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Displayed below are some selected recent viaLibri matches for books published in 1517
2017-11-22 21:16:51
Cornelius Tacitus - Filippo Beroaldo
Bookseller: Libreria Antonio Pettini [ROMA, RM, Italy]
2017-11-22 19:44:58
ARISTOTELES ARISTOTE transl. J. Argyropulo,notes by Antonio Sylvestro.
Paris, Jodocus Badius & Bernardus Aubrius 1517. In-8o (16,1 X 10,5 cm), signatures 1 bl., xvi, A(1-8)- Z(1-8), a(1-8) - m(1-8), 1 bl., total 288 leaves. Woodcut printer device on title page (s. Renouard 16), engraved initials. Moisture on top corner of beginning and ending leaves. Old marginalia from 2 diff. hands, one of the owner's insciption Bertolodus 1545. Contemprorary blindstamp calf binding, back with 3 raised bands and small upper part missing, one of the binding leather ties missing. First edition of A. Sylvestro. Johannnes Argyropoulos (Constantinople c. 1410 - Rome 1486) was a greek lecturer and philosopher who contributed greatly to the revival of classical learning and was condidered the successor of Chrysoloras. Besides his own works he translated mainly Aristoteles and S. Basile in Latin. Rare edition unknown to Brunet, Papadopoulos 655, Legrand B, III 191, CRAN 16-7.
Bookseller: Librairie Ancienne Cerat [Greece, Chalandri - Athènes]
2017-11-22 18:59:41
FILLASTRE, Guillaume
Antoine Bonnemére for Francois Regnault, 1517. Folio. 2 volumes in one. ff. [ii] 127; [i] 232. Lettre Bâtarde in double column, ruled throughout in red, Regnault's large woodcut elephant device on both title-pages (Silvestre 43), second title with large grotesque woodcut letter, white on black crible initials of various sizes, nine large half or three-quarter page woodcuts, a further 69 woodcut illustrations in the text with repeats (cm), Nicolas-Joseph Foucault's engraved armorial bookplate on pastedown, C19 armorial bookplate of the Earl of Macclesfield on fly, Shirburn Castle blindstamp to head of first two ll, light age yellowing in places, very occasional thumb mark, small closed tear at gutter on t-p. A fine, well margined copy, on thick paper, crisp and clean with very fine impression of type and woodcuts, in contemporary French (probably Parisian) blind-stamped calf, covers blind ruled to a panel design, central panel in a 'Gril de St Laurent' design of vertical strips of repeated acanthus leaf and vase rolls in blind, outer panel with the same blind roll, spine, rebacked in the early C17, gilt in compartments with gilt raised bands, red morocco label gilt, joints and head and tail restored, covers a little rubbed and scratched, with small tears in lower cover, lacking clasps and catches, all edges gilt and gauffered. A rare and beautifully illustrated edition of Guillame Fillastre's most famous work, composed between 1468 and 1473, first printed by Regnault in 1516 of which this edition is an exact copy. Guillaume Fillastre the younger was the illegitimate son of a … [Click Below for Full Description]
Bookseller: Sokol Books Limited [GB]
2017-11-18 12:49:58
- Venedig, Aldus Manutius & Andreae Soceri, November 1517. 107 Bll., 1 w. Bl. (Fehlerhafte Paginierung bei 2-3) 15,5 x 9,8 cm. (Späterer) Schwarzer Ledereinband mit Blindpragung und marmorierten Schnitt auf drei Bunden (etwas berieben u. bestossen). Erste Ausgabe. - Adams A2278 - Renouard 80 - UCLA 137 Erste und einzige Ausgabe der Werke von Ausonius bei Manutius. Ausonius, ein spatantiker Dichter und Lehrer für Rhetorik, verfasste zahlreiche Werke und gilt vor allem mit seinen Gedichten Mosella u. Ephemeris als ein bedeutender Vertreter seiner Zeit. Aldus Manutius war ein berühmter venezianischer Buchdrucker und Verleger. Mit seinen Drucken griechischer und lateinischer Werke der Antike und humanistischer Autoren leistete Manutius einen wesentlichen Beitrag zur Entwicklung des Humanismus in Europa und zur Wiederentdeckung der Antike in der Renaissance. Auch als Typograph hatte Manutius wesentlichen Einfluss auf die noch junge Kunst des Buchdruckes. Die in den Druckereien des 15. Jahrhunderts im Norden übliche sogenannte gotische Schrift, die aus den Handschriften abgeleitete Textura, ersetzte er durch neue, kunstvolle Lettern – die aldinischen Typen, heute Antiqua genannt. Ab 1501 verwendete er erstmals die Kursivschrift. - Die beliebtesten Autoren brachte er in dem kleinen Oktavformat heraus, das zuvor nur für Erbauungsliteratur üblich gewesen war; so konnten die Texte überallhin mitgenommen, bei Gelegenheit hervorgeholt und leicht in einer Hand gehalten werden. Mit Griffos Kursive, die das hervorstechendste Merkmal der lateinischen und italienischen Aldinen wurde, t … [Click Below for Full Description]
Bookseller: Treptower Bücherkabinett [Germany]
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2017-11-13 07:05:49
- Grabado original de comienzos del siglo XVIII. Medidas de la huella 30x19,5 cms. Buena conservación, con máculas propias de la época del grabado que se aprecian en la fotografía.
Bookseller: Orbis Antique Prints
2017-10-31 13:06:41
PACE Richard
- Apud Io. Frobenium, Basilea 1517, petit in-4 (15,5x21cm), 114pp. (2). Sig. a-n4, o6., relié. - Edizione condotto da Paolo Bombace. Marchio dalla stampante fino all'ultimo verso foglia. Frontespizio inciso in una cornice rinascimentale. Citato in: "VD16 52. P - 1 P Adams Salta pagina 78-81 senza perdere. a4 è segnato ingiustamente A3, a seguito di a3. - [FRENCH VERSION FOLLOWS] Édition princeps réalisée par Paolo Bombace. Marque de l'imprimeur au verso du dernier feuillet. Page de titre dans un encadrement gravé Renaissance. Cité dans Adams (p. 1). Reliure en plein veau du XVIIIème. Le feuillet a4 est marqué fautivement en a3, à la suite de a3. Traces de mouillures jaunes du feuillet 87 au feuillet 95 allant s'accentuant, puis disparaissant. Restauration en marge interne au feuillet 33 (bande de papier ancien). Bon exemplaire. Œuvre principale de l'auteur, qu'on peut traduire par « les fruits du savoir » ou « les fruits d'une éducation libérale », sorte de réflexion sur la connaissance et l'éducation morale ; c'est un livre proche par l'esprit de L'Utopie (qui venait de paraître un an plus tôt) de Thomas More, dont Richard Pace pratique la louange, le qualifiant de génie (p. 82 De Moro). C'est par la lecture du livre de Pace (1482-1536) que Luther prendra connaissance du livre de More et désirera grandement le lire. De fructu témoigne en détail des fruits d'une éducation humaniste et libérale sous les Tudors, l'auteur contant, dans une sorte de conversation assez libre, la lecture des Anciens, la connaissance et le savoir liés à la morale, l'ensemble dans un souci pédagogi … [Click Below for Full Description]
Bookseller: Librairie Feu Follet [FR]
2017-10-28 15:24:09
GEOFFREY of Monmouth.:
Paris J. Badius Ascenius, 1517. SECOND EDITION 1517, edited by Ivo Cavellatus. Latin text, small 4to, approximately 190 x 135 mm, 7½ x 5¼ inches, leaves: [8], 1-101, numbered on rectos only. Woodcut printer's device on title-page: vignette of printing shop, depicting the operation of a hand-press by three printers. The block has a double-line border. On the press itself is the imprint 'Prelu[m] Asce[n]sianu[m]', and below the press are the initials and printer's mark of J. Badius. Name of printer from title statement; date of publication from colophon, Io. Badius Ascensius lectori sa. ... Ex aedibus nostris iteru[m] ad Idus Septe[m]b. anni. MDXVII. Signatures: AA8, A-M8, N6 [N6 blank]. Woodcut coat of arms held by angel on signature AA8v. Woodcut floral and foliate crible initials, side-notes, index at the front. Old calf, red title label with gilt lettering and gilt decoration to spine between raised bands, new endpapers. Binding rubbed and scuffed, hinges just beginning to crack at head and tail of spine, head of spine scuffed with slight loss of surface leather, title page has ink stamped intials AR in 2 places plus neat old ink notes, small repairs to top and bottom corner tips, fore-edge of title page has old repairs to verso, following page has a pale ink stamp of a coat of arms in the outer margin, occasional neat old ink marginal notes and underlining, some pale staining to some pages, Folio xvii which is slightly trimmed at outer edges and is affected by pale staining to top margin. Last 13 leaves have a small brown stain to tips of top and lower corners, also slig … [Click Below for Full Description]
Bookseller: Roger Middleton P.B.F.A. [GB]
2017-10-25 16:26:03
HORTUS SANITATIS.
[Strassburg, Reinhard Beck], 1517. Folio (303 x 202 mm), ff [356], with figurative woodcut title border with putti and monkeys climbing a grape arbour with blank shield below, title printed in red and black, title to second part (K1 recto) with four woodcuts, full-page skeleton cut on verso, small cut of woman and physician holding a urine flask on Gg1 recto, and 1066 woodcut illustrations in the text, a few minor tears repaired, some occasional staining, vellum index tabs, a very attractive copy in contemporary German binding of oak boards, remains of clasps and part of a stud for a chained binding, bosses removed, half blind-stamped calf with fleurons, crowned eagle, fleurs-de-lys, and initials S.S. in blind, rebacked. Sixth edition (first 1491), and the fourth Strassburg edition (first 1496), being an almost unaltered page-for-page reprint of the three earlier Prüss editions, Beck having inherited Prüss's printing house. A few of the woodcuts are new, and a few were recut as the originals were damaged.The 'Hortus sanitatis', in its many editions and translations was the most popular and influential herbal of its time, and served as an encyclopaedia of the plant, animal, and mineral kingdoms and the medical applications of their products. This edition was the prototype for all subsequent editions.'Prüss was the man who really profited by the edition of the Latin Hortus (Meydenbach could not issue a second edition); for his editions are printed with wide economy of paper. by the use of 55 lines to the column and a smaller type. The text cuts are copied from those of Meyden … [Click Below for Full Description]
Bookseller: Antiquariaat Junk [Amsterdam, Netherlands]
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2017-10-23 21:37:03
1517. Antique print, titled: 'Aestimati sumus sicut oves occisionis PS XL III. - M Antonino Vero Imp.' - This scene depicts several martyrs during the reign of the Roman Emperor Antonius: Gaul Christians (A), Blandina (B), Atalus (C), and Ponticus (D). Original etching and engraving on laid paper. Description: From a series of engravings depicting church martyrs based on frescoes by Circignani in the San Stefano Rotondo in Rome. We found scenes in collections with monogram MP. This sheet does not have such monogram but has a monogram or numbering IZ. Later copies after these have been engraved by Jan van Haelbeck. Rare. Artists and Engravers: Made by 'Monogrammist MP' after 'Niccolo Circignani'. Niccolo Circignani (c. 1517/1524 – after 1596) was an Italian painter of the late-Renaissance or Mannerist period. Condition: Very good, given age. Printed on thin laid paper. A few small holes. Stain in top left corner. Small tears in paper edges. Cut at image edge. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: C281-30 The overall size is ca. 6.7 x 10.6 inch. The image size is ca. 6.7 x 10.6 inch. The overall size is ca. 17 x 26.8 cm. The image size is ca. 17 x 26.8 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-16 14:38:49
Aristides, Aelius:
Bookseller: JDinter [Cologne, N/A, Germany]
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2017-10-16 13:19:11
PEROTTO, Niccolò (ca. 1430-1480)
heirs of Aldus Manutius the Elder and Andrea Torresano. Colophon (l. K8r): Venice, heirs of Aldus Manutius the Elder e Andrea Torresano, May 1517. Colophon (l. Y7v): Venice, heirs of Aldus Manutius the Elder e Andrea Torresano, November 1513.Folio (294x205 mm); early 18th-century vellum over boards, spine with lettered-piece, red edges; (80, of which the last is a blank) ll., 1436 cols., (1) l. Printer's device on the title-page and at l. K8v and Y8v. Some quires a bit browned and stained, inner margin of gatherings a and b stonger stained, round wormhole that starts at leaf N6 and goes up to the end of the volume (it becomes a 20mm-long track in quires O and P) affecting the text, upper margin short, but all in all a good, nicely bound copy. At the end of the volume are bound 6 leaves that provide an index to the volume in a 18th-century hand. Also bound at the end before the flyleaf is a 14th-century manuscript leaf on vellum containing Justinian's Pandects.THIRD ALDINE EDITION, a reissue of the 1513 edition. Perottus' Cornucopiae was first published by Paganino in 1489. The work was revised and expanded by Perotto's son Pyrrhus. Aldus printed the text in 1499 and 1513, his heirs in 1517 and 1527.Written as a commentary on book I of Martial, it became a standard work of reference on the Latin language and "a massive encyclopedia of the classical world. Every verse, indeed every word of Martial's text was a hook on which Perotti hung a densely woven tissue of linguistic, historical and cultural knowledge" (B. Ogilvie, The Science of Describing: Natural History in Renaissan … [Click Below for Full Description]
Bookseller: Libreria Govi Alberto [IT]
2017-10-16 12:19:44
SABELLICUS COCCIO, Marco Aurelio.
cum Authoris Epitomis. (Segue, parte seconda:) Posterior Pars ejusedm Rapsodiae historiarum sex Enneades reliquas cum earundem Repertoriis et epitomis. Enneadis I--X. Venduntur in Parrhisiorum Academia ab Ioanne Parvo et ipso qui impressit Ascensio...Anni, 1517. 2 volumi in 4 tomi in-folio (mm.315x220), bel carattere tondo. (Primo vol. in 2 parti:) ff.(22), CCCIIIIC - (Secondo vol. in 2 parti:) ff.(18), CCCLV. I frontespizi delle due parti impressi in carattere rosso racchiusi entro larga bordura silografica figurata, a centro pagina l'emblema di Iean Petit. Nel testo varie grandi iniziali ornat e istoriate. I quattro tomi in legatura 600sca assai bella, fogli di codice pergamenaceo del XV sec. in tipica grande grafia semigotica, Importante edizione delle Enneadi, l'opera storica più nota e importante del Sabellico (illustre storico umanista, 1436-1506) che venne per la prima volta impressa a Venezia nel 1498-1504. E' di grande importanza il passaggio a pagina CCCXXXIII relativo a Cristoforo Colombo ed alle sue scoperte marittime. Esemplare assai bello di opera importante e rara.. Harrisse, Biblioth. Americana Vetustissima, , 53-54. Sabin n.74662 (vol.XVII-XVIII)..
Bookseller: Libreria Antiquaria Pregliasco [IT]
2017-10-16 12:09:35
Petrus Cracoviensis.
Leipzig, Schumann 1517. 12 Bll. Mit Titelbordüre u. ganzseitigem Holzschnitt. Neuer Halblederband. VD16 P 1866. Siehe Adams 2481 u. BM, german S. 219. Das der Zeitberechnung, besonders zur Festlegung der beweglichen Festtage dienende Werk erschien in seiner ursprünglichen Fassung zuerst 1487/88 in Leipzig und wurde vielfach aufgelegt. - Mit Marginalien von alter Hand auf den ersten 7 Seiten. Durchgehendes Wurmlöchlein. Stellenweise etwas fingerfleckig. Versand D: 2,50 EUR
Bookseller: Müller & Gräff e.K. [Stuttgart, Germany]
2017-10-16 12:09:25
CAESAR Gaius Iulius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-10-16 12:09:25
CAESAR, Gaius Iulius.
Venetiis, per Bernardinum Venetum de Vitalibus, 1517 die ultimo mensis Novembris. in-4 (mm 232x168), ff. 236 n.n. (ultimo bianco), legatura coeva in pelle con impressioni a secco ai piatti: cornici concentriche con motivi geometrici e vegetali, dorso abilmente rifatto, angoli restaurati (impressioni un po' stanche). Miscellanea di testi nella traduzione italiana di Agostino Urtica; comprende ''De bello civili e De bello GaLLICO'' DI Cesare; ''De Bello Gallico'' di Aulus Hiritius; ''Bellum Africanum e Bellum Hispaniense'' di incerto autore; ''Bellum Alexandrinum'', variamente attribuito a Aulus Hirtius o a Gaius Oppius. Edizione con belle iniziali vegetali e istoriate, impresa dello stmpatore in fine e quattro vignette raffiguranti macchine da guerra e il ponte sul Reno al recto del penultimo foglio. Annotazioni di antica mano all'ultimo foglio e ex libris manoscritto ''Nicolai de Cunio'' al titolo. I conti di Cunio sono citati nella Divina Comemdia, nel canto XIV del Purgatorio, nella cornice degli Invidiosi. E' anche noto un Castello di Cunio fondato attorno all' VIII secolo sulle rive del fiume Senio, nei pressi di Budrio, e definitivaemnte raso al suolo nel XIII secolo. Frontespizio restaurato lungo il margine interno con alcune firme anticamente cancellate, fori di tarlo su alcuni ff. (fascicoli c-f8, t-u8, e8, c8 in cui a volte toccano il testo).. Adams C28. Essling 1731. Sander 1508..
Bookseller: Libreria Antiquaria Pregliasco [IT]
2017-10-16 11:29:20
Breydenbach, Bernhard von:
Paris, F. Regnault, 12. X, 1517. 197 (recte 213) num. Bl. (ohne die 4 nn. Bl. Vorstücke inkl. Titel und num. Bl. 193 = 212 statt 217 Bl.). Mit Druckermarke (Elefant) auf dem Zwischentitel und 51 Holzschnitten (ohne die 2 Tafeln mit Jerusalemansichten). 4°. HLeder um 1880 mit Rückentitel und etwas -vergoldung (Bourbonen-Lilien), marmorierter Schnitt. Gering berieben; am Rücken schwach verblaßt; Vorsatz mit Exlibris und eingeklebten Katalogausrissen (um 1885-1900); am Kopf knapp beschnitten; teils gebräunt und fleckig; teils wasserrandig; auf fol. 109 und 110 mit alten Glossen. Lagen p (1-4) und pp (1-4) sowie fol. 179 (= H1) auf gelblichen Papier (vgl. Abbildung), ansonsten haptische (Papierstärke und Qualität) und akustische Eigenschaften (klanghart) ebenso identisch wie die Querrasterung (27 mm) - möglicherweise sind bei der Neubindung hier 2 Exemplare zusammengeführt worden. Im ersten Teil enthalten ist die Übersetzung von Breydenbachs "Peregrinatio" (zuerst 1486) mit seinen "realistische Beschreibungen des Fernen und Nahen Ostens" (Steinberg, S. 55), darunter neben Jerusalem und Palästina auch Sinai, Kairo und Alexandria; der zweite Teil, der in dieser Edition hinzukam, enthält außer anonymen Schriften Texte von Vincent de Beauvais, Sébastien Mamerot, Giovanni Rotta und Antonio Francazano de Montalboddo. Die Holzschnitte wurden vermutlich aus früheren Inkunabel-Drucken übernommen und stammen wohl von Erhard Reeuwich (aus Utrecht; seit 1484 in Mainz als Drucker tätig), der Breydenbach 1483 auf seiner Reise begleitete. "Durch Naturtreue u. Sicherheit des Schnittes neh … [Click Below for Full Description]
Bookseller: Antiquariat am Moritzberg [Hildesheim, NDS, Germany]
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2017-10-16 11:12:35
GRAPALDI, Franc. Mario.
Celsi emaculata dictiones. Ad haec accedit Modesti libellus de vocabulis rei militaris ad Tacitum Augustum.Impressum Taurini, p. Io. Angelum e Bernardinum Fratres de Sylva.Mcccccxvi/Mcccccxvii (Torino, de Sylva, 1516 parte prima, 1517 p. seconda). 2 parti in un vol. in-4, (202x153 mm.), ff. (20), CVIII; (12), CX, car. romano; leg. coeva p.perg. Grande splendida figura silogr. sul titolo di professore in cattedra e cinque allievi (dall'Esopo di Milano 1498), circa 50 capilettera ornati, impresa tipogr. di Grapaldi al verso del foglio 16 preliminare. Versi in onore del Grapaldi e sua biografia di G.A. Albio, dedica dell'autore al march. Orlando Pallavicino, epitaffi in versi di vari autori. F.M. Grapaldi (Parma 1460-1515) fu illustre letterato, iniziando gli studi umanistici sotto la guida di Filippo Beroaldo. L'opera più nota che scrisse è il presente trattato di erudizione classica ''De partibus aedium'' uscito per la prima volta a Parma nel 1494, repertorio antiquario di tipo enciclopedico che spazia dall'archietttura alla meccanica, dalla medicina alla botanica, ecc. Si ispira agli autori classici, da Omero a Platone, da Tucidide ad Aristotele, a Lucrezio, Virgilio, Plinio, Vegezio, ecc., ma soprattutto largo spazio hanno Vitruvio e Celso, le due auctoritates citate nel titolo della presente edizione. L'opera tratta particolarm. l'architettura della casa, spazi e arredi, giardini, etc. Magnifico esemplare, assai puro, di questa pregiata e rara cinquecentina torinese. Bersano n.302. Carbonelli 150. Kristeller 175. Sander 3255. Diz. Biogr. Ital., v.58, pp.561-563. Adams G-1 … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-10-16 11:12:26
REISCH, Georg
Bookseller: Milestones of Science Books [Ritterhude, Germany]
2017-10-16 11:06:49
HORTUS SANITATIS.
[Strassburg, Reinhard Beck], 1517. Folio (303 x 202 mm), ff [356], with figurative woodcut title border with putti and monkeys climbing a grape arbour with blank shield below, title printed in red and black, title to second part (K1 recto) with four woodcuts, full-page skeleton cut on verso, small cut of woman and physician holding a urine flask on Gg1 recto, and 1066 woodcut illustrations in the text, a few minor tears repaired, some occasional staining, vellum index tabs, a very attractive copy in contemporary German binding of oak boards, remains of clasps and part of a stud for a chained binding, bosses removed, half blind-stamped calf with fleurons, crowned eagle, fleurs-de-lys, and initials S.S. in blind, rebacked. Sixth edition (first 1491), and the fourth Strassburg edition (first 1496), being an almost unaltered page-for-page reprint of the three earlier Prüss editions, Beck having inherited Prüss's printing house. A few of the woodcuts are new, and a few were recut as the originals were damaged./The 'Hortus sanitatis', in its many editions and translations was the most popular and influential herbal of its time, and served as an encyclopaedia of the plant, animal, and mineral kingdoms and the medical applications of their products. This edition was the prototype for all subsequent editions./'Prüss was the man who really profited by the edition of the Latin Hortus (Meydenbach could not issue a second edition); for his editions are printed with wide economy of paper... by the use of 55 lines to the column and a smaller type... The text cuts are copied from those of … [Click Below for Full Description]
Bookseller: Antiquariaat JUNK B.V. (Natural History Booksellers since 1899) [Netherlands]
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2017-10-07 07:06:03
Boccaccio, Giovanni, (1313-1375).
Florence. Philippo di Giunta. 1517& 1521. Book 12mo. 15cm, 1st issue of the 5th edition, foliated pagination(110/94pp. ), head & tail decoration in volume two, in lather full browncalf, real raised bands, faded gilt spine decorations in the panels, hinges expertly restored, without title page as issued with imprints onthe final leaf, a fine copy. (cgc) Adams B-2125. Gamba 100. Each volumeis complete including the two original uncorrected leaves in "Ameto". Thefirst issue has Boccacio for Boccaccio on title of volume two and thevariant reading on f.2, line 21. The gilt decorations date the bindingsto 18th or 19th centuries. [Attributes: Hard Cover]
Bookseller: J. Patrick McGahern Books Inc. [Canada]
2017-10-05 03:22:40
Kleinsorgen, Gerhard von
Inhalt: 6. Buch (von den Zeiten Lotharii Saxonis, und der nachfolgenden Kaiser bis an das große Lateranensische Concilium, welches im Jahre 1215 gehalten ward) 7. Buch (Von der Zeit des großen Lateranensischen Conciliums bis an das Jahr 1314, worinn etliche Kuhrfürsten Ludovicum Herzogen in Bayern, andere hingegen Fridericum Herzogen aus Oesterreich zum Römischen Könige erwählet haben) 8. Buch (Von der zwiespaltigen Wahl Ludovici des Pfalzgrafen bey Rhein, Herzogs in Bayern, und Friderici Herzogs aus Oesterreich, nämlich vom Jahre 1314 an bis an die des abtrinnigen Augustiner-Mönchs Martin Luthers in Religions-Sachen angefangene Neuerung und Aufrichtung einer neuen Kirche, folglich bis an das Jahr 1517) 9. Buch: Von des Augustinermönchs Martin Lusters in Religionssachen eingeführter Neuerung bis an die Zeit des Entsetzung des Erzbischofes zu Köln Gebhard Truches, und der darauf erfolgten Neuerung und Landverderblichen Beschwerung Kleinsorgen aus Bielefeld (1530-1591) war kurfürstlich kölnischer gelehrter Rat für das Herzogtum Westfalen und Historiker Gebhard Truchsess von Waldburg-Trauchburg (1547-1601) war von 1577-1588 in Köln.
Bookseller: Wissenschaftliches Antiquariat Köln
2017-10-02 19:06:34
GEOFFREY of Monmouth.:
Paris J. Badius Ascenius, 1517.. SECOND EDITION 1517, edited by Ivo Cavellatus. Latin text, small 4to, approximately 190 x 135 mm, 7½ x 5¼ inches, leaves: [8], 1-101, numbered on rectos only, making 218 pages. Woodcut printer's device on title-page: vignette of printing shop, depicting the operation of a hand-press by three printers. The block has a double-line border. On the press itself is the imprint 'Prelu[m] Asce[n]sianu[m]', and below the press are the initials and printer's mark of J. Badius. Name of printer from title statement; date of publication from colophon, Io. Badius Ascensius lectori sa. ... Ex aedibus nostris iteru[m] ad Idus Septe[m]b. anni. MDXVII. Signatures: AA8, A-M8, N6 [N6 blank]. Woodcut coat of arms held by angel on signature AA8v. Woodcut floral and foliate crible initials, side-notes, index at the front. Old calf, red title label with gilt lettering and gilt decoration to spine between raised bands, new endpapers. Binding rubbed and scuffed, hinges just beginning to crack at head and tail of spine, head of spine scuffed with slight loss of surface leather, title page has ink stamped intials AR in 2 places plus neat old ink notes, small repairs to top and bottom corner tips, fore-edge of title page has old repairs to verso, following page has a pale ink stamp of a coat of arms in the outer margin, occasional neat old ink marginal notes and underlining, some pale staining to some pages, Folio xvii which is slightly trimmed at outer edges and is affected by pale staining to top margin. Last 13 leaves have a small brown stain to tips of top and lower … [Click Below for Full Description]
Bookseller: Roger Middleton
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2017-10-02 19:06:34
GEOFFREY of Monmouth.:
Paris J. Badius Ascenius, 1517. SECOND EDITION 1517, edited by Ivo Cavellatus. Latin text, small 4to, approximately 190 x 135 mm, 7½ x 5¼ inches, leaves: [8], 1-101, numbered on rectos only. Woodcut printer's device on title-page: vignette of printing shop, depicting the operation of a hand-press by three printers. The block has a double-line border. On the press itself is the imprint 'Prelu[m] Asce[n]sianu[m]', and below the press are the initials and printer's mark of J. Badius. Name of printer from title statement; date of publication from colophon, Io. Badius Ascensius lectori sa. ... Ex aedibus nostris iteru[m] ad Idus Septe[m]b. anni. MDXVII. Signatures: AA8, A-M8, N6 [N6 blank]. Woodcut coat of arms held by angel on signature AA8v. Woodcut floral and foliate crible initials, side-notes, index at the front. Old calf, red title label with gilt lettering and gilt decoration to spine between raised bands, new endpapers. Binding rubbed and scuffed, hinges just beginning to crack at head and tail of spine, head of spine scuffed with slight loss of surface leather, title page has ink stamped intials AR in 2 places plus neat old ink notes, small repairs to top and bottom corner tips, fore-edge of title page has old repairs to verso, following page has a pale ink stamp of a coat of arms in the outer margin, occasional neat old ink marginal notes and underlining, some pale staining to some pages, Folio xvii which is slightly trimmed at outer edges and is affected by pale staining to top margin. Last 13 leaves have a small brown stain to tips of top and lower corners, also slig … [Click Below for Full Description]
Bookseller: Roger Middleton P.B.F.A.
2017-09-20 16:19:48
Museo - Orfeo (Musaeus Grammaticus- Orpheus)
in aedibus Aldi et Andreae soceri, 1517. 8vo (cm. 15,5), 80 cc. Ancora aldina al frontespizios e al colophon. Testi in greco (traduzione latina solo per l’Opusculum). Due grandi ill.ni xilografiche: una raffigura Leandro che attraversa l’Ellesponto per trascorrere la notte con Erone, l’altra Erone che si getta dalla torre quando vede il suo amante morto sulla spiaggia). Legatura ‘800 in marocchino rosso scuro con ricchi fregi e titolo oro al ds. Cornici ai piatti, labbri e dentelle in oro (lievi tracce d’usura, soprattutto agli angoli). Carte di guardia marmorizzate (sulle anteriori, due diversi ex libris cartacei da collezioni inglesi). Tagli dorati. Interni eccellenti, di assoluta freschezza. Il nostro esemplare contiene anche 20 carte bianche, di cui 12 inserite dal legatore all’inizio e 8 alla fine del volume, con note di possesso e bibliografiche manoscritte sulle prime due. Dopo la prefazione di Aldo in lingua greca, l’opera di Museo presenta le due grandi xilografie (riprese da quelle della ‘editio princeps’ apparsa senza data - ma 1494 - in 4to, che costituiscono le prime illustrazioni uscite dai torchi di Aldo). Tra gli scritti di Orfeo, il ‘De lapidibus’ è in edizione originale, gli altri due ‘Argonautica’ ed ‘Hymni’ riproducono il testo della rarissima edizione giuntina del 1500. Renouard, 81.8; Adams, M1-991.
Bookseller: Libreria Antiquaria Ex Libris s.r.l.
2017-09-20 16:19:48
Museo - Orfeo (Musaeus Grammaticus- Orpheus)
in aedibus Aldi et Andreae soceri mense Novembri 1517, Venetiis. Legatura 800 in marocchino rosso scuro con ricchi fregi e titolo oro al ds. Cornici ai piatti, labbri e dentelle in oro (lievi tracce d usura, soprattutto agli angoli). Carte di guardia marmorizzate (sulle anteriori, due diversi ex libris cartacei da collezioni inglesi). Tagli dorati. Interni eccellenti, di assoluta freschezza. Il nostro esemplare contiene anche 20 carte bianche, di cui 12 inserite dal legatore all inizio e 8 alla fine del volume, con note di possesso e bibliografiche manoscritte sulle prime due. Dopo la prefazione di Aldo in lingua greca, l opera di Museo presenta le due grandi xilografie (riprese da quelle della editio princeps apparsa senza data - ma 1494 - in 4to, che costituiscono le prime illustrazioni uscite dai torchi di Aldo). Tra gli scritti di Orfeo, il De lapidibus è in edizione originale, gli altri due Argonautica ed Hymni riproducono il testo della rarissima edizione giuntina del 1500. Renouard, 81.8; Adams, M1-991. 8vo (cm. 15,5), 80 cc. Ancora aldina al frontespizio e al colophon. Testi in greco (traduzione latina solo per l Opusculum). Due grandi ill.ni xilografiche: una raffigura Leandro che attraversa l Ellesponto per trascorrere la notte con Erone, l altra Erone che si getta dalla torre quando vede il suo amante morto sulla spiaggia). [Attributes: First Edition]
Bookseller: Libreria Ex Libris ALAI-ILAB/LILA member [Roma, Italy]
2017-09-18 22:48:19
FORTI, Girolamo (d. 1489)
4to (214x158 mm). (180) leaves. Collation: a-y8 z4. Z4 is a blank. On the title-page large round woodcut portrait of Rinaldo on horseback. With also numerous woodcut vignettes in the text, some on black ground. Text printed in two columns. Nineteenth-century red morocco gilt, spine with five raised bands and gilt title, gilt inside dentelles, gilt edges, marbled endpapers (Trautz-Bauzonnet). Provenance: Charles Farfaix Murray, Giuseppe Martini, Leo Olschki (Rome, 15 April 1927), S.F. Brunschwig (Cat. Genève, 28-30 March 1955, no. 259), and Pierre Berès. Title-page and a few leaves only slightly browned, loss of paper in the lower blank margin of l. N4 not affecting the text, otherwise a nice, well-margined copy.VERY RARE EDITION of the Italian rhymed version, attributed to Girolamo Forti, of the Saint Reinoldus legend, part of the Quatre fils Aymon.The story of Renaud de Montauban was first written in Alexandrine verse in the thirteenth century. From that many versions were then developed. In Italy the story of Rinaldo first appeared in the fourteenth century, both in prose and in verse. It was printed many times: Naples, c. 1475; Venice, 1494; Milan, 1501; Turin, 1503; Milan, 1510; Venice, M. Sessa, 1515. All these editions are of great rarity and mostly known in only one copy.The present edition is based on that of Sessa, from which also derives the woodcut on the title-page and those in text (with some additions). We were able to trace only one other copy of this edition, at Yale, missing two leaves. The Yale copy comes from the Essling and Bonfiglioli coll … [Click Below for Full Description]
Bookseller: Govi Rare Books LLC [U.S.A.]
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2017-09-16 07:41:05
FORTI, Girolamo (d. 1489)
Giovanni Tacuino. <p>4to (214x158 mm). (180) leaves. Collation: a-y8 z4. Z4 is a blank. On the title-page large round woodcut portrait of Rinaldo on horseback. With also numerous woodcut vignettes in the text, some on black ground. Text printed in two columns. Nineteenth-century red morocco gilt, spine with five raised bands and gilt title, gilt inside dentelles, gilt edges, marbled endpapers (Trautz-Bauzonnet). Provenance: Charles Farfaix Murray, Giuseppe Martini, Leo Olschki (Rome, 15 April 1927), S.F. Brunschwig (Cat. Genève, 28-30 March 1955, no. 259), and Pierre Berès. Title-page and a few leaves only slightly browned, loss of paper in the lower blank margin of l. N4 not affecting the text, otherwise a nice, well-margined copy.</p><p>VERY RARE EDITION of the Italian rhymed version, attributed to Girolamo Forti, of the Saint Reinoldus legend, part of the Quatre fils Aymon.</p><p>The story of Renaud de Montauban was first written in Alexandrine verse in the thirteenth century. From that many versions were then developed. In Italy the story of Rinaldo first appeared in the fourteenth century, both in prose and in verse. It was printed many times: Naples, c. 1475; Venice, 1494; Milan, 1501; Turin, 1503; Milan, 1510; Venice, M. Sessa, 1515. All these editions are of great rarity and mostly known in only one copy.</p><p>The present edition is based on that of Sessa, from which also derives the woodcut on the title-page and those in text (with some additions). We were able to trace only one other copy of this edition, at Yale, missing two leaves. The Yale copy comes from the … [Click Below for Full Description]
Bookseller: Govi Rare Books LLC [U.S.A.]
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2017-09-14 20:44:50
FILLASTRE, Guillaume
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2017-09-13 23:15:35
GELLIUS AULUS.
(Al colophon:) per Ioanem de Tridino alias Tacuino, 1517. In 4° (300x216); carte 22 non numerate, 135. Frontespizio con titolo in rosso entro elegante bordura silografica, marca tipografica al colophon, iniziali silografiche, carattere romano con brevi parti in caratteri greci minuscoli, stemma nobiliare silografico di appartenenza impresso al marg. est. della seconda carta. Mezza pergamena settecentesca con titolo su tassello al dorso. Complessivamente un buon esemplare marginoso con qualche saltuaria macchiolina ed un piccolo alone d'umido a pochissime carte, quattro carte arrossate. Legatura sciupata agli spigoli e mancanza alla cuffia sup. Adams, G-346; Sander 3064; Graesse III, 45.
Bookseller: Libreria Antiquaria Perini s.a.s. [IT]
2017-09-10 19:27:49
STOBAEUS, JOHANNES - FAVORINO, GUARINO
- (Impraessum Romae, per Iacobum Mazochium, die XXVII men. Nouemb. 1517) In 4°, pergamena rigida posteriore, ff.38, a-h4 i6. Rara raccolta di citazioni di autori classici, soprattutto greci, divise per argomento, assai ricercata perché contiene frammenti di opere perdute [Attributes: Hard Cover]
Bookseller: Libreria Bozzi [Italy]
2017-09-08 09:11:49
Goltzius, Hendrick (1558-1617)
Outstanding portrait of the Haarlem burgomaster Jan van Zuren (1517-1591) who was also a publisher. Half-length portrait with opened booklet in his hands, quite aged, looking into the eyes of the observer. Titled above: 'IOHANNES ZVRENVS. A. AETAT. 71 Domini, 88.' signed on the right bottom: 'HG fecit' and lettered below in Latin: 'Corporis effigiem expressit... ruga senilis arat'. Engraving on paper; trimmed within plate mark; total: 160 x 103 mm; state II/3 before coat of arms; in good conditions, except for some dirt; New Hollstein 263
Bookseller: Historisch Antiquariaat A.G. van der Ste
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2017-09-02 23:15:15
Goltzius, Hendrick (1558-1617)
Outstanding portrait of the Haarlem burgomaster Jan van Zuren (1517-1591) who was also a publisher. Half-length portrait with opened booklet in his hands, quite aged, looking into the eyes of the observer. Titled above: 'IOHANNES ZVRENVS. A. AETAT. 71 Domini, 88.' signed on the bottom right: 'HG fecit' and lettered below in Latin: 'Corporis effigiem expressit... ruga senilis arat'. Engraving on paper; trimmed to plate mark; margins reinforced; pasted to small paper frame; total: 181 x 131 mm; watermark in the centre; state III/3 with coat of arms added to the right; in very good conditions, except a small dirt stain in the region of the text, towards the left; New Hollstein 263
Bookseller: Historisch Antiquariaat A.G. van der Ste
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2017-09-02 23:15:15
after Goltzius, Hendrick (1558-1617)
Portrait in oval frame of the Haarlem burgomaster Jan van Zuren (1517-1591) who was also a publisher. Copy in reverse to Goltzius portrait. Titled above: 'IOHANNES ZVRENVS'. Engraving on paper, with margins; total: 107 x 70 mm; state I/2 before moonogram; in very good conditions; New Hollstein 263b
Bookseller: Historisch Antiquariaat A.G. van der Ste
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2017-08-29 14:35:50
VIRGIL. VERGIL. PUBLIUS VERGILIUS MARO. Edited by Josse Badius.:
Lyon, printed by J. Sacon (Sachon), 1517.. Beroaldinis Aeneis vero ab ijsde[m] praeter Mancinellum & Probu[m] & ab Augustino Datho in eius principio: opusculoru[m] praeterea q[uae]da[m] ab Domitio Calderino… Date and imprint from colophon of Part I, 1517. Latin text, folio in eights, approximately 315 x 215 mm, 12½ x 8½ inches, 2 parts in 1, LACKING PORTRAIT and TITLE PAGE TO PART I, facsimile title page inserted, abbreviated manuscript title page in red and black, title to Part II is present printed red and black with 4 part architectural border. "Aeneis Vergiliana", 199 of 207 large woodcuts of various sizes, from 120 x 165 mm to 215 x 170 mm (4¾" x 6¼" to 8½" x 6¼"), woodcut initials, text in roman, leaves: (8 of 10), CCV; (8), CCCXXIIII of CCCXXXIIII, collation: †10 (-†1 & 2), a-z, aa-bb8, cc6 (-cc6); ††8, A-Z, AA-QQ8, RR-SS6, TT10 (-TT1-10), in Part I leaf †2 was the portrait, cc6 a blank, SIGNATURE TT LACKING after the end of the Aeneid (see below), LEAF TT10 had the 2nd colophon: "excussit Iacobus Sacon, impensas Ciriacus Hochperg, 1517". In full modern calf, blind decoration to covers, maroon gilt lettered label, new endpapers. 2 armorial bookplates on original endpaper, that of Henry Mere Ormerod (19th cent.) on second original endpaper with a gift inscription to his son in 1868, this is followed by 2 inserted sheets, 1 with notes on the book by George Ormerod, the other with the manuscript title and imprint, an inscription on dedication page (†3), slightly ragged at lower corner plus small chip to the inner margin, 2 corrections to index of Part I, final prelim († … [Click Below for Full Description]
Bookseller: Roger Middleton
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2017-08-27 15:08:00
Cesare Caio Giulio
per Iacopo Penzio da Lecho, 1517. In-8° (155x103mm), ff. (8), 295, (1), legatura settecentesca p. pergamena rigida con titolo calligrafato al dorso. 4 vignette xilografiche f.t. su due fogli (cc. 7v e 8r), raffiguranti macchine belliche delle campagne di Cesare. Qualche alone e arrossatura lieve. Ottimo esemplare. Prima edizione, rara, del classico volgarizzamento del letterato genovese Ortica delle opere di Giulio Cesare. Comprende gli otto libri del De Bello Gallico, i tre del De Bello Civili, il libro della Guerra Alessandrina e quello della Guerra d'Africa di Aulo Hirtio, il Libro della Guerra di Spagna contro i figli di Pompeo. Un anno dopo vide la luce la versione del fiorentino Dante Popoleschi, che ebbe però molta meno fortuna per gli inferiori pregi stilistici. Olschki, Choix, 4242. Essling, 1730. Sander, 1507. Graesse, II, p. 9. . Benini, Dal Lario alla laguna. Stampatori di Lecco, n. 165. Argelati, I, 207. EDIT16 CNCE 8151. Italiano
Bookseller: Libreria Antiquaria Galleria Gilibert [IT]
2017-08-20 16:45:56
VIRGIL. VERGIL. PUBLIUS VERGILIUS MARO. Edited by Josse Badius.:
Lyon, printed by J. Sacon (Sachon), 1517. Beroaldinis Aeneis vero ab ijsde[m] praeter Mancinellum & Probu[m] & ab Augustino Datho in eius principio: opusculoru[m] praeterea q[uae]da[m] ab Domitio Calderino... Date and imprint from colophon of Part I, 1517. Latin text, folio in eights, approximately 315 x 215 mm, 12½ x 8½ inches, 2 parts in 1, LACKING PORTRAIT and TITLE PAGE TO PART I, facsimile title page inserted, abbreviated manuscript title page in red and black, title to Part II is present printed red and black with 4 part architectural border. "Aeneis Vergiliana", 199 of 207 large woodcuts of various sizes, from 120 x 165 mm to 215 x 170 mm (4¾" x 6¼" to 8½" x 6¼"), woodcut initials, text in roman, leaves: (8 of 10), CCV; (8), CCCXXIIII of CCCXXXIIII, collation: †10 (-†1 & 2), a-z, aa-bb8, cc6 (-cc6); ††8, A-Z, AA-QQ8, RR-SS6, TT10 (-TT1-10), in Part I leaf †2 was the portrait, cc6 a blank, SIGNATURE TT LACKING after the end of the Aeneid (see below), LEAF TT10 had the 2nd colophon: "excussit Iacobus Sacon, impensas Ciriacus Hochperg, 1517". In full modern calf, blind decoration to covers, maroon gilt lettered label, new endpapers. 2 armorial bookplates on original endpaper, that of Henry Mere Ormerod (19th cent.) on second original endpaper with a gift inscription to his son in 1868, this is followed by 2 inserted sheets, 1 with notes on the book by George Ormerod, the other with the manuscript title and imprint, an inscription on dedication page (†3), slightly ragged at lower corner plus small chip to the inner margin, 2 corrections to index of Part I, final prelim ( … [Click Below for Full Description]
Bookseller: Roger Middleton P.B.F.A.
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