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Displayed below are some selected recent viaLibri matches for books published in 1510
2019-07-26 20:33:22
Lucas CRANACH "Il Vecchio" (Kronach 1472 - Weimar 1553)
"Xilografia, circa 1510/15, firmata in tavola in alto a sinistra. Della serie I Martiri dei Dodici Apostoli. Esemplare privo del testo al verso, che appare nelle prove inserite nel ""as Symbolum der Heiligen Aposteln"" di Martin Lutero, pubblicato a Wittenberg da Georg Rhau nel 1548. Magnifica prova, impressa su carta vergata coeva priva di filigrana, completa della linea marginale e con sottili margini, in ottimo stato di conservazione. La leggenda vuole che Pietro venisse per suo volere crocifisso a testa in giù a Roma, sul Gianicolo; l'iconografia solitamente, come in questo caso, coglie il momento in cui i soldati elevano la croce con sopra San Pietro, alla presenza di numerosi testimoni. Stilisticamente l'opera denota l'influenza della pittura italiana; il gruppo di figure in primo piano è fortemente inserito nel paesaggio. Bellissimo esemplare." "Woodcut, 1510/15 circa, signed on upper left. St Peter; being crucified, head downwards; with the two Saxon shields in upper left corner. Example without text in the back, as from Martin Luther, ""Das Symbolum der Heiligen Aposteln"" Wittenberg, Georg Rhau, 1548. From the series The Martyrdom of the Twelve Apostles. Magnificent work, printed on contemporary laid paper without watermark, with marginal line and thin external margins, in excellent condition. The legend says St. Peter was crucified, according to his own will, with the head upside down, on the mount Gianicolo in Rome; classic iconography, as in this case, depicts the moment when the soldiers lift the cross with St. Peter in front of those present. Stylistically, t … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-26 08:06:03
NICOLETTO da Modena (Attivo a Ferrara dal 1490 - 1525)
"Bulino, 1510 circa, firmato in lastra con il monogramma "N. O.", nel nastro verso il basso. Nei due nastri in alto, sormontati da due aquile, le parole "VICTORIA" e "AUGUSTA". Bella prova, impressa su carta vergata coeva, rifilata ai margini, in ottimo stato di conservazione. Questo fregio ornamentale che reca in alto le parole ""VICTORIA AUGUSTA"" (la vittoria augustea), sembra illustrare la rifioritura delle arti resa possibile dall'avvento della pace. Questo tema e la scritta richiamano in modo specifico la famosa ""Pax Augusta"", la pace di Augusto, a cui si fa allusione anche in un altro dei pannelli grotteschi di Nicoletto (H. 107) recante le iscrizioni ""VICTORIA AUGUSTI"", ""SPES PUBLICA"" (speranza della gente) e ""PAX AETERN (pace eterna). Nella nostra stampa la lira di Apollo, dio delle arti, è giustapposta con strumenti più rustici, la cornamusa e flauti di fauni e satiri Le scene inserite raffigurano argomenti correlati: la storia di Apollo e Dafne, Pan con le sue pipe e lo scuoiamento di Marsia dopo la sua sconfitta da parte di Apollo in un concorso musicale. Appartiene a una serie di quattro pannelli ornamentali che probabilmente era stata pensata per ricordare la storia di Roma Il giudizio di Paride, nel primo pannello, era il preludio alla guerra di Troia, che portò alla fuga di Enea e, in definitiva, alla fondazione di Roma. Il secondo e il terzo pannello, che trattano le guerre vittoriose, possono alludere alla creazione dell'Impero Romano, che fu infine consolidato grazie alla Pax Augusta. La finezza della della tecnica e il tipo di ornamento suggerisco … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-25 16:33:21
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, 1510 circa, non datato, monogrammato in lastra in basso a destra con il simbolo di Dürer. Da una xilografia di Albrecht Dürer. Buona prova, impressa su carta vergata coeva, rifilata alla linea marginale, in ottimo stato di conservazione. L'opera è una fedele traduzione a bulino di una xilografia del Dürer, intagliata intorno al 1503-1504. In primo piano, sullo sfondo di un paesaggio, la Vergine, seduta, allatta Gesù Bambino. Dietro di loro, sono S. Giuseppe e cinque angeli alati. In alto, una colomba a simboleggiare lo Spirito Santo, e Dio Padre che reca nella sinistra il globo sormontato dalla croce. Non comune. Sconosciuto timbro di collezione al verso. "Engraving, 1510 circa, no dated, inscribed on plate with the monogram ""AD"" on a tablet at lower right. After a woodcut c.1503-4 by Albrecht Dürer. A good impression, printed on contemporary laid paper, trimmed on the marginal line, in good condition. The work is an engraved copy of a woodcut by Albrecht Dürer. In a landscape, the seated Virgin is breast-feeding the Child with St Joseph standing behind on the right, accompanied by five angels. Above, a dove symbolizing the Holy Spirit, and God the Father who holds in his left the orb surmounted by the cross, symbolic of God's dominion over all the earth. Unkommon. Unkwown collecotor's mark." Bartsch XIV, p. 408 n. 639.
Bookseller: Libreria Antiquarius [IT]
2019-07-25 16:33:21
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, 1510 circa, non datato né siglato. In alto a sinistra, entro nastro, l'iscrizione CURTIUS. Primo stato di due, avanti l'indirizzo di Antonio Salamanca. Della serie "Quattro Cavalieri Romani". Bella prova, impressa su carta vergata coeva, con filigrana "cerchio con tre stelle a sei punte", rifilata alla linea marginale, una piega di carta in alto a sinistra, per il resto in ottimo stato di conservazione. L'incisione appartiene a una serie di quattro nota come "Cavalieri" o "Quattro Cavalieri Romani", disegnata e incisa da Marcantonio Raimondi. Fu Delaborde per primo a individuare in Marcantonio l'autore anche dei disegni della serie, opinione che non fu unanimemente accettata: Hirth propose il nome di Baldassarre Peruzzi e Fiocco quello di Jacopo Ripanda. Circa la realizzazione delle incisioni, Bartsch, Passavant e Delaborde propendono per una datazione precoce considerando la serie tra le prime prove del Raimondi, e comunque prima del soggiorno romano; la Jebens ne precisa la datazione al 1506, sulla base delle analogie formali con "Amore e i tre putti", datata 18 settembre 1506. Per Hirth e Fiocco furono eseguite all'inizio del soggiorno romano, quando Raimondi entrò in contatto con artisti quali il Peruzzi e il Ripanda. La paternità delle composizioni spetta senza dubbio a Raimondi e a corroborare questa ipotesi è sia il linguaggio tecnico-grafico (si possono cogliere analogie con "Venere inginocchiata") sia il tipo di cultura archeologica, che evidentemente si richiama a modelli antichi finora non identificati. Il Curzio è molto simile al Guerriero romano (ca. 15 … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-25 16:33:21
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, circa 1510, privo di firma. Esemplare con l'indirizzo di Antonio Salamanca. Bellissima prova, impressa su carta vergata coeva con filigrana dello "scudo", con sottili margini, piccola ossidazione all'angolo inferiore destro, per il resto in perfetto stato di conservazione. Il Bartsch descrive l'opera tra i lavori del Raimondi mentre il Passavant tra quelli della scuola. Molto rara. Bibliografia: Bartsch vol. XIV, 356; Passavant vol. 6, p. 92, 140. Dimensioni 220x300.
Bookseller: Libreria Antiquarius [IT]
2019-06-11 23:45:13
1510. ORIGINALER KUPFERSTICH VON LUCAS VAN LEYDEN DIE RÜCKKEHR DES VERLORENEN SOHNESAUS DEM JAHR 1510 LUCAS VAN LEYDEN (1494 in Leiden - 1533 in Italien); auch Lucas Hugensz van Leyden.Niederländischer Maler und Kupferstecher der Renaissance. BESCHREIBUNGOriginaler Kupferstich aus dem Jahre 1510. Mit dem Monogramm " L" in der Darstellung unten und der Bezeichnung "Martini Petri Excude". ABMESSUNGENBlatt / Platte: 25,2 cm x 18,5 cm. ZUSTANDOriginal-Kupferstich mit feinem Rändchen um die Plattenkante bzw. stellenweise auf diewse geschnitten. Ganzflächig auf Bütten alt aufgezogen.Vereinzelt Risse in den Rändern, links vom Baum oben mit hinterlegtem kleinen Wurmfrass.Stellenweise mit Kratzern und Bereibungen. Trotz der genannten Mängel noch schöner Gesamteindruck.
Bookseller: antiquarischekostbarkeit (welsprofi) [Balmberg, CH]
2019-06-06 16:21:37
BENEDICT, Saint, of Nursia
text in two sizes of gothic type, in two columns with marginal notes in inner and outer margins, decorative initials (miniated), full-page woodcut on B5v, large and fine printer's mark at colophon, extensive early MS notes on title and an early manuscript index (14 leaves), good well-margined copy with the marginal notes unaffected by trimming or binding, modest 19th-century boards
Bookseller: Sevin Seydi Rare Books [UK]
Check availability:
2019-05-24 16:39:09
Barbieri (Barberiis), Filippo (Philippus de)];[Proba, Falconia]
per Bernandinum Benalium (Bernardino Benali), [Venetiis (Venezia):], 1510. First edition in this format. The first book is illustrated with twelve large woodcuts of the sibyls and ornamented with several historiated and white-on-black knotwork woodcut initials. Roman and rotunda types, 42 lines. In later vellum. (28) leaves. Coll.: [A2], B-D4, E2; a-c4. Beautifully illustrated Italian post-incunable edition, illustrated with twelve large woodcuts of the Sibyls and elaborate initials. Previously thought to be incunabula, this edition was printed after 1500. The strong woodcuts depicting the twelve Sybils are Venetian copies of those in earlier Roman editions, each with 4-part border, embellished with historiated and ornamental woodcut initials. The text, which is extracted from the larger collection of Filippo Barbieri's opuscula published twice in Rome at the beginning of the 1480s, most likely a compilation of contemporary Italian manuscripts detailing the names, origins, and predictions of the Sibyls. The "Testimonies of the Jews and gentiles concerning Christ," mentioned on the title-page, do not appear in the book, nor in the earlier Roman collections. The second title, "Cento Vergiliana" is an arrangement of Virgilian verses by the Roman authoress Proba Falconia, considered as one of the earliest testimonies to the extraordinary power of Virgil's words within the Christian tradition. This part was included in the earlier Roman editions and was printed also as a separate work. Benali apparently issued his Proba Falconia both together with Barberiis' treatise on Sibyls ( … [Click Below for Full Description]
Bookseller: Földvári Books [Budapest, Hungary]
2019-03-26 17:00:57
Trixum Gabriel de Barletta - Sermones - Hagenau 1510 - Zeitgenössis Gabriel de Barletta (Gabriele Barelete). Sermones fratris Gabrielis Barelete sacre pagine professoris diui Ordinis fraterum Predicatorum De Tempore (et) De Sanctis. Hagenau, Jphannes Rynman u. Henr.Gran, (1510). 4°. - 22,5:15,5 cm. 22 unnumer. Blätter, CXCIX numer. Blätter. Holzdeckelband der Zeit mir dunkelbraunem Kalbslederbezug, mit reicher Blindprägung, 1 Mittelschließe. VD 16, G 8. - Gabriel de Barletta (15th century) was a Catholic preacher of the Dominican Order, whose sermons were widely published in Italy after his death. Komplette Postinkunabel bis auf das fehlende weiße Blatt am Schluß. In einem zum größeren Teil noch erhaltenen zeitgenössischen geprägten Kalbslederband mit verschiedenen Stempeln (Blüte im Kreis, Lilie, geprägte florale Bordüre usw.). Achtung Zustand: Titel in der unteren rechten Ecke mit Ausriß ohne Textverlust, mit älterem hs. Besitzvermerk sowie unten gestempelt. Durchgehend gering fingerfleckig, stellenweise (im Bug unten sowie im Rand) teils stärker wasserfleckig. Durchgehend etwas wurmstichig (zwischen 5-20 Löchlein pro Blatt), Anfangs etwas bis Blatt 50 stark wurmstichig, hauptsächlich im unteren weißen Rand, mit ein bis zwei Wurmgängen auch im Text. Gegen Schluß wieder etwas stärker wurmstichig, hauptsächlich im unteren weißen Rand. Hinteres Innengelenk etwas brüchig. Der zeitgenössische Einband in etwas späterer Zeit mit einfachem braunem Leder überklebt, dieses jedoch am Rücken bereits wieder stark beschädigt, eingerissen und mit größeren Fehlstellen. Der originale Einb … [Click Below for Full Description]
Bookseller: Bücherland (fuego41) [München, DE]
2019-03-26 07:27:55
Suetonius Tranquillus, Caius
Venice: 1510. See listing for details. Lacks title page. Suetonius Tranquillus, Caius De vita Caesarum Woodcuts within text (Venice Filippo Pincio, February 18, 1510) Publication address in a colophon, date: Anno domini M.CCCCCX Die.XVIII.Februari. De vita Caesarum (Latin; lit. "About the Life of the Caesars"), commonly known as The Twelve Caesars, is a set of twelve biographies of Julius Caesar and the first 11 emperors of the Roman Empire written by Gaius Suetonius Tranquillus. The Twelve Caesars was considered very significant in antiquity and remains a primary source on Roman history. He is mainly remembered as the author of De Vita Caesarum--translated as The Life of the Caesars although a more common English title is The Lives of the Twelve Caesars or simply The Twelve Caesars. Long title: Commentationes conditae a Philippo Beroaldo in Svetonium Tranquillum. Additis quamplurimis annotamentis: quae ut facilius cognoscantur Caii Svetonii vita per Sabellicum. Cum commento eiusdem. Philippi Beroaldi vita per Bartholomeum Blanchinum. Habes insuper mi lector candidae ipsius Tran. Svetonii tabulam vocabulorum & historiarum Sander 7144; Essling 209; Adams S2028 Filippo Pincio, Active 1490-1530 Condition and notes In modern full calf blind stamped in a contemporary style. Small bookbinders label pasted down. Additional photos of binding on request. Boards attached minimal external wear. Light soiling to Endpages 72 Woodcuts Including one thought to be one of the first representations of a caesarian section.(pictured) Attractive historiated initials throughout Binding is sound … [Click Below for Full Description]
Bookseller: bluemangobooksandmanuscripts [New Hope, Pennsylvania, US]
2019-03-21 16:11:51
Guigo de Castro:
Basel, J. Amerbach (Froben und Petri) für die Kartause St. Johannes Baptist Freiburg, 15. I. 1510. 261 Bl. (ohne weißes D6), 50 num. Bl. Mit 5 großen (3 blattgroßen) und 33 kl. Holzschnitten (Porträts) von Urs Graf (?); rubriziert und mit eingemalten Initialen, alternierend in Rot und Blau. 2°. Brauner Maroquinband des 18. Jhdts mit dreifachen Goldfileten an den Deckeln, Steh- und Innenkantenvergoldung, Rückentitel und reicher -vergoldung sowie dreiseitigem Goldschnitt. VD16 G 4071; Adams G 1559; Panzer VI, 186, 84; Buchberger I, 1812, Die Auflage war nicht für den allgmeinen Verkauf gedacht, sondern den Mitgliedern des Ordens vorbehalten. Das Werk beruht auf mündlichen Überlieferungen der Ordenssatzungen des Guigo (um 1083-1337; 5. General-Prior der Kartäuser) und wurde von Georg Reisch, Prior der Karthause in Freiburg i. Br., in Auftrag gegeben; die hier erstmals gedruckten Satzungen (Consuetudines Cartusiae) sind cum grano salis heute noch maßgebend für diesen Einsiedlerorden (in der Fassung des Generalpriors Le Masson von 1688); bis 1507, also unmittelbar vor der Entstehung vorliegender Statuta, sind Kartäusergründungen von 230 Männer- und 17 Frauenklöstern bekannt waren (vgl. RGG III, 639). Die Gesamtauflage der Statuta, die ja nur für den Dienstgebrauch bestimmt waren, dürfte wenig höher als deren Anzahl gewesen sein. Ecken und Kanten etwas berieben; Deckel mit schwachen Schabspuren; Hinterdeckel etwas verfärbt bzw. gering fleckig; einige kleinere Feuchtigkeitsflecken zu Beginn und Ende; die eingemalten Initialen (zwei- oder sechszeilig) teils mit gebräuntem Abklatsch … [Click Below for Full Description]
Bookseller: Antiquariat am Moritzberg [Hildesheim, NDS, Germany]
2019-03-01 16:07:37
MIZAULD, Antoine.
Brüning 369; Durling 3178 note & 3187 note; Rosenthal, Bibliotheca Magica, 2987 (incompl.); Thorndike VI, p. 216; USTC 158149; Wellcome 4362. First edition, in the original Latin, of what proved an extremely popular work: 900 medical and other "secrets", including information on astrology, gardening, cosmetics and other subjects, arranged in nine numbered chapters, each containing 100 numbered prose "aphorisms". Like most books of secrets it offers a mixture of science and superstition gathered from a wide variety of ancient and modern sources, many of them named in the aphorisms, and its medicinal recipes served in turn as sources for other authors internationally. It is a beautiful little piece of book production, with finely engraved woodcut decorated initials and headpieces, excellent presswork and the main text set in a lovely Granjon St Augustin (86 mm/20 lines) italic.Mizauld (1510-1578) was a professor of medicine at the University of Paris and astrologer and physician to Margaret of Valois. Mizauld thought the poor often fell prey to greedy apothecaries, so he presented them with remedies they could often grow in their own gardens or gather in the wild. It was an entirely different work from the Memorabilium aliquot ... that Mizauld had published in 1554, but succeeded to and expanded on his Arcanorum naturae sylvula (1555). With occasional contemporary and later manuscript notes and an 18th-century(?) library stamp on the title-page (partly erased), not affecting the printed image. With 1 leaf nearly detached, a water stain in the last 5 quires, and occasional (mo … [Click Below for Full Description]
Bookseller: ASHER Rare Books (Since 1830) [Netherlands]
2019-02-27 19:33:57
NICOLETTO da Modena
Bulino, 1510 circa, firmato in lastra con il monogramma "N. O.", nel nastro verso il basso. Nei due nastri in alto, sormontati da due aquile, le parole "VICTORIA" e "AUGUSTA". Bella prova, impressa su carta vergata coeva, rifilata ai margini, in ottimo stato di conservazione. Questo fregio ornamentale che reca in alto le parole "VICTORIA AUGUSTA" (la vittoria augustea), sembra illustrare la rifioritura delle arti resa possibile dall'avvento della pace. Questo tema e la scritta richiamano in modo specifico la famosa "Pax Augusta", la pace di Augusto, a cui si fa allusione anche in un altro dei pannelli grotteschi di Nicoletto (H. 107) recante le iscrizioni "VICTORIA AUGUSTI", "SPES PUBLICA" (speranza della gente) e "PAX AETERN (pace eterna). Nella nostra stampa la lira di Apollo, dio delle arti, è giustapposta con strumenti più rustici, la cornamusa e flauti di fauni e satiri Le scene inserite raffigurano argomenti correlati: la storia di Apollo e Dafne, Pan con le sue pipe e lo scuoiamento di Marsia dopo la sua sconfitta da parte di Apollo in un concorso musicale. Appartiene a una serie di quattro pannelli ornamentali che probabilmente era stata pensata per ricordare la storia di Roma Il giudizio di Paride, nel primo pannello, era il preludio alla guerra di Troia, che portò alla fuga di Enea e, in definitiva, alla fondazione di Roma. Il secondo e il terzo pannello, che trattano le guerre vittoriose, possono alludere alla creazione dell'Impero Romano, che fu infine consolidato grazie alla Pax Augusta. La finezza della della tecnica e il tipo di ornamento suggeriscono che que … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2019-02-24 07:40:32
Suetonius Tranquillus, Caius
Venice: 1510. See listing for details. Lacks title page. Suetonius Tranquillus, Caius De vita Caesarum Woodcuts within text (Venice Filippo Pincio, February 18, 1510) Publication address in a colophon, date: Anno domini M.CCCCCX Die.XVIII.Februari. De vita Caesarum (Latin; lit. "About the Life of the Caesars"), commonly known as The Twelve Caesars, is a set of twelve biographies of Julius Caesar and the first 11 emperors of the Roman Empire written by Gaius Suetonius Tranquillus. The Twelve Caesars was considered very significant in antiquity and remains a primary source on Roman history. He is mainly remembered as the author of De Vita Caesarum--translated as The Life of the Caesars although a more common English title is The Lives of the Twelve Caesars or simply The Twelve Caesars. Long title: Commentationes conditae a Philippo Beroaldo in Svetonium Tranquillum. Additis quamplurimis annotamentis: quae ut facilius cognoscantur Caii Svetonii vita per Sabellicum. Cum commento eiusdem. Philippi Beroaldi vita per Bartholomeum Blanchinum. Habes insuper mi lector candidae ipsius Tran. Svetonii tabulam vocabulorum & historiarum Sander 7144; Essling 209; Adams S2028 Filippo Pincio, Active 1490-1530 Condition and notes In modern full calf blind stamped in a contemporary style. Small bookbinders label pasted down. Additional photos of binding on request. Boards attached minimal external wear. Light soiling to Endpages 72 Woodcuts Including one thought to be one of the first representations of a caesarian section.(pictured) Attractive historiated initials throughout Binding is sound … [Click Below for Full Description]
Bookseller: bluemangobooksandmanuscripts [New Hope, Pennsylvania, US]
2019-02-14 14:24:08
Grabador: Cock, Hieronimus, Dibujante:Horis, Franciscus
Países Bajos. FRANCISCUS HORIS (dibujo) HIERONIMUS COCK (1510-1570) (grabado) Bella estampa del flamenco H. Cock en la que se muestra Hércules, hijo de Zeus, realizando uno de sus famosos doce trabajos, en este caso luchando contra la hidra. Cortado cerca de la huella. Algunos reintegros de papel en esquinas. Restaurado. Siglo: XVI.Buril. Papel verjurado. Grabador: Cock, Hieronimus. Dibujante: Horis, Franciscus. Mediados siglo XVI. Altura papelt: 227. Anchura papel: 293. Altura plancha:220. Anchura plancha: 273
Bookseller: Palau Antiguitats [Barcelona, Spain]
2019-02-13 17:55:08
Salm-Reifferscheid, Niklas Graf von, Feldherr (1459-1530).
1510. ¾ S. Folio. Auf Doppelblatt. Bittet den Adressaten, einen Herrn Schreibermair, ihm 20000 Gulden zu leihen. - Niklas Graf von Salm-Reifferscheids wichtigster Erfolg war die Verteidigung der kaiserlichen Hauptstadt Wien gegen die türkische Belagerung von 1529.
Bookseller: Antiquariat Inlibris [AT]
2019-02-10 22:35:08
MANCINELLI (Antonio)
(1510) Ritter II, 1470. Schmidt VIII, 32. Première édition strasbourgeoise de ces Discours académiques de l'humaniste italien Mancinelli, parus pour la première fois à Rome vers 1504. Ouvrage divisé en dix et contenant 126 discours. Impression en caractères romains, titre courant, initiales d'attentes. Notes marginales dans les marges. La page de titre comporte des ex-libris manuscrits anciens, deux tampons de bibliothèques de Capucins, et est un peu tachée ; pâle cerne de mouillure ancienne dans le coin inférieur des feuillets, sans gravité. Bon exemplaire malgré ces petits défauts, rare.
Bookseller: Librairie de l'Amateur [Strasbourg, France]
2019-02-07 14:17:11
Leyden, Lucas van (1494 Leyden 1533)
Kupferstich, 1510, auf Bütten. 11,9:7,4 cm. Literatur: Bartsch und Hollstein 90. Blatt 5 aus der 14-Blatt-Folge: Christus und die Apostel. - Vorzüglicher Abdruck mit winzigem Rändchen um die Plattenkante.
Bookseller: Galerie Joseph Fach GmbH [Oberursel im Taunus, Germany]
Check availability:
2019-02-07 03:22:42
Plutarch
Plutarch. De tranquillitate & securitate animi. Lib. I. De fortuna Romanoru(m) ex (P)lutarcho. Lib. I. De fortuna vel uirtute Alexandri. Lib. II. Basili magni epistola de uira per solitudinem transigenda. Rom. Jacobus Mazochius. 22.II.1510. Gr.-8°. - 21:13,5 cm. 56 unnumer. Blätter mit Titelbordüre. Moderner Pappband mit Buntapierbezug. - Stellenweise gering gebräunt. Meist im Rand öfter etwas stock- oder wasserfleckig oder leicht verschmutzt. Mit zahlreichen Unterstreichungen und einigen Marginlien mit brauner Tinte von alter Hand. - Bitte lesen Sie die Zustandsbeschreibung vor einem evtl. Kauf sorgfältig durch. Adams P 1659; Hoffmann III, 371; Panzer VIII, 250, 39; Sander 5779; nicht bei Proctor/Isaac u. im STC. - Frühe lateinische Übersetzung dieser "Opuscula" durch Guillaume Budé. Elegante und seltene römische Postinkunabel. - 6295.
Bookseller: Bücherland [München, DE]
2019-02-03 20:34:23
EPISTOLAE
EPISTOLAE. Doctissime & illustrium Virorum epistole: quas rogatus Politianus in ordinem redegit... (Colophon:) Hoc opus diligenter impressum est Parrhisiis per Thomam Kees wesaliens... Impensis honestissimi viri Dionysii Roce... S.d. (circa 1510). In - 4°, pergamena molle coeva. (8), XCLX ff., 1 f. bianco. Grande insegna tipografica incisa in legno nel frontespizio, titolo in carattere gotico stampato in rosso e nero, testo pure in car. gotico con grandi iniziali in nero. Bell' esemplare in una legatura adattata. Rarissima edizione registrata da taluni quale incunabolo, ma più probabilmente apparsa nella prima decade del Cinquecento. Brunet, II, 1023. H.C.+Add., 6661. G.W., VIII, 56 (1507 - 11). I.G.I., II, p. 190. B.M.C., French books, p. 15 (c. 1510). Goff, E - 99 (4 soli esemplari in U.S.A.).
Bookseller: Brighenti libri esauriti e rari [IT]
2019-02-02 22:14:39
Guigode Castro Statuta ordinis Cartusiensis SELTENE POSTINKUNABEL DER ERSTEN DRUCKAUSGABE DER KARTÄUSERSTATUTEN Sie bieten auf ein sehr gut erhaltenes Werk,in 6 Teilen in einem Buch. Gedruckt in Basel im Verlag J. Amerbach, J. Froben und J. Petri im Jahre 1510. Buchformat: 30 cm x 20 cm. Mit 1 (von 3) ganzseitigen, 2 halbseitigen und 33 kleineren Textholzschnitten von UrsGraf. Kollationierung: 257 (von 262) Blatt (davon D6 leer), 50 num. Blatt ,es fehlen insgesamt 5 Blatt mit 2 ganzseitigen Holzschnitten: A1-2, durch sehr gute Kopien ergänzt, b1 und b6 von alter Hand sehr gut ergänzt wie A1 im hinteren Teil. ZUSTAND: Sehr gutes Exemplar, Raum für Initialen nur bei den ersetzten Blatt rot ausgefüllt, stellenweise minimal fleckig, vereinzelte rote Farbspuren, teils mit Marginalien, hinterer Teil mit Wurmspur, insgesamt gering gebräunt. Erste Druckausgabe der Kartäuserstatuten, die nur für den kleinen Kreis der Ordensmitglieder gedruckt wurden. - "Sie sind eine der bedeutendsten Regelabfassungen des Mittelalters, die ausgezeichnete Kenntnisse der relevanten Literatur, besonders von Cassian und den Wüstenvätern, zeigen ... Trotz mancher Anpassungen im Laufe der Jahrhunderte bleiben die Consuetudines Cartusiae das Fundament des kartäusischen Lebens auch heutzutage ..." (BBKL XX, Sp. 672-79). Überweisung auf DEUTSCHES ODER SCHWEIZER KONTO. Der versicherte Versand innerhalb Deutschlands kostet 6,00 Euro. Für den Versand innerhalb der Schweiz, Portokosten bitte gesondert erfragen. Für den Versand in das europäische Ausland und nach Übersee bitte ebenfalls Portokosten erfragen. Viel … [Click Below for Full Description]
Bookseller: antiquarischekostbarkeit [Balmberg, CH]
2019-02-01 14:12:25
BLONDI FLAVII [FLAVIUS BLONDUS].
Venice, per G. [i.e. Gregorium de Gregoriis?] M.D.X. Cal. Iulias., [1510]. Folio. In recent limp vellum with ties. Soiling to lower part of first leaf. Paper-label with description taped on to top of first leaf (measuring 10x100 mm), not affecting text. Previous owner's name [Ed. Orwell 1585] in contemporary hand to top of first leaf. A few occassional marginal annotation in contemporary hand. Internally very fine and clean. (3), III, 123, CXXIII-CXXXXVI, [1 blank] ff. [Signatures: a°6, B-E°6, F-G°4, H-I°6, AA-DD°6, EE°3, FF-LL°6, MM°3, NN-PP°6, Q°6, AA-CC°4. ([Qvi] and [CCiv] blank)]. ¶ Early edition of Blondus's two famous works on the topography of ancient Rome and Italy.Flavio Biondo da Forli (1392-1463) wrote his first work on Rome in 1444-46, and with this work, one of the very first attempts to deal systematically with antiquities and architecture was made. In all Biondo wrote three systematic and well-documented guides to the ruins of Rome (ancient Rome), Roma Ristaurata being the first and most important, and they are considered the first systematic surveys or guides to ancient architecture. Roma Ristaurata founded the basis for all later works on ancient Rome and with it Biondo founded the discipline of this sort of architectual history. It is the very first work to be based on the actual antique ruins that were to be seen at the time of Blondus, -the work is based on actual empirical investigations.Blondus is also famous for having coined the term "Medio Evo" (now Middle Ages and Medieval).BMC, Books Printed in Italy 1465-1600: p. 107 Adams, I:B 2064.
Bookseller: Lynge & Søn ILAB-ABF [Copenhagen, Denmark]
2019-01-31 22:22:05
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, circa 1510, privo di firma. Esemplare con l'indirizzo di Antonio Salamanca. Bellissima prova, impressa su carta vergata coeva con filigrana dello "scudo", con sottili margini, piccola ossidazione all'angolo inferiore destro, per il resto in perfetto stato di conservazione. Il Bartsch descrive l'opera tra i lavori del Raimondi mentre il Passavant tra quelli della scuola. Molto rara. Bibliografia: Bartsch vol. XIV, 356; Passavant vol. 6, p. 92, 140. Dimensioni 220x300.
Bookseller: Libreria Antiquarius [IT]
2019-01-31 22:21:48
Marcantonio RAIMONDI
Bulino, 1510 circa, non datato né siglato. In alto a sinistra, entro nastro, l’iscrizione CURTIUS. Primo stato di due, avanti l’indirizzo di Antonio Salamanca. Della serie "Quattro Cavalieri Romani". Bella prova, impressa su carta vergata coeva, con filigrana "cerchio con tre stelle a sei punte", rifilata alla linea marginale, una piega di carta in alto a sinistra, per il resto in ottimo stato di conservazione. L’incisione appartiene a una serie di quattro nota come "Cavalieri" o "Quattro Cavalieri Romani", disegnata e incisa da Marcantonio Raimondi. Fu Delaborde per primo a individuare in Marcantonio l’autore anche dei disegni della serie, opinione che non fu unanimemente accettata: Hirth propose il nome di Baldassarre Peruzzi e Fiocco quello di Jacopo Ripanda. Circa la realizzazione delle incisioni, Bartsch, Passavant e Delaborde propendono per una datazione precoce considerando la serie tra le prime prove del Raimondi, e comunque prima del soggiorno romano; la Jebens ne precisa la datazione al 1506, sulla base delle analogie formali con "Amore e i tre putti", datata 18 settembre 1506. Per Hirth e Fiocco furono eseguite all’inizio del soggiorno romano, quando Raimondi entrò in contatto con artisti quali il Peruzzi e il Ripanda. La paternità delle composizioni spetta senza dubbio a Raimondi e a corroborare questa ipotesi è sia il linguaggio tecnico-grafico (si possono cogliere analogie con "Venere inginocchiata") sia il tipo di cultura archeologica, che evidentemente si richiama a modelli antichi finora non identificati. Il Curzio è molto simile al Guerriero romano (ca. 15 … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2019-01-31 20:55:08
Enluminure française datée de 1510,marie-louise et encadrement. Couleurs très vives.Haut: 15,5cm. Larg: 9,5cm. Livres
Bookseller: Librairie Laurencier [Bordeaux, AQUIT, France]
2019-01-31 20:55:07
1510. " Inkunabel der Lithographie " Turnier-Buch Herzogs Wilhelm des Vierten von Bayern von 1510 bis 1545. Nach einem gleichzeitigen Manuscript der königl(ich)en Bibliothek zu München, treu in Steindruck nach-gebildet von Theobald und Clemens Senefelder mit Erklärungen begleitet von Friederich Schlichtegroll. IV, 60 Seiten und 31 Blatt mit Text (Buchdruck). 4 lithographierte Textblätter (illustrierter Titel, Zueignung und 2 Faksimiles) und 31 doppelseitige (3 gefaltet) lithographierte und handkolorierte Tafeln, mit Gold und Silber gehöht, von Theobald und Clemes Senefelder. Grüner, reich dekorierter Lederband der Zeit mit Silberprägung und Silberschnitt. In marmoriertem Umschlag mit grünem Lederschild in Pappschuber. 33 x 29 cm. München, 1817 - (1826). Prachtvolle Inkunabel der Lithographie. Seltene erste und einzige Ausgabe. Komplettes, ausgezeichnet erhaltenes Exemplar in einem prächtigen zeitgenössischen Einband. Very rare first and only edition. Tournament book with spectacular handcolouring in imitiation of the illumination of the original plates by Hans Ostendorfer made in 1541-1544. Incunable of lithography in elaborate printing, published in eight instalments, hardly to find or locate complete. Wir suchen im gesamten Bundesgebiet nach wertvollen Büchern, Fotografien und Antiquitäten. Seriöser Barankauf garantiert. Kontakt siehe Impressum. Freundliche Grüße Thomas Mertens.
Bookseller: Thomas Mertens Antiquariat (winter10781) [Berlin, DE]
2019-01-31 17:37:05
Grabador: Cock, Hieronimus, Dibujante:Horis, Franciscus
Países Bajos. FRANCISCUS HORIS (dibujo) HIERONIMUS COCK (1510-1570) (grabado) Bella estampa del flamenco H. Cock en la que se muestra Hércules, hijo de Zeus, realizando uno de sus famosos doce trabajos, en este caso luchando contra la hidra. Cortado cerca de la huella. Algunos reintegros de papel en esquinas. Restaurado. Siglo: XVI.Buril. Papel verjurado. Grabador: Cock, Hieronimus. Dibujante: Horis, Franciscus. Mediados siglo XVI. Altura papelt: 227. Anchura papel: 293. Altura plancha:220. Anchura plancha: 273
Bookseller: Palau Antiguitats [Barcelona, Spain]
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2019-01-31 13:04:54
Trixum Gabriel de Barletta - Sermones - Hagenau 1510 - Zeitgenössis Gabriel de Barletta (Gabriele Barelete). Sermones fratris Gabrielis Barelete sacre pagine professoris diui Ordinis fraterum Predicatorum De Tempore (et) De Sanctis. Hagenau, Jphannes Rynman u. Henr.Gran, (1510). 4°. - 22,5:15,5 cm. 22 unnumer. Blätter, CXCIX numer. Blätter. Holzdeckelband der Zeit mir dunkelbraunem Kalbslederbezug, mit reicher Blindprägung, 1 Mittelschließe. VD 16, G 8. - Gabriel de Barletta (15th century) was a Catholic preacher of the Dominican Order, whose sermons were widely published in Italy after his death. Komplette Postinkunabel bis auf das fehlende weiße Blatt am Schluß. In einem zum größeren Teil noch erhaltenen zeitgenössischen geprägten Kalbslederband mit verschiedenen Stempeln (Blüte im Kreis, Lilie, geprägte florale Bordüre usw.). Achtung Zustand: Titel in der unteren rechten Ecke mit Ausriß ohne Textverlust, mit älterem hs. Besitzvermerk sowie unten gestempelt. Durchgehend gering fingerfleckig, stellenweise (im Bug unten sowie im Rand) teils stärker wasserfleckig. Durchgehend etwas wurmstichig (zwischen 5-20 Löchlein pro Blatt), Anfangs etwas bis Blatt 50 stark wurmstichig, hauptsächlich im unteren weißen Rand, mit ein bis zwei Wurmgängen auch im Text. Gegen Schluß wieder etwas stärker wurmstichig, hauptsächlich im unteren weißen Rand. Hinteres Innengelenk etwas brüchig. Der zeitgenössische Einband in etwas späterer Zeit mit einfachem braunem Leder überklebt, dieses jedoch am Rücken bereits wieder stark beschädigt, eingerissen und mit größeren Fehlstellen. Der originale Einb … [Click Below for Full Description]
Bookseller: Bücherland [München, DE]
2019-01-29 20:05:31
Meder, Johannes.
Basel, Michael Furter, 20. September 1510. 8vo. 231 Bll.nnum., ohne das letzte weisse Blatt. Titel rot und schwarz gedruckt. Mit 18 Holzschnitten und drei verschiedenen Druckermarken. Moderner Pergamentband im Stil der Zeit. Das Holzschnittbuch mit fünfzig Predigten für die Fastenzeit, verfasst von dem Basler Franziskaner Johannes Meder, war bereits im 15. Jahrhundert drei mal von Furter gedruckt worden. Herausgeber war Sebastian Brant, der ein Gedicht in elf Distichen beisteuerte. Die dem Meister des Haintz Narr zugewiesenen Holzschnitte der ersten Ausgabe waren 1497 durch verbesserte Nachschnitte ersetzt worden, für die vorliegende Ausgabe wurde der Text neu gesetzt, ein vierzeiliges Gedicht des Franziskaners Daniel Maier (Agricola) auf dem Titel, sowie zwei weitere Druckermarken hinzugefügt. - Titel mit Besitzeintrag des Bendiktinerklosters San Severino, schönes, kaum gebräuntes Exemplar. - Fourth edition of the handsomely illustrated work by the Franciscan monk Johannes Meder of Basle, edited by Sebastian Brant. - Ownership inscription of the Benedictine monastery San Severino, a good clean copy. - VD16, M-1855; Wilhelmi, Sebastian Brant 445; Hieronymus, Oberrheinsche Buchillustration I, 61.
Bookseller: Stuttgarter Antiquariat [Stuttgart, Germany]
2019-01-29 20:05:29
Geiler von Kaysersberg, Johannes.
Augsburg, Johann Otmar für Georg Diemar, 1510. Erstausgabe dieser von einem unbekannten Herausgeber besorgten Sammlung von Abhandlungen und Predigten Geilers, wenige Monate nach dessen Tod erschienen. - Schon in der im darauffolgenden Jahr erschienenen zweiten Ausgabe wurden die prachtvollen, hier in guten, kräftigen Abducken vorliegenden Holzschnitte Burgkmairs (1. Christus bei Maria Magdalena, Martha und Lazarus. 2. Pharaos Untergang im Roten Meer. 3. Die heilige Elisabeth als Spinnerin. 4. Der Koch, den Hasen ausweidend. 5. Sieben dämonische Tiere als die sieben Hauptsünden. 6. Sieben Schwertscheiden als die sieben Tugenden) durch Kopien von Hans Baldung Grien ersetzt. - Schöner zweispaltiger Druck vom Meister Hans Otmar, die erste kleinere Initiale rot ausgemalt. - Mod. Exlibris a. Innendeckel. Ohne die zwei weißen Bll. 160 u. 212. Zu Beginn mit wenigen winzigen Wurmlöchern. Min. gebräunt bzw. stockfleckig. - VD16, G 720; Adams G 309; Burkhard 90; Duheux 44; Dodgson II, 57, 2; Geisberg 293-298; Goedeke I, 400, 14; Kat. d. Burgkmair-Ausst. Augsb. 1973, 43-48; Muther 862; Panzer, DA II, 317f., 667; Proctor 10678. ge Gewicht in Gramm: 2000 Fol. Mit 6 fast blattgr. Holzschnitten von Hans Burgkmair u. 2 großen Initialen. 210 nn. Bll., Mod. Ldr. im Stil d. Zt. m. Streicheisenlinien u. Kopfgoldschnitt. [Attributes: First Edition; Hard Cover]
Bookseller: Antiquariat Wolfgang Friebes [Graz, Austria]
2019-01-29 16:36:16
CERVIO, Vincenzo.
1510. BMC STC Italian, p. 166; USTC 821713 (7 copies); Vicaire, col. 159; Westbury, pp. 45-46; this edition not in Bitting; Horn-Arndt; cf. Davidson, The Oxford companion to food, p. 156. Rare first edition, in the original Italian, of an elaborate gastronomic treatise, detailing the carving and serving of meat, fish, fruit, shellfish and fowl. Cervio's work is superior to the essays of his predecessors Romoli and Scappi, making it the most complete Renaissance treatise on the art of culinary carving. It includes no fewer than 74 chapters and promotes the Italian method of carving, where one holds the food up in the air with a fork and carves it in this posture, transforming the operation into a spectacular performance for the diners to admire. The treatise, moreover, provides "much information about the foods eaten at an Italian court of that period" (Davidson).Cervio Vincenzo (ca. 1510-1580) was an officer in the household of Cardinal Alessandro Farnese. With 1 plate slightly shaved, affecting only the butt of the handles of 1 knife and a carving iron, and with running heads slightly shaved on 2 leaves, otherwise in very good condition, with only and occasional minor spot or marginal stain. The earliest detailed manual of the art of carving at the table. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2019-01-28 08:18:37
Voragine, Jacobus de
S.N, 1510. 284 unnumbered leaves. Gothic type, 2 columns of 45 lines. Octavo. Later limp vellum with the remains of ties, spine has hand-inked title and old library mark, top and volume of block have old hand inked symbols. Interior endpapers are recycled 1600s Latin Catholic mass. First blank (also newer) has "1484 incunable" written in pencil (we don't believe it is) and the lower corner torn off. Title page has owner inscript of the Convento de Santa Barbara, the corner torn off (only just affecting the edge of text on the verso) and an unusual paper seal mounted there. Handsome crible woodcut initials throughout. There is minor marginal soiling throughout, some dampstaining throughout, a bit of occasional worming (mostly marginal). The last few pages have a burn mark at the top edge not affecting text. Firmly bound but gutter cracking at sig. I1. No publishing information or date but it conforms to OCLC 57650278 (Adams V1016). Sermons de Sanctis from the great Dominican monk, archbishop and chronicler Jacobus de Voragine,(Italian: Giacomo da Varazze, Jacopo da Varazze (c. 1230 -- 1298). Blessed Jacobus de Voragine was the author, or more accurately the compiler, of Legenda Aurea, the Golden Legend, a collection of the legendary lives of the greater saints of the medieval church that was one of the most popular religious works of the Middle Ages. Almost as popular, as divertingly original- but much less known today -were Jacobus' collected sermons, also termed "Aurei." It is not surprising that Voragine's sermons were as popular as they were: he was a Dominican, wh … [Click Below for Full Description]
Bookseller: R & S Petras, Leaf and Stone Books [Toronto, Ontario, CA]
2019-01-25 19:57:04
GEILER VON KAISERSBERG, Johannes.
1510. STC German, p. 335; USTC 627176 & 627177; VD16 G765 & G766; cf. Ritter, Incunables & Livres XVIe Siècle Bibl. Municipale Strasbourg, 1078. Second edition of a collection of popular stories presented as sermons, including "Der Eschengrüdel" the first printed version of the fairytale of Cinderella. The woodcuts in the present edition are new, that showing the three-cornered mirror closely copied from the 1510 edition, but the others larger, more skilfully cut and much more detailed than those of the 1510 edition, and the book adds a second block for "the three-cornered mirror", containing two images from the story of Jesus. The woodcut showing the disconsolate Cinderella cleaning ashes at the kitchen hearth therefore served as the prototype for numerous Cinderella illustrations. Matthias Schürer published the first edition of 1510, also at Strasbourg but in 4to format. Johann Geiler von Kaisersberg (1455-1510), born in Schaffhausen, Switzerland, met great fame as a popular preacher at Strasbourg, where he had close ties to leading humanists. He based his sermons on popular stories taken from oral stock of folktales, fables, and fairytales. For his moral purpose Geiler von Kaisersberg adapted the fairytale of Cinderella by placing her in a convent with two hundred sisters to treat her badly, and sending a Saint rather than a prince to save her. The moral was of course that God loved Cinderella all the more for her humility. The other sermons included are also based on German folklore: "the lost sheep", "the infernal lion", "the Christian queen", "the three-cornered mirro … [Click Below for Full Description]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2019-01-25 00:03:40
Suetonius Tranquillus, Caius
See listing for details. Lacks title page. Suetonius Tranquillus, Caius De vita Caesarum Woodcuts within text (Venice Filippo Pincio, February 18, 1510) Publication address in a colophon, date: Anno domini M.CCCCCX Die.XVIII.Februari. De vita Caesarum (Latin; lit. "About the Life of the Caesars"), commonly known as The Twelve Caesars, is a set of twelve biographies of Julius Caesar and the first 11 emperors of the Roman Empire written by Gaius Suetonius Tranquillus. The Twelve Caesars was considered very significant in antiquity and remains a primary source on Roman history. He is mainly remembered as the author of De Vita Caesarum--translated as The Life of the Caesars although a more common English title is The Lives of the Twelve Caesars or simply The Twelve Caesars. Long title: Commentationes conditae a Philippo Beroaldo in Svetonium Tranquillum. Additis quamplurimis annotamentis: quae ut facilius cognoscantur Caii Svetonii vita per Sabellicum. Cum commento eiusdem. Philippi Beroaldi vita per Bartholomeum Blanchinum. Habes insuper mi lector candidae ipsius Tran. Svetonii tabulam vocabulorum & historiarum Sander 7144; Essling 209; Adams S2028 Filippo Pincio, Active 1490-1530 Condition and notes In modern full calf blind stamped in a contemporary style. Small bookbinders label pasted down. Additional photos of binding on request. Boards attached minimal external wear. Light soiling to Endpages 72 Woodcuts Including one thought to be one of the first representations of a caesarian section.(pictured) Attractive historiated initials throughout Binding is sound Folio measures … [Click Below for Full Description]
Bookseller: bluemangobooksandmanuscripts [New Hope, Pennsylvania, US]
2019-01-24 07:40:32
(CRUSADES - INDULGENCES). JULIUS II, POPE
Toledo, Spain: Juan Varela for Monastery of San Pedro Mártir, 9 March 1510. This is a plenary indulgence (remitting the entire temporal punishment for sin) for those taking part in a proposed war against the Turks. Plenary indulgences were often granted for service in Crusades; the Crusaders would confess their sins in the Sacrament of Penance, and their participation in the Crusade would count as the entire penance due for those sins. Future sins were not covered, however, and the plenary indulgence was not a "free ticket" out of Purgatory. This indulgence is atypical in that it was obtained by the promise of service, rather than by the payment of money. According to a letter to the former owner by F. J. Norton, author of "Descriptive Catalogue of Printing in Spain and Portugal, 1501-1520," it is "a standard type of Cruzada (Crusades) indulgence, printed at Toledo (monastery of St. Peter Martyr) in the types of Juan Varela . . . All these indulgences had to be printed either at To[ledo] or at Valladolid . . . the bishop of Majorca signed the indulgence in his capacity as a royally appointed commissary for the Bull of the Cruzade--a national, not merely a local, function. The late Albert Ehrman had an interesting variant with exactly the setting of types [as the present copy] except for the last line of the main text" where date and place had been added. The wholesale printing of more typical indulgences enriched the coffers of the Church through their sale to thousands of the faithful. Indulgences were consequently viewed by reformers as flagrant pecuniary opportun … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [US]
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2019-01-23 07:30:37
(CRUSADES - INDULGENCES). JULIUS II, POPE
Toledo, Spain: Juan Varela for Monastery of San Pedro M�rtir, 9 March 1510. Toledo, Spain: Juan Varela for Monastery of San Pedro Mártir, 9 March 1510. This is a plenary indulgence (remitting the entire temporal punishment for sin) for those taking part in a proposed war against the Turks. Plenary indulgences were often granted for service in Crusades; the Crusaders would confess their sins in the Sacrament of Penance, and their participation in the Crusade would count as the entire penance due for those sins. Future sins were not covered, however, and the plenary indulgence was not a "free ticket" out of Purgatory. This indulgence is atypical in that it was obtained by the promise of service, rather than by the payment of money. According to a letter to the former owner by F. J. Norton, author of "Descriptive Catalogue of Printing in Spain and Portugal, 1501-1520," it is "a standard type of Cruzada (Crusades) indulgence, printed at Toledo (monastery of St. Peter Martyr) in the types of Juan Varela . . . All these indulgences had to be printed either at To[ledo] or at Valladolid . . . the bishop of Majorca signed the indulgence in his capacity as a royally appointed commissary for the Bull of the Cruzade--a national, not merely a local, function. The late Albert Ehrman had an interesting variant with exactly the setting of types [as the present copy] except for the last line of the main text" where date and place had been added. The wholesale printing of more typical indulgences enriched the coffers of the Church through their sale to thousands of the faithful. Indulgences … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2019-01-19 21:52:32
Anonimo
1510. Bulino, 1590 circa, priva di firma e dati editoriali. In alto a sinistra, "America, agresti ignorantia, in occidente", nel margine inferiore: America auro et argento meos repleo. Da un disegno attribuito a Gérard Groeningen Bella prova, ben contrastata, impressa su carta vergata coeva con filigrana non leggibile, irregolarmente rifilata ai margini, nel complesso in ottimo stato di conservazione. Questa incisione è parte di una serie di quattro stampe che sono copie, con alcune varianti, della serie "I Quattro Continenti" incise da Pieter Nagel e la cui composizione è attribuita a Gerard Van Groeningen intorno 1571. Nella serie originale solo "Asia" è monogramma "GP. INVEN", in basso a destra. Engraving, 1590 circa. Lettered in the upper left "America, agresti ignorantia, in occidente" in the lower margin America auro et argento meos repleo. Good example, printed on contemporary laid paper, with unidentified watermark, irregularly trimmed at marging, otherwise in good condition. This engraving belongs to a series of four, which are copies with variations of a series of four engravings "The four continents" attributed to the designer Gerard Van Groeningen, around 1571, and engraved by Pieter Nagel. In the original series only "Asia" is monogrammed "GP.INVEN" (G and P interlaced) lower right. Santiago Sebastian, "La imagen alegorico-emblematica de los lugares geograficos: el catafalco de Maria de Borbon" Catalogue d' exposition édition Réunion des musées nationaux, 1999 (Notice : Page 128 N° 17, repr. p.17 N° 6.) 312 227mm
Bookseller: Libreria Antiquarius [Roma, Italy]
2018-11-29 00:07:21
BARTOLOMEO, da Pisa (Rinonichi).
Milano, Gotardo da Ponte, 18.IX, 1510. In-folio, (mm 290x204), ff. (4), CCLVI ff. legatura secentesca in pelle, titolo su tassello e ricchi fregi in oro al dorso, cerniera anteriore e cuffia superiore restaurate. Al frontespizio bordura a racemi, una grande vignetta con Francesco che riceve le stimmate e grande impresa di Gotardo da Ponte; al verso silografia grandiosa silografia che rafigura Francesco ai piedi di un albero "genealogico" delle 40 conformità, sul quale è crocefisso Cristo; Mortimer nota che ''this representation of the material of the text in the form of a tree was part of the original manuscript submitted by Bartholomaeus for approbation in 1399'' (Harvard, It. n.44). Nel testo, tre ripetizioni del legno delle stimmate e varie grandi capilettera istoriate. Prima edizione dell'opera che ha assicurato per secoli larga fama al frate minore Bartolomeo de Rinonichi, professore nei ginnasi di Padova, Siena e Pisa e predicatore illustre. Composto tra il 1385 e il 1390, e approvato ufficialmente dall'Ordine il 2 agosto 1399, durante il Capitolo generale di Assisi, sviluppa sino alle ultime conseguenze il tema della conformità tra la vita di Cristo e quella di s. Francesco, unico fra tutti i santi ad avvicinarsi in maniera totale al proprio modello divino. L'opera, divisa in tre grandi libri, mette a profitto la maggior parte delle fonti disponibili nella seconda metà del Trecento, compresi gli scrittori francescani spirituali; con una serie di parallelismi sintetici tra i due: come la vita di Gesù ha avuto quaranta frutti spirituali altrettanti ne darà la vita di s … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [IT]
2018-11-13 07:03:59
Jean Duchesne
Condition: Very Good. Certified second hand articles More than 3.000.000 articles in shop Easy and safe purchase L'affaire Jacques Fesch by Jean Duchesne | Book | condition very good Condition second hand - very good Publisher Duchesne Medium Taschenbuch EAN 9782877062206 Delivery address: Change after payment is not possible. Shipping: To United Kingdom Books Fiction Books for children & teenagers Detective novels & thrillers ... and much more Music Pop Rock Children's music & audio stories ... and much more Movies Drama Action & Adventure Comedy & Entertainment ... and much more Games PlayStation 3 Nintendo DS PC ... and much more Software Children & Family Operating System School & Studies ... and much more Condition Description We try to assess the exact condition of the goods as objectively as possible. Prior to sale, each article is examined manually by us and its condition assessed according to the following criteria. Should there be deviations in any case from the condition stated, we would very much appreciate it if you would contact us before giving a review. Books & Media: new: Unused article in top condition The article is shrink-wrapped where it is delivered in this condition by the manufacturer very good: Second-hand article is in a very good condition Article hardly shows any traces of usage Pages are undamaged and contain no markings or notes Jacket or accessories are intact if included in the scope of delivery Jacket and accessories are intact where included in the scope of delivery. Jacket, cover and booklet may have just slight signs of usage but are not … [Click Below for Full Description]
Bookseller: momox-shop1 [Berlin, DE]
2018-11-12 01:56:14
Suetonius
Florentiae : Opera & impensa Philippi de Guinta Florentini, Idibus Februarii M.D.X. Small volume approx. 16.5 x 10 cm, bound in mint green glazed paper-covered boards with brown leather backstrip and corners, spine label lettered in gilt and "GIUNTI / 1510" at base of spine; clean tight and unmarked with very occasional age spotting, leaves numbered [I]-CLXXIX [Attributes: Hard Cover]
Bookseller: Stony Hill Books [Madison, WI, U.S.A.]
2018-11-02 23:25:01
Geiler von Kaysersberg Johannes
Strasbourg Matthias Schürer [ca. 1510]. Seven parts in one volume in small 4o (196x139 mm). Collation: A8, B-C4, D8, E-F4, G6, H4; a8, b-c4, d8, e4, f6; aa6, bb8, cc-dd4, ee8; Aa6, Bb8, Cc6, Dd4 (Dd2 signed Dd3), Ee4, Ff8; (a-(b8, (c-(d6; (A6, (B4; AA4, BB6, CC4, DD4, EE6. [204] leaves, complete with all five blank leaves (fols H4, ee8, (d6, (B4, and EE6). Gothic type. Title and six sectional titles with woodcuts. Blank spaces for capitals, with printed guide letters. First five quires rubricated in red, Lombard initials painted in red, in a contemporary hand. Contemporary blind-stamped, pink-stained half pigskin and wooden boards. One brass clasp, lacking the tip of the catch. Spine with three double raised bands. The lower wooden board slightly wormed. A good copy, small repair to the upper margin of the first leaf. Some wormholes mostly to the outer margin, occasionally affecting partial letters but not legibility. The woodcut is slightly offset on the separate title-pages. Some contemporary Latin marginalia, in an early hand, and a note on the verso of the front flyleaf, no longer legible.Provenance: Arthur and Charlotte Vershbow, acquired from Gilhofer e Ranschberg, 1983 (ex-libris on the front pastedown; see The Collection of Arthur e Charlotte Vershbow, Christie's New York, 9-10 April 2013, lot 186). First edition of seven small tracts adapted into German by the Swiss-born Johannes Geiler von Kaysersberg, preacher at the Strasbourg Cathedral, from the moral sermons of theologian Jean Gerson (1363-1429) whose works he had edited from 1488 to 1502. Geiler "was a popula … [Click Below for Full Description]
Bookseller: PrPh Books [New York, NY, U.S.A.]
2018-11-01 09:07:34
[Hardouin Brothers]
Illuminated zodiac man from a 16th-century French book of hours printed on vellum, probably from the workshop of Germain and Gillet Hardouin. During the late 15th and early 16th centuries printers often borrowed stylistically from manuscripts, and used vellum and colourful illuminations to increase the cachet of printed books. In France this trade was dominated by the Hardouin brothers, who were active between 1510 and 1550. Gillet was a printer, and unusually, all the illuminations were overseen in-house by his brother Germain, who was registered with the Guild of Illuminators. The "Homo anatomicus", bloodletting man, or zodiac man -- a type of diagram that codified the relationship between the microcosm of the human body and the divine macrocosm -- had its origin in classical thought and was a feature of European and Middle Eastern books of hours, almanacs, and medical texts throughout the Middle Ages and Renaissance. This example depicts man as a corpse surrounded by text explaining the relationship between the signs of the zodiac, the parts of the body, and the four humours. The temperaments associated with the four humours are depicted in the smaller illuminations. Clockwise for the top left they are: the choleric temperament symbolised by a warrior with lion; the sanguine, with a hawk and monkey; melancholy surrounded by stars; and the phlegmatic with a lamb. Paris: Hardouin, early 16th century. Single leaf from a French book of hours, printed on vellum and hand illuminated (185 x 115 mm). On the recto, a depiction of the "anatomical man" as a skeleton surrounded by … [Click Below for Full Description]
Bookseller: Alembic Rare Books [United Kingdom]
2018-10-22 01:32:18
Charles de Bovelles
1510. 1st Edition . Hardcover. Very Good. Text in Latin. Profusely illustrated with numerous schematic and figurative woodcuts in text, several of which are full-page, as well as several tables; plus numerous woodcut initials. Title within historiated woodcut border with winding vines, flowers and angels; incorporating the arms of the University of Paris and the initials of Henricus Stephanus. Chancery Folio. Rebound in modern half-leather, tooled in blind, over wooden boards, retaining 2 front fly leaves from an early binding. Spine with raised bands; printed paper title-label in gothic script on front cover; edges speckled red. Printed in Paris by Henri Estienne for Jean Petit, 1510. (Date from the main colophon; individual works have special colophons with various dates ranging within 1509-10). First Edition of Bovelles important collection of 12 philosophical and mathematical works. A major contribution to the philosophical thought of the Renaissance. Perhaps the most significant work is the Liber de Sapiente. It is of great importance to intellectual history, as it exemplifies the transition from the Medieval to the Renaissance way of thinking. According to Ernst Cassirer, this remarkable treatise constitutes the immediate continuation and the systematic development of the basic ideas in Picos Oration (on the Dignity of Man). Bovillus De Sapiente is perhaps the most curious and in some respects the most characteristic creation of Renaissance philosophy. In no other work can we find such an intimate union of old and new ideas. (E. Cassirer, The Individual and the Cosm … [Click Below for Full Description]
Bookseller: George Robert Minkoff, Inc. [U.S.A.]
2018-10-14 19:41:18
Leyden, Lucas van (1494 – Leyden – 1533)
Kupferstich, 1510, auf Bütten. 11,9:7,4 cm. Literatur: Bartsch und Hollstein 90. ? Blatt 5 aus der 14-Blatt-Folge: Christus und die Apostel. - Vorzüglicher Abdruck mit winzigem Rändchen um die Plattenkante.
Bookseller: Galerie Joseph Fach GmbH [Oberursel im Taunus, Germany]
2018-09-18 18:43:02
Van Leyden, Lucas
Np: Np, 1510. Fine. Van Leyden, Lucas. 11.5 x 7 cm. Four mounted engraved plates, all with strong dark impressions, each with collection mark on verso. BARTSCH Nos. 95-98. Mounted by Artuur Baldinger Kunsthandel Lijstenmarkerj Jodenbreestrat 16. Amsterdam. Lucas van Leyden was among the first Dutch exponents of genre painting and is generally regarded as a very accomplished engraver. Born in 1494, the engravings herein are early efforts by a highly skilled engraver who learned his art at a very early age: the earliest known print by him (Mohammed and the Murdered Monk) dates from 1508, when he was perhaps only 14.
Bookseller: Royoung Bookseller, Inc. ABAA [Ardsley, NY, U.S.A.]
2018-09-18 18:43:02
Van Leyden, Lucas
Np: Np, 1510. Fine. Van Leyden, Lucas. 11.5 x 7 cm. Four mounted engraved plates, all with strong dark impressions, each with collection mark on verso. BARTSCH Nos. 87-90. Mounted by Artuur Baldinger Kunsthandel Lijstenmarkerj Jodenbreestrat 16. Amsterdam. Lucas van Leyden was among the first Dutch exponents of genre painting and is generally regarded as a very accomplished engraver. Born in 1494, the engravings herein are early efforts by a highly skilled engraver who learned his art at a very early age: the earliest known print by him (Mohammed and the Murdered Monk) dates from 1508, when he was perhaps only 14.
Bookseller: Royoung Bookseller, Inc. ABAA [Ardsley, NY, U.S.A.]
2018-08-02 02:13:13
BOOK OF HOURS
1510. 8vo, 155 x 112mm, 101 leaves (plus two original endleaves at back), complete, collation: i6, ii-xii, xiii7 (last leaf a cancelled blank), foliated in blue ink (probably in seventeenth or eighteenth century), single column of 30 lines in a squat and angular professional bookhand, small initials in liquid gold on square blue and red-brown grounds (some 2-line ones enclosing flowerheads picked out in gold paint), with linefillers in same, ten large initials marking each major break in text (7 to 10 lines in height) in soft purple bars encased within ribbon-like curls all edged with white penwork, on dull gold grounds enclosing realistic foliage sprays terminating in flowerheads and strawberries, each initial within a coloured frame heightened with liquid gold penwork and with a decorated outer border of gold and coloured acanthus leaves and foliage on blank parchment or dull gold grounds, occasional text leaves with similar decorated text borders, single half-page arch-topped miniature opening the Hours of the Virgin, framed with a thin gold bar, full decorated border as previous, slight flaking of paint from Virgin's robe and angel's face, slight scuffing to borders in a few places, last few leaves slightly cockled,but overall in good and presentable condition.; contemporary French binding of tooled brown leather over wooden boards (these weathered and crackled, and boards re-edged and spine rebacked), two working metal clasps Text: The volume contains a Calendar (fol. 1r); the Passion readings from the Gospel of John (fol. 7r) and prayers including the "Egressus est do … [Click Below for Full Description]
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2018-07-08 11:11:02
Van Leyden, Lucas
Np: Np, 1510. Fine. Van Leyden, Lucas. 11.5 x 7 cm. Four mounted engraved plates, first three with strong dark impression, last in gray tones, each with collection mark on verso. BARTSCH Nos. 91-94. Mounted by Artuur Baldinger Kunsthandel Lijstenmarkerj Jodenbreestrat 16. Amsterdam. Lucas van Leyden was among the first Dutch exponents of genre painting and is generally regarded as a very accomplished engraver. Born in 1494, the engravings herein are early efforts by a highly skilled engraver who learned his art at a very early age: the earliest known print by him (Mohammed and the Murdered Monk) dates from 1508, when he was perhaps only 14.
Bookseller: Royoung Bookseller, Inc. ABAA [Ardsley, NY, U.S.A.]
2018-07-05 06:27:13
Homer. Translated by Raphaello Maffei
Per Lacoubum Mazochium, Rome, 1510. One of the earliest Latin translations of Homer's epic poem, translated from the Greek by Roman Hellenic scholar Raphaello Maffei (Raphael of Volterra). Quarto, bound in contemporary vellum, rebacked, woodcut titles and printer's device to the title page and at end of text. From the library of Robert R. Dearden, Jr. of Philadelphia with his bookplate to the front panel. American bibliophile and author Robert R. Dearden was known for his extensive rare bible collection with a focus on early editions of American Bibles. He authored the book The Guiding Light on the Great Highway (1929), elaborately illustrated with photographs of his collection. Minor wear and a few small repairs to the title page. A very good example of this important work which has survived over five centuries. Attributed to the singular ancient Greek poet Homer, the Iliad and the Odyssey are considered to be the most important works of ancient Greek literature. The Iliad, set in the midst of the ten-year Trojan War focuses on the quarrel between King Agamemnon and the warrior Achilles. The Odyssey tells the epic tale of the journey of Odysseus, King of Ithaca after the fall of Troy. The Homeric Question, concerning the tales' true authorship, continues to be debated - with some scholars believing the poems to be the work of many contributors over the course of centuries. In addition to his best-known work Commentariorum rerum urbanarum libri XXXVIII, Italian humanist, historian and theologian Raffaello Maffei translated from Greek into Latin the Odyssey of Homer, the Oec … [Click Below for Full Description]
Bookseller: Raptis Rare Books, ABAA/ ILAB [Palm Beach, FL, U.S.A.]
2018-06-08 15:46:04
GEILER VON KAYSERSBERG, Johannes
Matthias Schürer, Strasburg, 1510. Seven parts in one vol., 4to, ff. [203], with a title woodcut to each of the seven parts; small hole to upper outer margin of main title; leaf c4 a bit stained on verso; a little light worming and minor dampstaining; a very attractive copy in contemporary blindstamped half pigskin over wooden boards; traces of clasps; lower cover with the outer section of the board renewed. FIRST EDITION OF THESE SEVEN TRACTS BY THE FAMOUS WRITER AND PREACHER, INCLUDING DER ESCHEN GRÜDEL, THE EARLIEST PRINTED VERSION OF CINDERELLA, AND CONTAINING ONE OF THE EARLIEST ILLUSTRATIONS OF THAT CHARACTER. Born at Schaffhausen, Switzerland, in 1445, Geiler was ‘the prince of the pulpit in the late fifteenth and early sixteenth centuries’ (David C. Steinmetz, Reformers in the Wings: From Geiler von Kaysersberg to Theodore Beza p. 9). ‘In 1475, after earning his doctorate in theology, [Gailer] returned to Freiburg to teach theology. The following year he was elected rector. ‘His academic career was successfully launched. He was popular with the students and esteemed by his colleagues. Nevertheless, he was restless and dissatisfied with life in the university community. There lurked at the back of his mind the thought, which gradually grew into a conviction, that his real vocation was the pulpit rather than the lectern. Unable to shake the feeling of a missed vocation, he finally yielded to it. When the city of Würzburg invited him to preach a trial sermon, he readily accepted. He was willing to do so, even set out for Basel to collect his books. On his way to Switze … [Click Below for Full Description]
Bookseller: Detlev Auvermann Rare Books [London, United Kingdom]
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