The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1561
2018-11-22 08:56:04
Giovanni Battista PITTONI detto "Battista Vicentino" (Vicenza 1520 - 1583)
"Acquaforte e bulino, 1561, datata e firmata in lastra in basso al centro. Esemplare nel primo stato di due, avanti le scritte al verso e il numero tratto dalla serie ""Praecipua aliquot romanae antiquitatis ruinarum monumenta par baptistam Pittonem vicentinum mense september MDLXI"". Magnifica prova, ricca di toni, impressa su carta vergata coeva, rifilata al rame o con piccoli margini, in eccellente stato di conservazione. Le vedute del Pittoni sono ispirate alle opere di Hieronimus Cock del ""Praecipua aliquot romanae antiquitatis ruinarum monumenta"". Le lastre del Pittoni furono successivamente ristampate, nel 1582, nell'opera di Vincenzo Scamozzi ""Discorsi sopra l'Antichità di Roma"". Queste prove, più stanche, recano al verso il testo descrittivo. Gli esemplari di prima tiratura, sono da considerarsi molto rari." " Etching and engraving, 1560 circa. Example in the first state of two, before the text on verso, taken from ""Praecipua aliquot romanae antiquitatis ruinarum monumenta par baptistam Pittonem vicentinum mense september MDLXI"", inspired by the same work by Hieronimus Cock. Magnificent proof, rich in shades, printed on contemporary laid paper, trimmed to the copperplate or with small margins, in excellent condition. The plates by Pittoni were later reprinted in 1582 and included in the Vincenzo Scamozzi ""Discorsi sopra l'Antichità di Roma"", where the views are weaker and with a descriptive text, on verso. The examples of the first edition, are to be considered very rare." Passavant, Le Peintre Graveur, vol. VI, 1 - I/II.
Bookseller: Libreria Antiquarius [IT]
2018-11-18 21:27:48
JOINVILLE (Jean de)
Poitiers, De l’Imprimerie d’Enguilbert de Marnef, 1561. In-8, plein veau brun marbré de l'époque, dos à 5 nerfs gothiques orné de petits fleurons dorés entre-nerfs et de palettes guillochées à froid, plats garnis de filets d'encadrement à froid et dorés et d'un grand médaillon ovale au centre composé de rinceaux arabisants dorés et à froid, tranches dorées, (1) f. de titre, (10) p., CLXI f. (161), (9) p. de table, grande vignette de titre gravée à la marque de l'imprimeur (exemplaire réglé). Seconde édition, reproduisant la première donnée par le même éditeur en 1547. Le texte a été établi librement par Antoine Pierre de Rieux d'après un manuscrit. La préface est de l'humaniste toulousain Guillaume de La Perrière (1503-1565) et l'ouvrage est dédié à François 1er. Chroniqueur, Sénéchal de Champagne, Jean de Joinville devint confident du roi Saint Louis qu'il accompagna en Égypte en 1248. Ses mémoires terminées en 1309 sont la source historique la plus précieuse du règne de Saint Louis. "Le recul du temps, le désintéressement de Joinville et sa naïve rudesse donnent à ses souvenirs une exceptionnelle valeur historique. Soucieux de peindre l'homme dans sa vie quotidienne et le roi à la guerre ou à ses affaires de gouvernement, plus que de glorifier le saint, critiquant parfois un comportement mystique qu'il juge excessif ou des décisions politiques qu'il ne croit pas sages, Joinville est aussi le témoin précieux de l'opinion aristocratique dans l'entourage royal. Il est, enfin, l'un des premiers mémorialistes à avoir intégré le dialogue reconstitué dans un récit" (Jean Favier) … [Click Below for Full Description]
Bookseller: Librairie HATCHUEL [PARIS, France]
2018-11-17 08:28:44
MERCATI Francesco.
Appresso i Giunti, 1561. Opera dedicata a Gabriello Strozzi. Cm.14,6x10. Pg.96. Legatura in piena pergamena rigida. Giglio giuntino, sorretto da due putti alati, impresso al frontespizio. Due capilettera incisi. Impressione assai fresca. Edizione originale di questa commedia cinquecentesca di grande rarità. L'Autore era il padre gesuita Francesco Mercati (1541 - 1603), di famiglia proveniente da Bibbiena ma probabilmente nato a Roma, che svolse principalmente l'attività di traduttore per la Compagnia del Gesù (si deve a lui la versione della "Lettera annua del Giappone del 1596" di Luis Frois, inviata al Padre Acquaviva). Scrisse altre due commedie, "Il Lanzi" (Firenze, Panizzi e Peri, 1566), "La stiava imbroglia" (Siena, 1578, con musiche di Gregorio Landucci). > Decia / Delfiol / Camerini, "Annali dei Giunti", I, 321. Non presente nell'Adams. Codice libreria 127388.
Bookseller: Pera [IT]
2018-11-10 08:48:55
PTOLEMAEUS, Claudius; Girolamo RUSCELLI.
Venice,: Appresso Vincenzo Valgrisi, 1561. Description First edition. 3 parts in one volume, 4to., general title-page with woodcut device, sectional title-pages for Espositioni et Introdottioni Universali di Ieronimo Ruscelli and Discorso Universale di M. Gioseppe Moleto. 2 fine woodcut portraits of Ptolemy observing the heavens, 64 fine double-page engraved maps mounted on guards, including the world map Orbis Descriptio, woodcut diagrams in the text, including some full-page, woodcut initials, contemporary limp vellum.Collation: *(4), A-I(4), T(4), V(4), X(4), 2A-2I(4), 2K-2T4, 2V(4), 2X-2Y(4), +(2), A-I(2), K-T(2), V(2), X-Z(2), A-D(2), a(4), (4), (4), (4), g(4), £(4), (4), A-I(2), K-L(2), N-T(2), V(2), X-Z(2), Aa-Ii(2), Kk-Nn(2), A-F(4), A-F(4); pp [4], [1]-288, 286, 290-[360], 28 maps, ff28, 36 maps, ff24, pp [1]-47 [verso blank]. NotesRuscellis edition of Ptolemy superseded Giacomo Gastaldis 1547/1548 work. The beautiful maps, which consist of 28 Ptolemaic maps and 36 modern maps include two fine world maps and seven related to the Americas: the place names along the upper Gulf Coast revealed the explorations of Pineda, Cabeza de Vaca, and Moscosso, and the Mississippi, here shown as the Rio de Spiritu Santo was carefully depicted (Martin and Martin). They are enlarged copies by Giulio and Livio Sanuto of Gastaldis maps, except Universale Novo, which was drawn on a new projection and renamed Orbis Descriptio.Some of the important maps include: Septemtronalum partium nova tabula, a reduced version of the Nicolo Zeno map of the North Atlantic Ocean of 1558 and includi … [Click Below for Full Description]
Bookseller: Daniel Crouch Rare Books [United Kingdom]
Check availability:
2018-10-24 06:07:51
Giovio Paolo
per Henricum Petri et Petrum Pernam, 1561. 8vo (cm. 15,8), 180 pp., 6 cc.nn. (di cui l’ultima bianca). Legatura coeva in piena pergamena con unghie (tracce di lacci di chiusura, due minuscole mancanze ai margini dei piatti e minime tracce d’uso). Freschi interni con alcuni lievi aloni marginali. Carta bianca finale con restauri e sguardie staccate dai contropiatti. Due antiche firme al frontis. Nel complesso, bell’esemplare di questa rara e interessante raccolta di tre scritti del Giovio. Edizione non in Adams, Br. Libr. e Rossetti.
Bookseller: Libreria Antiquaria Ex Libris s.r.l. [IT]
2018-10-23 21:20:06
Celio Secondo Curione
Basileae: Frobenium et Episcopium, 1561. First edition, 3 volumes, folio; text in double column; full contemporary blind-tooled pigskin (darkening along edges and spine) dated 1564, later armorial supralibros stamped in gilt on upper and lower covers, manuscript spine titles, remnants of clasps and hasps; textblocks fine. A very good, sound set. Curione (1503-1569) was an Italian humanist, grammarian, Protestant theologian, and a suspected antitrinitarian. He studied at the University of Turin, and in 1536-39 he was Professor at the University of Pavia. Persecuted for his sympathies toward the Reformation, he first tried to find refuge in Venice, Ferrara and Lucca (where he met Pier Martire Vermigli, Celso Martinengo, and Girolamo Zanchi). In 1542 he fled from Italy in order to escape the Inquisition, and settled in Switzerland. From 1542 to 1546 he taught at the University of Lausanne, before moving to the University of Basel, where he would remain 23 years, until his death, as Professor of Theology and Classical Studies, during which time the present Thesaurus was composed. Adams C3094; Vancil, p. 65. [Attributes: First Edition]
Bookseller: Rulon-Miller Books [Saint Paul, Minnesota, US]
2018-10-23 17:49:20
Geoffrey Chaucer / William Thynne
London: Ihon Kyngston, for Ihon Wight. Condition: Near Fine binding. Folio. The Fourth Folio Edition, or "Black Letter Edition", of Chaucer's "Canterbury Tales" and "Romaunt of the Rose," among other works; Fifth Edition overall; titled The Woorkes of Geffrey Chaucer [sic]. One of two states, priority inconclusive; the variant is titled "The Works...1561", with twenty two woodcut illustrations added to the Prologue; the common consensus being that the publisher came into possession of the woodcuts belatedly, and a second state was printed which inserted the illustrations; six additional leaves signed with a Maltese cross. Despite this, the STC 2nd Edition lists the presumed first issue as 5076 and the more illustrated variant as 5075, without discussing reasons for this priority. This state's title page is illustrated with a woodcut of Chaucer's coat of arms, with "1560" at the top, all above a couplet: "Vertue florisheth in Chaucer still, though death of hym,hath wrought his will." Elaborate divisional title for Romaunt is present, featuring the house of York and Lancaster, as is the woodcut headpiece of a knight between two columns at the start of The Canterbury Tales. [Fleuron]4 A-V6 2A-2P6 2Q-2T6 2V-2X6 2Y-2Z6 3A-3T6 3V8. Lacking A1 and 3V(7- 8) , being the divisional title page for The Canterbury Tales, and two final leaves, which includes the colophon; a blank leaf is present at the rear. [9], 376, [1] ff. Text in two columns, with attractive woodcut initials. Trimming to the top edges of a number of leaves, affecting the foliation and running title. New period style … [Click Below for Full Description]
Bookseller: Black Swan Books Inc [Richmond, Virginia, US]
2018-10-10 13:35:12
Besler Basilius (1561 - 1629) Nuremberg
Artist: Besler Basilius ( - 1629) Nuremberg; issued in: Nuremberg; date: ca 1613. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 47 x 40; - description: Representation of 4 different roses1.edition of the Hortus Eystettensis, printed and issued from the Basilius Besler in Nuremberg 1613.400 anniversary of the first edition! - vita of the artist: Basilius Besler (1561?1629) was a respected Nuremberg apothecary and botanist, best known for his monumental Hortus Eystettensis. He was curator of the garden of Johann Konrad von Gemmingen, prince bishop of Eichstätt in Bavaria. The bishop was an enthusiastic botanist who derived great pleasure from his garden, which was the only important European botanical garden outside Italy. The work was named Hortus Eystettensis (Garden at Eichstätt). The emphasis in botanicals of previous centuries had been on medicinal and culinary herbs, and these had usually been depicted in a crude manner. The images were often inadequate for identification, and had little claim to being aesthetic. The Hortus Eystettensis changed botanical art overnight. The plates were of garden flowers, herbs and vegetables, exotic plants such as castor-oil and arum lilies. These were depicted near life-size, producing rich detail. The layout was artistically pleasing and quite modern in concept, with the hand-colouring adding greatly to the final effect. The work was first published in 1613 and consisted of 367 copper engravings, with an average of three plants per page, so that a total of 1084 species were depicted. [Attri … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2018-10-10 13:35:12
Besler Basilius (1561 - 1629) Nuremberg
Artist: Besler Basilius ( - 1629) Nuremberg; issued in: Nuremberg; date: ca 1613. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 47 x 40; - description: Representation of different bindweed plants1.edition of the Hortus Eystettensis, printed and issued from the Basilius Besler in Nuremberg 1613400 anniversary of the first edition! - vita of the artist: Basilius Besler (1561?1629) was a respected Nuremberg apothecary and botanist, best known for his monumental Hortus Eystettensis. He was curator of the garden of Johann Konrad von Gemmingen, prince bishop of Eichstätt in Bavaria. The bishop was an enthusiastic botanist who derived great pleasure from his garden, which was the only important European botanical garden outside Italy. The work was named Hortus Eystettensis (Garden at Eichstätt). The emphasis in botanicals of previous centuries had been on medicinal and culinary herbs, and these had usually been depicted in a crude manner. The images were often inadequate for identification, and had little claim to being aesthetic. The Hortus Eystettensis changed botanical art overnight. The plates were of garden flowers, herbs and vegetables, exotic plants such as castor-oil and arum lilies. These were depicted near life-size, producing rich detail. The layout was artistically pleasing and quite modern in concept, with the hand-colouring adding greatly to the final effect. The work was first published in 1613 and consisted of 367 copper engravings, with an average of three plants per page, so that a total of 1084 species were depicted. … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2018-10-10 13:35:12
Besler Basilius (1561 - 1629) Nuremberg
Artist: Besler Basilius ( - 1629) Nuremberg; issued in: Nuremberg; date: ca 1613. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 48 x 40; - description: Represention of different Clematis plants1.edition of the Hortus Eystettensis, printed and issued from the Basilius Besler in Nuremberg 1613. 400 anniversary of the first edition! - vita of the artist: Basilius Besler (1561?1629) was a respected Nuremberg apothecary and botanist, best known for his monumental Hortus Eystettensis. He was curator of the garden of Johann Konrad von Gemmingen, prince bishop of Eichstätt in Bavaria. The bishop was an enthusiastic botanist who derived great pleasure from his garden, which was the only important European botanical garden outside Italy. The work was named Hortus Eystettensis (Garden at Eichstätt). The emphasis in botanicals of previous centuries had been on medicinal and culinary herbs, and these had usually been depicted in a crude manner. The images were often inadequate for identification, and had little claim to being aesthetic. The Hortus Eystettensis changed botanical art overnight. The plates were of garden flowers, herbs and vegetables, exotic plants such as castor-oil and arum lilies. These were depicted near life-size, producing rich detail. The layout was artistically pleasing and quite modern in concept, with the hand-colouring adding greatly to the final effect. The work was first published in 1613 and consisted of 367 copper engravings, with an average of three plants per page, so that a total of 1084 species were depicted. … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2018-10-10 13:35:12
Besler Basilius (1561 - 1629) Nuremberg
Artist: Besler Basilius ( - 1629) Nuremberg; issued in: Nuremberg; date: ca 1613. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 47,5 x 38; - description: Representation of Jasmin 1.edition of the Hortus Eystettensis, printed and issued from the Basilius Besler in Nuremberg 1613400 anniversary of the first edition!es which were destroyed by the Royal Mint of Munich in 1817. - vita of the artist: Basilius Besler (1561?1629) was a respected Nuremberg apothecary and botanist, best known for his monumental Hortus Eystettensis. He was curator of the garden of Johann Konrad von Gemmingen, prince bishop of Eichstätt in Bavaria. The bishop was an enthusiastic botanist who derived great pleasure from his garden, which was the only important European botanical garden outside Italy. The work was named Hortus Eystettensis (Garden at Eichstätt). The emphasis in botanicals of previous centuries had been on medicinal and culinary herbs, and these had usually been depicted in a crude manner. The images were often inadequate for identification, and had little claim to being aesthetic. The Hortus Eystettensis changed botanical art overnight. The plates were of garden flowers, herbs and vegetables, exotic plants such as castor-oil and arum lilies. These were depicted near life-size, producing rich detail. The layout was artistically pleasing and quite modern in concept, with the hand-colouring adding greatly to the final effect. The work was first published in 1613 and consisted of 367 copper engravings, with an average of three plants per page, so … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2018-10-10 13:35:12
Besler Basilius (1561 - 1629) Nuremberg
Artist: Besler Basilius ( - 1629) Nuremberg; issued in: Nuremberg; date: ca 1613. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 47 x 39,5; - description: Representation of Streaked cranesbill, Bigroot geranium, Tuberous geranium. 1.edition of the Hortus Eystettensis, printed and issued from the Basilius Besler in Nuremberg 1613400 anniversary of the first edition! - vita of the artist: Basilius Besler (1561?1629) was a respected Nuremberg apothecary and botanist, best known for his monumental Hortus Eystettensis. He was curator of the garden of Johann Konrad von Gemmingen, prince bishop of Eichstätt in Bavaria. The bishop was an enthusiastic botanist who derived great pleasure from his garden, which was the only important European botanical garden outside Italy. The work was named Hortus Eystettensis (Garden at Eichstätt). The emphasis in botanicals of previous centuries had been on medicinal and culinary herbs, and these had usually been depicted in a crude manner. The images were often inadequate for identification, and had little claim to being aesthetic. The Hortus Eystettensis changed botanical art overnight. The plates were of garden flowers, herbs and vegetables, exotic plants such as castor-oil and arum lilies. These were depicted near life-size, producing rich detail. The layout was artistically pleasing and quite modern in concept, with the hand-colouring adding greatly to the final effect. The work was first published in 1613 and consisted of 367 copper engravings, with an average of three plants per page, so that a t … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2018-10-10 13:35:12
Besler Basilius ( 1561 - 1629 ) N rnberg
Artist: Besler Basilius ( - 1629 ) N rnberg; issued in: Nuremberg; date: ca 1613. - technic: Copper print; colorit: colored; - condition: Left margin replaced, upper margin missing part perfectly restored and retouched; - size (in cm): 47 x 39; - description : Titlepage from the famous plant book of Hortus Eystettensis, 1 edition. With allegirical figurative scenes: Pnacea and Flora.; - vita of the artist: Basilius Besler (1561ñ1629) was a respected Nuremberg apothecary and botanist, best known for his monumental Hortus Eystettensis. He was curator of the garden of Johann Konrad von Gemmingen, prince bishop of Eichst?tt in Bavaria. The bishop was an enthusiastic botanist who derived great pleasure from his garden, which was the only important European botanical garden outside Italy. The work was named Hortus Eystettensis (Garden at Eichst?tt). The emphasis in botanicals of previous centuries had been on medicinal and culinary herbs, and these had usually been depicted in a crude manner. The images were often inadequate for identification, and had little claim to being aesthetic. The Hortus Eystettensis changed botanical art overnight. The plates were of garden flowers, herbs and vegetables, exotic plants such as castor-oil and arum lilies. These were depicted near life-size, producing rich detail. The layout was artistically pleasing and quite modern in concept, with the hand-colouring adding greatly to the final effect. The work was first published in 1613 and consisted of 367 copper engravings, with an average of three plants per page, so that a total of 1084 species were … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2018-10-10 13:35:12
Besler Basilius (1561 - 1629) Nuremberg
Artist: Besler Basilius ( - 1629) Nuremberg; issued in: Nuremberg; date: ca 1613. - technic: Copper print; colorit: original colored; - condition: Right margin partly folds; - size (in cm): 49 x 40; - description: Titlepage from the famous plant book of Hortus Eystettensis.1.edition of the Hortus Eystettensis, printed and issued from the Basilius Besler in Nuremberg 1613400 anniversary of the first edition! - vita of the artist: Basilius Besler (1561?1629) was a respected Nuremberg apothecary and botanist, best known for his monumental Hortus Eystettensis. He was curator of the garden of Johann Konrad von Gemmingen, prince bishop of Eichstätt in Bavaria. The bishop was an enthusiastic botanist who derived great pleasure from his garden, which was the only important European botanical garden outside Italy. The work was named Hortus Eystettensis (Garden at Eichstätt). The emphasis in botanicals of previous centuries had been on medicinal and culinary herbs, and these had usually been depicted in a crude manner. The images were often inadequate for identification, and had little claim to being aesthetic. The Hortus Eystettensis changed botanical art overnight. The plates were of garden flowers, herbs and vegetables, exotic plants such as castor-oil and arum lilies. These were depicted near life-size, producing rich detail. The layout was artistically pleasing and quite modern in concept, with the hand-colouring adding greatly to the final effect. The work was first published in 1613 and consisted of 367 copper engravings, with an average of three plants per page, so that a tot … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2018-10-07 02:01:18
GASTALDI GIACOMO/RUSCELLI GIOVANNI
1561. Copper engraving, mm 175x240. Ruscelli's mariner's map is a slightly enlarged version of the map which appeared in Gastaldi's edition of Ptolemy thirteen years earlier. It features a stipple engraved sea and numerous rhumb lines radiating from seventeen focal points. The only change seems to be the omissions of the names Tierra Del Laborador and Tierra Del Bacalaos from the mass of land joining North America to North Europe. The map contains only minimal interior detail but includes several important ports and trading posts including, Zanzibar on the east coast of Africa and Cambay, one of India's two main ocean ports, visited by Marco Polo in 1293. The Magellan Strait, at the southern tip of South America is labelled and Tierra del Fuego is shown as a very large island. The map appeared in 1562, 1564, 1574 and in Giuseppe Rosaccio's expended edition of Girolamo Russelli Geografia in 1598 and 1599. Girolamo Ruscelli's edition of Ptolemy's Geographia included newly engraved copperplates by Giulio and Livio Sanuto. A fairly good impression, good condition, very light paper discoloration at centerfold. Shirley, World, 111; Burden p. 34, Schilder p.123
Bookseller: Libreria Antiquaria Perini s.a.s. [IT]
2018-10-06 11:52:23
GASTALDI GIACOMO/RUSCELLI GIOVANNI
1561. Copper engraving, mm 190x260. This world map is included in Ruscelli's translation of Ptolemy's Geographia, printed by Vincenzo Valgrisi. It is a slightly enlarged version of the map which appeared in Gastaldi's edition of Ptolemy thirteen years earlier. The map is adapted from the oval projection used in Gastaldi's larger world map and is presented on Roger Bacon's circular projection, also used by Tramezzino's large world map of 1554. No southern continent is shown. The map clearly shows the broad mass of land joining Asia and America as Terra Incognita and the coastline as Littus Incognitum. At one time, it was believed that the printer was Valgrisi, but it is now believed that the brothers Guilio and Livio Sanuto were the source of the map. Subsequent editions appear in the 1562, 1564 and 1574 editions of Ruscelli's work. The map also appears in the 1582 edition of Lorenzo D'Anania's L'Universale Fabrica Del Mondo.First state: this map is one of two that were engraved on the same plate, printed and than separated for the book. This can be seen in the atlas by the fact that the plate mark of the map runs off the top of the page. Very good condition, dark impression, light paper discoloration at centerfold.Shirley, World 110
Bookseller: Libreria Antiquaria Perini s.a.s. [IT]
2018-10-06 08:36:13
Girolamo RUSCELLI (Viterbo 1504 - Venezia 1566)
Acquaforte e bulino, circa 1561. Magnifica prova, impressa su carta vergata coeva, con margini, in perfetto stato di conservazione. Esemplare in meravigliosa coloritura coeva. Carta tratta dalla Geographia di Claudio Tolomeo, a cura del Ruscelli, pubblicata in Venezia in più edizioni tra il 1561 ed il 1598. La carta è basata sulla medesima opera di Giacomo Gastaldi (1548), che probabilmente disegnò personalmente anche queste mappe, incise dai fratelli Livio e Giulio Sanuto. La peculiarità di queste mappe è che sono incise due per lastra e successivamente tagliate, di conseguenza il segno del rame appare solo su tre lati per ogni mappa. Il testo di Ruscelli e le sue carte sono considerate come il miglior atlante moderno fino alla prima versione del Theatrum Orbis Terrarum di Ortelius del 1570. Solo la loro enorme diffusione ne impedisce una valutazione sostenuta nel mercato antiquario. ORIGINAL COLOURING Etching with engraving, about 1561. Magnificent proof, printed on contemporary laid paper, with margins, in perfect condition. Example in wonderful contemporary coloring. The map comes from Ptolemy's Geographia, edited by Ruscelli, published in Venice in multiple editions between 1561 and 1598. The map is based on the same work of Giacomo Gastaldi (1548), which probably also personally drew these maps, engraved by the brothers Livio and Giulio Sanuto. The peculiarity of these maps is that they are recorded two for plate and subsequently cut, consequently the sign of the copper appears only on three sides for each map. The text of Ruscelli and his maps are considered as the b … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2018-10-06 08:36:13
Girolamo RUSCELLI (Viterbo 1504 - Venezia 1566)
"Carta tratta dalla ""Geographia"" di Claudio Tolomeo, a cura del Ruscelli, pubblicata a Venezia in più edizioni tra il 1561 ed il 1598. La carta è basata sulla ""Geografia"" di Giacomo Gastaldi, che probabilmente disegnò personalmente anche queste mappe, che vennero incise dai fratelli Sanuto. La peculiarità di queste mappe è che sono incise due per lastra e successivamente tagliate; questo il motivo per cui il segno del rame appare solo in tre lati della mappa. Il testo del Ruscelli e le sue carte sono considerate come il miglior atlante moderno fino alla prima versione del ""Thatrum"" di Ortelius, 1570. Solo la loro enorme diffusione ne impedisce una valutazione sostenuta nel mercato antiquario. Nell'edizione del 1574 fu sostituita da un'altra versione della stessa. Incisione in rame, in ottimo stato di conservazione." "Map, taken from Ruscelli edition of Ptolemy's ""Geographia"", printed in Venice from 1561 to 1598. Ruscelli's Atlas is an expanded edition of Gastaldi's Atlas of 1548, which has been called the most comprehensive atlas produced between Martin Waldseemüller's Geographiae of 1513, and the Abraham Ortelius Theatrum of 1570. Ruscelli and Gastaldi's maps were beautifully engraved on copper, marking a turning point in the history of cartography. From that point forward, the majority of cartographic works used this medium. As it was a harder material than wood it gave the engraver the ability to render more detail. Gastaldi sought the most up-to-date geographical information available, making the modern maps in Ruscelli's Geographia among the best modern maps of … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2018-10-06 08:36:12
Girolamo RUSCELLI (Viterbo 1504 - Venezia 1566)
Acquaforte e bulino, circa 1561. Magnifica prova, impressa su carta vergata coeva, con margini, in perfetto stato di conservazione. Esemplare in meravigliosa coloritura coeva. La mappa di Ruscelli è molto interessante per la sua rappresentazione dei cinque continenti conosciuti, legati tra loro come una superficie continua. Questa mappa presenta una proiezione della superficie terrestre già piuttosto obsoleta ai tempi della sua pubblicazione. Già in precedenza, altri cartografi, partendo da Matrin Waldseemuller nel 1507, avevano messo in dubbio l'affermazione di Colombo secondo cui Asia e America formassero un unico continente. I viaggi di Magellano e di altri esploratori, che permisero di conoscere definitivamente la reale estensione dell'oceano Pacifico, diedero ulteriore sostegno a tali dubbi, sebbene lasciassero aperta la possibilità di una connessione America-Asia a settentrione. Intorno alla metà del XVI secolo, tuttavia, anche questa ultima ipotesi venne completamente screditata, per essere rimpiazzata dall'idea di un ipotetico "stretto di Anian". Altra interessante caratteristica di questa mappa è l'intreccio di "linee dei sestanti" radianti da 16 punti focali. Il sestante era uno strumento indispensabile per misurare e tracciare, la rotta di navigazione. In questo caso, le linee tracciate sulla mappa sono esclusivamente ornamentali e illustrative, in quanto la carta è troppo piccola per poter essere funzionale. Carta tratta dalla Geographia di Claudio Tolomeo, a cura del Ruscelli, pubblicata in Venezia in più edizioni tra il 1561 ed il 1598. La carta è basata sulla … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2018-10-06 08:36:12
Girolamo RUSCELLI (Viterbo 1504 - Venezia 1566)
Acquaforte e bulino, circa 1561. Magnifica prova, impressa su carta vergata coeva, con margini, in perfetto stato di conservazione. Esemplare in meravigliosa coloritura coeva. Carta tratta dalla Geographia di Claudio Tolomeo, a cura del Ruscelli, pubblicata in Venezia in più edizioni tra il 1561 ed il 1598. La carta è basata sulla medesima opera di Giacomo Gastaldi (1548), che probabilmente disegnò personalmente anche queste mappe, incise dai fratelli Livio e Giulio Sanuto. La peculiarità di queste mappe è che sono incise due per lastra e successivamente tagliate, di conseguenza il segno del rame appare solo su tre lati per ogni mappa. Il testo di Ruscelli e le sue carte sono considerate come il miglior atlante moderno fino alla prima versione del Theatrum Orbis Terrarum di Ortelius del 1570. Solo la loro enorme diffusione ne impedisce una valutazione sostenuta nel mercato antiquario. ORIGINAL COLOURING!!!! Etching with engraving, about 1561. Magnificent proof, printed on contemporary laid paper, with margins, in perfect condition. Example in wonderful contemporary coloring. The map comes from Ptolemy's Geographia, edited by Ruscelli, published in Venice in multiple editions between 1561 and 1598. The map is based on the same work of Giacomo Gastaldi (1548), which probably also personally drew these maps, engraved by the brothers Livio and Giulio Sanuto. The peculiarity of these maps is that they are recorded two for plate and subsequently cut, consequently the sign of the copper appears only on three sides for each map. The text of Ruscelli and his maps are considered as t … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2018-10-06 08:36:12
Girolamo RUSCELLI (Viterbo 1504 - Venezia 1566)
1561. La mappa di Ruscelli è molto interessante per la sua rappresentazione dei cinque continenti conosciuti, legati tra loro come una superficie continua. Questa mappa presenta una vista della superficie terrestre già piuttosto obsoleta ai tempi della sua pubblicazione. Già in precedenza, altri cartografi, partendo da Matrin Waldseemuller nel 1507, avevano messo in dubbio l'affermazione di Colombo secondo cui Asia e America fossero un unico continente. I viaggi di Magellano e altri esploratori, che permisero di conoscere definitivamente la reale estensione dell'oceano Pacifico, diedero ulteriore sostegno a tali dubbi, sebbene lasciassero aperta la possibilità di una connessione amer-asiatica a settentrione. Intorno alla metà del XVI secolo, tuttavia, anche questa ultima ipotesi venne completamente screditata, per essere rimpiazzata dall'idea di un ipotetico "stretto di Anian". Altra interessante caratteristica di questa mappa è l'intreccio di "linee dei sestanti" radianti da 16 punti focali intorno alla mappa. Le linee dei sestanti erano strumenti di navigazione che aiutavano a mantenere la medesima posizione della bussola per raggiungere un qualsiasi punto di una linea da un altro punto della medesima. Queste sono semplicemente ornamentali e illustrative, in quanto la mappa è troppo piccola per essere funzionale. Questa mappa è stata pubblicata da Ruscelli nella edizione della Geographia di Tolomeo del 1561, per essere poi ristampata fino al 1599. Incisione in rame, molto contrastata, con toni tenui lungo la piega centrale e due fori restaurati al centro, in ottime condiz … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2018-10-06 08:36:12
Girolamo RUSCELLI (Viterbo 1504 - Venezia 1566)
Carta tratta dalla Geographia di Claudio Tolomeo, a cura del Ruscelli, pubblicata in Venezia in pù edizioni tra il 1561 ed il 1598. La carta è basata sulla Geographia di Giacomo Gastaldi, che probabilmente disegnò personalmente anche queste mappe, che vennero incise dai fratelli Sanuto. La peculiarità di queste mappe è che sono incise due per lastra e successivamente tagliate; questo il motivo per cui il segno del rame appare solo in tre lati della mappa. Il testo del Ruscelli e le sue carte sono considerate come il miglior atlante moderno fino alla prima versione del Thatrum di Ortelius, 1570. Solo la loro enorme diffusione ne impedisce una valutazione sostenuta nel mercato antiquario. Early map of the North Atlantic Ocean depicting many fictions islands. Girolamo Ruscelli's edition of Ptolemy's Geographia included newly engraved copperplates by Giulio and Livio Sanuti. The curious fact is that this map is one of two that were engraved on the same plate, printed and than separated for the book. This can be seen in the atlas by the fact that the plate mark of the map runs off the top of the page. In 1574 a new plate was used which lasted until the final edition of 1599. The most significant map in Ruscelli's atlas is his Septentrionalium Partium Nova Tabula map, which is based upon the Zeno map of the North Atlantic, first included in a 1558 travel book, which describes a pre-Columbian voyage to the New World in 1380 by Ventians Nicolo and Antonio Zeno. The map introduces many new fictitious islands in great detail, including Frisland (with 32 places named), Deogeo, Estotil … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2018-10-06 08:36:12
Girolamo RUSCELLI (Viterbo 1504 - Venezia 1566)
1561. Carta tratta dalla Geographia di Claudio Tolomeo, a cura del Ruscelli, pubblicata in Venezia in pù edizioni tra il 1561 ed il 1598. La carta è basata sulla Geographia di Giacomo Gastaldi, che probabilmente disegnò personalmente anche queste mappe, che vennero incise dai fratelli Sanuto. La peculiarità di queste mappe è che sono incise due per lastra e successivamente tagliate; questo il motivo per cui il segno del rame appare solo in tre lati della mappa. Il testo del Ruscelli e le sue carte sono considerate come il miglior atlante moderno fino alla prima versione del Theatrum di Ortelius, 1570. Solo la loro enorme diffusione ne impedisce una valutazione sostenuta nel mercato antiquario. Buon esemplare. A nice example of Ruscelli's map of the world from his Geografia, the first double hemisphere world map to appear in an Atlas. One of two modern world maps in Ruscelli's Geografia, based upon Gastaldi's world map of 1548. The map is a copper plate engraving by Sanuto. The map is adapted from the oval projection used in Gastaldi's larger world map and is presented on Roger Bacon's circular projection, also used by Tramezzino's large world map of 1554. No southern continent is shown. The map clearly shows the broad mass of land joining Asia and America as Terra Incognita and the coastline as Littus Incongmitum. At one time, it was believed that the printer was Valgrisi, but it is now believed that the brothers Guilio and Livio Sanuto were the source of the map. Subsequent editions appear in the 1562, 1564 and 1574 editions of Ruscelli's work. The map also appears in the … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2018-10-06 08:36:12
Girolamo RUSCELLI (Viterbo 1504 - Venezia 1566)
Acquaforte e bulino, circa 1561. Magnifica prova, impressa su carta vergata coeva, con margini, in perfetto stato di conservazione. Esemplare in meravigliosa coloritura coeva. Carta tratta dalla Geographia di Claudio Tolomeo, a cura del Ruscelli, pubblicata in Venezia in più edizioni tra il 1561 ed il 1598. La carta è basata sulla medesima opera di Giacomo Gastaldi (1548), che probabilmente disegnò personalmente anche queste mappe, incise dai fratelli Livio e Giulio Sanuto. La peculiarità di queste mappe è che sono incise due per lastra e successivamente tagliate, di conseguenza il segno del rame appare solo su tre lati per ogni mappa. Il testo di Ruscelli e le sue carte sono considerate come il miglior atlante moderno fino alla prima versione del Theatrum Orbis Terrarum di Ortelius del 1570. Solo la loro enorme diffusione ne impedisce una valutazione sostenuta nel mercato antiquario. ORIGINAL COLOURING!!!! Etching with engraving, about 1561. Magnificent proof, printed on contemporary laid paper, with margins, in perfect condition. Example in wonderful contemporary coloring. The map comes from Ptolemy's Geographia, edited by Ruscelli, published in Venice in multiple editions between 1561 and 1598. The map is based on the same work of Giacomo Gastaldi (1548), which probably also personally drew these maps, engraved by the brothers Livio and Giulio Sanuto. The peculiarity of these maps is that they are recorded two for plate and subsequently cut, consequently the sign of the copper appears only on three sides for each map. The text of Ruscelli and his maps are considered as t … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2018-10-06 07:34:58
3 vol. in folio. Bellissima legatura in piena pergamena, tasselli rossi con titoli e fregi dorati al dorso, tagli rossi. Interessante opera inerente gli Statuti Bolognesi, molto rara a trovarsi in queste stupende condizioni.primo volumeStatutorum inclyte civitatis studiorum'que matris Bononiae. Cum scholiis d. Annibalis Monterentii iureconsulti Bononiensis Tomus PrimusBononiae, Typis Ioannis Rubei. 1561In folio, pp. (8), (1 bianca), (42 di Index), 455, (1), bel frontespizio con Mercurio incorniciato e scritta: "caelo demissus ab alto.", stemma cardinalizio adornato con angeli in 3° delle prime 8 pag., bellissimo insieme di stemmi incorniciati con dicitura: "non poterit nec edax abolere vetus tas", capilettera, Mercurio nell'ultima pagina.Unito a: Sanctionum, ac provisionum inclyte civitatis, studiorumq. matris Bononiae, cum doctissimis, ccuratissimisque scholiis excellentissimi L.V.D. Tomus SecundusBononiae, Apud Ioannem Rossium, sub insigne Mercurrij. 1569In folio, pp. (4), 345, (3), bel frontespizio con Mercurio incorniciato e scritta: "caelo demissus ab alto", segue al retro bellissimo stemma Boncompagni, capilettera, Mercurio nell'ultima pag.secondo volumeSanctionum ad causas criminales spectantium. Inclytae Civitatis, Studiorumquè matris Bononiae. Tomus secundus. Cum doctissimis, accuratissimisq, Scholijs Excellentissimis D. Annibalis Monterentij I.V.D. Bononiensis. Et cum locuplentissimo Indice Alphabetico. Additaq' insuper Bulla Pii Quinti Pont. Max. contra homicidas, bannitos, et alios facinorosos homines.Bononiae, Apud Ioannem Rossium. 1577In folio, pp. (4), (6 di … [Click Below for Full Description]
Bookseller: Libreria Trippini Sergio [IT]
2018-10-06 01:28:13
CUSPINIANUS Johannes
- per Ioannem oporinum & Nicolaum Brylingerum., Basilae (Bâle) [1561], in-folio (32x21cm), (28) 638pp. , 239pp. (36)., relié. - Prima edizione contenente le osservazioni Wolfgang Hunger. L'edizione precedente data. Data 1561 1540 è la fine della dedicazione di Albert Reyffenstain, l'editore del libro. Oltre al testo principale, il libro include l'autore Diarum, De Caesaris congressu maximiliani Augusti, e Trium Regum, Hungaria, Bohemiae, e Poloniae, Vladislai, Ludovici, ac ... Di origine turcurum Sigismundi Quibus itineribus Turci sint aggrediendi Felix Petiantus. Annotationnes stampati in due colonne, l'indice 4. Belles e molte iniziali. XVII Vitello pieno. Torna lavorato in rilievo. Bordo in pizzo sulle coperture. Parte del titolo in marocchino rosso. La porta tappo testa senza gravità intoppo. I piatti hanno alcuni graffi. Manca l'ultimo foglio di indice comprese le lettere W, X, Y, Z. Copiare le braccia di François Duc d'Argouges (Normandia), vescovo di Vannes, figlio di Francesco, primo presidente del Parlamento della Gran Bretagna, è stato nominato Vescovo di Le valvole a dicembre 1687 oro Torn. ed azzurro, tre di rosso cinquefoils, poste due e uno che sormonta il tutto. Johannes ha detto Spiesshaymer Cuspinianus o Cuspinian (1473-1529) ha scritto la storia degli imperatori romani fino a Giustiniano, i Bizantini e il germanico imperatori romani imperatore. Viennese umanista famoso nel suo tempo, il suo ritratto è stato creato da Cranach è il museo di Vienna, che era sia uno storico, poeta e diplomatico, scienziato, la poetica degli insegnanti e la retorica, così come … [Click Below for Full Description]
Bookseller: Librairie Feu Follet [FR]
2018-10-03 07:09:12
:
I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. 1561 Theognis of Megara + 1632 Homer's Iliad GREEK TEXTS Poetry ROME Mythology 2 Works in 1 Binding / Neither Found Selling Worldwide! The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Homer is the traditionally-credited creator of the Iliad and the Odyssey, revered as the greatest of Greek epic poets. These epics lie at the beginning of the Western canon of literature and have had an enormous influence on the history of literature. Theognis of Megara (Greek: Theognis ho Megareus) was a Greek lyric poet active in approximately the sixth century BC. The work attributed to him consists of gnomic poetry quite typical of the time, featuring ethical maxims and practical advice about life. We do not find any other examples of either of these works bound with or without each other anywhere else worldwide! 16th-centry printings of Theognis are extremely rare! Main author: Homer Title: Homeri Iliados Libri A. B. G. D. Published: Lipsiae Müllerus Lipsiae Ritzsch Leipzig, 1632. Main author: Theognis Title: Theognidis Megarensis Sententiae elegiacae : cum interpretatione & scholijs Eliae Vineti : accesserunt et horum poetarum opera sententiosa: Phocylidis, Pythagorae, Solonis, Tyrtaei, Naumachij, Callimachi, Mimnermi, Eueni, Rhiani, … [Click Below for Full Description]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2018-09-28 07:54:48
LUTHER, Martin
1561. I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. "Even if I knew that tomorrow the world would go to pieces, I would still plant my apple tree." ― Martin Luther Martin Luther is one of the most iconic and well-recognized figures of the Protestant Reformation. His theological teachings which rejected many of the Roman Catholic Church's doctrines were polarizing in the development of Renaissance Protestantism. He translated the Bible into German and added commentary which would influence how the Bible was translated in centuries moving forward. This work is the sixth volume from the works of Luther from Jena, which includes collected writings of Luther from 1533-38. The binding of this impressive work features blind-embossed portraits of Luther and Melanchthon with the date 1663(age of the binding). [Attributes: First Edition]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2018-09-28 01:17:51
LUTHER, Martin
I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. 1561 1st ed Martin Luther BIBLE & Commentary on Genesis Protestant Melanchthon "The very simple meaning of what Moses says, therefore, is this: everything that is, was created by God." ― Martin Luther, Lectures on Genesis Biblical commentaries by Martin Luther are extremely important to the history of the Protestant church. In fact, these commentaries, along with his '95 Theses,' are still printed into the 21st-century and used in theological schools, for preachers, and in seminaries. This Old Testament commentary on the book of Genesis includes a preface by Philipp Melanchthon, who was a collaborator with Martin Luther during the Protestant Reformation. Luther's commentary on Genesis has something to offer that modern theologians do not - he established a framework on how commentaries should be authored. According to James Nestingen, "Luther's own exploration of the narrative [of Genesis] offers a model for a living conversation with the text in which the story line can be recovered." (p. 195) The Genesis Commentary was a culmination of lectures and sermons which Luther had been giving for nearly a decade, beginning in 1535. These commentaries were attacked by the Catholic Church, as heresy, but with the partnership Luther and Melanchthon had, they were able to defend their work - a work that has withstood criticism for hundreds of years. Supremely rare first edition with wood engraved, illustrated title page. [Attributes: First Edition]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2018-09-27 11:07:57
FLORIMNOTE, Galeazzo
1561. I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. "The world is a book and those who do not travel read only one page." ― Augustine of Hippo An early edition of Galeazzo Florimonte's collection of important sermons by Saint Augustine and other preachers translated into Italian. This work includes important sermons and homilies of Saint Cyprian, Pope Gregory I, Saint Chrysostom, Saint Basel, and Saint Ambrosio. [Attributes: First Edition]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2018-09-27 11:07:56
LUTHER, Martin
1561 1st ed Martin Luther BIBLE & Commentary on Genesis Protestant Melanchthon "The very simple meaning of what Moses says, therefore, is this: everything that is, was created by God." ― Martin Luther, Lectures on Genesis Biblical commentaries by Martin Luther are extremely important to the history of the Protestant church. In fact, these commentaries, along with his '95 Theses,' are still printed into the 21st-century and used in theological schools, for preachers, and in seminaries. This Old Testament commentary on the book of Genesis includes a preface by Philipp Melanchthon, who was a collaborator with Martin Luther during the Protestant Reformation. Luther's commentary on Genesis has something to offer that modern theologians do not - he established a framework on how commentaries should be authored. According to James Nestingen, "Luther's own exploration of the narrative [of Genesis] offers a model for a living conversation with the text in which the story line can be recovered." (p. 195) The Genesis Commentary was a culmination of lectures and sermons which Luther had been giving for nearly a decade, beginning in 1535. These commentaries were attacked by the Catholic Church, as heresy, but with the partnership Luther and Melanchthon had, they were able to defend their work - a work that has withstood criticism for hundreds of years. Supremely rare first edition with wood engraved, illustrated title page. [Attributes: First Edition]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2018-09-27 02:02:49
Luther, Martin
1561 Martin Luther 'Works..Tome 6' SUPERB BINDING. Reformation/Bible/Theology. 1561 Martin Luther 'Works..Tome 6' SUPERB BINDING. Reformation/Bible/Theology. Click images to enlarge Description 'Tomus Sextus Omnium Operum Reverendi Domini Martini Lutheri, Doctoris Theologiae, Continens Enarrationes In Primum Librum Mose, Sontem Librorum Propheticorum & Apostolicorum, Plenas Salutaris & Christianae Eruditionis. Lucae XVI. Habent Mosen & Prophetas, Audiant lllos' By Martin Luther [1483-1546]. Wittenberg: Excudebat Laurentius Schuenck. Dated: 1561. Thick folio [13.00'' tall x 9.00'' wide x 4.00'' thick]. Collates complete as per USTC/Worldcat records [28], 749 leaves. A very good, solid and clean copy in the main. Minor light marks, blemishes or insignificant reading wear only. Handful of leaves at the close with some watermarks. The odd patch of light toning or browning else a very nice clean copy. Bound in a superb, full contemporary blind stamped binding with bevelled oak boards. Remainder of original hasps. Some upper & lower leather repairs. Heavy raised bands. Outer leather cracked but joints firm and solid. An extremely attractive period binding indeed. ​*********************************************** Buy with confidence. At Humber Books we have been retailing 17th.C. theology and Bibles worldwide since 1972. ********************************************** Get images that make Supersized seem small.Tailor your auctions with Auctiva's Listing Templates! THE simple solution for eBay sellers. .aucCounter a { text-decoration:none; }.aucCounter span:hover { text-decoration:un … [Click Below for Full Description]
Bookseller: humber-books [Kingston Upon Hull, GB]
2018-09-25 17:50:19
London: Laurence King Publishing, 1561. Condition: Like New. [Attributes: Soft Cover]
Bookseller: smeikalbooks_ltd [Hemel Hempstead, GB]
2018-09-25 15:39:27
Dubois (Sylvius), Jacques.
Paris, Aegidius Gorbin, 1561. 8vo. 76 ff. - (Bound with) II: The same. Commentarius in Claudii Galeni de ossibus ad tyrones libellum [...]. Ibid., 1561. 37, (3) ff. Contemporary limp vellum (wanting ties). Two medical textbooks by the Parisian anatomist Dubois, widely used by French medical students in the mid-16th century. The present volume is heavily annotated by a contemporary owner who signs his name as "Mirard" (?) on the first title-page. The annotations are particularly extensive in the sections on blood vessels, muscles, and nerves. Dubois (1478-1555, Latinized as "Sylvius") was the first to describe venous valves, which he injected with coloured liquids (although their function was discovered only later by William Harvey), and is credited with first having given names to the various muscles, previously simply numbered. His blind reverence for the ancient physicians, especially Galen, involved him in a public controversy with his most famous student, Vesalius, who had dared to expose the errors of the Greeks. A former classicist, Dubois is also the author of the first French grammar to be published in France. - Some waterstaining near end, the final leaf showing severe paper flaws with some loss to the index. The first 50 ff. show noticeable worming to the gutter, stronger near the beginning, but mostly without loss to text. An additional handwritten ownership from Montpellier, another center of French medical learning (signed "G. B. Minet", dated 1709), at the bottom of the title page. - Durling 1259 & 1236. Wellcome I, 6183 & 6184. Adams S 2181 & S 2170. OCLC 143 … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-09-15 09:17:07
Chaucer, Geoffrey [ed. John Stowe]
London: John Kyngston for John Wight, 1561. First Thus. First edition by John Stowe and fifth edition overall. Folio in sixes (pages 308 x 207 mm), collating [10], 378: complete. Black letter in two columns with 56 lines. A pleasing copy of this rare book, with some marginal notes and minor restration to title page and 5 other leaves. Decorative woodcuts initials throughout as well as Chaucer's woodcut arms dated 1560 on title and divisional titles A1 and Aa1 featured within larger woodcuts of the genealogies of the houses of York and Lancaster. Very early blind ruled calf binding with two clasps, expertly rebacked and retaining original spine, with manuscript title on the spine re-inked. Clasps with original hardware and newer thongs. Binding work and endpapers done by Zaehnsdorf. A handsome copy of one of the most important literary works in the English language. Stowe's edition is found in two issues, with different title pages and with or without woodcuts in the Prologue. The priority of the two issues has been debated, with one authority arguing that the printer came into possession of the cuts belatedly, and this unillustrated issue appeared first (see David R. Carlson, "The Woodcut Illustrations in Early Printed Editions of Chaucer's Canterbury Tales", in Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures, British Library, 2003). The unillustrated issue is the more common of the two. A sumptuous collection of literature from one of England's greatest early masters. Geoffrey Chaucer is credited with setting the style of Middle English literatu … [Click Below for Full Description]
Bookseller: Whitmore Rare Books [USA]
2018-09-15 01:24:09
RUZZANTE, (BEOLCO) Angelo.
Vinegia, Dom. de Farri, 1561. 3 opere in un vol. in-8, leg. ottoc. m. marocch. e ang., tit. oro al dorso. Edizione di notevole pregio e rarità, tra le prime di queste commedie (rispettivamente forse terza, quarta e quinta; l'originale delle prime due apparve nel 1551, la ''Piovana'' nel 1548). Si compongono tutte di cinque atti in prosa, senza distinzione di scene ed hanno le stesse caratteristiche tipogr., ciè impresa tipogr. sul tit. ed in fine (la Vaccaria solo sul tit.), iniz. silogr., car. corsivo. - I) Vaccaria. Comedia del Famosissimo Ruzzante, non meno arguta, che piacevole; pp. 95 (per errore num. 102). Probabile terza edizione (la prima apparve a Venezia, Stephano di Alessi, 1551). Scritta in dialetto veneziano e padovano, s'ispira alla ''Asinaria'' di Plauto, pur staccandosene nel finale. - II) Anconitana, comedia; pp. 77, (1). Probabile quarta edizione (la prima è del 1551) di questa commedia dall'intreccio molto complesso, scritta in parte in dialetto padovano e veneziano. - III) Piovana, comedia overo noella del Tasco; ff. 54. E' forse la quinta edizione (la prima fu pubblicata dal Giolito nel 1548) di questa arguta e vacissima commedia, dalla trama complicatissima, ispirata al ''Rudens'' di Plauto e allo ''Heautontimoroumenos'' di Terenzio; scritta interamente in dialetto padovano, viene considerata una delle più riuscite dell'autore, il quale nel prologo spiega perché ha adoperato il dialetto padovano e la lingua ''Pavana grossa''. - Importante assieme di questi lavori teatrali di Angelo Beolco (Padova 1502 - 1542), detto Ruzzante dal nome di un personaggio … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [IT]
2018-09-14 08:00:48
GREVIN (Jacques).
n-8 de (12)ff., 328pp. Rel. plein veau blond du XIXème, dos lisse orné de palettes dorées à froid, encadrement d’un filet doré et d’une guirlande à froid sur les plats, roulette dorée sur les coupes, roulette dorée intérieure, tranches dorées (rel. accidentée, charnières fendues, coins usés, traces de brulures en bas du dos et bordure inf. des plats, manque angulaire comblé au bas du feuillet de titre, avec légères atteintes au texte, qqs. mouillures et brunissures sur les 4 derniers feuillets, rogné un peu court en tête avec quelques atteintes au titre courant). Reliure à restaurer. Edition originale. Seconde émission avec le titre renouvelé (la première est datée 1561). Cette édition comprend les œuvres dramatiques de Jacques Grévin, qui fut, avec Jodelle, le rénovateur du théâtre français de la Renaissance. Elle renferme une tragédie, César, et deux comédies, La Trésorière et Les Esbahis. La seconde partie du volume contient la suite de l’Olimpe et la suite de la Gélodacrie, recueils de poèmes (sonnets, odes, chansons, etc ) dont une première partie avait été imprimée en 1560. Dans les pièces liminaires, on remarque une belle élégie de Ronsard à Jacques Grévin. Exemplaire bien complet du portrait de l’auteur, gravé sur bois, attribué à Nicolas Denisot (certains bibliographes l’attribuent aussi à François Clouet). L’ouvrage se termine par les traductions en grec et en latin de quelques sonnets et autres opuscules de J. Grévin, par Jean Dorat et Florent Chrétien. [Attributes: First Edition; Hard Cover]
Bookseller: Librairie Le Jardin des Muses [Saint-Pierre du Val, NORMA, France]
2018-09-14 07:51:47
FRANCO, Pierre.
Thibauld Payan, Lyon, 1561. Second edition, almost four times the length of the first (1556), with 25 new illustrations including 22 instruments and three full skeletons. This is Franco?s major work, very rare, a copy in an untouched contemporary binding and with a fine provenance. ?Pierre Franco, creator of suprapubic lithotomy cataract operation and surgical repair of hernia with preservation of the testis, is considered to be one of the greatest surgeons of the Renaissance and a forerunner of urology? (Androutsos, p. 255). ?Franco was influential in bringing operative surgery back into the realm of regular surgical practice, recapturing it from the ignorant hands of charlatans and itinerant ?cutters.? His major interest was in hernia surgery, to which he introduced several important innovations including an operation preserving the testicle (which was usually removed), a less risky incision at the base of the scrotum and methods for the surgical release of strangulated hernia. Franco was also the first surgeon to address himself seriously to the removal of bladder stones; he gave an account of perineal lithotomy and was the earliest to describe and perform the suprapubic incision? (Norman). Only two copies recorded on ABPC/RBH in the last 80 years. The only other copy we have located in commerce is in Ernst Weil?s catalogue 5 (ca. 1947), no. 93 (?of great rarity?, £100). OCLC lists copies in US at Chicago, Harvard, Indiana and West Virginia.?A less well known French-born contemporary of Paré, but one who well deserves our recognition as a shining star of Renaissance surg … [Click Below for Full Description]
Bookseller: SOPHIA RARE BOOKS [Koebenhavn V, Denmark]
2018-09-13 13:59:10
REGIOMONTANUS, SANTBECH, Daniel
Basel, (Heinrich Petri & Peter Perna, 1561). ______ Format : In-folio. [308 x 205 mm] Collation : (8), 146, (38) pp. Reliure : Maroquin citron, dos à nerfs orné du chiffre de Thou, plats aux armes du même, encadrements dorés, (Reliure de l'époque.). ____ Première édition donnée par Daniel Santbech de cet ouvrage de Regiomontanus. Il l'a revu et commenté à la lumière des découvertes de Copernic. Rédigé en 1464, ce texte n'a été publié pour la première fois qu'en 1533 à Nuremberg. Illustré de très nombreux bois gravés dans le texte. Relié à la suite : SANTBECH. Problematum astronomicorum et geometricorum sectiones septem... Basileae, Per Henrichum Petri, et Petrum Pernam, 1561. In-folio de (20), 294, (2) pp. Première édition. Une suite de l'ouvrage précédent, qui traite des applications pratiques. La plus grande partie est consacrée à l'astronomie et ses instruments. L'auteur traite aussi des cadrans solaires, de géographie, de navigation, d'arpentage, de balistique... Le mathématicien et astronome Daniel Santbech était hollandais. En 1651, Riccioli a donné son nom à un cratére de la Lune. Relié avec : - REGIOMONTANUS, PEURBACH. In Ptolemaei magnam compositionem, quam almagestum vocant, libri tredecim. Conscripti à Joanne Regiomontano ... ; in quibus vniversa doctrina de coelestibus motibus, magnitudinibus, eclipsibus &c., in epitomen redacta, proponitur. Nuremberg, J. Berg, U. Neuber, 1550. In-folio de (116) ff. Troisième édition de la première traduction complète, donnée par Peurbach et Regiomontanus à partir d'un manuscrit grec découvert à Byzance. (La première Venise, 149 … [Click Below for Full Description]
Bookseller: Hugues de Latude [FRANCE]
2018-09-12 20:58:22
REGIOMONTANUS, SANTBECH, Daniel
(Heinrich Petri & Peter Perna), Basel. ______ Format : In-folio. [308 x 205 mm] Collation : (8), 146, (38) pp. Reliure : Maroquin citron, dos à nerfs orné du chiffre de Thou, plats aux armes du même, encadrements dorés, (Reliure de l'époque.). ____ Première édition donnée par Daniel Santbech de cet ouvrage de Regiomontanus. Il l'a revu et commenté à la lumière des découvertes de Copernic. Rédigé en 1464, ce texte n'a été publié pour la première fois qu'en 1533 à Nuremberg. Illustré de très nombreux bois gravés dans le texte. Relié à la suite : SANTBECH. Problematum astronomicorum et geometricorum sectiones septem. Basileae, Per Henrichum Petri, et Petrum Pernam, 1561. In-folio de (20), 294, (2) pp. Première édition. Une suite de l'ouvrage précédent, qui traite des applications pratiques. La plus grande partie est consacrée à l'astronomie et ses instruments. L'auteur traite aussi des cadrans solaires, de géographie, de navigation, d'arpentage, de balistique. Le mathématicien et astronome Daniel Santbech était hollandais. En 1651, Riccioli a donné son nom à un cratére de la Lune. Relié avec : - REGIOMONTANUS, PEURBACH. In Ptolemaei magnam compositionem, quam almagestum vocant, libri tredecim. Conscripti à Joanne Regiomontano . ; in quibus vniversa doctrina de coelestibus motibus, magnitudinibus, eclipsibus &c., in epitomen redacta, proponitur. Nuremberg, J. Berg, U. Neuber, 1550. In-folio de (116) ff. Troisième édition de la première traduction complète, donnée par Peurbach et Regiomontanus à partir d'un manuscrit grec découvert à Byzance. (La première Venise, 1496, la 2e Bâl … [Click Below for Full Description]
Bookseller: Hugues de Latude [Paris, France]
2018-09-04 07:22:43
Geoffrey Chaucer
[London]: [Ihon Kyngston, for Ihon Wight], 1561. Fourth Folio Edition. Full Leather. Near Fine binding. Folio. The Fourth Folio Edition, or "Black Letter Edition", of Chaucer's "Canterbury Tales" and "Romaunt of the Rose," among other works; titled The Woorkes of Geffrey Chaucer [sic]. Title page illustrated with Chaucer's coat of arms, above a couplet: "Vertue florisheth in Chaucer still, though death of hym,hath wrought his will." Dated 1560 in the shield of arms on the title page; publication data taken from a near-identical listing in the ESTC. Elaborate divisional title for Romaunt is present, as is the woodcut of a knight between two columns at the start of The Canterbury Tales. [Fleuron]4 A-V6 2A-2P6 2Q-2T6 2V-2X6 2Y-2Z6 3A-3T6 3V8. Lacking A1 and 3V(7- 8), being the divisional title page for The Canterbury Tales, the colophon, and perhaps a final leaf; a blank leaf is present. [9], 376, [1] ff. Leaves have been trimmed, in some cases, closely. New period style binding, black leather with raised bands and lettering stamped in gilt on the spine. (ESTC S107207 ). Near Fine binding.
Bookseller: Black Swan Books, Inc. [U.S.A.]
Check availability:
2018-08-26 23:59:02
Chaucer, Geoffrey (John Stow)
London Ihon Kyngston, for Ihon Wight, dwellyng in Poules Churchyarde 1561. Fourth collected edition. Conforming to STC 5076. of the two issues of 1561 it is the one without the woodcuts to the Prologues. Debate rages on as to which takes precedence, but market forces dictate this to be the less desirable of the two issues, regardless of whether it is the earlier or later. It Is the more common and prices achieved at auction indicate that people agree with Alice's view that: "What is the use of a book [ ] without pictures ". This copy lacks the first three prelims, the title page and the last page to the rear (3v8). It is bound in panelled leather boards, probably from the eighteenth century, with later morocco re-spine and red spine label, probably from the late nineteenth or early twentieth century. The binding is firm and the book eminently handleable, the boards are bumped and rubbed with a few knocks, and here and there a glint of gilt hints that the decoration was one more elaborate than it now appears, the spine is slightly rubbed and bumped. The text is toned, some leaves are stained, the early and later pages are frayed to the edges, there are tears to a few pages, some with old archival repairs and there is some loss to the text in a few instances. Marginalia abounds throughout in the form of corrections, annotations, underlinings and general scribbling, though sadly at the last re-bind the block was evidently cut down quite dramatically causing loss to the marginalia as well as less serious loss to the top of a few page headers. The notable antiquarian and histori … [Click Below for Full Description]
Bookseller: J and M Books Limited [Liverpool, United Kingdom]
2018-08-11 19:04:23
LODOVICO COLLADO
Ex Tipografia Ioannis Mey. Bien. Encuadernación de tapa blanda. 1ª Edición. Valencia. 307 Pág + 2h. 15x10. Por Luis Collado. 1561. Médico Galeno, el mas importante de la antigüedad despues de Hipócrates. El supremo inicia del cuidado en la medicina. Manchas humedad (fotos). Una Obra Rarísima. Ref 5.5 Biblioteca AD. N° de ref. de la librería ABE-12401994310
Bookseller: Libreria Anticuaria Marc & Antiques, Sr. Marc Castro Clop Biblióf [ES]
2018-08-10 08:58:59
Geoffrey Chaucer | William Thynne; John Stow (Editor)
[London]: [Ihon Kyngston, for Ihon Wight], 1561. Fourth Folio Edition. Full Leather. Near Fine binding. Folio. The Fourth Folio Edition, or "Black Letter Edition", of Chaucer's "Canterbury Tales" and "Romaunt of the Rose," among other works; Fifth Edition overall; titled The Woorkes of Geffrey Chaucer [sic]. One of two states, priority inconclusive; the variant is titled "The Works...1561", with twenty two woodcut illustrations added to the Prologue; the common consensus being that the publisher came into possession of the woodcuts belatedly, and a second state was printed which inserted the illustrations; six additional leaves signed with a Maltese cross. Despite this, the STC 2nd Edition lists the presumed first issue as 5076 and the more illustrated variant as 5075, without discussing reasons for this priority. This state's title page is illustrated with a woodcut of Chaucer's coat of arms, with "1560" at the top, all above a couplet: "Vertue florisheth in Chaucer still, though death of hym,hath wrought his will." Elaborate divisional title for Romaunt is present, featuring the house of York and Lancaster, as is the woodcut headpiece of a knight between two columns at the start of The Canterbury Tales. [Fleuron]4 A-V6 2A-2P6 2Q-2T6 2V-2X6 2Y-2Z6 3A-3T6 3V8. Lacking A1 and 3V(7- 8) , being the divisional title page for The Canterbury Tales, and two final leaves, which includes the colophon; a blank leaf is present at the rear. [9], 376, [1] ff. Text in two columns, with attractive woodcut initials. Trimming to the top edges of a number of leaves, affecting the foliati … [Click Below for Full Description]
Bookseller: BLACK SWAN BOOKS, INC., ABAA, ILAB [Richmond, VA, U.S.A.]
2018-08-08 06:15:29
Gastaldi, Giacomo.
Venice and Rome, A. Lafreri and G. Gastaldi, 1561. Together 3 maps, each on two sheets joined (447 x 744 mm; 480 x 752 mm; 480 x 732 mm). Stored in custom-made half morocco case with gilt title to spine. Gastaldi's mapping of Asia, published in three parts, is considered one of the most influential cartographical ventures in the 16th century. All three maps would go on to be prototypes for the depiction of the region well into the early 18th century. As official cosmographer to the Venetian Republic, Gastaldi had access to the most up-to-date geographical information in compiling his maps, which represent the most accurate and detailed renderings of their time. Having been established in the city for two decades, by the late 1550s Gastaldi was devising the large-scale monumental masterpieces that would confirm his legacy. The travels of Marco Polo, published in Ramusio's "Navigationi et viaggi", heavily influenced Gastaldi's geography of these three maps, which are considered to be far superior to all previous maps of Asia. The "Prima Parte" covers Asia Minor and the Levant coast to Afghanistan, including Persia, northern Arabia, and the Caspian Sea; the second map centers on the Arabian Peninsula extending from the Horn of Africa to Calcutta; while the third and final part provides a magnificent perspective of India, the Malay Peninsula, and southern China. - The first part, in the second state, is printed by Lafreri in Rome, the other two are published in Venice by Gastaldi himself. All maps show vertical crease folds, some reinforced on verso, first map remargined at low … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-07-17 06:53:21
Dolce, Lodovico.
Appresso Gabriel Giolito de' Ferrari, 1561. Sole edition of Venetian polygraph and humanist Dolce's "Life of Joseph." Gabriel Giolito, one of the most prolific Italian printers of the 16th century, exercised great influence on his contemporaries and successors in the form and decoration of books; this offering is luxuriously printed in single columns using a larger italic type, with only three stanzas of ottava rima per page, and has his sizable woodcut printer's device on the title-page as well as a different device on the final leaf. Each of the three books of the "Life" begins with a different half-page woodcut scene from the story, each with a three-element woodcut border. In each case the top element is the same, but the side elements differ. Additional woodcuts include four different historiated initials and head- and tailpieces. => The "Giuseppe" here is Old Testament-Joseph, not the father of Jesus; and the three touchstones of his life illustrated are his being sold from the well into slavery, his escape from Potiphar's wife (very vigorous), and his ultimate kneeling receipt of his father's blessing. Provenance: From the library of American collector Albert A. Howard, small booklabel ("AHA") at rear.
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books & MSS Co.) [U.S.A.]
2018-07-14 22:04:31
Gastaldi, Giacomo.
Venice and Rome, A. Lafreri and G. Gastaldi, 1561. Together 3 maps, each on two sheets joined (447 x 744 mm; 480 x 752 mm; 480 x 732 mm). Stored in custom-made half morocco case with gilt title to spine. Gastaldi's mapping of Asia, published in three parts, is considered one of the most influential cartographical ventures in the 16th century. All three maps would go on to be prototypes for the depiction of the region well into the early 18th century. As official cosmographer to the Venetian Republic, Gastaldi had access to the most up-to-date geographical information in compiling his maps, which represent the most accurate and detailed renderings of their time. Having been established in the city for two decades, by the late 1550s Gastaldi was devising the large-scale monumental masterpieces that would confirm his legacy. The travels of Marco Polo, published in Ramusio's "Navigationi et viaggi", heavily influenced Gastaldi's geography of these three maps, which are considered to be far superior to all previous maps of Asia. The "Prima Parte" covers Asia Minor and the Levant coast to Afghanistan, including Persia, northern Arabia, and the Caspian Sea; the second map centers on the Arabian Peninsula extending from the Horn of Africa to Calcutta; while the third and final part provides a magnificent perspective of India, the Malay Peninsula, and southern China. - The first part, in the second state, is printed by Lafreri in Rome, the other two are published in Venice by Gastaldi himself. All maps show vertical crease folds, some reinforced on verso, first map remargined at low … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-07-05 21:39:19
Girolamo Ruscelli Wecker, Johann Jacob
Apud Gulielmum Rovillium, Lyon (Lugduni), 1561. in-16vo. (12cm) 344 (i. e. 342), [22] p. Bound in contemporary vellum, some water stains in upper margin, Alexius Pedemontanus, was the pseudonym of a 16th-century Italian physician, alchemist, and author of the immensely popular book, The Secrets of Alexis of Piedmont. His book[1] was published in more than a hundred editions and was still being reprinted in the 1790s. The work was translated into Latin, German, English, Spanish, French, and Polish. The work unleashed a torrent of books of secrets that continued to be published down through the eighteenth century. It is generally assumed that Alessio Piemontese was a pseudonym of Girolamo Ruscelli (Viterbo 1500 Venice 1566), humanist and cartographer.[4] In a later work, Ruscelli reported that the Secreticontained the experimental results of an 'Academy of Secrets' that he and a group of humanists and noblemen founded in Naples in the 1540s.[5] Ruscelli's academy is the first recorded example of an experimental scientific society.[6] The academy was later imitated by Giambattista Della Porta, who founded an Accademia dei Secreti in Naples in the 1560s. [Attributes: Hard Cover]
Bookseller: Chaco 4ever Books [CABA, BS AS, Argentina]
2018-07-05 06:27:14
THEOPHRAST. -THEOPHRASTUS, THEOPHRASTOS, TEOFRAST, TEOFRASTOS. - [SKETCHING THE CHARACTER OF MAN]
Lipsiae, Excudebat Iohannes Rhamba, 1561. Small 8vo. Later blue boards (ab. 1800). Spine with minor loss and a few cracks. First few leaves with minor soiling, but otherwise a nice and clean copy. 19th century owner's inscription to inside of front cover: "Colegii Thomani". Lovely woodcut opening initial. Beautiful Greek script. 48 ff. ¶ Extremely scarce first edition thus, containing all of Theophrastus' 23 characters in Greek and Latin, being the first edition of Auberius' excellent Latin translation and first edition with Lycio's interesting commentaries. "This very rare edition, which presents us with the Greek text of H. Stephan (Stephanus), contains a new Latin version by Claudius Auberius, who was scarcely twenty years of age when he composed it. The notes are critical and historical; sometimes bold, but always erudite... This version and these notes were republished in Zuinger's edition of Aristotle's "Ethics" at Basil. fol. 1582." (Dibdin II:500). This version of Theophrastus' milestone work, the first recorded attempt at systematic character writing, became hugely influential and is still referred to in modern editions of the text, as Auberius' translation is regarded as one of the best and most important interpretations of the text. Claude Aubery or Claudius Auberius (ca. 1540-1596) was a noted philosopher and medical doctor, professor of Philosophy in Lausanne. He translated several Greek texts into Latin, but is best remembered for his excellent version of Theophrastus' "Characters", which was highly influential throughout the Renaissance and which was incorpor … [Click Below for Full Description]
Bookseller: Bookshop Herman H. J. Lynge & Søn [DK]
2018-07-03 20:15:48
PARADIN (GUILLAUME ; V. 1510-1590) :
Paris, Vincent Sertenas, 1561 (marque d'imprimeur au titre) ; in-32 (115 mm), veau marbré, dos à nerfs décoré et doré, pièce de titre grenat, triple filet doré d'encadrement des plats avec fleurons d'angles, tranches marbrées (reliure du XVIIIe) ; [48], 882 pp. (sign. : A-C, a-z, A-Z, Aa- Ii 8, Kk 1, absence dernier f.bl.). Cette édition de poche, la première dans ce format, se continue jusqu'en 1560, il semblerait que même les éditions postérieures ne vont que jusqu'en 1556. Exemplaire entièrement réglé. Restauration habile aux coins, coiffes et mors.
Bookseller: Librairie Ancienne Clagahé [France, Lyon]
______________________________________________________________________________


      Home     Wants Manager     Library Search     563 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2019 viaLibri™ Limited. All rights reserved.