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Roadkills. Etching and 11 Woodengravings by Alan James Robinson
Easthampton, MA: Cheloniidae. 1981. Unique copy of this signed, limited edition, bound by Donald Glaister, one of 250 copies from a total edition of 300, all on handmade Japanese paper: 250 regular edition, 50 deluxe edition with an extra suite (deluxe edition long out-of-print). Page size: 9 inches x 12 inches; 42pp. In addition, this copy has been signed by all the authors although not called for in the colophon (the deluxe with the extra suite were to have all the authors' signatures).& Bound by Donald Glaister: green morocco with onlays of painted Mylar, aluminum, sanded, painted and unpainted, red morocco; design extending across front and back panel, entirely recessed within half-inch rule extending around outer edges of binding; another recessed panel occurs another 3-1/2 inches in from the border on either side and 1- 1/4 inches down from top of border, with onlays of laminated Mylar, as well as red morocco that is almost a "roadkill" over which extend Mylar cutouts. These onlays are raised and the holes allow the images below to be viewed below. Endpapers of green painted cork; top edge graphite; housed in custom-made cloth clamshell box with printed gray label on spine, fine. An extraordinary binding from the great binder, Donald Glaister. In the artist's statement, Mr. Glaister tells us, "The composition of the binding addresses the other participant in the making of a roadkill: motor vehicles. The binding represents fragments of cars and trucks seemingly randomly thrown about the covers of the book. Over the top of these layers of junk lie pieces of cargo netting such as can be found across the beds of pick-up trucks. All of these pieces of unnatural detritus are scattered over a field of organic shapes that include a black abstract bird wing shape that extends across the panels. The bird wing is intact. Hooray for the good guys." & Not exactly a pierced-screen binding, but certainly one which is as innovative as the first pierced screen was, this binding has several layers to it, raised and recessed, and not simply for effect because the binder is capable of executing such elegant, difficult work. Rather, the binding's surfaces and intent capture the intent of the book, allowing the viewer / reader to have another aesthetic experience while considering the subject, unfortunately all too common, that has provoked this collection of remarkable prose and poetry and never- undignified images of the sad results of human interaction with the natural world.& The text is a collection of prose and poetry by John McPhee, Gillian Conoley, Gary Snyder, Madeline DeFrees, William Stafford, and Richard Eberhart. The illustrations include an etching and 11 wood engravings by Robinson. The text is handset in 18pt. Arrighi and Centaur letterpress. Certainly one of the best books of Alan James Robinson's Cheloniidae Press, this is a particularly desirable copy.
See an Image.

      [Bookseller: Priscilla Juvelis, Inc.]
Last Found On: 2013-07-22           Check availability:      Biblio    

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