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2016-06-03 16:16:47
Sheraton, Thomas
THE CABINET-MAKER AND UPHOLSTERER'S DRAWING-BOOK. IN FOUR PARTS
London: T. Bensley, 1802. viii,viii,[5]-446,60,24,[8]pp. plus 123 plates. Thick quarto. Contemporary paneled calf, gilt, a.e.g. Corners lightly worn, boards rubbed. Bookplate on front pastedown. Very minor foxing. Very good. Third edition, revised and generally considered the best edition, of this important furniture-making treatise, with a full complement of engraved plates as well as the Appendix and Accompaniment. "... in 1791 his masterpiece, THE CABINET MAKER AND UPHOLSTERER'S DRAWING- BOOK, began to be published by subscription in fortnightly sections (forty-two in all), priced 1s. A slightly larger second edition appeared in 1794 and a third with some small amendments in 1802. A German version was translated by G. T. Wenzel and published in Leipzig. It was intended for practising members of the trade, and addressed 'to Cabinet-Makers and Upholsterers in General'. The 717 subscribers were almost entirely established furniture makers, in contrast to those of Thomas Chippendale's GENTLEMAN AND CABINET MAKER'S DIRECTOR (1754, 1755, and 1762) which had included members of aristocracy and gentry. Sheraton's intention (inspired perhaps by his Nonconformist background) was to improve the work of uneducated artisans by teaching them proportion and perspective drawing, since previous manuals had been deficient in this. He firmly believed in the immutable laws of 'Geometry and real Science' and wished to show how these could be applied to the ephemeral nature of taste particularly in furniture design. In his own words his intention was to make the Drawing Book 'as permanently u … [Click Below for Full Description]
Bookseller: William Reese Company - Americana
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