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Displayed below are some selected recent viaLibri matches for books published in 1581

        Gulielmi Giscaferii medici belocarensis civis romani in romano gymnasio medicinam publicè profitensis. De febrium natura & curatione libri duo

      apud Michaëlem Clopeiau, 1581. - apud Michaëlem Clopeiau, Parisii (Paris) 1581, in-8 (16x11,5cm), (11) (1bc) 255pp., relié. - Rare Prima edizione di questo trattato febbri da un medico italiano .. Assente Brunet. Pergamena moderna completa. - [FRENCH VERSION FOLLOWS] Edition originale rare de ce traité des fièvres par un médecin italien.. Absent à Brunet. Reliure en plein Parchemin moderne.

      [Bookseller: Librairie Le Feu Follet]
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        Imagines deorum, qui ab antiquis colebantur: in quibus simulacra, ritus, caerimoniae, magnaque ex parte veterum religio explicatur: olim a Vincentio Chartario Rhegiensi ex variis auctoribus in vnum collectae, atque Italica lingua expositae: nunc vero ad communem omnium vtilitatem Latino sermone ab Antonio Verderio .. expressae, atque in meliorem ordinem digestae. Quibus accesserunt duo indices: prior, imaginum: posterior, rerum atque verborum, quae toto libro continentur .

      Apud Stephanum Michaelem, 1581. In 8, pp. 359+57. Rilegat. m. pelle con titolo e fregi in oro sul dorso. Tagli picchiettati. Illustr. n. testo. Manca il frontespizio sostituito da foglio con titoli scritti con stilografica. Rari e piccoli aloni sparsi. Una piccola mancanza restaurata con alone al margine sup. delle pp.107 - 133 che in alcune carte lede alcune lettere del titolo del paragrafo. Un alone all'angolo sup. delle ultime carte.

      [Bookseller: Nuovi Quaderni di Capestrano]
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        Clavdii et Traiani Impp. Admirabilium Portvm Ostiensivm Orthographia per Stephanum Duperach Architectvm Ivxta Antiqva Vestigia Accvratissime Delineata

      1581. Pianta del porto di Ostia antica tratta dallo "Speculum Romanae Magnificentiae" del Lafrery. La pianta deriva da quella del Duperac, ed è edita per la prima volta da Claudio Buchetti. Questo esemplare, del secondo stato, viene invece pubblicato da Giovanni Orlandi nel 1602. Plan of the harbour of Ancient Ostia taken from the "Speculum Romanae Magnificentiae" by Lafrery. It derives from the one by Duperac and was first edited by Claudio Buchetti. This example, belonging to the second state, was published instead by Giovanni Orlandi in 1602. Copperplate with engraving, unusual margins, small repaired areas at central fold (only visible on verso), overall in very good conditions. Very rare. Roma Rome 510x295 Huelsen 25B. 710 410

      [Bookseller: Libreria Antiquarius]
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        Narratione dell'apparato per l'illustriss. sig. card. Colonna, legato apostolico della Marca in Macerata

      Sebastiano Martellini, 1581. 4to. (10) leaves. Title - page printed in red and black with the woodcut coat - of - arms of Cardinal Antonio Colonna. Boards, sober margins, but a good copy.ORIGINAL EDITION of the description of the festivities held in Macerta at the entry of newly elected governor of the Marche, Cardinal Marcantonio Colonna (1523 - 1597). The author reports in detail about the events and the decorations organized for the occasion (cf. R. Paci,ed., Scritti storici in memoria di Enzo Piscitelli, Rome, 1982, p. 229, and P. Cartechini, ed., La Marca e le sue istitutioni al tempo di Sisto V, Rome, 1991, p. 368).Marco Antonio was born in Rome in, the son of the Roman nobles Camillo and Vittoria Colonna. He was the grand - nephew of Cardinal Pompeo Colonna and studied philosophy and theology under Felice Peretti (who later became Pope Sixtus V). In 1560 he was elected to be Archbishop of Taranto and was active in the Council of Trent during 1562 - 63. Pope Pius IV made him a cardinal priest in the consistory of March 12, 1565. He received the red hat and the titular church of Santi Apostoli on May 15, 1565. He participated in the papal conclave of 1565 - 66 that elected Pope Pius V. On 13 October 1568 he was transferred to the metropolitan see of Salerno. In 1572 he participated in the papal conclave that elected Pope Gregory XIII. He resigned the government of the Archdiocese of Salerno sometime before 25 June 1574. During the Jubilee of 1575, he opened the holy door of the Archbasilica of St. John Lateran. He was the Camerlengo of the Sacred College of Cardinals from 8 January 1579 to 8 January 1580. On 5 December 1580 he opted for the titular church of San Pietro in Vincoli. He was named papal legate in the Marche on October, 25, 1581. He participated in the papal conclave of 1585 that elected Pope Sixtus V. On October 13, 1586 he opted for the titular church of San Lorenzo in Lucina and became cardinal protopriest. Under Pope Sixtus V, he was a prefect of the Sacred Congregation of the Index. On May 11, 1587 he opted for the order of cardinal bishops, taking the suburbicarian see of Palestrina. He was named papal legate to the Campagne and Maritime Province on May 13, 1587. He was a participant in the first papal conclave of 1590 that elected Pope Urban VII, the second papal conclave of 1590 that elected Pope Gregory XIV, the papal conclave of 1591 that elected Pope Innocent IX, and the papal conclave of 1592 that elected Pope Clement VIII. He also was the Librarian of the Vatican Library from 1591 to 1597. He died in Zagarolo on March 13, 1597 and was buried in the Franciscan church there (cf. G. Crisci, Il cammino della Chiesa salernitana. Napoli Roma 1976, I, pp. 585 - 598, and C. Weber, Legati e governatori dello Stato Pontificio: 1550 - 1809, Rome, 1994, pp. 181, 286 and 588 - 589).Nearly nothing is known of Marcello Ferro, a man of letters from Macerata, who was also the author of a pastoral play, Chlori, first printed at Venice in 1590 and reprinted in 1598. He also was a member of the Accademia dei Catenati of Macerata founded in 1574 (cf. M. Maylander, Storia delle Accademie in Italia, Bologna, 1930, III, pp. 508 - 521).Edit 16, CNCE 18882, Universal STC, no. 829357, F. Grimaldi, Sebastiano Martellini tipografo maceratese, in: &ldquo,Studi Maceratesi&rdquo,, 22, 1989, p. 414.

      [Bookseller: Libreria Govi Alberto]
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        Summa Azonis locuples iuris civilis thesaurus. Hactenus depravatissima nunc autem summa side emendata ac exquisito studio suo pristino nitori recèns restituta. Quibus accedunt quarundam veterum apostillarum & additionum castigationes nec non quaedam annotatiunculae marginales à D. Henrico Draesio.. Accessere insuper eiusdem Azonis Quaestiones quae Brocardicae appellantur .. Cum rerum ac verborum toto opere memorabilium gemino indice)..

      Sub Signo Angeli Raphaelis, 1581. in - 4 2 parti in 1 tomo Marca tipografica raffigurante Angelo che conduce per mano Tobiolo che porta un pesce. Cane sulla sinistra della vignetta. Capilettera ornati testo su due colonne. La Summa è a cura di Martino da Fano e Pardoux Duprat i cui nomi figurano nel verso del relativo frontespizio.Titolo della parte II - Aurea brocardica.

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Opus Merlini Cocaii poetae Mantuani Macaronicorum

      Apud Horatium de Gobbis, 1581. - Apud Horatium de Gobbis, Venetiis (Venise) 1581, in - 12 (8x15xm), 541pp., relié. - Nuova edizione, dopo la prima collettiva pubblicata a Venezia nel 1564 Illustrato con titolo di 27 vignette su legno. Contiene Zanitolla, 25 chili di Baldus, il Moscheide (della battaglia vola contro le formiche) epistolarum.Plein tempo pergamena morbida. Smooth indietro. titolo etichetta tardi. Un foro nella coda. Pagina del titolo e il margine p.7 restaurati con carta antica. Tre wormholes, la pagina di titolo al genere p.70.Le Macaronic creato dall'autore stesso è una poesia burlesca non scritta in latino imprevedibile, ma in un basso latino, latino di gergo dialettale miscelazione di Mantova e italiana. La pseudonimo dell'autore significa Merlin cuoco, e macaronicorum sono maccheroni. Questo monaco spretato racconta la storia di Baldus e le sue avventure nomadi. L'episodio del gigante Sunder e ingannevole Cingar, probabilmente servito come ispirazione per François Rabelais, che si basa in modo significativo sulla vita dei meno Folengo e il suo stile burlesque, praticando l'enumerazione e l'eccessiva presa in giro diffusa. Folengo morì nel 1544 opere di Folengo è uno dei più originali delle creazioni italiane letteratura rinascimentale. - [FRENCH VERSION FOLLOWS] Nouvelle édition, après la première collective parue à Venise en 1564. Illustrée de 27 vignettes de titre sur bois. Elle contient Zanitolla, les 25 livres de Baldus, la Moscheide (sur la bataille des mouches contre les fourmis), epistolarum. Reliure en plein vélin souple d'époque. Dos lisse. etiquette de titre postérieure. Un trou en queue. Page de titre et p.7 restaurés en marge avec du papier ancien. Trois trous de vers, de la page de titre jusqu'à la p.70. Le genre macaronique créé par l'auteur lui - même est une poésie burlesque et fantasque écrite non pas en latin, mais dans un bas latin, un latin d'argot mêlant le patois de Mantoue et l'italien. Le pseudonyme de l'auteur signifie Merlin le cuisinier, et les macaronicorum sont un plat de macaroni. Ce moine défroqué nous conte l'histoire de Baldus et ses aventures nomades. L'épisode du géant Fracasse et du fourbe Cingar, a probablement servi de source d'inspiration à François Rabelais, qui s'est notablement inspiré de la vie du moins Folengo et de son style burlesque, pratiquant l'énumération à outrance et la raillerie généralisée. Folengo est mort en 1544. Les oeuvres de Folengo constitue une des créations les plus originales de la littérature italienne de la Renaissance.

      [Bookseller: Librairie Le Feu Follet]
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        Les vrais pourtraits des hommes illustres en pieté et doctrine, du travail desquels Dieu s'est servi en ces derniers temps, pour remettre sus la vraye religion en divers pays de la Chestienté. Avec les descriptions de leur vie et de leurs faits plus memorables Plus, quaratequatre emblems chrestiens. Traduicts du latin de Théodore de Bèze.

      Jean de Laon, 1581. 4to (mm 201x145), late 19th - century green morocco, gilt inside dentelles, gilt edges (Niedrée), (8), 284, (4) pp. With 49 full - page woodcut portraits and XLIII woodcut emblems. Section titles, portraits and emblems within ornamental borders. With pastedown and note (1918) by Theo Koerper. A very good copy.RARE FIRST FRENCH EDITION containing 12 additional portraits compared to the first Latin edition printed by de Laon in the same year (Icones, id est verae imagines virorum doctrina simul et pietate illustrium). The text was translated into French by Simon Goulard (1543 - 1628), pastor in St. Jervais, presbyter, and Bèze's successor as moderator in the Venerable Company of the Pastors.The work is dedicated to the young King James VI of Scotland, in whom Bèze celebrates the chief of a new protestant nation. In the dedication Bèze mentions his friends G. Buchanan and P. Young, who were James' tutors, and other English and Scottish figures who had moved to Geneva, like Ch. Goodmann, J. Knox, H. Scrimger, and A. Melville. Finally he explains that his work was conceived as a complement of Jean Crespin's Histoire des martyrs (1554). The Icones (or Vrais pourtraits) is an extremely innovative work, which can be read both as a protestant martyrologium and an emblem books, but it is much more then that. The first part, containing the portraits of martyrs and other personalities, is divided into eleven geographical areas and, within each area, the names are arranged in alphabetical order. The structure works like a memory theater that helps to memorize the exemplar lives of the characters described. The choice is very personal insofar it includes catholic names as Francis I and Erasmus and even eretical personalities such as Michel de l'Hôpital. Also the exclusion of the Fathers of the Church is quite striking. The second part is a collection of emblems relating to Protestantism.&ldquo,This is a work in which word and image interrelate in what are innovative ways&hellip, In Icones, both the first part of the book (that properly constitutes the Icones itself) and the (appended or, as I argue, commenting and concluding) collection of emblems, demonstate the characteristics of what I have called extrusion: the self - designation of one or more elements, and the singling - out, by one part of the text, of another section. Rather than work to create a smooth surface in which word and image can slide together to form a hieroglyph, then, Icones acts in two ways. First, it is at times a text that competes with itself: word and mage struggle within it for primacy and do not always act in lockstep to produce meaning. The competition mirrors the relationship between Bèze's words and the words of the martyrs. Secondly, parts of the text create a mirror - effect, reflecting in their structure certain portions of the earlier text. The concluding emblems can indeed be seen as metatext&hellip, The speaking body will not be recuperated, as in Crespin, by the compilation of textual fragments. Rather than quote or memorialize through citation, Bèze hopes to create a dynamic verbal and visual theater through the emblematic body. The words of the martys will speak through the interpretation and careful reading of Bèze tripartite text&hellip, The Jesuits accused Bèze of himself practicing the very idolatry he condemns. Yet Bèze does not conceive of his Icones as idols&hellip, De Bèze includes woodcuts combined with tales of the martyrs to cause word and image to conjoin to produce a presence with whom he may converse&rdquo, (C. Randall Coats, Memorilizing the Martyr: Word, Image, and the Emblematic Body in Théodore de Bèze's &lsquo,Icones', in: &ldquo,(Em)bodying the Word. Textual Resurrections in the Martyrological Narratives of Foxe, Crespin, de Bèze and d'Aubigné&rdquo,, New York, 1992, pp. 85 - 115). Théodore de Bèze was born in Vézelay in Burgundy. His formal education began in 1528, when he, scarcely nine years old, was sent to Orléans to study under the German scholar Melchior Volmar (1497 - 1561). Under his tutelage Bèze was introduced to Latin, Greek, and other subjects proper to a humanistic education, including law. More importantly, Volmar taught Bèze to read the Scriptures from a new perspective, and to look on certain Catholic doctrines and institutions with a critical eye. When in 1530 Margaret of Angoulème, sister of François I, invited Volmar to join her court at Bourges, Bèze followed him. Here, in the house of his teacher, Bèze first met Jean Calvin, with whose life he would later eventually be inextricably bound. After the Affair of the Placards on October 18, 1534, which turned the tide of public opinion against Protestantism, Bèze's life dramatically changed. Volmar returned to Germany and Bèze was sent by his father to study law in Orléans. He obtained his license in law in 1539, at which time he departed for Paris where life and career were already being prepared for him. Almost immediately after the publication of the Poemata (1548), a severe ill struck Bèze down. Scarcely had he gained the strength to walk again when he fled Paris and made his way to Geneva, where he arrived in late October, 1548. He was received by Calvin, who had met him already in Volmar's house. At this time Bèze was involved in the controversy following the burning of Michael Servetus at Geneva on October 27, 1553. In defence of Calvin and the Genevan magistrates, Bèze published in 1554 the work De haereticis a civili magistratu puniendis. In 1558 Bèze was given the chair of Greek in the newly established academy of Geneva, and after Calvin's death also that of theology. He was also obliged to preach. He completed the revision of Pierre Olivetan's translation of the New Testament, begun some years before. More important than his polemical activities was Beza's statement of his own confession. It was originally prepared for his father in justification of his actions and published in revised form to promote Evangelical knowledge among Beza's countrymen. It was printed in Latin in 1560 with a dedication to his teacher Volmar. The death of Calvin occurred on May 27, 1564. As a matter of course Bèze became his successor. Until 1580 Bèze was not only moderateur de la compagnie des pasteurs, but also the real soul of the great institution of learning at Geneva which Calvin had founded in 1559, consisting of a gymnasium and an academy. As long as he lived, Bèze was interested in higher education. As Calvin's successor, Bèze was very successful, not only in carrying on his work but also in giving peace to the Church at Geneva. After the St. Bartholomew's Day Massacre (1572), he used his influence to give to the refugees a hospitable reception at Geneva. In 1574 he wrote his De jure magistratuum, in which he emphatically protested against tyranny in religious matters, and affirmed that it is legitimate for a people to oppose an unworthy magistracy in a practical manner and if necessary to use weapons and depose them. In the following years he participated to all the important synods and colloquies, but then his activity was confined more and more to the affairs of his home. He was active in teaching until January 1597. He died in Geneva in 1605. (cf. A. Dufour, Théodore de Bèze, poète et théologien, Genève, 2006, passim, and Thédore de Bèze (1519 - 1605), Actes du Colloque de Genève, Septembre 2005, publiés par l'Institut d'histoire de la Réformation, Travaux d'Humanisme et Renaissance, no. CDXXIV, I. Backus, ed., Genève, 2007, passim). F. Gardy A. Dufour, Bibliographie des oeuvres théologiques, littéraires, historiques et juridiques de Théodore de Bèze, Genève, 1960, 340, Index Aureliensis, 118.752, Adams, B - 921, P. Chaix, A. Dufour G. Moeckli, Les livres imprimés à Genève de 1550 à 1600, Genève, 1966, p. 100, T. de Bèze, Les vrais poutraits des homes illustres, A. Dufour, ed., Genève, 1986, passim.

      [Bookseller: Libreria Govi Alberto]
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        Asia secunda pars terrae in forma Pegasir

      1581. La mappa di Bunting è una delle prime rappresentazioni cartografiche dell'Asia nella forma del mitico cavallo alato, Pegaso. Il cavallo è disegnato abbastanza realisticamente, con una buona dose di immaginazione necessaria per visualizzare la mappa. La testa rappresenta l'Asia Minore con la bocca formata da Istanbul. Le ali contengono Asia centrale e Siberia. Il Mar Caspio appare orizzontalmente tra le ali e la sella. La Persia è delineato sul DORSO?? del cavallo, mentre le zampe anteriori formano l'Arabia. Le zampe posteriori rappresentano l'India e la Malesia. Secondo la mitologia greca, Pegaso, figlio di Poseidone e di Medusa, domato da Atena, divenne il cavallo delle Muse. E' indubbiamente curioso che un'immagine di origine pagana sia stata utilizzata in un'opera sulla Terra Santa. L'Itinerarium Sacrae Scriptura è stato pubblicato per la prima volta nel 1581 e quindi ristampata in dieci edizioni diverse. Xilografia, finemente colorata a mano, restauri perfettamente eseguiti ai laiti, nel complesso in buono sttao di conservazione. "Bunting's map of Asia in the shape of the mythical winged horse Pegasus is among the earliest cartographic. The horse is drawn fairly realistically, with a good deal of imagination required to view the map. The head represents Asia Minor with the mouth at Istanbul. The wings portray Central Asia and Siberia. The Caspian Sea appears horizontally between the wings and the saddle. Persia is delineated on the horse blanket with the forelegs forming Arabia. The hind legs represent the Indian and Malay peninsulas. The winged horse of Greek mythology is the son of Poseidon and Medusa, was tamed by Athena and became the horse of the Muses. This obviously pagan origin of the image makes its appearance in a Holy Land travel book a bit of a mystery. A very famous, rare and curious cartographic representation of Europe from Bunting's Itinerarium Sacrae Scriptura. For this map Bunting chose a design originated by Joannes Bucius in 1537. Europe is here in a shape of woman wearing a crown of Spain, France and Germany form the neck and bust, Bohemia the heart, Italy the left arm holding an orb (Sicily) and Denmark the right arm holding a scepter with Britain as the flag. The remainder of the figure is a flowing robe with Greece and Russia at the feet. It seems to personify a Spanish domination of Europe under the reign of Philip II. The representation has also identified as Mother Church and a tie in with the mythical princes Europa who was raped by Zeus. The earliest depiction of Europe as a woman is believed to be by the 14th Century Pavian Cleric Opicinus de Canistris for the papal court, then at Avignon. The woman represents the Mother Church, who is being seduced from the true path. In 1537 the Tirolese cartographer Johann Putsch celebrated the Hapsburg rule over Europe by presenting a placid ""Europa Regina"" wearing Charles V's Spain as a crown and Ferdinand's Austria as a medal at her waist, representing the triumph of the Hapsburgs. Later editions of Europe as a queen were issued by Sebastian Münster, Heinrich Bunting, and Matthias Quad. The Itinerarium Sacrae Scriptura was published for the first time in 1581 and aftewards re - issued in ten different editions. Fine later hand colouring, perfectly executed repairs at the left and right margins, otherwise good conditions. Advertising" Magdeburg Magdeburg 360 245

      [Bookseller: Libreria Antiquarius]
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        Plauti Comoediae viginti variae lectiones ac notae, ex D. Lambini aliorumque doctissimorum virorum commentarijs, suo quaeque loco adscriptae

      Apud Antonium Griphium 1581 8vo (cm. 17,6), 813 pp. 1 c.nn. (bianca). Legatura d’origine strettamente coeva in piena pergamena con titolo ms. su tassello cartaceo. Tracce di legacci, alcune lievi macchie e ds. leggermente scurito. Elenco delle commedie manoscritto con grafia cinquecentesca su una carta bianca iniziale. Interni ottimi, anche se con pallida ingiallitura della carta e con qualche lieve alone. Ex libris nobiliare al contropiatto. Nel complesso bell’esemplare di questa edizione stimata soprattutto per il commento del Lambino. Graesse, V, p. 328.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        Prontuario de le medaglie de più illustri, & famosi huomini & donne, dal principio del Mondo infino al presente tempo, con le lor vite in compendio raccolte. Parte prima (e Parte seconda)

      appresso Guglielmo Rouillio 1581(ma 1577 - 1578) 8vo (cm. 23,9), 172 pp., 2 cc.nn.; 315(9) pp. Primo frontis. entro bella cornice xilografica. Fregi e grandi capilettera fig. Num.me medaglie in xilografia n.t. Modesta legatura antica in mz. pergamena con nervi ed angoli. Frontis. con strappetti marginali. Prime carte usurate agli angoli e al margine esterno. Lieve brunitura della carta, aloni marginali. Sul primo frontis.una etichetta cartacea con la data 1581 copre la scritta 1577 (probabile intervento dell’editore per rimettere in vendita l’invenduto a distanza di qualche anno). Seconda rara edizione.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        Bréviaire Grimani de la Bibliothèque de S Marco à Venise: Reproduction Photographique Complète

      A spectacular custom-bound set comprised of a 164 pp. companion text volume, containing scholarly writings on the history of the manuscript, provenance, a codicological description, information on the miniatures and marginal decorations, and flora and fauna as used in the ornamentation, with extensive notes including bibliographic information; followed by 9 volumes containing a full facsimile of the codex in 1581 full-page plates reproducing each page of the manuscript, including 300 in brilliant colors. Altogether 10 vols. Sm. folio. Extremely fine 3/4 leather with gilt-decorated raised spines, stamped and painted decoration of the Lion of St. Mark's to front covers, newer bindings, decorative marbled endpapers. Leyde/Amsterdam (A.W. Sijthoff/Scheltema & Holkema's Boekhandel) 1904-1910.

      [Bookseller: F.A. Bernett Books]
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        Flavii Josephi, des Hochberühmten Jüdischen Geschichtschreibers, Historien und Bücher: Von alten jüdischen Geschichten, zwentzig, sambt eynem von seinem Leben: Vom jüdischen Krieg, und der Statt Jerusalem, und des gantzen Lands zerstörung, siben: Von der Juden altenm herkommen wider Apionem Gramaticum, zwey: Von Meysterschafft der Vernunfft, und der Machabeer Marter, eyns. Alles aus dem Griechischen Exemplar, samt aller Bücher und Capitel Summarischer Inhalt, mit höchstem fleiß von newem verteutscht und zugerichtet, darzu mit Bibliscvhen Concordantzen, Jarrechnung, ordentlichem Register, und schönen Figuren, deßgleichen vorhin in Druck nie außgangen, gezieret. Mit Römischer Keys. Maiestat und Churfürstlicher zu Sachsen, Gnad und Freiheyt? R

      - Strasbourg, Rihel, 1581; 2 ouvrages reliés en un volume in-folio, 6 ff.n.ch. (y comprise la page de titre) + 524 pp. + 20 ff.n.ch. + 6 ff.n.ch. (y comprise la page de titre) + 188 ff. + 6 ff.n.ch. (le dernier blanc), peau de truie sur ais de bois de l'époque, dos à nerfs, plats bisautés décorés d'estampages à froid, étiquette de titre manuscrite au dos, fermoirs (coins émoussés, petits défauts). Ritter 1280 et 1115. Retirage, pour les deux titres, des éditions publiées par Rihel en 1574, reprenant les mêmes illustrations. I : Titre imprimé en rouge et noir, avec un bel encadrement gravé sur bois, et 111 gravures sur bois (11 x 15 cm environ) d'après Tobias Stimmer par Chr. Stimmer et Ch. von Sichem. II. Titre imprimé en rouge et noir, avec un bel encadrement gravé sur bois, et 21 gravures sur bois (11 x 15 cm environ). Cachet de bibliothèque conventuelle sur la première page de titre. Quelques rousseurs, petits défauts du temps, mais agréable exemplaire, dans sa première reliure. 1581 [Attributes: Hard Cover]

      [Bookseller: Librairie de l'Amateur]
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        Imagines deorum, qui ab antiquis colebantur: in quibus simulacra, ritus, caerimoniae, magnaque ex parte veterum religio explicatur. Mit Holzschnitt-Druckermarke auf dem Titel, Holzschnitt-Porträt in Renaissance-Rahmen und 89 großen Textholzschnitten.

      G. Julliéron für É. Michel . -, Lyon 1581 - Neuer Pergamentband auf 4 Bünden. 4to. 4 Bll., 359 S., 28 Bll. - Erste lateinische Ausgabe des klassischen Handbuchs, übersetzt und hrsg. von Antoine du Verdier. Einer von zwei gleichzeitig erschienen Drucken, hier diejenige für den Verleger Étienne Michel mit dessen Druckermarke auf dem Titel. Weit verbreitetes und wohl populärstes ikonographisches Werk zur antiken Mythologie, erstmals 1556 in italienischer Sprache erschienen. Es bildet die erste enzyklopädische Zusammenfassung dieser Art und war eine der wichtigsten Quellen der Künstler der Renaissance und des Barock (vgl. Arntzen/Rainwater H 35). Die schönen, nahezu blattgroßen Holzschnitte sind freie Nachschnitte der bekannten Radierungen von Bolognino Zaltieri zur Ausgabe Venedig 1571. Das Porträt zeigt den Übersetzer A. du Verdier. - Tls. etw. gebräunt und gering fleckig, ob. Ecke zu Beginn etw. wasserrandig. Exlibris.Index Aurel. 132.724. - Adams C 785. - Baudrier IV, 139. - Mortimer 129. - Praz S. 298. 1000 g. [Attributes: First Edition]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
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        De miraculis occultis naturae Libri IIII. Item de vita cum animi et corporis incolumitate recte instituenda...

      Apud Theodorum Baumium sub signo Arboris 1581 8vo (cm. 15,4), 8 cc.nn., 625 pp., 45 pp.nn. Bella legatura settecentesca con ds. interamente decorato in oro e cornici dorate ai piatti. Minimi segni di usura agli angoli e ad una cerniera. Tagli rossi. Rara edizione sconosciuta al Caillet. Dorbon, p. 70, cita solo unâ??edizione successiva (1583) con stesso luogo e stampatore. Ferguson II, p. 23, non menziona la nostra edizione ma annota che la prima in quattro libri fu pubblicata ad Anversa nel 1564. Opera rara.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
 14.   Check availability:     maremagnum.com     Link/Print  


        L'HISTOIRE DU MONDE DE C.PLINE SECOND - EN DEUX TOMES - TOMES 1 + 2 .

      PAR CHARLES PESNOT 1581 - R300113700: XXXI + 678 pages + environ 100 pages "table des noms et matieres contenues au premier tome de l'histoire de C.Pline second avec une autre table des pois et mesures" + 745 pages + environ 100 pages "table des noms et matieres contenues au second tome de l'histoire de C.Pline second avec une autre table des pois et mesures" - titre et tomaison dorés sur piéce de titre - quelques bandeaux et lettrines en noir et blanc - ouvrages en bon état - 7 photos disponibles. Le tout mis en françois par Antoine Du Pinet - Collationnée et corrigée sur plusieurs vieux exemplaires Latins, tant imprimez qu'écrites à la main & enrichie d'annotations en marge servans à la conference & declaration des anciens et modernes noms des villes regions simples et autres lieux et termes obscurs comprins en icelle a quoy a esté adisouté un traité des poix et mesures antiques reduittes à la façon des François avec deux tables l'une fort ample des noms & matières contenues en cette histoire l'autre servant au susdict traité des poix et mesures - NOTA : Pline l'Ancien né en 23 ap. J.-C. à Novum Comum dans le nord de l'Italie et mort en 79, à Stabies près de Pompéi, lors de l'éruption du Vésuve, est un écrivain et naturaliste romain du ier siècle, auteur d'une monumentale encyclopédie intitulée Histoire naturelle (vers 77). In-Folio Relié demi-cuir. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 840.03-XVI ème siècle [Attributes: Hard Cover]

      [Bookseller: Le-Livre]
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        Ein new Kochbuch .]. Mit 142 Textholzschnitten (st. 149; tls. wdh.) von Jost Amman, Virgil Solis, Hans Weiditz, dem Petrarcameister u. a. sowie 1 großen Druckermarke am Schluß.

      Joh. Feyerabend für Rumpolt und S. Feyerabend . -, Frankfurt 1581 - Neuer HLdr. Folio. 37 (st. 41) num. Bll., 177 (st. 200) röm. num. Bll. Erste Ausgabe des ersten großen illustrierten Kochbuches, verfaßt von dem aus Ungarn stammenden "Churf. Meintzischen Mundtkoch" Marx Rumpolt, der an vielen herrschaftlichen Höfen Europas als Koch tätig war. - "Dieses monumentale Werk stellt mit einem Schlag alles bis dahin Erschienene auf diesem Gebiet in den Schatten. Kein anderes Land konnte sich rühmen, auch nur annähernd etwas Gleichwertiges herausgebracht zu haben" (Schraemli). - "Das Werk ist zusammen mit der Küchenmeisterei wohl das berühmteste und gesuchteste Kochbuch" (Weiss). - Fehlen das Titelbl. und die Vorstücke (6 nn. Bll.), die num. Bll. 21-24, die röm. num. Bll. 10 und 179-200 sowie das letzte Registerbl. mit der Druckermarke. Bis auf die Bll. 21-24 sind alle fehlenden Bll. in guten Faksimiles eingebunden. - Stellenw. leicht gebräunt und etw. fleckig, vereinz. restaur. Randschäden.VD 16, ZV 13440. - Weiss 3284. - Vicaire Sp. 762. - Schoene 5671. - Schraemli (Sotheby's) 430. - Becker, Amman 32a. - Nicht im BM STC, bei Adams, Simon und Oberlé. First edition of this famous cookery book. With 142 (of 149) woodcuts in text by Jost Amman, Virgil Solis, the Petrarca-master and others. New half calf. Carefully restored copy: Lacking title and preliminary leaves, lvs. numb. 21-24, the roman numb. lvs. 10 and 179-200 and last index leaf with device. Despite lvs. 21-24 all replaced in good fac-similes. - Partly some staining and browining, few leaves with restored marginal defects. 1700 g. [Attributes: Hard Cover]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
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        Le plaisant ieu du dodechedron de Fortune, non moins recreatif, que subtil & ingenieux. Renouvellé & changé de sa premiere edition

      par Iean Huguetan 1581 8vo (cm. 16), 20 cc.nn., CXLIIII pp. con due tabelle stampate in rosso e nero più volte rip. f.t. Frontis. entro cornice xilografica con graziosa vignetta. Testo riquadrato. Due ill.ni e fregi n.t. Legatura â??600 in piena pelle con nervi, ricchi fregi e titolo (poco leggibile) impresso in oro al ds. Tagli rossi. Tracce dâ??uso e piccolo restauro alla cuffia superiore. Ottimo esemplare. Rarissima edizione. Il dodecaedro nella vita sociale e cortigiana del Rinascimento era utilizzato come â??dado della sorteâ?? e conduceva lâ??interrogante fino alla risposta al suo quesito che egli aveva facoltà di porre secondo uno schema prefissato in sedici domande. Questo gioco di società era stato descritto nel particolare dal poeta medievale Jean de Meung (1240 - 1305): in questa sua opera in versi, sulle facce del dodecaedro - che aveva forma di ditale - erano rappresentati i dodici segni zodiacali. Br. Libr., p. 312.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        L. Annaei Senecae philosophi stoicorum omnium acutissimi, Opera quae extant omnia... Vincencii Pralli H. opera et studio, innumeris in loci emendata ac restituta...

      apud Iacobum du Puys 1581 Folio (cm. 35,7), 12 cc.nn., 728 pp., 19 cc.nn. Grande marca tipografica al frontis. Legatura â??700 in mz. pergamena con titolo ms. al ds. (leggermente allentata e con tracce di usura, soprattutto agli angoli). Firma di appartenza cancellata al frontis. Qualche carta ingiallita. Un pallido alone al margine inferiore delle ultime sessanta carte. Nel complesso buon esemplare. Non in Adams né in Br.Libr.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        Gesamtansicht aus der Vogelschau ('Dordrecht.').

      - altkolorierter Kupferstich v. Braun & Hogenberg aus Civitates Orbis Terrarum, Liber Tertius ., 1581, 33,5 x 46,5

      [Bookseller: Antiquariat Norbert Haas]
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        <b>FIRENZUOLA Agnolo<b> I lucidi Florence 1552 Bound with<b>DOLCE Lodovico<b> Il ragazzo Venice Francesco detto lo Imperador 1559 And <b>PINO DA CAGLI Bernardino<b> Gli ingiusti sdgeni Venice Domenico Farri 1563 And SECCHI Nicolo Linteresse comedia nuovamente posta in luce Venice Francesco Ziletti

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Croniche de gli ordini instituiti dal PS Francesco che contengono la sua vita la sua morte i suoi miracoli e din tutti i suoi sancti discepoli and compagni Parma nella stamperia di Erasmo Viotti

      

      [Bookseller: Maggs Bros. Ltd. ]
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        A DIALOGUE BETWEENE EXPERIENCE AND A COURTIER, OF THE MISERABLE STATE OF THE WORLDE

      London: Thomas Purfoote, 1581. n. Originally published in 1554 and commonly referred to as simply "The Monarche," this didactic poem played an important role in the Protestant Reformation in Scotland. Lindsay here criticizes various doctrines and practices of the Catholic Church including the concept of purgatory, the popular custom of pilgrimages to venerate saints, and even the papacy itself. Longman (quoting Heron's "History of Scotland") notes that "this poem probably contributed in an eminent manner to inflame that spirit of religious reformation, by which the Papal establishment was within no long time after overthrown." Indeed, in the years and centuries following the author's death, this particular work became the subject of increasing interest and popularity as the reform movement in Scotland picked up serious momentum and created real change, with reforms adopted by Parliment as early as 1560. This publication includes four other poems by Lindsay that echo this same spirit; while none of them matches the length and ambition of "The Monarche," many of them anticipate its strongly reformist overtones by emphasizing the responsibilities (and sometimes the abuses) of both the ruling powers and the clergy. A firm believer in the power of the vernacular, Lindsay originally composed this work in the "Scottish tung," praising the language's "utility in making important matters accessible to the populace as a whole and not just a narrow educated élite." (DNB) Despite his populist leanings, Sir David Lindsay (ca. 1486-1555) remained largely in the favor of the Scottish Court, first under James the V and then under the Earl of Arras, regent to the infant Mary I. As a writer, Lindsay enjoyed popularity and respect in his own time, but his contributions have been somewhat overlooked by modern historians. Fortunately, as the DNB notes, "recent criticism . . . suggests that [he] may again be coming to receive due recognition as a gifted artist as well as one of the most popular and eloquent voices of the Scottish Reformation." Early editions of this work are extremely rare.. 188 x 144 mm. (7 1/2 x 5 5/8"). 4 p.l., 140 (i.e. 148) leaves. Attractive 19th century black crushed morocco by Riviere and Son (stamp-signed in gilt on front turn-in), covers with panels framed by blind and gilt rules, gilt trefoil tool and anular dot at each corner, raised bands, spine in gilt-ruled compartments with trefoil centerpiece, gilt titling, gilt-ruled turn-ins, all edges gilt. Title within ornamental border, small decorative woodcut initials. Printed in black letter type. Front pastedown with bookplate of Robert S. Pirie; front free endpaper with armorial bookplate of Sir Richard Newdigate dated 1709; a few pages with ink annotations in a contemporary hand. STC 15678; See also: Longman "Bibliotheca Anglo-poetica," pp. 190-2. Corners slightly rubbed, top margin trimmed a bit close, occasionally touching running title, leaves just a shade less than bright, a few spots of foxing and soiling, otherwise an excellent copy--with few signs of use--of a book expected to be found in poor condition. Originally published in 1554 and commonly referred to as simply "The Monarche," this didactic poem played an important role in the Protestant Reformation in Scotland. Lindsay here criticizes various doctrines and practices of the Catholic Church including the concept of purgatory, the popular custom of pilgrimages to venerate saints, and even the papacy itself. Longman (quoting Heron's "History of Scotland") notes that "this poem probably contributed in an eminent manner to inflame that spirit of religious reformation, by which the Papal establishment was within no long time after overthrown." Indeed, in the years and centuries following the author's death, this particular work became the subject of increasing interest and popularity as the reform movement in Scotland picked up serious momentum and created real change, with reforms adopted by Parliment as early as 1560. This publication includes four other poems by Lindsay that echo this same spirit; while none of them matches the length and ambition of "The Monarche," many of them anticipate its strongly reformist overtones by emphasizing the responsibilities (and sometimes the abuses) of both the ruling powers and the clergy. A firm believer in the power of the vernacular, Lindsay originally composed this work in the "Scottish tung," praising the language's "utility in making important matters accessible to the populace as a whole and not just a narrow educated élite." (DNB) Despite his populist leanings, Sir David Lindsay (ca. 1486-1555) remained largely in the favor of the Scottish Court, first under James the V and then under the Earl of Arras, regent to the infant Mary I. As a writer, Lindsay enjoyed popularity and respect in his own time, but his contributions have been somewhat overlooked by modern historians. Fortunately, as the DNB notes, "recent criticism . . . suggests that [he] may again be coming to receive due recognition as a gifted artist as well as one of the most popular and eloquent voices of the Scottish Reformation." Early editions of this work are extremely rare.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Riga die hauptt Statt in Lyfflantt".

      Köln 1581. - Bildausschnitt ca. 16,5 x 41 cm. Vgl. Nebehay-W. 108. Dekorative Gesamtansicht der Hansestadt Riga.- Mittelfalz geglättet. Leicht gebräunt. Deutscher Text auf der Rückseite. Oberhalb der Darstellung schmales Rändchen angesetzt. Graphik - Ansichten LETTLAND

      [Bookseller: Antiquariat MEINDL & SULZMANN OG]
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        Dialogo della musica antica, et della moderna

      Florence: Giorgio Marescotti,, 1581. Folio (328 x 215 mm). Contemporary limp vellum. Housed in a brown quarter morocco solander box with chemise made by the Chelsea Bindery. Title within a fine allegorical woodcut border, two engraved examples of musical notation, five illustrations of musical instruments, two full page; one pasted-in woodcut diagram, numerous woodcut text diagrams, some full-page, and woodcut printer's device at colophon. Old ownership inscription on front free endpaper crossed through. Spine with short splits over the cords, top corners worn, missing the original ties. One deletion in ink to two lines on page 70, and the odd marginal note in a contemporary hand. Occasional light spotting, pale damp mark to the upper margin of the first few leaves, and to the lower outer corner, the odd stain, but a beautiful copy, preserved in a custom-made, chemise and morocco backed box. First edition, first issue of Vincenzo Galilei's main work, very scarce on the market. "Vincenzo Galilei, father of Galileo Galilei, the astronomer who disenchanted the universe, was among the first to cut the ancient monochord in a series of experiments conducted in the 1580s, by subjecting instrumental sound to the instrumental reason of empirical science. Indeed, Stillman Drake suggests that Galilei's experiments with sound 'may have led to the origin of experimental physics', inspiring his son to interrogate the world to verify the laws of nature as empirical fact. Galilei wanted to 'demonstrate real things', he said, in the spirit of Aristotle and not the numerical abstractions of Pythagorean mysticism. He collapsed music into 'reality' as an audible fact divorced from celestial values. Galilei in these experiments exercised an instrumental reality in two ways. First, he objectified music as a neutralised matter for experimentation. Numbers were not sonorous in themselves, he claimed, but had to be 'applied to some sonorous body'. Music does not exist as some perfect numerological system out there in the celestial realms as Pythagoras and indeed Galilei's teacher, Zarlino, believed; rather sounds are emitted from bodies whose different components colour the aural perception of their harmonic ratios. Why believe in the ancient ratio 2:1, for example, if, as Galilei demonstrates, the diapason can variously be obtained between strings whose length is in duple proportion, or weights in quadruple proportion? Empirical reality simply did not match up with the ancient integers that were to organise the universe Â… Secondly, having demythologised music with an empirical rationality, he subjects it with an instrumental efficiency that re-tunes music for modern ears. If, as his experiments proved, sounds were necessarily imperfect and unrelated to simple numbers, then there was no reason why the irrational tuning of Aristoxenus, that is equal temperament, should not be imposed upon music played on or accompanied by instruments. Indeed, the chromatic and enharmonic nature of modern music demanded it, and just to underline the point, Galilei composes 'a song' which if sung with perfect intonation would be out of tune with reality: the chromatic and enharmonic clashes of modern harmony can only be eradicated if played on instruments tuned to equal temperament" (Daniel K.L. Chua, Absolute Music and the Construction of Meaning pp. 18-19). "We may recognize in Vincenzo Galilei's insistence both on the complexity and on the discoverable regularities of auditory experience something of Galileo's approach to natural science, and certainly a family likeness in the polemical aggressiveness to be made famous by his son. Vincenzo was skilled lutenist, a mathematician, and musical preceptor to the Florentine musical Academy of the Camerata. Among the manuscripts inherited by Galileo he left a translation of Aristoxenus into Italian, and he explicitly followed the example of Aristoxenus in trying to build musical science up from auditory sensation, instead of imposing on it a rigid mathematical scheme in the style of the Platonists. One of his discoveries, described in his last published work and last manuscripts, was that the traditional ratio 2 : 1, said to have been shown by Pythagoras to produce the octave, did so only with lengths of strings in that ratio: for the tension of strings the octave ratio was 4 : 1. His ratio for organ pipes was less happy. He poured scorn on the universal harmonies attributed to nature by the Platonists. Even when we knew the mathematical ratios, he pointed out that we could not always determine the quality of our sensations. This was an observation to be developed by Descartes in distinguishing within the 'perfection' or 'douceur' of consonances between objective mathematical simplicity and subjective pleasure, between 'ce qui les rend plus simple et accordantes, et ce qui les rend plus agréables à l'oreille'. It was precisely when Vincenzo was doing this work that Galileo made his retreat from Pisa in 1585 and lived mainly in his father's house in Florence, before returning to Pisa as lecturer in mathematics in 1589. He reported what were evidently Vincenzo's results in his Discourses on Two New Sciences (1638), before giving his own proof that the musical intervals were ratios of frequencies and his own physical explanation of resonance, consonance, and dissonance" (A.C. Crombie, Science, Optics and Music in Medieval and Early Modern Thought pp. 367-368).

      [Bookseller: Peter Harrington]
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        1581 1st ed New Testament Holy BIBLE Pietro Bonino Latin Venice WOODCUTS Vellum

      Venetiis : Apud Altobellum Salicatium, 1581. - 1581 1st ed New Testament Holy BIBLE Pietro Bonino Latin Venice WOODCUTS Vellum Extremely Rare Printing with None Selling Worldwide We find no other examples of this very rare printing for sale worldwide Main author: Bible, Pietro Bonino; Title: Novum Iesu Christi Testamentum : quod sancta quattuor Evangelia, Acta Apostolorum, Epistolas S. Pauli, et reliquas Septem Catholicas, et Apocalypsin complectitur : ad vetustissima exemplaria castigatum et Romae revisum. Published: Venetiis : Apud Altobellum Salicatium, 1581. Language: Latin Notes & contents: &#149; 1st edition &#149; Printer&#146;s key on title page &#149; Vellum FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure vellum binding Pages: complete with all 291 pages; plus indexes, prefaces, and such Publisher: Venetiis : Apud Altobellum Salicatium, 1581. Size: ~4.5in X 3in (11.5cm x 8cm) Photos available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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        Titelblatt mit Allegorien der vier Temperamente und der vier Elemente zu \"Sieben Planeten, denen die sieben Lebensalter des Menschen entsprechen\" (Septem Planetae. Septe hominis aetatibus repondentes fcilicet […], erschienen bei Gerard de Jode. Kupferstich in der Platte datiert und bezeichnet \"Gerardus de Jode excu.\" mit der Schrift und der Einfassungslinie.

       1581. Prachtvoller Druck, partiell mit winzigem Rändchen um die Einfassungslinie, teils an diese geschnitten. Auf feinem Bütten. 29 x 21,1 cm (Darstellung). In einem ornamental eingefassten Oval in der Mitte findet sich der Titel \"Septem Planetae. Septe hominis aetatibus repondentes fcilicet. 1. Infantiae, 2. Pueritae, 3. Adolescentia, 4. Ivventvti, 5. Virili Aetati, 6. Senili Aetati, 7. Senectae et Decrepitae\". In den Ecken die vier Temperamente als weibliche Figuren dargestellt. Mittig zwischen diesen sind zwei Rollwerkkartuschen und zwei Kartuschen mit Muschelornament angeordnet, hier versinnbildlichen Tiere, die vier Elemente. Gerard de Jode war Kupferstecher und fertigte Stiche nach Hans Bol, Ambrosius Franck, Marc Geraerds, Carl van Mander und Bartholomäus Spranger. Auf seinen Blättern ist selten der Name der Stecher erwähnt, meist findet sich nur die Adresse des Verlegers (Sauer). - Außenkante mit minimalen Läsuren. Am unteren Darstellungsrand zwei kleine Papierausdünnungen. Versand D: 5,00 EUR Altmeistergraphik, Druckgraphik 16. Jahrhundert, old master prints, Original Künstlergraphik

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        de l'Origine des Bourgongnons, et Antiquité des Estats de Bourgongne, deux Livres.Plus, Des Antiquitez d'Autun, de Chalon, de Mascon, de m'Abbaye & Ville de Tournus.

      Nicolas Chesneau, Paris 1581 - Petit in-folio ( 335x210 mm ) plein veau brun moucheté, dos à 5 nerfs, titre doré sur pièce de maroquin vieux rouge, riches dorures dans les caissons. Coiffe inférieure arasée, caisson de tête absent, un mors fendu et recollé.ATTENTION : Page de titre absente, ainsi que l'Epistre liminaire de l'Autheur, pages 245/246/247/248 et les cartes de Tournus, Chalon sur Saone et Mascon. Toutes ces pages et cartes ont été reproduites en photocopies et insérées à leur place.674 pages.Titre. Sur les Antiquitez des Bourgongnons. Sonnet de l'Autheur. Epistre liminaire. Extraict du Privilège eu Roy. Les Livres et Chapitres. Avant propos. - Planche des armoiries de l'auteur imprimées en rouge et noir. Recueil de l'Antiquité et vraye Origine des Bourgongnons et des Estatz de Bourgongne. des Celtes, ou Gaulois en général. Du nom des Bourgongnons. Du Bourg Ongne. Ancien estat des Gaules. Que les Gaules estoient habitées de trois sortes d'hommes. des druides. Du second estat des hommes Gaulois. Du peuple troisiesme sorte d'homme entre les Gaulois. Magistrat souverain. Estats de Bourgogne. - Pourtraict de la Rouë gardee en la chambre des Esleuz des estats de Bourgongne.L'Estat des ecclesiastiques en general. Clercs. Ancienne police ecclesiastique. Des Nobles & de la Noblesses, ordre seconf des estats de Bourgongne. des Princes, Barons, Herauds, Bannerets, Chevalerie, Chevaliers de l'ordre, Seigneurs hauts justiciers, anciens juges Gaulois & que iadis ès Gaules la Judicature s'exerçoit par les femmes. Erection du Parlement de Paris. Institution du parlement de Bourgongne. - Discours de l'Illustre et Tres-Ancienne Cité d'Autun, Auguste et Capitale des Heduois.Paris, Nicolas Chesneau, 1580.Plan de la ville à double pages, rognée court.- Deux Livres des Antiquitez de Mascon.Paris, Nicolas Chesneau, 1580.1 plan de la ville à double page ( postérieur ).Plan de la ville en photocopie.- Discours des Antiquitez de la Ville et Cité de Chalon sur Saone avec un Recueil de ce qu'il a esté possible recouvrer des iadis Evesques & affaires des Eglises dudit lieu de Chalon.Paris, Nicolas Chesneau, 1581.Plan de la ville en photocopie.- Recueil de l'Antiquite et Choses plus memorables de l'Abbaye et Ville de Tournus.Paris, Nicolas Chesneau, 1581. Plan de la ville en photocopie.- de l'Antique Histoire et Vraye Origine des Bourgongnons. Livre second.Paris, Nicolas Chesneau, 1581. - Le vray pourtraict de la Ville de Dijon. Plan à double pages ( rogné court ).Epistre. Au Lecteur. Avant propos. D'une querelle meuë entre les Heduois & Senonois, cause de bataille. Accord faict entre les Heduois et Senonois & du Grand par dessus prouvé par Strabo, T. Livius & César. La ruine & la destruction du Bourg-Ongne. Les Bourgongnons abandonnent leur pays & se retirent en Germanie. Les gens de guerre devindrent Vandales. Des Vandales. les Gothz se fachent du voisinage des Vandales & Bourgongnons. Les Vandales et Bourgongnons vaincuz sont contraincts se retirer en Scythie, vers les marestz Meotides, estant là ils sont nommez & tenuz pour Scythes. Entreprinse generale contre le nom & Empire des Romains par tous les Peuples Sptentrionnaux, liguez & associez avec les Orietaux & avec les les Daces & Illyriens. Ruine des Romains. la Transaction par la laquelle l'Empereur Gallus rendit le Senat & peuple Romain tributaire des Bourgongnons Scythes. Carnage de Aemilianus Coronnel des légions. L'Hendin & Sinist des Bourgongnons & pourquoy ces noms ont esté ordinaires aux Rois & archidruydes des Bourgongnons. Desastre au Mont Haemus. Les Bourgongnons se retirent en Allemaigne, les Allemans sont vaincuz. Paix entre Bourgongnons et Allemans. Première rentree des Bourgongnons ès Gaules. Aurelianus Empereur arrivé ès Gaules se saisit de Tetricus, remet les Légions en son obeissance, et ruine le nouveau Bourg-Ongne, & des ruines d'iceluy construict Dijon. Les François entre en la ligue generale contre les Romains & traictent avec les Bourgongnons. Constantius mary de Theodore, belle fille de maximili

      [Bookseller: Librairie FAUGUET]
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        Gesamtans., "Landshvt. - Alberto. D.G. Coma, Pal. Rheini vtrivsq Bavariae Dvci.".

      - Kupferstich n. Hufnagel aus Braun - Hogenberg, 1581, 31,7 x 41,3

      [Bookseller: Antiquariat Nikolaus Struck]
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        Gamble grefwe Peer Brahes/ fordom Sweriges rijkes drotzetz/ oeconomia eller huuszholdz-book/ för ungt adels-folck.

      Skrifwin anno 1581. Visingsborg, J. Kankel, 1677. 4:o. 127 s. Lätt nött men elegant stänkdekorerat skinnbd från 1800-talets andra hälft med upphöjda bind, rikt guldornerad rygg och röd titeletikett. Pärmarna med guldpräglade ramverk. Ryggen lite blekt och med några små fläckar. Främre pärmens insida med fuktspår efter borttaget exlibris. Ngt lagerfläckig och bruntonad. Lite svagt tryck nederst på s. 60. Några gamla diskreta understrykningar på s. 75 och 90. Liten rostfläck i yttermarginalen på de sista sidorna. Med Karl XV:s stpl som kronprins på titelbladet, J. O. Wedbergs och Pro Finlandias exlibris samt ur Gerard Bonniers bibliotek.. Collijn Sveriges bibliografi 1600-talet 105. Almqvist Johann Kankel 31. Du Rietz Gastronomisk spegel 10. Hebbe Den svenska lantbrukslitteraturen 3. Sjögren Svenska kungliga och furstliga bokägaremärken nr 46, figur 440. En av de äldsta i Sverige författade hushållsböckerna. Den trycktes av författarens sonson på dennes eget privattryckeri på Visingsö. Detta exemplar inropades av Eric Österlund för 172 kronor på Pro Finlandiaauktionen för Gerard Bonniers räkning. Sannolikt rör det sig om Gustaf Holdo Stråles exemplar som sedan ägdes av Nils Gyldenstolpe

      [Bookseller: Mats Rehnström]
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        Von Ankunfft und Ursprung des Römischen Reichs . Jetzund auff daß newe auß dem Latein Verteutscht . Mit figürl. Holzschnitt-Titelbordüre und 131 großen Textholzschnitten von Tobias Stimmer (tlw. wdh.) sowie gr. Holzschnitt-Druckermarke am Ende. Straßburg, Th. Rihel 1581. Geprägter Schweinslederbd. d.Zt. mit 1 (von 2) Schließen. Folio. 18 Bll., 887 S., 11 Bll.

      Rihel 1581 - VD 17, 1:043949B. - Vgl. Goedeke II, 320, 8 und Schweiger I, 546. - Schöne und reich illustrierte Ausgabe bei Rihel in Straßburg, ein Nachdruck der Ausgabe von 1574, übertragen von Zacharias Müntzer. - Die schönen Holzschnitte nach Zeichnungen von Tob. Stimmer jeweils mit figürl. Holzschnittbordüren (insges. 12 verschiedene). - Hintere untere Ecke fehlt, innen sehr gut. Insges. schönes Exemplar. [Attributes: Hard Cover]

      [Bookseller: A.L.HASBACH Buchhandlung u.Antiquariat]
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        Gesamtansicht ('Francenbergvm, Vel, vt alij Francoburgum. Hassiae Opp.').

      - altkolorierter Kupferstich v. Braun & Hogenberg, 1581, 30,5 x 49,5 van der Krogt, Koeman's Atlantes Neerlandici, Vol. IV-2, 1358. (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        D. Avrelii Avgvstini Hipponensis Episcopi, Confessionum Libri tredecim: Opera D. Avrelii Avgvstini Hipponensis Episcopi. Confessionum Libri tredecim: Opera Theologorum Louaniensium ex manuscriptis codicibus multum emendati. Eiusdem Confessio Theologica Tripartita.

      Würzburg. Heinrich von Aich, 1581. Titelbordüre und Titelholzschnitt, 12°. 13,7 x 8,6 cm. [2], 249[=251], [1], 92 Seiten, der Einband mit Blindprägung, auf 5 echten Bünden, Hardcover in Pergament, In gutem Zustand. der Einband leicht geberäuint, mit feiner Blindprägung, an den Deckeln sind noch dei Löcher für die Beschläge der Schließen erkennbar, der Band ohne Schließen, der Buchblock sauber und gut, das Vortitelblatt mit einer vierstelligen Nummer, ein handschriftlicher Vermerk auf dem Titel. [Confessionum Libri tredecim] D.AVRELII AV=||GVSTINI HIPPONEN-||sis Episcopi, Confessionum || Libri tredecim:|| Operâ Theologorum Louaniensium ex ma-||nuscriptis codicibus multùm emendati.|| Eiusdem Confessio Theologica || Tripartita.|| (SVCCINCTA EXPOSI-||tio Missae Romanae.||) WIRZEBVRGI,|| EX OFFICINA HENRICI || Aquensis, episcopalis Typographi.|| Anno, M.D.LXXXI.||. Die Bekenntnisse (lateinisch Confessiones) sind autobiographische Betrachtungen des christlichen Kirchenlehrers Augustinus hier in einer frühen Ausgabe von 1581 - Drucker: Heinrich von Aich druckte 1569 - 77 zu Köln bis heute sind ca. 8 Drucke bekannt, darunter das dreibändige Werk des Lorenz Sauer, ?Kurze Chronik von 1500 - 1575?. Er wurde 1579 von Bischof Julius als Hofbuchdrucker zu Würzburg angenommen. 1582 Universitätsdrucker und erhielt 1587 das Privileg zum Druck des domstiftischen Wappenkalenders. Versand D: 2,95 EUR Religion & Theologie, Esoterik, Sammlerexemplare, Alte Drucke

      [Bookseller: Leipziger Antiquariat e. K.]
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        The Strange and Delectable History of the Discoverie and Conquest of the Provinces of Peru, in the South Sea. And of the Notable Things Which Are Found There...

      1581. Small quarto. 100 leaves. Woodcuts on first titlepage and in text. Full gilt morocco by Middleton, spine gilt extra, gilt inner dentelles, a.e.g. Trimmed close, affecting headlines. Top outer corner of first, illustrated title with small loss, with two letters supplied in expert facsimile. Several small pinholes in illustrated title. Leaf AA2 with outer margin (½ inch) in expert facsimile, affecting outer edge of woodcut but not text. Some leaves with minor staining and soiling. Overall a respectable copy. First English edition of a primary account of Peru The first English edition of one of the most important early histories of the Spanish conquest of Peru, first published in Spanish in 1555. Zarate was sent by the Spanish Crown to Peru to investigate its finances, where he remained for several years as Treasurer-General, charged with looking into the region's financial affairs. He authored the present work from his notes upon his return to Spain. "This work, in four books, is, in fact, the foundation of all the subsequent histories of the events to which it refers, and the narrative is given with force and simplicity. The characters of the different heroes are clearly and strongly drawn, and there is a long, distinct chapter (9 of Book IV.) on the appearance, conduct, and dispositions of Pizarro and Almagro. The accounts of the execution of Almagro, and of the assassination of Pizarro, are written with much spirit and picturesqueness; and the story of the misfortunes and final death of Atabaliba, the young Peruvian Inca, is very touching" - Church. The text is illustrated with interesting cuts, including the famous hill of silver at Potosi (depicted on the illustrated title and again in the text), and one of llamas. Church 126; European Americana 581/70; Sabin 106272; STC 26123; JCB (3)I:287.

      [Bookseller: Donald Heald Rare Books]
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        "Traitte nouveau de l'Hysterotomotokie, ou Enfantement Caesarien, qui est extraction de l'enfant par incision latérale du ventre, & matrice de la femme grosse ne pouvant autrement accoucher. Et ce sans prejudicier à la vie de l'un, ny de l'autre; ny empescher la fécondité maternelle par après... "Paris: Denys du Val, 1581.

      "Very rare first edition of the work which coined the term 'Caesarian section' and was the first to advocate its use, in appropriate circumstances, on a living woman. Only three copies located in auction records, two of which were in modern bindings. This copy is beautifully bound in contemporary gilt vellum and ruled in red throughout.<br/><br/> ❧Garrison-Morton 6236; Wellcome 5593.<br/><br/> "In the year 1581, François Rousset, a Parisian physician published <i>L'hystérotomotokie ou enfantement césarien</i>, suggesting for the first time a 'laparotomy' with hysterotomy in the parturiant who could not be confined in the ordinary way, this of course being done in the last resort. This surgical intervention was not usually performed until then before the woman's death. Rousset is the man who gave this operation the name Caesarean section in memory of the supposed birth of Caesar. In support of this proposal, he gathered ten observations, six of them in which he personally took part without operating himself, as he was not a surgeon. Moreover, he did endeavour, by use of reason as well as authoritative arguments, to produce evidence that this intervention was actually feasible, saving sometimes the mother and child's lives while preserving the possibility of future pregnancy. The last part of the book is devoted to a detailed and meticulous description of the intervention. This revolutionary proposal was coldly received and vigourously opposed by the medical milieu, especially by Ambroise Paré. It was not more favoured in the course of the next two centuries and Rousset was often considered as an impostor, his opposers considering this intervention as inevitably entailing death and its success being miraculous. Those who approved were few and cautious and only exceptionnaly took heed of it. It is only in the nineteenth century that Rousset's book was noticed and acknowledged. Written in French, it was essentially intended for surgeons and won him the name of Father of the ceasarean section" (Francis Pottiee-Sperry, "L'hysterotomotokie ou enfantement caesarien" de François Rousset (Paris, 1581). Le livre d'un imposteur ou celui d'un précurseur?,' <i>Hist. Sci. Med.</i> 30 (1996), 259-68).<br/><br/> "As the earliest advocate of caesarean section on a living woman (in cases where no other means of delivery appeared possible), François Rousset, a 16th-century French physician, defied conventional medical wisdom. ". 8vo (169 x 108 mm), pp. [16], 1-228, [4], contemporary gilt vellum, all edges gilt, ruled in red throughout, large margins

      [Bookseller: Sophia Rare Books]
 34.   Check availability:     Antikvariat     Link/Print  


        C. Cornelii Taciti equitis romani ab excessu divi Augusti annalium libri quatuor priores, et in hos observationes Caroli Pescalii cuneatis [Text Lateinisch].

      Paris: Robert Colombel 1581. 4 Blatt, 248 Seiten, 10 Blatt. Flexibles Pergament der Zeit mit handschriftlichem Rückentitel, 4°. (Rücken mit Fehlstellen und Einrissen, Bindebänder fehlen, bestossen und knickspurig, kleine Wurmspuren ohne Textverlust, etwas gebräunt oder braunfleckig, breitrandiges Exemplar) Auszug aus den Annalen. - Graesse VI, 212 - Renouard 201 (für das Aldus-Signet dieses Titels) - nicht bei Ebert oder Adams. Versandkostenfreie Lieferung [Beautiful, Rare and Special;Schönes;Seltenes;Fremdsprachen;Latein;Lateinisch;Literatur;Antike;Bibliophilie;Alte Drucke]

      [Bookseller: Versandantiquariat Bürck]
 35.   Check availability:     buchfreund.de     Link/Print  


        Gesamtansicht aus der Vogelschau ('Vrbis Campensis, Ad Isalam Flvvivm, Icon. - Campen.').

      - altkolorierter Kupferstich v. Braun & Hogenberg aus Civitates Orbis Terrarum, Liber Tertius ., 1581, 34,5 x 49 Fauser, Repertorium älterer Topographie. Druckgraphik von 1486 bis 1750, S. 353, Nr. 6372. - Zeigt Kampen aus der Vogelschau. - Oben mittig Kartusche mit Vedutentitel; unten links Kartusche mit Erklärungen von 1. - 17.; unten rechts ein Paar in Tracht. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        2 Gesamtansichten auf 1 Blatt, "Civitatis Essensis excactiss. descrip." und "Civitatis Werdenae .".

      - altkol. Kupferstich aus Braun - Hogenberg, 1581, 33,3 x 41 Oben rechts mit einer Restaurierung.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Titelblatt mit Allegorien der vier Temperamente und der vier Elemente zu "Sieben Planeten, denen die sieben Lebensalter des Menschen entsprechen" (Septem Planetae. Septe hominis aetatibus repondentes fcilicet [ ], erschienen bei Gerard de Jode. Kupferstich in der Platte datiert und bezeichnet "Gerardus de Jode excu." mit der Schrift und der Einfassungslinie.

      1581 - Prachtvoller Druck, partiell mit winzigem Rändchen um die Einfassungslinie, teils an diese geschnitten. Auf feinem Bütten. In einem ornamental eingefassten Oval in der Mitte findet sich der Titel "Septem Planetae. Septe hominis aetatibus repondentes fcilicet. 1. Infantiae, 2. Pueritae, 3. Adolescentia, 4. Ivventvti, 5. Virili Aetati, 6. Senili Aetati, 7. Senectae et Decrepitae". In den Ecken die vier Temperamente als weibliche Figuren dargestellt. Mittig zwischen diesen sind zwei Rollwerkkartuschen und zwei Kartuschen mit Muschelornament angeordnet, hier versinnbildlichen Tiere, die vier Elemente. Gerard de Jode war Kupferstecher und fertigte Stiche nach Hans Bol, Ambrosius Franck, Marc Geraerds, Carl van Mander und Bartholomäus Spranger. Auf seinen Blättern ist selten der Name der Stecher erwähnt, meist findet sich nur die Adresse des Verlegers (Sauer). - Außenkante mit minimalen Läsuren. Am unteren Darstellungsrand zwei kleine Papierausdünnungen. Sprache: Deutsch Gewicht in Gramm: 2100

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Suidae historica, caeteraque omnia quae ulla ex parte ad cognitionem rerum spectant

      Basel: E. Episcopius, 1581. Second, Revised and Augmented Edition. Hardcover. Very Good. Contemporary limp vellum, manuscript spine; folio; [6] leaves, 1056 columns, pp. 1057-1060, [16] leaves; printer's device on title and at the end. Official censorship notice on verso of title-p.; name of Camerarius inked out in appended annotations. Second, revised and augmented edition of this great Byzantine lexicon, compiled about the end of the tenth century. "It is of the highest importance, since it preserves much that is ultimately derived from the earliest or best authorities in ancient scholarship, and includes topics from many departments of Greek learning and civilization" (Oxford Classical Dictionary). The editor-translator was Hieronymus Wolf (1516-1580), one of the great Hellenists of the 16th century, editor of numerous Greek texts, who was librarian to Augsburg banker and bibliophile Johann Jakob Fugger. Wolf published the first edition of his Suda in 1564, but this was left unfinished because of an epidemic of plague. For this edition, Suda wrote a new preface (dated 1580), added an exhaustive index, and made other changes. Hoffmann III, 462. Adams S-2065.

      [Bookseller: Sanctuary Books]
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        L`Eneide di Virgilio Mantuano commentata in lingua volgare toscana da Giovanni Fabrini da Fighine [et] Filippo Venuti da Cortona. Con ordine, che l`espositione volgare è dichiaration della Latina, & la Latina dichiara la Volgare: & è utile tanto à chi in questo Poeta vuole imparar la lingua Latina, quanto à chi cerca d`apprendere la Toscana.

       Venetia, Gio. Battista Sessa & Fratelli 1581. gr.-4°. 318 num. Bll. Mit gest. Titel- u. Schlußvign. sowie 12 Kopfleisten u. zahlr. Initialen. HLdr. d. späten 18. Jhdts. m. Rückengoldpr., Rü. angeplatzt. Stellenw. gebräunt, Wurmgänge a. Blattrand ohne Textverl. Randnotizen v. alter Hand. Kl. Fehlstellen m. Textverl. a. d. ersten 4 Bll. hinterlegt u. hs. ergänzt. Vors. erneuert.Seltene und interessant kommentierte Übertragung der Aeneis ins Toskanische, in 12 Kapiteln gegliedert, wobei die ersten 7 von Fighine und die letzten 5 von Filippo da Cortona verfasst worden sind. Giovanni Fabrini da Fighine relativiert, in einer Gegenüberstellung gleich am Titelblatt, den Status der \"lengua volgare\" im Verhältnis zur \"lengua latina\", indem er beim Leser (des vorl. Buches) sowohl die Kenntnisse des Lateinischen als auch des Toskanischen als Lektürevoraussetzung erwartet. Fighine übersetzte u. a. auch Cicero, Terentius u. Horaz ebenfalls ins Toskanische. Eine frühere Ausg. erschien 1575 ebenfalls in Venedig. Versand D: 4,00 EUR Alte Drucke, Altphilologie, Literatur

      [Bookseller: Antiquariat Burgverlag]
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        Zurych. Tigvrum, sive .

      Cologne Gottfried von Kempen 1581 - "Zurych. Tigvrum, sive Turegum, Caesari, ut Plerique Existimant, Tigurinus Pagus, vulgo Zurych, Urbs in Helvetijs .". Orig. copper-engraving from G. Braun's and F. Hogenberg's "Civitates Orbis Terarrum". Published in Cologne by Gottfried von Kempen, 1581. Coloured. With 2 ornamental title-cartouches, 2 figures and a great coat-of-arms. 36,5:48,5 cm. Koeman IV, map 4959, ed. 41:1-3 (1581 B&H 3). - A birds-eye-view of Zurich.

      [Bookseller: Antikvariat Krenek]
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         Miracula chymica, et mysteria medica. Paris, Melchior Mondier, 1644. 12mo. With 12 woodcut illustrations in text. Contemporary mottled calf, gold-tooled spine and binding edges. .

      Thorndike VII, pp. 163-165; WorldCat (5 copies). Rare fifth edition of Miracula chymica, et mysteria medica ("Chemical miracles and medical mysteries") by the German mathematician, chemist and physician Philipp Müller (1581-1659). "Of the five books into which the work is divided, the first has chapters on instruments, with ten figures, on the material of the philosophers' stone in general, on mercury, ... gold and silver .... Book Two is on particular transmutations, with a figure of a furnace. Book Three deals with rarer preparations, especially from minerals, and has chapters on those from mercury, sulphur, vitriol, tartar and arsenic. Book Four treats of more secret ways of making, from vegetable simples, extracts, distilled waters, balsams, essences and salts philosophic. But its fifth and last chapter is on extraction of essences and tinctures from all sort of stones. The fifth ... is devoted to various rarer and more secret remedies for all diseases of the human body from head to heel" (Thorndike).Very good copy, with only a few minor spots. The binding with a few wormholes, rubbed along the extremities and the spine chipped at the foot, but still firm..

      [Bookseller: ASHER Rare Books (Since 1830)]
 42.   Check availability:     NVvA     Link/Print  


        Prontuario de le medaglie de più illustri, & famosi huomini & donne, dal principio del Mondo infino al presente tempo, con le lor vite in compendio raccolte. Parte prima (e Parte seconda)

      appresso Guglielmo Rouillio 1581(ma 1577-1578), in Lione - Modesta legatura antica in mz. pergamena con nervi ed angoli. Frontis. con strappetti marginali. Prime carte usurate agli angoli e al margine esterno. Lieve brunitura della carta, aloni marginali. Sul primo frontis.una etichetta cartacea con la data 1581 copre la scritta 1577 (probabile intervento dell editore per rimettere in vendita l invenduto a distanza di qualche anno). Seconda rara edizione. 8vo (cm. 23,9), 172 pp., 2 cc.nn.; 315(9) pp. Primo frontis. entro bella cornice xilografica. Fregi e grandi capilettera fig. Num.me medaglie in xilografia n.t. [Attributes: Hard Cover]

      [Bookseller: Libreria Ex Libris ALAI-ILAB/LILA member]
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        Asia Secvnda Pars Terrae In Forma Pegasir.':.

      - Holzschnitt v. Heinrich Bünting aus Itinearium Sacrae Scripturae. ., 1581, 24,5 x 35 Hill, G. Cartographical Curiosities, Nr. 46; Suárez, Early Mapping of Southeast Asia, S. 99, Fig. 54; van der Heijden, Heinrich Büntings Itinearium Sacrae Scripturae, 1581. in: Cartographica Helvetica, 23, S. 5 ff. u. vgl. Abb. S. 14; Tooley's Dic. of Mapm. Rev. Ed. A - D, S. 209 (Heinrich Bünting , 1545-1606. Professor of theology at Hannover. Itinerarium sacrae scripturae, 1581 and later editions in various languages, contained woodcut maps including: Cosmographia Universalis ; Die Ganze Welt in einem Kleberblat ; Europe as the queen of the World; and Asia as a winged horse.). - Zeigt Asien in Form eines Pegasus. - Über der Karte Titelkopfleiste; außerhalb der Karte Nennung der 4 Himmelsrichtungen; unter der Karte 2 zeiliger lateinischer Text. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Zurych - Tigvrum, siue Turegum : caesari, vt plerique existimant, Tigurinus pagus, vulgo Zurych; vrbs in Helvetijs vt vetustissima, ita maxima, et omnium celeberrima - Vogelschauplan. Kupferstich.

      Köln, um 1581 54 x 65 cm, gerahmt (blattvergoldet unter Passepartout)., 36 x 48 cm, (Walter Mathis \"Zürich - Stadt zwischen Mittelalter und Neuzeit\". S. 140/15). - Das Blatt stammt aus \"Civitates orbis terrarum\" von Georg Braun und Frans Hogenberg. dritter Teil (Lateinische Ausgabe. - Köln. erstmals 1581). erschien bis 1621 in mehreren Auflagen. - Das Standardwerk der Topographie. sicher angeregt durch Münsters Kosmographie. in Format und Layout anknüpfend an das Theatrum orbis terrarum des Ortelius. setzte neue Maßstäbe und wirkte als Vorbild wie als Fundgrube für Vorlagen mehr als hundert Jahre. Sein Initiator. der Kölner Gelehrte Theologe Georg Braun. der durch seine weitreichenden Beziehungen viele Vorlagen beschaffte. die künstlerischen Mitarbeiter gewann sowie die Texte zu den Tafeln verfaßte. ist 1622 achtzigjährig gestorben. Er war der einzige des ursprünglichen Teams. der das Erscheinen des 6. Bandes erlebte. Franz Hogenberg. Kupferstecher. vorwiegend Radierer. aus Mecheln. 1567 in Köln zugewandert. und sein Landsmann Simon van den Neuwel (Novelanus) sind im wesentlichen die Schöpfer der Tafeln\" (Fauser I. XXXIV). - Sehr dekorative Stadtansicht. Versand D: 20,00 EUR Helvetica - Zürich Grafik - vor 1800

      [Bookseller: Antiquariat Peter Petrej]
 45.   Check availability:     buchfreund.de     Link/Print  


        Loci theologici. Quibus loci communes. Philippi Melanthonis illustrantur, & velut corpus doctrinae Christianae integrum proponitur. nunc primum in lucem editi. Labore & studio Christophori Pezelii. (Band. 1 von 4).

      Neustadt a. d. Haardt, Matthäus Harnisch, 1581. - 4°, circa 21 x 16,3 cm. 22 Bll., 486 SS., mit kleiner Druckermarke auf dem Titel Blindgeprägtes Halbschweinsleder d. Zt., Deckel unter Verwendung eines Pergament-Manuskripts aus dem wohl 11. Jh. VD 16, S 9619; Adams S 1940. - Erste Ausgabe, früher Neustädter Druck (Druckbeginn dort 1578).Hier der noch nicht als solcher gekennzeichnete, in sich abgeschlossene erste Band einer Folge von Kommentaren, die später noch auf vier Bände erweitert wurde. - Bemerkenswerter Einband mit einer schönen frühen Handschrift auf beiden Deckeln. - Gering gebräunt, vorderer Vorsatz mit alten Einträgen zu Melanchthon, Einbd. etwas berieben, aber dekorativ. " [Attributes: First Edition]

      [Bookseller: Antiquariat Thomas Rezek]
 46.   Check availability:     ZVAB     Link/Print  


        Gesamtansicht ('Saltzburgk - Recens, Et Accvratissima Vrbis Salisbvrgensis Delineatio.').

      - kolorierter Kupferstich v. Braun & Hogenberg n. Hans Baumann aus Civitates Orbis Terrarum ., 1581, 33 x 51 Fauser, Repertorium älterer Topographie. Druckgraphik von 1486 bis 1750, Bd. II, S. 696, Nr. 12385; Nebehay-Wagner, Bibliographie Altösterreichischer Ansichtenwerke, Bd. I, S. 142 ff., Nr. 108, Band 2, 47. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
 47.   Check availability:     ZVAB     Link/Print  

______________________________________________________________________________


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