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Displayed below are some selected recent viaLibri matches for books published in 1510
2020-02-23 14:59:10
Anonymous]
Venice, 1510. 8vo. in fours. Collation: A-Q4, COMPLETE. 64 ff. (some signatures written in contemporary MS, several erroneously, neat modern foliation in pencil). Paper size: 155 x 105. Watermarks: Northern Italy, ca. 1480-1520 (see below). Bound in late 18th century Italian sprinkled ochre boards, upper cover with title in MS. Text in Italian, and with the titles of several poems in Latin. Several types of Italian humanistic literae cursivae, all apparently by the same person (see images below), numerous corrections throughout. Fascinating Unknown Venetian Manuscript of Unpublished Sonnets and Love Letters, ca. 1510. An important discovery. Unknown manuscripts of unpublished Italian poetry, written in Venice during the age of Aldus Manutius, are rare in private ownership. The present manuscript contains 100 poetical compositions (sic) and merits considerable scholarly inquiry: certain sonnets and poems were extensively revised, showing authorial development; the handwriting is perfectly clear, in some instances modeled after contemporary Italian writing masters; and finally, the codex is preserved in remarkably fresh condition and is perfectly suitable for exhibition and intensive study. The manuscript consists mainly of sonnets in the style of Petrarch, several capitoli and strambotti, and includes many revisions, variants, and even cancellations, to which two intriguing love letters were added. The name of the author is unknown but his identity may yet be discovered, as he left a number of intriguing clues in the text, the most obvious one being the family name Colonna, … [Click Below for Full Description]
Bookseller: Michael Laird Rare Books LLC [Lockhart, TX, U.S.A.]
2020-02-23 12:29:06
[Anonymous]
Venice, 1510. 8vo. in fours. Collation: A-Q4, COMPLETE. 64 ff. (some signatures written in contemporary MS, several erroneously, neat modern foliation in pencil). Paper size: 155 x 105. Watermarks: Northern Italy, ca. 1480-1520 (see below). Bound in late 18th century Italian sprinkled ochre boards, upper cover with title in MS. Text in Italian, and with the titles of several poems in Latin. Several types of Italian humanistic literae cursivae, all apparently by the same person (see images below), numerous corrections throughout. Fascinating Unknown Venetian Manuscript of Unpublished Sonnets and Love Letters, ca. 1510. An important discovery. Unknown manuscripts of unpublished Italian poetry, written in Venice during the age of Aldus Manutius, are rare in private ownership. The present manuscript contains 100 poetical compositions (sic) and merits considerable scholarly inquiry: certain sonnets and poems were extensively revised, showing authorial development; the handwriting is perfectly clear, in some instances modeled after contemporary Italian writing masters; and finally, the codex is preserved in remarkably fresh condition and is perfectly suitable for exhibition and intensive study. The manuscript consists mainly of sonnets in the style of Petrarch, several capitoli and strambotti, and includes many revisions, variants, and even cancellations, to which two intriguing love letters were added. The name of the author is unknown but his identity may yet be discovered, as he left a number of intriguing clues in the text, the most obvious one being the family name Colon … [Click Below for Full Description]
Bookseller: Michael Laird Rare Books LLC [United States]
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2020-02-22 15:41:21
Lucas van Leyden (Leida 1494 - Leida 1533)
1510. Bulino misure: mm 113 x 70 Lucas Hugensz o Jacobsz, meglio conosciuto come Lucas van Leyden, fu incisore e pittore olandese attivo soprattutto a Leida. Sin da giovane mostra una notevole predisposizione per la tecnica incisoria e realizza bulini, acqueforti e xilografie approfondendo diversi temi come la religione, la mitologia e scene di vita popolare. Attraverso il corpus delle opere incisorie è possibile conoscere la sua vita, i suoi spostamenti e datare alcuni dipinti. Nonostante la morte prematura è considerato un artista straordinario; importante esponente olandese del genere pittorico ed elegante incisore. Il soggetto fa parte della serie Cristo, San Paolo e i dodici Apostoli, composta da quattordici bulini databili al 1510. Impressione eccellente, dai ricchi toni chiaroscurali. Esemplare rifilato lungo la battuta del rame, monogrammato in lastra in basso a sinistra; minimi restauri ai soli angoli superiori, per il resto ottimo stato di conservazione. Sull'antico supporto timbro di collezione: James, J. Burleigh L. 1425. Bibliografia: New Hollstein, 87; Bartsch VII.387.87.
Bookseller: Il Bulino Antiche Stampe s.r.l. [Italy]
2020-02-10 14:38:04
Geiler von Kaysersberg, Johannes, & Beatus Rhenanus
[Strassburg: 1510.]. First edition, 4to, collating 1-28 34 A4 B-C8 D4 E-F8 G4 H-I8 K4 L8 M4 N-O8 P4 Q8 R4 S-T8 U-X4 Y8 Z4 Aa4 Bb8 Cc4 Dd8 Ee-Ff4 Gg8 Kk8 Ll4 Mm4 Nn-Oo8 Pp-Qq4 Rr-Ss8, [284] leaves (complete), but with 8 leaves misbound, i.e. 2 leaves misbound in the second gathering; C4 and C5 misbound in gathering E; O7 and O8 bound out of order; Hh8 bound in before Dd1; and Ii4 bound before Gg1; woodcut on title page of a ship with three passengers and a rower; large woodcut of a jester and a man upside down in a cart on the verso of the last leaf of the index - both images based on Sebastian Brandt's Narrenschiff, some of which have been attributed to Durer by some, to Burgkmeier by others. 19th century Mexican calf, gilt rule on covers, spine in 6 compartments, red and brown leather labels in 3, top edge stained red, floral endpapers; upper joint cracked, cords holding; small worm tracks neatly repaired with japanese tissue in the first ten leaves (very minor losses), some leaves strengthened in the gutter margin, and other small repairs, old marginal annotations, occasional dampstains; a large copy (20.5 x 15 cm). Geiler (1445-1510), the Strasburg preacher, was "a widely read man not only in theology, but also in the secular literature of the day. This is shown by the sermons having Sebastian Brandt's 'Ship of Fools,' which appeared in 1494, for their theme; these sermons attained the greatest popularity. Geiler displayed, also, exceptional facility in using public events to attract and hold the attention of his hearers" (Catholic Encyclopedia). The Navicula consists of … [Click Below for Full Description]
Bookseller: Rulon-Miller Books (rulonmillerbooks) [Saint Paul, Minnesota, US]
2020-02-05 23:00:19
Lucas van Leyden (Leida 1494 - Leida 1533)
1510. Bulino misure: mm 115 x 70 Lucas Hugensz o Jacobsz, meglio conosciuto come Lucas van Leyden, fu incisore e pittore olandese attivo soprattutto a Leida. Sin da giovane mostra una notevole predisposizione per la tecnica incisoria e realizza bulini, acqueforti e xilografie approfondendo diversi temi come la religione, la mitologia e scene di vita popolare. Attraverso il corpus delle opere incisorie è possibile conoscere la sua vita, i suoi spostamenti e datare alcuni dipinti. Nonostante la morte prematura è considerato un artista straordinario; importante esponente olandese del genere pittorico ed elegante incisore. Il soggetto fa parte della serie "Cristo, San Paolo e i dodici Apostoli" composta da quattordici bulini databili al 1510. Impressione eccellente, dai ricchi toni chiaroscurali. Esemplare rifilato lungo la battuta del rame, monogrammato in lastra in alto a destra, minimi restauri ai soli angoli superiori, per il resto ottimo stato di conservazione. Bibliografia: New Hollstein, 87; Bartsch VII.387.87
Bookseller: Il Bulino Antiche Stampe s.r.l. [Italy]
2020-01-25 21:21:36
1510. Andrea CORVO [de Mirandola] : [L] Art de chyromace de excellent exercite & prouve maistre : Maistre Andry CORVU utile & necessaire à tous ceulx qui exerciter vouldrot lart de Cirurgie & de Medecine. Pource que la dicte science tracte de la complexion de plusieurs homes & pronostications des signes & caractères imprimées en nature es mains apparoissans traslatée de latin en fracoys par maistre Jehan de Verdellay selon la sentence de Aristote. Sans lieu ni date (Lyon, 1510 ?). Petit in-8 (145 x 95 mm) gothique, plein veau estampé usagé (frottements, 3 caissons du dos arrachés, coins émoussés, second plat faible), premier feuillet blanc manquant et celui de fin (contenant peut-être une marque d'imprimeur), titre en rouge et noir avec bordures, 91 ff. non chiffrés sign. A-B (8), C(4), D-G (8), I-M (7), 150 figures sur bois figurant les lignes et contours des mains. Brunet (tome 2, colonne 314 à l'article CORUM) indique 91 ff. et correspond sans doute à l'édition décrite de cet écrit extrêmement rare. Il semble exister deux autres éditions françaises de cet art de chyromance toutes avec signatures A-M8 : une imprimée à Lyon chez Jean de Vingle en 1510 de 92 ff., une seconde imprimée à Lyon chez Jacques Moderne en 1529 de 92 ff. mais qui se différencie de la précédente avec notamment le mot "Medicine" au lieu de médecine dans le titre. Andrea CORVO chiromancien italien né vers 1470, mort à Carpi, était parfois confondu avec Bartolomeo Della Roca ou Cocles (1467-1564) natif de Bologne son rival ; la chiromancie de Corvo ayant été souvent jointe à la physiognonie de Della Roc … [Click Below for Full Description]
Bookseller: LE PETIT GRIMOIRE Livres Anciens (loudnessfr) [Achun, FR]
2020-01-22 22:50:07
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, 1510 circa, non datato, monogrammato in lastra in basso a destra con il simbolo di Dürer. Da una xilografia di Albrecht Dürer. Buona prova, impressa su carta vergata coeva, rifilata alla linea marginale, in ottimo stato di conservazione. L'opera è una fedele traduzione a bulino di una xilografia del Dürer, intagliata intorno al 1503-1504. In primo piano, sullo sfondo di un paesaggio, la Vergine, seduta, allatta Gesù Bambino. Dietro di loro, sono S. Giuseppe e cinque angeli alati. In alto, una colomba a simboleggiare lo Spirito Santo, e Dio Padre che reca nella sinistra il globo sormontato dalla croce. Non comune. Sconosciuto timbro di collezione al verso. "Engraving, 1510 circa, no dated, inscribed on plate with the monogram ""AD"" on a tablet at lower right. After a woodcut c.1503-4 by Albrecht Dürer. A good impression, printed on contemporary laid paper, trimmed on the marginal line, in good condition. The work is an engraved copy of a woodcut by Albrecht Dürer. In a landscape, the seated Virgin is breast-feeding the Child with St Joseph standing behind on the right, accompanied by five angels. Above, a dove symbolizing the Holy Spirit, and God the Father who holds in his left the orb surmounted by the cross, symbolic of God's dominion over all the earth. Unkommon. Unkwown collecotor's mark." Bartsch XIV, p. 408 n. 639.
Bookseller: Libreria Antiquarius [Italy]
2020-01-20 19:43:08
Lucas CRANACH "Il Vecchio" (Kronach 1472 - Weimar 1553)
"Xilografia, circa 1510/15, firmata in tavola in alto a sinistra. Della serie I Martiri dei Dodici Apostoli. Esemplare privo del testo al verso, che appare nelle prove inserite nel ""as Symbolum der Heiligen Aposteln"" di Martin Lutero, pubblicato a Wittenberg da Georg Rhau nel 1548. Magnifica prova, impressa su carta vergata coeva priva di filigrana, completa della linea marginale e con sottili margini, in ottimo stato di conservazione. La leggenda vuole che Pietro venisse per suo volere crocifisso a testa in giù a Roma, sul Gianicolo; l'iconografia solitamente, come in questo caso, coglie il momento in cui i soldati elevano la croce con sopra San Pietro, alla presenza di numerosi testimoni. Stilisticamente l'opera denota l'influenza della pittura italiana; il gruppo di figure in primo piano è fortemente inserito nel paesaggio. Bellissimo esemplare." "Woodcut, 1510/15 circa, signed on upper left. St Peter; being crucified, head downwards; with the two Saxon shields in upper left corner. Example without text in the back, as from Martin Luther, ""Das Symbolum der Heiligen Aposteln"" Wittenberg, Georg Rhau, 1548. From the series The Martyrdom of the Twelve Apostles. Magnificent work, printed on contemporary laid paper without watermark, with marginal line and thin external margins, in excellent condition. The legend says St. Peter was crucified, according to his own will, with the head upside down, on the mount Gianicolo in Rome; classic iconography, as in this case, depicts the moment when the soldiers lift the cross with St. Peter in front of those present. Stylistically, t … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-19 20:07:11
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, circa 1510, privo di firma. Esemplare con l'indirizzo di Antonio Salamanca. Bellissima prova, impressa su carta vergata coeva con filigrana dello "scudo", con sottili margini, piccola ossidazione all'angolo inferiore destro, per il resto in perfetto stato di conservazione. Il Bartsch descrive l'opera tra i lavori del Raimondi mentre il Passavant tra quelli della scuola. Molto rara. Bibliografia: Bartsch vol. XIV, 356; Passavant vol. 6, p. 92, 140. Dimensioni 220x300.
Bookseller: Libreria Antiquarius [Italy]
2020-01-18 19:48:11
1510. Formularium instrumentorum, nouiter correctum et emendatum. Roma, in Campoflore per Marcellum Silber alias Frank 1510 Bello e raro post incunabolo per notai: Formularium instrumentorum, nouiter correctum et emendatum. Stampato a Roma, in Campoflore per Marcellum Silber alias Frank nel 1510. Rarissima edizione di libro di giuridica - notariato - giurisprudenza. L'unica copia in Italia che ho trovato è nella Biblioteca Vaticana. Provenienza: collezione privata. Restauro alla prima carta, rinforzo parte interna della seconda, piccola mancanza parte bianca di una decina di carte, gora nell'indice iniziale e nella parte centrale di alcune carte,, la parte esterna delle prime carte leggermente più debole, qualche altro piccolo difetto, ma nel complesso buona copia di libro di notariato rarissimo. Legatura in mezza pergamena con piatti realizzati in carta remondiniana della fine del XVIII secolo. Pagine: 8 carte + CXCVII (197 carte) + 1. Completo. Misura: cm 21 x cm 13,5 --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Grazie per aver visionato la pagina. Potrai trovare altri interessanti libri sotto aceccob . La spedizione verra' effettuata tramite posta raccomandata, pacco celere 1 o pacco celere 3, a seconda dell'importo del libro. E' esclusa la spedizione per posta prioritaria non rintracciabile sul sito delle Poste Italiane.
Bookseller: Studio Bibliografico Colazingari (aceccob) [Roma, IT]
2020-01-18 16:09:10
PLUTARCHUS PLUTARCO
1510. [POST INCUNABOLO RARO] (cm .21) Bella piena pergamena recente con nervi esterni. -CC.56 nn., titolo entro bella bordura architettonica decorata in xilografia. Carattere rotondo, spazi bianchi con letterina guida. Opera veramente molto rara; il CENSUS ICCU registra solo 7 copie nelle biblioteche italiane. Prima edizione della traduzione dal greco ad opera di Guillielmo Budeo Parigino.Buon restauro all'estremo margine bianco di molte carte all'inizio che solo alla prima, intacca l'angolo della cornice, altrimenti esemplare molto bello, nitido e ben marginato, con alcune chiose coeve ai lati. Sander 5779; * ASCARELLI "ANNALI DI G. MAZZOCCHI" N°26 * ASCARELLI "CINQUECENTINE ROMANE" 234; * GRAESSE V 362. Manca ad Adams, al Bm. stc. e a molta bibliografia consultata.
Bookseller: LibriAntichiArezzo-FC Edizioni (studio.bibliografico.libri.antichi.arezzo) [ Arezzo, IT]
2020-01-18 08:37:53
NICOLETTO da Modena (Attivo a Ferrara dal 1490 - 1525)
"Bulino, 1510 circa, firmato in lastra con il monogramma "N. O.", nel nastro verso il basso. Nei due nastri in alto, sormontati da due aquile, le parole "VICTORIA" e "AUGUSTA". Bella prova, impressa su carta vergata coeva, rifilata ai margini, in ottimo stato di conservazione. Questo fregio ornamentale che reca in alto le parole ""VICTORIA AUGUSTA"" (la vittoria augustea), sembra illustrare la rifioritura delle arti resa possibile dall'avvento della pace. Questo tema e la scritta richiamano in modo specifico la famosa ""Pax Augusta"", la pace di Augusto, a cui si fa allusione anche in un altro dei pannelli grotteschi di Nicoletto (H. 107) recante le iscrizioni ""VICTORIA AUGUSTI"", ""SPES PUBLICA"" (speranza della gente) e ""PAX AETERN (pace eterna). Nella nostra stampa la lira di Apollo, dio delle arti, è giustapposta con strumenti più rustici, la cornamusa e flauti di fauni e satiri Le scene inserite raffigurano argomenti correlati: la storia di Apollo e Dafne, Pan con le sue pipe e lo scuoiamento di Marsia dopo la sua sconfitta da parte di Apollo in un concorso musicale. Appartiene a una serie di quattro pannelli ornamentali che probabilmente era stata pensata per ricordare la storia di Roma Il giudizio di Paride, nel primo pannello, era il preludio alla guerra di Troia, che portò alla fuga di Enea e, in definitiva, alla fondazione di Roma. Il secondo e il terzo pannello, che trattano le guerre vittoriose, possono alludere alla creazione dell'Impero Romano, che fu infine consolidato grazie alla Pax Augusta. La finezza della della tecnica e il tipo di ornamento suggerisco … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-18 05:21:49
Bellissimo esemplare. HEURES à l' usage de Rome. (Paris), Simon Vostre, circa 1510. (fol. a1:) Hore beate Marie Virginis, secundum usum Romanum, ad longum, absque aliquo recursu, cum illius Miraculis, et figuris Apocalipsis et biblianis, una cum Triumphis Cesaris. (Al verso:) Almanach pour 1510-1530. (fol. i 7, verso:) l' Envelissement de Notre Seigneur, (fol. i 8:), S' ensuyt la table de ces presentes Heures, (fol. i 8 verso: l' elenco delle materie dell' indice termina:) Les heures de la Conception Notre Dame. In-8°, piena pelle coeva, dorso a nervi, piani con riquadri a secco. (140) ff. in 18 quaderni segnati: a - c per 8, d per 4, e-p per 8, e a, e, i per 8. Car. gotico, iniziali colorate e dorate, 21 linee. Testo inquadrato entro bordura illustrata, con 21 bellissime silografie a piena pagina. Bell' esemplare STAMPATO su PERGAMENA. Brunet, V, 1592 (n° 85). Lacombe, Livres d' heures, 213. Bohatta, 920). Van Praet, Cat. des ouvrages imprimes sur vélin, a, p. 108, n° 128. Uff. Mob. 3 bandi.
Bookseller: Libri rari e antichi (libreriabrighenti) [Cinquanta, IT]
2020-01-16 15:03:38
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, 1510 circa, non datato né siglato. In alto a sinistra, entro nastro, l'iscrizione CURTIUS. Primo stato di due, avanti l'indirizzo di Antonio Salamanca. Della serie "Quattro Cavalieri Romani". Bella prova, impressa su carta vergata coeva, con filigrana "cerchio con tre stelle a sei punte", rifilata alla linea marginale, una piega di carta in alto a sinistra, per il resto in ottimo stato di conservazione. L'incisione appartiene a una serie di quattro nota come "Cavalieri" o "Quattro Cavalieri Romani", disegnata e incisa da Marcantonio Raimondi. Fu Delaborde per primo a individuare in Marcantonio l'autore anche dei disegni della serie, opinione che non fu unanimemente accettata: Hirth propose il nome di Baldassarre Peruzzi e Fiocco quello di Jacopo Ripanda. Circa la realizzazione delle incisioni, Bartsch, Passavant e Delaborde propendono per una datazione precoce considerando la serie tra le prime prove del Raimondi, e comunque prima del soggiorno romano; la Jebens ne precisa la datazione al 1506, sulla base delle analogie formali con "Amore e i tre putti", datata 18 settembre 1506. Per Hirth e Fiocco furono eseguite all'inizio del soggiorno romano, quando Raimondi entrò in contatto con artisti quali il Peruzzi e il Ripanda. La paternità delle composizioni spetta senza dubbio a Raimondi e a corroborare questa ipotesi è sia il linguaggio tecnico-grafico (si possono cogliere analogie con "Venere inginocchiata") sia il tipo di cultura archeologica, che evidentemente si richiama a modelli antichi finora non identificati. Il Curzio è molto simile al Guerriero romano (ca. 15 … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-16 13:17:12
FOTO NELLA DESCRIZIONE OGGETTO. CATALOGO COMPLETO SU WWW.COPERNICUM.IT. 1510 - Capha-Soncino, Dialogo de misser Sancto Gregorio papa Capha-Soncino 1510, Piero de Capha a nome di Hieronymo Soncino Descrizione Dialogo de misser Sancto Gregorio papa Nel Colopphon: Impresso in Pesaro per Piero de Capha a nome di Hieronymo Soncino, adi 15 de Luio 1510 In 8°. Numerate le carte: (8), 180 [i.e. 179], (1), Nella numerazione è omessa la pag. 153. Marca tip. del Capha sul front.: Scudo tripartito con aquila coronata e leone rampante in alto, giogo spezzato in basso. Sotto lo scudo: Io. Sfo.(Esse rovesciata) In cornice. Motto: Patria recepta. Rilegatura coeva in tutta pelle rigida impressa ai piatti e al dorso. Dorso con nervi. Qualche raro e sparso ingiallimento della carta. Rarissima cinquecentima in BUONE condizioni. Pietro Capha; Piero de Capha; Petrus Capha: Tipografo attivo a Pesaro e a Rimini. N. a Capodistria, lavorò a Venezia come fonditore di caratteri nell'officina di Aldo Manuzio il vecchio; nel 1510 era a Pesaro presso Girolamo Soncino, che fu l'editore di quasi tutte le sue stampe (tranne alcune, edite da Niccolò Zoppino). Nel 1511 introdusse la stampa a Rimini dove pubblicò, il 23 Luglio dello stesso anno, il De Sorte Hominum: Libro di argomento astrologico (illustrato) in lingua italiana nonostante il titolo in Latino. A Rimini risulta ancora residente, in contrada S. Giorgio, nel 1512; nel 1521 era di nuovo a Venezia, dove aveva ripreso a fare il fonditore di caratteri. Gershom ben Mosheh Soncino (Hieronymus Soncinus; Hieronymus de Soncino; Hieronymus Soncinas; Hierony … [Click Below for Full Description]
Bookseller: De Re Militari 1472 (lgl_68) [Santarcangelo di Romagna, RN, IT]
2020-01-14 16:42:10
(Johannes von Paltz)
Jmpressum Lyptzigk per Baccalaureu Martinu Lantzperg Herbipolense, 1510. Artikeldetails Supplementu(m) Celifodine denuo pressum elimatum:at(que) ubi truncatum prius habebatur, supplemento acutissime integratum, diligenterque ex archetypo emendatum. (Johannes von Paltz): Jmpressum Lyptzigk per Baccalaureu Martinu Lantzperg Herbipolensem.(Leipzig, Martin Landsberg) Anno 1510. Mit großem Titelholzschnitt. 186 unnum. Bll., zweispaltig in 38 Zeilen gedruckt. Mit einigen roten Initialen. Dunkelblauer Maroquin des 19. Jhdts., mit Rücken-, Decken, Steh und Innenkantenverg., Goldschnitt, signiert von dem englischen Binder J. Faulkner. 22 x 16,5 cm. Sprache: Lateinisch Bestell-Nr: 25263 Bemerkungen: VD16 J 257; BM German 672; USTC 695034. - Der Theologe und Augustiner-Eremit.Johannes von Paltz (auch Johannes Jeuser, Geuser oder Johannes Greffenstein genannt; um 1445-1511) war 1505 bis 1506 der Lehrer Martin Luthers. Er wirkte u. a. als Ablassprediger, was seinem Konvent erhebliche Geldmittel einbrachte (und auch die Kritik Luthers); hier vorliegende wohl die zweite (erste 1504) Ausgabe des Supplements zum bereits 1490 erstmalig erschienenen Hauptwerks Coelifodina (Himmlische Fundgrube), einer Sammlung von Ablassprdeigten. Der schöne Titelholzschnitt zeigt vier in einem Turm sich mit Kanonen verteidigende Engel, die von Teufeln mit Hellebarden angegriffen werden. Zum Schluss die kleine Druckermarke des Martin Landsberg, die aus zwei schwarzen Wappenzusammengesetzt ist und sich leicht von der zu Beginn seiner Tätigkeit verwendeten unterscheidet (vgl. Fairfax Murray, German books, p. 51 … [Click Below for Full Description]
Bookseller: Seltene und wertvolle Bücher (schwabing-antiquariat) [München, DE]
2020-01-12 12:57:02
Johannes von Paltz):
Jmpressum Lyptzigk per Baccalaureu Martinu Lantzperg Herbipolensem.(Leipzig, Martin Landsberg) Anno 1510. Mit großem Titelholzschnitt. 186 unnum. Bll., zweispaltig in 38 Zeilen gedruckt. Mit einigen roten Initialen. Dunkelblauer Maroquin des 19. Jhdts., mit Rücken-, Decken, Steh und Innenkantenverg., Goldschnitt, signiert von dem englischen Binder J. Faulkner. 22 x 16,5 cm. VD16 J 257; BM German 672; USTC 695034. - Der Theologe und Augustiner-Eremit.Johannes von Paltz (auch Johannes Jeuser, Geuser oder Johannes Greffenstein genannt; um 1445-1511) war 1505 bis 1506 der Lehrer Martin Luthers. Er wirkte u. a. als Ablassprediger, was seinem Konvent erhebliche Geldmittel einbrachte (und auch die Kritik Luthers); hier vorliegende wohl die zweite (erste 1504) Ausgabe des Supplements zum bereits 1490 erstmalig erschienenen Hauptwerks Coelifodina (Himmlische Fundgrube), einer Sammlung von Ablassprdeigten. Der schöne Titelholzschnitt zeigt vier in einem Turm sich mit Kanonen verteidigende Engel, die von Teufeln mit Hellebarden angegriffen werden. Zum Schluss die kleine Druckermarke des Martin Landsberg, die aus zwei schwarzen Wappenzusammengesetzt ist und sich leicht von der zu Beginn seiner Tätigkeit verwendeten unterscheidet (vgl. Fairfax Murray, German books, p. 516). - Aus der Bibliothek Hans Furstenberg. - Nur minimal berieben, sehr schönes und frisches Exemplar! [Attributes: First Edition; Signed Copy]
Bookseller: Antiquariat Uwe Turszynski [München, Germany]
Check availability:
2020-01-10 20:55:07
NICOLETTO da Modena (Attivo a Ferrara dal 1490 - 1525)
"Bulino, 1510 circa, firmato in lastra con il monogramma "N. O.", nel nastro verso il basso. Nei due nastri in alto, sormontati da due aquile, le parole "VICTORIA" e "AUGUSTA". Bella prova, impressa su carta vergata coeva, rifilata ai margini, in ottimo stato di conservazione. Questo fregio ornamentale che reca in alto le parole ""VICTORIA AUGUSTA"" (la vittoria augustea), sembra illustrare la rifioritura delle arti resa possibile dall'avvento della pace. Questo tema e la scritta richiamano in modo specifico la famosa ""Pax Augusta"", la pace di Augusto, a cui si fa allusione anche in un altro dei pannelli grotteschi di Nicoletto (H. 107) recante le iscrizioni ""VICTORIA AUGUSTI"", ""SPES PUBLICA"" (speranza della gente) e ""PAX AETERN (pace eterna). Nella nostra stampa la lira di Apollo, dio delle arti, è giustapposta con strumenti più rustici, la cornamusa e flauti di fauni e satiri Le scene inserite raffigurano argomenti correlati: la storia di Apollo e Dafne, Pan con le sue pipe e lo scuoiamento di Marsia dopo la sua sconfitta da parte di Apollo in un concorso musicale. Appartiene a una serie di quattro pannelli ornamentali che probabilmente era stata pensata per ricordare la storia di Roma Il giudizio di Paride, nel primo pannello, era il preludio alla guerra di Troia, che portò alla fuga di Enea e, in definitiva, alla fondazione di Roma. Il secondo e il terzo pannello, che trattano le guerre vittoriose, possono alludere alla creazione dell'Impero Romano, che fu infine consolidato grazie alla Pax Augusta. La finezza della della tecnica e il tipo di ornamento suggerisco … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-10 17:38:46
Bruno da Longoburgo
Venice: per Simone de Luere, 1510. Bruno da Longoburgo (1200-1286). La cyrogia di Maistro Bruno: Expertissimo in quella. Tradutta in vulgare. 4to. 40ff. Venice: Simon de Luere, 17 June 1510. 201 x 144 mm. Early vellum, author's name in ink on the spine, endpapers renewed. Small wormholes in last 10 leaves filled in, short ink inscription (deleted) on title, light browning at edges but very good. First and Only Separate Edition, and Only Edition in the Vernacular, of One of the Earliest European Surgical Treatises. Extremely rare, with only three copies noted in OCLC (U. Iowa, Harvard, NLM) and two in Italian libraries (Pistoia and Bologna). Bruno da Longoburgo studied surgery in Bologna or possibly Padua, and practiced in the latter city, where he helped found the University of Padua. His Chirurgia magna, completed in 1252, antedates those of Lanfranch, Henri de Mondeville, Guy de Chauliac and Gulielmo da Saliceto, even though it did not appear in print until the end of the fifteenth century, when it was included in the Chirurgia magna (1498) of Guy de Chauliac. It was never again published separately, or in a modern language. Bruno's Chirurgia magna was the first surgical treatise of its time to draw upon the works of Arabic authors, primarily Albucasis. The work is divided into two books of twenty chapters each: The first book deals with wound surgery, fractures and the nerves, while the second book discusses the surgery of specific parts (eyes, nose, lips, ears), the treatment of burns, and conditions such as hernia, cancer and bladder stones, as well as operations o … [Click Below for Full Description]
Bookseller: Jeremy Norman's historyofscience [Novato, CA, U.S.A.]
2020-01-08 17:49:07
Johannes von Paltz)
Jmpressum Lyptzigk per Baccalaureu Martinu Lantzperg Herbipolensem.(Leipzig, Martin Landsberg) Anno 1510. Mit großem Titelholzschnitt. 186 unnum. Bll., zweispaltig in 38 Zeilen gedruckt. Mit einigen roten Initialen. Dunkelblauer Maroquin des 19. Jhdts., mit Rücken-, Decken, Steh und Innenkantenverg., Goldschnitt, signiert von dem englischen Binder J. Faulkner. 22 x 16,5 cm. VD16 J 257; BM German 672; USTC 695034. - Der Theologe und Augustiner-Eremit.Johannes von Paltz (auch Johannes Jeuser, Geuser oder Johannes Greffenstein genannt; um 1445-1511) war 1505 bis 1506 der Lehrer Martin Luthers. Er wirkte u. a. als Ablassprediger, was seinem Konvent erhebliche Geldmittel einbrachte (und auch die Kritik Luthers); hier vorliegende wohl die zweite (erste 1504) Ausgabe des Supplements zum bereits 1490 erstmalig erschienenen Hauptwerks Coelifodina (Himmlische Fundgrube), einer Sammlung von Ablassprdeigten. Der schöne Titelholzschnitt zeigt vier in einem Turm sich mit Kanonen verteidigende Engel, die von Teufeln mit Hellebarden angegriffen werden. Zum Schluss die kleine Druckermarke des Martin Landsberg, die aus zwei schwarzen Wappenzusammengesetzt ist und sich leicht von der zu Beginn seiner Tätigkeit verwendeten unterscheidet (vgl. Fairfax Murray, German books, p. 516). - Aus der Bibliothek Hans Furstenberg. - Nur minimal berieben, sehr schönes und frisches Exemplar! Versandkostenfreie Lieferung
Bookseller: Antiquariat Turszynski [Germany]
2020-01-04 19:01:21
(Johannes von Paltz)
Jmpressum Lyptzigk per Baccalaureu Martinu Lantzpe, Martin Landsberg) Anno, 1510. Mit großem Titelholzschnitt. 186 unnum. Bll., zweispaltig in 38 Zeilen gedruckt. Mit einigen roten Initialen. Dunkelblauer Maroquin des 19. Jhdts., mit Rücken-, Decken, Steh und Innenkantenverg., Goldschnitt, signiert von dem englischen Binder J. Faulkner. 22 x 16,5 cm. VD16 J 257; BM German 672; USTC 695034. - Der Theologe und Augustiner-Eremit.Johannes von Paltz (auch Johannes Jeuser, Geuser oder Johannes Greffenstein genannt; um 1445-1511) war 1505 bis 1506 der Lehrer Martin Luthers. Er wirkte u. a. als Ablassprediger, was seinem Konvent erhebliche Geldmittel einbrachte (und auch die Kritik Luthers); hier vorliegende wohl die zweite (erste 1504) Ausgabe des Supplements zum bereits 1490 erstmalig erschienenen Hauptwerks Coelifodina (Himmlische Fundgrube), einer Sammlung von Ablassprdeigten. Der schöne Titelholzschnitt zeigt vier in einem Turm sich mit Kanonen verteidigende Engel, die von Teufeln mit Hellebarden angegriffen werden. Zum Schluss die kleine Druckermarke des Martin Landsberg, die aus zwei schwarzen Wappenzusammengesetzt ist und sich leicht von der zu Beginn seiner Tätigkeit verwendeten unterscheidet (vgl. Fairfax Murray, German books, p. 516). - Aus der Bibliothek Hans Furstenberg. - Nur minimal berieben, sehr schönes und frisches Exemplar! [6 Warenabbildungen bei antiquariat.de]
Bookseller: Antiquariat Turszynski [Germany]
2020-01-03 12:23:04
Johannes von Paltz):
Jmpressum Lyptzigk per Baccalaureu Martinu Lantzperg Herbipolensem.(Leipzig, Martin Landsberg) Anno 1510. Jmpressum Lyptzigk per Baccalaureu Martinu Lantzperg Herbipolensem.(Leipzig, Martin Landsberg) Anno 1510.. Mit großem Titelholzschnitt. 186 unnum. Bll., zweispaltig in 38 Zeilen gedruckt. Mit einigen roten Initialen. Dunkelblauer Maroquin des 19. Jhdts., mit Rücken-, Decken, Steh und Innenkantenverg., Goldschnitt, signiert von dem englischen Binder J. Faulkner. 22 x 16,5 cm. VD16 J 257; BM German 672; USTC 695034. - Der Theologe und Augustiner-Eremit.Johannes von Paltz (auch Johannes Jeuser, Geuser oder Johannes Greffenstein genannt; um 1445-1511) war 1505 bis 1506 der Lehrer Martin Luthers. Er wirkte u. a. als Ablassprediger, was seinem Konvent erhebliche Geldmittel einbrachte (und auch die Kritik Luthers); hier vorliegende wohl die zweite (erste 1504) Ausgabe des Supplements zum bereits 1490 erstmalig erschienenen Hauptwerks Coelifodina (Himmlische Fundgrube), einer Sammlung von Ablassprdeigten. Der schöne Titelholzschnitt zeigt vier in einem Turm sich mit Kanonen verteidigende Engel, die von Teufeln mit Hellebarden angegriffen werden. Zum Schluss die kleine Druckermarke des Martin Landsberg, die aus zwei schwarzen Wappenzusammengesetzt ist und sich leicht von der zu Beginn seiner Tätigkeit verwendeten unterscheidet (vgl. Fairfax Murray, German books, p. 516). - Aus der Bibliothek Hans Furstenberg. - Nur minimal berieben, sehr schönes und frisches Exemplar!
Bookseller: Antiquariat Uwe Turszynski [München, Germany]
2019-12-31 14:25:12
BIEL, Gabriel (ca. 1410/1415-1495)
Hagenau: Heinrich Gran, for Johann Rynman in �hringen, 1510. Hagenau: Heinrich Gran, for Johann Rynman in Öhringen, 1510. 2 volumes in one, 4to (216 x 153 mm). Sermones de tempore: [10], 166 leaves. Sermones de sanctis: 85 of 86 leaves, foliated [8], CCC-LXX-CCCCXLVII, without final blank leaf. Double column, gothic types. Initial spaces with guide letters. Rubricated: opening initial in blue, the rest in red, capital strokes in red. Contemporary German blind-tooled calf over wooden boards, sewn on four split-strap hide sewing supports, covers panelled with an outer border of a repeated Ranke roll (3 impressions at top and bottom and 1 and 2 impressions at sides), inner border of a Maria banderole alternating with a small rosette, diagonal fillets dividing the central rectangle into 12 compartments, the 8 outer compartments each with a small round fleur-de-lis tool, the 4 inner compartments with a larger rosette in a quadrilateral frame (the tools not found in the Einbanddatenbank or Schwenke-Sammlung); one of two brass fore-edge clasps, the catches remaining but differing from each other, plain edges, front and rear endleaves each consisting of a single sheet of parchment sewn through to create the pastedown and free endleaves, the parchemnt shrunk and wrinkled and the pastedown side no longer adhering, revealing sewing structure attaching the boards; rubbed and chipped, spine largely restored. Modern morocco-backed slipcase with inner folding case. Provenance: A few contemporary marginalia and manicules; bookplate of Otto Orren Fisher (1881-1961, Detroit industrial surg … [Click Below for Full Description]
Bookseller: Musinsky Rare Books, Inc. [United States]
2019-12-18 22:44:09
1510. 3 Scenes in circular frames.Two couples in landscape; Judgement of Paris; St. Jerome Praying.Engraving on hand laid (verge type) paper.Sheet size: 7 x 7 cm. Image size: 5,7 x 5,7 cm.Probably a 17th. c. ed. published by Funck. Very rare. Ref: Hollstein 25.Made by Lambert Hopfer after Albrecht Dürer. Lambert Hopfer (German: c.1510-c.1550).Condition: Very good, given age. Trimmed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: ST. JEROME-JUDGEMENT OF PARISStorage: PCO-C4-38
Bookseller: Pictura Prints, Art & Books [Overasselt, Netherlands]
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2019-12-18 04:04:03
Paris, Jehan (Jean) Petit c. 1510. 32 pages. 130x95 mm. In later half vellum. No painted capitals. Half the book water-stained in lower inner corner. A few old ink-notes.*Only a few copies of this book is known throughout the world. Worldcat list 2 in Germany, one in France and one in Spain.[#204644]
Bookseller: Redins antikvariat [Alunda, Sweden]
2019-12-17 17:36:13
Núñez Coronel, Antonio.
Denis Roce, [1510]., Paris. Primera edición extremadamente rara de esta obra del autor humanista segoviano, Antonio Núñez Coronel. Muy buen ejemplar preciosamente enriquecido con decenas de dibujos de rostros de personas y algunos animales, perros, pájaros, etc. Tambien manos señalando muy artísticamente. Tipografía gótica, letras capitales xilográficas de diversos tamaños. Texto a dos columnas. 76 folios numerados a la romana, inclusive portada con bella orla decorada con personajes y marca tipográfica de Denis Roce. Exlibris y dibujos ornamentales de antiguos poseedores (siglo XVI). Fecha deducida de la dedicatoria a Francisco Fernando Coronel (París, 24 de junio de 1510). Encuadernación de plena piel firmada Brugalla 1953. Ejemplar corto de márgenes afectando a la oral de la portada por los extremos superior e inferior. 26x19 cm. Palau 62407. [Attributes: First Edition; Hard Cover]
Bookseller: Llibreria Antiquària Delstres [Canet de Mar, BCN, Spain]
2019-12-17 06:59:32
1510. S. Iohanes CrisostmusEngraving on hand laid (verge type) paper.Sheet size: 7,2 x 5,6 cm. Image size: 7,2 x 5,4 cm.Source unknown, to be determined. Ref: B.215; Hollstein German 70-?(8). Provenance: Collection mark on rear (not in Lugt)Made by Hans Sebald Beham after Barthel Beham. Hans Sebald Beham (1500-1550) was a German printmaker and engraver, as well as painter and miniaturist. He belongs to the group of 'Little Masters', German artist printmakers in the generation after Durer. Barthel Beham (1502-1540) was a German painter, engraver and designer of woodcuts, one of the Little Masters. Together with his brother Sebald and Georg Pencz he was banished in 1525 from Nuremberg for his radical political views.Condition: Very good, given age. Trimmed close to image as is common. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: PENANCE OF SAINT JOHN CHRYSOSTOMOSPCO-Expo-122
Bookseller: Pictura Prints, Art & Books [Overasselt, Netherlands]
2019-12-01 21:03:06
1510. Antique Master Print, untitled. The apostle St. Andrew. Good, later 16th. century impression. Ref: NH 89b Engraving on Laid paper. Made by 'Lucas van Leyden' after own design. Lucas van Leyden (1494 - 1533), also named either Lucas Hugensz or Lucas Jacobsz, a Dutch engraver and painter, born and mainly active in Leiden. Lucas van Leyden was among the first Dutch exponents of genre painting and is generally regarded as one of the finest engravers in the history of art. Very good, given age. Thread margins, some browning. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 7.7 x 11.9 cm. The image size is ca. 7.3 x 11.4 cm. The overall size is ca. 3 x 4.7 inch. The image size is ca. 2.9 x 4.5 inch. Storage location: (LATPC) Q1-385
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2019-11-27 17:22:21
CERVIO, Vincenzo.
BMC STC Italian, p. 166; USTC 821713 (7 copies); Vicaire, col. 159; Westbury, pp. 45-46; this edition not in Bitting; Horn-Arndt; cf. Davidson, The Oxford companion to food, p. 156. Rare first edition, in the original Italian, of an elaborate gastronomic treatise, detailing the carving and serving of meat, fish, fruit, shellfish and fowl. Cervio's work is superior to the essays of his predecessors Romoli and Scappi, making it the most complete Renaissance treatise on the art of culinary carving. It includes no fewer than 74 chapters and promotes the Italian method of carving, where one holds the food up in the air with a fork and carves it in this posture, transforming the operation into a spectacular performance for the diners to admire. The treatise, moreover, provides "much information about the foods eaten at an Italian court of that period" (Davidson).Cervio Vincenzo (ca. 1510-1580) was an officer in the household of Cardinal Alessandro Farnese. With 1 plate slightly shaved, affecting only the butt of the handles of 1 knife and a carving iron, and with running heads slightly shaved on 2 leaves, otherwise in very good condition, with only and occasional minor spot or marginal stain. The earliest detailed manual of the art of carving at the table.
Bookseller: ASHER Rare Books (Since 1830) [Netherlands]
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2019-11-24 01:25:31
GEILER VON KAISERSBERG, Johannes.
STC German, p. 335; USTC 627176 & 627177; VD16 G765 & G766; cf. Ritter, Incunables & Livres XVIe Siècle Bibl. Municipale Strasbourg, 1078. Second edition of a collection of popular stories presented as sermons, including "Der Eschengrüdel" the first printed version of the fairytale of Cinderella. The woodcuts in the present edition are new, that showing the three-cornered mirror closely copied from the 1510 edition, but the others larger, more skilfully cut and much more detailed than those of the 1510 edition, and the book adds a second block for "the three-cornered mirror", containing two images from the story of Jesus. The woodcut showing the disconsolate Cinderella cleaning ashes at the kitchen hearth therefore served as the prototype for numerous Cinderella illustrations. Matthias Schürer published the first edition of 1510, also at Strasbourg but in 4to format. Johann Geiler von Kaisersberg (1455-1510), born in Schaffhausen, Switzerland, met great fame as a popular preacher at Strasbourg, where he had close ties to leading humanists. He based his sermons on popular stories taken from oral stock of folktales, fables, and fairytales. For his moral purpose Geiler von Kaisersberg adapted the fairytale of Cinderella by placing her in a convent with two hundred sisters to treat her badly, and sending a Saint rather than a prince to save her. The moral was of course that God loved Cinderella all the more for her humility. The other sermons included are also based on German folklore: "the lost sheep", "the infernal lion", "the Christian queen", "the three-cornered mirror", " … [Click Below for Full Description]
Bookseller: ASHER Rare Books (Since 1830) [Netherlands]
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2019-10-28 16:02:04
Um, 1510. Hl. Drei Könige. 139 x 83 mm, die Kolorierung, besonders die Goldhöhung in feinster Qualität und zeitgenössisch. Insgesamt etwas berieben, 1 kleine unauffällige Quetschfalte im Pergament vor der Kolorierung. Insgesamt ungewöhnlich schönes und dekoratives Blatt mit dem typischen, spätmittelalterlichen Charme. Unter Passpartout.
Bookseller: Antiquariat Andreas Grundmann [Buchholz i.d.N., NI, Germany]
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2019-10-24 02:15:38
Bruno da Longoburgo
Venice: per Simone de Luere, 1510. Bruno da Longoburgo (1200-1286). La cyrogia di Maistro Bruno: Expertissimo in quella. Tradutta in vulgare. 4to. 40ff. Venice: Simon de Luere, 17 June 1510. 201 x 144 mm. Early vellum, author's name in ink on the spine, endpapers renewed. Small wormholes in last 10 leaves filled in, short ink inscription (deleted) on title, light browning at edges but very good. First and Only Separate Edition, and Only Edition in the Vernacular, of One of the Earliest European Surgical Treatises. Extremely rare, with only three copies noted in OCLC (U. Iowa, Harvard, NLM) and two in Italian libraries (Pistoia and Bologna). Bruno da Longoburgo studied surgery in Bologna or possibly Padua, and practiced in the latter city, where he helped found the University of Padua. His Chirurgia magna, completed in 1252, antedates those of Lanfranch, Henri de Mondeville, Guy de Chauliac and Gulielmo da Saliceto, even though it did not appear in print until the end of the fifteenth century, when it was included in the Chirurgia magna (1498) of Guy de Chauliac. It was never again published separately, or in a modern language. Bruno's Chirurgia magna was the first surgical treatise of its time to draw upon the works of Arabic authors, primarily Albucasis. The work is divided into two books of twenty chapters each: The first book deals with wound surgery, fractures and the nerves, while the second book discusses the surgery of specific parts (eyes, nose, lips, ears), the treatment of burns, and conditions such as hernia, cancer and bladder stones, as well as operations o … [Click Below for Full Description]
Bookseller: Jeremy Norman & Co., Inc. [U.S.A.]
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2019-09-23 17:45:52
1510. NOT mint but good for age. Nice vintage item. NOT sure of date. This Gutenberg bible has 1510 pages. As you see is apart some what from spine at bit at the front. Has yellowing. One of the hasp has come off and need what looks like small nails to fasten. Anyone with any info like date of anything pertaining to this I would appreciate it if you let me know. Thanks. LL 9/18/19 PLEASE ASK ANY QUESTIONS BEFORE YOU BUY. *****IF you have a problem with something when you get your item, PLEASE email me BEFORE filing a 'Return Request' or 'Not as Described' claim. I know an item is 'not as described' if it gets damaged, but if you email me first, theres a very good chance we can work it out before getting eBay involved. Just click "Contact Seller" link on the ended auction page and it should take you to where you can select a reason for contacting me. PLEASE choose the option for sending me a message (should be the first choice). Thank you.
Bookseller: Moe's Sportscards and more (moe62910) [Berlin, New Hampshire, US]
2019-09-04 01:55:41
N/A
United Kingdom/ France: N/A, 1510 Book. Very Good. Full-Leather. 1st Edition. 232 pages (116 leaves) from an unidentified post-incunable printed breviary, possibly northern French in origin. The fragmentary text has been beautifully restored with page fragments grafted onto full leaves where present and bound into a simple sheepskin binding with red edges to the text block which is 1.5cm thick. The following folios are present in part or as a whole: lxvii-lxxx; cxiii-cxxx; clxix-cxciii; cclviii-cclxiii; ccxcvii-cccxli; ccclii-ccclx; ccccxvii-ccccciv. The text is printed in black and red gothic type, 37 lines per page, with tiny woodcuts interspersed throughout but frustratingly no incipit or colophon to aid identification or indeed a list of local saints. Unearthing the origin of this breviary is no doubt possible but that responsibility will have to pass to its next owner. Please contact Christian White at Modernfirsteditions if you would like more information about this book..
Bookseller: Modernfirsteditions Ltd ABA/ ILAB/ PBFA [Ilkley, United Kingdom]
2019-08-24 12:34:15
Geiler von Kaysersberg, Johannes, & Beatus Rhenanus
[Strassburg, 1510. First edition, 4to, collating 1-28 34 A4 B-C8 D4 E-F8 G4 H-I8 K4 L8 M4 N-O8 P4 Q8 R4 S-T8 U-X4 Y8 Z4 Aa4 Bb8 Cc4 Dd8 Ee-Ff4 Gg8 Kk8 Ll4 Mm4 Nn-Oo8 Pp-Qq4 Rr-Ss8, [284] leaves (complete), but with 8 leaves misbound, i.e. 2 leaves misbound in the second gathering; C4 and C5 misbound in gathering E; O7 and O8 bound out of order; Hh8 bound in before Dd1; and Ii4 bound before Gg1; woodcut on title page of a ship with three passengers and a rower; large woodcut of a jester and a man upside down in a cart on the verso of the last leaf of the index - both images based on Sebastian Brandt's Narrenschiff, some of which have been attributed to Durer by some, to Burgkmeier by others. 19th century Mexican calf, gilt rule on covers, spine in 6 compartments, red and brown leather labels in 3, top edge stained red, floral endpapers; upper joint cracked, cords holding; small worm tracks neatly repaired with japanese tissue in the first ten leaves (very minor losses), some leaves strengthened in the gutter margin, and other small repairs, old marginal annotations, occasional dampstains; a large copy (20.5 x 15 cm). Geiler (1445-1510), the Strasburg preacher, was "a widely read man not only in theology, but also in the secular literature of the day. This is shown by the sermons having Sebastian Brandt's 'Ship of Fools,' which appeared in 1494, for their theme; these sermons attained the greatest popularity. Geiler displayed, also, exceptional facility in using public events to attract and hold the attention of his hearers" (Catholic Encyclopedia). The Navicula consists of … [Click Below for Full Description]
Bookseller: Rulon-Miller Books [US]
2019-08-23 10:22:16
Geiler von Kaysersberg, Johannes, & Beatus Rhenanus
[Strassburg, 1510. First edition, 4to, collating 1-28 34 A4 B-C8 D4 E-F8 G4 H-I8 K4 L8 M4 N-O8 P4 Q8 R4 S-T8 U-X4 Y8 Z4 Aa4 Bb8 Cc4 Dd8 Ee-Ff4 Gg8 Kk8 Ll4 Mm4 Nn-Oo8 Pp-Qq4 Rr-Ss8, [284] leaves (complete), but with 8 leaves misbound, i.e. 2 leaves misbound in the second gathering; C4 and C5 misbound in gathering E; O7 and O8 bound out of order; Hh8 bound in before Dd1; and Ii4 bound before Gg1; woodcut on title page of a ship with three passengers and a rower; large woodcut of a jester and a man upside down in a cart on the verso of the last leaf of the index - both images based on Sebastian Brandt's Narrenschiff, some of which have been attributed to Durer by some, to Burgkmeier by others. 19th century Mexican calf, gilt rule on covers, spine in 6 compartments, red and brown leather labels in 3, top edge stained red, floral endpapers; upper joint cracked, cords holding; small worm tracks neatly repaired with japanese tissue in the first ten leaves (very minor losses), some leaves strengthened in the gutter margin, and other small repairs, old marginal annotations, occasional dampstains; a large copy (20.5 x 15 cm). Geiler (1445-1510), the Strasburg preacher, was "a widely read man not only in theology, but also in the secular literature of the day. This is shown by the sermons having Sebastian Brandt's 'Ship of Fools,' which appeared in 1494, for their theme; these sermons attained the greatest popularity. Geiler displayed, also, exceptional facility in using public events to attract and hold the attention of his hearers" (Catholic Encyclopedia). The Navicula consists of … [Click Below for Full Description]
Bookseller: Rulon-Miller Books [U.S.A.]
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2019-07-26 20:33:22
Lucas CRANACH "Il Vecchio" (Kronach 1472 - Weimar 1553)
"Xilografia, circa 1510/15, firmata in tavola in alto a sinistra. Della serie I Martiri dei Dodici Apostoli. Esemplare privo del testo al verso, che appare nelle prove inserite nel ""as Symbolum der Heiligen Aposteln"" di Martin Lutero, pubblicato a Wittenberg da Georg Rhau nel 1548. Magnifica prova, impressa su carta vergata coeva priva di filigrana, completa della linea marginale e con sottili margini, in ottimo stato di conservazione. La leggenda vuole che Pietro venisse per suo volere crocifisso a testa in giù a Roma, sul Gianicolo; l'iconografia solitamente, come in questo caso, coglie il momento in cui i soldati elevano la croce con sopra San Pietro, alla presenza di numerosi testimoni. Stilisticamente l'opera denota l'influenza della pittura italiana; il gruppo di figure in primo piano è fortemente inserito nel paesaggio. Bellissimo esemplare." "Woodcut, 1510/15 circa, signed on upper left. St Peter; being crucified, head downwards; with the two Saxon shields in upper left corner. Example without text in the back, as from Martin Luther, ""Das Symbolum der Heiligen Aposteln"" Wittenberg, Georg Rhau, 1548. From the series The Martyrdom of the Twelve Apostles. Magnificent work, printed on contemporary laid paper without watermark, with marginal line and thin external margins, in excellent condition. The legend says St. Peter was crucified, according to his own will, with the head upside down, on the mount Gianicolo in Rome; classic iconography, as in this case, depicts the moment when the soldiers lift the cross with St. Peter in front of those present. Stylistically, t … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-26 08:06:03
NICOLETTO da Modena (Attivo a Ferrara dal 1490 - 1525)
"Bulino, 1510 circa, firmato in lastra con il monogramma "N. O.", nel nastro verso il basso. Nei due nastri in alto, sormontati da due aquile, le parole "VICTORIA" e "AUGUSTA". Bella prova, impressa su carta vergata coeva, rifilata ai margini, in ottimo stato di conservazione. Questo fregio ornamentale che reca in alto le parole ""VICTORIA AUGUSTA"" (la vittoria augustea), sembra illustrare la rifioritura delle arti resa possibile dall'avvento della pace. Questo tema e la scritta richiamano in modo specifico la famosa ""Pax Augusta"", la pace di Augusto, a cui si fa allusione anche in un altro dei pannelli grotteschi di Nicoletto (H. 107) recante le iscrizioni ""VICTORIA AUGUSTI"", ""SPES PUBLICA"" (speranza della gente) e ""PAX AETERN (pace eterna). Nella nostra stampa la lira di Apollo, dio delle arti, è giustapposta con strumenti più rustici, la cornamusa e flauti di fauni e satiri Le scene inserite raffigurano argomenti correlati: la storia di Apollo e Dafne, Pan con le sue pipe e lo scuoiamento di Marsia dopo la sua sconfitta da parte di Apollo in un concorso musicale. Appartiene a una serie di quattro pannelli ornamentali che probabilmente era stata pensata per ricordare la storia di Roma Il giudizio di Paride, nel primo pannello, era il preludio alla guerra di Troia, che portò alla fuga di Enea e, in definitiva, alla fondazione di Roma. Il secondo e il terzo pannello, che trattano le guerre vittoriose, possono alludere alla creazione dell'Impero Romano, che fu infine consolidato grazie alla Pax Augusta. La finezza della della tecnica e il tipo di ornamento suggerisco … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-25 16:33:21
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, 1510 circa, non datato, monogrammato in lastra in basso a destra con il simbolo di Dürer. Da una xilografia di Albrecht Dürer. Buona prova, impressa su carta vergata coeva, rifilata alla linea marginale, in ottimo stato di conservazione. L'opera è una fedele traduzione a bulino di una xilografia del Dürer, intagliata intorno al 1503-1504. In primo piano, sullo sfondo di un paesaggio, la Vergine, seduta, allatta Gesù Bambino. Dietro di loro, sono S. Giuseppe e cinque angeli alati. In alto, una colomba a simboleggiare lo Spirito Santo, e Dio Padre che reca nella sinistra il globo sormontato dalla croce. Non comune. Sconosciuto timbro di collezione al verso. "Engraving, 1510 circa, no dated, inscribed on plate with the monogram ""AD"" on a tablet at lower right. After a woodcut c.1503-4 by Albrecht Dürer. A good impression, printed on contemporary laid paper, trimmed on the marginal line, in good condition. The work is an engraved copy of a woodcut by Albrecht Dürer. In a landscape, the seated Virgin is breast-feeding the Child with St Joseph standing behind on the right, accompanied by five angels. Above, a dove symbolizing the Holy Spirit, and God the Father who holds in his left the orb surmounted by the cross, symbolic of God's dominion over all the earth. Unkommon. Unkwown collecotor's mark." Bartsch XIV, p. 408 n. 639.
Bookseller: Libreria Antiquarius [IT]
2019-07-25 16:33:21
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, circa 1510, privo di firma. Esemplare con l'indirizzo di Antonio Salamanca. Bellissima prova, impressa su carta vergata coeva con filigrana dello "scudo", con sottili margini, piccola ossidazione all'angolo inferiore destro, per il resto in perfetto stato di conservazione. Il Bartsch descrive l'opera tra i lavori del Raimondi mentre il Passavant tra quelli della scuola. Molto rara. Bibliografia: Bartsch vol. XIV, 356; Passavant vol. 6, p. 92, 140. Dimensioni 220x300.
Bookseller: Libreria Antiquarius [IT]
2019-07-25 16:33:21
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, 1510 circa, non datato né siglato. In alto a sinistra, entro nastro, l'iscrizione CURTIUS. Primo stato di due, avanti l'indirizzo di Antonio Salamanca. Della serie "Quattro Cavalieri Romani". Bella prova, impressa su carta vergata coeva, con filigrana "cerchio con tre stelle a sei punte", rifilata alla linea marginale, una piega di carta in alto a sinistra, per il resto in ottimo stato di conservazione. L'incisione appartiene a una serie di quattro nota come "Cavalieri" o "Quattro Cavalieri Romani", disegnata e incisa da Marcantonio Raimondi. Fu Delaborde per primo a individuare in Marcantonio l'autore anche dei disegni della serie, opinione che non fu unanimemente accettata: Hirth propose il nome di Baldassarre Peruzzi e Fiocco quello di Jacopo Ripanda. Circa la realizzazione delle incisioni, Bartsch, Passavant e Delaborde propendono per una datazione precoce considerando la serie tra le prime prove del Raimondi, e comunque prima del soggiorno romano; la Jebens ne precisa la datazione al 1506, sulla base delle analogie formali con "Amore e i tre putti", datata 18 settembre 1506. Per Hirth e Fiocco furono eseguite all'inizio del soggiorno romano, quando Raimondi entrò in contatto con artisti quali il Peruzzi e il Ripanda. La paternità delle composizioni spetta senza dubbio a Raimondi e a corroborare questa ipotesi è sia il linguaggio tecnico-grafico (si possono cogliere analogie con "Venere inginocchiata") sia il tipo di cultura archeologica, che evidentemente si richiama a modelli antichi finora non identificati. Il Curzio è molto simile al Guerriero romano (ca. 15 … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-06-11 23:45:13
1510. ORIGINALER KUPFERSTICH VON LUCAS VAN LEYDEN DIE RÜCKKEHR DES VERLORENEN SOHNESAUS DEM JAHR 1510 LUCAS VAN LEYDEN (1494 in Leiden - 1533 in Italien); auch Lucas Hugensz van Leyden.Niederländischer Maler und Kupferstecher der Renaissance. BESCHREIBUNGOriginaler Kupferstich aus dem Jahre 1510. Mit dem Monogramm " L" in der Darstellung unten und der Bezeichnung "Martini Petri Excude". ABMESSUNGENBlatt / Platte: 25,2 cm x 18,5 cm. ZUSTANDOriginal-Kupferstich mit feinem Rändchen um die Plattenkante bzw. stellenweise auf diewse geschnitten. Ganzflächig auf Bütten alt aufgezogen.Vereinzelt Risse in den Rändern, links vom Baum oben mit hinterlegtem kleinen Wurmfrass.Stellenweise mit Kratzern und Bereibungen. Trotz der genannten Mängel noch schöner Gesamteindruck.
Bookseller: antiquarischekostbarkeit (welsprofi) [Balmberg, CH]
2019-06-06 16:21:37
BENEDICT, Saint, of Nursia
Rouen, Jean Richard, 1510. text in two sizes of gothic type, in two columns with marginal notes in inner and outer margins, decorative initials (miniated), full-page woodcut on B5v, large and fine printer's mark at colophon, extensive early MS notes on title and an early manuscript index (14 leaves), good well-margined copy with the marginal notes unaffected by trimming or binding, modest 19th-century boards
Bookseller: Sevin Seydi Rare Books [UK]
Check availability:
2019-05-24 16:39:09
Barbieri (Barberiis), Filippo (Philippus de)];[Proba, Falconia]
per Bernandinum Benalium (Bernardino Benali), [Venetiis (Venezia):], 1510. First edition in this format. The first book is illustrated with twelve large woodcuts of the sibyls and ornamented with several historiated and white-on-black knotwork woodcut initials. Roman and rotunda types, 42 lines. In later vellum. (28) leaves. Coll.: [A2], B-D4, E2; a-c4. Beautifully illustrated Italian post-incunable edition, illustrated with twelve large woodcuts of the Sibyls and elaborate initials. Previously thought to be incunabula, this edition was printed after 1500. The strong woodcuts depicting the twelve Sybils are Venetian copies of those in earlier Roman editions, each with 4-part border, embellished with historiated and ornamental woodcut initials. The text, which is extracted from the larger collection of Filippo Barbieri's opuscula published twice in Rome at the beginning of the 1480s, most likely a compilation of contemporary Italian manuscripts detailing the names, origins, and predictions of the Sibyls. The "Testimonies of the Jews and gentiles concerning Christ," mentioned on the title-page, do not appear in the book, nor in the earlier Roman collections. The second title, "Cento Vergiliana" is an arrangement of Virgilian verses by the Roman authoress Proba Falconia, considered as one of the earliest testimonies to the extraordinary power of Virgil's words within the Christian tradition. This part was included in the earlier Roman editions and was printed also as a separate work. Benali apparently issued his Proba Falconia both together with Barberiis' treatise on Sibyls ( … [Click Below for Full Description]
Bookseller: Földvári Books [Budapest, Hungary]
2019-03-26 17:00:57
Trixum Gabriel de Barletta - Sermones - Hagenau 1510 - Zeitgenössis Gabriel de Barletta (Gabriele Barelete). Sermones fratris Gabrielis Barelete sacre pagine professoris diui Ordinis fraterum Predicatorum De Tempore (et) De Sanctis. Hagenau, Jphannes Rynman u. Henr.Gran, (1510). 4°. - 22,5:15,5 cm. 22 unnumer. Blätter, CXCIX numer. Blätter. Holzdeckelband der Zeit mir dunkelbraunem Kalbslederbezug, mit reicher Blindprägung, 1 Mittelschließe. VD 16, G 8. - Gabriel de Barletta (15th century) was a Catholic preacher of the Dominican Order, whose sermons were widely published in Italy after his death. Komplette Postinkunabel bis auf das fehlende weiße Blatt am Schluß. In einem zum größeren Teil noch erhaltenen zeitgenössischen geprägten Kalbslederband mit verschiedenen Stempeln (Blüte im Kreis, Lilie, geprägte florale Bordüre usw.). Achtung Zustand: Titel in der unteren rechten Ecke mit Ausriß ohne Textverlust, mit älterem hs. Besitzvermerk sowie unten gestempelt. Durchgehend gering fingerfleckig, stellenweise (im Bug unten sowie im Rand) teils stärker wasserfleckig. Durchgehend etwas wurmstichig (zwischen 5-20 Löchlein pro Blatt), Anfangs etwas bis Blatt 50 stark wurmstichig, hauptsächlich im unteren weißen Rand, mit ein bis zwei Wurmgängen auch im Text. Gegen Schluß wieder etwas stärker wurmstichig, hauptsächlich im unteren weißen Rand. Hinteres Innengelenk etwas brüchig. Der zeitgenössische Einband in etwas späterer Zeit mit einfachem braunem Leder überklebt, dieses jedoch am Rücken bereits wieder stark beschädigt, eingerissen und mit größeren Fehlstellen. Der originale Einb … [Click Below for Full Description]
Bookseller: Bücherland (fuego41) [München, DE]
2019-03-26 07:27:55
Suetonius Tranquillus, Caius
Venice: 1510. See listing for details. Lacks title page. Suetonius Tranquillus, Caius De vita Caesarum Woodcuts within text (Venice Filippo Pincio, February 18, 1510) Publication address in a colophon, date: Anno domini M.CCCCCX Die.XVIII.Februari. De vita Caesarum (Latin; lit. "About the Life of the Caesars"), commonly known as The Twelve Caesars, is a set of twelve biographies of Julius Caesar and the first 11 emperors of the Roman Empire written by Gaius Suetonius Tranquillus. The Twelve Caesars was considered very significant in antiquity and remains a primary source on Roman history. He is mainly remembered as the author of De Vita Caesarum--translated as The Life of the Caesars although a more common English title is The Lives of the Twelve Caesars or simply The Twelve Caesars. Long title: Commentationes conditae a Philippo Beroaldo in Svetonium Tranquillum. Additis quamplurimis annotamentis: quae ut facilius cognoscantur Caii Svetonii vita per Sabellicum. Cum commento eiusdem. Philippi Beroaldi vita per Bartholomeum Blanchinum. Habes insuper mi lector candidae ipsius Tran. Svetonii tabulam vocabulorum & historiarum Sander 7144; Essling 209; Adams S2028 Filippo Pincio, Active 1490-1530 Condition and notes In modern full calf blind stamped in a contemporary style. Small bookbinders label pasted down. Additional photos of binding on request. Boards attached minimal external wear. Light soiling to Endpages 72 Woodcuts Including one thought to be one of the first representations of a caesarian section.(pictured) Attractive historiated initials throughout Binding is sound … [Click Below for Full Description]
Bookseller: bluemangobooksandmanuscripts [New Hope, Pennsylvania, US]
2019-03-21 16:11:51
Guigo de Castro:
Basel, J. Amerbach (Froben und Petri) für die Kartause St. Johannes Baptist Freiburg, 15. I. 1510. 261 Bl. (ohne weißes D6), 50 num. Bl. Mit 5 großen (3 blattgroßen) und 33 kl. Holzschnitten (Porträts) von Urs Graf (?); rubriziert und mit eingemalten Initialen, alternierend in Rot und Blau. 2°. Brauner Maroquinband des 18. Jhdts mit dreifachen Goldfileten an den Deckeln, Steh- und Innenkantenvergoldung, Rückentitel und reicher -vergoldung sowie dreiseitigem Goldschnitt. VD16 G 4071; Adams G 1559; Panzer VI, 186, 84; Buchberger I, 1812, Die Auflage war nicht für den allgmeinen Verkauf gedacht, sondern den Mitgliedern des Ordens vorbehalten. Das Werk beruht auf mündlichen Überlieferungen der Ordenssatzungen des Guigo (um 1083-1337; 5. General-Prior der Kartäuser) und wurde von Georg Reisch, Prior der Karthause in Freiburg i. Br., in Auftrag gegeben; die hier erstmals gedruckten Satzungen (Consuetudines Cartusiae) sind cum grano salis heute noch maßgebend für diesen Einsiedlerorden (in der Fassung des Generalpriors Le Masson von 1688); bis 1507, also unmittelbar vor der Entstehung vorliegender Statuta, sind Kartäusergründungen von 230 Männer- und 17 Frauenklöstern bekannt waren (vgl. RGG III, 639). Die Gesamtauflage der Statuta, die ja nur für den Dienstgebrauch bestimmt waren, dürfte wenig höher als deren Anzahl gewesen sein. Ecken und Kanten etwas berieben; Deckel mit schwachen Schabspuren; Hinterdeckel etwas verfärbt bzw. gering fleckig; einige kleinere Feuchtigkeitsflecken zu Beginn und Ende; die eingemalten Initialen (zwei- oder sechszeilig) teils mit gebräuntem Abklatsch … [Click Below for Full Description]
Bookseller: Antiquariat am Moritzberg [Hildesheim, NDS, Germany]
2019-03-01 16:07:37
MIZAULD, Antoine.
1510. Brüning 369; Durling 3178 note & 3187 note; Rosenthal, Bibliotheca Magica, 2987 (incompl.); Thorndike VI, p. 216; USTC 158149; Wellcome 4362. First edition, in the original Latin, of what proved an extremely popular work: 900 medical and other "secrets", including information on astrology, gardening, cosmetics and other subjects, arranged in nine numbered chapters, each containing 100 numbered prose "aphorisms". Like most books of secrets it offers a mixture of science and superstition gathered from a wide variety of ancient and modern sources, many of them named in the aphorisms, and its medicinal recipes served in turn as sources for other authors internationally. It is a beautiful little piece of book production, with finely engraved woodcut decorated initials and headpieces, excellent presswork and the main text set in a lovely Granjon St Augustin (86 mm/20 lines) italic.Mizauld (1510-1578) was a professor of medicine at the University of Paris and astrologer and physician to Margaret of Valois. Mizauld thought the poor often fell prey to greedy apothecaries, so he presented them with remedies they could often grow in their own gardens or gather in the wild. It was an entirely different work from the Memorabilium aliquot . that Mizauld had published in 1554, but succeeded to and expanded on his Arcanorum naturae sylvula (1555). With occasional contemporary and later manuscript notes and an 18th-century(?) library stamp on the title-page (partly erased), not affecting the printed image. With 1 leaf nearly detached, a water stain in the last 5 quires, and occasional … [Click Below for Full Description]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2019-02-27 19:33:57
NICOLETTO da Modena
Bulino, 1510 circa, firmato in lastra con il monogramma "N. O.", nel nastro verso il basso. Nei due nastri in alto, sormontati da due aquile, le parole "VICTORIA" e "AUGUSTA". Bella prova, impressa su carta vergata coeva, rifilata ai margini, in ottimo stato di conservazione. Questo fregio ornamentale che reca in alto le parole "VICTORIA AUGUSTA" (la vittoria augustea), sembra illustrare la rifioritura delle arti resa possibile dall'avvento della pace. Questo tema e la scritta richiamano in modo specifico la famosa "Pax Augusta", la pace di Augusto, a cui si fa allusione anche in un altro dei pannelli grotteschi di Nicoletto (H. 107) recante le iscrizioni "VICTORIA AUGUSTI", "SPES PUBLICA" (speranza della gente) e "PAX AETERN (pace eterna). Nella nostra stampa la lira di Apollo, dio delle arti, è giustapposta con strumenti più rustici, la cornamusa e flauti di fauni e satiri Le scene inserite raffigurano argomenti correlati: la storia di Apollo e Dafne, Pan con le sue pipe e lo scuoiamento di Marsia dopo la sua sconfitta da parte di Apollo in un concorso musicale. Appartiene a una serie di quattro pannelli ornamentali che probabilmente era stata pensata per ricordare la storia di Roma Il giudizio di Paride, nel primo pannello, era il preludio alla guerra di Troia, che portò alla fuga di Enea e, in definitiva, alla fondazione di Roma. Il secondo e il terzo pannello, che trattano le guerre vittoriose, possono alludere alla creazione dell'Impero Romano, che fu infine consolidato grazie alla Pax Augusta. La finezza della della tecnica e il tipo di ornamento suggeriscono che que … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2019-02-24 07:40:32
Suetonius Tranquillus, Caius
Venice: 1510. See listing for details. Lacks title page. Suetonius Tranquillus, Caius De vita Caesarum Woodcuts within text (Venice Filippo Pincio, February 18, 1510) Publication address in a colophon, date: Anno domini M.CCCCCX Die.XVIII.Februari. De vita Caesarum (Latin; lit. "About the Life of the Caesars"), commonly known as The Twelve Caesars, is a set of twelve biographies of Julius Caesar and the first 11 emperors of the Roman Empire written by Gaius Suetonius Tranquillus. The Twelve Caesars was considered very significant in antiquity and remains a primary source on Roman history. He is mainly remembered as the author of De Vita Caesarum--translated as The Life of the Caesars although a more common English title is The Lives of the Twelve Caesars or simply The Twelve Caesars. Long title: Commentationes conditae a Philippo Beroaldo in Svetonium Tranquillum. Additis quamplurimis annotamentis: quae ut facilius cognoscantur Caii Svetonii vita per Sabellicum. Cum commento eiusdem. Philippi Beroaldi vita per Bartholomeum Blanchinum. Habes insuper mi lector candidae ipsius Tran. Svetonii tabulam vocabulorum & historiarum Sander 7144; Essling 209; Adams S2028 Filippo Pincio, Active 1490-1530 Condition and notes In modern full calf blind stamped in a contemporary style. Small bookbinders label pasted down. Additional photos of binding on request. Boards attached minimal external wear. Light soiling to Endpages 72 Woodcuts Including one thought to be one of the first representations of a caesarian section.(pictured) Attractive historiated initials throughout Binding is sound … [Click Below for Full Description]
Bookseller: bluemangobooksandmanuscripts [New Hope, Pennsylvania, US]
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