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Displayed below are some selected recent viaLibri matches for books published in 1583

        Biblia, Das ist: Die gantze Heylige Schrifft, Teutsch. Doct. Mart. Luth. Jetzundt von neuwem, . corrigiert: Und mit n?tzlichen Summarien, über alle Capitel, durch . Petrum Patientem, D. und der Churf. Pfaltz, etc. General Superintendenten, zugericht:

      Feyerabend Johann, Frankfurt 1583 - Feyerabend Johann , Frankfurt, 1583. 22 , 353 , 1 , 240 , 168 , 2 ff. Illustriert mit 124 Holzschnitte zwischen den text ( 15 x 11 cm) und 4 ganzseitigen Holzschnitte, mit Vorstellungen von Adam und Eva im Paradies, das Tabernakel von Mozes, Tempel ( 1 volumes. Schwarzes Leder über Holzplatten. Fachgerecht restauriert , unter Beibehaltung der ursprünglichen Leder. Titelseite und ein Dutzend Blätter am Anfang, von Faksimiles ersetzt, sowie einige Seiten und Stichen am Ende [Attributes: Hard Cover]

      [Bookseller: de KunstBurg]
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        Deipnosophistarum libri quindecim, variis omnium ferme rerum narrationibus jucundissimi, lectuque dignissimi, quanta maxima fieri potuit cura, diligentia, fide in latinum sermonem versi a Jacobo Dalechampio Cadomensi (d. i. Jacques Dalechamps).

      Lyon, (Jacques de Tournes für) Antoine de Harsy 1583.Mit Druckermarke auf Titel. 22 Bll., 540 S., 40 Bll. (l. w.). Prgt. des 18. Jhdts. 33,7 x 21,2 cm. Hoffmann I, 398; Cartier 635; Pettegree - Walsby, French Books III, 54982. - "Das Werk handelt hauptsächlich von Gastronomie und enthält lange Dissertationen über Weine, Gemüse, Fische, Fleisch, Festmähler usw. ... Ein wichtiges Quellenwerk, das durch Zitate viele verlorengegangene antike Schriftsteller ersetzt. In Form von Tischgesprächen werden auch altgriechische Sitten, Literatur und Wissenschaft behandelt" (Horn - Arndt). Bücher la

      [Bookseller: Antiquariat Turszynski]
 2.   Check availability:     maremagnum.com     Link/Print  


        Remberti Dodonaei Mechliniensis medici caesari Stirpium historiae pemptades sex sive libri XXX.

      Antuerpiae: Ex officina Christophori Plantini Folio (36 cm; 14"). [10] ff., 860 pp., [13] ff., illus.. 1583 Written and printed during the second decade of the Dutch Golden Age (1570–1670), this => first edition of Dodoens' Stirpium historiae pemptades sex is coveted today by collectors of printing for the excellent typography of the Plantin Press, by collectors of early illustration for van der Borcht's detailed woodcuts, and by collectors and scholars of natural history for the important contributions to botany that the author incorporates. Hunt says of this that it is the "First edition of Dodoens' last and most comprehensive botanical work, incorporating material from a number of his earlier books, including the Cruydeboeck"; it was the basis for Gerard's famous English herbal. Rembert Dodoens (1517–85), a Flemish physician and botanist, was fully immersed in the Renaissance method of pursuing knowledge, whether derived from ancient texts or from new discoveries and personal observation, or combining the best elements of both streams. That is what he did with his Cruydeboeck and with Stirpium historiae pemptades sex. Coming as it does during the first hundred years after the discovery of the New World and concomitant knowledge of New World plants, the Pemptades illustrates and discusses such new discoveries as maize, tobacco, mechoacan, and nopal. The => 1298 woodcut illustrations here were commissioned by Plantin from the Flemish artist Pieter van der Borcht (1545–1608), a pupil of Pieter Brueghel the Elder. Thomas Gloning (Rembert Dodoens und sein Cruyde Boeck) says van der Borcht is held to be one of the most gifted botanical painters of the 16th century. Provenance: College of Pharmacy of the City of New York. Evidence of readership: A reader of the late 16th century has corrected some of the text and has added interesting marginalia in Latin that expounds or expands on sections of it. A later reader, probably of the late 18th or early 19th century, has labeled some of the woodcut illustrations with the plant names using Linnaean and post-Linnaean taxonyms. For example some have "W" at the end of the Latin name, for Carl Ludwig Willdenow (1765–1812), others "Schmidt" for F.W. Schmidt (1764–96), most just have an "L" at the end, for Linnaeus. Recent quarter mottled brown calf with green and red stone-pattern marbled paper sides; raised bands, each accented above and below by single gilt rule and with gilt center devices in five spine compartments. Library stamp as above on title-page and three other pages. Minor worming in some, a very few, margins, most notable in upper margins of pp. 260–89; gently age-toned, and a few leaves with browning or foxing; overall => a crisp, clean, decidedly desirable copy.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        Petri Andreae Matthioli Senensis, medici caesarei, et serenissimi Principis Ferdinandi Archidvucis Avstriae, &c. Commentarij in VI. libros Pedacij Dioscoridis Anarzabei de Medica materia, ab ipso autore recogniti, et locis plus mille aucti. Adiectis magnis, ac nouis plantarum, ac animalium Iconibus, supra priores editiones longè pluribus, ad viuum delineatis. Accesserunt quoque ad margines Graeci contextus quàm plurimi, ex antiquissimis codicibus desumpti, qui Dioscoridis ipsius deprauatam lectionem restituunt. Cum locupletissimis indicibus, tum ad rem herbariam, tum medicamentariam pertinentibus

      Venetijs [i.e. Venecia]: apud Felicem Valgrisium 1583 - [ Descripción completa disponible en castellano, inglés y francés / Complete record available in Castillan, English and French / La notice complète est disponible en castillan, anglais et français ] // Gran folio (340x230mm.); 2 v.- Vol. 1: [140], 583 p., [1] h. en blanco; sign.: a8, []2, b8, c-d6, e-i8, A-Z8, Aa- Mm8-Nn10; grabado procedente de otra obra intercalado tras la portada con el retrato de Caspar Bauhin, fechado en 1598. Grabado con el retrato de Mattioli en verso de b2; errores de signatura, f4 como D4 y G2 como G3; error de paginación, 314 como 341.- Vol. 2: 772, [12] p.; sign.: a-3a8, 3b10, 3c6. Al final del volumen, apéndice: "De ratione distillandi aquas ex omnibus plantis; et quomodo genuini odores in ipsis aquis conservari possint".- Encuadernación en plena piel, siglo XVIII, lomo con seis nervios decorado con hierros y doble tejuelo; cantos dorados a rueda; bisagras abiertas en superficie; algunas rozaduras cauterizadas en los planos; cantos y puntas minimamente rozados; falto de guardas de colores delantera y trasera de ambos volúmenes; algún folio algo tostado (V.1: A8, B6,.V2: nn ss6, ); anotaciones manuscritas muy ocasionales.- Vol. 1: ligero cerco de humedad en margen superior interno, algún folio algo tostado (i.e. A8, B6,.); rotura con pérdida en interior de última hoja de índice; pequeña galería en punta inferior de cuadernos c y d; pequeño trabajo de xilófago en el bajo del margen inferior, que cambiando de punto a galería y viceversa transcurre apreciendo y desapareciendo entre las páginas 116 y 461; manchas leves, de color gris en p. 317 y marrón en p. 417; rasgadura en el margen inferior de p. 337 y pérdida por arranque en el margen derecho de p. 385 y de la punta superior de la p. 583.- Vol. 2: Pequeño trabajo de xilofago, a veces galería, a veces punto, en el margen inferior entre las páginas 289 y 416; punto de taladro que entra a mitad del canto a partir de p. 585, prolongado como punto en el margen derecho hasta el final; pequeño cerco marrón en el borde del margen superior de p. 91 a 186 y 235 a 345; rasgadura interior de p. 770 originada en imprenta. Lejos de lo que a lo mejor puede desprenderse de este intento de descripción minuciosa, los defectos mencionados apenas se perciben por la sólida belleza del ejemplar.- // Proc.: Ex-libris manuscrito en 1714, verso de hoja de confianza de v. 1, Johaness Amadeus Le Fort; ex-libris impreso "Colladon-Martin" de la biblioteca del farmaceútico y botánico suizo Jean Antoine Colladon en los dos volúmenes; ex-libris manuscrito del bótanico suizo Adolphe Secrétan "Ex-libris Adolphi Secrétan-Gaudy, Confignonensis, anno 1830", en los dos volúmenes.- // Refs.: Bradley, I, 279; Pritzel, nova, 5985.- // Precioso ejemplar de la segunda y última edición magna latina de "Los seis libros de la materia medicinal de Dioscórides" comentados por Mattioli. La obra de Dioscórides, que fue tan citada como poco verificada durante la edad media, pasó a considerarse, en el siglo XVI, como la farmacopea más completa de la antiguedad, siendo estudiada y difundida en ediciones con comentarios de Miguel Servet, Leonardo Fuchs, Pietro Andrea Mattioli, Amato Lusitano, Andrés Laguna y no pocos otros. En el caso de Pietro Andrea Mattioli, afincado en Trento, este inició su trabajo sobre "Los seis libros de la materia medicinal de Dioscórides" hacia 1533, siendo su primera publicación la traducción de los cinco primeros libros al italiano, en 1544, desde la versión latina de Jean Ruelle (que se había impreso por primera vez en Paris, Officina Henrici Stephani, en 1516). Empleada también por Miguel Servet para sus comentarios, la versión de Ruelle fue la más seguida en el siglo XVI hasta que, en 1598, Jean-Antoine Sarasin (Saracenus) publicó en Frankfurt la que a partir de entonces pasó a ser considerada como la definitiva. La diferencia de la versión vernácula de Mattioli con las demás era que cortaba con los pruritos filológicos en los comentarios, le daba una (.) [Attributes: Hard Cover]

      [Bookseller: Andarto B.]
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        Remberti Dodonaei Mechliniensis medici caesari Stirpium historiae pemptades sex sive libri XXX

      Antuerpiae: Ex officina Christophori Plantini Folio (36 cm; 14"). [10] ff., 860 pp., [13] ff., illus.. 1583 Written and printed during the second decade of the Dutch Golden Age (1570?-1670), this => first edition of Dodoens' Stirpium historiae pemptades sex is coveted today by collectors of printing for the excellent typography of the Plantin Press, by collectors of early illustration for van der Borcht's detailed woodcuts, and by collectors and scholars of natural history for the important contributions to botany that the author incorporates. Hunt says of this that it is the "First edition of Dodoens' last and most comprehensive botanical work, incorporating material from a number of his earlier books, including the Cruydeboeck"; it was the basis for Gerard's famous English herbal. Rembert Dodoens (1517?-85), a Flemish physician and botanist, was fully immersed in the Renaissance method of pursuing knowledge, whether derived from ancient texts or from new discoveries and personal observation, or combining the best elements of both streams. That is what he did with his Cruydeboeck and with Stirpium historiae pemptades sex. Coming as it does during the first hundred years after the discovery of the New World and concomitant knowledge of New World plants, the Pemptades illustrates and discusses such new discoveries as maize, tobacco, mechoacan, and nopal. The => 1298 woodcut illustrations here were commissioned by Plantin from the Flemish artist Pieter van der Borcht (1545?-1608), a pupil of Pieter Brueghel the Elder. Thomas Gloning (Rembert Dodoens und sein Cruyde Boeck) says van der Borcht is held to be one of the most gifted botanical painters of the 16th century. Provenance: College of Pharmacy of the City of New York. Evidence of readership: A reader of the late 16th century has corrected some of the text and has added interesting marginalia in Latin that expounds or expands on sections of it. A later reader, probably of the late 18th or early 19th century, has labeled some of the woodcut illustrations with the plant names using Linnaean and post-Linnaean taxonyms. For example some have "W" at the end of the Latin name, for Carl Ludwig Willdenow (1765?-1812), others "Schmidt" for F.W. Schmidt (1764?-96), most just have an "L" at the end, for Linnaeus. Recent quarter mottled brown calf with green and red stone-pattern marbled paper sides; raised bands, each accented above and below by single gilt rule and with gilt center devices in five spine compartments. Library stamp as above on title-page and three other pages. Minor worming in some, a very few, margins, most notable in upper margins of pp. 260?-89; gently age-toned, and a few leaves with browning or foxing; overall => a crisp, clean, decidedly desirable copy.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        FRANCISCVS DRAECK NOBILISSIMVS EQVES ANGLIÆ ANo ÆT SVE 43

      [London, 1583. Matted and framed. A fine, black impression, expertly laid down on a larger sheet. Slight wear to upper edge. Very good and handsomely presented. This handsome and striking print is generally considered the finest contemporary portrait of Sir Francis Drake. It has been attributed as the work of the engraver, Hondius, since the 18th century, although Kraus and others suggest it might be the work of Remigius Hogenberg. Only two copies are known of the first state of the print. This is a copy of the second state, probably printed by George Vertue in the 18th century, from the original copper plate, which he altered by adding additional shading to the background. Drake is shown standing, holding a baton in one hand and a helmet in the other. He looks the viewer squarely in the eye. The mole on his nose and short-cropped hair testify to the trueness of the unidealized portrait. Behind him, by a window, hangs a globe. The caption below the portrait makes reference to the circumnavigation. The image forcefully conveys the appearance and personality of the man. A cornerstone for any Drake collection. Kraus used this portrait as the frontispiece for his book on Drake.

      [Bookseller: William Reese Company - Americana]
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        Gesamtansicht von Halberstadt und Quedlinburg ('Halberstadivm . - Quedelinbvrga .').

      - altkolorierter Kupferstich v. Braun & Hogenberg, um 1583, 36,5 x 41 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Ausschreiben und gründlicher, warhaffter Bericht unser Gebhardts, von Gottes Gnaden erwelten und bestetigten Ertzbischoffs zu Cölln, des heiligen Römischen Reichs durch Italien Ertzcantzlers und Churfürsten, Hertzogen zu Westphalen und Engern, warumb wir uns mit etlichen Soldaten zu Beschützung unserer Land, Leut und eigenen Person auch folgends in weitere Kriegsrüstung wider unsere Feind und Widerwertige zu begeben genottrangt : auch aus was christlichen ... Ursachen wir die Freylassung der wahren christlichen Religion Augspurgischen Confession verstattet und was uns in in ehelichen Stand zu begeben bewegt ...

      [Bonn], 1583. [30 Bl.], 221, [1] S. Neuer Pappband VD 16 K 1751,- Wichtige Sammlung von Instruktionen und Briefen von Gebhard Truchsess von Waldburg-Trauchburg (* 10 Novenber 1547 in Heiligenberg; † 31. Mai 1601 in Straßburg) war Kurfürst und Erzbischof von Köln (1577-1583). Er trat zum Protestantismus über, heiratete und wollte das Erzstift säkularisieren. Dies löste den Widerstand der Mehrheit des Kölner Domkapitels aus. Beide Seiten, unterstützt von auswärtigen Verbündeten, kämpften gegeneinander im Kölnischen Krieg, den Gebhard schließlich verlor. Sauberes, breitrandiges Exemplar. Versand D: 2,00 EUR

      [Bookseller: Antiquariat Michael Solder]
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        Deipnosophistarum libri quindecim, variis omnium ferme rerum narrationibus jucundissimi, lectuque dignissimi, quanta maxima fieri potuit cura, diligentia, fide in latinum sermonem versi a Jacobo Dalechampio Cadomensi (d. i. Jacques Dalechamps).

      Lyon, (Jacques de Tournes für) Antoine de Harsy 1583. - Mit Druckermarke auf Titel. 22 Bll., 540 S., 40 Bll. (l. w.). Prgt. des 18. Jhdts. 33,7 x 21,2 cm. Hoffmann I, 398; Cartier 635; Pettegree-Walsby, French Books III, 54982. - "Das Werk handelt hauptsächlich von Gastronomie und enthält lange Dissertationen über Weine, Gemüse, Fische, Fleisch, Festmähler usw. . Ein wichtiges Quellenwerk, das durch Zitate viele verlorengegangene antike Schriftsteller ersetzt. In Form von Tischgesprächen werden auch altgriechische Sitten, Literatur und Wissenschaft behandelt" (Horn-Arndt).

      [Bookseller: Antiquariat Uwe Turszynski]
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        Boni et Mali Scientia: The Science of Good and Evil

      Antwerp 1583 - 12 intaglio engravings on thick laid paper, based on images from Genesis, after drawings by Maarten de Vos. Slightly dusty in borders, a couple of small wormholes affecting blank margin only. Engravings measure 185x260mm, sheets 245x335. Explanation below each scene in a clear italic. A very good copy in modern quarter calf over cloth boards. 1. TITLE PAGE: BONI ET MALI SCIENTIA Central title, the surround featuring Adam and Eve dozing on either side and the serpent and apple beneath, implements of agriculture - for threshing, sowing etc; musical instruments and weapons of war. Bartsch 7001.017 S2. Wurzbach 8.1. Le Blanc 39. 2. CREATION OF MAN AND WOMAN Highly detailed scene, featuring lions, a fox and a porcupine in the foreground round the feet of Adam and Eve and God, whose outline is hazy and who walks on a cloud. In the middle-ground appear numerous trees and God sending the couple to sleep on the banks of a river. In the background, mountains rise into the distance, and a bucking horse and camel appear on the shores of a great sea. This engraving served as the model for Jacob Bouttat’s ‘Paradise’, a painting in the Museo de Navarro, Pampalona. Bartsch 7001.018 S2 1. THE FALL OF MAN Set in the garden of Eden, in the background we see Eve picking fruit from the tree of life and handing it to Adam, while in the tree above them coils the Serpent, half snake and half man, his arm outstretched towards Eve, against a backdrop of trees. In the foreground we see God expelling the couple, now clothed in branches, from Paradise. Around His feet lie a bird, a lioness, a deer and a magnificent spiky hedgehog. This engraving served as the model for Jacob Bouttat’s ‘El Peccado’. Bartsch 7001.019 S2 1. ADAM AND EVE AFTER THE FALL Expelled from Paradise, in the background we see Adam and Eve pursued by a sword-wielding angel, in front of which appear an elephant, a camel, an ostrich, a unicorn. A leafy bank rises on the left on which graze goats and rabbits, while in the foreground we see a well-muscled Adam working in his fields while eve looks on, babe in arms and toddler and chickens at her feet. This engraving served as the model for Jacob Bouttat’s ‘Adam trabajando el campo’. Bartsch 7001.020 S2 1. CAIN AND ABEL AT WORK IN THE FIELDS Against a backdrop of rolling hills, once more punctuated by a camel, we see Abel tending a herd of cattle and sheep, a pair of rams locking horns at his feet, while Cain drives a belligerent ox. To the right a cottage shows a family scene. This engraving served as the model for Jacob Bouttat’s ‘Cain Agricultor y Abel Pastor’. Bartsch 7001.021 S2 1. THE OFFERING OF CAIN AND ABEL Against the now common pastoral-familial background, the scene shows Cain and Abel making sacrifices of fruit & vegetables and a lamb, while God stands in the smoke. In the middle distance we see the murder of Abel. This engraving served as the model for Jacob Bouttat’s ‘Sacrificios de Cain y Abel’. Bartsch 7001.022 S2 1. THE CURSE OF CAIN Before a thatched cottage in which his wife stirs a pot and cradles her child, Cain is building, numerous sheep and donkeys at his feet. A vengeful God appears on the left, a mountain path rises in the rear. This engraving served as the model for Jacob Bouttat’s ‘Cain con su mujer y su hijo Enoch’. Bartsch 7001.023 S2 1. ENOCH BUILDING A TOWN A scene of intense industry showing men breaking rocks, mixing mortar, collecting water and building walls in the foreground, a town with thatched houses and a castle behind, interspersed with beasts of burden and labourers. Bartsch 7001.024 S2 1. THE DESCENDANTS OF LAMECH Depicting the house of Lamech with his two wives, Ada (light) with her shepherd and musician children, and Sella (darkness) with her daughter Pleasure and blacksmith son, here shown wielding rocks. In the background rural scene Lamech is shown with his corpse at his feet, the town behind. Bartsch 7001.025 S2 1. JABAL, SON OF LAMECH, ANCESTOR OF THE NOMADS Busy scene, featuring nomads he [Attributes: Hard Cover]

      [Bookseller: Sokol Books Ltd. ABA ILAB]
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        De fascino libri tres, in quibus omnes fascini species et causae optima methodo describuntur.

      Nicolaus Chesneau, Paris 1583 - 4to. Mit Druckermarke u. mehreren figürl. Initialen in Holzschnitt. 6 Bl., 275 S., 16 Bl. Ldr. (um 1700) m. rotem RSchild., goldgeprägt. Deckel, Stehkantenvergoldung u. punziertem Ornament im dreiseitigen Goldschnitt. Marmorierte Vorsatzpapiere. Graesse BMP 42. - Erste Ausgabe. - Seltene Schrift über Hexerei, Zauberei u. Dämonen des späteren Bischofs von Pozzuoli Leonardo Vairo (gest. 1603). - "He defines "fascinum" as "a pernicious quality induced by art of demons because of tacit or express pact of men with the same demons." In his last chapter Vairus treats of safeguards and amulets against the impostures and illustions of demons." (Thorndike VI, 528). - Einband bes. an Kanten u. Gelenken berieben. Kl. Exlibris im Innendeckel. Stempel u. Nr. auf 2 w. Bl. vor sowie auf d. Titel, verso weiteres Exlibris. Einige Tintenmarginalien v. alter Hd. zur Korrektur des Textes. Hellerer Fleck an Oberkante, stellenweise kl. Braunflecke, meist im Rande. gr. [Attributes: First Edition]

      [Bookseller: Antiquariat Düwal]
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        FRANCISVS DRAECK NOBILISSIMVS EQVES ANGLIÆ AN. ÆT SVE 43

      Paris, 1583. Cut to just within plate mark and inlaid into later wove paper sheet. Later ink inscription on verso reading "from Holland / 1809." Minor wear and soiling. Matted. Very good. A clean impression of the second state of this famous portrait of Sir Francis Drake at age forty-three, shortly after he returned from circumnavigating the globe, the basis for most of the later images of him. The image is taken from a portrait purportedly painted from life by Jean Rabel the Elder and is said to be a credible likeness of the famed navigator. The legend beneath the portrait indicates the dates of Drake's circumnavigation, listing Rabel as the painter and Thomas de Leu as the engraver. Thomas de Leu (1560-1612), a pupil of Rabel's, moved to Paris around 1576 and became one of the most noted portrait engravers of his time. This engraving of Drake was the basis for many later images of him, including the well-known engravings by Jodocus Hondius and Crispin van de Passe. The earliest graphic image of one of the greatest figures in maritime history.

      [Bookseller: William Reese Company - Americana]
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        Hamlet. Prinz von Daenemark. Mit 16 Lichtdrucktafeln nach den Lithographien von Eugene Delacroix. Leipzig, Inselverlag 1913. Folio. 175 S. Schwarzer Orig.-Maroquinbd. mit reicher Rückenvergoldung, Rücken- u. Deckeltitel, Vollgoldschnitt. (Signiert A. Köllner, Leipzig).

      0 - Eines 100 numerierten Exemplaren der Vorzugsausgabe auf Van-Gelder-Bütten und in Maroquin gebunden. Eines der berühmtesten Werke der Weltliteratur ist der Hamlet, schon häufig illustriert, doch kaum ein Bildzyklus ist so gelungen wie jener des Pariser Malers Eugène Delacroix. Tadellos erhalten. - Sarkowski 1583. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Schmidt & Günther]
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        1583 Nonius Marcellus Proprietate Lost Works Ancient Rome Navigation Philosophy

      Parisiis : apud Ægidium Beys, 1583. - 1583 Nonius Marcellus Proprietate Lost Works Ancient Rome Navigation Philosophy Very Rare Encyclopedia of Peripatetic Philosopher Nonius Marcellus was a Roman grammarian of the 4th or 5th century AD. His only surviving work is the De compendiosa doctrina, a dictionary or encyclopedia in 20 books that shows his interests in antiquarianism and Latin literature from Plautus to Apuleius. Nonius may have come from Africa. The full title of his work, Noni Marcelli Peripatetici Tubursicensis de Conpendiosa Doctrina ad filium, indicates that he was a Peripatetic philosopher from Thubursicum in Numidia. It has been printed under a number of titles, including De proprietate latini sermonis and De varia significatione Verborum. It is also one of the major sources for lost works of the ancient Roman Republic. It consists of words, short definitions, and then quotations of authors. It is one of three major Latin dictionaries preserved from antiquity. In addition to grammar, this work includes chapters on subjects including food, costume, and navigation. We find other examples of other late 16th-century printings of this title for sale for over $1,100! Main author: Nonius Marcellus; Fabius Planciades Fulgentius; Sextus Pompeius Festus Title: Nonius Marcellus De proprietate sermonis, et Fulgentius Placiades De prisco sermone : ex vetustissimis codicibus longe emendatiores, & duobus indicibus locupletiores Published: Parisiis : apud Ægidium Beys, 1583. Language: Latin FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure vellum binding Pages: complete with all 275 + 51 pages; plus indexes, prefaces and such Publisher: Parisiis : apud Ægidium Beys, 1583. Size: ~6.5in X 4in (16.5cm x 10cm) Photos available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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        Les Plees del Coron, diuisees in plusors titles & comon lieux. Per queux home pluis redement & plenairement trouera quelque chose que il quira, touchant les dits Plees [etc.]. S.T.C. 23223; Beale T490

      In AEdibus Richardi Tottelli The last 16th century edition (of five) of the first treatise on English criminal law, culminating a century-long movement centered in the Inns of Court, a work which, in Dr. Baker's words, "may well have become an assize judge's vade mecum". Modern calf, an interleaved copy, some browning, else quite crisp and usable, with an occasional and often extensive early marginal gloss. In AEdibus Richardi Tottelli, London, 1583.

      [Bookseller: Meyer Boswell Books, Inc.]
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        Les Plees del Coron, diuisees in plusors titles & comon lieux [bound with] An Exposition of the Kinges Praerogatiue collected out of the great Abridgement of Iustice Fitzherbert, and other old Writers of the Lawes of England [etc.]. S.T.C. 23223 and 23217

      London: In AEdibus Richardi Tottelli [and] Imprinted by Richard Totthil, 1583 & 1590. Contemporary calf, rebacked, centered blind lozenges, bookplate of Lord Halifax dated 1702, repairs to the first blanks, else crisp; the Taussig copy Early editions of Stanford's two principal works, his "Plees" the first treatise on English criminal law and his "Exposition" on royal powers over many subjects, including women, wardship, idiots, insane persons, escheats, and wrecks, inter alia

      [Bookseller: Meyer Boswell Books, Inc.]
 16.   Check availability:     Biblio     Link/Print  


        S. Thomae aquinatis praeclarissima commentaria in libros Aristotelis Perihermenias et posteriorum analyticorum cum antiqua textus translatione atque etiam nova Ioannis Argyropoli.

      Apud Haeredem Hieronymi Scotti, Venetiis 1583 - In 4, pp. (8) + colonne 542 (pp. 271). Grande vignetta xilografata al front. con ritratto di Aristotele entro medaglione. Macchie nella parte superiore del piatto anteriore. Cartonatura con nervi al dorso. Edizione tardocinquecentesca di questi commentari di Tommaso d'Aquino del Peri hermeneias di Aristotele ('De interpretatione'), opere di ermeneutica che costituisce il principale contributo aristotelico alla filosofia del linguaggio. S. Tommaso commenta questo trattato parola per parola senza esimersi dall'affrontare i problemi filosofici che man mano si presentano. Per Werner Jaeger i commentari di Tommaso d'Aquino a quest'opera aristotelicaÂsono in assoluto i migliori. ITA

      [Bookseller: coenobium libreria antiquaria]
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        Beschreibung des Erczherzogtumb O sterreich ober Enns. Izo Antorff by Gehard de Jode Anno 1583.

      Antwerpen, de Jode, 1583.. Altkolorierte Kupferstichkarte von G. de Jode nach Augustin Hirschvogel, Bildausschnitt 37,5 x 48,5 cm, Blattgr. 41 x 56 cm.. van der Krogt, Atlantes Neerlandici, 2711:32; Descriptio Austriae p. 66 und Abb. 12; Austria Picta 7.2 (p. 305); van Ortroy, L'oeuvre cartographique de Gerard et de Corneille de Jode, p 125; Augustin Hirschvogel verfasste im Jahr 1542 die älteste Spezialkarte eines österreichischen Bundeslandes von der leider heute kein Exemplar erhalten ist; wohl um 1580 hat Gerard de Jode ein Exemplar der Karte erworben um dann kurze Zeit später diesen (mit 1583 datierten) Nachstich herzustellen; de Jode war ein direkter Konkurrent Abraham Ortelius und, obwohl seine Karten mitunter optisch ansprechender waren, erzielte er mit seinem erstmals 1578 erschienen Atlas "Speculum Orbis Terrae" einen finanziellen Misserfolg; eine zweite etwas umfangreichere Ausgabe wurde 1593 nach de Jodes Tod von seinem Sohn Cornelis herausgegebenen, die Karte von Oberösterreich erschien nur in der zweiten Auflage; die dekorative nach Süden orientierte Karte ist mit 3 Gebietswappen (Oberösterreich, Niederösterreich und Steiermark) verziert, reicht vom Böhmerwald im Norden bis zum Salzkammergut im Süden, von Passau im Westen bis Pöchlarn im Osten; in den Rändern etwas fingerfleckig, ein kleiner Randeinriss an einer Quetschfalte in der linken unteren Ecke, das ursprünglich zeitgenössische Kolorit späteren Datums aufgefrischt, selten.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        De Anno primo . . . Edwardi quinti [with] Anno primo [and secundo] Richardi tertii [with] omnes [cases] Anni Regis Henrici Septimi [with] le Report de tout ceux cases . . . Henry 8. Not in STC, 9912, 9919.5, 9926, 9943; Not in Beale, R390, R399, R414, R454

      London: Richard Tottel [imprints vary], 1583-91. Contemporary unlettered calf, centered blind lozenges, the front board loose, extensive notations throughout, generally fresh; the Taussig copy A unique collection of year book reports, including the only year for which we have cases from the brief reign of Edward V (one not recorded in S.T.C., Beale, or ESTC), and the only collected 16th century edition of all the year books of Henry VIII

      [Bookseller: Meyer Boswell Books, Inc.]
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        Trevisanus De chymico miraculo, quod lapidem philosophiae appellant. Dionys. Zecharius Gallus de eodem. Auctoritatibus variis Principum huius artis, Democriti, Gebri, Lullii, Villanovani confirmati et illustrati per Gerardum Dorneum

      Basel, Petri 1583.. 3 Bll., 198 S. Prgt. des 17. Jhdts. Brüning, Alchemistische Druckwerke 0750; Adams B 737; Duveen 69 und 178; VD16 B 2008; Ferguson I, 222 (nur die 2. Ausgabe von 1600); Nicht im JbdA seit 1950. - Sehr seltene erste Ausgabe, herausgegeben vom Theosophen und Alchemisten Gerhard Dorn (1530 - ca. 1584). Dorn ist besonders als Übersetzer und Herausgeber von Paracelsus bekannt, den er ins Lateinische übersetzte und somit europäischen Gelehrtenkreisen zugänglich machte. Vorliegende Schrift enthält bis p. 48 einen Text des Bernardus Trevisanus, eines angeblichen italienischen Alchemisten des 15. Jhdts., darauf folgend das "Opusculum Philophiae Naturalis Metallorum" des Dionysius Zacharias und ab p. 117 die Annotationes des Nicolas Flamel. Dorn druckte die Texte in seinem bekannten Theatrum chymicum 1602 noch einmal ab. --- Von besonderem Interesse ist der für mich leider nicht namentlich zu bestimmende Vorbesitzer, ein Alchemist und Paracelsist: Vorgebunden 8 eng beschriebene Blätter, das Exemplar ist fast nach jedem Textblatt mit einem weißen Blatt durchschossen, viele davon mit tls. ausführlichen Anmerkungen. Tls. auch mit Marginalien von derselben Hand. Die handschriftlichen Bemerkungen offenbaren einen tiefen Einblick in die Materie, so finden sich Zitate aus Paracelsus, tls. auch in Verbindung mit Bibelstellen, Rezepete, alchemistische Symbole etc., teils lateinisch, teils deutsch. - Der Einband etwas altersfleckig, ein Gelenk mit kleiner Läsur, Rückenschild mit Absplitterung, eine Kante aufgeraut. Es fehlen die Bindebänder. Zum Schluss einige weiße Blätter herausgetrennt. Auf dem Titel ist "Trevisanus" mit Goldfarben nachgezogen, sowie ein kleines Symbol in Goldfarbe gezeichnet. A2 und A3 im Vorwort mit minimalen Hinterlegungen, bei A3 einige Buchstaben unauffällig hs. ergänzt.

      [Bookseller: Antiquariat Turszynski]
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        Tractatus de differentiis et curatione febrium ac de sanguinis missione r EDITION ORIGINALE

      Venetiis (Venise): apud Felicem Valgrisium, 1583. Fine. apud Felicem Valgrisium, Venetiis (Venise) 1583, in 8 (16x11,5cm), (16) 76f., relié. - First Edition. Brunet and absent in French catalogs. Italian national BN ditto. Vellum modern full flaps. A Vol. in 8 (16) 76 f. Dealt with different types of fever (hectic, erratic, pestilential?) And more rare the blood circulation. It is in 1628 that William Harvey will bloodstream full description, this treaty is therefore in the wake and the age of discoveries regarding blood. Gallien had located the origin of the blood in the liver and will not be seen otherwise challenged before the sixteenth century. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale. Absent à Brunet et dans les catalogues français. BN nationale italienne idem. Reliure en plein vélin moderne à rabats. Un Vol. in 8 de (16) 76 f. Traité des différents types de fièvre (hectique, erratique, pestilentielle?) et chose plus rare de la circulation du sang. C'est en 1628 que William Harvey fera de la circulation sanguine une description complète, ce traité se situe donc dans le sillage et l'époque des grandes découvertes concernant le sang. Gallien avait situé l'origine du sang dans le foie et on ne verra pas autrement avant les remises en cause du XVIe siècle.

      [Bookseller: Librairie Le Feu Follet]
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        Deux dialogues du nouveau langage françois italianize et autrement deguiz

      A Anvers: Par Guillaume Niergue, 1583. Fine. Par Guillaume Niergue, A Anvers 1583, In 16 (8x12,5cm), (32) 622pp., relié. - The first edition was published in 1578 in Geneva. Listen to Brunet II, 1076, on this subject: 'This book was spicy published in Geneva in 1578, and not Paris, as has been said many bibliographers. The author has provided his immense erudition, but at the same time has allowed some jokes are a bit bold, which won him a green semonse Council Geneva, following which he thought it prudent to leave ... There are two other Antwerp, 1579 and 1583, in 16, which are scarcely less rare than the first, and the price is quite high. ' Full Calf nineteenth environment. Back to nerves decorated in the style of a seventeenth binding. Friction. Lack the right of the sheet 97 with loss of some letters in the last word bottom corner. Dialogues satirical, mocking the courtship behavior, modes of dress and languages (fashion speak Italian French words for example, or the conventions of language on securities). Henri Estienne is hiding under the name of Jean Franchet. The humor and mockery are often pushed very far, and all reads with great relish. The two dialogues are preceded by poems addressed to no less funny and satirical courtiers. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] L'édition originale a été éditée en 1578 à Genève. Ecoutons Brunet II, 1076, à ce sujet : 'Cet ouvrage piquant a été édité à Genève, en 1578, et non à Paris ; selon plusieurs bibliographes. L'auteur y a prodigué son immense érudition, mais en même temps s'y est permis certaines plaisanteries un peu hardies, qui lui attirèrent une verte semonse du conseil de Genève, par suite de laquelle il jugea prudent de s'absenter... Il en existe deux autres d'Anvers, 1579 et 1583, in 16, qui ne sont guère moins rares que la première, et dont le prix est assez élevé.' Reliure en plein veau milieu XIXe. Dos à nerfs orné, dans le goût d'une reliure du XVIIe. Frottements. Manque le coin bas droit du feuillet 97 avec perte de quelques lettres au dernier mot. Dialogues satiriques, raillant les comportements de cour, les modes vestimentaires et de langages (la mode de prononcer à l'italienne les mots français par exemple, ou les conventions de langage sur les titres). Henri Estienne s'y cache sous le nom de Jean Franchet. La drôlerie et la moquerie sont souvent poussées fort loin, et l'ensemble se lit avec la plus grande délectation. Les deux dialogues sont précédés de poésies adressées aux courtisans non moins drôles et satiriques.

      [Bookseller: Librairie Le Feu Follet]
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        De re poetica Libri septem EDITION ORIGINALE

      Parisiis|(Paris): apus Hieronymum de Marnef & Gulielmi Cavellat., 1583. Fine. apus Hieronymum de Marnef & Gulielmi Cavellat., Parisiis (Paris) 1583, in 12 (8x12,5cm), 350ff. (16f.), relié. - Edition originale. Achevé d'imprimer la première fois le I. de septembre 1583. Les quatre premiers livres sont parus en 1565. Marques de l'imprimeur sur la page de titre et au verso du dernier feuillet. Plein Veau d'époque. spine à nerfs orné de 5 fleurons. Plats ornés d'un médaillon central et d'un filet d'encadrement. spine-end de tête et un coin restaurés par un amateur. La première page de garde, avant la page de titre, est manquante.Traité de poétique mêlant rhétorique, étude de l'homonymie, structure du vers, Règles de composition, études des poètes latins... Un dictionnaire de rimes et de vocabulaire poétique. Georgius Fabricius (1516-1571), né à Chemnitz, fut un érudit et un humaniste influent de son temps, un pédagogue, mais surtout un philologue réputé. On lui doit des éditions de poètes de l'Antiquité et des études sur l'Antiquité (qu'il étudia en Italie), notamment sur Rome, très recherchées. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale. Achevé d'imprimer la première fois le I. de septembre 1583. Les quatre premiers livres sont parus en 1565. Marques de l'imprimeur sur la page de titre et au verso du dernier feuillet. Reliure en plein veau d'époque. Dos à nerfs orné de 5 fleurons. Plats ornés d'un médaillon central et d'un filet d'encadrement. Coiffe de tête et un coin restaurés par un amateur. La première page de garde, avant la page de titre, est manquante. Traité de poétique mêlant rhétorique, étude de l'homonymie, structure du vers, règles de composition, études des poètes latins... Un dictionnaire de rimes et de vocabulaire poétique. Georgius Fabricius (1516-1571), né à Chemnitz, fut un érudit et un humaniste influent de son temps, un pédagogue, mais surtout un philologue réputé. On lui doit des éditions de poètes de l'Antiquité et des études sur l'Antiquité (qu'il étudia en Italie), notamment sur Rome, très recherchées.

      [Bookseller: Librairie Le Feu Follet]
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        Hamlet. Prinz von Daenemark. Mit 16 Lichtdrucktafeln nach den Lithographien von Eugene Delacroix. Leipzig, Inselverlag 1913. Folio. 175 S. Schwarzer Orig.-Maroquinbd. mit reicher Rückenvergoldung, Rücken- u. Deckeltitel, Vollgoldschnitt. (Signiert A. Köllner, Leipzig).

      . . Eines 100 numerierten Exemplaren der Vorzugsausgabe auf Van-Gelder-Bütten und in Maroquin gebunden. Eines der berühmtesten Werke der Weltliteratur ist der Hamlet, schon häufig illustriert, doch kaum ein Bildzyklus ist so gelungen wie jener des Pariser Malers Eugene Delacroix. Tadellos erhalten. - Sarkowski 1583.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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        Euphimia EDITION ORIGINALE

      In Venetia: Apresso Giulio Cesare Cagnacini, 1583. Fine. Apresso Giulio Cesare Cagnacini, In Venetia 1583, In 8, 135pp. sig : A-H8 I4, relié. - Rare and unique first edition, posthumously of this piece, which was composed around 1560 at colophon, a different address: Apresso Zanfretti Paulo. Printing in italics. A portrait of the author inset on the back of the first page in a rich framework. Dedication to Don Cesare d'Este. Brand of printer on the cover page. Brunet, II, 1607 Full glossy blond calf eighteenth. Smooth spine decorated with 5 small florets. Part of title in red morocco. triple fillet border on covers. Friction. spine browned. Tragedy in verse written in five acts on the ancient model, with choir. Euphimia, daughter of the king of Corinth, wife Acharisto servant of her father when she is loved by Philone king of the Peloponnese. Her husband sacrificed his quest for power. Bookplate engraved nineteenth with a lawyer toque and motto: Nemini Servias sed legi. GF --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale rare et unique, posthume de cette pièce, qui fut composée vers 1560. Au colophon, une adresse différente : Apresso Paulo Zanfretti. Impression en italique. Un portrait de l'auteur en médaillon au verso du premier feuillet, dans un riche encadrement. Dédicace à Dom Césare d'Este. Marque de l'imprimeur en page de titre. Brunet, II, 1607. Reliure en plein veau blond glacé du XVIIIe. Dos lisse orné de 5 petits fleurons. Pièce de titre en maroquin rouge. triple filet d'encadrement sur les plats. Frottements. Dos bruni. Tragédie en vers en 5 actes écrite sur le modèle antique, avec choeur. Euphimia, fille du roi de Corinthe, épouse Acharisto, serviteur de son père, alors qu'elle est aimée de Philone, roi du Péloponèse. Son époux la sacrifiera à sa quête du pouvoir. Ex-libris gravé du XIXe avec une toque d'avocat et la devise : Nemini servias sed legi. G. F.

      [Bookseller: Librairie Le Feu Follet]
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        Cleopatra. Tragedia + Arrenopia. Tragedia

      Giulio Cesare Cagnacini 1583 Edizioni originali. 2 volumetti in 8°, legati in uno, p. 127,b + 142,cb. Ritratto al verso dei frontespizi. Dediche del figlio dell'autore a Giovanni Andrea d'Oria per la prima opera, a Laura Boiarda Tiene per la seconda. Ottimi esemplari. Legatura ottocentesca in mezza pelle con decorazioni e titoli in oro al dorso. (Allacci, 199; Gamba, 1435).

      [Bookseller: Studio Bibliografico Marisa Meroni]
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        Omnia Andreae Alciati v.c. emblemata: cum commentariis, quibus emblematum omnium aperta origine, mens authoris explicatur, & obscura omnia dubiaque illustrantur per Claudium Minoem

      1583. relié. DeCollection. Parisiis, apud Hieronymum de Marnef & viduam Gulielmi Cauellat (excud. Carolus Rogierius (Roger Charles), 1583. In-8 (17 x 12 cm) reliure du temps en plein veau, dos à nerfs à fleurons dorés, plats à filet encadrant et médaillon central or, ex-libris Rambuteau, 8 f. n.p., 717 p., 1 f. n.p. Page de titre avec encadrement gravé, très nombreuses vignettes. Quelques défauts : mors et dos fendus, manque en coiffe inférieure. Andrea Alciato : 1492?-1550. né à Alzate Brianza le 8 mai 1492 et mort à Pavie le 12 janvier 1550, est un jurisconsulte et écrivain italien de langue latine, émule d'Ulrich Zasius et de Guillaume Budé. Il est l'un des premiers représentants du courant dit de l'humanisme juridique. Le présent recueil d'allégories en vers latins sur des sujets moraux eut un immense succès. Biblio : Adams 609 qui indique une première édition de ce titre en 1574 à Anvers chez Plantini. Ex libris de Claude-Philibert Barthelot de Rambuteau (1781-1869), le fameux préfet de la Seine, avec vignette ex-libris contrecollée sur les premières gardes, et devise des Lombard de Buffières ("Long, Barbu, Fier"). Haut fonctionnaire français de la première moitié du XIXe siècle, il fut conseiller d'État et pair de France, et a joué un rôle important en tant que préfet de la Seine de 1833 à 1848. Il a mis en place les premiers éléments de la transformation de Paris, achevée par le préfet Haussmann sous le Second Empire : percée de nombreuses artères dont les Champs-Élysées, achèvement de nombreux édifices et constructions d'importants monuments.

      [Bookseller: Librairie]
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        Les Plees del Coron, diuisees in plusors titles & comon lieux [bound with] An Exposition of the Kinges Praerogatiue collected out of the great Abridgement of Iustice Fitzherbert, and other old Writers of the Lawes of England [etc.]. S.T.C. 23223 and 23217

      In AEdibus Richardi Tottelli [and] Imprinted by Richard Totthil 1583 & 1590, London - Contemporary calf, rebacked, centered blind lozenges, bookplate of Lord Halifax dated 1702, repairs to the first blanks, else crisp; the Taussig copy Early editions of Stanford's two principal works, his "Plees" the first treatise on English criminal law and his "Exposition" on royal powers over many subjects, including women, wardship, idiots, insane persons, escheats, and wrecks, inter alia

      [Bookseller: Meyer Boswell Books, Inc., member ABAA]
 28.   Check availability:     AbeBooks     Link/Print  


        Della institution Morale Ne quali egli levando le cose souerchie & aggiug

      In Venetia: Francesco Ziletti, 1583. Fine. Francesco Ziletti, In Venetia 1583, In 4 (14x20cm), (40) 559pp., relié. - New edition after the original from Zilotti in 1560 Rare. Parchment full contemporary. Spine ribbed Jansenist. Title pen. A wetness mid footer current and fading on the first 15 sheets. Alessandro Piccolimini (1508-1579) of Siena, was an important Italian Renaissance humanist, he was both an astronomer, mathematician and philosopher. His works on astronomy: Sfera del mondo delle stelle fisse, Speculazioni dei pianeti, remained very famous for offering the first reading of world stars. He also wrote comedies and translated many works of the ancients in his youth. Book proper humanistic philosophy, Della moral institution attempts to define the nature of man in his works, there will distinguish chapters on the social nature of man, on the pursuit of happiness, the nature of love, but also chapters on astrology, rhetoric, geography, astronomy, mechanics, like so many productions of human genius. One chapter deals specifically Passions war against reason. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Nouvelle édition après l'originale chez Zilotti en 1560. Rare. Reliure en plein Parchemin d'époque. Dos à nerfs Janséniste. Titre à la plume. Une mouillure en milieu de bas de page courant et s'estompant sur les 15 premiers feuillets. Alessandro Piccolimini (1508-1579) de Sienne, fut un important humaniste italien de la Renaissance, il était à la fois Astronome, mathématicien et philosophe. Ses ouvrages d'astronomie : Sfera del mondo, Delle stelle fisse, Speculazioni dei pianeti, sont demeurés fort célèbres pour avoir proposé la première lecture du monde des étoiles. Il écrivit également des comédies et traduisit de nombreux ouvrages des Anciens dans sa jeunesse. Ouvrage de philosophie proprement humaniste, Della institution morale tente de définir la nature de l'homme dans ses oeuvres, on y distinguera des chapitres sur la nature sociale de l'homme, sur la quête du bonheur, sur la nature de l'amour, mais aussi des chapitres sur l'astrologie, la rhétorique, la géographie, l'astronomie, la mécanique, comme autant de productions du génie de l'homme. Un chapitre traite plus spécifiquement des Passions en guerre contre la raison.

      [Bookseller: Librairie Le Feu Follet]
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        Les Plees del Coron, diuisees in plusors titles & comon lieux [bound with] An Exposition of the Kinges Praerogatiue collected out of the great Abridgement of Iustice Fitzherbert, and other old Writers of the Lawes of England [etc.]. S.T.C. 23223 and 23217

      Early editions of Stanford's two principal works, his "Plees" the first treatise on English criminal law and his "Exposition" on royal powers over many subjects, including women, wardship, idiots, insane persons, escheats, and wrecks, inter alia. Contemporary calf, rebacked, centered blind lozenges, bookplate of Lord Halifax dated 1702, repairs to the first blanks, else crisp; the Taussig copy. In AEdibus Richardi Tottelli [and] Imprinted by Richard Totthil, London, 1583 & 1590.

      [Bookseller: Meyer Boswell Books, Inc.]
 30.   Check availability:     Direct From Bookseller     Link/Print  


        Omnia Andreae Alciati v.c. emblemata: cum commentariis, quibus emblematum omnium aperta origine, mens authoris explicatur, & obscura omnia dubiaque illustrantur per Claudium Minoem

      Parisiis, apud Hieronymum de Marnef & viduam Gulielmi Cauellat (excud. Carolus Rogierius (Roger Charles), 1583. In - 8 (17 x 12 cm) reliure du temps en plein veau, dos à nerfs à fleurons dorés, plats à filet encadrant et médaillon central or, ex - libris Rambuteau, 8 f. n.p., 717 p., 1 f. n.p. Page de titre avec encadrement gravé, très nombreuses vignettes. Quelques défauts : mors et dos fendus, manque en coiffe inférieure. Andrea Alciato : 1492?"1550. né à Alzate Brianza le 8 mai 1492 et mort à Pavie le 12 janvier 1550, est un jurisconsulte et écrivain italien de langue latine, émule d'Ulrich Zasius et de Guillaume Budé. Il est l'un des premiers représentants du courant dit de l'humanisme juridique. Le présent recueil d'allégories en vers latins sur des sujets moraux eut un immense succès. Biblio : Adams 609 qui indique une première édition de ce titre en 1574 à Anvers chez Plantini. Ex libris de Claude - Philibert Barthelot de Rambuteau (1781 - 1869), le fameux préfet de la Seine, avec vignette ex - libris contrecollée sur les premières gardes, et devise des Lombard de Buffières ("Long, Barbu, Fier"). Haut fonctionnaire français de la première moitié du XIXe siècle, il fut conseiller d'État et pair de France, et a joué un rôle important en tant que préfet de la Seine de 1833 à 1848. Il a mis en place les premiers éléments de la transformation de Paris, achevée par le préfet Haussmann sous le Second Empire : percée de nombreuses artères dont les Champs - Élysées, achèvement de nombreux édifices et constructions d'importants monuments. Latin relié DeCollection

      [Bookseller: Livres Anciens Lucas Philippe]
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        De Anno primo . . . Edwardi quinti [with] Anno primo [and secundo] Richardi tertii [with] omnes [cases] Anni Regis Henrici Septimi [with] le Report de tout ceux cases . . . Henry 8. Not in STC, 9912, 9919.5, 9926, 9943; Not in Beale, R390, R399, R414, R454

      A unique collection of year book reports, including the only year for which we have cases from the brief reign of Edward V (one not recorded in S.T.C., Beale, or ESTC), and the only collected 16th century edition of all the year books of Henry VIII. Contemporary unlettered calf, centered blind lozenges, the front board loose, extensive notations throughout, generally fresh; the Taussig copy. Richard Tottel [imprints vary], London, 1583-91.

      [Bookseller: Meyer Boswell Books, Inc.]
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        THE PATH-WAY TO PLEASE GOD which way whosoever walketh, (especially in the time of any worldly affliction), shall be defended against all temptations With sundry godly exercises, as also a comfortsable perswasion to patience,

      Imprinted at London, by John Charlewoode, 1583.. taken out of the pure fountaine of holy scriptures, by T. W. gent. FIRST EDITION 1583, Wallis is named as the author on A2v. 16mo, approximately 122 x 65 mm, 4¾ x 2 5/8 inches, headpiece to title page of 2 small angels holding a coat of arms, another to Dedication page (to James Rowbotham) showing 2 stags and between them in a circle a hawk feasting on prey, 1 other, some decorated initials, leaves: (12), 2-133 (i.e. 264 pages), fo.1 of the text seems to be missing, contents unknown, possibly a blank?, the foliation is quite erratic, but text complete and all catchwords correct, collation: A-M12 (-B1), bound in full calf, blind ruled border to covers, raised bands to spine, blind decoration in compartments, lacking leather label, all edges red, drab grey endpapers. Binding slightly scratched, a touch of rubbing to extremities, tiny split at top of upper hinge and at foot of lower hinge, neat name on rear endpaper, front inner paper hinge cracked, binding sound, title page and A2 dusty, tiny piece missing from lower corner of A2, fore-edge margin of A3 and A4 trimmed, a few upper margins trimmed also, running titles intact, occasional very short closed edge tear, no loss, neat pale name in top margin of B2r, a little thumbing to lower outer corners, occasional slight dusty smudges and small pale stains, no loss of legibility, small scrape to text on C12r with loss of about 5 words (see image), very small repair to upper corner of fo.131, top half of M12 (final page) missing and neatly repaired (lacking about 11 lines of text), last 2 leaves dusty. A very good copy of an extremely scarce Elizabethan book of prayers in prose and verse printed by the important printer John Charlewoode, one of the first printers to print Italian works in England. Several prayers are for Elizabeth I. It is recorded in Maunsell, The First Part of the Catalogue of English Books, page 87. No copy listed in ESTC or WorldCat. It was reprinted in 1617 by W. Jaggard (ESTC S106290). MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Il theatro de' vari e diversi cervelli mondani, nuovamente formato, et posto in luce da Thomaso Garzoni .

      Paulo Zanfretti, Venezia 1583 - In- 4 (200 x 150 mm.). cc. (4) , 118 , (2). Bella legatura coeva in pergamena floscia. Edizione originale. Ottimo esemplare. Bibliografia: Adams, I, 261. S.T.C. Italian Books, p. 291. Durling, 2007 / 2010. [Attributes: First Edition; Hard Cover]

      [Bookseller: AU SOLEIL D'OR Studio Bibliografico]
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        Schloß Hülchrath mit der Einnahme am 16.3.1583.

      - Kupferstich aus Hogenbergs Geschichtsblätter, 1583, 19,5 x 27,5 Hellwig, Franz Hogenberg - Abraham Hogenberg. Geschichtsblätter, Nr. 241. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Ansicht mit dem gelegten Brand durch die Truchsessischen Truppen am 6.11.1583 ('Devtsch - 192').

      - Kupferstich aus Hogenbergs Geschichtsblätter, 1583, 19,5 x 27,5 Hellwig, Franz Hogenberg - Abraham Hogenberg. Geschichtsblätter, Nr. 247. - Zeigt Deutz mit dem Brand i.J. 1583. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Sexti Pompei Festi De verborum significatione fragmentum. Ex vetustissimo exemplari Bibliothecae Farnesianae descriptum. Schedae quae Festi fragmento detractae apud Pomponium Laetum extabant. Ex bibliotheca Fulvi Ursini. Notae in Sex. Pompei Festi fragmentum, schedas & epitomam.

      (Genève), apud Petrum Santandreanum, 1583. - 8vo. (1),196,(18),62 p. Vellum 17 cm (Ref: 1 GLN 3005; Schweiger II,354, Smitskamp 60) (Details: Six thongs laced through covers; printer's mark on title; Veritas printer's device on title: a woman, the naked truth, seated on a cubus, holding a radiant sun in her right hand. In her left hand she holds an opened book and a palm leaf. Her feet rest on the globe; the garland of fruit which surrounds her shows a ribbon with the text in Greek: 'Alêtheia Pandamatôr', i.e. 'Allmighty Truth'). (Condition: Vellum partly soiled; right margin of title slightly thumbed; title slightly browning) (Note: Festus is a 2nd century grammarian, who produced an abbreviation of a lexicographic work by Marcus Verrius Flaccus, a wellknown antiquarian and grammarian living in Augustan Rome. Verrius compiled an enormous lexicon in 80 books, full of unusual, difficult, and archaic words, with discussions about customs, political institutions, belief and Roman law. Remains of his work survive in the epitome of 20 books made by Sextus Pompeius Festus. Festus also added examples found in other sources; the original work of Verrius is completely lost, and only 1 manuscript of Festus survived the Middle Ages in an heavily mutilated form. The first reliable text, which was a great improvement compared to earlier editions was published in 1559 by Antonio Agustin, 1517-1586, who made good use of the Farnese manuscript at Naples, and aimed at reconstructing the text in a strict alphabetical order from A to V, with the help of other Medieval epitomes of Festus. GLN 15-16 states that this edition is a reissue of an edition published in 1581 in Rome. According to Smitskamp 60 Fulvius Ursinus simply reproduces Scaliger's edition without mentioning his name. In the praefatio to the 62 pages with learned notes the reader is assured that this edition (of 1583) is a faithful transcription of the sole surviving MS of Festus) (Collation: A - N8 O4; A - C8 D8 (minus D8) (Photographs on request) 400 gr

      [Bookseller: Antiquariaat Fragmenta Selecta]
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        TRACTATUS DE USUFRUCTU / DE JURISDICTIONE TRACTATUS. Authore Helfrico Ulrico Hunnio, Jc.to et in Academia Giessena Professore publico & ordinario.

      Due testi latini raccolti in unico volume. La prima Opera è dedicata a Oligero Rosaecrantz, la seconda a Henricus Hilmarus Liborio. Cm.12,8x7,3. Pg.(24), 398, (10); (12), 340. Legatura coeva in piena pergamena semirigida, leggermente spiegazzata al piatto posteriore. Titoli manoscritti al dorso. Il giureconsulto Helfrich Ulrich Hunnius (Maburg, 1583 - 1636), fu avvocato e professore di diritto a Wittenberg, Darmastadt e Marburg. Figlio del celebre teologo luterano Aegidius e fratello di Nicolaus, nel 1630 si convertì al cattolicesimo.

      [Bookseller: Studio Bibliografico Pera]
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        D. Bernardi doctoris mellitissimi ac primi abbatis Claraevallensis Coenobii, opera, in duos tomos distincta. Quibus adiecimus eiusdem auctoris opuscula: quae, ut caetera eius scripta, coelestem, ac divinam sapiunt eruditione. Two volume set.

      Iuntas, Venice 1583 - Vellum soiled & with chip to spine of vol 1, yet still supple and firmly bound. ; 8vo ; 435; 505 pages

      [Bookseller: Virginia Book Shop, Inc., ABAA, ILAB]
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        Le Tragedie di M. Gio. Battista Giraldi Cinthio, Nobile Ferrarese: cioe Orbecche, Altile, Didone, Antivalomeni, Cleopatra, Arrenopia, Evphimia, Epitia, Selene

      In Venetia: Appresso Giulio Cesare Cagnacini, 1583. - Octavo. [xvi], 135, [i], 143, 157, [iii], 118, [ii], 127, [i], 142, [ii], 135, [i], 118, [ii], 149, [iii]pp. First edition. Italic letter, Cagnacini’s woodcut device on recto and woodcut portrait of author within ornate frame on verso of all title-pages, woodcut initials and ornaments. Contemporary vellum. With Cinthio's portrait on the verso of each title-page. BM STC Italian Books, p. 305; Gamba 1435 - 'e assai rare questa Raccolta;' Brunet II, 1607; Adams G715 (UL copy, parts 1-4 only).

      [Bookseller: Sam Gatteno Books]
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        FRANCISCVS DRAECK NOBILISSIMVS EQVES ANGLIÆ ANo ÆT SVE 43

      [London: Jodocus Hondius, ca. 1583, but printed later].. Engraved portrait, 15 3/4 x 12 1/4 inches. Matted and framed. A fine, black impression, expertly laid down on a larger sheet. Slight wear to upper edge. Very good and handsomely presented. This handsome and striking print is generally considered the finest contemporary portrait of Sir Francis Drake. It has been attributed as the work of the engraver, Hondius, since the 18th century, although Kraus and others suggest it might be the work of Remigius Hogenberg. Only two copies are known of the first state of the print. This is a copy of the second state, probably printed by George Vertue in the 18th century, from the original copper plate, which he altered by adding additional shading to the background. Drake is shown standing, holding a baton in one hand and a helmet in the other. He looks the viewer squarely in the eye. The mole on his nose and short-cropped hair testify to the trueness of the unidealized portrait. Behind him, by a window, hangs a globe. The caption below the portrait makes reference to the circumnavigation. The image forcefully conveys the appearance and personality of the man. A cornerstone for any Drake collection. Kraus used this portrait as the frontispiece for his book on Drake. KRAUS, DRAKE 55 (and frontispiece). Hind, ENGRAVING IN ENGLAND, p.159.

      [Bookseller: William Reese Company - Americana]
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        The Newe Testament of our Lord Iesus Christ, Translated out of Greeke by Theod. Beza. Whereunto are Adjoyned Large Expositions of the Phrases and Harde Places by the Authour and Others: Together with a Table or Concordance Conteining The Principall Wordes and Matters Comprehended Herein [bound with:] Sternhold, Thomas, et al [eds]. The Newe Testament of our Lord Iesus Christ, Translated out of Greeke by Theod. Beza. Whereunto are Adjoyned Large Expositions of the Phrases and Harde Places by the Authour and Others: Together with a Table or Concordance Conteining The Principall Wordes and Matters Comprehended Herein

      London: Christopher Barker, printer to the Queenes most excellent Maiestie, 1583. [6], 322, [19] leaves; [12],136, [16] pp. Woodcut initials. Texts in black letter, that in the second work in double columns. 1 vols. 4to. Full 19th-century crushed levant, raised bands, gilt inner dentelles, a.e.g. by Jenkins & Cecil. Both titles within elaborate woodcut borders, with woodcut map on verso of ?8 and Royal Arms at conclusion of St. John. The first work wants the two preliminary blanks and the final blank. Joints rubbed, clearly washed at the time of binding, though with occasional light foxing and minor spotting remaining, a handful of small marginal repairs, lower margins of U2-3 in second work a bit frayed (with a few small chips not affecting text); generally a very good copy (if somewhat processed). The Geneva - Thomson text of the New Testament, revised by Thomson from the translation by Whittingham, Gilby, Sampson and others. First printed in 1576, Thomson's revision eventually became the final and most popular version of the Geneva text. The edition of the Psalms by Sternhold and Hopkins was first published in its complete form in 1562, and was frequently reprinted, often to be bound to accompany other editions of the Bible.

      [Bookseller: James Cummins Bookseller ]
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        DELLE RIME, ET PROSE. Di nuouo con diligenza rivedute, corrette, & di vaghe figure adornate. Parte Prima ( - Seconda).

      presso Aldo 1583 In - 24 gr. (mm. 132x75), 2 parti in 2 tomi, p. pergam. antica (ma legat. diverse), bei frontespizi allegorici racchiusi entro cornice architettonica con piccola ancora aldina, molto ben illustrati da complessive 21 vignette nel t.; ornati da testatine, grandi capilettera e finalini, tutto inc. su legno. - Parte 1°: 12 cc.nn. (frontespizio, dedica a Francesco Melchiori e Tavola) seguite da: "Rime", 144 pp. - "Aminta", quindi un ?Discorso dell?amor vicendevole tra?l padre e?l figliuolo? e una ?Lettera al Duca d?Urbino?, 120 pp. - "Il Forno, overo della Nobiltà" (Dialogo), 171 pp., 10 cc.nn (Tavola) - ?Lettera, nella quale si paragona l?Italia alla Francia?, ?Il Romeo overo del giuoco? (Dialogo), ?Conclusioni amorose?, 66 pp., 1 c.nn. e 2 cc.b. - Parte 2°: 12 cc.nn. (frontespizio, dedica a Hercole Cato e tavola), seguite da: "Rime" (parte seconda) oltre a ?Tragedia non finita? e ?Lettione recitata nell?Accademia Ferrarese sopra il sonetto "Questa vita mortal" di Mons. dalla Casa?, 144 pp. - "Il Rinaldo", 276 pp., 18 cc.nn. (?Tavola de? principii di tutte le Stanze? e ?Tavola di tutti i nomi proprii?) - "Il Padre di famiglia" (Dialogo), 84 pp., 6 cc.nn. (Tavola). ?Come in tutti i canzonieri del Cinquecento, anche in quello del Tasso il fondo è petrarchesco, e alle liriche d'amore s'alternano quelle encomiastiche, d'occasione e religiose, con la solita varietà di metri: sonetti, canzoni, ottave, madrigali?. Questa edizione è la prima aldina illustrata da vignette silografate; ogni parte ha un dedicatario differente, e i canti dei vari poemi portano due Argomenti, in versi e in prosa. "Terza edizione" delle ?Rime? tassiane, pubblicate la prima volta da Aldo il Giovane nel 1581. Cfr. Renouard,7 p. 233: ?En imprimant cette nouvelle édition, un peu plus ample que celle de 1582, on en disposa les differentes parties de manière à pouvoir aussi les vendre séparément.. Elle paroit faite avec soin, et n?est pas commune? - Adams,II,p. 261 - Brunet,V, 664 - Graesse,VII, 32. Leggerm. corto del marg. super., altrimenti ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        The Newe Testament of our Lord Iesus Christ, Translated out of Greeke by Theod Beza Whereunto are Adjoyned Large Expositions of the Phrases and Harde Places by the Authour and Others: Together with a Table or Concordance Conteining The Principall Wordes and Matters Comprehended Herein [bound with:] Sternhold, Thomas, et al [eds] The Newe Testament of our Lord Iesus Christ, Translated out of Greeke by Theod Beza Whereunto are Adjoyned Large Expositions of the Phrases and Harde Places by the Authour and Others: Together with a Table or Concordance Conteining The Principall Wordes and Matters Comprehended Herein

      London: Christopher Barker, printer to the Queenes most excellent Maiestie, 1583. [6], 322, [19] leaves; [12],136, [16] pp. Woodcut initials. Texts in black letter, that in the second work in double columns. 1 vols. 4to. Full 19th-century crushed levant, raised bands, gilt inner dentelles, a.e.g. by Jenkins & Cecil. Both titles within elaborate woodcut borders, with woodcut map on verso of ¶8 and Royal Arms at conclusion of St. John. The first work wants the two preliminary blanks and the final blank. Joints rubbed, clearly washed at the time of binding, though with occasional light foxing and minor spotting remaining, a handful of small marginal repairs, lower margins of U2-3 in second work a bit frayed (with a few small chips not affecting text); generally a very good copy (if somewhat processed). [6], 322, [19] leaves; [12],136, [16] pp. Woodcut initials. Texts in black letter, that in the second work in double columns. 1 vols. 4to. The Geneva - Thomson text of the New Testament, revised by Thomson from the translation by Whittingham, Gilby, Sampson and others. First printed in 1576, Thomson's revision eventually became the final and most popular version of the Geneva text. The edition of the Psalms by Sternhold and Hopkins was first published in its complete form in 1562, and was frequently reprinted, often to be bound to accompany other editions of the Bible.

      [Bookseller: James Cummins Bookseller]
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        Opus mathematicum octo libros complectens, innumeris propemodum figuris idealibus manuum et physiognomiae, aliisque adornatum, quorum sex priores libri absolutissimae cheiromantiae theoricam, praxim, doctrinam, artem, & experientiam verissimam continent

      apud Theodorum Baumium sub signo Arboris 1583 in folio, pp. (12), 624, (6), + 20 cc. bianche aggiunte probabilmente per eventuali annotazioni, leg. in p / pelle coeva con tit. e fregi in oro al ds. e nervi, marca tipogr. al front., al verso ritratto xilogr. dell?A. ripetuto in fine, circa 2000 inc. xilogr. n.t. illustranti la chiromanzia, la fisiognomia, l?astrologia, i segni zodiacali, ecc. Seconda ediz. (la prima è del 1562 del tutto identica) di uno dei più vasti e dettagliati trattati sulla Chiromanzia, Fisiognomia, Astrologia e Divinazione. L?A. (nato a Ath in Belgio nel 1509) fu un illustre matematico, fisico, filosofo, astrologo e musicista. Precettore alla corte di Carlo V°, seguì questo sovrano nella sua spedizione a Tunisi del 1535 in qualità di medico e musico. Percorse una parte dell?Asia e dell?Africa, insegnò matematica a Palermo, Roma e Ferrara e, in ultimo, fu maestro di musica presso l?arcivescovado di Colonia. Scrisse anche altre importanti opere sulla geometria e il magnetismo. Il suo interesse per le arti occulte si combina strettamente con la matematica e la tecnologia, mostrando in questa opera un serio tentativo di sperimentazione scientifica e facendo di lui un personaggio di riferimento nella storia della magia. Non si conosce l?anno della sua morte. Cfr.: Thorndike V, 581; Zinner 2296 - 3115; Adams T70; Wellcome 6214 (inc.); Caillet III, 10524; Sabattini 513: "edizione divenuta rara"; Gardner, Astrologia, 1213; Graesse, Magica, 100; Bibl. Magica Casanatense, 1160; Houzeau - Lancaster 4885; Poggendorf II, 1066; Thorndike V, pp. 580 - 588; Cantamessa 4398; Dorbon 4760 (cita una parziale ediz. del 1677): ?tres rare ouvrage?. Ottimo esempl.

      [Bookseller: Studio Bibliografico Amadeus]
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