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        Le Philocope de Messire Iehan Boccacce Florentin, Contenat l’histoire de Fleury & Blanchefleur, divise en sept livres traduictz d’italien en francoys par Adrian Sevin Gentilhomme de la maison de Monsieur de Gié.

      (Paris, D. Janot for) Gilles Corrozet, (February, 24th) 1542. - Folio. VI, CLXXIIII leaves. With - repetitions included -36 text woodcuts (one nearly full-page) all surrounded by a varying border (partly decorated with coats of arms), some "lettres fleuries" initials by G. Tory (cf. Mortimer ) and few "Crible " initials. Woodcut printer's device. A magnificent, signed heraldic binding by the famous Paris bookbinder Gruel from the last quarter of the 19th century in an excellent state of preservation, with polychromatic Moroccan ribbon marquetry, abundant gilding of spine, cover, bottom and inside edges as well as gold-embossed spine title; three-side gilt-edging. In a later shift (broad spine of brown, napped leather with gold-embossed spine title [thumbed, somewhat faded], cover done in marbled paper, suede-lined [the lining slightly stained] and in a half-leather slip case with identical cover (slightly thumbed, edges somewhat flattened). First edition of Sevin’s translation. Denis Janot organized this edition under his own name and for various Paris bookshops (cf. the corresponding entry in the Ind. Aurel. ), whose own signets and sales notes were then imprinted. Thus our specimen bears the Corrozet-signet on the title page (v. Renou ard 206) and the note : "On les vend à Paris en la grand Salle du Pa1ais du costé de 1a chapelle de messieurs, en 1a boutique de Gilles Corrozet Libraire." This signet makes the book - which is extremely rare anyhow - a top rarity , not accounted for in the relevant bibliographies / catalogues. The woodcuts derive from Janot's edition of the first books of "Amadis de Gaula" of 1540 (cf. Brun and Mortimer), but partly they were made earlier (thus one border is dated "1520"). The borders frequently bear foliage ornaments, and a whole series of them sows grotesque faces and heraldic shields. Brun writes about the "Amadis" woodcuts as a whole: « L'Amadis des Gaules dont le premier livre parut en 1540, est orné de vignettes qui offrent au lecteur une suite de charmant petits tableaux. Certaines sont d'un dessin si parfait et d'une taille si adroite qu'on ne peut s'empêcher de songer aux gravures de Lüt zelburger d'après Holbein. Ici, le style, les proportions des personnages, les physiono mies, tout enfin est différent et accuse la main d'un artiste français, mais la mâitrise est presque égale » (p.68), and generally on Janot's and Corrozet's importance (p.64 / 65) : « Ce fut le role de trois imprimeurs, Denis Janot, Etienne Groulleau et Gilles Corrozet, de répandre a profusion, sous un format commode, de petits textes classiques ou des livrets abondamment illustrés. Leurs vignettes élégantes et spirituelles, transmises ou copiées d'atelier en atelier, interprétées par les ciseleurs, les peintres verriers, les émailleurs et les fayenciers, contribuèrent pour une grande part a fixer les nouvelles formules décorati ves. ». The lavishly equipped Moroccan leather binding bears in the middle of both covers the coat of arms of Henri IV (1553 -1610) in an oval cartouche with the French heraldic shield (on a blue background) and that of Navarre (on red) together with three crowns: the two small ones representing France and Navarre, and the big one symbolizing the union (v. J. Guigard, Nouvelle Armorial du Bibliophile. Paris 1890. p. 20). The heraldic shields and the small crowns are enclosed by delicate foliage. Crown as well as tendrils are gold-embossed, the colours of the escutcheons are subtly repeated in the big crown. The coats of arms are surrounded by a network of partly geometrical, partly floral and ornamental polychromatic ribbons (in beige, brown, ruby and red) end ing at top and bottom in a bigger grotesque, and below four corner vignettes in a smaller one each (in beige the bigger, in brown the smaller ones). The fields between the stripes are gold-em bossed with "Crible" dots. The cover decor is predominantly worked in leather mar quetry . This binding in mock-historical style follows the tradition of "reliure adaptée au texte", a speciality of the Gruel [Attributes: First Edition; Hard Cover]

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        La figlia di Cimone sostiene il padre carcerato

      1542 - Bulino, 1542, datato in lastra sul basamento del pilastro. Da un soggetto di Rosso fiorentino. Esemplare nel secondo stato di due, con l’indirizzo di Antonio Salamanca. Bellissima prova, impressa su carta vergata coeva con filigrana "scudo con lettera M e stella" (Briquet 8390-91-92), con inusuali ampi margini, in perfetto stato di conservazione. L’opera raffigura Pero, figlia di Cimone ateniese, che alimenta col proprio latte il vecchio padre, costretto in carcere. Scoperta dalle guardie, sarà rilasciata insieme al padre per la pietas di cui aveva dato prova. L’invenzione del soggetto, dall’Armano attribuito a Raffaello, è stato definitivamente identificato dalla Borea nel rilievo in stucco del Rosso fiorentino sotto l’affresco della Galleria di Francesco I, a Fontainbleau, raffiguranti Cleobi e Micone. Carroll nel 1987 sostiene che l’incisione non derivasse dallo stucco ma da un disegno perduto di Rosso fiorentino, poiché nella stampa sono presenti elementi assenti nello stucco, vicini comunque allo stile del Rosso. Carroll respinge l'attribuzione del Bartsch a Georges Reverdy, e anche il suggerimento di Zerner del 1972 a Domenico del Barbiere, sulla base di affinità stilistiche. Secondo Massari, la stampa è da attribuirsi a Giulio Bonasone. Attualmente l’opera è attribuita a Georges Reverdy. Il tema della Pietas filiale era molto sentito nell’antica Roma. Non è un caso, infatti, che proprio il soggetto di Cimone e Pero – tradita anche da Valerio Massimo - si trovi già rappresentata a Pompei nella villa di Valerio Frontone. Si narra che a Roma In ricordo di questo esempio di amore filiale che fu eretto nel foro Olitorio, nel 181 a.C., un tempio dedicato alla Pietas, poi sostituito dalla basilica di San Nicola in carcere. L’iconografia conobbe una grande diffusione sia nel Rinascimento che per tutto il Seicento, e di solito è nota con il titolo Carità Romana. Al verso timbro della collezione Benedic Penon (Lugt, 3830). he daughter of Cimon supports the father prisoner Engraving, 1542, dated on plate at lower center. After Rosso Fiorentino. Example of the second state of two, with the address of Antonio Salamanca. A fine impression, on contemporary laid paper with "shield with letter M and star" watermark, unusual wide margins, perfect conditions. Pero, who secretly breastfeeds her father, Cimon, after he is incarcerated and sentenced to death by starvation. She is found out by a jailer, but her act of selflessness impresses officials and wins her father's release After the stucco relief under Rosso Fiorentino's fresco representing Cleobis and Biton in the Galerie Francois I at Fontainebleau. Carroll in Washington 1987 supposes that it was not made directly after the stucco, and because even the figures in the print that are absent from the stucco are very similar to Rosso's manner, the print was most probably made after a lost drawing by him. Carroll rejects Bartsch's attribution to Georges Reverdy, and also Zerner's suggestion of 1972 that its manner was close to Domenico del Barbiere. Massari suggests the attribution to Giulio Bonasone. The subject, known since the last quarter of the 15th century as " RomanCharity," is based on a text of Valerius Maximus, "Factorum et Dictorum Memorabilium Libri IX," but refers to an earlier legend which appeared at Rome at the beginning of the 2nd century BC, in connection with the construction of a temple dedicated to Pietas (Charity), a temple dedicated to Pietas, later replaced by the Church of St. Nicholas in Prison. In the seventeenth and eighteenth centuries, many European artists depicted the scene. Georges Reverdy 1529 fl. - 1564/5 died (Also known as Reverdy, Georges; Reverdinus, Cesare; Reverdino, Gaspar) Engraver. Probably of origins in Piedmont, documented in Lyons from 1529 to 1565, in the last of which he is described as dead. Since his last dated print is from 1564, he probably died the previous year. Wrongly catalogued by Bartsch. It is possible, however, that he went to I

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        La Lotta tra Lapiti e Centauri o Il Rapimento di una Donna

      1542 - Bulino, 1542 circa, firmato e datato in lastra in basso a sinistra 'ENEAS/VICCO/FACIEBA/T/1542'. Unico stato conosciuto, con l’excudit di Tommaso Barlacchi, in basso sulla destra: 'TOM. BARL. EXC.' Da un soggetto di Rosso Fiorentino. L’incisione è basata su un dipinto di Rosso Fiorentino che decorava la Galleria di Francesco I a Fontainebleau, e rappresenta il rame più celebre dato in luce da Tommaso Barlacchi. La scena raffigurata al centro una donna che viene rapita da un uomo e da un satiro durante lo svolgimento di un banchetto. Sulla destra, un uomo con la spada sguainata si precipita in soccorso della donna, mentre un altro afferra la spalla dell’assalitore, brandendo con la destra un pugnale; a sinistra, un uomo tiene le redini di un cavallo cavalcato da un uomo che partecipa al rapimento. L’interpretazione del soggetto non è unanime: Bartsch identifica la scena con la Battaglia tra Lapiti e Centauri, narrata nell’Odissea (XXI, 295 segg.) e poi, posteriormente da Pindaro (fr. 166 Schr.), secondo i quali la lotta scoppia quando i Centauri, invitati alle nozze di Piritoo e Ippodamia, nell'ubbriachezza tentarono di rapire Ippodamia e altre donne dei Lapiti. L’interpretazione, però, non è convincente per l’assenza dei Centauri nella scena. Vasari, invece, identifica la scena come il rapimento di Elena. L’interpretazione viene ripresa da Alfredo Petrucci, che smentisce Bartsch e riconosce nel bulino il Primo Rapimento di Elena, ordito da Teseo. Una copia di quest’opera di Enea Vico fu incisa da Benedetto Stefani e pubblicata da Luca Bertelli. Splendido esemplare, impresso su carta vergata coeva con filigrana "balestra nel cerchio", insolitamente completa di margini bianchi di circa 2 cm, in ottimo stato di conservazione. Engraving, 1542, signed and dated on plate at lower left 'ENEAS/VICCO/FACIEBA/T/1542' and inscribed with publisher's address: 'TOM. BARL. EXC.' Only state known. After a subject by Rosso Fiorentino. This print is related to the fresco of the same subject, painted by Rosso Fiorentino in the Gallery of François I at Fontainebleau. Bartsch identifies the subject as the battle between the Lapiths and the centaurs; however, and while the scene certainly shows a banquet being interrupted by the abduction of a woman, there are no centaurs. Another interpretation, given by Vasari, is the rape of Helen of Troy. According to Alfredo Petrucci, the scene represents The first rape of Helen, when Helen was aged ten and raped by Theseus. A banquet occuring on the right is interrupted as at centre a woman is being abducted by a man and a satyr; on the right a man rushes to her rescue drawing his sword, another grabs the shoulder of one of the assailers and brandishes a dagger; on the left a man holding the reins of a rearing horse, A very good impression, printed on contemporary laid paper, with watermark "crossbow in a circle", unusual margins of 2 cm circa, in very good conditions. Bartsch XV.296.30; A. Petrucci, Primo ratto di Elena, in Il Messaggero, 29 giugno 1953 Dimensioni 418 295mm [Attributes: Signed Copy]

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        Cheronei graecorum romanorumque illustrium vitae [...].

      Basel, Michael Isengrin, (August) 1542. Fol. Mit Holzschn.-Druckermarke am Titel u. am Ende sowie zahlr. Holzschn.-Initialen. 24 nn., 401 (recte 392) num Bll., Mod. Ldr.-Bd. a. 3 Bünden m. dreiseitigem Farbschnitt in mod. Lwd.-Kassette m. goldgepr. Rückentitel. Kassette leicht berieben. Einband etw. berieben u. fleckig. Der Druckername im Impressum alt mit Tinte gestrichen und am Titel ausgeschnitten (ca. 0,5 x 4 cm), jedoch mit passendem Papier ausgebessert und kalligraphisch sauber ergänzt. Titel m. altem Besitzvermerk, gebräunt u. etw. fingerfleckig. Tlw. schwach gebräunt, wasserrandig bzw. fleckig. - VD16, P 3760; nicht bei Adams u. im BM STC, German Books. Versand D: 12,00 EUR Plutarchus, Plutarch, Cheronei graecorum romanorumque illustrium vitae

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        M. VAL. MARTIALIS EPIGRAMMATON LIBRI XIIII. Interpretantibus Domitio Calderino, Georgioque Merula cum indice copiosissimo. Additis argumentis locis suis mira & dilucida brevitate poetae mentem explicantibus.

      Venetiis: apud Octavianum Scotum D. Amadei F., 1542.. Quae omnia diligentissima cura nunc excusa quam castigata in manus studiosorum extant, doctorum erit iudicium. An early edition 1542, large 8vo, approximately 300 x 200 mm, 11¾ x 8 inches, printer's pictorial device on title page, some historiated and decorative initials, leaves: [2], CXXXVI [i.e. 133], error in numbering of leaves in signature C, catchwords correct, register continuous, collation: A-B8, C6, D-Q8, R10 (-R10 - blank), bound in 2 sheets of neat medieval manuscript in 2 columns on vellum over stiff card, raised bands to spine. Upper cover dusty, lower cover quite bright and clear, slightly worn at corners and on spine, 25 mm (1") missing at tail of spine, front free endpaper missing, title page dusty in margins especially at lower corner, later name at top, occasional unobtrusive underlining, small light ink smudge on C1r and D3v, no loss of legibility, small pale damp stain to top of D4-D6, G4-G5, no loss of legibility, brief ink note in 1 margin, occasional pale browning to margins. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

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        Der Stadt Leyden dienst-bouc, innehoudende verclaringe van tvvezen ende ghelegentheyt vande zelve stadt, gelijck die van outs gheweest, ende verdeelt is.[Leiden], Raadhuispers, 1602. Small folio (ca. 19 x 29 cm). With woodcut coat of arms of the city of Leiden on title-page, and an added full-page engraved author's portrait by W. van Swanenburgh, dated 1608. Printed in textura, civilit

      - Carter and Vervliet, Civilit

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        Het koddig en vermakelyk leven van Louwtje van Zevenhuizen, of het schermschool der huislieden, vervat in twee deelen. Waar agter gevoegt is de Afrikaansche en Aziaansche weg-wijzer, .Rotterdam, Pieter de Vries, 1752. 4 parts in 2 volumes, bound as 1. 8vo. With engraved allegorical frontispiece, a letterpress general title-page, 4 part-titles. Contemporary mottled calf, richly gold-tooled spine.

      - Buisman 2147; De Vries 242; Landwehr, VOC 1542 note & 1543 note (parts 3-4); Mendelssohn II, pp. 413-14; Muller 504; Scheepers I, 432 (this copy); STCN (4 copies); Tiele, Bibl. 1015; not in: Ford, Isle of Pines. Second edition, by the printer-publisher of the 1704 first edition, of a rare coarse satire whose title can be translated as, "The comical and entertaining life of Louwtje Zevenhuizen, or the family fencing school." The two volumes of the "fencing school" are followed by the African and Asiatic guide, which Spaan had published separately in 1694 and 1695. The former includes a chapter on the fictitious Isle of Pines.The first two parts, volumes one and two of the "fencing school" satirize the rough morals, customs and traditions of Dutch country people, with lively, convincingly realistic and sometimes coarse descriptions. The Afrikaanse weg-wijzer says it is for the benefit of those who can't earn a living in their native country. Chapter VII describes the fictitious Isle of Pines, where Joris Pines was supposedly shipwrecked in 1589 and lived a life of luxury and pleasure with his four wives and 1789 children and grandchildren. The last part describes a voyage to and in the East Indies and the unknown Australia, with information on Java, Ceylon, Formosa, Ambon, Ternate, Celebes and Borneo.With the bookplates of J. W. Six and Jan Steenks. In very good condition. The binding shows some chips and cracks, mainly in the spine, but is structurally sound.

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        Magnanimità di Scipione

      1542. "Bulino, 1542, privo di firma dell'incisione, datato in lastra sul sasso a destra, in basso al centro: 'AVRVM QVOD PRO REDIMENDA CAPTIVA VIRGINE PARENTES/ATTVLERANT LVCEIO SPONSO TRADIT SCIPIO ROMAE EXCD/ANT. SAL.' Da un soggetto attribuito a Salviati. Esemplare nel primo stato di tre, con l'indirizzo di Antonio Salamanca. Bellissima prova, impressa su carta vergata coeva con filigrana ""aquila nel cerchio con corona"", rifilata al rame, in ottimo stato di conservazione. La stampa viene catalogata dal Bartsch come opera di anonimo incisore della scuola di Raimondi, che incide nello stile di Agostino Veneziano, da un modello non identificato di artista fiorentino. Zanetti, invece, vi ravvisa lo stile di Giulio Romano, inglobando l'incisione nella suite di soggetti sulla storia di Scipione eseguiti da Marco Dente. D'Arco, riconoscendo l'opera quale invenzione di Giulio, erroneamente la considera come uno stato dell'incisione di Diana Scultori, e la pone in relazione con il medaglione con la Continenza di Scipione della Stanza dei Cesari. Così anche Dollmayr che attribuisce la stampa a Marco Dente. Cirillo Archer in TIB sostiene che l'incisione sia stilisticamente affine alla Morte di Meleagro di Nicolas Beatrizet. Hermann Voss, seguendo questa indicazione, ascrive correttamente il disegno preparatorio al Salviati, sulla base delle analogie del soggetto con gli affreschi della Storia di Camillo di Palazzo Vecchio a Firenze, e il bulino alla cerchia del Beatrizet. Alla luce di tali ipotesi, la Davis assegna la stampa a Beatrizet stesso. Nella collezione del British Museum la stampa è catalogata sotto il nome di Enea Vico, secondo l'attribuzione di Darrel Crumpacker, basata sulle affinità stilistiche e delle dimensioni che questa stampa mostra con La Battaglia dei Lapiti e i Centauri che Vico incide all'incirca nello stesso periodo. In realtà, il nome di Vico era stato già proposto già in 'Notice des fayences peintres italiennes. . .,' Series G, pubblicato da Charles de Mourgues Freres, nel 1864, dove l'autore descrive una Magnanimità di Scipione edita da Salamanca nel 1542, di cui Vico sarebbe non l'incisore ma l'autore del modello utilizzato per l'incisione. L'influenza di Agostino Veneziano è evidente: l'obelisco che appare alla sinistra di Scipione è molto simile a quello che appare nella Morte di Anania del Veneziano, e nell'Ingresso trionfale di Furio Camillo, e in tre tavole della serie "La Favola di Amore e Psiche". L'obelisco appare, inoltre, in un'altra incisione di Enena Vico, S.Giorgio e il Drago, edita sempre dal Salamanca nel 1542. È da sottolineare che l'obelisco come elemento architettonico non ricorre in nessun'altra stampa romana del tempo. L'iscrizione dell'opera allude all'episodio sulla magnanimità di Scipione raccontato da Livio (XXVI,5): conquistata la città spagnola Nuova Cartagine, venne condotta al cospetto del condottiero romano una giovane donna che avrebbe dovuto far parte del bottino di guerra del vincitore. Nonostante questo diritto acquisito, essendo venuto a sapere che la fanciulla era stata precedentemente promessa in sposa, Scipione fece convocare l'uomo, di nome Allucio, e gliela restituì, donandogli anche la somma di riscatto che i parenti di lei erano riusciti a raggranellare nella speranza di liberarla." "Engraving, 1542, inscribed lower right, including publisher's address: 'AVRVM QVOD PRO REDIMENDA CAPTIVA VIRGINE PARENTES/ATTVLERANT LVCEIO SPONSO TRADIT SCIPIO ROMAE EXCD/ANT. SAL.' , dated '1542'. After a subject attributed to Salviati. Example of the first state of three, with the address of Antonio Salamanca. A good impression, printed on contemporary laid paper with ""eagle in a circle with crown"" watermark, trimmed to the borderline, good condition. Cirillo Archer in TIB claims the burin work is close to Nicolas Beatrizet's Death of Meleager. Hermann Voss in 'Kompositionen des Francesco Salviati in der italienischen Graphik des XVI. Jahrhunderts', Beilage der Graphischen Künste 1 (1912), pp. 30-37, 60-70 ascribed the design to Salviati and attributed the print to the circle of Beatrizet. Bruce Davis attributed the engraving to Beatrizet himself. Most recently, under inv. no. 1859,0806.312 the British Museum database attributed the engraving to Enea Vico by demonstrating it has a similar size and technique to Vico's Battle of the Lapiths and Centaurs made in the same year, when Salamanca published a number of Vico's prints and none by Beatrizet. An attibution to Vico was proposed in the 'Notice des fayences peintres italiennes. . .,' Series G, published by Charles de Mourgues Freres, 1864 (Oxford edition) where the author describes a 1542 engraving published by Antonio Salamanca of 'The Continence of Scipio' and says that if Vico was not the engraver, he was certainly the model for the engraver. The influence of Veneziano has also been noted.Vico seems to have chosen to imitate certain devices that are particular to Veneziano. The obelisk that appears to the left in the 'Scipio' engraving was used in Veneziano's engravings, 'The Death of Ananias' (B.xiv.47.42. BM.1869,0410.154) and 'Camillus Entering the City' (B.xiv.164201. BM. H,7.21). The use of the obelisk as an architectural device cannot be seen in other engravers' prints executed in Rome during this time. The obelisk reappears again in three plates of the 'Fable of Psyche' series that Veneziano collaborated with the Master of the Die in executing. It also reappears again in another Enea Vico print, 'St.George and the Dragon' Bartsch XV.30.3 (as School of Marcantonio Raimondi after a Florentine artist, close to the manner of Agostino Musi) The episode depicted is related by Livy (XXVI,5): the Roman general Scipio Africanus, after the defeat of Carthage was offered a beautiful woman called Lucretia as his captive. But when he was told of her betrothal to the Carthaginian Allucius, Scipio nobly returned Lucretia to him and returned the gold sent as ransom by her parents." Passavant VI.82.56; Massari, Giulio Romano Pinxit ed delineavit, no. 68; Cirillo Archer, in TIB 1995, 2801.032.S1; Le Blanc III.283.39; Bruce Davis, Mannerist Prints...exhibition catalogue, no. 8; British Museum, inv. n. 1859,0806.312. 431 297

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        1542 EXQUISITE Life of Pope Saint Gregory I Great Monastics Catholic HUGE 2v SET

      Parisiis : In aedibus Carolae Guillard ., 1542. - 1542 EXQUISITE Life of Pope Saint Gregory I Great Monastics Catholic HUGE 2v SET EXQUISITE & HUGE FOLIO SET! Pope Saint Gregory I (c. 540 – 604), commonly known as Saint Gregory the Great,was pope of the Catholic Church from 3 September 590 to his death in 604. Gregory is famous for instigating the first recorded large-scale mission from Rome to convert a pagan people to Christianity. Gregory is also well known for his writings, which were more prolific than those of any of his predecessors as pope. He is also known as the Great Visionary of Modern Educational System, for his writings and contribution to the school system of education instead of apprenticeships based learning. The epithet Saint Gregory the Dialogist has been attached to him in Eastern Christianity because of his Dialogues. For this reason, English translations of Eastern texts will sometimes list him as Gregory "Dialogos" or the Latinized equivalent "Dialogus". Very rare with no other example for sale worldwide. Main author: Pope Gregory; Catholic Church Title: Divi Gregorii Papae, huius nominis primi, cognomento Magni, Omnia quae extant, opera : nunc recens ad fidem veterum exemplartiorum, accuratiore diligentia a mendis repurgata, & elegantioribus formulis quam vnquam antehac excusa, quorum omnium elenchum pagina versa exhibebit : cum indice materiarum, ex eisdem summa fide collecto, auctiore multo, quam priores in unum contracti fuerant, altero item indice authoritatum in omnia opera, qui antea solum moralium continebat. Published: Parisiis : In aedibus Carolae Guillard ., 1542. Language: Latin Notes & content: • 2 volume set o t. 1. Vitae Gregorii Papae Primi. Index egregie dictorum, et sententiarum. Expositio moralis in Iob. -- o t. 2. Pastoralis curae liber vnus i[n] tres sectus partes. De vita & miraculis patru[m] Italicorum & de aeternitate animae, dialogorum libri IIII. In Cantica Canticorum expositio. In Ezechielem prophetam, homiliae XXII. In diversas Evangelii lectiones, homiliae XL. Expositio in VII Psalmos poenitentiales. Epistolaru[m], ex registro pontificatus eiusdem collectarum, libri XII. In primum Samuelis (qui & Regu[m] primus dicitur) variarum enarrationum libri VI. / scripsit vero & alia nonnulla D. Gregorius, vt Ioannes de Trittenheym testatur, scilicet in quinq[ue] libros Moysi, in libros Regum, in prophetas, & alias Scripturas Sanctas, quae post ipsius mortem nondum in publicum data, aemuli eius nequissimi, gloriae videlicet sancit viri inuidentes, igne perdiderunt, sicut Ioannes Diaconus in vita Gregorii conqueritur. FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure leather binding Pages: complete with all 214 + 327 pages; plus indexes, prefaces, and such Publisher: Parisiis : In aedibus Carolae Guillard ., 1542. Size: ~15.75in X 10.75in (40cm x 27cm) FREE SHIPPING WORLDWIDE Shipping: Very Fast. Very Safe. Free Shipping Worldwide. Satisfaction Guarantee: Customer satisfaction is our priority. Notify us within 7 days of receiving your item and we will offer a full refund guarantee without reservation. $1500 Photos available upon request. [Attributes: First Edition; Hard Cover]

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        Libro de la republica de Vinitiani Rome Antonio Blado

      

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        La Lotta tra Lapiti e Centauri o Il Rapimento di una Donna

      1542. "Bulino, 1542 circa, firmato e datato in lastra in basso a sinistra 'ENEAS/VICCO/FACIEBA/T/1542'. Unico stato conosciuto, con l'excudit di Tommaso Barlacchi, in basso sulla destra: 'TOM. BARL. EXC.' Da un soggetto di Rosso Fiorentino. L'incisione è basata su un dipinto di Rosso Fiorentino che decorava la Galleria di Francesco I a Fontainebleau, e rappresenta il rame più celebre dato in luce da Tommaso Barlacchi. La scena raffigurata al centro una donna che viene rapita da un uomo e da un satiro durante lo svolgimento di un banchetto. Sulla destra, un uomo con la spada sguainata si precipita in soccorso della donna, mentre un altro afferra la spalla dell'assalitore, brandendo con la destra un pugnale; a sinistra, un uomo tiene le redini di un cavallo cavalcato da un uomo che partecipa al rapimento. L'interpretazione del soggetto non è unanime: Bartsch identifica la scena con la Battaglia tra Lapiti e Centauri, narrata nell'Odissea (XXI, 295 segg.) e poi, posteriormente da Pindaro (fr. 166 Schr.), secondo i quali la lotta scoppia quando i Centauri, invitati alle nozze di Piritoo e Ippodamia, nell'ubbriachezza tentarono di rapire Ippodamia e altre donne dei Lapiti. L'interpretazione, però, non è convincente per l'assenza dei Centauri nella scena. Vasari, invece, identifica la scena come il rapimento di Elena. L'interpretazione viene ripresa da Alfredo Petrucci, che smentisce Bartsch e riconosce nel bulino il Primo Rapimento di Elena, ordito da Teseo. Una copia di quest'opera di Enea Vico fu incisa da Benedetto Stefani e pubblicata da Luca Bertelli. Splendido esemplare, impresso su carta vergata coeva con filigrana ""balestra nel cerchio"", insolitamente completa di margini bianchi di circa 2 cm, in ottimo stato di conservazione." "Engraving, 1542, signed and dated on plate at lower left 'ENEAS/VICCO/FACIEBA/T/1542' and inscribed with publisher's address: 'TOM. BARL. EXC.' Only state known. After a subject by Rosso Fiorentino. This print is related to the fresco of the same subject, painted by Rosso Fiorentino in the Gallery of François I at Fontainebleau. Bartsch identifies the subject as the battle between the Lapiths and the centaurs; however, and while the scene certainly shows a banquet being interrupted by the abduction of a woman, there are no centaurs. Another interpretation, given by Vasari, is the rape of Helen of Troy. According to Alfredo Petrucci, the scene represents The first rape of Helen, when Helen was aged ten and raped by Theseus. A banquet occuring on the right is interrupted as at centre a woman is being abducted by a man and a satyr; on the right a man rushes to her rescue drawing his sword, another grabs the shoulder of one of the assailers and brandishes a dagger; on the left a man holding the reins of a rearing horse, A very good impression, printed on contemporary laid paper, with watermark ""crossbow in a circle"", unusual margins of 2 cm circa, in very good conditions." Bartsch XV.296.30; A. Petrucci, Primo ratto di Elena, in Il Messaggero, 29 giugno 1953 418 295

      [Bookseller: Libreria Antiquarius]
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        Holzschnitt - Karte, aus Ptolemäus "Geographia", "Tabvla Asiae VII".

      - altkol., 1542, 25 x (15 x 34) ( ovales Tarpezformat ) Sehr selten, da aus der 2. Ausgabe der "Geographia". Zeigt Persien und Afganistan, im Westen der Persische Golf. Mit insgesamt 3 Textkartuschen. Auf der Rückseite Erklärungen in lat. Sprache umgeben von dek. Holzschnittbordüre.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Supplication der Fünff Erblender / nemlich / Osterreich / vnter vnd ob der Enß / Steir / Kernten / Crain / vnd Graffschafft Görtz / Rhömischer Könglicher Mayestet / zu Prag / im M.D.xli. Jar / vberantworttet / Inn welcher sie herzlich bitten / jr May. wölle jhnen das reyne Euangelion / und rechtgeschaffne Prediger (die weil Land vnd leuten alles glück vnd heyl daran gelegen) vergönnen.

      [Frankfurt/Main, Cyriacus Jacob] 1542. Kl.-8°. 8 Bll., späterer roter Samtband, Einbd. abgegriffen u. stark lichtrandig, innen wasserrandig, Fußschnitt knapp beschnitten, 1 Bl. mit Verlust einer Textzeile. \"VD 16; Schottenloher 3, 31874. Selten.\" Versand D: 15,00 EUR Austriaca, Geschichte, Religion, Protestantismus

      [Bookseller: Antiquariat Löcker]
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        Postilla, Das ist: Geistreiche Erklärung Der Evangelischen Texte durchs gantze Jahr auff alle Sonn Hohe und andere Fest und Apostel-Tage: Sampt einer dreyfach-durchgehenden Betrachtung über die gantze Passions-Historia Alles also eingerichtet, Daß durchgehends auff jeden Text zwo, drey, vier, auch zuweilen fünff unterschiedliche Predigten zu finden. Mit höchstem Fleiß Zur Ehre Gottes und Erbauung deß wahren Christenthumbs, Gestellet durch Herrn Johann Arndten, weiland General Superintendenten deß Fürstenthumbs Lüneburg, und Pfarrherrn zu Zella. Jetzo mit dem vom Authore selbst zuletzt revidirt- und augirten Exemplar abermahl auffs fleissigste conferiret ... auch mit viel schönen Kupfferstücken und nothwendigen Registern auffs neue außgezieret. Nebens einer neuen Vorrede an den Leser von gegenwertiger Edition, Hn. Philipp Jacob Speners, der H. Schrifft Doct. & Ministerii Francofurt. Senioris Kupfert., Tbl. r&s, Portr. (Kupferst.), Ill. (Kupferst.) 2

      [34] Bl., 1542 S., [24] Bl. + Register Ledereinband, gebundene Ausgabe, Gelenk vorne eingerissen, Postilla Das ist Außlegung der Sontags Evangelien unnd Festen durchs gantze Jahr 2 Teile: Vom Advent biß auff Trinitatis /// Anderer Theil: Vom Fest Trinitatis biß auff Advent. +++ Johann Arndt, protestantischer Theologe Religion +++++ 20 Jahre Antiquariat Christmann in Wiesbaden +++++

      [Bookseller: Wiesbadener Antiquariat Christmann]
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        New Kreüterbuch. Faksimile des im Jahr 1543 in Basel durch Michael Isengrin gedruckten Werks New Kreüterbuoch, in welchem nit allein die gantz histori, das ist namen, gestalt, statt vnd zeit der wachsung, natur, krafft vnd würkung des meysten theyls der Kreüter so in Teütschen vnnd andern Landen wachsen, [...] beschriben, sonder auch aller derselben wurtzel, stengel, bletter, bluomen, samen, frücht vnd in summa die gantze gestalt, allso artlich vnd kunstlich abgebildet vnd contrafayt ist, das dessgleichen vormals nie gesehen, noch an tag kommen

      Mit 515 reproduzierten handkolorierten ganzseitigen Pflanzenholzschnitten und vier Personenporträts, darunter dasjenige des Autors auf Titel verso, 38x24, grünliches, blindgeprägtem O Ldr mit hellem Rückenschild in Leder und geprägtem Buchschnitt, Sehr schönes, handschriftlich nummeriertes Exemplar der Ganzleder-Luxus-Ausgabe Nr. 316 (von 490)). Vollfaksimile der ersten deutschsprachigen Ausgabe von Leonhart Fuchs Kräuterbuch, ein Jahr nach der lateinischen Ausgabe erschienen. Textvorlage war das Exemplar der UB Basel, für die kolorierten Abbildungen wurde das lateinische Exemplar aus dem Jahr 1542 der Württembergischen Landesbibliothek beigezogen.

      [Bookseller: Antiquariat im Baldreit]
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        Glosa a las Leyes de Toro] Glosemata: legum Tauri quas vulg de Toro apellat omnibus in iure versantibus nimis proficua a Joane lopez de Palacios ruvios utriusq iuris doctore ac hispaniarum regum consiliario: tam equissimo quam doctissimo elucubrata atq digesta. Foeliciter in cipiunt

      Salamanca, Juan de Junta 1542 - 10 h. inc. port. arquitectónica a dos tintas –rojo y negro– cxli h. fol., al vuelto de la última el colofón. [cristus]10, a-r8, s6. Pergamino de época. Impresión a dos columnas, grandes capitulares en madera. El texto de las leyes en castellano y alrededor la glosa de Palacios Rubios en latín. Huella de humedad en la parte inferior derecha. Primera y única edición del comentario del jurista Palacios Rubios al cuerpo legal de las Leyes de Toro, promulgadas en 1505 en las Cortes de Toro, y en cuya redacción participó el propio Palacios Rubios junto con Díaz de Montalvo y Galíndez de Carvajal. Ruiz Fidalgo, La Imprenta en Salamanca, 245; Palau, 141670. [Attributes: Hard Cover]

      [Bookseller: Delirium Books · Susana Bardón]
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        Omnium gentium mores, leges et ritus, ex multis clarissimis rerum scriptoribus, à Ioanne Boemo Aubano Teutonico nuper collecti, & nouissime recogniti. Tribus libris absolutum opus, Aphricam, Asiam, & Europam describentibus. Lyon, (Barbous) 1539. 8°. 303 S., 12 Bll., Hprgt. d. 18. Jhds.

      - Vgl. Adams B 2267 (Ausg. 1542) - Sabin 6117 Anmerk.- Sehr frühe Ausgabe (erstmals 1535).- Johannes Böhm (um 1485 in Aub - ca. 1533/35 wahrsch. Rothenburg ob d.Tauber) gilt ?als Vater der wissenschaftlichen Volkskunde" (NDB II, 403). - "Sein größter Verdienst besteht darin, ein Buch geschaffen zu haben, welches die Lieblingslectüre für nahezu ganz Europa ward und durch ein Jahrhundert blieb, sowie seinen Werth für die Culturgeschichte bis auf den heutigen Tag bewahrte" (ADB III, 30).- Knapp die Hälfte ist Afrika und Asien gewidmet.- Innendeckel u. Vorsatz mit kl. Wurmspur, Titel u. 1 Bl. mit kl. ergänzt. Wurmgang im unt. Blattrand, leicht gebräunt od. braunfleckig, einige Unterstreichungen und Marginalien von alter Hand, Ebd. etw. berieben, hint. Deckel mit Wurmspur. # Early edition (for the first time 1535).- Johannes Boehme is called the "father of scientific folklore".- The detailed explanations of the habits and costumes of world peoples, made the book one of the most cited travel works of all time.- Only slightly browned, small worm trail at the beginning, otherwise good copy. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Johannes Müller]
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        Melekhet ha-dikduk ha-shalem]. Opus grammaticum consummatum ex variis Elianis libris concinnatum, complectens scilicet elementarium absolutum, numerandi rationem. pronominum declinationes, verborum integras coniugationes,. Additus est quoque liber Tobiae, quem hebraicum suppeditarunt Judaei Constantinopolitani. Basel, Heinrich Petri 1542. 4°. 4 Bll., 290 S., 1 Bl.; 40 S., 14 Bll., mod. Pbd. in mod. Lwd.-Kasette mit Rsch.

      - VD16 M 6721 u. VD16 B 4024 - Burmeister 11 - Fürst II, 407 - Prijs 62.- Sehr seltene, erste Ausgabe über die hebräische Grammatik auf Grund der Schriften des Elias Levita; mit dem seltenen Anhang (mit eigenem Titel) über das apokryphe Buch Tobias (ben Tobiel).- "Zwei kleineren grammatischen Lehrbüchern. folgte 1542 das Opus grammaticum consummatum, in dem Münster seine gesamten grammatischen Lehren zusammenfassend darbietet, wobei er sich eng an die Arbeiten Elia Levita anschließt. Von großem wissenschaftlichen Interesse ist die Vorrede dieses Buches, in der Münster einen Überblick über die Hebraistik in Deutschland in den ersten Jahrzenten des 16. Jahrhunderts gibt.? (Burmeister S. 13).- Stark restauriertes und gereinigtes Exemplar, fleckig, Titel u. Vorwort mit ergänzten Randfehlstellen (geringer Wortverlust).# Very rare first edition (Editio princeps).- Summary of the complete grammatical teachings of Sebastian Münster.- With woodcut printer's device on verso of final leaf of the main part. Large-type ?Toviah? within floriated frame.- Highly restored and cleaned copy, spotted, title and preface with supplements, modern binding. [Attributes: First Edition]

      [Bookseller: Antiquariat Johannes Müller]
 18.   Check availability:     ZVAB     Link/Print  


        Catalogus Plantarum Latinè, Graecè, Germanicè, & Gallicè?Namenbüch aller Erdegewächsen, Latinisch, Griechisch, Teütsch, und frantzösisch. Regestre de toutes Plantes en quattre langues, Latin, Grec, Aleman, & Francoys. Unà cum vulgaribus Pharmacopolarum nominibus?Adjectae sunt etiam Herbarum Nomenclaturae variarum gentium, Dioscoridi ascriptae, secundum literarum ordinem expositae

      - 4 p.l., 162 leaves. Small 4to, cont. blindstamped panelled pigskin, remains of two deerskin ties. Zurich: C. Froschauer, 1542. First edition of a very rare book on the market; this is a lovely fresh copy in contemporary blind-stamped pigskin. This, Gesner's second botanical work, is "an alphabetically arranged catalog of plant names in four languages, the first of its kind, and an indication of the growing interest in botany beyond purely philological investigations into the writings of the classics. The Greek names are based on the works of Dioscorides. This early work is already characteristic of Gessner's life-long endeavour to arrange scientific topics in alphabetical or systematic order; it also show his proficiency in languages, and his interest in their comparative treatment."-Wellisch 8.1. A fine copy. Signature at foot of title of "Lucas Schröck, M.D." Schröck (1646-1730), was a professor of medicine at Jena and president of the Deutschen Akademie der Naturforscher (see Hirsch, V, pp. 139-40). Early inscription on front free endpaper stating this is a duplicate from the Royal Library of Munich. Engraved armorial bookplate, dated 1744, of Franziskus Topsl (1711-96), prior of the Polling Abbey in Upper Bavaria. Modern booklabel of D. Henry. Some minor worming to upper inner corner of first seven leaves, touching a few letters of the first two leaves. ? Pritzel 3298. [Attributes: First Edition]

      [Bookseller: Jonathan A. Hill, Bookseller Inc.]
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        Arnobii Dispvtationvm adversvs gentes libri octo nunc primum in lucem editi.

      Romae: Apud Franc. Priscianen Florentinum [1542[-43]]. Hard Cover. 3 preliminary leaves, CII numbered leaves, 3 leaves; 33.5 cm. Signatures: a4 (a4 blank, present), A-Q6, R8 (R8, blank, wanting), &2. The seven books of Adversus gentes, followed by the Octavius of Minucius Felix, mistaken for the eighth book. Edited by Franciscus Priscianensis and Hieronymus Ferrarius. Dedication (to FranÃ?§ois I of France) dated (a2v) "Calen. Septembris. 1543." Colophon ([R7r]) dated 1542. The first edition of a defense of the Christian faith and an attack on paganism, with ample descriptions of idolatrous rites and beliefs. Printed from an imperfect manuscript found in Paris, it required extensive text editing. This is an unusually tall copy, clean and beautifully printed. This is from the library of Prof. Geotge E. McCracken whose translation of the text in English is included. Stock#OB1040. Very Good; rebound in 3/4 leather by Hope Bindery, Jim DiMarcantonio.

      [Bookseller: The Owl at the Bridge]
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        Neues lehrreiches und vollständiges Magazin vor junges Frauenzimmer die ganze Koch=Kunst, und Zuckerbeckerei, samt allem, was damit verknüpft ist, vollkommen zu erlernen. Nach Art derer Magazins der Madame [Maire] le Prince de Beaumont, in Fragen und Antworten eingekleidet, und mit alphabetischem Register zum bequemen Aufschlagen derer darinnen enthaltenen mehr als 4500 Speisen auch einem Trenchir=Buch mit Figuren versehen.

      2 Bände. 8. [4] Bll., S. [1]-750, [1] Bl. (Verlagsanzeigen). Mit 18 Textholzschnitten (Tranchierdarstellungen) [1] B. Titel, S. [751], 752- 1542, 76 S. Register, [2] Bl. w. (fehlen 2 Bl., mehrere Paginierungsfehler so wird die die S.1003 doppelt gezählt dafür keine S. 1006, die SS-Zahlen 1080-1097 weden zweimal gezählt 1 Bd .Ppbd. (späterer). Titel etwas fleckig, 2 Bd. Ldr. der Zeit, auf 5 Bünden mit RSchild. (berieben u. bestoßen). Innen gutes Ex. trotz gelegentlicher Papierbräunung. Beim 2. Teil fehlt das Vorsatzpapier. Weiss 2752. Erstausgabe für Bd. 2 und Bd. 1 in der 2. identischen 2. Auflage. Extrem selten, fehlt den meisten katalogisierten Sammlungen wie Dittmar, Walterspiel , Aliche, usw. Bei Horn (307) die 2. Auflage (1771/3, spätere Auflagen als Lehrreiches und vollständiges Magazin für Frauenzimmer. Interessante Holzschnittillustrationen zur Tranchierkunst. 2 Teil behandelt vor allem die Süsse Kunst und das Pasetenbacken. Provenance: Unbekanntes grossformatiges Ex-libris und Ex-libris R. Katzenberger.

      [Bookseller: Antiquariat Kochkunst Bibliothek]
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        Neues lehrreiches und vollständiges Magazin, vor junges Frauenzimmer die ganze Koch-Kunst, und Zuckerbeckerei, samt allem, was damit verknüpft ist, vollkommen zu erlernen....( hier: Teil 2 von 2 erschienenen Teilen )...

      ( ..Nach Art derer Magazins der Madame le Prince de Beaumont, in Fragen und Antworten eingekleidet, und mit alphabetischem Register zum bequemen Aufschlagen derer darinnen enthaltenen mehr als 4500 Speisen auch einem Tranchir-Buch mit Figuren versehen. Zweyter Theil. Neue Auflage ( Verfasser ermittelt ) ). Hier der zweite Teil des umfangreichen Kochbuchs mit Titelblatt, den Seiten 751 - 1542 sowie dem umfangreichen Gesamtregister über beide Teile mit 76 Seiten, ferner 2 n.n. Blätter. Schlichter Pergamentband der Zeit, 8 ( 17,5 x 11 cm ). Der vorliegende Band behandelt: Saucen, Brühen, Pasteten, Torten, Kuchen, Backwerk, Essig, Salz, Tunken, Gallert, Gelees, Zuckerwaren, Säfte, Konserven, Marmeladen, Auftragen der Speisen an Fleischtagen und Fastentagen sowie zu Hochzeiten, Sonn- und Feiertagen, ferner mit Hinweisen zur vorteilhaften Anschaffung als auch *Aufbehaltung allerley Victualien*. Einband etwas fleckig und leicht berieben, innen Titelblatt und erste Seiten etwas stärker fleckig bzw. stockfleckig, sonst gelegentlich etwas stock- oder braunfleckig, einige Seiten leicht angeknickt bzw. etwas eselsohrig ( letzte Seiten oben stärker eselsohrig ). - sehr selten - ( Gewicht 500 Gramm ) ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Conciones, habitae Lovani ante annos circiter quadraginta nunc consenus auctoris publicatae.

      3 Bll., 762 (recte 760) S., 28 Bll. (letztes w.). Ldr. d. Zt. über Holzdeckel m. Blindpräg. Mit 2 intakten Messingschließen. Etw. berieb. u. staubfl. Vors. u. Tit. m. Besitzverm. Durchgeh. gebräunt, tlw. fleckig. u. wasserrand. Erstes Textbl. angerandet. VD17 12:196437K - Erste Ausgabe, hrsg. v. Simon Ryckius. - Roberto Francesco Romolo Bellarmino (1542-1621), Jesuit und Kardinal, war ein Hauptverfechter des römischen Katholizismus und der päpstlichen Suprematie. Er hatte die Rolle des Grossinquisitors im Häresieprozess gegen Giordano Bruno ubernommen. In Rom hatte Bellarmin Galileo Galilei kennengelernt, den er als Naturwissenschaftler aber auch als gläubigen Christen schätzte. Als Berater des Papstes war er es, der Galilei die Haltung des Vatikans deutlich zu machen hatte.

      [Bookseller: Antiquariat Burgverlag]
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        Der trewe Eckhart. An die mutwillige Sünder/ so im Finstern maussen. Des trewe Eckharts warnung klar/ An alle so inn diesem Jahr/ Glück wöllen han/ vnd immerdar Verhüten Leibs vnd Seeln gefahr.

      Mit Holzschnitt-Titelvignette. 4 Bll. Rückenbroschur. 18 x 14,5 cm. VD16 S 721. - In Versen verfasste Warnschrift des protestantischen Geistlichen Michael Sachs (auch: Sachse, Sax Saxo 1542 - 1618) Meister Eckhardt hält den Menschen ihre Fehler und Laster vor. - Die Titelvignette mit Darstellung einer Abwandlung des Kind der göttlichen Vereinigung, dem Hermaphroditus oder Androgyn, einem mann-weiblichen Wesen, das zudem doppelköpfig ist und in der rechten Hand drei, in der linken eine Schlange trägt. Hier befindet sich allerdings in der rechten Hand ein Abendmalkelch. - Titel unten knapp beschnitten. Rückenbroschur hinten mit Namenstempel. Etwas fleckig.

      [Bookseller: Antiquariat Turszynski]
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        FROSCHMEVSELER/ Der Frösch vnd Meuse wun=/derbare Hoffhaltunge./ Der/ Frölichen/ auch zur Weyßheit/ vnd Regimenten erzogenen Jugend/ zur ... Leer/ aus den alten Poëten vnd/ Reymdichtern .../ Jn/ Dreyen Büchern auffs newe mit fleiß beschrieben/ Zuuor in druck nie ausgangen.

      2 Leerbll. + 398 n.n. Bll. + 2 Leerbll. HPgm. der Zeit. 2. Aufl. Vgl. VD 16 ZV 13346. Mit allen 16 in den Text gesetzten Holzschnitten. Goed. II, 509, 3n. KJL II, 780. Vgl. auch Wegehaupt. - Es fehlen der Titel und das letzte Blatt der Errata. Das Blatt 394 ist verbunden und zum Schluß eingefügt. Die Nummerierung der Blätter ist handschriftlich und erfolgte durch einen früheren Besitzer. Der wahrscheinlich barocke Ebd. bedarf eines Restaurators. Exlibris a. V. sowie hds. Notiz und Autorenvermerk (allerdings falsche Jahreszahl), kl. Fraßspur a. den ersten vier Blättern. Wasserrandig, Seiten gebräunt, fleckig, Gbrsp. Bl. 68: vier Zeilen m. Tinten durchgestrichen, Bl. 322 m. hds Notiz. Einige alte Kaschierungen von Einrissen. - Rollenhagen (1542 - 1606) wurde 1560 in Wittenberg immatrikuliert, besuchte hier neben humanistischen auch naturwissenschaftliche und medizinische Vorlesungen und erwarb 1567 den Magistertitel, nachdem er 1563-65 bereits Rektor in Halberstadt gewesen war. 1567 wurde er Prorektor am Magdeburger Gymnasium ... und das er seit 1575 als Rektor zu einer der führenden deutschen Gelehrtenschulen ausbaute. Seit 1573 war R. evang. Prediger an St. Sebastian in Magdeburg, später auch am Stift St. Nikolai. Als Förderer des lateinischen und deutschen Schultheaters verfaßte er bürgerlich-moralistische Schuldramen nach antiken Mustern (u.a. Vom reichen Man und armen Lazaro, 1590). 1595 veröffentlichte R. sein Hauptwerk, das grotesk-satirische mehr als 20000 Verse umfassende Tierepos Froschmeuseler. Der Frösch und Meuse wunderbare Hoffhaltunge, eine allegorische Darstellung der Reformationszeit und ihrer Wirren, mit dem er sich als Anhänger eines irenisch gestimmten Reformationshumanismus erwies. (DBE) - Text in drei Teilen.

      [Bookseller: Antiquariat Weinek]
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        Weltbuch: spiegel vnd bildtniß des gantzen erdtbodens von Sebastiano Franco Wördensi in vier bücher / nemlich in Asiam / Aphricam / Europam / vnd Americam / gestelt vnd abteilt / Auch aller darin(n) begriffner Länder / nation / prouintze(n) / vnd Inseln / gelegenheit / grösse / weite / gewächß / eygentschafft / vnd der darinn gelegner völcker und einwoner ... eygentlich für die augen gestelt/ Auch etwas vo(n) new gefundenen welten und Inseln / nitt auß Beroso / Joanne de monte villa / S. Brandons Histori / vn(d) dergleichen fabeln / vn(d) auß angenum(m)nen / glaubwirdigen erfarne(n) / weltschreibern / müselig zuhauff trage(n) / vn(d) auß vilen, weitleüffigen büchern in ein handtbuch eingeleibt vnd verfaßt / vormals dergleichen in Teütsch nie außgangen. Mit einem zu(m) end angehenckten Register alles innhalts.

      Franck, S. Weltbuch: spiegel und bildtniß des gantzen erdbodens... in vier bücher, nemlich in Asiam, Aphrica(m), Europam, und America(m), gstelt und abteilt... vormals dergleichen in Teütsch nie außgangen. Varnier, Ulm 1542..neuer Ledereinband (29,5:20,5 cm). 1 leeres Blatt ( wohl neu) 6, aiv, b-z vi, A-R iv, S viii so komplett außer den 2 leeren Blättern, entspricht der Ausgabe der British Library "BL",Neu eingebunden mit braunem Ledereinband. VD 16, F 2170 Kaczerowsky A 76 vgl. Goed. II, Sabin 25469. - Das Weltbuch ist eines der Hauptwerke des bedeutenden Gelehrten, Humanisten und Freidenkers und zugleich die erste in deutscher Sprache verfaßte Kosmographie der 4 Erdteile, insbesondere über Amerika.1534 erstmals in Tübingen bei Morhart erschienen mit der Druckerlaubnis des Reformators Ambrosius Blarer, da Franck zwar in Ulm lebte und dort eine Druckerei besaß, aber erhebliche Probleme, dort seine Drucke zunächst veröffentlichen zu dürfen.1542 gieng er bekanntlich nach Basel. Das vierte Buch (Bl. 210v-237v) behandelt auf 55 S. Amerika und ist bis dahin die erste umfassendste Darstellung, in der auch die Reisen von Columbus, Vespucci und Cortes beschrieben werden. - Gering fleckig bzw. fingerfleckig, vereinzelt Unterstreichnungen, sehr sauberes Exemplar.

      [Bookseller: Antiquariat Vlma]
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        Talmud gadol.- Sammelband] [Beinhaltet:] Ad 1, Massechet Zevachim. Opus in qvo agitur de SACRIFICIIS. Recognitum â Marco Marino Brix. Can. Regul. D. Servatoris, Et ab omnibus iis, quae contra Religionem Christianam sunt, Juxta mentem Concilii Tridentini Expurgatum, Adeò ut non modò citra Impietatem, verum etiam cum fructu legi possit: Ante hac Basileae editum, nunc secundum Editionem Basileensem denuò emissum. Ad 2, Massechet Menachoth. Opus in qvo agitur de OBLATIONIBVS [...]. Ad 3, Massechet Bechoroth. Opus in qvo agitur de PRIMOGENITIS [...]. Ad 4, [Massechet Gadusim ?

      Titel + 120 Bll. + Zwischentitel + 111 Bll. + Zwischentitel + 70 Bll. + 34 Bll. OLd. der Zeit, ohne Schließen. In hebräischer Sprache, ebenso die Seitenzählung. Titel in Hebräisch und Lateinisch. Es fehlt bei Ad 4, die Seite A 2 der ersten Lage sowie der Titel. - Starke Gbrsp., Wachsspuren, Feuchtigkeitsrandig, Buchblock gelockert, R. gerissen u. m. Fehlstelle, bedarf eines Buchbinders, Ad 1: St. a. T. (Synogoge zu Prag), Titel m. alten Papierrestaurierung am unteren Rand, Fehlstellen fachmännisch stabilisiert m. Japanpapier. Zustand im Preis berücksichtigt. - Marini (1542 - 1594), war ein ital. Orientalist und Zensor der hebr. Sprache in Publikationen für den Vatikan. Er veröffentlichte die erste Publikation des Targum Yerushalmi. (Zitat)

      [Bookseller: Antiquariat Weinek]
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        Stimulus divini amoris sancti Bonaventurae.

      Venitiis: per Ioannem Patavinum, 1542. Small 8vo (102 x 73 mm), 160 numb. lvs. Contemporary vellum with ties. Title page illustrated with a woodcut (Crucifixion). Also 4 large woordcut initials. Binding spotted and sl. rubbed. Very good copy. Rare Pseudo-Bonaventuran pocketbook: only 2 copies in WorldCat. For a full description and more images please visit www.zaalbooks.nl .

      [Bookseller: Zaal Books]
 28.   Check availability:     NVvA     Link/Print  


        Natuurlijke historie van den St. Pieters Berg bij Maastricht. ... Uit het Fransch door J.D. Pasteur.Amsterdam, Johannes Allart, 1802. 8vo. With an engraved title-page with a small illustration by D. Vrijdag, a folding engraved map and folding engraved plan of the St. Pietersberg, and numerous illustrations of minerals and fossils on 52 folding engraved plates. Contemporary half calf, gold-tooled spine.

      Bibl. Natura Artis Magistra 1542; Poggendorff I, col. 724. First edition of the Dutch translation of a geological study of the St. Pietersberg near Maastricht, the Netherlands by Barthélemy Faujas de Saint-Fond (1741-1819), a French geologist and assistant of Buffon at the Museum of Natural History in Paris. When in the course of the French Revolution the Netherlands became part of France, Faujas de Saint-Fond came to explore the St. Pietersberg near Maastricht. He collected a mass of fossils, and published his natural history of the Sint Pietersberg, which represented the first scientific study about this now famous calcareous mountain. The work was richly illustrated with newly engraved plates showing the caves, fossils, and minerals. It became the favourite school book on the subject, especially in Limburg.Slightly browned, with some occasional, mostly marginal, small spots and some of the margins slightly frayed. Binding worn along the extremities, with the marbled paper sides heavily scratched. Overall in good condition.

      [Bookseller: ASHER Rare Books (Since 1830)]
 29.   Check availability:     NVvA     Link/Print  


        De Crepusculis liber unus, nunc recens & natus et editus. Item Allacen Arabis vetustissimi, De causis Crepusculorum Libert unus, à Gerardo Cremonensi iam olim Latinitate donatus, nunc vero omnium primum in lucem editus

      - Title within fine woodcut architectural border, many woodcuts in the text, & a full-page woodcut printer's device on verso of penultimate leaf. 74 unnumbered leaves (the final leaf a blank). Small 4to, attractive antique panelled calf (three inoffensive old stamps on title of the public library of Douai, one of which is a release stamp). [Lisbon: L. Rodriguez, 1542]. First edition of an extremely rare book which contains two notable texts on atmospheric refraction, both entitled De Crepusculis. The first is by Pedro Nuñez (or Nunes) (1502-78), who is considered to be the greatest of the Portuguese mathematicians. He served as chief royal cosmographer and professor of mathematics at the University of Coimbra. His writings reveal him to have been a first-rate geographer, physicist, cosmologist, geometer, and algebraist. He also made important contributions to navigation. Nuñez's text, on atmospheric refraction, twilight, and scientific instruments used to make observations, belongs to his most significant works and occupies the first 65 leaves. "Nuñez made important contributions in the design of instruments. In astronomical observations the impossibility of precisely measuring small portions of an arc was an impediment, and to overcome this difficulty, he conceived the idea of the nonius. In its original form this instrument, consisting of forty-four concentric auxiliary circles, was attached to an astrolabe for measuring fractions of a degree?Each circle had one division less than the one outside it and one division more than the one inside, making it possible to take a reading from the circle that gave the most accurate approximation. This instrument has not been modified during the four centuries since it was devised."-D.S.B., X, pp. 160-61. It later developed into the vernier. The balance of the book prints De Crepusculis by Abhomadi Malfegeyr (or Abu 'Abd Allah Muhammad ibn Mu'adh), translated from Arabic into Latin by Gerard of Cremona. This text was long thought to have been by Alhazen, but A.I. Sabra (see his "The Authorship of the Liber de crepusculis" in ISIS, Vol. 58, No. 1, Spring 1967, pp. 77-85) has made a convincing case that the text was actually written by the Andalusian mathematician Ibn Mu'adh (second half of the 11th century). Ibn Mu'adh's De Crepusculis contains an estimation of the angle of depression of the sun at the beginning of the morning twilight and at the end of the evening twilight. It is an attempt to calculate on the basis of this and other data the height of the atmospheric moisture responsible for the refraction of the sun's rays. Fine and crisp copy. ? Palau 196748. Picatoste y Rodriguez 552. Stillwell 781 & 863. Nunes: Kiely, Surveying Instruments, p. 169. [Attributes: First Edition]

      [Bookseller: Jonathan A. Hill, Bookseller Inc.]
 30.   Check availability:     AbeBooks     Link/Print  


        Raimundi Lulii maiorici philosophi acutissimi, medicique celeberrimi, De secretis naturae siue quinta essentia libri duo. His accesserunt, Alberti Magni summi philosophi, De mineralibus & rebus metallicis libri quinque. Quae omnia solerti cura repurgata rerum naturae studiosis recens publicata sunt per magistrum Gualetherum H. Ryff, Argentinensem medicum.

      1542 1 plein vélin de l'époque, dos à nerfs (muet). -8 figures alchimiques in-texte. in-8 de 324-(8) pp. ; Venetis, Apud Petrum Schoeffer, 1542, 2e édition éditée par Walter Herman Ryff, de ces 2 célèbres textes alchimiques. Rare.Adams, L 1704 ; Ferguson II-p. 54 ; Thorndike II-pp. 517 à 592 ; Duveen 369 ; Nourry, Cat 28 (1927), Alchimie n° 278 ; Repertorio di libri di carattere alchemico, cabalistico, magico e "curioso" posseduti dalla Biblioteca Universitaria di Genova 480 ; Medica, Source de l'alchimie - BIU Santé, Paris. Didier Kahn."Sous le nom de Raymond Lulle (1235-1315), un vaste corpus de textes apocryphes alchimiques se constitua à partir du XIVe siècle et ne cessa de se développer jusquau XVIIe, voire au XVIIIe siècle. Lulle lui-même navait que mépris pour lalchimie [...]. Mais dans le sillage de son prodigieux succès en tant que philosophe, des lullistes anonymes se mirent à composer sous son nom un nombre croissant de traités dalchimie, dont le premier, sans doute, et lun des plus célèbres, fut le Testamentum. Originellement composé en latin, ce texte daté de 1332 nentendait pas sen tenir au seul projet de la transmutation des métaux, mais y ajoutait la fabrication des pierres précieuses, et surtout la guérison des maladies [...].Cest à partir de ce traité quallait se constituer, dans la seconde moitié du XIVe siècle, un autre texte majeur de la mouvance pseudo-lullienne, le De secretis naturæ seu de quinta essentia, qui nest autre quune version "lullifiée" du De consideratione quintæ essentiæ de Johannes de Rupescissa (c. 1351-1352) [...].Quant au De mineralibus dAlbert le Grand (1183-1280), le maître-livre de la minéralogie médiévale, qui contenait nombre de développements sur lalchimie et citait notamment la célèbre Table démeraude, il ne fut que progressivement supplanté par luvre de lhumaniste Georg Agricola (1494-1555). Avant de faire couple avec le De secretis naturæ pseudo-lullien, louvrage dAlbert avait déjà connu six autres éditions, dont quatre incunables : Padoue 1476, Pavie 1491, Venise 1495 et Cologne, pas avant 1499. Les éditions suivantes parurent à Oppenheim (1518), Augsbourg (1519), se poursuivant ensuite au XVIe siècle par des éditions dans laire culturelle allemande jusquen 1569 (Cologne : Birckmann et Baum). Ce traité dAlbert reste lun des témoins majeurs de lalchimie latine du Moyen Age." (Didier Kahn).

      [Bookseller: Librairie Philippe Sérignan]
 31.   Check availability:     Livre-rare-book     Link/Print  


        Octavus tomus operum continens enarrationes in psalmos mysticos.

      Basel, Froben, 1542. - Folio, circa 36,5 x 26,5 cm. 1756 Spalten (inkl. Titel), 1 Bl., mit 2 Druckermarken Blindgeprägtes Schweinsleder d. Zt. auf Holzdeckeln mit Schließenresten "VD 16 A 4149; Adams A 2162; BMC STC 53. In sich abgeschlossener Band acht der zehnbändigen Werkausgabe. Auf der Titelrückseite erklärt der Herausgeber, dass die "enarrationes" auch als homiliae, tractatus oder conciones bezeichnet werden könnten. Die ersten Psalmen seien sehr knapp und präzise behandelt, die späteren ausführlicher und mit zahlreichen Abschweifungen. - Spiegel mit Resten eines gestochenen alten Exlibris, Titel mit Besitzvermerk, datiert 1553, sowie teils rasiertem etwas späterem Vermerk, wenige kleine Wurmspuren, gering fleckig, leicht gebräunt. Einband etwas berieben, Schliessen entfernt. Sehr dekorativ, mit abgeflechten Kanten, vorne alter Vermerk "T. 8 / D. Aurelii August.". "

      [Bookseller: Antiquariat Thomas Rezek]
 32.   Check availability:     ZVAB     Link/Print  


        Le très excellent et sainct mistere du viel testament

      Jehan Real, Paris 1542 - Un volume in-4 demi vélin moderne, tranches rouges. 304 folios sur 324, caractères gothique à 2 colonnes de 52 lignes. Très rare troisième édition d'une compilation de mystères probablement écrits par des auteurs différents vers 1450 et représentés le plus souvent isolément. Suite à des représentations de l'ensemble des mystères données à Paris au cours du XVIe siècle (vers 1500, 1520 et 1540) que tous ces textes ont été rassemblés en un seul vaste volume et publiés à 3 reprisesNotre édition, illustrée de 12 bois (sur 14?), dont 2 répétés, est malheureusement amputée de 21 folios  : 1 à 10 (page de titre et colophon absents), 289, 308, 309, 315, 316 et 319 à 324  ; le folio 219 est doublé et les folios 273 et 303 sont manuscrits (écriture du XVIIe). One volume, 4to, half modern vellum. 304 (of 324) folios. // Very rare 3rd edition of a collection of medieval French mystery plays, printed in gothic, 2 columns 52 lines each and illustrated with 12 (of 14 ?) woodcuts. Unfortunately 21 folios are missing, including the page title and the printer's mark leaf. [Attributes: Hard Cover]

      [Bookseller: Le Scriptorium d'Albi]
 33.   Check availability:     AbeBooks     Link/Print  


        De Crepusculis liber unus, nunc recens & natus et editus. Item Allacen Arabis vetustissimi, De causis Crepusculorum Libert unus, à Gerardo Cremonensi iam olim Latinitate donatus, nunc vero omnium primum in lucem editus

      Title within fine woodcut architectural border, many woodcuts in the text, & a full-page woodcut printer's device on verso of penultimate leaf. 74 unnumbered leaves (the final leaf a blank). Small 4to, attractive antique panelled calf (three inoffensive old stamps on title of the public library of Douai, one of which is a release stamp). [Lisbon: L. Rodriguez, 1542]. First edition of an extremely rare book which contains two notable texts on atmospheric refraction, both entitled De Crepusculis. The first is by Pedro Nuñez (or Nunes) (1502-78), who is considered to be the greatest of the Portuguese mathematicians. He served as chief royal cosmographer and professor of mathematics at the University of Coimbra. His writings reveal him to have been a first-rate geographer, physicist, cosmologist, geometer, and algebraist. He also made important contributions to navigation. Nuñez's text, on atmospheric refraction, twilight, and scientific instruments used to make observations, belongs to his most significant works and occupies the first 65 leaves. "Nuñez made important contributions in the design of instruments. In astronomical observations the impossibility of precisely measuring small portions of an arc was an impediment, and to overcome this difficulty, he conceived the idea of the nonius. In its original form this instrument, consisting of forty-four concentric auxiliary circles, was attached to an astrolabe for measuring fractions of a degree…Each circle had one division less than the one outside it and one division more than the one inside, making it possible to take a reading from the circle that gave the most accurate approximation. This instrument has not been modified during the four centuries since it was devised."-D.S.B., X, pp. 160-61. It later developed into the vernier. The balance of the book prints De Crepusculis by Abhomadi Malfegeyr (or Abu 'Abd Allah Muhammad ibn Mu'adh), translated from Arabic into Latin by Gerard of Cremona. This text was long thought to have been by Alhazen, but A.I. Sabra (see his "The Authorship of the Liber de crepusculis" in ISIS, Vol. 58, No. 1, Spring 1967, pp. 77-85) has made a convincing case that the text was actually written by the Andalusian mathematician Ibn Mu'adh (second half of the 11th century). Ibn Mu'adh's De Crepusculis contains an estimation of the angle of depression of the sun at the beginning of the morning twilight and at the end of the evening twilight. It is an attempt to calculate on the basis of this and other data the height of the atmospheric moisture responsible for the refraction of the sun's rays. Fine and crisp copy. ? Palau 196748. Picatoste y Rodriguez 552. Stillwell 781 & 863. Nunes: Kiely, Surveying Instruments, p. 169.

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
 34.   Check availability:     Biblio     Link/Print  


        Le historie e fatti de Veronesi nelli tempi d'il popolo et signori Scaligeri...

      Per Antonio Portese, 1542. Cm. 21, cc. 56 (di cui la penultima con un'epigrafe e l'ultima bianca). Impresa xilografica al frontespizio e capolettera ornati. Legatura in pergamena rigida posteriore (inizio '800). Una piccola sfrangiatura all'angolo alto destro di alune carte (lontano dal testo e senza particolare danno) ed un buchetto ad una carta con perdita di un paio di lettere, peraltro esemplare piuttosto marginoso oe ben conservato. Antica firma di possesso al frontespizio: Cav. Teol. Antonio Bosio; ed alcune note marginali coeve. Si tratta della rara prima edizione di questa storia della città di Verona successivamente più volte ristampata.

      [Bookseller: Studio Bibliografico Benacense]
 35.   Check availability:     maremagnum.com     Link/Print  


        Oeuvres complètes de Valéry Larbaud. 10 volumes.

      Tome 1. Jaune, Bleu, Blanc. Tome 2. Fermina Marquez enfantines. Tome 3. Ce Vice impuni, la Lecture. Domaine anglais. Tome 4. A.O. Barnabooth. Ses oeuvres complètes, c'est-à-dire un Conte, ses Poésies et son Journal intime. Tome 5. Allen aux couleurs de Rome. Tome 6. Amants, heureux Amants précédé de Beauté, Mon beau souci et suivi de Mon plus secret conseil... Tome 7. Ce Vice impuni, la Lecture. Domaine français. Tome 8. Sous l'invocation de Saint-Jérome. Tome 9. Journal inédit (1) Tome 10. Journal inédit (2)Edition tirée à 1542 exemplaires numérotés. Celui-ci (n°10) un des 50 du tirage de tête sur Arches.Première édition collective en partie originale. Paris, Gallimard NRF, 1950. Brochés sous couvertures imprimées. Papier de soie de protection. Non coupé. Pas de rousseur. Parfait état pour ce bel exemplaire. Format in-8°(23x15).

      [Bookseller: Livres et Collections P. Commerot]
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        Psalterivm Paraphrasibvs illustratum, seruata ubique ad uerbum Hieronymi translatione.

      Lyon, Johannes and Franciscus Frellon 1542 - 491 (4) p. Later half Leather with 4 raised bands, 8° (The top spine-end lacks a piece of leather. Rare Lyonese edition of this famous paraphrase of the Psalms by the Dutch Humanist Reinier Snoy ca. 1477-1537, also called Reynerus Snoygoudanus. This paraphrase which was based on the translations of Saint Jerome was finished in 1533 and became very popular going through numerous editions.) Graaf, B. de (1968). Bibliographies of Dutch humanists Volume 2, nr. 13 [Attributes: Hard Cover]

      [Bookseller: Antiquariaat de Roo]
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        Brief mit dreizeiliger eigenh. Nachschrift und U. Wien, "pauls tag seiner bekherung Ao 42" (= 25. I. 1542).

      1542. ¾ S. 4to. Mit Adresse (Faltbrief) und papiergedecktem Siegel. Mit einer Beilage (s. u.). Weinsendung betreffendes Schreiben an den Bürgermeister der "Stat Neustat", wohl Wiener Neustadt. Paul Pernfuß war von 1540 bis 1541 Bürgermeister von Wien; er gehörte zu jenen Stadträten, die 1529 in der von den Türken belagerten Stadt ausharrten. Beiliegend ein Brief mit U. seiner Frau Elisabet an einen Bürgermeister Puschmann, eine Weinsendung für Dr. Joh. Ernst betreffend. - Beide Schreiben etwas angestaubt und fleckig und mit Randläsuren.

      [Bookseller: Antiquariat Inlibris]
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        HISTORIA SCHOLASTICA.

      (Nicolaus Petit), 1542. In-16 gr. (mm. 180x118), mz. pelle ottocentesca (risg. rifatti), dorso a cordoni con decoraz. e tit. oro, 255 cc.num., 1 c.b., frontespizio inquadrato da ricchi fregi con tit. in rosso e nero e bella vignetta; testo su due colonne a caratteri gotici, ornato da graziosi capilettera, tutto inc. su legno. Fondamentale commentario che mantiene essenzialmente l'impronta delle edizioni parigine del 1513. Cfr. Adams,II, p. 69. "Pietro Comestore (n. forse Troyes - m. Parigi 1179), teologo; maestro quindi canonico regolare a S. Vittore a Parigi, è noto soprattutto per la sua "Historia scholastica", ove tenta una grande 'storia sacra' dalle origini del mondo al viaggio di Paolo a Roma: segue nello svolgimento del suo piano la Bibbia e i Padri, riferendo però sempre cronologicamente gli avvenimenti religiosi agli eventi della storia dei popoli antichi; l'opera gli meritò il titolo di "magister historiarum"". Così Diz. Treccani, IX, p. 404. Lieve uniforme arross. diffusa ma buon esemplare.

      [Bookseller: Libreria Antiquaria Malavasi]
 39.   Check availability:     maremagnum.com     Link/Print  


        Epistolarum medicinalium lib. XX. Eiusdem in Ioan. Mesue simplicia et composita annotationes et censurae, omnibus practicae admodum necessariae.

      Venezia, Petrum Schoeffer, 1542, in- folio, legatura coeva in piena pergamena completamente manoscritta, pp. (20)-469-(2) marca tipografica xilografica al frontespizio, animata (zampognaro con motto "Gloria in excelsis Deo") la stessa immagine riportata anche nll'ultima cc. del volume. Exlibris Loris premuda al piatto anteriore. Risguardi rifatti. Numerosi capolettera xilografici animati. Alcune chiose d'epoca ai margini bianchi, antica macchia di qualche centimetro alle prime pagine, nella parte alta, che interessa parte del testo ma non ne pregiudica la lettura.

      [Bookseller: Libreria Piani già' Naturalistica snc]
 40.   Check availability:     Biblio     Link/Print  


        Supplication der Fünff Erblender / nemlich / Osterreich / vnter vnd ob der Enß / Steir / Kernten / Crain / vnd Graffschafft Görtz / Rhömischer Könglicher Mayestet / zu Prag / im M.D.xli. Jar / vberantworttet / Inn welcher sie herzlich bitten / jr May. wölle jhnen das reyne Euangelion / und rechtgeschaffne Prediger (die weil Land vnd leuten alles glück vnd heyl daran gelegen) vergönnen.

      [Frankfurt/Main, Cyriacus Jacob] 1542. - VD 16; Schottenloher 3, 31874. Selten. Kl.-8°. 8 Bll., späterer roter Samtband, Einbd. abgegriffen u. stark lichtrandig, innen wasserrandig, Fußschnitt knapp beschnitten, 1 Bl. mit Verlust einer Textzeile.

      [Bookseller: Antiquariat Löcker]
 41.   Check availability:     ZVAB     Link/Print  

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