates his combined skills as a cartographer and an artist, and his accomplishment as an historian. Ortelius imaginatively enlivened the earliest period of biblical history for the readers of his Parergon.Price: ?2.950,- (excl VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Groningen - Braun & Hogenberg, ca. 1595.

      DE STAD GRONINGEN IN 16DE-EEUW?Groninga? In de tijd met de hand gekleurde kopergravure uit de Civitates Orbis Terrarum, ca. 1595 gemaakt door Georg Braun en Franz Hogenberg. Afm. (prent) ca. 32 x 44 cm.De Civitates orbis terrarum wordt beschouwd als de vroegste systematische stedenatlas. Hoewel het geen echte voorlopers had, bleek het werk direct in een behoefte te voorzien, omdat het sociale, politieke en economische leven van die periode zich afspeelde in de steden. Het werd een van de bestsellers van de late zestiende eeuw. De zes delen waaruit het werk bestond, verschenen tussen 1572 en 1618; alleen het eerste deel vermeldt echter bovenstaande titel. Georg Braun (1541-1622), kanunnik van de kathedraal van Keulen, schreef het voorwoord bij de eerste vijf delen en ook de begeleidende tekst op de versozijde van de plattegronden en stadsaanzichten. Veel materiaal voor dit stedenboek is afkomstig van de Antwerpse cartograaf Abraham Ortelius. Diens in 1570 verschenen Theatrum orbis terrarum heeft in een aantal opzichten model gestaan voor de Civitates.Simon van den Neuvel (Novellanus), Frans Hogenberg en (zijn zoon?) Abraham Hogenberg graveerden de koperplaten naar ?op bestelling? gemaakte tekeningen van onder anderen de Antwerpse schilder Joris Hoefnagel, zijn zoon Jacob Hoefnagel en Heinrich Rantzau. Niet alle platen in de Civitates zijn echter speciaal voor dit werk gemaakt. Een aantal is nagetekend van reeds bestaande plattegronden en stadsaanzichten, onder meer uit Sebastian M?nsters Cosmographia en Lodovoco Guicciardini?s Descrittione di tutti i Paesi Bassi.In veel gevallen, zoals ook bij de plattegrond van Groningen, zijn de prenten verlevendigd door er menselijke figuren aan toe te voegen. Dit diende een tweeledig doel: niet alleen werd zo de mogelijkheid geboden de gewoontes en kleding van de inwoners te laten zien, het moest ook voorkomen ook dat de Turken tijdens hun veroveringstochten gebruik maakten van de stadsaanzichten, aangezien de Islam het afbeelden van personen niet toestaat.Prijs: ?650,- (incl. lijst).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        BAYERN. - Karte., "Bavariae, olim Vindeliciae".

      Altkol. Kupferstich von Ortelius nach Philipp Apian, 1595, 39 x 49 cm. Van den Broecke 110. - Mit altkolorierter Kartusche, Meilenzeiger und dem bayerischen Wappen. Oben knapprandig. - Eine der schönsten Altbayernkarten in tadelloser Erhaltung und mit feinen Altkolorit! BAYERN, Landkarten, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
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        BAYERN. - Karte. "Bavariae, olim Vindeliciae".

      - Altkol. Kupferstich von Ortelius nach Philipp Apian, 1595, 39 x 49 cm. Van den Broecke 110. - Mit altkolorierter Kartusche, Meilenzeiger und dem bayerischen Wappen. Oben knapprandig. - Eine der schönsten Altbayernkarten in tadelloser Erhaltung und mit feinen Altkolorit!

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
 22.   Check availability:     ZVAB     Link/Print  


        Holy Land - Abraham Ortelius, 1595.

      HOLY LAND WITH THE WANDERINGS OF ABRAHAM IN BEAUTIFUL ORIGINAL COLOUR?Abrahami Patriarchae peregrinatio, et vita?. Copper engraving published by Abraham Ortelius as part of his Theatrum Orbis Terrarum, in the (rare) Latin edition of 1595. Beautiful original hand colouring. Size: 35,3 x 46,6 cm.During the sixteenth century in the Low Countries, while Gerard Mercator was the preeminent cartographical innovator and draftsman, his friend and rival Abraham Ortelius became the most important map and atlas publisher. Ortelius? atlas Theatrum Orbis Terrarum, revolutionised geographical publishing. As he expanded it in subsequent editions, he included a number of maps important to the history of mapping the Holy Land; one of which being this beautiful map surrounded by vignettes of the life of the Patriarch Abraham.The map became part of the expanding supplement of historical maps, entitled the Parergon, that Ortelius appended to his atlas of modern maps. Largely the work of the master himself, the maps in the Parergon, and this one in particular, are the best engravings that reflect the widespread sixteenth-century interest in classical geography.Territorial divisions on the map are taken from the story Abraham in Genesis. Ancient tribal names are preserved in the regions of the Philistines, Amelechites, Jebusites, Cenezites, and Gergesites. The cities of Sodom and Gomorrah still thrive along the southern Jordan in the ?Valley of the Forest of Salt?, which was to become the Dead Sea. An inset shows the stages of the wanderings of Abraham, from Ur of the Chaldees, the lower Euphrates Valley, to Shechem, Bethel, Damascus, Egypt, and Hebron.In keeping with the title and biblical theme of the engraving, twenty-two medallions depicting scenes from the life of Abraham leaving Ur, sacrificing on the newly built altars at Shechem and Bethel, receiving the promise of the land, the birth of Isaac, the expulsion of Hagar, the sacrifice of Isaac, and the burials of Sarah and Abraham.The Wanderings of Abraham is among the most elaborate of Ortelius? compositions. It demonstrates his combined skills as a cartographer and an artist, and his accomplishment as an historian. Ortelius imaginatively enlivened the earliest period of biblical history for the readers of his Parergon.Price: ?2.950,- (excl VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Salisburgensis Jurisdictio Salzburg.

      Theatrum Orbis Terrarum. 1595. Latin. - Copper engraving. Later colouring. Size: 43 x 34 cm. (17 x 13½ inches) Fine condition, good margins, top edge very slightly worn Ortelius based the map on the map and plan by Marcus Secsnagel, 1551. Braun and Hogenberg also used Secsnagel work. The poem at the top left commemorates him. The map has been drawn as if stretched over a frame, with the edges pinned down, the lower edges have rolled free to reveal the town plan at lower right van den Broecke 107

      [Bookseller: Peter Harrington. ABA member]
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        Groningen - Braun & Hogenberg, ca. 1595.

      DE STAD GRONINGEN IN 16DE-EEUW?Groninga? In de tijd met de hand gekleurde kopergravure uit de Civitates Orbis Terrarum, ca. 1595 gemaakt door Georg Braun en Franz Hogenberg. Afm. (prent) ca. 32 x 44 cm.De Civitates orbis terrarum wordt beschouwd als de vroegste systematische stedenatlas. Hoewel het geen echte voorlopers had, bleek het werk direct in een behoefte te voorzien, omdat het sociale, politieke en economische leven van die periode zich afspeelde in de steden. Het werd een van de bestsellers van de late zestiende eeuw. De zes delen waaruit het werk bestond, verschenen tussen 1572 en 1618; alleen het eerste deel vermeldt echter bovenstaande titel. Georg Braun (1541-1622), kanunnik van de kathedraal van Keulen, schreef het voorwoord bij de eerste vijf delen en ook de begeleidende tekst op de versozijde van de plattegronden en stadsaanzichten. Veel materiaal voor dit stedenboek is afkomstig van de Antwerpse cartograaf Abraham Ortelius. Diens in 1570 verschenen Theatrum orbis terrarum heeft in een aantal opzichten model gestaan voor de Civitates.Simon van den Neuvel (Novellanus), Frans Hogenberg en (zijn zoon?) Abraham Hogenberg graveerden de koperplaten naar ?op bestelling? gemaakte tekeningen van onder anderen de Antwerpse schilder Joris Hoefnagel, zijn zoon Jacob Hoefnagel en Heinrich Rantzau. Niet alle platen in de Civitates zijn echter speciaal voor dit werk gemaakt. Een aantal is nagetekend van reeds bestaande plattegronden en stadsaanzichten, onder meer uit Sebastian M?nsters Cosmographia en Lodovoco Guicciardini?s Descrittione di tutti i Paesi Bassi.In veel gevallen, zoals ook bij de plattegrond van Groningen, zijn de prenten verlevendigd door er menselijke figuren aan toe te voegen. Dit diende een tweeledig doel: niet alleen werd zo de mogelijkheid geboden de gewoontes en kleding van de inwoners te laten zien, het moest ook voorkomen ook dat de Turken tijdens hun veroveringstochten gebruik maakten van de stadsaanzichten, aangezien de Islam het afbeelden van personen niet toestaat.Prijs: ?650,- (incl. lijst).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Salisburgensis Jurisdictio

      Theatrum Orbis Terrarum., 1595. Latin.. Salzburg. Copper engraving. Later colouring. Fine condition, good margins, top edge very slightly worn Size: 43 x 34 cm. (17 x 13½ inches) Ortelius based the map on the map and plan by Marcus Secsnagel, 1551. Braun and Hogenberg also used Secsnagel work. The poem at the top left commemorates him. The map has been drawn as if stretched over a frame, with the edges pinned down, the lower edges have rolled free to reveal the town plan at lower right

      [Bookseller: Peter Harrington]
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        De vita S. Udalrici Augustanorum Vindelicorum episcopi quae extant. Pleraque antehac nunquam edita. (Herausgegeben von Marcus Welser).

      Augsburg "ad insigne pinus" 1595 - 263 S. Mit Druckermarke auf dem Titel und gefalteter Stammtafel. 4° (20,5 x 16,5 cm). Modernes Pergament mit Rückenschild. Erste Ausgabe der Edition wichtiger Quellen zum Leben des Augsburger Bischofs. Enthält die Viten von Gerhard von Augsburg und Berno von Reichenau, die "Bulla canonisationis", "Inventio et translatio corporis S. Udalrici" und die Stammtafel (unten eingefaltet) "Stemma Kyburgensium comitum". - Etwas wasserrandig (von der unteren Ecke ausgreifend und meist schwach), Titel unten auch leicht fleckig, sonst schön. *VD 16 V 1744. Adams U 13. Potthast 1612. Gewicht (Gramm): 580 [Attributes: First Edition]

      [Bookseller: Antiquariat Christian Strobel (VDA/ILAB)]
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        Holy Land - Abraham Ortelius, 1595.

      HOLY LAND WITH THE WANDERINGS OF ABRAHAM IN BEAUTIFUL ORIGINAL COLOUR?Abrahami Patriarchae peregrinatio, et vita?. Copper engraving published by Abraham Ortelius as part of his Theatrum Orbis Terrarum, in the (rare) Latin edition of 1595. Beautiful original hand colouring. Size: 35,3 x 46,6 cm.During the sixteenth century in the Low Countries, while Gerard Mercator was the preeminent cartographical innovator and draftsman, his friend and rival Abraham Ortelius became the most important map and atlas publisher. Ortelius? atlas Theatrum Orbis Terrarum, revolutionised geographical publishing. As he expanded it in subsequent editions, he included a number of maps important to the history of mapping the Holy Land; one of which being this beautiful map surrounded by vignettes of the life of the Patriarch Abraham.The map became part of the expanding supplement of historical maps, entitled the Parergon, that Ortelius appended to his atlas of modern maps. Largely the work of the master himself, the maps in the Parergon, and this one in particular, are the best engravings that reflect the widespread sixteenth-century interest in classical geography.Territorial divisions on the map are taken from the story Abraham in Genesis. Ancient tribal names are preserved in the regions of the Philistines, Amelechites, Jebusites, Cenezites, and Gergesites. The cities of Sodom and Gomorrah still thrive along the southern Jordan in the ?Valley of the Forest of Salt?, which was to become the Dead Sea. An inset shows the stages of the wanderings of Abraham, from Ur of the Chaldees, the lower Euphrates Valley, to Shechem, Bethel, Damascus, Egypt, and Hebron.In keeping with the title and biblical theme of the engraving, twenty-two medallions depicting scenes from the life of Abraham leaving Ur, sacrificing on the newly built altars at Shechem and Bethel, receiving the promise of the land, the birth of Isaac, the expulsion of Hagar, the sacrifice of Isaac, and the burials of Sarah and Abraham.The Wanderings of Abraham is among the most elaborate of Ortelius? compositions. It demonstrates his combined skills as a cartographer and an artist, and his accomplishment as an historian. Ortelius imaginatively enlivened the earliest period of biblical history for the readers of his Parergon.Price: ?2.950,- (excl VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 28.   Check availability:     NVvA     Link/Print  


        Kreütterbuch, darin underscheidt Namen und Würckung der Kreutter, Stauden, Hecken und Bäumen, mit ihren Früchten, so in Teutschen Landen wachsen . Item von den vier Elementen, zamen und wilden Thieren, auch Vögelen und Fischen, Milch, Käss, Butter, Honig, Wachs, Zucher, Saltz, Brot, Wein, Essig, Oeln, Eyer, Blüt, Schmaltz, Unschlit, allerhand Kochkreutter, Specerey, und Gewürtz. Auch wie alle Speiss und Dranck, Gesunden und Krancken, dargereicht werden sollen .

      Strassburg, Josias Rihel, 1595 - Folio (327 x 207 mm), ff [36] 470 [24], with woodcut portrait, coat-of-arms, and 579 woodcuts all in fine contemporary hand-colouring; a few marginal tears repaired, some slight browning, some heavier offsetting and show-through from the colouring, generally a very good copy in contemporary blind-stamped pigskin over wooden boards, with clasps, a little worn.A copy in contemporary colouring of the final edition of Bock's great herbal, including the Teutsche Speisskammer, a 'gallery' of food and drink preparations, illustrated by 19 woodcuts depicting food gathering and preparation, markets, wine making, etc., by Tobias Stimmer and Christoph Maurer. The Speisskammer was first published in an unillustrated quarto edition in 1550.The first illustrated edition of Bock's herbal was published in 1546, and contained 468 woodcuts (enlarged to 530 in the 1551 German edition) by David Kandel. Kandel for the most part based his woodcuts on those of Fuchs and Brunfels, but some one hundred are entirely original, and include several with charming genre scenes accompanying the plant depictions, many with his initials. In this copy all of the woodcuts are in fine contemporary colouring, using water- and bodycolours, with careful shading of leaves, etc. Interestingly, where the woodcut is based on Fuchs, the colouring follows that of the publisher's coloured edition of Fuchs, which was 'based upon the artist's original coloured drawings made from living specimens' (Blunt). The colouring of the present copy has the points set out by Dr. William T. Stearn (in Bibliography and natural history, Thomas R. Buckman ed., Lawrence, Kansas 1966, pp 3-4) for distinguishing publishe''s colouring in Fuchs from copies coloured privately or later.Bock was one of the 'fathers of German botany', the triumvirate that included Brunfels and Fuchs. As a botanist Bock was their decided superior. He was not shackled to the classical authority of Dioscorides and Pliny, and therefore could recognise new plants without his perception being clouded by supposed classical precedents. He pioneered descriptive botany, giving a detailed developmental history of each plant in its stages of growth, and was the first to discuss plant communities, thus foreshadowing the science of ecology.Nissen BBI 182; Ritter 220; Johnston 138; Wellcome 914

      [Bookseller: WP Watson Antiquarian Books]
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        Rerum a Sigismundo illustrissimo et fortissimo Transylvaniae principe contra Turcas gestarum brevis enarratio.

      [Prague, V. Maryn z Jencic], 1595. - 4to. (48) pp. With woodcut title border. Modern full calf with blindstamped cover rules. Rare first edition of this account of Prince Sigismund B

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Stadtratsmandat - Verbesserung unnd Erl

      Kl.4, 4 Bl. (Bogensignatur A4), Titelholzschnitt, Moderner Kart.-Umschlag, Durchgehend fleckig und einige Marginalen von alter Hand. VD 16 Z 622, Vischer N 50. Am Ende des Textes mit Jahreszahl 1595.

      [Bookseller: antiquariat peter petrej]
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        Islandia

      Amsterdam Mercator's Heirs 1595 - "Islandia". Orig. copper-engraving after G. Mercator's map of Iceland. Published in Amsterdam by Mercator's heirs, 1595. Orig. old colouring. With ornamental title-cartouche, the scale of map with compass, a sea creature and exploding volcano Hekla. 28,5:44 cm (11 1/4 x 17 1/4 inch.). Koeman I, map 1250:1A, ed. 1:011/12 (1595-1602 Latin) - A very decorative map of Iceland from the first(!) edition of the first "Atlas"(!). Nice copy! [Attributes: First Edition]

      [Bookseller: Antikvariat Krenek]
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        The Florentine Historie. Written in the Italian tongue, by Nicholo Macchiavelli, Citizen and Secretarie of Florence. And translated into English by Thomas Bedingfield Esquire.

      London: Printed by T. C. [Thomas Creede] for W. P. [William Ponsonby], 1595. First edition in English. Quarto, bound in 17th-century style blind stamped vellum boards. Decorated with woodcut engraved ornamental title page and engraved head and tailpieces. In near fine condition with some light browning and wear. Florentine Histories is a historical account by Italian Renaissance political philosopher and writer Niccolo Machiavelli. After the crisis of 1513, with arrests for conspiracy, torture and after being sentenced to house arrest, Machiavelli's relationship with the Medici family passively began to mend itself. If the dedication of Il Principe (1513) to Lorenzo II de' Medici had not any effect, part of the then dominant faction of the Florence was not against him, and instead granted him an appointment. In his letter he deplores of his idle state, offering his precious political experience to the new lord. To sustain that timid request Machiavelli, with a considerably courtier-like spirit, set his Mandragola for the wedding of Lorenzino de' Medici. In 1520, he was invited to Lucca for a mission of a semiprivate character, indicating that the ostracism was to be raised up. At the end of that year, Giulio Cardinal de Medici commissioned him to write a History of Florence. Although this was not exactly the charge he desired, Machiavelli accepted it as the only possible way to come back into the graces of the Medici. The intent of the work, although semi-officially, was to recover the city's charge of historic officiality. The wage for the appointment was not large (57 florins per year, later increased to 100). The finished work was presented officially to Giulio de' Medici, now Pope Clement VII, in the May 1526. The Pope liked the work and rewarded him, albeit moderately, and asked him support in the creation of a national army, on the wake of his theorical work The Art of War, in the preparations for the War of the League of Cognac. However, after the Sack of Rome (1527) and the fall of the Medici government in Florence, Machiavelli's hopes were dashed. Machiavelli would die soon afterwards.

      [Bookseller: Raptis Rare Books]
 33.   Check availability:     Biblio     Link/Print  


        Apologie pour Jean Chastel Parisien executandeacute andagrave mort et pour les pandegraveres andamp escholliers de la Societandeacute de Iesus bannis du royaume de France contre larrest de parlement donnandeacute contre eux a Paris le 29 Decembre 1594 par Franandccedilois de Verone Constantin

      

      [Bookseller: Maggs Bros. Ltd.]
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        Geschichtsblätter (Frakment)

      Hogenberg, (Köln, ca. 1595-1623). Vortitel, 33 (von 410) Kupferstich-Tafeln, blindgeprägter Leder-Einband der Zeit, quart-quer, (Gebrauchsspuren) - Die vorhandenen Tafeln, breitrandig mit starkem klaren Abdruck, zeigen Szenen aus der Geschichte des 16. Jahrhunderts. Krönungen, Enthauptungen, Schlachtszenen, Karte von Paris, seinen Stätten, Schlössern und Dörfern. Tuppenaufmärsche, Folter usw. / Beiliegt ein gestochener Zwischentitel aus Civitales orbis terrarum -

      [Bookseller: Celler Versandantiquariat]
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        Eglentiers poëtens borst-weringh.Amsterdam, Paulus van Ravesteyn for Jan Evertsz. Cloppenburgh, 1619. 4to. Contemporary vellum.

      - Alblas, pp. 50-51; Borst & Verkruijsse, eds., pp. 486-487; Praz, p. 475. First edition, in Dutch, of a remarkable example of the cross-fertilization of English and Dutch literature in the early 17th century. Rodenburgh's Dutch adaption of Sir Philip Sidney's The defence of poesie (1595) and of excerpts from Thomas Wilson's The arte of rhetorique form the theoretical prose core of the present work about poetry and expresses this view as well. Rodenburgh complemented it with a great number of exemplary poems, short verse plays, occasional verse and emblematic poems, both borrowed and original, many published here for the first time.With early notes about the content on an endleaf. With occasional minor stains, mostly in the foot margin, a couple small marginal tears and a few tiny marginal worm holes, but otherwise in very good condition and with generous margins. With the vellum slightly soiled and one headband partly detached, but binding still good. A landmark in the history of Dutch poetry.

      [Bookseller: ASHER Rare Books]
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        Ordinanze relative alla circolazione delle monete, alle leggi suntuarie e al controllo della stampa.

      Gio. Iacomo Carlino & Antonio Pace, 1595. I) Philippus Dei gratia rex c. Banno, et comandamento da parte dell'Illustrissimo, Eccellentissimo Sig. Don Giouan de Zunica Conte de Miranda Marchese di Labagnesa,&hellip, Napoli, Giovanni Giacomo Carlino Antonio Pace, 1595.Foglio volante (mm 315 x 210), lievi aloni e bruniture. EDIZIONE ORIGINALE di questa ordinanza, che regola la circolazione di valuta estera all'interno del Regno di Napoli, emanata dal Vicerè Juan Zuniga Conte di Miranda il 30 novembre 1594, nel tentativo, probabilmente, di contrastare la speculazione sui tassi di cambio e di arrestare la perdita di valore della moneta napoletana.Edit16, CNCE74990 (una copia: Biblioteca provinciale Tommaso Stigliani, Matera). II) Philippus Dei gratia rex c. Napoli, Giovanni Giacomo Carlino Antonio Pace, [1596].Foglio volante (mm 310 x 210), 2 cc. Con ampia incisione in legno delle armi di Filippo II di Spagna al recto della prima carta. Aloni diffusi su entrambe le carte.Le prime leggi suntuarie moderne furono emanate dal Regno di Napoli nel 1559, per poi essere riviste numerose volte. Le leggi non riguardano solamente abiti e gioielli, ma anche arredi domestici, carrozze e cavalli (cf. S. Scognamiglio, Il colore della statualità: leggi suntuarie, codici estetici e modelli culturali delle élites nella Napoli della prima età moderna, in: &ldquo,California Italian Studies&rdquo,, 3/1, 2012, p. 18).Non presente in Edit16, F. Mutinelli, ed., Storia arcana ed anneddotica d'Italia, raccontata dai Veneti ambasciatori, Venice, 1855, I, pp. 184-187. III) Philippus Dei gratia rex etc. Napoli, Giovanni Giacomo Carlino Antonio Pace, 1598.Foglio volante (mm 315 x 210 mm). Aloni e bruniture diffuse.Queste due ordinanze, emanate dal Vicerè di Napoli, Enrique de Guzman, Conte di Olivares, regolavano l'emissione e l'utilizzo di banconote e cambiali (9 settembre 1598) e il controllo sulla stampa. La seconda ordinanza (31 agosto 1598), in particolare, vietava l'installazione di macchine da stampa senza un'opportuna licenza, nel tentativo di prevenire la pubblicazione di testi non corretti o proibiti. (cf. L. Giustiniani, Saggio storico-politico sulla tipografia del Regno di Napoli, Napoli, 1793, p. 113, si veda inoltre P. Lopez, Inquisizione, stampa e censura nel Regno di Napoli tra &lsquo,500 e &lsquo,600, Napoli, 1974, p. 165, e A. Lerra, Il libro e la piazza: le storie locali dei Regni di Napoli e Sicilia in età moderna, Manduria, 2004, p. 253).Non presente in Edit16.

      [Bookseller: Libreria Govi Alberto]
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        Daniae Regni typus. Cornelius Antoniades (=Cornelis Anthoniszoon) descripsit / Cimbricae Chersonesi nunc Jutiae descriptio auctore Marco Jordano (2 Karten auf 1 Blatt).

      Antwerpen: Ortelius dat. 1595 - Altkolorierter Kupferstich, zus. 49 x 35 cm. Breitrandig, Prachtexemplar. * * vdB 86; Meurer, Fontes S.104+178. Zwei Karten auf einem Blatt; sehr dekoratives, farbfrisches Blatt in schönem Altkolorit; links die Karte des gesamten Königreichs Dänemark (inkl. Schonen/Südschweden), die auf Olaus Magnus' großer Skandinavienkarte sowie auf der "Caerte van Oostlant" des Anthoniszoon (lat. Antoniades) basiert, rechts die Jütlandkarte (mit Fünen und Nordschleswig) des Mathematikers und Kopenhagener Bürgermeisters Jordanus. An attractive plate in bright contemporary colouring, from Ortelius' Theatrum: two maps appear side-by-side, showing Denmark (after Olaus Magnus and Anthoniszoon) at the left and a detailed depiction of Jutland (after the Copenhagen Mayor Marcus Jordanus) at the right. (Bugeinriß unten sorgfältig unterlegt /tear in the lower fold restaured).

      [Bookseller: Antiquariat Ruthild Jäger]
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        Les Bigarrures du Seigneur des Accords [Ensemble] Le Quatrième livre des bigarrures. Apophtegmes du Sr. Gaulard [Ensemble] Les Escraignes Dijonnoises

      Rare 1595 edition, containing 3 specific title pages. The sayings in separate pagination are following the Fourth Book, with the general title in the margin of each page (the streaks ...) and privilege at the end of the Sayings.Full binding shagreen lemon late nineteenth (beautiful skin, near a morocco seventeenth). Back with nerves decorated with florets 5, roulette tail and head. part of title in red morocco. Double framing net on the boards. Indoor Friesland. red edges. Very nice copy. Claude de Montr'oeil & Jean Richer à Paris 1595 in-12 (8x13,7cm) (12f.) 182ff. ; (4f.) 50ff. ; 43ff. (1f.) ; 59ff. relié

      [Bookseller: Librairie Le Feu Follet]
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        Discours politiques et militaires du Sieur de la Noue

      Pour Daniel Bellon. New edition, after the original was published in 1587. Beaux culs-de-lamp separation. Full vellum lap of the day. Back three nerves, as in pen. Traces of laces and number of the pen on the second TV. All slices blue. Good copy. Speech compounds when De la Noue was a prisoner of King Philip II in the Netherlands at the castle of Limburg (1580-1585), in quite difficult conditions for five years. The edition comprises 26 different speeches, including the wars of religion, the state of the nobility, military strategy, historical memories, a dissertation on the philosopher's stone ... The book quickly became a classic in the field of militaria and Napoleon the first mentioned later as the Bible of the soldier. This great captain, was nicknamed Bras-de-fer or Bayard Huguenot exiled in Geneva after his release (we exchanged against more illustrious prisoners), he brought his manuscripts which he published and met Theodore Beza. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Pour Daniel Bellon A Lyon 1595 Fort in-16 (8x12,5cm) (32) 1019pp. (36) Sig : ã8 ãã8 A-Z8 Aa-Zz8 Aa-Vv8 relié

      [Bookseller: Librairie Le Feu Follet]
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        Rerum chymicarum epistolica forma ad philosophos et medicos [...] liber primus-secundus. 2 parts in 1 vol.

      Frankfurt am Main: Johann Saur & Petrus Kopff, 1595. 1st Edition. Hardcover. 8vo - over 7¾ - 9¾" tall. 8vo (164x101 mm). [32], 300, [4]; [32], 615 [1] pp. Signatures: *8 **8 A-T8; ?8 ??8 a-z8 Aa-Pp8 Qq4. Printer's device woodcut to title-page of both parts and leaf T7r of part 1, final blank T8 in part 1 and ??8 in part 2 present. Contemporary vellum, spine titled in manuscript (browned and soiled), red-dyed edges. Internally little browned and spotted throughout, title page with closed tears (without loss of text), leaves *7, *8, **3, A4-5, and C2 with old paper repair at lower margin (affecting text on *8 and A5), small holes in leaves *2, *7, **1, **3, **5, **8, A8, B3-5, B8 and M8 affecting a few letters in **3, **5, B4-5 and B8, small dampstains in margins, occasional paper flaws at lower margin. Still good copy, complete with the two blanks. Old ink stamp "CP" on p.615. ----Adams L639; Ferguson II, pp.32/33; Duveen, p.355; DSB VIII, p.309-12. - Libavius (c.1560-1616) "can be regarded as one of the founders of chemical analysis... his books were used by many adepts of chemistry throughout most of the seventeenth century" (DSB). Despite the breadth of his influence Duveen states all his works are rare. A third part of Rerum chymicarum was published in 1599. Good.

      [Bookseller: Milestones of Science Books]
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        Annales Svevici siue Chronica Rervm Gestarvm Antiqvissimae et Inclytae Svevicae Gentis . Drei Teile und "Paralipomena" in zwei Bänden.

      - Frankfurt am Main, Nicolaus Bassaeus 1595-96. Folio. 6 Bll., 338 Ss., 9, 4 Bll., 582 (falsch "574") Ss., 13, 6 Bll., 846 Ss., 22, 3 Bll., 131 Ss., 2 Bll. Mit fünf (viermal wiederholten) Holzschnitt-Portraits des Autors und einem Textholzschnitt von Joachim Lederlin nach Jakob Züberlein, sowie zwei verschiedenen Druckermarken auf Titel und am Schluss. Pergamentbände der Zeit mit handschriftlichen Rückentiteln. - Dabei: Crusius, Martin. Schwäbische Chronick, Worinnen zu finden ist, was sich von Erschaffung der Welt an biß auf das Jahr 1596. in Schwaben, denen benachbarten Gegenden zugetragen Aus dem Lateinischen erstmals übersetzt, und mit einer Continuation vom Jahr 1596. biß 1733. auch einem Vollständigen Register versehen. Zwei Bände. Frankfurt, Metzler und Erhard, 1733. Folio. 9 Bll., 912 Ss., Sp. 913-920, S. 921-963; 1 Bl., 738, 81 (recte 95) Ss., 43 Bll. Pergamentbände der Zeit mit Rückenschildern. Erste Ausgabe des Hauptwerks des Altphiliologen und Tübinger Professors Martin Crusius (1526-1607). Sie ist die erste Gesamtdarstellung der Geschichte Schwabens und die "Hauptquelle für die schwäbische Geschichte, besonders für das 16. Jh." (ADB IV, 633). Von besonderem Interesse sind seine Beschreibungen des Bauernaufstands des "Armen Konrad" von 1514 und des Bauernkriegs von 1525. Beigegeben ist hier die erste deutsche Ausgabe des Werks, herausgegeben von dem Tübinger Juristen Johann Jacob Moser (1701-1785), der es neben der Fortführung der Chronik und einer Biographie Crusius' auch um eine Bibliographie Schwabens "Bibliotheca scriptorum de rebus Suevicis" (Petzholdt 819) vermehrte. - Die Bände von I) mit Exlibris Schloss Nordkirchen, teils leicht gebräunt, wie meist, vereinzelt leicht fleckig, sonst schönes Exemplar der beiden wichtigen Ausgaben. - VD 16, C-6103; Heyd 112; Petzholdt, Bibliotheca Bibliographica 819 (II). [Attributes: First Edition]

      [Bookseller: Stuttgarter Antiquariat]
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