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Displayed below are some selected recent viaLibri matches for books published in 1511
2012-06-21 14:01:14
PLAUTUS, Titus Macchus; Ovid
1511. PLAUTUS, Titus Macchus. Comoediae. Commentary by Bernardus Saracenus and Giovanni Pietro Valla. 228, "189" [i.e., 89], [1 blank] ff. Text in roman type with commentary surround, a few passages in Greek type, title in gothic type within fine woodcut Renaissance border decorated with putti, grotesques, and a procession of classical sea figures, full-page woodcut of a theater, 316 small woodcut illustrations of scenes from the comedies, assembled from smaller blocks (including many repeats), the characters' names printed in roman type inset in banners in the block; a variety of fine white-on-black floriated initials and small border cuts. Venice: Lazarus de Soardis, 14 August 1511. BOUND WITH: OVIDIUS NASO, Publius. Epistolae Heroides. Commentary by Antonius Volscus and Ubertinus Clericus. Parma: Octavianus Saladus and Franciscus Ugoletus, 15 May 1517. Collation: aa6 a-m8 n10; [6], 106 ff. Text with commentary surrounding, title within fine woodcut border, large woodcut illustration of Ovid and the two commentators, 22 small woodcut illustrations in the text, each with three scenes, printer's sun device at end. Together 2 works in one volume, folio, 311 x 207 mm, bound in contemporary blind-tooled Italian brown calf over pasteboard, sides paneled with triple (two thin, one thick) fillets, two borders of different foliate rolls enclosing two squares each composed of a floral roll around a central lozenge, sewn on three double cords, spine tooled with triple fillets to a saltire design. An extremely fine composite volume bringing together two early Italian illustrated edit … [Click Below for Full Description]
Bookseller: Ursus Rare Books
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2012-06-11 17:20:41
GRATIANUS
Lyon, Fr., 1511. No Binding. Good. 8vo -8.125"x6. Book 43 leaves only, #'s 420-428, 430-434, 436-464; printed by Nicholas de Benedictis, Lyon Fr, 1511; Decretum Aureum by Benedictis is famous for the high quality of the printing, and the first use of multicolor, red and black printing. Pg size, 8.1/8"x6", condition good; To see picture, click to next;
Bookseller: Barbsloft
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2012-05-31 20:16:46
Corvinus Maximus Bruni
Senza note tipografiche ma (Roma 1511)(). [Roma-Napoli] (cm.19,8) bella legatura d' amatore in mz. marocchino rosso recente, con nervi e sguardie antiche. -- cc. 4 nn. Stemma papale al frontis, carattere rotondo. Rarissimo, il Census Iccu registra solo 4 copie nelle biblioteche italiane (Biblioteca Universitaria di Bologna). opuscolo molto importante che costituisce un documento ufficiale del Pontificio di Giulio II. Circa il tipografo, l' opera è descritta negli annali del Tinto "Eucarco e Marcello Silber" stampata in società con J. Beplin, E. Nani ed E. Guillery; nonchè dal Barbieri "Tipografi Romani del '500". Lo stemma di Giulio II al frontis, è riprodotto a tav. XII degli Annali del Tinto (Tipo 1). Per notizie biografiche sull' autore napoletano, Corvino Massimo, morto nel 1522 vedi: Minieri-Riccio "Scrittori di Napoli" 1844 p. 109; Tafuri "Istoria.Regno di Napoli" 1744 III 128; Toppi "Biblioteca Napoletana" 1678 p. 212. Bell' esemplare fresco e nitido. * Tinto n° 107; * Barbieri p.49; * Ascarelli "Cinquecentine Romane" p. 78 registra solo l' esemplare della Vaticana e di Londra; Bm. Stc. 201.[f68]. Libro. Book Condition: buono. Binding: Rilegato
Bookseller: LIBRI ANTICHI E RARI FRANCESCO&CLAUDIA [AREZZO, Italy]
2012-05-23 11:04:14
Lyon, Clein 1511. 14 cm. (20), 240, (4) Bl., rot und schwarz gedruckt, mit Titelholzschnitt, 69 teils ganzseit. Holzschnitten, 2 Kalender-Holzschnitten (Sonne und Mond), 14 kleinen Holzschnitten, zahlreichen Initialen und Druckermarke am Schluß, 5 Blatt als kunstvolle Federzeichnungen des 19. Jh. ersetzt, Blindgeprägter Kalblederband der Zeit über Holzdeckeln mit Messingschließen und dreiseitigem gepunztem Goldschnitt - BM STC French 1470 232 - Oldenbourg, Hortulus L 38 und S. 100 - Bohatta, Livre d'h. 30 - Hase, Koberger S. 459 - Kobergers erste lateinische Ausgabe, Druck vom 3. (recte 5.) Juli 1511 mit 69 Holzschnitten der sog. "Lyoner Serie", die hier erstmals verwendet werden (Oldenbourg). Die Holzschnitte mit seitlichen Bordüren. "Weist doch die erste, dem Koberger-Verlag eigene Folge von Hortulus-Illustrationen ... so deutlich die Merkmale Straßburger Stilrichtung auf, daß man glauben möchte, sie sei am Oberrhein entstanden ..." (Oldenbourg S. 100). Die Blätter a1, d4, d5, h1, m1 als feine Federzeichnungen auf Papier des 16. Jh. kaum erkennbar im 19. Jh. ersetzt. Diese sind von solcher Präzision, daß sie selbst schon wieder Kunstwerke sind. Die Blindprägung des Vorderdeckels mit Kruzifix und den Initialen "IHS" im Strahlenkranz, die des hinteren Deckels zeigt Maria im Strahlenkranz. Provenienz: Exlibris "Alfred Trapnell" (Sotheby's 6. April 1910); Eckmans Boksammling (Branner / Bruun Rasmussen Kopenhagen 1965 Nr. 22); Nils Bonnier (Norden Sale 1997 Nr. 22). Rücken alt restauriert, 1 Schließband erneuert, stellenweise leicht gebräunt, Titel und einzelne Blatt a … [Click Below for Full Description]
Bookseller: Wenner Antiquariat
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2012-05-19 22:49:49
DURER, ALBRECHT (Nuremburg 1472-1528)
1511. Woodcut. One of the plates from the set of 16 illustrations of the Apocalypse of Saint John. Fine impression of the only state with the latin text on the verso. 1511. With 1/4" margins 390 x 279 (15 3/8 x 11) Meder 175, B. 74, Pan.294, K. 117, T. 137. Watermark: Flower with a triangle (M. Watermark #127). Printers crease in upper left corner, some glue stains on verso right border, not noticeable from the front. Otherwise in fine condition
Bookseller: L'Estampe Originale [U.S.A.]
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2012-05-07 16:20:36
Justinianus I, Emperor, 483-565. Chappuis, Jean
Parisiusm [Paris]: Bertholdu Rembolt. 1511. 8vo - over 7¾" - 9¾" tall. H Hard Cover. Good. ... Univerversi Tituli Alphabetico Ordine Ponuntur, Sumaria Rubra Multis Adjectis Sunt Textibus Immixta. In Latin. Includes double-page folding woodcut, additional full-page woodcut with acrostic of the translator's name below, woodcut initials throughout, printer's device and other small woodcuts on title page with lions and shield tinted red, text in black and red throughout. Later full calf binding, most likely late eighteenth century, with dual black spine labels and elaborate blind-stamped design on both covers, all edges gilt, [32], 412 pages [CCVI pages numbered on recto only], pages 24.5 cm tall with good margins that are not excessively trimmed. Covers rubbed with neatly made but unfortunate reinforcement to the joints through use of three parallel horizontal strips of brown binder's tape, hinges also reinforced with binder's tape, text block sound, occasional and fairly faint dampstains throughout much of the second half of the book, somewhat expert repair to insect damage on final leaf with some very minor loss of text. Armorial bookplate of Sheffield Grace, Esq., L.L.D., F.S.A., 1829, on front pastedown, some elaborate marginalia in a sixteenth century hand throughout, including miniature hands with fingers pointing to pertinent passages.
Bookseller: Resource Books, LLC
2012-04-18 12:52:38
Justinianus I, Emperor, 483-565. Chappuis, Jean
Parisiusm [Paris]: Bertholdu Rembolt. 1511. 8vo - over 7¾" - 9¾" tall. H Hard Cover. Good. ... Univerversi Tituli Alphabetico Ordine Ponuntur, Sumaria Rubra Multis Adjectis Sunt Textibus Immixta. In Latin. Includes double-page folding woodcut, additional full-page woodcut with acrostic of the translator's name below, woodcut initials throughout, printer's device and other small woodcuts on title page with lions and shield tinted red, text in black and red throughout. Later full calf binding, most likely late eighteenth century, with dual black spine labels and elaborate blind-stamped design on both covers, all edges gilt, [32], 412 pages [CCVI pages numbered on recto only], pages 24.5 cm tall with good margins that are not excessively trimmed. Covers rubbed with neatly made but unfortunate reinforcement to the joints through use of three parallel horizontal strips of brown binder's tape, hinges also reinforced with binder's tape, text block sound, occasional and fairly faint dampstains throughout much of the second half of the book, somewhat expert repair to insect damage on final leaf with some very minor loss of text. Armorial bookplate of Sheffield Grace, Esq., L.L.D., F.S.A., 1829, on front pastedown, some elaborate marginalia in a sixteenth century hand throughout, including miniature hands with fingers pointing to pertinent passages.
Bookseller: Resource Books, LLC
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2011-09-22 14:20:33
Dürer, A.
1511. Die Ausgabe der Kleinen Passion erscheint in einem hervorragenden Neuschnitt des namhaften Meister-Xylographen Leonardo Farina. Mit 37 Holzschnitten ist sie die umfangreichste von Dürers Passionen. In 115 numerierten Exemplaren auf Magnanipapier gedruckt. Tadellos erhalten. - Schmoller 172.
Bookseller: Antiquariat Schmidt & Günther [Kelkheim, Germany]
2010-10-23 09:01:35
Dürer, Albrecht
Bookseller: Bromer Booksellers, Inc., ABAA [Boston, MA, U.S.A.]
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2009-03-11 08:16:52
PTOLEMAEUS, Claudius (after 83 - ca 168 AD).
[Venice:] [Jacobius Pentius de Leucho], 1511. PTOLEMAEUS, Claudius (after 83 - ca 168 AD). Liber Geographiae Cum Tabulis et Universali Figura et Cum Additione Locorum Quae a Recentioribus Reperta Sunt Diligenti Cura Emendatus et Impressus. [Venice:] [Jacobius Pentius de Leucho], 1511. Folio (16 3/8 x 11 inches).Title-page printed in red, text printed in red and black. 28 woodcut double-page engraved maps follow the text with the names of places in red (some light staining to inner gutter and outer corners, map 1 and 7 - Prima and Sexta Europe - shaved with some loss to lower degree borders, cordiform world map shaved at upper and lower margins affecting clouds and lettering at lower windhead, with a few small wormholes at centrefold and outer corners, the map apparently supplied from another copy at an early date). 18th-century vellum over paste-board (rebacked, lower cover torn without loss). Provenance: Contemporary annotations in Latin; purchased at Sotheby's 8th May, 2002, lot 203 The first Venetian edition of Ptolemy's Geography is a cartographical advancement of primary importance, being the first example of two color printing in western cartography, the first atlas to contain a cartographical representation of Japan, and only the second edition of the "Geography" to show the New World. The 1511 Ptolemy is unique among Italian editions, as it was printed with woodcuts, with the place names printed from type inserted into the block. A landmark edition of the "Geography", which broke new ground under the august editorship of Bernardus Sylvanus. The bold Sylvanus was una … [Click Below for Full Description]
Bookseller: Arader Galleries - Aradernyc [New York, NY, U.S.A.]
2008-10-16 08:24:27
Sylvanus, Bernardus
Venice: Jacobus Pentius de Leucho, 1511. THE FIRST CORDIFORM MAP AND ONLY THE SECOND WORLD MAP TO DEPICT AMERICA Folio, first Venetian edition, translated by Jacobus Angelus, edited by Bernardus Sylvanus of Eboli, title printed in red text (in double column) and 28 full-sheet woodcut maps printed in red and black, all but the last printed on both recto and verso, the last being the world map by Sylvanus, woodcut diagrams in the text, spaces for initials with guide letters. Nineteenth-century limp vellum, in modern cloth chemese and morocco-backed slipcase Provenance: Tross; Samuel Latham Mitchell Barlow, bookplate; long autograph inscription by Henry Harrisse (who acted as Barlow's bibliographical advisor) References: Lloyd Arnold Brown, The World Encompassed, exh. cat. (Baltimore, 1952), n. 55; Rodney W. Shirley, The Mapping of the World (London, 1983), n. 32. The celebrated 1511 edition of Ptolemy's Geography represents a major stride in the intertwined histories of cartography and of printing technology. Bernardus Sylvanus was one of the first to produce a version of the Geography that sought to bring Ptolemy up to date rather than simply to reconstruct the ancient scholars maps. His Venice edition of Ptolemy was, therefore, the first to sound a rallying cry that would ultimately inspire later mapmakers to bring the science of cartography into the modern era. Sylvanus's version consists of twenty-eight maps as opposed to the canonical twenty-seven described by Ptolemy, the additional item being his "modern" representation of the world. The maps are among the … [Click Below for Full Description]
Bookseller: Arader Galleries
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