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Displayed below are some selected recent viaLibri matches for books published in 1553
2019-08-22 11:56:11
HENRI IV (1553 - 1610), roi de France Lettre manuscrite signée « Henry » avec 2 lignes autographes à Louis de Saligné, seigneur de la Lardière et de Badiolle, lieutenant du roi en Haut-Poitou. (Avril 1589) ; 1 page in-4° avec adresse au dos. Il annonce à son correspondant son prochain passage en Loire et le prie de venir le rejoindre. Henri IV rassemble ses troupes pour attaquer celles de la Ligue emmenée par le duc de Mayenne qui se soulève contre le roi en avril 1589. Cette guerre civile dure jusqu'en 1592.
Bookseller: Autographes Manuscripta (cyril2472) [LYON, Rhône-Alpes, FR]
2019-08-17 00:56:00
Vincenzo Cartari
Venice: Gualtero Scotto, 1553. VERY GOOD. Complete with all issued endpapers in original binding. Limp vellum ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically buckled and soiled. Some cracking to spine in center of the inscription. IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology POB#47831 TITLE: Il Flauio intorno a i Fasto AUTHOR: Vincenzo Cartari PUBLISHER: In Vinegia: Appresso Gualtero Scotto. [Venice: Press of Gualtero Scotto] DATE: M D LIII [1553] EDITION: First Edition. Adams C783. DESCRIPTION: xxiv, 438, [2] 16cm CONDITION NOTES: VERY GOOD. Complete with all issued endpapers in original binding. Binding ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically soiled. Some cracking to spine in center of the inscription. BINDING: Period limp vellum. Inscribed spine title. Vincenzo Cartari (c.1531-1569) was an Italian mythographer and diplomat of the Italian Renaissance. Here he comments on the Fasti of Ovid. An index begins the volume, pointing to many references to Roman gods and heroes: Apollo, Aphrodite, Achilles at Troy, Pomona, Hermes, Minos, and Medusa. Written in Italian during the Italian Renassiance, Cartari's work in Italian influenced painters, artists, and other cultural leaders who used classical imagery i … [Click Below for Full Description]
Bookseller: Poetry in Power (poetryinpower) [San Marino, California, US]
2019-08-16 20:44:45
Blasius de Viegas
1553. * Rareté introuvable à la vente. Commentaire intégral du Livre de l'Apocalypse réalisé par le savant jésuite portugais Blasius de Viegas (1553-1599). Lecture passionnante puisque ce livre décrypte les différentes périodes de la fin des temps, avec des détails surprenants au sujet du chaos général et de la décadence globale sur terre qui symbolisent la venue de l'Antichrist, avant le Jugement dernier. * Ouvrage bien complet pour le commentaire, avec 894 pages & l'Index. Manquent la page de titre et six pages de dédicace, avant la dernière dédicace et le début du commentaire. La date d'impression probable figure juste avant le commentaire, à la fin de l'imprimatur, après la dernière dédicace : 5 Novembre 1613, à Lyon (Datum Lugduni die 5. Novemb., 1613). La page de titre a été refaite sur un exemplaire de 1608. * Bon état général, reliure d'époque usagée mais solide, en cuir brun pourpre décoré de filets d'or fin; intérieur légèrement vieilli, avec des auréoles sur plusieurs pages mais sans gravité pour la lecture; papier généralement propre, bel exemplaire de ce livre rarissime. *.
Bookseller: odusseus333 [Meaux, FR]
2019-08-13 13:33:55
Antonio LAFRERI (Salins, Giura 1512 - Roma 1577)
"Bulino, 1553, firmato e data to in lastra in basso. Magnifica prova, impressa su carta vergata coeva, rfilata al rame ed applicata su antico supporto di collezione, leggere abrasioni in alto, per il resto in ottimo sttao di conservazione. Nel 1540 Antonio Lafreri, originario di Besançon trapiantato a Roma, ha iniziato la pubblicazione di mappe e altre immagini stampate che raffiguravano principali monumenti e delle antichità di Roma. Queste immagini erano legate al gusto per l'antichità classica che ha alimentato l'evento culturale che chiamiamo Rinascimento. Dopo che il Lafreri pubblicò una pagina di titolo, verso il 1573, le collezioni di queste stampe assunsero il nome di "" Speculum Romanae Magnificentiae""." "Engraving, 1553, signed and dated at lower right. A fine impression, printed on contemporary laid paper, trimmed to the platemark and laid down on antique paper, a light abrasion at the upper edge, otherwise, very good condition. In 1540 Antonio Lafreri, a native of Besançon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These images were calculated to appeal to the taste for classical antiquity that fueled the cultural event we call the Renaissance. After Lafreri published a title page in the mid-1570s, collections of these prints came to be known as the Speculum Romanae Magnificentiae, the ""Mirror of Roman Magnificence."" Tourists and other collectors who bought prints from Lafreri made their own selections and had them individually bound. Over time, Lafreri's title page served as sta … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-08-10 21:44:22
Petrarch
Venice: Domenico Giglio, 1553. The parchment cover (app. 6" x 8.5") is darkened, creased and with edge tears. The spine lacks the parchment, although the binding and three raised bands are secure. The front inside cover has the bookplate of the scholar and pop-fiction writer, Samuel Shellabarger. There are no other attachments. The first two end leaves are missing. The title page is the first page now in the book (see photo). There are no other missing and no loose pages. There are a few margin notes, but almost all pages have none. The final, otherwise blank, leaf has several notations - a name, references as to purchase, and some crossed-out text. Most pages are stained to the bottom and outside bottom borders. None of this obscures the text or the art, all of which is unfaded and clearly legible. There are shallow curls or edge creases to many pages. These, also, don't interfere with the text or art. The accompanying photos are of this copy. This is the Domenico Giglio 1553 publication of Il Petrarca, con la Spositione di M. Giovanni Andrea Gesualdo, a short biography of Petrarch, followed by a collection of his sonnets and canzoni (346 pages), with inset engravings at the head of each segment, and with extensive comments by Giovanni Andrea Gesualdo. This is followed by Petrarch's poem, "I Trionfi" (70 pages), with engraved headings at the beginning of each of the six chapters. The parchment cover (app. 6" x 8.5") is darkened, creased and with edge tears. The spine lacks the parchment, although the binding and three raised bands are secure. The front inside cover has the … [Click Below for Full Description]
Bookseller: timelytales (neznib) [Sherman, Connecticut, US]
2019-08-07 16:56:38
APIANUS, Peter
Antverpiae: G. Bontius, 1553. 1553 Peter Apianus Cosmographia Astronomy Navigation Map Mathematics AMERICAPeter Apian was a 16th-century humanist who is remembered for his studies in astronomy and mathematics. His best and most-known work was his book on cosmography which was extremely influential into the 17th-century. In this work, Apian discusses navigation by use of astronomy and was filled with woodcut illustrations depicting aspects of astronomy and navigation. Other illustrations include zodiac characters, planets, maps, and navigational instruments.But perhaps the most important aspect of this book is that it is one of the earliest works relating to America. In 1507, Martin Waldseemuler printed a map which included the word 'America' for the first time. 'Cosmographiae Introductio' was published as an accompaniment to that map.This 1553 edition was annotated by Gemma Frisius, a famed Dutch cartographerItem number: #8019Price: $3500APIANUS, PeterCosmographia Petri Apiani, per Gemmam FrisiumAntverpiae: G. Bontius, 1553.Details: · Collation: Complete with all pageso iv, 66o Numerous woodcut engravings throughout· References: USTC 150456; Aureliensis 106445; Pettegree 53588· Language: Latin· Binding: Manuscript vellum; tight & secure· Size: ~9.25in X 6.25in (23.5cm x 16cm)Our Guarantee:Very Fast. Very Safe. Free Shipping Worldwide.Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation!8019Photos available upon request.
Bookseller: Schilb Antiquarian Rare Books [U.S.A.]
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2019-08-07 14:57:22
PICCOLOMINI, Alessandro (1508-1579).
Venice: Appresso Bartholomeo Cesono, 1553. Venice:: Appresso Bartholomeo Cesono, 1553., 1553. Sm. 4to. 58; 122, [4] ff. Large historiated woodcut initials, figs., 48 star maps, 48 tables; small tear on title, minor worming at rear, short tear Pt. II Giiii [f.52]. Nineteenth century quarter dark green gilt-stamped calf, marbled boards, calf tips; corners showing. Inked signature on title of Fr-- Georgius Rainoldi. Very good. Third edition. Two of the most important texts in the history of popular astronomy. "Piccolomini's first astronomical work was De la sfera del mondo, a cosmographical work in which he defends the Ptolemaic universe. Though there are a few inferences in later editions that hint at a sympathy with the Copernican system, Piccolomini constantly supported the Ptolemaic viewpoint throughout his life. . . .Piccolomini's best-known astronomical work is undoubtedly De le stele fisse . . ., his companion volume to De la sfera del mondo. De le stele fisse is famous as being the very first star atlas and contains a series of woodcut star maps that seem particularly suited to the casual stargazer. The two books were dedicated to Laudomia Forteguerri, and designed so that she, and any other reader, would be able to recognize the different constellations and find them in the sky. . . .Unlike previous depictions of the constellations, he did not draw in the mythological images associated with them, and so they appear as simple star patterns. Piccolomini included stars from Ptolemy's first through fourth magnitudes, omitting the fainter fifth magnitude stars, and used … [Click Below for Full Description]
Bookseller: Jeff Weber Rare Books [U.S.A.]
2019-08-07 09:45:41
Petrarch
Venise: Domenico Giglio, 1553. Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. Il Petrarca, avec la Spositione Di M.Giovanni Gesualdo 1553 Italien Poésie Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. Il s'agit de la publication de Domenico Giglio 1553 de Il Petrarca, con la Spositione di M. Giovanni Andrea Gesualdo, une courte biographie de Pétrarque, suivie d'un recueil de ses sonnets et de son canzoni (346 pages), avec des gravures incrustées en tête de chaque segment et des commentaires détaillés de Giovanni Andrea Gesualdo. Vient ensuite le poème de Pétrarque "I Trionfi" (70 pages), avec des titres gravés au début de chacun des six chapitres. La couverture de parchemin (env. 6" x 8,5") est obscurcie, froissé et avec des larmes de bord. La colonne vertébrale n'a pas le parchemin, bien que la liaison et trois bandes surélevées sont sécurisés. La couverture à l'intérieur de la couverture comporte le catalogue du savant et écrivain de fiction populaire, Samuel Shellabarger. Il n'y a pas d'autres pièces jointes. Les deux premières feuilles d'extrémité sont manquantes. La page de titre est la première page maintenant dans le livre (voir photo). Il n'y a pas d'autre page manquante et aucune page volante. Il y a quelques notes de marge, mais presque toutes les pages n'en ont pas. La dernière feuille, sinon vierge, comporte plusieurs an … [Click Below for Full Description]
Bookseller: timelytales (neznib) [Sherman, Connecticut, US]
2019-08-06 10:44:39
STOEFFLER, Johann
Lutetiae: Gulielmum Cauellat, in pingui gallina ex aduerso Collegij Cameracensis(IS), Cavellat, Guillaume, 1553. 1553 Stoffler Astrolabii Astronomy Horology Navigation Illustrated AstrologyJohannes Stöffler was a 15th-century German astronomer and mathematician who is best-remembered for his works on teaching astronomy, horology, and geography. While he had several popular books, his 'Elucidatio Fabricae Usuque Astrolabii' served as the standard work for astronomers and surveyors of the 16th-century. (Kern).This impressive 16th-century printing of Stoffler's work features impressive woodcut engravings navigational and astronomy tools.Item number: #7726 Price: $2500STOEFFLER, JohannElucidatio fabricae ususque astrolabii, Joanne Stoflerino, ...authore, cui multa et diligens accessit recognitio, una cum schematum negotio accomodatorum, exactissima expressione; adjectus est index...Lutetiae: Paris: Apud Gulielmum Cauellat, in pingui gallina ex aduerso Collegij Cameracensis(IS), Cavellat, Guillaume, 1553.Details: · Collation: Complete with all pageso [8], 172o Signatures: *a8 A-X8 Y4· References: USTC 151281; Kern, Wissenschaftliche Instrumente in ihrer Zeit, p. 313· Language: Latin· Binding: Leather; tight & secure· Size: ~7in X 4.5in (18cm x 11cm)· Extremely rare with no other example for sale worldwideOur Guarantee:Very Fast. Very Safe. Free Shipping Worldwide.Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation!7726Photos available upon request.
Bookseller: Schilb Antiquarian [Columbia, MO, U.S.A.]
2019-08-06 06:46:28
APIANUS, Peter
G. Bontius. 1553 Peter Apianus Cosmographia Astronomy Navigation Map Mathematics AMERICA Peter Apian was a 16th-century humanist who is remembered for his studies in astronomy and mathematics. His best and most-known work was his book on cosmography which was extremely influential into the 17th-century. In this work, Apian discusses navigation by use of astronomy and was filled with woodcut illustrations depicting aspects of astronomy and navigation. Other illustrations include zodiac characters, planets, maps, and navigational instruments. But perhaps the most important aspect of this book is that it is one of the earliest works relating to America. In 1507, Martin Waldseemuler printed a map which included the word ‘America’ for the first time. ‘Cosmographiae Introductio’ was published as an accompaniment to that map. This 1553 edition was annotated by Gemma Frisius, a famed Dutch cartographer Item number: #8019 Price: $3500 APIANUS, Peter Cosmographia Petri Apiani, per Gemmam Frisium Antverpiae: G. Bontius, 1553. Details: Collation: Complete with all pages iv, 66 Numerous woodcut engravings throughout References: USTC 150456; Aureliensis 106445; Pettegree 53588 Language: Latin Binding: Manuscript vellum; tight & secure Size: ~9.25in X 6.25in (23.5cm x 16cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 8019 Photos available upon request. [Attributes: Hard Cover]
Bookseller: Schilb Antiquarian [Columbia, MO, U.S.A.]
2019-08-04 18:44:29
PEREGRINIS, Bartholomaeus de [Bartolomeo Peregrino].
Brixiae,: apud Ludovicum Britannicum, 1553., 1553. Small 8vo. cc. (6) 55 (8) ff. [some misnumbering of leaves]. Collation: A8,A-B8, C6, D8, E8, F8, G4, H8, I4, K8. [lacking 8 leaves]. Woodblock vignette on title, representing the St. Barnabas preaching, a Bergamascan apostle, and some fine historiated woodcut initials. LACKS [1 leaf, unnumbered, in first gathering], A2, A4, A6-7, A8, B3, B6. Dark stain affecting top margin throughout. Original calf-backed speckled boards; boards scuffed. Very good. [NOTE: as is]. "A very scarce book." [Dufresnoy]. Rare original (and unique) edition of this ecclesiastical history of Bergamo whose curiosity is also the metaphor for wine and the vineyard. Translation of the title: Being an account of the lives of the Bishops and other principal ecclesiastics of Bergamo. Nicolas Lenglet Dufresnoy, A New Method of Studying History, Geography and Chronology, 1730.
Bookseller: Jeff Weber Rare Books [U.S.A.]
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2019-07-30 23:22:22
Heinrich ALDEGREVER (Paderborn, 1502; Soest, Westfalia, 1555-61)
Bulino, 1553, datato e monogrammato in lastra nella parte superiore. Magnifica prova, ricca di toni, impressa su carta vergata coeva, rifilato alla linea marginale, in perfetto stato di conservazione. Bellissimo esemplare. Etching, 1553, dated and signed with monogram at top. Very good work printed on contemporary laid paper, trimmed on the marginal line, in excellent condition. A magnific example. The New Hollstein, p. 68 n. 53; TIB 52.
Bookseller: Libreria Antiquarius [IT]
2019-07-29 07:14:44
Guillaume GUEROULT (1507-1569)
1553. "Guillaume Guéroult (1507-1569) dirigeva a Lione la stamperia del cognato Balthazar Arnoullet (1517-1556), presso il quale stampò nel 1552 il ""Premier livre des figure set pourtraitz des villes plus illustre set renommées d'Europe"", contenente 9 immagini urbane, perlopiù copiate dalla ""Cosmographia"" di Sebastian Muenster. Questo esemplare proviene dall'opera che il Guéroult e Arnouellet pubblicarono l'anno seguente, nel 1553, con il titolo di ""Epitome de la Corographie d'Europe, illustré de pourtraitz des villes plus renomées d'icelle"". Le vedute urbane furono incrementate a 21 e aggiunte alcune carte geografiche. Le matrici furono ristampate poi da Bonhomme (1557), Dupinet (1564) e Belleforest (1575). Xilografia, in buono stato di conservazione. Rarissima." "Taken from the very rare ""Epitome De la Corographie d'Europe, illustre des pourtraitz des Villes plus renommees d'icelle"" published by Arnoullet in 1553. The plate are copied form the Munster's Cosmographia and was reprinted by Dupinet (1564) and Belleforest (1575). Woodcut, good condition. Very rare." G. Moretto (a cura di) "Venetia - Le immagini della Repubblica", s. 14
Bookseller: Libreria Antiquarius [IT]
2019-07-29 07:14:44
Guillaume GUEROULT (1507-1569)
1553. "Guillaume Guéroult (1507-1569) dirigeva a Lione la stamperia del cognato Balthazar Arnoullet (1517-1556), presso il quale stampò nel 1552 il ""Premier livre des figure set pourtraitz des villes plus illustre set renommées d'Europe"", contenente 9 immagini urbane, perlopiù copiate dalla ""Cosmographia"" di Sebastian Muenster. Questo esemplare proviene dall'opera che il Guéroult e Arnouellet pubblicarono l'anno seguente, nel 1553, con il titolo di ""Epitome de la Corographie d'Europe, illustré de pourtraitz des villes plus renomées d'icelle"". Le vedute urbane furono incrementate a 21 e aggiunte alcune carte geografiche. Le matrici furono ristampate poi da Bonhomme (1557), Dupinet (1564) e Belleforest (1575). Xilografia, in buono stato di conservazione. Rarissima." "Taken from the very rare ""Epitome De la Corographie d'Europe, illustre des pourtraitz des Villes plus renommees d'icelle"" published by Arnoullet in 1553. The plate are copied form the Munster's Cosmographia and was reprinted by Dupinet (1564) and Belleforest (1575). Woodcut, good condition. Very rare."
Bookseller: Libreria Antiquarius [IT]
2019-07-29 07:14:44
Guillaume GUEROULT (1507-1569)
1553. "Guillaume Guéroult (1507-1569) dirigeva a Lione la stamperia del cognato Balthazar Arnoullet (1517-1556), presso il quale stampò nel 1552 il ""Premier livre des figure set pourtraitz des villes plus illustre set renommées d'Europe"", contenente 9 immagini urbane, perlopiù copiate dalla ""Cosmographia"" di Sebastian Muenster. Questo esemplare proviene dall'opera che il Guéroult e Arnouellet pubblicarono l'anno seguente, nel 1553, con il titolo di ""Epitome de la Corographie d'Europe, illustré de pourtraitz des villes plus renomées d'icelle"". Le vedute urbane furono incrementate a 21 e aggiunte alcune carte geografiche. Le matrici furono ristampate poi da Bonhomme (1557), Dupinet (1564) e Belleforest (1575). Xilografia, in buono stato di conservazione. Rarissima." "Taken from the very rare ""Epitome De la Corographie d'Europe, illustre des pourtraitz des Villes plus renommees d'icelle"" published by Arnoullet in 1553. The plate are copied form the Munster's Cosmographia and was reprinted by Dupinet (1564) and Belleforest (1575). Woodcut, good condition. Very rare."
Bookseller: Libreria Antiquarius [IT]
2019-07-29 07:14:44
Guillaume GUEROULT (1507-1569)
1553. "Guillaume Guéroult (1507-1569) dirigeva a Lione la stamperia del cognato Balthazar Arnoullet (1517-1556), presso il quale stampò nel 1552 il ""Premier livre des figure set pourtraitz des villes plus illustre set renommées d'Europe"", contenente 9 immagini urbane, perlopiù copiate dalla ""Cosmographia"" di Sebastian Muenster. Questo esemplare proviene dall'opera che il Guéroult e Arnouellet pubblicarono l'anno seguente, nel 1553, con il titolo di ""Epitome de la Corographie d'Europe, illustré de pourtraitz des villes plus renomées d'icelle"". Le vedute urbane furono incrementate a 21 e aggiunte alcune carte geografiche. Le matrici furono ristampate poi da Bonhomme (1557), Dupinet (1564) e Belleforest (1575). Xilografia, in buono stato di conservazione. Rarissima." "Taken from the very rare ""Epitome De la Corographie d'Europe, illustre des pourtraitz des Villes plus renommees d'icelle"" published by Arnoullet in 1553. The plate are copied form the Munster's Cosmographia and was reprinted by Dupinet (1564) and Belleforest (1575). Woodcut, good condition. Very rare." Sconosciuta al Borri.
Bookseller: Libreria Antiquarius [IT]
2019-07-29 07:14:44
Guillaume GUEROULT (1507-1569)
1553. "Guillaume Guéroult (1507-1569) dirigeva a Lione la stamperia del cognato Balthazar Arnoullet (1517-1556), presso il quale stampò nel 1552 il ""Premier livre des figure set pourtraitz des villes plus illustre set renommées d'Europe"", contenente 9 immagini urbane, perlopiù copiate dalla ""Cosmographia"" di Sebastian Muenster. Questo esemplare proviene dall'opera che il Guéroult e Arnouellet pubblicarono l'anno seguente, nel 1553, con il titolo di ""Epitome de la Corographie d'Europe, illustré de pourtraitz des villes plus renomées d'icelle"". Le vedute urbane furono incrementate a 21 e aggiunte alcune carte geografiche. Le matrici furono ristampate poi da Bonhomme (1557), Dupinet (1564) e Belleforest (1575). Xilografia, in buono stato di conservazione. Rarissima." "Taken from the very rare ""Epitome De la Corographie d'Europe, illustre des pourtraitz des Villes plus renommees d'icelle"" published by Arnoullet in 1553. The plate are copied form the Munster's Cosmographia and was reprinted by Dupinet (1564) and Belleforest (1575). Woodcut, good condition. Very rare."
Bookseller: Libreria Antiquarius [IT]
2019-07-27 12:44:50
Gian Jacopo CARAGLIO (Verona 1505 - Cracovia 1565)
Bulino, 1553, firmata e datata in lastra in basso a sinistra 'AENEAS VICVS PARM RESTITVIT/MDLIII, nel margine inferiore iscrizione latina 'AVSAE CVM MVSIS COMMITERE PROETIA VOCE VICTAE NVNC VOLITANT IMMITANTES OMNIA PICAE'. Esemplare nel sesto stato finale, re-inciso da Enea Vico e con l'indirizzo di Lafrery aggiunto in basso a destra 'Ant. Lafrerij exc.' Bellissima prova, impressa su carta vergata coeva con filigrana "scudo con tre monti e corona", rifilata al rame, applicato su antico supporto cartaceo, in ottimo stato di conservazione. Giorgio Vasari menziona questa stampa come il terzo lavoro inciso da Jacopo Caraglio a Roma su disegno, oggi perduto, di Rosso Fiorentino. Carroll ritiene, invece, che l'opera possa essere basata sui disegni preparatori di Raffaello per il Paranso, che Rosso probabilmente conosceva tramite le incisioni di Marcantonio Raimondi. L'iscrizione latina nel margine si riferisce all'episodio narrato da Ovidio nelle Metamorfosi (V, 294 - 678). Si conoscono sei stati della lastra di cui l'ultimo re-inciso da Enea Vico. Engraving, 1553, lettered in the margin: 'AVSAE CVM MVSIS COMMITERE PROETIA VOCE VICTAE NVNC VOLITANT IMMITANTES OMNIA PICAE', signed and dated lower left: 'AENEAS VICVS PARM RESTITVIT/MDLIII', and inscribed with publisher's address lower right: 'Ant. Lafrerij exc.' Example of sixth state of six. A very good proof printed on contemporary laid paper with watermark "triple mount in shield with crown", trimmed close to platemark, very good condition. Giorgio Vasari mentioned this print as Jacopo Caraglio's third work engraved in Rome aft … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-16 10:12:39
Vincenzo Cartari
Venice: Gualtero Scotto, 1553. VERY GOOD. Complete with all issued endpapers in original binding. Limp vellum ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically buckled and soiled. Some cracking to spine in center of the inscription. IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology POB#47831 TITLE: Il Flauio intorno a i Fasto AUTHOR: Vincenzo Cartari PUBLISHER: In Vinegia: Appresso Gualtero Scotto. [Venice: Press of Gualtero Scotto] DATE: M D LIII [1553] EDITION: First Edition. Adams C783. DESCRIPTION: xxiv, 438, [2] 16cm CONDITION NOTES: VERY GOOD. Complete with all issued endpapers in original binding. Binding ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically soiled. Some cracking to spine in center of the inscription. BINDING: Period limp vellum. Inscribed spine title. Vincenzo Cartari (c.1531-1569) was an Italian mythographer and diplomat of the Italian Renaissance. Here he comments on the Fasti of Ovid. An index begins the volume, pointing to many references to Roman gods and heroes: Apollo, Aphrodite, Achilles at Troy, Pomona, Hermes, Minos, and Medusa. Written in Italian during the Italian Renassiance, Cartari's work in Italian influenced painters, artists, and other cultural leaders who used classical imagery i … [Click Below for Full Description]
Bookseller: Poetry in Power (poetryinpower) [San Marino, California, US]
2019-07-03 06:11:11
Hieronymus
Wittenberg: Hieronymus: Omnes quae extant... Part 4 and 5 in one volume Published: Basel, Froben, 1553 Size: 39 x 27 cm Condition: please see photos - Leather over wood boards (rubbed, some wear, without clasps). 391 pages, 609 pages. Pages 3 to 11 partly censored. Shipping-costs: see description Payment: Paypal or Banktransfer.
Bookseller: print-forum (odetowhitman*) [Berlin, DE]
2019-06-26 18:23:38
Vincenzo Cartari
Venice: Gualtero Scotto, 1553. VERY GOOD. Complete with all issued endpapers in original binding. Limp vellum ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically buckled and soiled. Some cracking to spine in center of the inscription. IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology POB#47831 TITLE: Il Flauio intorno a i Fasto AUTHOR: Vincenzo Cartari PUBLISHER: In Vinegia: Appresso Gualtero Scotto. [Venice: Press of Gualtero Scotto] DATE: M D LIII [1553] EDITION: First Edition. Adams C783. DESCRIPTION: xxiv, 438, [2] 16cm CONDITION NOTES: VERY GOOD. Complete with all issued endpapers in original binding. Binding ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically soiled. Some cracking to spine in center of the inscription. BINDING: Period limp vellum. Inscribed spine title. Vincenzo Cartari (c.1531-1569) was an Italian mythographer and diplomat of the Italian Renaissance. Here he comments on the Fasti of Ovid. An index begins the volume, pointing to many references to Roman gods and heroes: Apollo, Aphrodite, Achilles at Troy, Pomona, Hermes, Minos, and Medusa. Written in Italian during the Italian Renassiance, Cartari's work in Italian influenced painters, artists, and other cultural leaders who used classical imagery i … [Click Below for Full Description]
Bookseller: Poetry in Power (poetryinpower) [San Marino, California, US]
2019-06-12 23:33:49
Demosthenis, Aeschines
1553. Demosthenis & Aeschines. Orationes atq epistolae. Translated by Hieronymus Wolf. Basel Opinorum. [1553]. Editio princeps of the complete works of Demosthenes and Aeschines. Volumes 1 and 2 (of 4) bound in 1 volume. Octavo [64], 523, [1], 326 pages. Thin, textured parchment-like material covering boards, much chipped from spine; front board cover nearly detached, generally sound internally, but small paper repair on title page. Wolff's preface to the Demosthenes section, on the recto of leaf gamma 6, is dated 1553. The libraries around the world that have the books all ascribe dates of 1553 or 1554. "Previously to the year 1572, there was another edition in 2 vols. large octavo, without date, containing the orations.Goetz thinks it was published in 1553, and it is so cited in Bibl. Thott." - Dibdin I, page 478; Adams D270. These two volumes are mostly Demonsthenes,but include two of Aeschines' orations. (See phot of table of contents) [Attributes: First Edition; Hard Cover]
Bookseller: South Willington Book Cartel [WILLINGTON, CT, U.S.A.]
2019-06-05 15:56:17
Petrarch
Venice: Domenico Giglio, 1553. When ordering from the US, parcels may be subject to import tax and duty charges, which the buyer is responsible to pay. This is the Domenico Giglio 1553 publication of Il Petrarca, con la Spositione di M. Giovanni Andrea Gesualdo, a short biography of Petrarch, followed by a collection of his sonnets and canzoni (346 pages), with inset engravings at the head of each segment, and with extensive comments by Giovanni Andrea Gesualdo. This is followed by Petrarch's poem, "I Trionfi" (70 pages), with engraved headings at the beginning of each of the six chapters. The parchment cover (app. 6" x 8.5") is darkened, creased and with edge tears. The spine lacks the parchment, although the binding and three raised bands are secure. The front inside cover has the bookplate of the scholar and pop-fiction writer, Samuel Shellabarger. There are no other attachments. The first two end leaves are missing. The title page is the first page now in the book (see photo). There are no other missing and no loose pages. There are a few margin notes, but almost all pages have none. The final, otherwise blank, leaf has several notations - a name, references as to purchase, and some crossed-out text. Most pages are stained to the bottom and outside bottom borders. None of this obscures the text or the art, all of which is unfaded and clearly legible. There are shallow curls or edge creases to many pages. These, also, don't interfere with the text or art. The accompanying photos are of this copy. TERMS OF PAYMENT US bidders Media insured shipping included within the US. … [Click Below for Full Description]
Bookseller: timelytales (neznib) [Sherman, Connecticut, US]
2019-06-05 15:56:17
Petrarch
Venice: Domenico Giglio, 1553. The parchment cover (app. 6" x 8.5") is darkened, creased and with edge tears. The spine lacks the parchment, although the binding and three raised bands are secure. The front inside cover has the bookplate of the scholar and pop-fiction writer, Samuel Shellabarger. There are no other attachments. The first two end leaves are missing. The title page is the first page now in the book (see photo). There are no other missing and no loose pages. There are a few margin notes, but almost all pages have none. The final, otherwise blank, leaf has several notations - a name, references as to purchase, and some crossed-out text. Most pages are stained to the bottom and outside bottom borders. None of this obscures the text or the art, all of which is unfaded and clearly legible. There are shallow curls or edge creases to many pages. These, also, don't interfere with the text or art. The accompanying photos are of this copy. This is the Domenico Giglio 1553 publication of Il Petrarca, con la Spositione di M. Giovanni Andrea Gesualdo, a short biography of Petrarch, followed by a collection of his sonnets and canzoni (346 pages), with inset engravings at the head of each segment, and with extensive comments by Giovanni Andrea Gesualdo. This is followed by Petrarch's poem, "I Trionfi" (70 pages), with engraved headings at the beginning of each of the six chapters. The parchment cover (app. 6" x 8.5") is darkened, creased and with edge tears. The spine lacks the parchment, although the binding and three raised bands are secure. The front inside cover has the … [Click Below for Full Description]
Bookseller: timelytales (neznib) [Sherman, Connecticut, US]
2019-06-03 07:55:30
Vincenzo Cartari
Venice: Gualtero Scotto, 1553. VERY GOOD. Complete with all issued endpapers in original binding. Limp vellum ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically buckled and soiled. Some cracking to spine in center of the inscription. IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology POB#47831 TITLE: Il Flauio intorno a i Fasto AUTHOR: Vincenzo Cartari PUBLISHER: In Vinegia: Appresso Gualtero Scotto. [Venice: Press of Gualtero Scotto] DATE: M D LIII [1553] EDITION: First Edition. Adams C783. DESCRIPTION: xxiv, 438, [2] 16cm CONDITION NOTES: VERY GOOD. Complete with all issued endpapers in original binding. Binding ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically soiled. Some cracking to spine in center of the inscription. BINDING: Period limp vellum. Inscribed spine title. Vincenzo Cartari (c.1531-1569) was an Italian mythographer and diplomat of the Italian Renaissance. Here he comments on the Fasti of Ovid. An index begins the volume, pointing to many references to Roman gods and heroes: Apollo, Aphrodite, Achilles at Troy, Pomona, Hermes, Minos, and Medusa. Written in Italian during the Italian Renassiance, Cartari's work in Italian influenced painters, artists, and other cultural leaders who used classical imagery i … [Click Below for Full Description]
Bookseller: Poetry in Power (poetryinpower) [San Marino, California, US]
2019-05-28 09:45:54
Sachs, Hans.
Nürnberg, Georg Merkel, 1553. 4°. Mit einem Titelholzschnitt, einem Textholzschnitt u. 2 Holzschn.-Leisten mit dem Monogramm „GH“. 8 nn. Bll., Heftstreifen. Der voll ausgerüstete Haushalt braucht neben der Bibel „andre bücher mehr, Zu kurtzweyl und sitlicher lehr“. - Der Titelholzschnitt zeigt den jungen Gesellen, der zum Dichter kommt, während dieser mit seiner Familie beim Frühstück sitzt. Der Textholzschnitt (nach Virgil Solis verkleinert) stellt einen alten weisen Mann dar, der am Tisch sitzt, im Vordergrund reitet ein kleines Kind auf einem Steckenpferd, der junge Geselle schaut zu. - Leicht gebräunt. Ränder schwach angestaubt. - VD16, S 280 (nur drei Nachweise); Goetze 202d; vgl. Weller, Sachs 68. Versand D: 9,80 EUR Sachs, Der gantz Haußrat, bey dreyhundert stücken, so ungefehrlich inn ein jedes Hauß gehöret
Bookseller: Antiquariat Wolfgang Friebes [Graz, Austria]
2019-05-27 10:22:38
Jacques De Srada
Jacques de Strada et Thomas Guerin / Glielmo rovillio, 1553. Condition: Bon état. Bon Etat.
Bookseller: Librairie dans mon garage (ngawangdansmongarage) [05000 Gap, FR]
2019-05-25 07:22:25
Pétrarque
Venise: Domenico Giglio, 1553. Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. Il Petrarca, Con la Spositione Di M.Giovanni Gesualdo 1553 Italien Poésie Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. Il s'agit de la publication de Domenico Giglio 1553 de Il Petrarca, con la Spositione di M. Giovanni Andrea Gesualdo, une courte biographie de Pétrarque, suivie d'un recueil de ses sonnets et de son canzoni (346 pages), avec des gravures incrustées en tête de chaque segment et des commentaires détaillés de Giovanni Andrea Gesualdo. Vient ensuite le poème de Pétrarque "I Trionfi" (70 pages), avec des titres gravés au début de chacun des six chapitres. La couverture de parchemin (env. 6" x 8,5") est obscurcie, froissé et avec des larmes de bord. La colonne vertébrale n'a pas le parchemin, bien que la liaison et trois bandes surélevées sont sécurisés. La couverture à l'intérieur de la couverture comporte le catalogue du savant et écrivain de fiction populaire, Samuel Shellabarger. Il n'y a pas d'autres pièces jointes. Les deux premières feuilles d'extrémité sont manquantes. La page de titre est la première page maintenant dans le livre (voir photo). Il n'y a pas d'autre page manquante et aucune page volante. Il y a quelques notes de marge, mais presque toutes les pages n'en ont pas. La dernière feuille, sinon vierge, comporte plusieurs ann … [Click Below for Full Description]
Bookseller: timelytales (neznib) [Sherman, Connecticut, US]
2019-05-23 21:29:43
Petrarca Francesco
In Vinegia Gabriel Giolito de' Ferrari 1553. 4°, 150x220 mm, cc. (26), 16, pp. 17-667, (1). Rilegatura settecentesca in piena pelle, titolo su tassello in oro e fregi dorati sbiaditi al dorso, tagli colorati. L'opera consiste nella raccolta del canzoniere e dei Trionfi, riccamente commentati dall'umanista Giovanni Andrea Gesualdo. Frontespizio allegorico inciso con marca tipografica alla base, i Trionfi hanno un proprio frontespizio con grande marca tipografica: Fenice ad ali spiegate con fiamme ai piedi e motto Semper Eadem. Iniziali animate, una grande incisione rappresentante la Valclusa, con Avignone alla fine dell'introduzione. Nei Trionfi sono presenti alcune incisioni all'inizio di ogni capitolo. L'opera comprende una introduzione con la vita e gli studi del Poeta. All'interno del Canzoniere vi sono 3 etichette manoscritte che correggono il testo sottostante. Segno di tarlo alla base del volume lontano dal testo per 13 carte, la prima carta bianca ha una mancanza all'angolo e una firma anonima. Esemplare nell'assieme fresco di quest'opera celebre stampata più volte nel corso degli anni.
Bookseller: Libreria Spalavera [IT]
2019-05-22 09:00:21
Petrarca Francesco
In Vinegia, Gabriel Giolito de' Ferrari, 1553. 4°, 150x220 mm, cc. (26), 16, pp. 17-667, (1). Rilegatura settecentesca in piena pelle, titolo su tassello in oro e fregi dorati sbiaditi al dorso, tagli colorati. L'opera consiste nella raccolta del canzoniere e dei Trionfi, riccamente commentati dall'umanista Giovanni Andrea Gesualdo. Frontespizio allegorico inciso con marca tipografica alla base, i Trionfi hanno un proprio frontespizio con grande marca tipografica: Fenice ad ali spiegate con fiamme ai piedi e motto Semper Eadem. Iniziali animate, una grande incisione rappresentante la Valclusa, con Avignone alla fine dell'introduzione. Nei Trionfi sono presenti alcune incisioni all'inizio di ogni capitolo. L'opera comprende una introduzione con la vita e gli studi del Poeta. All'interno del Canzoniere vi sono 3 etichette manoscritte che correggono il testo sottostante. Segno di tarlo alla base  del volume lontano dal testo per 13 carte, la prima carta bianca ha una mancanza all'angolo e una firma anonima. Esemplare nell'assieme fresco di quest'opera celebre stampata più volte nel corso degli anni. [Attributes: Hard Cover]
Bookseller: Libreria Spalavera [Verbania, Italy]
2019-05-12 07:22:35
Vincenzo Cartari
Venice: Gualtero Scotto, 1553. VERY GOOD. Complete with all issued endpapers in original binding. Limp vellum ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically buckled and soiled. Some cracking to spine in center of the inscription. IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology POB#47831 TITLE: Il Flauio intorno a i Fasto AUTHOR: Vincenzo Cartari PUBLISHER: In Vinegia: Appresso Gualtero Scotto. [Venice: Press of Gualtero Scotto] DATE: M D LIII [1553] EDITION: First Edition. Adams C783. DESCRIPTION: xxiv, 438, [2] 16cm CONDITION NOTES: VERY GOOD. Complete with all issued endpapers in original binding. Binding ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically soiled. Some cracking to spine in center of the inscription. BINDING: Period limp vellum. Inscribed spine title. Vincenzo Cartari (c.1531-1569) was an Italian mythographer and diplomat of the Italian Renaissance. Here he comments on the Fasti of Ovid. An index begins the volume, pointing to many references to Roman gods and heroes: Apollo, Aphrodite, Achilles at Troy, Pomona, Hermes, Minos, and Medusa. Written in Italian during the Italian Renassiance, Cartari's work in Italian influenced painters, artists, and other cultural leaders who used classical imagery i … [Click Below for Full Description]
Bookseller: Poetry in Power (poetryinpower) [San Marino, California, US]
2019-05-10 01:34:29
Jacques De Srada
Jacques de Strada et Thomas Guerin / Glielmo rovillio, 1553. Condition: Bon état. Bon Etat.
Bookseller: Librairie dans mon garage (ngawangdansmongarage) [05000 Gap, FR]
2019-05-10 01:34:29
Guillaume Roiulle
Guillaume Roiulle, Lyon, 1553. An ambitious work, by an ambitious mind. The prodigious 16th century printer Guillaume Roiulle (Lyon) prepared this work, a collection of more than four hundred medallions (portraits) with a brief biography of each person, mostly taken from famous works and authors ("bons auteurs"). As with his publishing feats, Roiulle experienced good success with this endeavor, and more editions were issued; this is (likely) the first French edition, but bibliographies list the Latin edition of 1553 as the true first. Both volume one and two are bound into this volume. Physical Attributes - Measures approx. 24 x 16.5 x 3.5 cm. Marbled paper boards with a leather spine; Spine has the title and some decoration in gilt. Marbled endpapers. Pages - Title, a1-a4, a5=1 to 175, (2), Part two title = page 1, to page 248, 6 pages of a table at rear. Condition - See pictures. Binding well worn, with edge and shelf wear; joints are cracking, with spine leather dryish and crazing/cracking. Marbled inner hinges/endpapers seem to be ok/not cracked. Title page has name, moisture mark, and a corner repair. Moisture mark along the fore-edge which does come into the text, to page 117. Page edges repaired to page 11. Spots on 3, 21, 33-35, 109, 165-169. Notes/annotations/doodling on 5, 38-39, 47-48, 175, 219, colophon. Page edge repairs on 209, 223, 225, 238, 239. Two sheets missing, v.1, 15/16 and v.2, 241/242. A good working copy, but far from perfect, with some fun doodles in an old hand. 850 grams [Attributes: First Edition; Hard Cover]
Bookseller: Rare Tome [Newberg, OR, U.S.A.]
2019-04-28 14:23:58
Vincenzo Cartari
Venice: Gualtero Scotto, 1553. VERY GOOD. Complete with all issued endpapers in original binding. Limp vellum ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically buckled and soiled. Some cracking to spine in center of the inscription. IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology POB#47831 TITLE: Il Flauio intorno a i Fasto AUTHOR: Vincenzo Cartari PUBLISHER: In Vinegia: Appresso Gualtero Scotto. [Venice: Press of Gualtero Scotto] DATE: M D LIII [1553] EDITION: First Edition. Adams C783. DESCRIPTION: xxiv, 438, [2] 16cm CONDITION NOTES: VERY GOOD. Complete with all issued endpapers in original binding. Binding ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically soiled. Some cracking to spine in center of the inscription. BINDING: Period limp vellum. Inscribed spine title. Vincenzo Cartari (c.1531-1569) was an Italian mythographer and diplomat of the Italian Renaissance. Here he comments on the Fasti of Ovid. An index begins the volume, pointing to many references to Roman gods and heroes: Apollo, Aphrodite, Achilles at Troy, Pomona, Hermes, Minos, and Medusa. Written in Italian during the Italian Renassiance, Cartari's work in Italian influenced painters, artists, and other cultural leaders who used classical imagery i … [Click Below for Full Description]
Bookseller: Poetry in Power (poetryinpower) [San Marino, California, US]
2019-04-26 16:13:23
1553. Wohl erhaltene Holzschnittblätter. Dir Ansichten des gesamten Bodensees und der Stadt Lindau mit Bregenz sowie die österreichischen Orte in Vorarlberg gegenüber der Stadt Lindau am Ufer des Bodensees bis zum Einfluss des Rheins in den BodenseeDer Holzschnitt des Bodensees ist gesüdet. Der Holzschnitt it gut gedruckt, sauber und wohlerhalten.Der doppelseitige Holzschnitt von Lindau ist ebenfalls wohlerhalten.Die Holzschnitte vom Bodensee und von Lindau haben wie auch die Textseiten, eine leichte gleichmässige Altersbräunung. Lindau hatin der oberen Marge kleine Wasserflecken, die jedoch weder in die Schrift noch in die Abbildung reichen. Bodensee - Lake Constance "Boden see auff der Germanischen seiten" Holzschnitt. Aus "Cosmographia" von Sebastian Münster mit dem ganzen Text in deutscher Sprache. Deutsche Ausgabe. Basel, 1553 Der Text beginnt: Der Bodensee den man auch Bregentzer unnd Costentzersee nennt..." Es folgen die Beschreibungen: "Von der inseln Meinow" "Wo den stette un flecken so umb den Bode see gelegen" "Merszpurg / Alenszpach" "Bregentz" "Buchhorn" "Arben" "Romißhorn" "Lindow" Es folgt der doppelseitige Holzschnitt von Lindau Lindau: Titel auf der Vorseite:"Die Statt Lindaw oben im Bode see gelegen samt aller gelegenheit des uralte fleckens Bregenz..." Lindau: Titel oberhalb des Holzschnitts: "Die statt Lindas im Boden see auff einer freien Inseln gelegen geringe umb mit wasser umgeben" "Uberlingen" "Von der inseln Augia maior / zu Deutsch die Reichaw genant. Wohl erhaltene Holzschnittblätter. Dir Ansichten des gesamten Bodensees und der Stadt Lindau mi … [Click Below for Full Description]
Bookseller: Philographikon (equense777) [Rottenbuch, DE]
2019-04-26 15:22:34
MACHIAVELLI, NICCOLO. - [THE BIRTH OF MODERN POLITICAL THOUGHT]
Paris, Charles Estienne, 1553. Small 4to. Bound in a lovely 19th century red morocco binding with five raised bands and gilt ornamentations to spine. Boards with blindstamped frame-borders and gilt ornamental centre-pieces. All edges of boards gilt and inner gilt dentelles. All edges gilt. "E. THOMAS" discreetly printed to top of front free end-paper. Front free end-paper with woodcut armorial book-plate (Bibliotheque du Plessis Villoutreys). First and last leaves with a bit of brownspotting, otherwise very nice and clean throughout. The last three leaves with neat restorations - neatly closed tear, with no loss and a couple of small restorations to top margin (far from affecting text). (8), 148 pp. Estienne's printer's device to title-page and woodcut initials. ¶ The extremely rare first translation printed in any language, being the first printed French translation, of one of the most important and influential works in the history of mankind, Machiavelli's "The Prince". After the original printing in Italian, the present is arguably the most desirable edition of the seminal masterpiece that is Machiavelli's magnum opus. "The Prince" constitutes the beginning of modern political philosophy and one of the most influential works in the history of modern thought. It founded the science of modern politics on the study of mankind, and even today no political thinker can disregard the importance of this masterpiece of political theory.The translation not only inaugurated the tradition of translating "The Prince" into other languages than Italian, it also exercised the greatest i … [Click Below for Full Description]
Bookseller: Bookshop Herman H. J. Lynge & Søn [DK]
2019-04-23 20:22:14
ALBERTO (Leon Bautista)
Joan de Mey Flandro, Alcala de Henares, 1553. 14 h. sin numerar inc. portada orlada a dos tintas con pequeño grabado sobre madera que se repite en la última hoja blanca . LXXI folios y 1 hoja blanca. Sig: a8b6, A-I8. Bellísimo ejemplar encuadernado por Chambolle Duru, de esta estimada primera edición del célebre "Momo" de Leon Alberti. Se trata de un apreciado tratado satirico político-moral sobre el príncipe y el Estado escrito con el fin de intentar reprimir vicios y errores de los hombres. Cuenta la historia de Momo, el dios griego del sarcasmo, que por denigrar a Zeus en torno a la creación del hombre, es arrojado a la tierra donde aprenderá los vicios y las malas artes de los humanos, como el engaño, la lujuria, el vicio, la hipocresía, la corrupción. El "Momo" de Alberti anuncia temas que se desarrollaran posteriormente en textos tan importantescomo el Principe de Maquiavelo.Ejemplar en muy buen estado de conservación, limpio. Martin Abad: II nº 437. Salva nº 1693, Catalina: Tipografía Complutense nº 256. Palau nº 5193. Chagreen marrón, triple fileteado dorado, lomera con adornos dorados.
Bookseller: Libreria Bardon [Madrid, Spain]
2019-04-21 21:24:16
FINE (Oronce)
1553. FINE (Oronce), De duodecim caeli domiciliis, & horis inaequalibus, Libellus non aspernandus, Paris, Michel Vascosan, 1553. In-4 de 30 feuillets [plusieurs feuillets mal reliés] ; basane brune moderne dans le style de l'époque, encadrement à froid avec petits fers dorés en écoinçons. Édition originale rare de ce traité d'astrologie d'Oronce Fine (1494-1555), l'un des grands mathématiciens de son temps, ornée de figures astronomiques et géométriques dans le texte. Ancienne mouillure assez forte sur la partie basse de l'exemplaire, avec quelques traces colorées, toutefois exemplaire acceptable et bien relié.
Bookseller: Le Zograscope (lezograscope) [Paris, FR]
2019-04-16 15:53:10
Petrarca, Francesco - Gesualdo, Giovanni Andrea
per Domenico Giglio, In Venetia, 1553. in-4° (204x148 mm), leg. coeva in pergamena rigida, con dorso a quattro nervi, titolo manoscritto al dorso, tagli marmorizzati; 2 parti; carte [22], 346, [72]. Frontespizio xilografico della prima parte riccamente decorato con i busti di profilo del Petrarca e di Laura all'interno di cornici ovali entro bordura di figure allegoriche; in fondo al titolo è riportato solo lo stampatore, mentre i dati editoriali completi sono al colophon. Il frontespizio della seconda parte, uguale al precedente, riporta invece solo la data di stampa (1553). Iniziali xilografiche finemente decorate, presenza di sei grandi vignette xilografiche come testate dei Trionfi. Testo in carattere corsivo racchiuso dal commento. Terza edizione (la prima fu pubblicata a Venezia, dal Nicolini, nel 1533) del Canzoniere suddiviso in due parti e commentato dal Gesualdo. Il testo della prima parte, intitolato "I sonetti et le canzoni del Petrarcha, colla spositione del Gesualdo", inizia a carta 1 ed è preceduto dalla dedicatoria "Al magnifico messer Bernardino Priuli, fu del magnifico M. Giacomo, patron suo honorandissimo Domenico Gigli", seguito poi da "La vita del Petrarcha", quindi da "La vita di Madonna Laura", poi da "I luoghi del Petrarcha, onde lo spositore ha raccolto quanto ha qui scritto di lui", e infine da "La tavola de sonetti e de le canzoni". A c. 278 inizia la seconda parte, intitolata: "I sonetti, et le canzoni del Petrarcha, in morte di Madonna Laura"; a seguire: "I trionfi" ("Del trionfo d'amore", "Il trionfo de la castita", "Del trionfo de la morte", " … [Click Below for Full Description]
Bookseller: Books and collectibles di Paola Suaria [Villafranca di Verona, VR, Italy]
2019-04-06 05:56:08
Jacques De Srada
Jacques de Strada et Thomas Guerin / Glielmo rovillio, 1553. Condition: Bon état. Bon Etat.
Bookseller: Librairie dans mon garage (ngawangdansmongarage) [05000 Gap, FR]
2019-04-02 09:25:29
SERLIO, Sebastiano
Marie Hulst, Gil Van Diest, Pieter Coecke Aalst, 1553. Den eersten -[tweeden] boeck van Architecturen Sebastiani Serlii, tracterende van Geometrye. Ouergesedt wten Italiaenische in nederlandts, duer Peeter Cocke van Aelst doen ter tijt Schildere der K. Maiesteyt . Antwerp, Marie Hulst, 1553. [Bound with :] Des Antiquites, Le troisiesme liure translaté d'italien en franchois. Antwerp, G. van Diest, 1550. [and:] Reigles generales d'Architecture, sur les cincq manieres d'edifices, asauoir Thuscane, . Antwerp, P. Coecke van Aelst, 1550. [and:] Den vijfften boeck van Architecturen Sebastiani Serlij inden welcken van diuersche formen der Templen getracteert wordt nae de maniere vanden Antijken ende oock voer de Kerstenen. Antwerp, Marie Hulst, 1553. Folio, modern panelled calf. (34 x 24 cm). first 15 leaves stained and browned, occasional marginal staining, bottom corners of last 8 leaves repaired (one with small loss of image). Fowler, 305, 310, 318, 323; Ornamentstichsammlung Berlin, 2569, 2562 Book I - II: 42p including title page and illustrations. The first Flemish edition of Serlio's Book I - II. The woodcuts of this edition, many in reverse, were copied from the undated Venice edition, and were in turn used in the Amsterdam 1606, Basel 1608, and London 1611 editions. Both titles are within a woodcut strap-work border, the first copied in reverse by Pieter Coecke van Aelst from the original French plate, with a lion's head in place of the salamander. Book III: 73 + 3p including title page and illustrations. First edition in French, printed at Antwerp. The title page and ill … [Click Below for Full Description]
Bookseller: Sanderus Antiquariaat [Gent, Belgium]
2019-03-27 22:44:31
Vincenzo Cartari
Venice: Gualtero Scotto, 1553. VERY GOOD. Complete with all issued endpapers in original binding. Limp vellum ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically buckled and soiled. Some cracking to spine in center of the inscription. IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology POB#47831 TITLE: Il Flauio intorno a i Fasto AUTHOR: Vincenzo Cartari PUBLISHER: In Vinegia: Appresso Gualtero Scotto. [Venice: Press of Gualtero Scotto] DATE: M D LIII [1553] EDITION: First Edition. Adams C783. DESCRIPTION: xxiv, 438, [2] 16cm CONDITION NOTES: VERY GOOD. Complete with all issued endpapers in original binding. Binding ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically soiled. Some cracking to spine in center of the inscription. BINDING: Period limp vellum. Inscribed spine title. Vincenzo Cartari (c.1531-1569) was an Italian mythographer and diplomat of the Italian Renaissance. Here he comments on the Fasti of Ovid. An index begins the volume, pointing to many references to Roman gods and heroes: Apollo, Aphrodite, Achilles at Troy, Pomona, Hermes, Minos, and Medusa. Written in Italian during the Italian Renassiance, Cartari's work in Italian influenced painters, artists, and other cultural leaders who used classical imagery i … [Click Below for Full Description]
Bookseller: Poetry in Power (poetryinpower) [San Marino, California, US]
2019-03-26 00:11:43
GIOVIO PAOLO
Cominum de Tridino Montisferrati, Venezia, 1553. Voll. 2 in tre tomi in 16? (155x105); cc. (8) 415; cc. 40, pagg. 81-680, (16); 618, (30).Al frontespizio ritratto silografico di Giovio, inciso entro ovale. Capilettera istoriati entro vignette silografiche, di cui una con veduta di citt? Pergamena seicentesca con titolo manoscritto al dorso.La prima edizione dell'opera fu stampata a Firenze nel 1550-1552 presso Lorenzo Torrentino. Divisa in 45 libri l'Historiarum sui temporis abbraccia l'arco temporale fra l'invasione d'Italia ad opera di Carlo VIII e il 1547.Ottimo esemplare anche se presenta margini un po' brevi, leggerissima traccia di tarlo sulla coperta di tutti i volumi e sulla sguardia del secondo. Piccoli fori ai frontespizi; lieve alone al tomo I; alcune pagg. con leggeri arrossamenti al tomo II. letteratura.
Bookseller: libreria antiquaria perini Sas di Perini [Verona, VR, Italy]
2019-03-23 21:44:32
FABER, Gregor ca. 1520-after 1554
Basileae [Basel]: [Heinrichum Petri], 1553. Hirsch I, 163. Eitner III, 370. Cortot p. 73. Gregory-Bartlett p. 86. Davidsson 32. Lowinsky: Josquin des Pres, pp. 159, 277. RISM BVI p. 301 (3 copies in the U.S.). Faber was a noted German music theorist. "In 1545 he entered the University of Leipzig and in the following year he received the baccalaureate degree. After becoming a magister in 1547 he enrolled in 1549 at the University of Tübingen, where in 1554 he was awarded the degree of doctor of medicine. Meanwhile he had become a music teacher at the university and had published the treatise on which his fame rests, Musices practicae erotematum libri II (Basle, 1553)." "Faber's treatise exhibits both conservative and progressive traits. It follows the format of Sebald Heyden's De arte canendi, for it also consists of two books, the first on the elements of music and the second on the intricacies of mensural notation. Faber's book 1, however, discusses at length the philosophy of music, an appropriate subject for a university textbook. He borrowed numerous music examples from Heyden, including Ockeghem's well-known Prenez sur moy and the Kyrie II from Isaac's Missa 'Quant j'ay au cueur'. He was one of the few theorists who followed Heyden's theory of a single tactus that could be applied to all mensurations. Although Faber praised Glarean's theory of 12 modes, he still adhered to the eight-mode system. His progressive thought is shown in comments on musica ficta and particularly on an outstanding example of it, Matthias Greiter's Passibus ambiguis for four voices. Thi … [Click Below for Full Description]
Bookseller: J & J Lubrano Music Antiquarians LLC [U.S.A.]
2019-03-23 00:26:29
FABER, Gregor ca. 1520-after 1554
[Heinrichum Petri], Basileae [Basel], 1553. Small octavo. Full early vellum with coat of arms within decorative oval border gilt to both upper and lower, spine in decorative compartments gilt with titling stamped to foot, all edges gilt. 1f. (recto title with woodcut illustration of a Guidonian hand, verso blank), 4ff. ("Epistola"), 3ff. (blank), 230 pp. + 1f. (recto colophon, verso printer's decorative device). With woodcut initials and diagrams throughout; music in diamond-head notation. Contemporary manuscript notational additions and corrections to pp. 93, 95, and 97 and marginal annotations to pp. 51, 161-164. Contains musical excerpts from the works of Josquin des Pres (Stabat mater, pp. 116-139), Anton Brumel (pp. 82, 168), Ludovico Senffl (p. 102), Matthias Greiter (p. 140), Jean de Okeghem (p. 152), Iacobi Oberti (p. 212), and others. Binding somewhat worn and soiled; ca. 2-1/2" x 1" (60 x 25 mm.) portion lacking to lower; loose in binding with remnants of early manuscript to spine; early manuscript annotations to endpapers. Some browning; occasional light dampstaining to outer margins; lower margin of title lacking and replaced with paper tape, partially affecting imprint; first blank signature detached; worming to upper inner portions of leaves from front endpapers to p. 176, often affecting small areas of text and/or notation; worming to lower portions of leaves from pp. 109-116 primarily to blank margins. Lacking the folding plate Schema divisionem musicae continens (supplied in photocopy). Hirsch I, 163. Eitner III, 370. Cortot p. 73. Gregory-Bartlett p. 86. D … [Click Below for Full Description]
Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC [Syosset, NY, U.S.A.]
2019-03-14 14:58:55
Vincenzo Cartari
Venice: Gualtero Scotto, 1553. VERY GOOD. Complete with all issued endpapers in original binding. Limp vellum ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically buckled and soiled. Some cracking to spine in center of the inscription. IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology IL FLAVIO INTORNO A I FASTO Vincenzo Cartari 1553 1st Ed. Ovid Fasti Mythology POB#47831 TITLE: Il Flauio intorno a i Fasto AUTHOR: Vincenzo Cartari PUBLISHER: In Vinegia: Appresso Gualtero Scotto. [Venice: Press of Gualtero Scotto] DATE: M D LIII [1553] EDITION: First Edition. Adams C783. DESCRIPTION: xxiv, 438, [2] 16cm CONDITION NOTES: VERY GOOD. Complete with all issued endpapers in original binding. Binding ties perished. A few period annotations and underlines...about 15 pages. A few spots of worming on the tail margin without loss of text or major loss of paper. Covers typically soiled. Some cracking to spine in center of the inscription. BINDING: Period limp vellum. Inscribed spine title. Vincenzo Cartari (c.1531-1569) was an Italian mythographer and diplomat of the Italian Renaissance. Here he comments on the Fasti of Ovid. An index begins the volume, pointing to many references to Roman gods and heroes: Apollo, Aphrodite, Achilles at Troy, Pomona, Hermes, Minos, and Medusa. Written in Italian during the Italian Renassiance, Cartari's work in Italian influenced painters, artists, and other cultural leaders who used classical imagery i … [Click Below for Full Description]
Bookseller: Poetry in Power (poetryinpower) [San Marino, California, US]
2019-03-14 12:44:21
Leandro, Alberti
In Vinegia, per Giovan Maria Bonelli [Venetien, bei Giovanni Mari, 1553. Condition: Akzeptabel. Descrittione di tutta Italia di F. Leandro Alberti Bolognese, nella quale si contiene il sito di essa, l'origine, et le Signorie delle Citta, et de i Castelli, co i nomi antichi, et moderni, i costumi de popoli, le conditioni de i paesi. Et piu gli huomini famosi che l'hanno illustrata, i monti, i laghi, i fiumi, le fontane, i bagni, le minere, con tutto l'opere marauigliose in lei dalla natura prodotte. von Leandro, Alberti: Autor(en) Leandro, Alberti:Verlag / Jahr In Vinegia, per Giovan Maria Bonelli [Venetien, bei Giovanni Maria Bonelli] 1553.Format / Einband 4° (22 x 16,5 cm). Einfacher Pappband der Zeit. [Hardcover / fest gebunden]. (4), (34), 464 Blätter und (3) Seiten. Mit schöner gestochener Titelvignette "Virtuti omnia parent", Holzschnitt-Initialen und einer Druckermarke Bonellis auf dem Kolophon.Sprache ItalienischGewicht ca. 1490 gBestell-Nr 2083457Bemerkungen Adams I, 473; Graesse I, 52; STC I, 27. - Albertis Beschreibung Italiens mit detaillierten Angaben zu Städten und Dörfern, Moden und Kostümen, antiken Namen, Bädern, Bergen, Flüssen, Bergwerken uvam. in der ersten Ausgabe aus Venetien. - Pappband am oberen Kapital mit Leinen verstärkt, obere Bezugsschicht des Rückens fehlt. Einband deutlich berieben, angestaubt und leicht bestoßen. Titelblatt mit Besitzvermerk alter Hand in Tinte. Innen wenige Unterstreichungen mit Buntstift im Text sowie lagenweise Wurmgänge am unteren Steg ohne Textverlust. Trotz des deutlich gealterten Einbandes insgesamt ordentliches, innen … [Click Below for Full Description]
Bookseller: Bibliotheca-Theologica (bibliotheca-theologica_de) [Kirchhain, DE]
2019-03-05 04:33:24
1553. fair/good. 16th Century book in Latin, Folio, Title, Enarrationes, quas Cathenam Vere Avream Dicvnt, et. Author, Thomas Aquainas, printed in Paris in 1553, by Frarres Marnef. New quarter calf binding on marbled boards. Dampstained, edges outer leaves chafed. Gatherings a-2t8 2v5 = 341 leaves: 338, [3], double-column folios; 32 cm. [title continues] collatione, quantum licuit emendatiores quam hactenus in lucem editae. -- In this edition the title closely resembles those in the Paris editions of 1528, 1546 and 1566 as well as that of Antwerp 1569, and it is foliated similarly to the last three of these editions. Collated: ai-aiij, b-biiij, etc, lz-lziiij (letter j not used in this era) l-liiij---t-tiiij, v-viiij, x-xiiij--z-ziiij, repeat pattern Aa-Aaiiij (same pattern through Vv-Vviiij, Finis I will entertain reasonable offers.
Bookseller: pmatt3 [Carmichael, California, US]
2019-03-04 17:23:06
Jacques De Srada
Jacques de Strada et Thomas Guerin / Glielmo rovillio, 1553. Condition: Bon état. Bon Etat.
Bookseller: Librairie dans mon garage [05000 Gap, FR]
2019-02-27 17:58:27
Wild, Johann
rovillio. Lugduni apud Gulielmum Rouillium, 1553 (Lugduni excudebat Ioannes Ausultus). (mm. 118 x 78). Pergamena molle coeva con bel titolo manoscritto al dorso. pp. 352. Lieve alone al margine interno superiore delle ultime pagine, ma ottimo esemplare nella sua piacevole legatura originale in pergamena. Ex libris " Mina Albert Paucker " applicato. Seconda edizione, dopo la prima del 1551.
Bookseller: De Antiquis Libris [IT]
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