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Three original ink and watercolour drawings of Duncan by the American modernist artist Abraham Walkowitz
"[Duncan's] insistence on dancing to concert music paralleled her belief that dance was an art capable of expressing the highest aspirations of the soul. She admired the integration of dance in ancient Greek ritual and theater, and took inspiration from Greek sculpture. The simplicity of her costumes, which were based on Greek tunics, was matched by the unadorned curtains she used as her stage setting. She wished to reinstate in dance the sense of naturalness she perceived in the ancient Greeks and showed that simple movements such as walking, running, and skipping could be used as expressive components of the dancer's movement vocabulary. Although her work is generally regarded as a precursor of modern dance, Duncan also influenced ballet choreographers such as Michel Fokine, particularly in introducing a freer, more fluid use of the torso, untrammeled by the corset that was then a part of the ballerina's uniform. Her simplicity and naturalness seemed radical to audiences accustomed to the visual and choreographic extravagances of the ballet... Her name has evoked a daring, unfettered spirit, and her willingness to defy convention blazed a path for the dancers and choreographers who followed her." Susan Au in Grove Music Online. Walkowitz was born in Tyumen, Siberia to Jewish parents... He studied at the National Academy of Design in New York City and the Académie Julian in Paris under Jean-Paul Laurens. Walkowitz and his contemporaries later gravitated around photographer Alfred Stieglitz's 291 Gallery, originally titled the Little Galleries of the Photo-Secession, where the forerunners of modern art in America gathered and where many European artists were first exhibited in the United States... Walkowitz's dedication to Duncan as a subject extended well past her untimely death in 1927. The works reveal shared convictions toward modernism and breaking links with the past. In 1958, Walkowitz told Lerner, "She (Duncan) had no laws. She did not dance according to the rules. She created. Her body was music. It was a body electric, like Walt Whitman... While never attaining the same level of fame as his contemporaries, Walkowitz' close relationship with the 291 Gallery and Alfred Stieglitz placed him at the center of the modernist movement. His early abstract cityscapes and collection of over 5,000 drawings of Isadora Duncan also remain significant art historical records." Wikipedia.. Each drawing ca. 170 x 165 mm. All signed by the artist ("A Walkowitz") in ink at lower portion of sheet. Slightly worn, browned, and stained; remnants of mounting adhesive to verso.
      [Bookseller: J & J Lubrano Music Antiquarians LLC]
Last Found On: 2018-02-09           Check availability:      Biblio    


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