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Desiderii Erasmi opera omnia in decem tomos distincta.
Lugduni Batavorum [Leiden]: Pieter van der Aa Folio extra (39.4 cm, 15.5"). 10 vols. in 11. I: [3] ff., 24, [64] pp., 1226 cols. (i.e., 1240); engr. t.-p., 1 double-pg. engr. plt. and 1 full-pg. engr. plt. II: [6] ff., 1212 cols., [54] pp. III(a): [15] ff., 1104 cols.; 18 full-pg. engr. plts. III(b): [2] ff., cols. 1105-944, [92] ff.; 2 full-pg. engr. plts. IV: [3] ff., 758 cols. (i.e., 768); 1 full-pg. engr. plt., 75 single-col. engr. vignettes (3.5” sq.), and 6 double-col. engr. vignettes (4.25” x 7.25”). V: [3] ff., 1360 cols. VI: [29] ff., 1126 cols., [17] pp. VII: [6] ff., 1198 cols., [1] p. VIII: [3] ff., 652 cols. IX: [3] ff., 1248 cols.; 1 fold-out plt., 1 full-pg. plt. X: [2] ff., cols. 1249–860, [64] ff.. 1703–06 Before his death, Erasmus (1466–1536) divided his writings into nine ordines (categories) for posthumous publication. This is the second edition of his collected works, first published in nine volumes by Froben in 1540. Like the original, this set includes additions by authors from the Dutch humanist's international circle and portraits of the same, as well as myriad engravings after Holbein. The printer, Pieter van der Aa (1659–1733), was an apprentice of Daniel van Gaasbeeck (fl. 1655–92) and primarily known for maps and travel books. The text in all volumes is in Latin with some Greek, printed in roman and italic, mostly double-column with sidenotes and many large woodcut initials and tailpieces, as well as some engraved headpieces. Vol. I has both a general title-page and a volume title-page; each of the volume title-pages is printed in red and black and features a large engraved vignette signed by the illustrator J. Goeree and the engraver J. Baptist; some volumes also have sectional title-pages. There are many engraved plates: vol. I features an added engraved title-page, a double-page plate, and one full-page plate; in vol. III, part one, there are => 18 full-page engraved portraits of contemporaries of Erasmus including Melanchthon, Alciatus, Charles V, and Bembo, as well as two more full-page portraits in vol. III, part two. In Praise of Folly, in vol. IV, is illustrated with => 75 single-column-width engraved vignettes (3.5” sq.) and six double-column-width engravings (4.25” x 7.25”) after the famous Holbein originals, and a full-page engraved portrait of the artist. Vol. IX has one large engraved fold-out plate signed by van der Aa at Leiden, engraved by D. Stoopendael, as well as one full-page engraved plate, unsigned, of medallions against a drapery backdrop. => A handsome folio set. Provenance: Most volumes have a large stamped "Y" on the front pastedown, and a faded => 18th-century ink inscription by a monk on the title-page. All volumes in contemporary sheep recently rebacked and repaired using brown calf, spine with raised bands accented by gilt ruling with a blind ornament in each compartment, title and tome number gilt on green leather spine labels and date gilt collector-style on red leather labels at bases; marbled endpapers and red edges. Boards scuffed and chipped in places; all hinges (inside) repaired with later marbled paper. Ex- library: most volumes with bookplate and old-fashioned oval stamp on front pastedown, stamps on bottom edge and multiple leaves of text, early accession number to front free endpaper verso and bottom margin of first text leaf. In all volumes, some leaves very browned; occasional dampstaining, foxing, or other small stains from chemical reactions in paper; small natural paper flaws, short closed tears, and a few corners torn away not affecting text. Title-page of vol. I with closed interior tear stemming from deep impression of its large engraved vignette; one small tear in vol. IV repaired with monogrammed sticker! Tout entière, a nice set.
      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
Last Found On: 2016-03-19           Check availability:      IOBABooks    


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