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Displayed below are some selected recent viaLibri matches for books published in 1595


         Schwäbische Chronick, Worinnen zu finden ist, was sich von Erschaffung der Welt an biß auf das Jahr 1596. in Schwaben, denen benachbarten Gegenden, auch vieler anderer Orten, zugetragen ... Aus dem Lateinischen erstmals übersetzt, und mit einer Continuation vom Jahr 1596. biß 1733. auch einem Vollständigen Register versehen ... Ausgefertiget von Johann Jacob Moser.

      2 Bände. 9 Bll., 912 S., Sp. 913 - 920, S. 921 - 963 S. 1 Bl., 738, 81 (recte 95) S., 43 Bll. Prgt. d. Zt. 36 x 23 cm. Graesse II, 305 Brunet VI, 26586 ADB IV, 633 Heyd 112. - Erste deutsche Ausgabe der erstmals 1595 in lateinischer Sprache erschienenen Chronik, "eine überaus reichhaltige Chronik Schwabens .. die eine Hauptquelle für die Schwäbische Geschichte, besonders für das 16. Jahrhundert ist" (ADB). - In vorliegender Übersetzung, die laut Wegele nicht von Moser selbst stammt, ist außer Mosers Continuation dessen Bibliotheca scriptorum de rebus Suevicis als wahrscheinlich erste Regionalbiographie dieser Art bemerkenswert. - Einbände etwas angestaubt und leicht fleckig. Gutes Exemplar!

      [Bookseller: Antiquariat Turszynski]
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         1595 Paracelsus Occult Medicine Astrology MAGIC Cures Sorcery Philosophy Zodiac

      1595 - 1595 Paracelsus Occult Medicine Astrology MAGIC Cures Sorcery Philosophy Zodiac “All things are poisons, for there is nothing without poisonous qualities. It is only the dose which makes a thing poison.” Paracelsus A rare 16th-century printing of the work of Paracelsus including explanations on cosmology, anthropology, pneumatology, magic, sorcery, medicine, alchemy, philosophy, theosophy, and an important section of astrological prognostication. Theophrasti Bombastus, or Paracelsus, was an important Renaissance physician, alchemist, and occult astrologist. He is remembered for his modern approach to medical thought, differing from that of great thinkers like Aristotle. However, his approaches to medicine were not considered effective or ‘true’ medicine. Paraclesus detailed the use of magic and the zodiac as the secret to his disease cures. He even included instances of necromancy and witchcraft as remedies to certain ailments. Item number: #1852 Price: $750 PARACELSUS Appendix dess zehenden theils der schrifften Theophrasti Paracelsi: in welchem diese bucher begriffen werden. I. Azot, seu, de ligno & linea vitae. II. Archidoxeos magicae sieben bucher. III. Ein ausslegung xxx. magischer figuren . IIII. Prognostication zufunsstiger beschichten auss xxiiij . V. Ein ander furss prognosticon zu funsstiger geschichten . VI. 1. Ausslegung Theophrasti, etlicher figuren auss dem ersten theil dess Liechtenbergers. 2. Item ausslegung etlicher figuren dess dritten theils Liechtenbergers. VII. Fasciculus prognosticationum astrologicarvm [1595] Details: • Collation: Complete with all 66 pages o pg. 65-66 facsimile • References: Brunet IV, 357. Graesse V, 127; Wellcome I, 481 • Language: German / Latin • Binding: Hardcover; tight & secure • Size: ~9.5in X 7in (24cm x 17.5cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 1852 Photos available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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         Pontificale Romanum Clementis VIII. Pont. Max. iussu restitutum atque editum.

      Mit zahlreichen Kupferstichen, Noten. Das Pontificale Romanum ist das Jahresbuch der römischen Kirchenamtsträger und beinhaltet die im jeweiligen Jahr durchgeführten Zeremonien von bestimmter Bedeutung. Die Beschreibungen (eine Art Protokolle) werden von Stichen erläutert und teilweise werden auch die zugehörigen Gesänge in Quadraturnotation abgedruckt. Nur der erste Teil (Pars Prima) von ursprünglich insgesamt drei Teilen für das Jahr 1595 ist vorhanden. Es fehlen die ersten Blätter: Das Titelblatt mit Frontispiz sowie die Vorworte des M. Vestrius Barbianus sind nicht vorhanden, aber als Kopie beigelegt. Zum Teil von geringfügigen Wasserschäden betroffene Seiten, einige wenige, stärker betroffene, hinterlegt und in alter Hand ergänzt. Mit einigen Wurmlöchern an den Rändern. Mit einem Paginierungsfehler auf Seite 119/120. Mit marmoriertem Ganzschnitt. Abgesehen von den beschriebenen Mängeln befindet sich das Buch in einem sehr guten Zustand. Siehe Fotos. MwSt 7% Wenn Sie weitere Bilder wünschen, schreiben Sie uns eine Email, wir schicken Ihnen dann die gewünschten Motive zu.

      [Bookseller: BerlinAntiquariat]
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         Silesiae Typus A Martino Helwigio Nißense descriptus, et Nobili doctoque viro Domino Nicolao Rhedingero ded.

      Artist: Ortelius Abraham ca ; issued in: Antwerp; date: ca1595 - - technic: Copper print; - colorit: colored; - condition: Wide margins; - size (in cm): 34,5 x 42; - description: Map depicts total Silesia with two very decorative cartoúches and the silesien eagle as coat of arm. From the cartographer Martin Helwig (1516-1574).; - vita of the artist: Abraham Ortelius(1527 ?1598) was a Flemish cartographer and geographer, generally recognized as the creator of the first modern atlas, and the first to imagine that the continents were joint together before drifting to their present position.He began as a map-engraver, in 1547 and entered the Antwerp guild of St Luke as afsetter van Karten. His early career is that of a businessman and most of his journeys before 1560 are for commercial purposes. In 1564 he completed a "mappemonde", eight-leaved map of the world, which afterwards appeared in reduced form in the Theatrum. The only extant copy of this great map is in the library of the University of Basle (cf. Bernoulli, Ein Karteninkunabelnband, Basle, 1905, p. 5). He also published a two-sheet map of Egypt in 1565, a plan of the Brittenburg castle on the coast of the Netherlands in 1568, an eight-sheet map of Asia in 1567, and a six-sheet map of Spain before the appearance of his atlas. Theatrum Orbis Terrarum. In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book.In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book originals of his maps in these days are popular collector's items.

      [Bookseller: Antique Sommer& Sapunaru KG]
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         Candia" und "La Cita de Corfu

      Artist: Braun/Hogenberg Franz/ Georg ca ; issued in: Cologne; date: ca1595 - - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 32 x 46; - description: 2 island-views at one sheet: Crete und Corfu; - vita of the artist: Frans Hogenberg (1535 ? 1590) was a Flemish and German painter, engraver, and mapmaker.Hogenberg was born in Mechelen as the son of Nicolaas Hogenberg In 1568 he was banned from Antwerp by the Duke of Alva. He travelled to London, where he stayed a few years before emigrating to Cologne. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events.George Braun (1541-1622), a cleric of Cologne, was the principal editor of the "Civitates Orbis Terrarum".The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

      [Bookseller: Antique Sommer& Sapunaru KG]
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         Galli Hispanos fugant, et urbem Hanava magna pecuniae summa mulctant.

      Artist: Bry de Theodor Dietrich ca ; issued in: Frankfurt on Main; date: ca1595 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 27 x 19,5; - description: Representation of spansih cargo ships in front of the city Havana. Theodor De Bry?s Grand Voyages, an illustrated collection of accounts of the Americas, defined the early European picture of the New World.; - vita of the artist: Theodorus de Bry (1528-1598) Frankfurt a.M. Around 1570, Theodorus de Bry, a Protestant, fled religious persecution south to Strasbourg, along the west bank of the Rhine. In 1577, he moved to Antwerp in the Duchy of Brabant, which was part of the Spanish Netherlands or Southern Netherlands and Low Countries of that time (16th Century), where he further developed and used his skills as a copper engraver. Between 1585 and 1588 he lived in London, where he met the geographer Richard Hakluyt and began to collect stories and illustrations of various European explorations, most notably from Jacques Le Moyne de Morgues.Depiction of Spanish atrocities in the New World, as recounted by Bartolome de las Casas in Narratio Regionum indicarum per Hispanos Quosdam devastatarum verissima.In 1588, Theodorus and his family moved permanently to Frankfurt-am-Main, where he became citizen and began to plan his first publications. The most famous one is known as Les Grands Voyages, i.e., The Great Travels, or The Discovery of America. He also published the largely identical India Orientalis-series, as well as many other illustrated works on a wide range of subjects. His books were published in Latin, and were also translated into German, English and French to reach a wider reading public.

      [Bookseller: Antique Sommer& Sapunaru KG]
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         Transylvania

      Artist: Mercator Gehard ca ; issued in: Amsterdam; date: ca1595 - - technic: Copper print; - colorit: original colored; - condition: Margins mounted; - size (in cm): 33,5 x 42,5; - description: Map shows total Transilvania with a decorative title cartouche. Detailed representation of all cities, mountains and forests.; - vita of the artist: "Gerardus Mercator (1512 - 1594)He was a cartographer, philosopher and mathematician. He is best known for his work in cartography, in particular the world map of 1569 based on a new projection which represented sailing courses of constant bearing as straight lines. He is renowned to the present day as the cartographer who created a world map based on a new projection which represented sailing courses of constant bearing as straight lines. In his own day he was the world's most famous geographer but in addition he had interests in theology, philosophy, history, mathematics and magnetism as well as being an accomplished engraver, calligrapher and maker of globes and scientific instruments. He wrote few books but much of his knowledge is to be found in the copious legends on his wall maps and the prefaces that he composed for his atlas ,the first in which the term "atlas" appears and the sections within it.

      [Bookseller: Antique Sommer& Sapunaru KG]
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         1595 Geneva Bible - Christopher Barker, London. Folio edition

      - 1595 Geneva Bible - Christopher Barker, London. Folio edition. Book of Common Prayer bound at front, extensive woodcuts, lacks title & 1st few pp of this section. Bound with 1599 edition the Whole Book of Psalms. Contains Apocrypha as called for. Geneva, Tomson’s New Testament. Very unusual book of Common Prayer in single column format. [Attributes: Hard Cover]

      [Bookseller: Cross and Crown Rare Books]
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         Regni Hispaniae post omnium editiones locuplessi ma descriptio.

      Artist: Ortelius Abraham ca ; issued in: Antwerp; date: ca1595 - - technic: Copper print; - colorit: original colored; - condition: Wormhole, lower margin and tears perfectly restored; - size (in cm): 38 x 49,5; - description: Decorative map of Spain, Portugal and the Belearic islands. Seamonsters and offshore ships and magnificient cartouche.; - vita of the artist: Abraham Ortelius(1527 ?1598) was a Flemish cartographer and geographer, generally recognized as the creator of the first modern atlas, and the first to imagine that the continents were joint together before drifting to their present position.He began as a map-engraver, in 1547 and entered the Antwerp guild of St Luke as afsetter van Karten. His early career is that of a businessman and most of his journeys before 1560 are for commercial purposes. In 1564 he completed a "mappemonde", eight-leaved map of the world, which afterwards appeared in reduced form in the Theatrum. The only extant copy of this great map is in the library of the University of Basle (cf. Bernoulli, Ein Karteninkunabelnband, Basle, 1905, p. 5). He also published a two-sheet map of Egypt in 1565, a plan of the Brittenburg castle on the coast of the Netherlands in 1568, an eight-sheet map of Asia in 1567, and a six-sheet map of Spain before the appearance of his atlas. Theatrum Orbis Terrarum. In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book.In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book originals of his maps in these days are popular collector's items.

      [Bookseller: Antique Sommer& Sapunaru KG]
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         Persici sive Sophorum Regni Typus

      Antwerp - c. 1595. Copper- engraved map of Persia with hand-colouring, central vertical fold as issued, latin text verso, 350 x 405 mm., sheet 438 x 557 mm . An influential map printed for the Theatrum Orbis Terrarum, maps for which were published between 1570 and about 1612. Very good condition.

      [Bookseller: Richard Smith]
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         Observationes Praticae Imperialis Camerae, et singularium casuum in Caesareo auditorio Imperiique Foro frequenter occurentium, insignes decisiones. Ab. Andrea Gaill Agrippinate . et Ioachimo Mynsingero a Frundech, collectae. Et nunc hac Taurinensieditione in unum volumen. congestae. Accedunt insuper eiusdem Andreae Gaill, post illius Obseruationes, De pace publica, & proscriptis, siue bannitis Imperij. Libri duo. De pignorationibus. Liber singularis. De manuum iniectionibus, sive arresti

      apud Io. Dominicum Tarinum, Augustae Taurinorum 1595 - In-folio (410x280mm), pp. (88) di indice, 583, legatura coeva p. pergamena (rimontata) con titolo manoscritto in antico su dorso a 4 nervi. Tagli rossi, altro titolo manoscritto al taglio di testa. Frontespizio in rosso e nero con impresa tipografica con un leone che tiene con la zampa destra uno scudo con doppia croce e le iniziali G.D.T. entro cornice figurata, con motto Anechou kai apechou. Dedicatoria a Carlo Emanuele I, testatine, finaletti e capilettera xilografici ornati o istoriati. Restauri al dorso, sparsi tarli, aloni e bruniture (molto fastidiose e macchianti il testo alle pp. 180-182), mancanze marginali alle pp. 13-14 e 249-250. Antiche note di possesso manoscritte al frontespizio. In buono stato complessivo. Prima edizione torinese della raccolta sistematica della Corte della Camera Imperiale o Tribunale Camerale (Reichskammergericht) del Sacro Romano Impero, costituito nel 1495, su richiesta della Dieta di Worms, con il fine di limitare il potere della dinastia asburgica. La raccolta, edita primamente nel 1578, si presenta arricchita di alcune dissertazioni dello stesso Gail (Colonia, 1525-ivi, 1587), fu fra i massimi giuristi del Sacro Romano Impero. Il Mynsinger (Stoccarda, 1514-Helmstedt, 1588) fu fra i maggiori giuristi riformati (e come tale a lungo posto all'Indice) del Rinascimento tedesco e Cancelliere del Braunschweig-Wolfenbüttel. Bersano-Begey, I, 277. EDIT16 CNCE 20128. Manca all'Adams e a STC Italian. Cfr. Sabine Schumann, Joachim Mynsinger von Frundeck (1514-1588). Herzoglicher Kanzler in Wolfenbüttel-Rechtsgelehrter - Humanist. Zur Biographie eines Juristen im 16. Jahrhundert. Wiesbaden, 1983; Karl Zippelius, Ein Juristenleben im 16. Jahrhundert: Joachim Mynsinger von Frundeck. In: Melanges Fritz Sturm, Liège, 1999, pp. 959-970. Latino

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
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         Histoire sur les troubles advenus en la ville de Tolose l'an 1562. Traduite de latin en françois, & divisée par chapitres.

      Sur l'imprimé, Tolose, R. Colomiez, 1595, pleine basane XVIIIe, dos à nerfs orné, coiffes et coins habilement restaurés. -Manque de papier dans la marge ext. de 1 f., à la limite du texte, sans atteinte. -Très bon exemplaire. - in-18 de (2)-166 pp. ; 1ère édition en français (E.O. en latin : 1563). Très rare.Cioranescu XVIe, 4369 ; Rép. biblio. des livres imprimés en France au XVIe siècle, t. VI-p. 308 : 26 ; Molinier, Les sources de l'histoire de France 1830.Bosquet, jurisconsulte catholique, a été le témoin oculaire des événements qu'il raconte. "Après un récit de la prise du Capitole par les huguenots, [il] revient sur la diffusion de l'hérésie en Guyenne et en Languedoc. Domination des huguenots, reprise de la ville. Bosquet est riche en détails, en noms. Mais : 1° il imite les historiens anciens ; 2° il se vante lui-même d'avoir écrit un Hugonomastix. Aussi Fevret de Fontette dit déjà (en suivant d'ailleurs La Faille) : "Pas toujours fidèle, quoiqu'il fût témoin oculaire"." (Molinier).

      [Bookseller: LIBRAIRIE PHILIPPE SERIGNAN]
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         Extraits des lettres, actes, et mémoires envoiés, ou reçeus par Monsieur le Comte d'Avaux, plénipotentiaire ambassadeur de France aux conférences pour la paix de Westphalie, qui se sont trouvés dans le cabinet de Monseigneur de Mesmes président à mortier, ou dans la bibliothèque de feu Mr. Colbert.

      S.l.n.d., - fort vol. in-folio, [612] pp. n. ch., couvertes d'une écriture fine et très lisible (environ 40 lignes par page), [7] ff. vierges, vélin rigide, tranches mouchetées de rouge, titre manuscrit au dos (reliure de l'époque). Vélin un peu taché, mais bon exemplaire. Très important registre de correspondances concernant la période la plus importante de la vie de Claude de Mesmes, comte d'Avaux (1595-1650). Il a été collationné à partir des pièces conservées dans la bibliothèque de son neveu Jean-Jacques de Mesmes (1640-88) et dans le cabinet de Colbert, qui a dû les hériter de Mazarin. C'est dès 1627 que commença la carrière diplomatique du jeune maître des requêtes avec une ambassade extraordinaire à Venise, mais c'est le 20 septembre 1643 qu'il fut envoyé pour la seconde fois à La Haye, pour négocier la paix générale, dont l'aboutissement sera les Traités dits de Westphalie en 1648, en compagnie d'Abel Servien et du duc de Longueville. Notre recueil commence précisément avec l'année 1643 et quasiment avec l'insertion de ces lettres de mission. Il se termine un peu après la disgrâce de l'ambassadeur, rappelé par Mazarin le 13 mars 1648 et exilé dans ses terres, à la suite de son interminable et pénible rivalité avec Abel Servien, qui avait fini par envenimer tant la mission elle-même que les rapports avec les puissances étrangères et la position de Mazarin. Longueville ayant été également rappelé, Abel Servien demeura seul à négocier avec l'Empereur, les pourparlers avec l'Espagne ayant été rompus à cette date. La répartition des pièces se fait ensuite de la façon suivante : 1. Année 1643 : pp. 1-8. 2. Année 1644 : pp. 9-70. 3. Année 1645 : pp. 71-165. 4. Année 1646 : pp. 166-316. 5. Année 1647 : pp. 317-504. 6. Année 1648 : pp. 505-612. Il est important de noter que ce registre est minimal, c'est-à-dire qu'il ne reproduit pas les pièces citées dans leur intégralité, mais se contente d'en résumer le contenu (exemple : "Le 25 de février 1647. Mémoire de Monsieur d'Avaux. Il envoie une copie plus correcte du traité des Suédois. Proposition de M. de Traum pour Me la Landgrave : difficultés entre les Catholiques et les Protestants, et sur l'affaire Palatine. Il séjourne encore quelque temps à Osnabrug." En dépit de cela, et du fait qu'il existe des publications partielles des négociations d'Avaux en Westphalie (Mémoires de Monsieur D. touchant les négociations du Traité de paix fait à Munster en l'année 1648, Paris, 1674 - Mémoires et négociations secrètes de la cour de France touchant la paix de Munster, contenant les lettres. et avis secrets envoyés de la part du roi, de S. É. le cardinal Mazarin et de M. le comte de Brienne, aux plénipotentiaires de France à Munster, afin de leur servir d'instruction pour la paix générale, avec les dépêches et les réponses des plénipotentiaires, Amsterdam, 1710), ce manuscrit demeure un instrument de premier plan pour la connaissance de la diplomatie de Mazarin.

      [Bookseller: Librairie Historique F. Teissèdre]
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         De Rerum natura libri sex, ad postremam Oberti Gifanii emendationem accuratissime restituti.

      Leyde, Plantin-Raphelengius 1595 - petit in-8, [24] ff. n. ch. (titre, dédicace, préface, vie de Lucrèce, table des chapitres), 486 pp., texte entièrement réglé, maroquin vieux-rouge, dos lisse et plats ornés d'un riche décor de filets, rinceaux, branchages et semis de fleurs dorés, avec cartouche central vierge, simple filet doré sur les coupes, tranches dorées (reliure de l'époque). Petits trous de vers stoppés, cachet de la bibliothèque du séminaire de Toulouse et ex-libris manuscrit cu collége des Jésuites d'Auch. Nouvelle édition de la version de Lucrèce donnée par Hubert von Giffen (Obertus Giphanius ou Giffanius ou Gifanius, 1534-1604), qui était originellement parue en 1566 à l'adresse d'Anvers. Degeorges, p. 145 (pour l'édition de 1566). L'ouvrage est couvert d'une magnifique reliure à décors floraux dans la manière de Clovis Eve (1565-1635, actif de 1584 à 1634). Comme on a été d'une très grande générosité dans l'attribution à ce relieur notamment dans les décors dit "à la fanfare", il importe de se montrer prudent, mais la finesse de l'exécution semble bien dans sa manière, en tout cas de son atelier. Exemplaire réglé dans une très intéressante reliure de l'époque. [Attributes: Signed Copy]

      [Bookseller: Librairie Historique F. Teissèdre]
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         Saenredam, Jan. - "Venus mit Amor, auf dem Bett liegend (nach Goltzius)".

      - Kupferstich / Linienstich, auf Büttenpapier, 1595-1600. Von Jan Saenredam, nach Hendrick Goltzius. 20,3 x 28,0 cm (Darstellung / Einfassungslinie) / 21,7 x 28,1 cm (Blatt). Leesberg (New Hollstein, Goltzius) 602 II. Hollstein 74 II. Wurzbach 51. Bartsch 51. Im unteren Rand der querovalen Darstellung signiert "HG. Inuentor." Im unteren Plattenrand bezeichnet: "Quid non designat munita Cupidine Cypris. / Cui coeli virtus, elementa(.) cuncta ministrant. / C. Schoncus." Rechts Verlegeradresse von I.C. Visscher. - Oben und seitlich auf den Darstellungsrand, unten auf die Plattenkante beschnitten. Rechts unten kleiner Eckenausriss. Verso im oberen Rand ältere Klebe- und Montagespuren. Insgesamt mäßig guter Zustand. Jan Saenredam (1565 Zaandam - 1607 Assendelft). Auch Jan Pietersz. Saenredam. Niederländischer Kupferstecher. Vater des Malers Pieter Jansz Saenredam. Wuchs als Waise bei seinem Onkel Pieter de Jongh auf. Begann nach einer ersten Ausbildung zunächst als Kartenzeichner. Trat um 1589 in den Kreis um Hendrick Goltzius ein und wurde dessen Schüler. Arbeitete daran anschließend für einige Zeit eng mit Hendrick Goltzius und Jacques de Gheyn d.J. zusammen. Ließ sich um 1595 in Assendelft nieder. Stach zunächst viel nach Vorlagen von Hendrick Goltzius. Seine oft allegorisch aufgefassten Motive sind biblischer sowie mythologischer Herkunft. Hendrick Goltzius (1558 Bracht / Brüggen - 1616/17 Haarlem). Niederländischer Maler und Kupferstecher, Hauptmeister des Manierismus. Schüler von Dirck Volkertszoon Coornhert und Philipp Galle. Reiste ab 1590 mehrere Jahre durch Italien und Deutschland. Machte sich um die Weiterentwicklung des Kupferstichs verdient, indem er den Stich als solchen außerordentlich variabel behandelte - sogenannter Taille-Stich - und sowohl in Dynamik als auch Stärke variierte. Damit hat er die Kupferstichtechnik insgesamt zu einer völlig neuartigen Modellierfähigkeit geführt. Goltzius drohte zwar mit seinen technisch teilweise extrem forcierten Blättern ins übermäßig Artifizielle abzugleiten, wurde jedoch bereits zu Lebzeiten zu Recht als brillanter Stecher gefeiert. Sprache: Deutsch [Attributes: Signed Copy; Hard Cover]

      [Bookseller: GALERIE HIMMEL]
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         The Florentine Historie. Written in the Italian Tongue by Nicholo Macchiavelli, citizen and Secretarie of Florence. And Translated into English by T. B. Esquire

      Printed by T[homas] C[reede] for VV[illiam] P[onsonby], 1595, London - First edition in English. With added engraved portrait tipped in opposite title, dated 1550 in plate. A-T? V? (-V? blank) [12], 222 pp. 1 vols. 4to. ESTC S113983; STC (2nd ed.) 17162 Half calf, spine gilt, marbled boards, in period style. Conservation repair along fore edge of title leaf and two following leaves. Book label of Charles Wibley With added engraved portrait tipped in opposite title, dated 1550 in plate. A-T? V? (-V? blank) [12], 222 pp. 1 vols. 4to [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
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         Antique Print-OST FRIESLAND-FRISIA ORIENTALIS-GERMANY-Ortelius-c. 1595

      - Antique print, titled: 'Frisia Orientalis.' - Map of East Frisia comes from Theatrum Orbis Terrarum. It is based on the manuscript map by Jon Bloemmaerts or Johannes Florianus and depicts the important shipping center of Emden and the Watten Islands. An inset shows the region inundated by the great flood on Christmas Day, 1277, surrounded by an elaborate strapwork cartouche. The map is finely engraved with a stippled sea and a distance scale surmounted by male and female figures displaying the costumes of the region. Dutch text on verso. Copperplate engraving / etching with hand colouring on hand laid paper. Description: Source unknown, to be determined. Ref: Van den Broecke #83.Artists and Engravers: Made by 'Abraham Ortelius' after an anonymous artist. Abraham Ortelius was born 1528 in Antwerp. He studied mathematics, Greek and Latin and travelled a lot across Europe. He established a business in dealing with books and drawing maps. His first remarkable map was a 8 sheet world map in the year 1564, but only three copies have survived. In 1570 he issued the "Theatrum Orbis Terrarum", the first modern "Atlas" with uniformly sized maps in a systematic collection. The term "Atlas" was not used until Mercator introduced it 20 years later. Most of the maps in Theatrum have been engraved by Frans Hogenberg. At the time of publication, the atlas was the most expensive book ever printed. Nevertheless it was a big success and around 7000 copies have been printed until 1612 in many editions and six different languages. Beside the Theatrum, Ortelius compiled a series of historical maps and published it in the "Parergon Theatri" which was bound with the Theatrum from 1579 onwards or published separately. Condition: Good, given age. Paper wrinkled near middle fold. Small tear in image; backed and only visible on verso. Tiny tear bottom middle fold, not affecting image. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B1-39 The overall size is ca. 21 x 16.7 inch. The image size is ca. 19.7 x 14.7 inch. The overall size is ca. 53.3 x 42.5 cm. The image size is ca. 50 x 37.3 cm.

      [Bookseller: ThePrintsCollector]
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         Magnificat for 5 voices Late 16th century "picture-motet" engraving, one of the very earliest examples of engraved music

      [Antwerp]: Visscher, 1595. A reverse of Sadeler's 1586 engraving. RISM V1239 (the 1585 printing). Vignau-Wilberg: Music and Dance in 16th Century Prints, no. 63 (the 1585 printing), illustrated on p. 170. OCLC 271822365 (the present printing). Verdonck, a Flemish composer and singer, "became a pupil in Antwerp of Séverin Cornet, who included one work of the younger composer in each of his three publications of 1581... Two sacred works, appearing in copper engravings of the Virgin by Marten de Vos, are predominantly imitative; one of these, a Magnificat for five voices, features a strict canon derived from the tenor... Along with his mentor Séverin Cornet, Verdonck is an important exponent of the madrigal in the north." R.B. Lenaerts, et al. in Grove Music Online. "These engravings, sometimes known as 'picture-motets', show angels or biblical figures singing and playing from partbooks and may have been published in support of the Counter-Reformation... The composers, artists and engravers were all Flemish and these fine engravings, with the music complete and legible, bear witness to the thriving artistic life in Antwerp at the end of the 16th century... They are important in their own right as particularly beautiful and unusual examples of early music engraving." Susan Bain in Grove Music Online. One of the very earliest examples of engraved music.. Oblong quarto. 1 leaf (206 x 288 mm.). Engraving by C. Visscher after Jan Sadeler the elder (1550-1600), based on the painting by Maarten de Vos. A representation of the Magnificat, with the Virgin Mary in the center surrounded by four angels playing viols, a flute and a cornetto, with two additional singing angels on either side holding large carelles (erasable slate tablets) on which are printed the complete five-voice setting (words and music) of Verdonck's Magnificat, with the altus and bassus part on the left carelle, the superius and tenor canon in diapason on the right. Slightly worn; unevenly trimmed to just inside plate impression; "4" printed to lower right corner. A very good impression, with both music and text eminently readable.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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         Cairus, quae olim Babylon; Aegypti maxima urbs.

      Siena, M. Florimi, c. 1595. - Plan view, semi-bird's-eye perspective, with key. 465 x 340 mm. Framed and glazed. Rare view of Cairo, based on the view in the "Civitates orbis terrarum" by Braun and Hogenberg. - Matteo Florimi, a student of A. Lafrery and C. Duchet, moved to Siena in 1581, where he worked as a publisher and dealer in books and prints, often for A. Carracci, C. Galle, and P. de Jode. - A longish tear to the left edge, touching the image (ca 20 cm), trimmed to the borders, smoothed creases.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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         Cristo e la Samaritana

      - Acquaforte, 1595 circa, con la firma di Annibale Carracci in basso a sinistra. Esemplare nel quarto stato finale. Buona prova, impressa su carta vergata coeva, irregolarmente rifilata al rame, tracce di piega centrale, nel complesso in buono stato di conservazione. Attribuita in passato al Carracci ed a Guido Reni. Dimensioni 412x286 Etching, 1595 circa, with Annibale Carracci's signature on lower left. Example in the fourth, final state. Good impression, printed on contemporary laid paper, irregularly trimmed to platemark, signs of central fold, otherwise in good condition. Previously ascribed to Carracci and Guido Reni. Dimensiosi 412x286 Dimensioni

      [Bookseller: Libreria Antiquarius]
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         Magnificat for 5 voices. Late 16th century "picture-motet" engraving, one of the very earliest examples of engraved music

      [Antwerp]: Visscher, 1595. A reverse of Sadeler's 1586 engraving. RISM V1239 (the 1585 printing). Vignau-Wilberg: Music and Dance in 16th Century Prints, no. 63 (the 1585 printing), illustrated on p. 170. OCLC 271822365 (the present printing). Verdonck, a Flemish composer and singer, "became a pupil in Antwerp of Séverin Cornet, who included one work of the younger composer in each of his three publications of 1581... Two sacred works, appearing in copper engravings of the Virgin by Marten de Vos, are predominantly imitative; one of these, a Magnificat for five voices, features a strict canon derived from the tenor... Along with his mentor Séverin Cornet, Verdonck is an important exponent of the madrigal in the north." R.B. Lenaerts, et al. in Grove Music Online. "These engravings, sometimes known as 'picture-motets', show angels or biblical figures singing and playing from partbooks and may have been published in support of the Counter-Reformation... The composers, artists and engravers were all Flemish and these fine engravings, with the music complete and legible, bear witness to the thriving artistic life in Antwerp at the end of the 16th century... They are important in their own right as particularly beautiful and unusual examples of early music engraving." Susan Bain in Grove Music Online. One of the very earliest examples of engraved music.. Oblong quarto. 1 leaf (206 x 288 mm.). Engraving by C. Visscher after Jan Sadeler the elder (1550-1600), based on the painting by Maarten de Vos. A representation of the Magnificat, with the Virgin Mary in the center surrounded by four angels playing viols, a flute and a cornetto, with two additional singing angels on either side holding large carelles (erasable slate tablets) on which are printed the complete five-voice setting (words and music) of Verdonck's Magnificat, with the altus and bassus part on the left carelle, the superius and tenor canon in diapason on the right. Slightly worn; unevenly trimmed to just inside plate impression; "4" printed to lower right corner. A very good impression, with both music and text eminently readable.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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         De ijs qui morbum simulant deprehendendis liber.

      héritiers de Pacifico da Ponte 1595 - In-4 (222 x 144 mm) de 99 pp.ch. ; veau fauve marbré, dos lisse orné de frises et d'urnes dorées, pièce de titre de maroquin rouge (reliure du XVIIIe siècle). Garrison-Morton, 2667 ; NLM, 4185 ; Waller, 8949 ; manque à Wellcome. ÉDITION ORIGINALE DU PREMIER LIVRE TRAITANT DES MALADIES SIMULEES. Le médecin milanais Giovanni Battista Selvatico (1550-1621) enseigna à Pavie jusqu'à sa mort. Son très curieux traité, écrit en un latin élégant et pur, est rempli d'observations intéressantes et peut être considéré comme un ouvrage précurseur de la psychiatrie. Le texte est divisé en vingt chapitres : maladies d'amour, grossesses simulées, possessions diaboliques, syphilis cachées, crachement de sang simulé, tumeurs feintes, impuissance apparente, virginités simulées, ulcères factices, envoûtements, empoisonnements, etc. Il s'agit d'un livre peu commun, dont le recensement Edit-16 (ICCU) ne localise que quatre exemplaires dans les bibliothèques publiques italiennes. Élégante impression en caractères italiques ; lettrines ornées. Reliure restaurée. [Attributes: Hard Cover]

      [Bookseller: CLAVREUIL]
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         Academia francese nella quale si tratta della institution de' costumi, et di quello, che concerne il bene, et felicemente vivere, in ogni stato, et conditione, secondo i precetti della dottrina, et essempi della vita de gli antichi savi, et huomini illustri. nuovamente trasportata dalla lingua francese nell'italiana per Alessandro Raverii da Cesena.In Venetia, appresso Giovanni Guerigli, 1595.

      In Venetia, appresso Giovanni Guerigli 1595 - Cm. 21, pp. (16) 566 (2). Stemma mediceo al frontespizio, marchio tipografico al colophon, graziosi capilettera, finalini e belle testatine xilografiche. Legatura coeva in piena pergamena floscia con nervetti passanti. Antica firma di possesso al frontespizio. Restauro con integrazione di pergamena alle estremità dei piatti, sporadici e trascurabili aloni. Esemplare fresco e ben conservato. Pierre de La Primaudaye (1546-1619), scrittore francese originario di una famiglia protestante angevina, fu al servizio di Enrico III ed Enrico IV come consigliere. L'opera è concepita in forma di dialogo (diciotto giornate) fra quattro giovani reduci dagli scontri e dalle persecuzioni religiose che caratterizzarono la Francia del tempo. Adottarono nomi fittizi di origine ebraica: Aser (felicità), Amana (verità), Aram (sublimità) e Achitob (bontà). I giovani, istruiti da un vecchio erudito che per anni servì la Corona, furono stimolati a ragionare su felicità umana, governo dei regni, famiglia, matrimonio, istruzione dei figli, arte della guerra, economia, legge, sovranità, tirannide, vizi umani, fede, tolleranza religiosa, ecc. L'Autore sostiene di essere stato testimone oculare dei dialoghi e di aver deciso di pubblicarli integralmente allo scopo di educare la gioventù in Francia, corrotta e male istruita. Prima traduzione italiana dedicata dal traduttore Alessandro Raveri a Ferdinando de' Medici. La prima edizione in lingua francese fu stampata a Parigi nel 1577; l'opera fu tradotta anche in tedesco (1593) e inglese (1586). Cfr. Iccu e per l'edizione francese Graesse IV, 106; Brunet III, 837; Wellcome I, 3668; Durling, 2737. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Apuleio]
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         Magnificat for 5 voices. Late 16th century "picture-motet" engraving, one of the very earliest examples of engraved music.

      [Antwerp]: Visscher, ca. 1595. Oblong quarto. 1 leaf (206 x 288 mm.). Engraving by C. Visscher after Jan Sadeler the elder (1550-1600), based on the painting by Maarten de Vos. A representation of the Magnificat, with the Virgin Mary in the center surrounded by four angels playing viols, a flute and a cornetto, with two additional singing angels on either side holding large carelles (erasable slate tablets) on which are printed the complete five-voice setting (words and music) of Verdonck's Magnificat, with the altus and bassus part on the left carelle, the superius and tenor canon in diapason on the right. Slightly worn; unevenly trimmed to just inside plate impression; "4" printed to lower right corner. A very good impression, with both music and text eminently readable. A reverse of Sadeler's 1586 engraving. RISM V1239 (the 1585 printing). Vignau-Wilberg: Music and Dance in 16th Century Prints, no. 63 (the 1585 printing), illustrated on p. 170. OCLC 271822365 (the present printing). Verdonck, a Flemish composer and singer, "became a pupil in Antwerp of Séverin Cornet, who included one work of the younger composer in each of his three publications of 1581... Two sacred works, appearing in copper engravings of the Virgin by Marten de Vos, are predominantly imitative; one of these, a Magnificat for five voices, features a strict canon derived from the tenor... Along with his mentor Séverin Cornet, Verdonck is an important exponent of the madrigal in the north." R.B. Lenaerts, et al. in Grove Music Online. "These engravings, sometimes known as 'picture-motets', show angels or biblical figures singing and playing from partbooks and may have been published in support of the Counter-Reformation... The composers, artists and engravers were all Flemish and these fine engravings, with the music complete and legible, bear witness to the thriving artistic life in Antwerp at the end of the 16th century... They are important in their own right as particularly beautiful and unusual examples of early music engraving." Susan Bain in Grove Music Online. One of the very earliest examples of engraved music.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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         Volume premier [second, troisième] des chroniques d'Enguerran de Monstrelet Gentilhomme jadis demeurant à Cambray en Cambresis. Contenans les cruelles guerres civilles entre les maisons d?Orléans & de Bourgongne, l?occupation de Paris & Normandie par les Anglois, l?expulsion d?iceux, & autres choses memorables advenues de son temps en ce Royaume, & pays estranges.

      Paris, Pierre Mettayer, 1595. - 3 tomes in-folio, 12 feuillets - 328 feuillets non chiffrés - 4 ff. table -- 8 ff. - 195 ff. chiffr. - 3 ff. - -9 ff. - 1 f. blanc - 130 ff. chiffr. - 124 ff. chiffr. - 10 ff. table. Reliés en 2 volumes veau fauve marbré, armes dorées des Barante au centre des plats, dos à nerfs ornés, pièces de titre. (Travail du XIX°s., pastiche d'un décor ancien). Cette édition donnée par Pierre Mettayer contient la continuation des chroniques de Monstrelet jusqu?en 1516, avec des annotations et de copieuses tables. Les textes du minutieux continuateur de Jean Froissart sont de première importance pour l'histoire de la France, de la Flandre et de l'Angleterre dans la première moitié du XV° siècle. (Brunet 1832). - Signature manuscrite De Mirabeau sur les titres des tomes I et II. Ex-libris Barante XIX°s. Mouillure marginale à l?angle inferieur du 1er volume et sur quelques cahiers du 2e volume ; brunissure dans la marge supérieure d'une centaine de feuillets du tome I ; galerie de ver dans la marge intérieure de 3 cahiers du tome I ; déchirure comblée dans la marge des ff. 67 et 68 du tome III. [Attributes: Hard Cover]

      [Bookseller: Librairie Devaux]
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         AMERIKA. - Landkarte. "America sive India Nova ad magnae Gerardi Mercatoris avi universalis imitationem in compendium redacta".

      - Altkolorierter Kupferstich von Gerhard Mercator, 1595, 37 x 46 cm. Die Karte erschien erstmals in dem "Atlas Sive Cosmographicae Meditationen" im Jahre 1595 in Duisburg. Sie beruht auf der Weltkarte Mercators von 1569. Von seinem Enkel wurde sie in einen Gradnetzentwurf übertragen, der es ermöglichen sollte, Kugeloberflächen in einer Ebene abzubilden. - Die Gesamtkarte in runder Form, in den vier Ecken runde Karten des Golfs von Mexiko, Kuba, Haiti und die Titelkartusche. - Schönes altes Flächenkolorit dieser seltenen Karte.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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         Zürich. Gesamtansicht der Stadt aus der Vogelschau. Original-Holzstich. Aus "Sebastian Münster, Cosmographia".

      - 18,1x39 cm (Bildgrösse) - 35,2x43c6 cm. Mit Text. 1 Blatt, in der Mitte Faltspur. In Passepartout montiert. Oben bezeichnet: "Contrafactur der Statt. Zürich anno 1595" und "Der Statt Zürich in Helvetia, eine auss den uralten Stätten Teutschlandes / wahre Pictur". - Schöner Abzug. - Literatur: Walter Mathis "Zürich - Stadt zwischen Mittelalter und Neuzeit" S.142, Nr.18Bc. Brun I, S.515.

      [Bookseller: Biblion Antiquariat]
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         Ordinanze.

      Gio. Iacomo Carlino and Antonio Pace. I) Philippus Dei gratia rex ec. Banno, et comandamento da parte dell'Illustrissimo, e Eccellentissimo Sig. Don Giouan de Zunica Conte de Miranda Marchese di Labagnesa,... Napoli, Giovanni Giacomo Carlino e Antonio Pace, 1595.Foglio volante (mm 315 x 210), lievi aloni e bruniture. EDIZIONE ORIGINALE di questa ordinanza, che regola la circolazione di valuta estera all'interno del Regno di Napoli, emanata dal Vicerè Juan Zuniga Conte di Miranda il 30 novembre 1594, nel tentativo, probabilmente, di contrastare la speculazione sui tassi di cambio e di arrestare la perdita di valore della moneta napoletana.Edit16, CNCE74990 (una copia: Biblioteca provinciale Tommaso Stigliani, Matera). II) Philippus Dei gratia rex ec. Napoli, Giovanni Giacomo Carlino e Antonio Pace, [1596].Foglio volante (mm 310 x 210); 2 cc. Con ampia incisione in legno delle armi di Filippo II di Spagna al recto della prima carta. Aloni diffusi su entrambe le carte.Le prime leggi suntuarie moderne furono emanate dal Regno di Napoli nel 1559, per poi essere riviste numerose volte. Le leggi non riguardano solamente abiti e gioielli, ma anche arredi domestici, carrozze e cavalli (cf. S. Scognamiglio, Il colore della statualità: leggi suntuarie, codici estetici e modelli culturali delle élites nella Napoli della prima età moderna, in: "California Italian Studies", 3/1, 2012, p. 18).Non presente in Edit16; F. Mutinelli, ed., Storia arcana ed anneddotica d'Italia, raccontata dai Veneti ambasciatori, Venice, 1855, I, pp. 184-187. III) Philippus Dei gratia rex etc. Napoli, Giovanni Giacomo Carlino e Antonio Pace, 1598.Foglio volante (mm 315 x 210 mm). Aloni e bruniture diffuse.Queste due ordinanze, emanate dal Vicerè di Napoli, Enrique de Guzman, Conte di Olivares, regolavano l'emissione e l'utilizzo di banconote e cambiali (9 settembre 1598) e il controllo sulla stampa. La seconda ordinanza (31 agosto 1598), in particolare, vietava l'installazione di macchine da stampa senza un'opportuna licenza, nel tentativo di prevenire la pubblicazione di testi non corretti o proibiti. (cf. L. Giustiniani, Saggio storico-politico sulla tipografia del Regno di Napoli, Napoli, 1793, p. 113; si veda inoltre P. Lopez, Inquisizione, stampa e censura nel Regno di Napoli tra "500 e "600, Napoli, 1974, p. 165; e A. Lerra, Il libro e la piazza: le storie locali dei Regni di Napoli e Sicilia in età moderna, Manduria, 2004, p. 253).Non presente in Edit16..

      [Bookseller: Libreria Govi Alberto]
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        Vademecum. Das ist: Ein künstlich New Artzneybuch

      So man stets bey sich haben vnd führen kan. In fürfallender Not sich Hülff daraus zuerholen, wider allerhand Kranckheit des menschlichen Leibes, vom Haupt an bis auff die Fussohlen. In gewisse Capitel und richtige Ordnung gebracht und mit guten, heilsamen, schlechten, einfeltigen und zusammen gesetzten Mitteln aus vieler Hochgelährter Leute Bücher gezieret. Sampt eines vornemen erfarnen Münchs Experiment, welcher zur zeit Friderici des ersten Churfürsten zu Sachsen gelebet und in sehr grossem Beruff gewesen. Dergleichen zuvor niemals also in Druck kommen. E.A. Leipzig. Johann Beyer. MDXCV. 1595. Titelblatt zweifarbiger Druck. 12 Bl.+508 S.+Register (komplett). Fotokopien ergänzen fehlende Seiten (S. 23/24 und die letzten 7 S. Register, manche Seiten mit Papierbrei ergänzt) auf gebräuntem Papier. (einige Textanstreich.). Neuerer Einband ca. 1850 restauriert. Hld.-2/3)Bild einer Seite.

      [Bookseller: Antikbuch24]
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