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Displayed below are some selected recent viaLibri matches for books published in 1543
2014-03-09 19:59:41
Bernardus Claraevallensis
Venetiis apud Bernardinum de Bindonis, 1543,. Alter PBd., 310 fol., 16° mit handschriftlicher Pappschildchen auf Rücken. Einfache Initialverzierung im Text. Handschriftliche Besitzeranmerkung auf Titel. Handschriftliche Anmerkungen auf letzten Seiten u. Nachsatzplatz beigefügt. Einband etwas berieben u. gelockert; Seiten stellenweise gering beschmutzt u. auf Rändern eingerissen. Kopschnitt leicht abgegriffen. Ansonst wohlerhaltenes Exemplar. Sehr gut erhalten. * Our books are stored in our warehouse, not in the shop. Please notify beforehand, if you want to visit us and see a specific book. Unser ZVAB-Bücher-Bestand befindet sich in unserem Lager am Stadtrand Prags, nicht in unserem Geschäft. Bitte, teilen Sie uns vorher mit wenn Sie uns besuchen möchten und bestimmtes Buch auswählen wollten *.
Bookseller: Antikvariát Valentinská
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2014-02-22 11:45:50
[Francois II. von Frankreich] - (Salet, d.i. [Salel, Hugues]).
(Lyon, chez le Prince), [1543/44].. (8) SS. Mit Wappenvignette in Holzschnitt am Titel. Buntpapier-Heftstreifenrücken. 8vo.. Das einzige nachweisbare Exemplar eines hochseltenen Festbüchleins auf die Geburt und Taufe des Herzogs Franz, erstgeborenen Sohns des Dauphins (und ab 1547 König) Heinrich II. und der Katharina de Medici. Auf das mit "Salet" gezeichnete Lobgedicht (als dessen Verfasser gemeinhin der Dichter Hugues Salel, 1504-53, betrachtet wird) folgt noch eine Beschreibung des Festzugs zur Taufe. Der am 19. Januar 1544 (nach geltendem Osterjahresanfang: 1543) geborene Herzog, benannt nach seinem Großvater, dem regierendem König von Frankreich, sollte selbst mit 15 Jahren die Krone erben; 1558 heiratete er Mary, Queen of Scots, starb aber bereits 1560. - Die einzige andere bekannte Ausgabe des 16. Jhs. ist die bei Jacques Nyverd gedruckte, welche Brunet und Graesse anführen und die auch als einzige in der Bibliotheque Nationale gehalten wird. - Gering gebräunt; minimaler Wasserrand im unteren Rand. - Vgl. Graesse IV, S. 649. Brunet IV, 19. Nicht im BM-STC French.
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH
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2014-02-21 15:35:44
. Bei dieser Bibel handelt es sich um eine Ausgabe von Hans Lufft, Wittenberg, 1543. Sie ist in einem Ledereinband auf 7 Bünden mit Rollstempelverzierung aus der Entstehungszeit gebunden. Der Einband ist allerdeings stark berieben und abgegriffen und deshalb ist die Verzierung ist kaum mehr sichtbar. Der Einband war ursprünglich mit Eckbeschlägen und Schließen versehen, die aber fehlen. Lediglich die Druckstellen lassen darauf schließen, daß die Beschläge und Schließen einmal vorhanden waren. Der Drucksatz ist einspaltig, der Satzspiegel ist etwa 18 X 28 cm. Die Anfangsinitialen der einzelnen Bücher und Absätze sind kunstvoll floral und von Holzstöcken (2,5 x 2,5 cm und 4,5 x 4,5 cm) gedruckt. Die 117 Abb. (10,8 cm x 14,7 cm) stammen ausschließlich von Lucas Cranach. Die Wissenschaft geht davon aus, daß es sich dabei um Lucas Cranach den Älteren handelt. Die Ausschmückungen der Bibel sind besonders kunstvoll gestaltet, da diese Bibel auf der Frühjhahsmesse in Leipzig ausgestellt wurde. Zum Zustand der Seiten: Einige wenige Seiten und einige wenige Abb. sind nur noch als Fragmente erhalten. Die meisten Seiten aber sind in einem altersäßig guten Zustand, manchmal allerdings etwas wasserrandig. Der Schnitt ist durch Verschmutzung ziemlich dunkel. Der Einband ist fest und auch der Buchblock mit allen Seiten ist fest eingebunden. Für weitere Fragen zum Zustand und Inhalt dieser Bibel stehen wir Ihnen jederzeit gern zur Verfügung..
Bookseller: Online-Buchversand "Die Eule"
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2014-02-18 19:04:39
Antoninus Archipraesul Florentinus (1389-1459, Dominikaner u. seit 1446 Erzbischof von Florenz)
Lyon 1543 'sub signo Sphaerae apud Aegidium & Jacobum Huguetan fratres' in folio (31x21 cm).. Zweispalt. Druck mit vielen großen u. kl. Initialen, teilweise a fonds cribles, 3 Tit.bl. (sich wiederh.) mit Rot- u. Schwarzdruck, eingefaßt von einer üppigen floralen Bordüre, gez. von G. Leroy u. erstmals v. Giunta 1529 verwendet, m. im Rankenw. spielenden Putten (abgeb. bei Baudrier VI 133 bis), dazu der Himmelsglobus in Gottes Hand mit griech. Textlegende als Dr.-Marke (abgeb. Baudrier XI 316 = Silvestre 179), in fine v. vol. II u. III die ganz seltene große Dr.-Marke mit der zum Abschuß gestarteten Kanone u. der auf dem Geschütz- Lauf angebracht. tiefsinnig. Textlegende "Terrebo sine percussero" (abgeb. Baudrier XI 315). Einschl. Tit.bl.: 14 nnff (letztes Bl weiß), 173 ff, letztes f weiß (oder m. Dr.-Marke?) fehlt (so auch bei Baudr.); 9 ff (letztes Bl weiß - fehlt), 198 ff, 6 nnff; 14 nnff, 212, (1) ff. In vol I die ersten 3 Bl mit kleinem Loch (ganz unbedeut. Buchstabenverl.) u. in vol II d. letzten 4 Bl im weißen Rand angerändert, ganz minim. Unterstreich. u. Marginalien, vereinz. schmutz- u. wasserfleckig, u. im ganzen etwas unfrisch, trotzdem gut. 3 braune zeitgen. Ldbde m. goldverz. Rücken nebst goldgepr. Rtitel, auf Vdeckel verso jeweils das Exlibris des Dominikanerklosters Haverstock Hill, London. - Fehlende Vorsätze wurden inzwischen erneuert, wie auch die in fine von Bd I eventuell fehlende große Druckermarke durch eine Kopie ersetzt worden ist..
Bookseller: Antiquariat Remigius
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2014-02-16 17:32:09
Erasmus von Rotterdam, Desiderius:
Basel, Brylinger, 1543.. 2 Blatt, 326 (recte 376) Seiten, 10 Blatt (davon 1 weißes und 2 mit Druckermarke). Blindgeprägter Schweinslederband auf Holzdeckeln mit intakten Metallschließen. - Angebunden: Vives, Juan Luis: De conscribendis epistolis / Ioannis Ludovici Vivis Valentinii libellus uere' aureus. Des. Erasmi Roterodami Compendium, postremo iam ab eodem recognitum. Conradi Celtis Methodus. Christopheri Hegendorfini Methodus. Basel, Balthasar Lasium, Mense Martio, anno 1539. 153 Seiten, 7 Blatt.. *Sammelband mit 2 Titeln: I. Bezzel I, 620; VD 16 E 2521. - Frühe Abhandlung über die Kunst des Briefeschreibens, sie ist eine der ersten und erfolgreichsten Schriften des Erasmus. Im Manuskript bereits 1498 für einen englischen Schüler verfasst, erfolgte die erste rechtmäßige von Erasmus initiierte Druckausgabe 1522 in Basel. Der "mit Abstand umfang- und einflußreichste" Briefsteller seiner Zeit (Kindler) war schon zu Lebzeiten von Erasmus ein Bestseller, es gab bereits im 16. Jahrhundert ca. 80 Ausgaben. Hier eine noch frühe in Basel gedruckte Ausgabe. - II. VD 16 V 1820. Bezzel 263. Van der Haeghen III, 62. Buisson 676. - Juan Luis Vives (1492-1540) war einer der berühmtesten spanischen Humanisten und Pädagogen. - Erstes Titelblatt mit 2 alten Klosterstempeln, 2 Blatt mit zeitgenöss. Randnotizen. Letztes Blatt (Druckermarke) des zweiten Titels mit sauber restauriertem Einriß (kaum zu sehen). Auf dem Rückendeckel ist ein Fehlstück des Lederbezugs mit zeitgenöss. Material passend ergänzt. Insgesamt gut erhaltenes und zumeist sehr sauberes Exemplar in einem geprägten Renaissan … [Click Below for Full Description]
Bookseller: Antiquariat Braun
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2014-02-11 14:15:58
Fuchs Leonhart, 1501-1566
Fuchs Leonhart, ,543. Fuchs Leonhart, Kräuterbuch, anno 1543 Fuchs Leonhart, 1501-1566, Kräuterbuch, 1 holl. Ausgabe: Den Nieuwen Herbarius, dat is dboeck vanden cruyden. Basel, M. Isengrin 1543). Fol. Mit Holzschn.-Druckerm. u. 517 Textholzschn. 17 (statt 18) Bl. (Vorstücke u. Reg,), 260 nn. Bl. Läd. Prgt. d. Zt. (Mit bezugsfehlstellen, wellig, verknittert u. fl.). Nissen, BBI 662. - Erste holländische Ausgabe, ein Jahr nach der Originalausgabe und der ersten deutschen Übersetzung erschienen, von größter Seltenheit. Fehlt im VD 16, bei Adams, Stafleu-C. u.a. Das Vorwort Fuchs' ist März 1543 datiert, Nissen datiert den Druck "um 1545". Die etwa 1/4seitigen Holzschnitte sind wohl verkleinerte Nachschnitte der Illustr. der Orig.-Ausgabe. - Fehlende Titelbl. mit verso ganzs. Portr. ist auf ein Pergamentbl. hs. u. verso mit Portr. in Tschzeichnung. Anfang stärker randrissig u. wasserrandig, sowie in den Blattränd. gebräunt. Hier Innengelenke tls. mit Papierstreifen verstärkt. Ende wasserrandig u. etw. randrissig. Das le. Bl. mit hinterl. Randabschnitt u. kl. Einriss. Tls. Unterstreichungen u. Marginalien, sowie hs. Bezeichnung d. Pflanzen. Hs. Eintr. a. Vors. Seltenes Kräuterbuch, welches Preise bis zu hundertausend Euros erzielt. Für weitere Informationen bitte unteren Link anklicken..
Bookseller: Hammelburger Antiquariat
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2014-02-10 01:21:21
Epiphanius von Salamis.
Basel, (Robert Winter, September 1543).. (12), 632 (recte: 624), (16) SS. Mit Holzschnittdruckermarke am letzten Bl. verso. Blindgepr. Schweinslederband der Zeit auf 4 Doppelbünden über Holzdeckeln mit abgeschrägten Deckelkanten; Rücken alt mit hellerem Lederüberzug erneuert und mit goldgepr. Rückenschildchen versehen. Eine Schließe (von 2). Folio (265:376 mm).. Zweiter Druck der lateinischen Ausgabe bei Winter. Enthält alle damals greifbaren Schriften des Kirchenvaters und orthodoxen Ketzerbekämpfers Epiphanios aus Eleutheropolis in Judäa, der ab 367 Bischof von Salamis auf Zypern war. Sein "Panarium" (der "Brotkasten" oder die "Medizinbüchse") ist das ausführlichste Werk seiner Zeit gegen Häretiker (vor allem gegen Origenes und die Arianer), es werden darin aber auch die Philosophenschulen und die jüdischen Sekten angegriffen. "Überaus stoffreiche [...] 'Ketzerbestreitung'" (LThK III, 730). Die Herausgabe besorgte der Arzt und Philologe Janus Cornarius (eigtl. Johannes Hagenbut) aus Zwickau, der lange Zeit in Basel weilte und vor allem durch seine Hippokrates-Ausgaben bekannt wurde. - Am ersten Widmungsblatt gest. Exlibris des Servitenordens (wohl der Klosterbibliothek in der Wiener Rossau); am Titel alte hs. Bibliothekssignatur. Am vorderen Innendeckel die spätere hs. Bibliothekssignatur der Wiener Unbeschuhten Augustiner; entspr. hs. Signaturschildchen am Rücken. Titel stärker fleckig. Durchgehend etwas gebräunt und wasserrandig, gegen Ende kleine Wurmlöcher im breiten w. Rand. Der schöne, etwas beriebene Einband mit vierfacher Rahmung, davon zwei Rollenstempel (Salvato … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH
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2014-02-09 18:57:41
Vergil - Murner, Thomas
(Worms), (Gregor Hofmann), 1543,. 8vo. Mit Titelholzschnitt u. 13 ganzs. Holzschnitten. Titel in Rot u. Schwarz. 332 nn. Bl. Pgt. d. Zeit m. 2 durchgezogenen Bünden.. VD 16 V 1427 o. 1429. - Goedeke II, 217,25. - Frühe Ausgabe der ersten deutschen Vergil-Übertragung von Thomas Murner (1475-1537), die erstmals 1515 in Straßburg erschienen war: Murner übersetzt neben den 12 Büchern Vergils auch das 13. von Maffeo Vergio (1406-1458). Er überträgt die Geschichte mit begrifflichen Anpassungen ins Deutsche und führt einige Stellen über eine Übersetzung hinausgehend aus. Während die Fakten trotz Inhalts-Verschiebungen ungefähr bestehen bleiben, wird von Vergils Stil fast nichts in den deutschen Text hinübergerettet (Gronemeyer 1963). "Rücksichtnahme auf die Verstehens- und Aufnahmebereitschaft breiter Schichten transponiert das würdevolle antike Epos auf ein niedriges Sprach- und Stilniveau, versetzt es in die zeitgenössische Lebensumwelt, formt es um in volkstümliche Knittelverse. Der Leistung Murners, die über hundert Jahre konkurrenzlos blieb und fünf Neuauflagen erlebte, wird man nur mit historischen Maßstäben gerecht." (Murner-Katalog, Karlsruhe 1987, S. 208). - Das Bl. mit dem Druckvermerk fehlt (Kopie liegt bei), Gelenke vorne u. hinten etw. gelockert. Einband aus einer alten Musikhandschrift fleckig. Stempel auf Rücks. d. Titels. Einige Einrisse u. Knicke, 2 Eckabrisse ohne Textverlust. Kl. Wurmgang. Einige alte Tintenmarginalien. Insgesamt ansprechend.
Bookseller: Antiquariat Düwal
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2014-02-08 00:48:49
Vesalius, Andreas.
Basel, (Johannes Oporinus, Juni 1543).. Folio (428 x 282 mm). Woodcut title-page depicting a lecture hall with the dissection of a corpse, woodcut portrait of Vesalius (aged 28) with a dissected arm on *6v, woodcut initials (depicting cherubs conducting dissections or robbing graves), woodcut illustrations (some full-page), woodcut and letterpress double-sided folding plate at m3, with another sheet signed m3, woodcut and letterpress folding plate at p4, woodcut printer's device on final verso. Early 18th-c. speckled calf with contemp. marbled pastedowns and later endpapers, spine with raised bands marked by double gilt fillets, red morocco lettering-piece, edges speckled but retaining contemporary title lettered on foot of text-block. Modern slipcase.. First edition of the most famous anatomical work ever published. - With the publication of "De humani corporis fabrica" (when he was only twenty-eight) Vesalius revolutionised both the science of anatomy and how it was taught. In his preface, he describes his disappointing experiences as a student in Paris and Louvain, stating his intention to reform the teaching of anatomy by giving in this book a complete description of the structure of the human body and thereby drawing attention "to the falsity of Galen's pronouncements". Vesalius also broke with tradition by performing dissections himself instead of leaving this task to assistants: the striking and dramatic title-page illustration shows him conducting such a dissection, his hand plunged into a female cadaver (striking in itself, as only the cadavers of executed criminal … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH
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2013-11-30 04:12:01
Demosthenes
Mit gr. Titelholzschnitt und 1 Holzschnitt. 2 unnum., 22 num. Bll. HPrgt. um 1800, mit kalligraphischem Deckeltitel. Folio. VD16 D 549; Musper L 177; Muther 1122; Schweiger I, 90. - Erste deutsche Ausgabe der Orationes contra Philippum, der sogen. Philippika, übersetzt von Hieronymus Boner. Der schöne Titelholzschnitt von L. Beck aus dem Theuerdank, der Holzschnitt auf Bl. 1 vom Petrarcameister aus dem Cicero mit geänderter Beschriftung. - Einband nachgedunkelt, gering berieben und bestoßen. Etwas stockfleckig, kl. Wurmgang, tls. mit geringem Buchstabenverlust.
Bookseller: Antiquariat Turszynski
2013-11-05 16:24:04
Crasso, Padovano
[Venice]: Apud Augustinum Bendonum, 1543. 1st edition. Period full vellum with title hand-inked to spine. Yapp fore-edges. Stubs for cloth ties [2 each to front & rear covers]. Some expected soiling to vellum, with spine a bit darkened. Old, faint stain to lower corner of textblock. Withal, a VG+ copy.. 39, [1] ll. Title page printer's vignette depicting Saints Peter and Paul. Bound in 4s. 6-1/8" x 4" Price is for this one volume containing this work, and CONCILIUM PAULI, 1542 [TavBooks ID #35351].
Bookseller: Tavistock Books, ABAA [US]
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2013-11-05 16:24:04
Crasso, Padovano
[Venice]: Apud Augustinum Bendonum, 1543. 1st edition. Period full vellum with title hand-inked to spine. Yapp fore-edges. Stubs for cloth ties [2 each to front & rear covers]. Some expected soiling to vellum, with spine a bit darkened. Old, faint stain to lower corner of textblock. Withal, a VG+ copy.. 39, [1] ll. Title page printer's vignette depicting Saints Peter and Paul. Bound in 4s. 6-1/8" x 4" Price is for this one volume containing this work, and CONCILIUM PAULI, 1542 [TavBooks ID #35351].
Bookseller: Tavistock Books, ABAA [U.S.A.]
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2013-10-31 22:11:57
MANZOLLI, Pietro Angelo (sotto lo pseudonimo Marcellus Palingenius Stellatus)
Basilea, (Robert Winter), 1543. 1543 In 8°, c.nn. 56, p. 494. Capilettera figurati. Manca l'ultima carta, bianca. L'opera, un poema in esametri diviso in 12 canti (ognuno dedicato a un segno zodiacale), ebbe larga diffusione nei paesi protestanti, mentre in Italia venne posta all'indice nel 1558 a causa delle aspre critiche mosse al clero. Oggetto della poesia sono l'esoterismo, lo studio della pluralità dei mondi e soprattutto la condanna degli abusi ecclesiastici della curia romana. Frontespizio lievemente brunito. Bella legatura coeva in pelle impressa con mende al dorso. (Graesse, V, 106; Caillet, 7096-97).
Bookseller: Studio Bibliografico Marisa Meroni
2013-10-03 22:53:20
[Harding]. HARDYNG, JOHN
London: Richard Grafton. 1st Edition. Hardcover. Very Good. Scarce 1543 edition of John Hardyng's Chronicles: an important source for Shakespeare, Spenser, and Malory. The Chronicles were first printed in two separate editions in January 1543, compiled and issued by Richard Grafton. The edition offered here contains the expanded section (by Grafton) on Henry VIII. The English chronicler John Hardyng's (1378-1465) lengthy verse chronicle covers English history from Brutus through Hardyng's own lifetime. Hardyng, who served in the household of Henry Percy (Hotspur) and was present at the battle of Agincourt was an eyewitness to many important events of the day. Richard Grafton, who edited Hardyng's manuscripts, continued his history down to the reign of Henry VIII. Hardyng's Chronicle has been cited as a significant influence on Malory (who likely read it in manuscript form), Shakespeare (most notably for Henry IV), and Spenser. London: Richard Grafton, 1543. Eighteenth century full calf rebacked with original spine laid-down; custom half-morocco box. Handsome armorial bookplate of Baron Lord Calthorpe on front pastedown. A few early marginal notes to text. Title page with browning and repaired tear on outer edge; occasional browning to text (mostly to Grafton continuation); a few tears to pages in Grafton continuation; colophon with repaired tear to corner. RARE.
Bookseller: The Manhattan Rare Book Company
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2013-09-26 13:49:31
MANZOLLI, Pietro Angelo (sotto lo pseudonimo Marcellus Palingenius Stellatus)
Basilea, (Robert Winter), 1543. 1543 In 8°, c.nn. 56, p. 494. Capilettera figurati. Manca l'ultima carta, bianca. L'opera, un poema in esametri diviso in 12 canti (ognuno dedicato a un segno zodiacale), ebbe larga diffusione nei paesi protestanti, mentre in Italia venne posta all'indice nel 1558 a causa delle aspre critiche mosse al clero. Oggetto della poesia sono l'esoterismo, lo studio della pluralità dei mondi e soprattutto la condanna degli abusi ecclesiastici della curia romana. Frontespizio lievemente brunito. Bella legatura coeva in pelle impressa con mende al dorso. (Graesse, V, 106; Caillet, 7096-97).
Bookseller: Studio Bibliografico Marisa Meroni
2013-08-21 21:19:00
VENEGAS, Alejo (c.1497-1562)
Toledo, en casa de Juan de Ayala, 1543. 4to.; 56 hojas sin numerar, incluyendo la portada con escudo grabado de los Avalos. Impresión gótica. Ejemplar con falta de papel en la esquina superior externa de las diez últimas hojas, afectando palabras del texto de las cinco últimas.Puntuales restauraciones no profesionales y rastros de polilla en el márgen blanco interior, sin afectar al texto. Encuadernación moderna en media piel. Primera edición del complemento al erasmista "Agonía del tránsito de la muerte" añadido por Venegas a la tercera edición del mismo.
Bookseller: Hesperia Libros
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2013-08-21 18:04:43
ESTIENNE, Robert.
- Buisson p. 2; Renouard 3; WorldCat (4 copies); cf. Updike, I, p. 204, note (not specifying an ed.); for the types: Vervliet, Conspectus 377, 378, 396, 399 (Hebrew, illustrating the 1543 ed.), 352 (Greek), 51, 106, 143 (roman); Vervliet, Palaeotypography, pp. 105-160, types 1, 2, 4, 15, 23, 25, 26, 27 (illustrating the 1543 ed.); not in Adams; Audin, Livrets typographiques; Birrell & Garnett; BMC STC French; Philologia orientalis; Schreiber. Third edition, showing the beautiful Hebrew types introduced in the second edition (1543), of Robert Estienne's handy little guide to Hebrew, intended mainly as a primer for scholars learning the language but especially valuable today as a specimen of his types. The book's pages progress from right to left, as in a Hebrew book. It includes complete alphabets of the meruba Hebrew used for the main text and the smaller rabbinical Hebrew, both including the five variant forms for letters in the final position. The meruba also appears in a 2-page table showing the letters with all possible combinations of vowel points and dagesh, a table showing the cantillation marks (all with the letter beth) and a table of the Hebrew numbers. The text also shows the wider ("dilated") forms used for a few letters to aid justification of the lines. After a brief explanatory text in Latin, the book provides eight pages of Hebrew texts, with transliterations in a small roman type above and Latin translations in a larger roman below, and two pages of Hebrew text without transliteration or translation. At least some of the texts are taken from the Old Testame … [Click Below for Full Description]
Bookseller: ASHER Rare Books
2013-07-14 20:27:36
Demosthenes:
Augsburg, Steiner 1543.. Mit gr. Titelholzschnitt und 1 Holzschnitt. 2 unnum., 22 num. Bll. HPrgt. um 1800, mit kalligraphischem Deckeltitel. Folio. VD16 D 549; Musper L 177; Muther 1122; Schweiger I, 90. - Erste deutsche Ausgabe der Orationes contra Philippum, der sogen. Philippika, übersetzt von Hieronymus Boner. Der schöne Titelholzschnitt von L. Beck aus dem Theuerdank, der Holzschnitt auf Bl. 1 vom Petrarcameister aus dem Cicero mit geänderter Beschriftung. - Einband nachgedunkelt, gering berieben und bestoßen. Etwas stockfleckig, kl. Wurmgang, tls. mit geringem Buchstabenverlust.
Bookseller: Antiquariat Turszynski
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2013-06-12 04:54:05
Enea VICO (Parma 1523 - Ferrara 1567)
Bulino, 1543, datato e monogrammato in lastra in basso al centro. Da un soggetto di Perin del Vaga. Magnifica prova, impressa su carta vergata coeva, con margini, leggere abrasioni nel margine bianco, per il resto in ottimo stato di conservazione. La composizione, ritenuta dal Bartsch invenzione di Raffaello o di Giulio Romano, deriva dal foglio di Perin del Vaga raffigurante il combattimento delle amazzoni conservato al Louvre e noto come Teseo e le Amazzoni. La scena è una delle dieci rappresentazioni intagliate su cristallo da Giovanni Bernardi che adornano la Casetta Farnese, oggi al museo di Capodimonte di Napoli. Rispetto al disegno del Perin, l?opera di Enea Vico è molto più ricca di particolari e interpretata in maniera del tutto personale. L?artista raggiunge con questa incisione un risultato bizzarro, complicato da arbitrari usi della luce alternati da ombre scure e zone appena tratteggiate al bulino. Il risultato è un effetto teatrale altamente suggestivo e tipicamente manierista. Opera rara e ricercata. Engraving, 1543, monogrammed and dated in plate lower center. After Perin del Vaga. Magnificent proof, printed on contemporary laid paper, with margins, light abrasions in the white margin, otherwise in excellent condition. The composition, which is considered by Bartsch invention by Raphael or Giulio Romano, is derived from the drawing by Perin del Vaga depicting the battle of the Amazons in the Louvre and known as Theseus and the Amazons. The scene is one of the ten representations of crystal carved by Giovanni Bernardi adorning the house Farnese, now in the Ca … [Click Below for Full Description]
Bookseller: Libreria Yelets
2013-06-10 21:31:32
LUCIANUS Samosatensis (Erasmus, Desiderius)
Francoforte, Christian Egenolph Hadamari, 1543.In -folio, carte (6) 347 (1). Segn.: [+]6, A-Z6, a-2m6. Marche tipografiche sul frontespizio e in fine volume (timbro di possesso sulle carte +2 e mm5). Legatura tedesca in pelle di scrofa su assi di cipresso con ricca decorazione a secco sui piatti. Dorso a quattro nervi con titoli manoscritti. Tracce di fermagli in metallo. Seconda edizione di questa traduzione curata, tra gli altri, da Erasmo da Rotterdam, Jacob Mycillus, Pirckheimer, Melanchton e Thomas More. Provenienza: Wolff Jacob von Deissenhausser, Guido Sanguinetti (ex libris). Luciano di Samostata scrisse su argomenti molto differenti, tra i più curiosi alcuni trattano di argomenti fantascientifici. In Icaromenippus il protagonista raggiunge la Luna servendosi di ali strappate a un avvoltoio e ad un?aquila. In Vera Historia compie un viaggio al di là delle colonne d?Ercole, in cui i personaggi, tra cui lo scrittore, incontrano creature fantastiche, arrivando addirittura a viaggiare nello spazio e ad incontrare i Seleniti, abitatori della Luna.
Bookseller: Studio bibliografico Atlantis
2013-06-10 15:04:43
DOLCE, Lodovico
In Venetia, appresso Gabriel Gioli di Ferrarij, 1543. In 8vo (cm. 14,5); carte 47 + una di errata e marca tipografica del Giolito. (unito:) Thyeste Tragedia di M. Lodovico Dolce tratta da Seneca. In Venetia, appresso Gabriel Gioli di Ferrarij, 1543. In 8vo; carte 32 (in fine grande marca tipografica). Legatura in mezzo marocchino del Novecento con punte; dorso a 4 nervi; titolo e data in oro. PRIMA EDIZIONE per entrambe le tragedie. Bongi, Annali G. G. de? Ferrari, pp. 51/52. Axs
Bookseller: Libreria Bongiorno Paolo
2013-06-09 21:49:53
Enea VICO (Parma 1523 - Ferrara 1567)
Bulino 1543, datato e monogrammato in lastra in basso. Della serie ?Differenti soggetti di Vasi dall?antico?. Esemplare del secondo stato con la lastra ridotta. Splendida prova, impressa su carta vergata coeva priva di filigrana, con sottilissimi margini, in ottimo stato di conservazione. Engraving 1543, dated and monogrammed on plate at bottom. Belonging to the series "Differenti soggetti di Vasi dall'antico" ("Different types of ancient vases"). Example in the second state, with smaller plate. Beautiful proof, on contemporary laid paper, no watermark, very narrow margins, in very good conditions. Bartsch 421. 185 250
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Enea VICO (Parma 1523 - Ferrara 1567)
Bulino 1543, datato e monogrammato in lastra in basso. Della serie ?Differenti soggetti di Vasi dall?antico?. Esemplare del secondo stato con il numero XI aggiunto in basso a sinistra. Splendida prova, impressa su carta vergata coeva priva di filigrana, rifilata al rame, in ottimo stato di conservazione. "Engraving 1543, dated and monogrammed on plate at bottom. Belonging to the series ""Differenti soggetti di Vasi dall'antico"" (""Different types of ancient vases"").Example in the second state with the number XI added at lower left. Beautiful proof, on contemporary laid paper, no watermark, trimmed at the platemark, in very good conditions." Bartsch 429 196 260
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Enea VICO (Parma 1523 - Ferrara 1567)
bulino 1543, datato e monogrammato in lastra in basso. Della serie ?Differenti soggetti di Vasi dall?antico?. Esemplare del primo stato prima del numero VIIII aggiunto in basso a sinistra. Splendida prova, impressa su carta vergata coeva priva di filigrana, rifilata al rame, in ottimo stato di conservazione. Engraving 1543, dated and monogrammed on plate at bottom. Belonging to the series "Differenti soggetti di Vasi dall'antico" ("Different types of ancient vases"). Example in the first state, before the number VIII was added at bottom left. Beautiful proof, on contemporary laid paper, no watermark, trimmed at the platemark, in very good conditions. Bartsch 426 180 250
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Enea VICO (Parma 1523 - Ferrara 1567)
Bulino 1543, datato e monogrammato in lastra in basso. Della serie ?Differenti soggetti di Vasi dall?antico?. Esemplare del secondo stato con il numero XIII aggiunto in basso a sinistra. Splendida prova, impressa su carta vergata coeva priva di filigrana, rifilata al rame, in ottimo stato di conservazione. "Engraving 1543, dated and monogrammed on plate at bottom.Belonging to the series ""Differenti soggetti di Vasi dall'antico"" (""Different types of ancient vases"").Example in the second state, with the number XIII added at lower left. Beautiful proof, on contemporary laid paper, no watermark, trimmed at the platemark, in very good conditions." Bartsch 433. 186 255
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Hans Sebald BEHAM Nuremberg 1500 - Frankfurt 1550
Bulino, 1543, monogrammato in lastra. Poco prima del 1520, alcuni giovani artisti della cerchia di Albercht Dürer presero a realizzare incisioni molto piccole che hanno sfidato lo spettatore con un mondo in miniatura, un mondo di nuovo soggetto laico e di interpretazioni non convenzionali di temi tradizionali. A causa delle ridotte dimensioni delle loro incisioni, questi artisti sono stati appellati a lungo, con il nome collettivo, e poco lusinghiero, di Piccoli Maestri di Norimberga. Il nucleo del gruppo consiste in tre artisti di Norimberga, Hans Sebald & Bartel Beham e Georg Pencz, e inoltre Jacob Bink da Colonia e Heinrich Aldegrever da Soest. La presente incisione proviene da una vecchia collezione in cui le opere erano conservate, come spesso accadeva, applicate in un album databile al XVIII secolo. Buona prova, impressa su carta vergata coeva, rifilate al rame, in buono stato di conservazione. Engraving, 1543, signed on plate. A good impression, printed on contemporary paper, trimmed to the platemar, in good conditions. Shortly before 1520, several young artists in the immediate circle of Albercht Dürer began making remarkably small engravings that challenged the viewer with a world in miniature; a world of new secular subject and of unconventional interpretations of traditional themes. Because of the scale of their engravings these artists have long been saddled with the unflattering collective name the Little Masters. The core of the group consist in three Nuremberg artists, Hans Sebald & Bartel Beham and Georg Pencz, Jacob Bink form Cologne and Heinrich Aldegrever … [Click Below for Full Description]
Bookseller: Libreria Yelets
2013-06-09 21:49:53
Hans Sebald BEHAM Nuremberg 1500 - Frankfurt 1550
Bulino, 1543, monogrammato in lastra. Poco prima del 1520, alcuni giovani artisti della cerchia di Albercht Dürer presero a realizzare incisioni molto piccole che hanno sfidato lo spettatore con un mondo in miniatura, un mondo di nuovo soggetto laico e di interpretazioni non convenzionali di temi tradizionali. A causa delle ridotte dimensioni delle loro incisioni, questi artisti sono stati appellati a lungo, con il nome collettivo, e poco lusinghiero, di Piccoli Maestri di Norimberga. Il nucleo del gruppo consiste in tre artisti di Norimberga, Hans Sebald & Bartel Beham e Georg Pencz, e inoltre Jacob Bink da Colonia e Heinrich Aldegrever da Soest. La presente incisione proviene da una vecchia collezione in cui le opere erano conservate, come spesso accadeva, applicate in un album databile al XVIII secolo. Buona prova, impressa su carta vergata coeva, rifilate al rame, in buono stato di conservazione. Engraving, 1543, signed on plate. A good impression, printed on contemporary paper, trimmed to the platemar, in good conditions. Shortly before 1520, several young artists in the immediate circle of Albercht Dürer began making remarkably small engravings that challenged the viewer with a world in miniature; a world of new secular subject and of unconventional interpretations of traditional themes. Because of the scale of their engravings these artists have long been saddled with the unflattering collective name the Little Masters. The core of the group consist in three Nuremberg artists, Hans Sebald & Bartel Beham and Georg Pencz, Jacob Bink form Cologne and Heinrich Aldegrever … [Click Below for Full Description]
Bookseller: Libreria Yelets
2013-06-09 17:27:18
Plutarco
in Venetia, Michele Tramezino, 1543. 1543 In-8° (156x101mm), pp. (1), 176, legatura antica p. pergamena con titolo calligrafato verticalmente in antico al dorso. Impresa xilografica con figura della Sibilla al frontespizio (replicata al colophon); spazi guida per i capilettera. Sparse bruniture ed alone al frontespizio. Piccoli restauri al dorso. Ex-libris moderno. Varie annotazioni di possesso antiche. Discreto esemplare. Prima edizione in volgare di alcuni opuscoli morali di Plutarco, alcuni dei quali a carattere pedagogico. Nonostante la titolazione (che fu data in realtà soltanto nel XIII secolo da Massimo Planude, che per primo li raccolse in un corpus organico), i "Moralia" plutarchei esorbitano dalla pura trattazione di filosofia morale, finendo con l'abbracciare questioni di religione, politica, scienze naturali, letteratura, medicina. EDIT16, 48447. STC Italian, p. 527. Tinto, Annali del Tramezzino, n. 25. Paitoni, III 164. Hoffmann, III, 395. Graesse, V, 371. Haym, p. 391. Argelati, Volgarizzatori, III 265. [Non in Adams.
Bookseller: Libreria Antiquaria Galleria Gilibert
2013-06-09 06:28:10
Petrus Lombardus
Ambrosium Girault, sub Pellicano? 1543 summa arte diligentiaque contexta. Opus eximium, & anno 1540 conscriptum, nunc primumin lucem editum - in 16° - pp.28 c., 552 c. - Pergamena - Marchio tipografico al frontespizio, capolettera e testate in xilografia. - Testo in latino - Tassello superiore spezzato. Lievi mancanze da insetti (non tarli). Mancanza al margine bianco di una carta. Firme di antica appartenenza.
Bookseller: Antica Libreria Srl
2013-04-18 08:44:56
COPERNICUS, Nicolaus.
The important third edition of Copernicus's <i>De revolutionibus</i> (first printed 1543), but the first to contain a commentary. This edition was extensively corrected and annotated by Mulerius, and includes (for the first time) Copernicus's biography. Nicholaus Müller, or Mulerius (1564-1630) was a professor of mathematics at the University of Gröningen.<br/><br/> "Important third edition, published by Blaeu (a student of Tycho Brahe) in 1617 soon after <i>De Revolutionibus</i> was condemned." (Eisenstein, The Printing Press as an Agent of Change, p.617). "This edition, much improved over the previous two remained the standard edition until the nineteenth century." (Van Berkel, et al, A history of science in the Netherlands, p.35). "The publication of 'On the Revolutions of the Celestial Spheres' in 1543 was a landmark in human thought. It challenged the authority of antiquity and set the course for the modern world by its effective destruction of the anthropocentric view of the universe." (Printing and the Mind of Man).<br/><br/> Copernicus "was indisputably the first great astronomer of modern times; the first to assign the Earth its proper planetary status and the first to provide a scientific justification for placing the sun near the center of the known universe. He initiated a revolution, not only in astronomy but also in physics, by ascribing the Earth a circular motion." (Hilfstein). The book had a small but highly significant readership, including (according to Owen Gingerich) Tycho Brahe, Johannes Kepler, Galileo Galilei, G. Rheticus, J. Schoner, and Ch. Clavius … [Click Below for Full Description]
Bookseller: Sophia Rare Books
2013-01-02 16:45:57
VITRUVIUS POLLIO M. (VITRUVIO)
In-16 gr. (mm. 198 x 142), p. pergam. molle coeva (risg. rifatti), 26 cc.nn., 262 (ma 260) pp.num., 26 cc.nn., ornato da eleganti capilett. figur. a vignetta su fondo nero, illustrato da 129 inc. su legno nel t. che si rifanno a quelle dell?ediz. in folio, stampata a Como nel 1521. Alla fine del vol. figurano anche: Sexti Iulii FRONTINI ?De aquaeductibus urbis Romae libellum? e Nicolai CUSANI Card. ?De staticis experimentis fragmentum?. "Prima edizione di Vitruvio stampata in Germania". Cfr. Fowler,401 - Berlin Catalog,1806 - Cicognara,707: ?Edizione di un certo pregio poichè prodotta da Giorgio Macheropieo che si servì de? buoni testi di Fra Giocondo e del Commento del Cesariano, oltre i suoi proprj disegni e figure per illustrarla. Uniforme arross. più o meno lieve su tutto il volume, ma certamente un buon esemplare.
Bookseller: Libreria Antiquaria Malavasi
2012-12-29 18:50:43
CONTARENUS (CONTARINI) Gasp. (Cardinalis)
In-8 p. (mm. 225x155), cartonato rustico mod., tagli dorati, 6 cc.nn., 115 pp.num., ornato da grandi capilett. su fondo criblé in silografia; testo in corsivo. "Prima edizione latina postuma". Cfr. Adams,I,p. 311 - Brunet,II,242: ?L?ouvrage le plus répandu est son traité "De Magistratibus.." imprimé d?abord à Paris, et souvent réimpr. depuis?. ?Gasparo Contarini (1483-1542), di famiglia patrizia veneta tra le più antiche e illustri della Repubblica.. Il suo trattato "De Magistratibus.." descrive con precisione le istituzioni della Repubblica a lettori non veneziani. E quest?opera - affermando e diffondendo attraverso l?Europa del Cinque e Seicento il mito di Venezia - assicurò al suo autore grande fama?. Così Diz. Biograf. degli Italiani,XXVIII, pp.172-192. Pesante alone (che si attenua sempre più) ai risg. e al marg. inf. delle prime 16 carte; antico restauro a 1 c. di Indice per strappo; lieviss. fiorit. o ingialliture interc. nel t. altrim. un buon esemplare marginoso.
Bookseller: Libreria Antiquaria Malavasi
2012-12-28 21:40:46
BOCCACCIO Giovanni
In-16 p. (mm. 153x101), p. pelle ottocentesca con eleganti decoraz. e cornici a secco ai piatti, dorso a cordoni (restaur.), tagli rossi, 28 cc.nn. (l?ultima è bianca), compreso il bel frontespizio in cornice silografica. Cfr. Brunet,I,1011 che cita varie ediz. di questo: ?petit roman qui, selon l?Académie de la Crusca, est mal à propos attribué à Boccace? - Bacchi della Lega ?Opere di Boccaccio?, pp. 135-136: ?L?Urbano, anziché del Boccaccio, si vuole (tra gli altri dal Poggiali) sia lavoro di Giovanni de? Bonsignori da Città di Castello, volgarizzatore delle ?Metamorfosi d?Ovidio?, che ne avrebbe preso l?argomento dal "Libro Imperiale" di un Cambio di Stefano, suo compatriotta, non altro scambiando che i nomi di diversi personaggi introdotti. Al contrario, secondo lo Zambrini, Cambio di Stefano sarebbe il vero autore dell?Urbano (trasformazione del ?Libro Imperiale?)? - Sander,I,1098 - Gamba,1053 per altre ediz., non la nostra. Esempl. ben conservato.
Bookseller: Libreria Antiquaria Malavasi
2012-12-27 19:05:30
RECORD, Robert. [RECORDE, DEE, John (Ed.)]
A very rare and early edition of 'the first commercial arithmetic of any note used in the English schools' (Smith), by 'the founder of the English school of mathematical writers' (DSB). Only one other complete copy of this issue is known (see below). All sixteenth-century editions of this book are rare.<br/><br/> 'Recorde is primarily remembered for his mathematical texts. His first publication was his most basic and popular, The Grounde of Artes (1543), an elementary introduction to arithmetic written in dialogue form. After several reissues, the book was enlarged in 1552 with a new dedication to Edward VI which draws on Recorde's mint experience ... After Recorde's death the Grounde was edited first by John Dee and then by a string of successors, passing through at least forty-five editions up to 1699 ... Recorde's works were intended as an accessible and readable introduction to mathematics, rather than a repository of elevated or novel results. His preferred dialogue form and choice of the vernacular were meant to render a previously forbidding subject familiar to all, especially those unskilful in Latin. His concern with pedagogical order and his own experience of teaching led him to emphasize the presentation of propositions over the proof of their validity; he believed that students could more readily grasp the subject if the exposition of results was separated from demonstration' (ODNB). <br/><br/> "The first edition (1543) dealt only with whole numbers, covering the fundamental operations, reduction, progression, golden rule and counter reckoning. In 1552 it was en … [Click Below for Full Description]
Bookseller: Sophia Rare Books
2012-10-22 01:05:54
Euclid
[Vinegia (i.e. Venice): Venturio Rossinelli ad instantia e requisitione de Guilielmo de Monferra, & de Pietro di Facolo da Vinegia libraro, 1543. [Vinegia (i.e. Venice): Venturio Rossinelli ad instantia e requisitione de Guilielmo de Monferra, & de Pietro di Facolo da Vinegia libraro, 1543. First edition in Italian and first edition in a modern language, folio, 242 leaves, large woodcut device on colophon and on verso of final leaf; woodcut arms on title page; geometrical woodcut diagrams in the margins throughout; a good, complete copy in dirty old vellum, recased in the 19th century, with extensive paper repair to margins of the title-p. and following leaf, also with paper repairs to corners of a number of pages throughout; some leaves washed. The translation and commentary is by Niccolo Tartaglia, one of the most noted mathematicians of the 16th century who here has added his own preface, commentary and eulogy on the utility of mathematics. According to Stillman Drake, Galileo at Work, pp. 2-4, it is probably this translation that was used by Galileo. "Tartaglia's Italian translation of Euclid - the first published translation of the Elements into any living language of Europe - was an event of great importance to the progress of mathematics, and indeed of all applied sciences. For the first time the principal treasury of rigorous mathematical reasoning was open to men who knew neither Greek nor Latin. The implications of that event for the science of mechanics were great because literacy in Europe was very high, especially among engineers and artisans" (Drake & Drabkin … [Click Below for Full Description]
Bookseller: Rulon-Miller Books (ABAA / ILAB) [St. Paul, MN, U.S.A.]
2012-09-26 09:56:50
Bianchi, Marcantonio.
(Venedig, Aurelio Pinzi, 1543).. (12), 75 SS., l. w. Bl. (Beigebunden:) Sanchez, Martin. Conspicua et adprime frugifera dividui et individui arbor. XVIII SS. Mit breiter figuraler Titelbordüre (darin Druckermarke) und ganzs. Holzschnitt am Titel verso. [Ebd.], 1538. Defekter Pergamentband der Zeit. Folio (280:410 mm).. Erste Ausgabe. Familienrechtlich-vertragsrechtliches Hauptwerk des Paduaner Rechtslehrers Marcus Antonius Blancus (1498-1548). Selten; nur 5 Nachweise über Edit 16. - Am Schluß beigebunden ist das dritte bekannte Exemplar dieser seltenen zweiten Ausgabe (EA Toulouse, 1519) des "Arbor dividui et individui" von Martin Sanz (Sanchez) Bascolet. Der Rechtsbaum betrifft verschiedene Arten von Rechtshandlungen in Bezug auf Klauseln und Verträge hinsichtlich teilbarer und unteilbarer Gegenstände. Die einzigen sonst bekannten Exemplare finden sich in der Library of the Association of the Bar of the City of New York, Yale (als letzter Teil von Luca da Pennes "Lectura super tribus libris Codicis" [Lyon, Jacques Myt, 1538] beigebunden) und in der UB Tübingen (selbständig). Am Titel Pinzis schöne Druckermarke. - Durchgehend etwas wasserrandig, mit kl. Randläsuren bzw. gelegentlichen Wurmspuren im Rand. Zahlreiche Marginalien des 17. Jhs. Bindung stark gelockert; Einbanddeckel geworfen und lose. - Edit 16, CNCE 5724. Adams B 2102. Vgl. Leidenfrost I, 441. Nicht im BM-STC Italian. - II: OCLC 311252940. Nicht im Edit 16, bei Adams oder BM-STC Italian.
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH
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2012-09-26 09:56:50
Bianchi, Marcantonio.
(Venice, Aurelio Pinzi, 1543). Folio (280 x 410 mm). (12), 75 pp., final blank. (Bound with:) Sánchez, Martin. Conspicua et adprime frugifera dividui et individui arbor. [Ibid.], 1538. XVIII pp. With a wide woodcut title border, printer's device, and a full-page woodcut on the reverse of the title. Modern marbled boards. First edition. Principal work of the Padovan legal scholar Marcus Antonius Blancus (1498-1548), dealing with family and contract law. Rare; only 5 copies listed in Edit 16. - Bound at the end is the third known copy of the rare second edition of the "Arbor dividui et individui" by Martin Sanz (Sánchez) Bascolet, first published at Toulouse in 1519: a discussion of various kinds of contractual clauses governing divisible and indivisible objects. The only other known copies are in the Library of the Association of the Bar of the City of New York, Yale (bound at the end of Luca da Penne's "Lectura super tribus libris Codicis" [Lyon, Jacques Myt, 1538]) and in the Tübingen University Library. The title page shows Pinzi's fine device. - Some waterstaining throughout, slight edge damage and occasional worming to margins. Several 17th century marginalia. Edit 16, CNCE 5724. Adams B 2102. Cf. Leidenfrost I, 441. Not in BM-STC Italian. - II: OCLC 311252940. Not in Edit 16, Adams or BM-STC Italian. [Attributes: First Edition; Hard Cover]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2012-06-30 15:23:35
GUIDO A SUZARIA, BRUNUS FRANCISCUS
Romae , apud Hieronymam de Cartulariis ,sumptibus Michaelis Tramezini 1543 - Due opere in un volume in 8°,([14], 116 cc.) pergamena molle coeva, bella marca tipografica di grande formato al frontespizio, ripetuta in fine,perfetto lo stato di conservazione. Rarissima (un solo esemplare nelle biblioteche italiane) edizione romana, per i prestigiosi tipi della vedova Cartolari, del celeberrimo trattato sulla tortura del grande giureconsulto piemontese, vera pietra miliare nella trattatistica cinquecentesca, con le preziose additiones di Baldo e del Bolognini.
Bookseller: Studio Bibliografico Lex Antiqua [Italy]
2012-06-24 22:34:32
PEREZ DE GUZMAN (Fernan)
Sevilla, En casa de Andres de Burgos, 1543. Gr. in-4°, [14]-CCCXLIX-[11] ff. Deuxième édition espagnole de cette célèbre chronique, la première étant parue en 1517. Edition corrigée par Lorenzo Galindez de Carvajal. Le premier feuillet de préface est déchiré verticalement en 2 parties et a été recousu (sans manque). Le feuillet LXVI manque et à été reproduit à la main (calligraphie soignée). Le dernier feuillet de table manque partiellement et les manques ont été également reproduits à la main. Reliure demi-chagrin rouge à coins. (reliure moderne).
Bookseller: Le Cabinet d'Amateur [Neuchâtel, Switzerland]
2012-06-23 16:10:35
Contarini, Ambrogio:
Venice. 1543. - 40 leaves. 12mo. Modern half morocco over marbled boards, spine gilt. Occasional very minor spots, some leaves expertly restored in lower margin, not affecting text. Leaf C3 bound before C2, leaf C6 bound before C7. A very good copy. The rare third edition of Contarini's account of his travels from Venice to Persia and Russia between 1473 and 1477. A member of a prominent Venetian family, the author was delegated by the republic, which at the time was at war with Mahomet II, to travel to the court of Hussum Hasan Bey, the sovereign of Persia. The purpose was to encourage that ruler to continue to wage war against the Ottomans, who were threatening Venetian interests in the Middle East and Europe. Unable to travel by sea, Contarini traveled by land through Poland to the Crimea, crossing the Black Sea and continuing to his destination through Mingrelia and Armenia. "Contarini encountered Hussum Hasan at Esfahan, accompanied him to Tabriz, and then returned homeward by way of Derbent and the Caspian Sea to Astrakhen. From there he ascended the Volga to Moscow, where he was politely received by the grand-duke of Muscovy. Contarini returned to Venice in 1477" - Howgego. First published in 1487, a second edition followed in 1524. In addition to this 1543 edition, the account was reprinted the same year with that of the Venetian traveler, Josafa Barbara. Confirming continuing interest in Contarini's travels throughout the Renaissance, the account was also included by Ramusio in his great collection of voyages and travels published between 1550 and 1559, and Antonio … [Click Below for Full Description]
Bookseller: William Reese Company - Americana
2012-06-07 11:45:30
(in fine): Venetiis, Haeredes Petri Ravani Socios. Mense Martio 1543, Venetiis - [Religione] (cm. 15,2) varese policroma sec. XIX. -- cc. 20 nn. Bella marca al frontis, carattere rotondo. Opera anonima di eccezionale rarità. Manca a tutti i repertori consultati. Al verso del frontis sta la dedica al lettore siglata F.S.M.V.S. probabilmente sono le iniziali del nome dell' autore che non abbiamo trovato. Tratta della superbia, gola, lussuria, accidia, morte e di una singolare confessione in 13 pagg. Esemplare molto bello e nitido. Raro così perfetto dato l' uso pratico e popolare cui era destinato. Il Census Iccu, non registra, alcuna copia nelle biblioteche italiane.[f64] [Attributes: Hard Cover]
Bookseller: LIBRI ANTICHI E RARI FRANCESCO&CLAUDIA
2012-04-26 10:08:35
Fuchs, L.
Basel, M. Isingrin, 1543 [REPRINT, 1985]. Folio (35.8 x 22.7 cm) with one hand-coloured portrait of Leonhart Fuchs and three others on one page at the end; a hand-coloured printer's device ("Palma Ising") and 517 full page hand-coloured plates. Period style full calf; spine with five raised bands and morocco label with gilt title; hand-stamped boards with bevelled edges and two brass clasps. Edges green. This is a very fine, reprinted edition from the Urs Graf Verlag in Zürich. It took five years to produce, from 1981 to 1985. The colouring is very good. Published in only 490 numbered copies. This copy, however, "trägt die Number H.C." Very rare. [Attributes: Hard Cover]
Bookseller: Antiquariaat Schierenberg [Amsterdam, Netherlands]
2012-04-24 21:29:21
FULVIO, Andrea; ROME
1543. ROME. Opera di Andrea Fulvio delle antichità della Città di Roma, & delli edificij memorabili di quella. Tradotta nuovamente di latino in lingua toscana, per Paulo dal Rosso cittadino Fiorentino. By Andrea Fulvio. 224, [8] ff. Small 8vo., 155 x 110 mm, bound in later full Italian vellum, title in manuscript on spine. Venezia: Michele Tramezino, 1543. |~||~||~||~||~| First Edition in the vernacular of this important, early history of the city of Rome, translated from Fulvio's Latin edition of 1513. Fulvio's account of Rome, the classical antiquities, the private collections and the buildings as they survived at the beginning of the 1500s, is of the greatest historical significance. Fulvio's observations are recorded with a humanist's critical eye. The descriptions of private collections in Rome include the antiquities collection of Angelo Colocci and the numismatic collection of Cardinal Andrea Della Valle. The work has also been cited as the first true antiquarian topography of Rome. "Fulvius published the work under the guidance and instigation of Raphael, who had been charged by Pope Leo X to undertake a pictorial reconstruction of Ancient Rome. Fulvio was a friend of Raphael, Blondus and Laetus" (Kissner Catalogue 153). Andrea Fulvio (1470 - 1527), a Renaissance humanist, poet and antiquarian of Rome, advised Raphael in the reconstructions of ancient Rome and as possible settings for his frescoes. Fulvio was Raphael's cicerone as they explored the ruins of Rome, Fulvio showing Raphael what was essential to be drawn and extemporizing on them (cf: Bette Talvacchia, i … [Click Below for Full Description]
Bookseller: Ursus Rare Books
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2012-04-13 09:13:42
John Fortescue
London: Excusum Londini: tipis Edwardi Whitechurche [etc.], 1543?. Modern calf, gilt, tears to two leaves, one reaching into the text, one small hole in a third leaf (legibility not affected in any case); a crisp copy First edition of the work better known to us as Fortescue's 'De Laudibus Legum Angliae', placed "among the classics of English constitutional theory" and the first work to elucidate the nature of the Inns of Court and that of trial by jury
Bookseller: Meyer Boswell Books, Inc.
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