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Displayed below are some selected recent viaLibri matches for books published in 1993

        The Theatrical Notebooks of Samuel Beckett: Vol. 1, Waiting for Godot

      Faber & Faber 1993 - First edition, first impression - Near Fine+/Near Fine+. The first (and scarcest) volume of Beckett’s Theatrical Notebooks, a sumptious production including facsimiles of Beckett’s production notebooks. Esstentially a Fine copy, immaculately crisp and clean, presenting as unread. Three horizontal lines very gently indent the upper board, a slight bump to the heel of the spine and a little pushing against the backstrip. The unclipped dustwrapper is Fine but for some wrinkles to the heel of the spine. Complete with the original publisher-issue plain cardboard slipcase. A lovely copy. Very heavy but extra postage will not be sought within the United Kingdom; overseas shipping will be charged at cost. All orders are sent very carefully wrapped in bubble wrap and sturdy cardboard. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bradhurst Fine Editions]
 1.   Check availability:     AbeBooks     Link/Print  

        VISIONAIRE NO. 10: THE ALPHABET (WINTER 1993-1994)

      (VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. VISIONAIRE NO. 10: THE ALPHABET (WINTER 1993-1994). New York: Visionaire Publishing, 1993. First Edition 1/1500. Folio. Loose Plates in a Portfolio. Fashion Quarterly. Near Fine/No Jacket - As Issued. Individual sheets laid into a die-cut printed portfolio, profusely illustrated in color and b&w. Designed by Gregory Foley. Published in an edition of one thousand, five hundred copies, this is the ninth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. "Greg Foley, who had been collaborating with us on our cover designs since the day he graduated from Rhode Island School of Design, really went to town with this one. He sliced out every letter he fancied and created one gigantic collage that we then photographed and printed. The concept was exciting: The B from Harper's Bazaar and the V from Vogue could all appear on our cover, along with many other famous typefaces. In the end it even became a kind of guessing game: ''Name that logo.'' The only drawback was that for months after this cover was made, there was not a magazine, phone book, or cereal box in the house that didn't have a hole cut out of it. The holographic metallic foil stamping also made this one of our most memorable covers. As for the contents, we assigned each of the contributing artists a different letter of the alphabet. For the first time, the directions were very specific, but even so, many artists took the challenge and proceeded as if they had been given carte blanche". Its contributors include editor Stephen Gan, Nick Knight, Robert Medvedz, Dovanna Pagowska, Jeffrey Fulvimani, Tim Rollins + K.O.S., Ruben Toledo, Bill Cunningham, Steven Meisel, James Dignan, Steven Klein, James Vance, Kareem Iliya, Bruce Weber, Francois Berthoud, Robert Adams, Stevan Dohan, Michael Capotosto, Miguel Calvo, Florentino J. Pamintuan, Donna Trope, Lucy Ewing, Helmut Lang, Arnaldo, Ferrara Ocanto, Mei Tao, Malcolm Hill, Joshua Jordan, Manolo, James White, Alexis Rockman, Peter Robathan, Torkil Gudnason, Christophe Rihet, Juan Gatti, Josef Astor, John Martin Newsom, Victoria Bartlett, Bernard Figueroa, Filip Pagowski, Michael "Rags" Raglin, Susan Cianciolo, Andrew Gellaty, and Lori Kessel. A most handsome individually numbered example of this uncommon issue. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 018301&

      [Bookseller: Arcana: Books on the Arts]
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        Strange Pilgrims (Signed Uncorrected Proof)

      Alfred A. Knopf, New York 1993 - Signed by Garcia Marquez on the half-title page. Unread uncorrected proof in NF+ condition- very minor shelf wear and slight lift to lower corner of front wrapper. Gorgeous. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Jusara Book Shop]
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        The Assemblages

      ARM Kyoto Shoin, Japan 1993 - Artists' Book. Very Scarce. Preface Adam Lowe. Text english and japanese. First and only edition. Bill Brandt collected 'found-objects' from 1959 onwards preferably in the Provence region in Southern France and later made 'collages' out of them. 31 full-page colour-photographs reminding of surrealistic arrangements. Second chapter 'The Vintage Prints'. 26 black + white plates, also 'collages'(two on each page). Oversize 36 cm x 26 cm = 14,7" x 10,24". Beautifully printed. Stiff softcover edition (as issued) with dustjacket in a flawless like new condition. Meinen Gesamtkatalog Photographie-Bücher finden Sie wie folgt. Bei Buchanbieter: Gura anklicken. Buchbestand: Das Angebot durchsuchen (Button). Stichwörter: Photographie eingeben. Suchergebnisse sortieren nach: Autor A-Z oder Titel A-Z (Button). Suche starten. Please look at a catalogue of all my photography books. At BOOKSELLER: Click on Gura. INVENTORY: Search Seller's Books. KEYWORDS: Photography. SORT BY: Author A-Z or Title A-Z. START SEARCH. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gura]
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        Biblia Pauperum

      Fine Art Facsimile publishers of Switzerland, Switzerland 1993 - No 125 in LIMITED EDITION of 980, 80 of which were not destined for sale. This is no 125. Full red morocco with gilt tooling, banded spine and arms of George III in gilt on cover. Silk eps, 31 pages of tripe plates printed in full colour and gold leaf. 93 images in total. 19cm x 39cm. A fine copy. [Attributes: Hard Cover]

      [Bookseller: David Kenyon]
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        The Pont Neuf wrapped, Paris, 1975 - 85. Photographie Wolfgang Volz. Aus Jeanne-Claudes Terminkalender. Beiträge von Volker Adolphs, Bernard de Montgolfier, Dieter Ronte, Constance Sherak.

      Köln, Wienand Verlag, 1993 - 4°, 159 S., zahlr., tlw. farb. Abb., 1 farb. Orig.-Photographie hinter Passepartout., Buch (Kart. m. OU) und Photographie (23 x 28 cm) in OLwd.-Kassette, Lwd. tlw. min. unfrisch, tadellos. EA. Die Photographie nummeriert (5/40) sowie von W. Volz und Christo signiert. Erschienen anlässlich der Ausstellung im Kunstmuseum Bonn. 2600 gr. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Kama Soutra Livre a Colorier pour Adultes No. 2. [Kama Sutra: A Coloring Book for Adults. Number 2].

      Honolulu. "A Milody Denis Juin 1993". - A semi-glossy, yellow-surfaced, cardboard, envelope type folder measuring 10 ¼ inches x 14 ¼ inches. On the front is a mounted drawing on a plastic sheet, in outlines based on the Kama Sutra form of a male and a female figure, with titling in black in various types of lettering. With a Velcro closure on the back of the envelope/folder. Inside the folder is a black cloth-covered, oblong album style book with a design of the male-female symbols engraved into a rectangular section of rough-surfaced “polymerized sand” material, with the artist’s name and year: 93, this is mounted on the front cover, and the title: Kama Soutra in applied, black plastic lettering is at the top. A loose sheet of plastic foam protects the mounted sculptured panel. With a black cloth cord looped around the spine and with two loose, knotted ends. The album contains a clear plastic sheet with the titling and a design of dots in black, that overlays the initial drawing, which is printed in black on dark gray, textured paper, seventeen more coloring book type, outline drawings based on Kama Sutra positions follow. This copy is inscribed by Christine Kermaire on a blank page at the back of the folder: "Bien a' Vous". Christine Kermaire (b. 1953) is a Belgian artist who specializes in Artists’ Books, she uses various types of materials in her artistic constructions, but is especially known for working with plastics and applied synthetic materials. Her self-published: “Catalogue 2001 Artist’ Books Bookworks (Charleroi, Belgium), features this book at pp. [7], as the fourth item in the catalogue and as the second of her "Coloring Books for Adults". The edition is there mention as 200 numbered copies (This inscribed copy is not numbered). She gives a very detailed description (in French), of the substances & processes used in producing her really very special Artists’ Books. The cognoscenti speculate that only a small number of some of the proposed editions were actually completed which accounts for the scarcity of her books. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        The Alchemist

      San Francisco: Harper Collins, 1993. First edition. Octavo, original half cloth. Signed by Paulo Coelho on the half title page. Fine in a fine dust jacket. The Alchemist is the magical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure as extravagant as any ever found. From his home in Spain he journeys to the markets of Tangiers and across the Egyptian desert to a fateful encounter with the alchemist.The story of the treasures Santiago finds along the way teaches us, as only a few stories have done, about the essential wisdom of listening to our hearts, learning to read the omens strewn along life's path, and, above all, following our dreams. Every few decades a book is published that changes the lives of its readers forever. The Alchemist is such a book. With over a million and a half copies sold around the world, The Alchemist has already established itself as a modern classic, universally admired. Paul Zindel said of its protagonist, "A boy named Santiago joins the ranks of Candide and Pinocchio.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Eigenh. Manuskript u. 5 eigenh. Briefe mit U.

      Wien, 2. VIII. 1991-4. VII. 1993. - 24½ SS. (Manuskript) u. 9½ SS. (Briefe). 4to. bzw. 8vo. Mit 5 (davon 4 eh.) Kuverts. An den Schriftsteller und Filmemacher Adolf Opel (geb. 1935), dem sie mitteilt, daß sie "gerne an einer solchen Filmdokumentation mitwirken [würde]" (Brief v. 2. VIII. 1991) und den sie darauf hinweist, daß das Deutsche Literaturarchiv ihr "Archiv" in Verwahrung habe, er aber jederzeit daselbst Einsicht nehmen könne (Durchschlag eines Briefes an das DLA beiliegend). Ein halbes Jahr später dankt sie herzlichst für Opels schönen Film: "[.] ich habe mich gefreut! Ich hab mich gern angeschaut [.] Auch der 'Aufbau' des Films gefällt mir gut [.] Daß mein zweiter 'großer' Roman 'Alle unsere Spiele' zu kurz gekommen ist, war gewiß mein Fehler [.] Das Wort 'Vergangenheitsbewältigung' kann man ja nicht mehr hören und noch weniger aussprechen und zu umschreiben, was gemeint ist, ist umständlich [.]" (Brief v. 2. I. 1992). - Weiters dankt die Autorin für einige Texte, die Opel verfaßt hat: "Um eine Ergänzung möchte ich ganz dringend bitten: ich halte nämlich meinen (letzten) Roman 'Alle unsere Spiele' 1977 für ebenso gut und ebenso wichtig wie das Jugendwerk [.] Als 'Korrektur' wünsche ich mir auch, daß 'Kardinal Mindszenty' nicht bei den 'nahestehenden' Persönlichkeiten genannt wird, - ich habe nie persönlich mit ihm gesprochen! - stattdessen aber Theodor Kramer [.] Zur Aufzählung der Orden gehört unbedingt das 'Ehrenzeichen für Wissenschaft und Kunst', 1986, die höchste Auszeichnung des öster. Staates! Mindert es nicht die 'Seriosität' Ihrer Hinweise, wenn Sie behaupten, ich gelte 'als führende katholische Schriftstellerin im deutschen Sprachraum'?? Schön wär's! [.]" (Brief v. 30. VIII. 1992). - Das mit "Entwurf des statements zu Filmaufnahme. Der Fischer (?)" überschriebene, mit zahlreichen Bearbeitungsmerkmalen (Korrekturen, Streichungen u. a.) versehene Manuskript ist eine eindringliche Reflexion der 85jährigen Schriftstellerin über ihr Leben, über Begegnungen und Korrespondenz mit Rainer Maria Rilke, Stefan Zweig, Klaus Mann, Theodor Kramer, Theodor Däubler u. a. - Der aus Wien stammende Adolf Opel war nach seiner Promotion als Journalist, Kulturpublizist, Kritiker und Regisseur tätig. 1966 schrieb er zusammen mit Georg Tressler (geb. 1917) das Drehbuch zu dessen "Weibsteufel" (nach dem gleichnamigen Theaterstück von Karl Schönherr). Der Schwerpunkt seines filmischen Schaffens liegt in der Auseinandersetzung mit Schriftstellern und Literaten wie H.C. Artmann, Franz Theodor Csokor, Albert Drach, Victor Frankl, Erika Mitterer, Hans Weigel, Simon Wiesenthal u. a. Als Herausgeber zeichnet er u. a. für die Edition der Werke von Adolf Loos verantwortlich; zu seinen eigenen Werken zählen neben Dramen (darunter "Durst vor dem Kampf", 1969) Arbeiten über Adolf Loos, Ingeborg Bachmann sowie Wanda und Leopold von Sacher-Masoch. - Beiliegend das Programm eines der Dichterin zu Ehren von der Österr. Ges. für Literatur gemeinsam mit dem P.E.N.-Club veranstalteten Symposions (17. und 18. September 2001).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        ABRAHAM BLOEMAERT AND HIS SONS. Paintings and Prints.

      Aetas Aurea, Vol. XI - Cloth bound with dusjacket, as new !! 1993. 2 vols. in 4to. VIII, 710 pp. text and over 1250 ills. on 439 plts. (35 in color).Biography by Marten Jan Bok. This is the first monograph on the leading Utrecht painter Abraham Bloemaert (1566-1651) and his four sons who were painters and engravers. Bloemaert emerges as the foremost master of Utrecht, his stature comparable to that of his contemporaries Hendrick Goltzius and Cornelis van Haarlem.The output of Abraham Bloemaert is considerable: over 200 extant paintings and 625 prints designed by him and engraved by such masters as Matham, Saenredam, Bolswert and Cornelis and Frederick Bloemaert. His stylistic development during an activity of sixty years leads from mannerist works in the style of Spranger and the school of Haarlem to a realist approach, a Caravaggesque interlude, a stint at court art, and a final classicizing style. He treated a multitude of themes from the Old and New Testament, altarpieces, mythological works, landscapes, and genre pieces, with important contributions in each field. A fervent Catholic with Jesuit ties, he is the chief representative of Dutch Catholic art. Connected with his lifelong teaching activity are the 166 prints of the Tekenboek. The book opens with an introductory text which sums up the art of Abraham and places it into the context of his time. The bulk of the book is the catalogue which includes in chronological sequence all the extant and the firmly documented lost paintings by Abraham, with copies and imitations, and all the original engravings designed by him. They comprise the 380 engravings by Frederick and the 60 engravings by Cornelis Bloemaert designed by their father. Separately catalogued are 30 dated drawings which provide support for undated works, and 35 comparative works by other masters. This is followed by a complete study of the fine œuvre of Hendrick Bloemaert, the closest continuator of Abraham, hitherto largely neglected: 120 extant paintings of genre scenes, religious themes, portraits, and mythologies. Finally a study of Adriaen Bloemaert. A large proportion of the works of Abraham and his sons are here studied and reproduced for the first time. The book closes with a fully documented biography of Abraham Bloemaert and his sons and a list of pupils; this portion is the work of the Utrecht historian Marten Jan Bok. 777 g. [Attributes: Hard Cover]

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        Typed Letter - Signed

      May 1993 - This is a typed letter on personal letterhead dated May 30, 1993 and is signed Richard J. McDonald in blue ink. The letter says as follows: "Dear Mashihiro: / Many thanks for your very nice letter. In regard to the founding / of McDonald's, your real father is correct. / My brother and I founded McDonald's in 1940. This was in San / Bernardino, California. We never even met Ray Kroc until 1954. / We conceived the idea of what is now called "fast food" in 1948. / In 1953, my brother and I began a franchise program of McDonald's. / Our first franchise agent was a man named William Tansey. We opened / 9 McDonald's in 1953 but Mr. Tansey became ill and had to withdraw / from the franchised program. / Mr. Ray Kroc, who had been selling us milk shake machines, applied / for the position of franchise agent and we hired him in 1955. / Please tell your father I want to congratulate him for knowing who / really founded McDonald's. I am a little surprised that your host / father did not wonder why the chain of restaurants is called / McDonald's if the founder was Ray Kroc. / I am a little proud that I was the one who conceived and designed the / so called "Golden Arches." / Again, Mashihiro, many thanks for your letter and I hope that someday / we may meet. The Japanese have been very good to McDonald's and I also want to thenk (sic) them for their wonderful support. / Sincerely, / (signature) / Richard J. McDonald / P.S. I wish your father would write to me and tell me how he started / his career. / After being partners and in business for over 30 years, my brother / and I returned to New Hampshire where I was born. My / brother died a few years later. Fine Condition [Attributes: Signed Copy]

      [Bookseller: Legends In History]
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        Der Henker von Brescia. Drei Akte der Not und Ekstase. . Sechs Original-Lithographien von Bernhard Heisig. .

      Leipzig, Sisyphos-Presse, [1993] - 2° (40 x 32 cm), 58 S., 6 Orig.-Lithographien, OHLwd. in Schuckschuber, Min gebrauchsspurig, schönes Exemplar. (= Sechster Druck der Sisyphos Presse). Nr. 129 von 220 Exemplaren. Jede Lithographie vom Künstler signiert. 2500 gr. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        The Grave of Lost Stories.

      CoTangent Press [1993], [Sacramento] - Artist's book, one of 15 deluxe copies only, 13 of which are for sale, all on Johannot paper, each signed and numbered by the artist/author and binder, from an edition of 200 (185 regular edition). Page size: 10-7/8 x 7-7/8 inches. Bound by Ben Pax: steel and grey marble box (tomb) fitted to custom steel hinge by means of a copper sheet riveted to the steel and then crimped upward to form a pan. The hinge is powder-coated black as is the interior. The front cover is incised with the title, author's initials and Poe's dates. The copy number appears in roman numeral on the back cover. Along the foredge of the box (tomb), 13 cow's teeth have been set in handmade silver bezels. The inside covers each have four brass and copper rods (oxidized green). The book itself is bound in boards with linen spine which are "leafed, and variegated and painted in metallic fungoid patterns over which the author has painted a female figure to represent one of the stories (author's description)." The gessoed boards are copper colored and the female is in blue with onlays of four small white bones outlining the skeleton. The book lays into the marble box (tomb). The four illustrations are hand colored by the author who has also made a number of small revisions in the text. The text is letterpress by Alastair Johnston in Electra and Cochin with display in Caslon, Marbleheart, Rimmed Lith and Astoria at Poltroon Press. The title page is printed in three colors, guards of black and gold gilt Japanese paper. The story first appeared in THIRTEEN STORIES AND THIRTEEN EPITAPHS in 1991. This is, however, one of the early artist's books that Mr. Vollmann wrote and illustrated.William T. Vollmann was awarded the National Book Award in 2005 for his novel, EUROPE CENTRAL and in 2007, the American Academy of Arts and Letters Award in Literature. His artist's books are in prominent private collections and several institutions. See an Image. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        Wise Words about Letter Writing

      Baltimore: Xavier Press, 1993. 19pp. A timeless essay by Lewis Carroll on the art of correspondence, illustrated with two pasted-in postage stamps promoting letter-writing and a fold-out sample of a letter by the author. In a striking designer binding by Dominic Riley featuring gilt-tooled envelopes and abstracted stamps in onlays of yellow, green, and plum on black morocco. These panels were inlaid into overlapping strips of dark brown goatskin, and the title is tooled in gilt down the spine. The design is segmented into panels that are slightly offset from each other, introducing tension and movement into the design. Between the panels are columns of gilt dots, and the dots are repeated inside the covers on bright green morocco doublures. Violet suede flyleaves and jewel-toned endpapers complete the production. The edges are painted with blue, green, yellow, and violet acrylic, which was then burnished and waxed for a smooth finish. Housed in a black clamshell cloth box lined with vibrant turquoise suede. Riley studied with Paul Delrue and at the London College of Printing before starting his own bookbinding studio in 1994. He co-founded the bookbinding program at the San Francisco Center for the Book in 1996, and returns there annually to teach and lecture. Elected a Fellow of Designer Bookbinders in 2008, Riley's bindings can be found in many institutional and private collections in the United States and United Kingdom, including the British Library. Extremely fine. (2 5/8 by 2 1/8; 66x52mm).

      [Bookseller: Bromer Booksellers]
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      Kevin Begos Publishing, NY 1993 - A portfolio of five dust grain gravures, made from the original negatives. Image size from 9 x 10 inches, to 9 1/2 x 11 inches; mounted on archival boards (15 1/4 x 13 3/4 inches). Laid into a cloth clamshell portfolio with paper label and letterpress sheets as follows: title sheet, sheet with quotation from Genesis. Fine. This is the first endeavor into photogravures by Frederick Sommer; collaged from anatomical engravings, they are both eerie and lush calling on his major artistic concern of birth, death and regeneration. Each print is SIGNED and numbered by the artist and limited to 95 portfolios plus proofs. [Attributes: First Edition]

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
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        Libro de Horas del Marqués de Dos Aguas.

      Grupo de Arte y Bibliofilia,, Valencia, 1993 - 2 Bde. Valencia, Grupo de Arte y Bibliofilia, 1993. 8°. (1) Bl., (355) S., (6) Bl., (2) S. Mit zahlr. Miniaturen.; (Kommentar:) 168 S. Mit 8 Tafeln. Seiden- bzw. Leinenband in Leinenschuber. Eins von 999 Exemplaren. Das Stundenbuch des Marquis de Dos Aguas vom Ende des XV. Jahrh. befindet sich in der Stiftung Bartolomé March in Palma de Mallorca. Die faksimilierte Wiedergabe mit reichem Buchschmuck wurde als "Libro Mejor Editado" vom Ministerio de Cultura mit dem Nationalpreis ausgezeichnet. Der Kommentarband enthält kunsthistorische Beiträge von Francisco Gimeno Blay (Dozent für Historiographische Wissenschaften und Techniken, Universität von Valencia) u. Santiago Sebastièn Lopez (Dozent für Kunstgeschichte, Universität von Valencia). Seiden- bzw. Leinenband in Leinenschuber. [Attributes: Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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      Athens: Cactus, 1993-2005 ?'???????????, ?'??'???' - COMPLETE WORKSFREE SHIPMENT WORLDWIDE !Forty five volumes; soft cover, 21 cm, 15120 pp. Contains the original text in ancient greek; translation and comments in modern greek. Separate volumes also available. Ask for details at  1-3: ???????? [Politics / Politica]VOL.  4: ????? ??????: ???????????: ???? ?????? ??? ?????? [Great Ethics: Economics: On Virtues and Vices / Magna moralia: Oeconomica: De virtutibus et vitiis libellus]VOL.  5: ?'??????? ????????: ?'?????????? [Constitution of the Athenians: Fragments / De republica Atheniensium: Fragmenta]VOL.  6: ????? ???????? [Eudemian Ethics / Ethica Eudemia]VOLS.  7-9: ????? ?????????? [Nicomachean Ethics / Ethica Nicomachea]VOLS.  10-12: ?? ???? ?? ?????? [Metaphysics / Metaphysica]VOLS.  13-14: ????????????? [Meteorology / Meteorologica]VOLS.  15-18: ??? ???? ?? ??? ???????? [History of Animals / Historia animalium]VOL.  19: ???? ???? ?????? ?', ?', ?" [Parts of Animals I, II, III / De partibus animalium I, II, III]VOL.  20: ???? ???? ?????? ?": ???? ???? ????????: ???? ??????? ???? [Parts of Animals IV: Movement of Animals: Progression of Animals / De partibus animalium IV: De motu animalium: De incessu animalium]VOLS.  21-22: ???? ???? ???????? [Generation of Animals / De generatione animalium]VOL.  23: ??????? 1: ??????????: ???? ????????? [ORGANON 1: Categories: On Interpretation / Categoriae: De Interpretatione]VOL.  24: ??????? 2: ??????? ?'-? [ORGANON 2: Topics / Topica I-V]VOL.  25: ??????? 3: ??????? ?--?: ???? ??? ?????????? ??????? [ORGANON 3: Topics / Topica VI-VIII, Sophistical Refutations / De sophisticis elenchis]VOL.  26: ??????? 4: ?'????????? ???????? [ORGANON 4: Prior Analytics / Analytica priora]VOL.  27: ??????? 5: ?'????????? ??????? [ORGANON 5: Posterior Analytics / Analytica posteriora]VOLS.  28-30: ???????? [Rhetoric / Ars rhetorica]VOL.  31: ???? ??????? [On the Heavens / De caelo]VOL.  32: ???? ???????? ??? ??????: ???? ?????? [Generation and Corruption: On the Universe / De generatione et corruptione: De mundo]VOL.  33: ????? ?????? [Minor Physics / Physica minora]VOL.  34: ???? ????????? [Poetics / Ars poetica]VOLS.  35-36: ???????? ???? [Minor Works / Opera minora]VOLS.  37-39: ?????????? [Problems / Problemata]VOL.  40: ???? ????? [On the Soul / De anima]VOLS.  41-44: ?????? ???????? (??????) [Physics / Physica]VOL.  45: ???? ?????????: ???????? ???? ?'?????????: (???? ????????) ???????????? [On Breath: Rhetoric to Alexander: (To Themison) Protrepticus / De spiritu: Rhetorica ad Alexandrum: (Ad Themisoni) Protrepticus]==============================================================

      [Bookseller: DEMETRIUS SIATRAS]
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        How to See Fairies

      Vancouver: The Fairy Press 1993, 1st Edition. () 16pp. As new in as new dust jacket. 7x5" (17 X 12.5cm). Text, pen and ink drawings and water colour illustrations printed offset (1, 000 copies). Single signature machine sewn in burgandy card wrap, in original illustrated dust jacket. Text set in Hadriano. Illustrated dust-jacket printed in colour. Included with the book is a matching book mark. Charles Van Sandwyk is a Vancouver artist and author who has attained renowned status and won numerous awards as a fantasy artist. His paintings can be found in the National Gallery of Canada and his illustrations are featured in such books as the Folio Society's "The Wind in the Willows" & the Blue Fairy Book, as well as his own self published books such as: "Sketches from the Dream Island of Birds". A true first- book was reprinted three times. SIGNED by Van Sandwyk in brown ink on the back of the title page. Canadian Artist . .

      [Bookseller: Aquila Books]
 18.   Check availability:     Biblio     Link/Print  

        St. Louis Riverfront after the Great Fire, 1849 (Mississippi Panorama)

      - Watercolor and ink drawing on paper: 5 x 31 5/8". Signed lower right, inscribed "Locust St." lower margin. Inventory#: 1993. This superb, highly accurate and beautiful watercolor by French artist Edouard Lemasson captures St. Louis just after one of the darker moments in its history: the great fire of 1849. On the evening of May 17 of that year, the steamer White Cloud, moored at the foot of Cherry Street, caught fire. The steamboat broke loose from its moorings and began to float down the Mississippi River, setting other steamboats on fire as it went. It finally came to rest at the foot of Locust Street, where the heat emanating from the boat ignited nearby buildings. The resulting fire began to spread and threatened to burn down the entire city. The fire department, however, avoided further calamity by blowing up six warehouses to create a fire break. By the time the fire had run its course, however, casualties included 430 houses, twenty-three steamers, nine flatboats and barges, the Republican, Reveille and Evening Gazette printing offices, the post office and three banking houses. The burned district was mainly the old French portion of the city with its narrow streets and antiquated buildings, which in the space of two years was entirely reconstructed. Lemasson's splendid watercolor shows the city panoramically from the river in a format known as "profile view". A lone surviving steamboat can be glimpsed at far right. Just below it the artist has written "Locust Street," which was the spot where the White Cloud ended its fiery, destructive journey downriver and ignited the adjacent buildings onshore. To the left the Old Court House dominates the skyline, its dome not yet complete with the high profile so familiar today. This is a watercolor of signal historical importance as a visual record of St. Louis after its great fire, and a work of delicate beauty. 0

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        En Bretagne, Les Fontaines

      Cercle des Bibliophiles de Bretagne. 1993 - In 4 en feuilles, 12 aquarelles de Micheline Mével-Roussel. Tirage limité à 180 exemplaires, celui-ci un des 12 de bibliophile sur Japon nacré comportant une aquarelle, une suite en couleurs et une suite en sanguine. Notre exemplaire n'est pas signé mais est enrichi de 2 aquarelles supplémentaires. [Attributes: Signed Copy]

      [Bookseller: La Basse Fontaine]
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      The Complete Sportsman, Millis Mass. 1993 - PAGES: 136 PAGE SIZE: 8 1/2" x 8 1/2" (8vo) PAPER: GLOSSY ART PHOTOGRAPHS: B&W FRONTIS, PLUS 28 COLOR PLATES BINDING: HAND SEWN IN 16-PAGE SIGNATURES. HEAD AND FOOT BANDS. QUARTER BOUND IN FINE MOROCCO LEATHER AND HAND-MARBLED PAPER. ALL EDGES AND STAMPING IN 24 KT GILT. SLIPCASED. SIGNED AND NUMBERED. COPIES PRINTED: 300 PUBLICATION DATE: 1993 This copy signed by Schookler and inscribed by Ingrid Sils (The Photographer)The book is virtually mint condition. The linen covered slipcase has minor shelf wear, and has protected the book well. This was the first book produced by The Complete Sportsman. It was printed as a Limited edition of 300 copies, plus 28 Deluxe edition copies that contained one of the salmon flies from the book. All Deluxe editions were sold prior to publication. This is the standard limited edition. Preface written by Paul Schmookler, introduction by David Zincavage, and photography by Ingrid Sils. All flies were tied by Paul Schmookler. Each photograph of Major Traherne's flies is accompanied by the original article, reproduced from The Fishing Gazette, Land and Water, or The Salmon Fly that describes the fly. John Traherne was probably the most aesthetically gifted salmon fly tyer of the nineteenth century. He was the heir to an estate which he inherited in 1859, but he served in the army, reaching the rank of Major, and retiring in 1865, but somehow finding time to be a Justice of the Peace, Deputy Lieutenant for his county and High Sheriff in 1863. He caught his first salmon in 1850, putting him at the front of the new fashion for taking these fish on a rod and line and afterward seems to have fished almost every river in the UK, as well as ranging widely in Ireland and Norway. A talented fisherman, the Major held the world record for many years with a cast of 45 yards and one inch and he caught 165 fish in fifteen days on the Namsen in 1864. Traherne contributed heavily to the Fishing Gazette in the 1870s, 80s and 90s and exhibited a case of flies at the Great International Fisheries Exhibition in London in 1883, the only amateur to do so apart from Kelson. It is quite likely that this is where the pair met and Kelson was so taken with Traherne's patterns that he began his series 'On the Description of Salmon Flies' in the Fishing Gazette in 1884 with eighteen of the Major's patterns. From the 'Emerald Gem,' a riot of green and blue macaw, with a filigree of golden pheasant topping as wing, to the 'Chatterer' (a pattern which I have always regarded as the definitive gaudy fly, since it requires at least fifty blue chatterer feathers to form its body,) Traherne's patterns were masterpieces. More than anything else, these flies are a celebration of the materials and artistry of the salmon fly and although they are no longer used, it remains a technical challenge for even the most accomplished fly dresser to tie them well. Traherne and his generation added the final touches to the fully dressed salmon fly - probably unaware of the enduring tradition they would leave when they were gone. Dr. Andrew N. Herd [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Patrick Ayres, Angling & Hunting Books]
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        Facsimile Manuscript report to Guatemalan Governor José Estachería

      Testimonio Compañía Editorial, Madrid 1993 - 16 facsimile hand written pages with diagrams and three fold out diagrams of Palenque. Folio (12 1/2" x 8 1/2") bound in velum with black label and gilt lettering to cover. Testimonio's Tabula Americae. Limited to 980 copies of which this is 169. Spanish artillery Captain Antonio del Río’s (ca. 1745-ca. 1789) discovery of tangible evidence of an amazingly rich Maya past and this printed report were the beginning of the study of this truly lost civilization. In May 1786 upon the order of the Spanish Crown, Governor and Brigadier General of the Royal Audencia of Guatemala, Don José Estachería sent Río to Chiapas to investigate rumors of an ancient city near Santo Domingo del Palenque and determine the origin of its inhabitants. Rio was preceded by other visitors to Palenque, the most recent being two brief forays by José Antonio Calderón, a local official, and Spanish architect Antonio Bernasconi, whose sparse observations prompted the order for the full-scale investigation by Río. The Spanish captain made up for his lack of antiquarian training with his zeal, hiring seventy-nine Maya locals to assault with crowbars and axes the abandoned, tree-engulfed, seventh-century city of Palenque. In his report Río describes and comments on the hieroglyphs he saw. Río sent his manuscript report to Guatemalan Governor José Estachería, and it was preserved in Madrid. Almendáriz’s original drawings were recently found in a private European collection and published: Estampas de Palenque (not included here), Madrid: Testimonio, 1993. After the end of the Napoleonic Wars, the author’s manuscript and Waldeck’s drawings re-emerged in a still mysterious manner to be published in England. Publisher Henry Berthoud bought the manuscript from a mysterious Dr. McQuy (McQueen?) in Jamaica at the end of April 1822. Capitalizing on public interest in American indigenous cultures as well as in Romantic ruins, Berthoud published Rio’s work in hopes of a popular bestseller, which might otherwise have been lost. Condition: A Fine copy. [Attributes: Hard Cover]

      [Bookseller: The Book Collector, Inc.]
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        The Alchemist/ A Fable About Following Your Dream (SIGNED)

      Harper San Francisco, New York, New York, U.S.A. 1993 - 1st American Edition/4th Printing (number '4' on line on cp page). SIGNED by Coelho with a long inscription (in Portuguese, dated May 1994) on half-title page. DJ price-clipped; mylar protected. Scarce signed copy of Coelho classic. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Daniel Montemarano]
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        In the Electric Mist with the Confederate Dead

      Hyperion Books, New York 1993 - 352 pages. First edition, first printing. One (Q) of 26 lettered copies signed Burke out of 176 issued. A story of an unsolved crime in New Orleams that Detective Dave Robicheaux must solvel. As new book in a like cloth slipcase. A beautiful copy! [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Fireproof Books]
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        Alexej Von Jawlensky : Catalogue Raisonne of the Oil Paintings. Volume Three 1934 - 1937.

      München : Beck, 1993.. 486 S. : überwiegend Ill. 4° (30-35 cm), OLeinen m. OSchutzumschlag im Pappschuber. [gebundene Ausgabe]; Katalogtext in englisch, Klappentext in deutsch; Katalog in sehr gutem Zustand, lediglich dunkle Verfärbung am Innengelenk der Vorsätze (wahrscheinlich produktionstechnisch bedingt), Schuber in gutem Zustand 3406358233 Wir versenden unsere Bücher mit der Deutschen Post (Büchersendung / Presse und Buch International) oder mit DHL (Paket national und international).

      [Bookseller: Roland Antiquariat UG (haftungsbeschränk]
 25.   Check availability:     ZVAB     Link/Print  

        History of England, From The Accession of James II, Ten Volumes

      Norwalk, CT Easton Press 1993. - New copies. Bound in full genuine leather with accents of 22kt gold. Hubbed spines, gilt edges, ribbon bookmarks. Each volume generously illustrated with period portraits, historic scenes, documents, and maps. Each volume bound with beautiful moire fabric endsheets. Printed on archival, acid-neutral paper. [Attributes: Hard Cover]

      [Bookseller: First Impressions]
 26.   Check availability:     AbeBooks     Link/Print  

        The Pointless Book: Or, Nature & Art in Two Volumes Bound Together

      The Fantod Press, [No place] 1993 - First edition. Small book (64mo). Fine in wrappers. Copy number 13 of 100 numbered copies Signed by Gorey as Garrod Weedy. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 27.   Check availability:     AbeBooks     Link/Print  

        Audubon's Great National Work

      W. Thomas Taylor, Austin 1993 - The Royal Octavo Edition of the Birds of America. Austin:Taylor, 1993. Limited to 225 copies of this deluxe edition. Illustrated by thirty-two color plates and including original plates from the first and second editions. 8 x 11 inches in dark green cloth and marbled boards with matching clamshell box. As new. Laid in the back of the box are matching first-and second-edition plates of the marsh wren in sewn green wrappers. Also, a letter signed by Tom Taylor, the editor. [Attributes: First Edition; Hard Cover]

      [Bookseller: PAGE ONE TOO]
 28.   Check availability:     AbeBooks     Link/Print  

        After. Etchings by Judith Turner.

      Vincent FitzGerald & Company, New York 1993 - First Edition, one of 50 copies only, each signed and numbered by Feingold and Turner, all on Rives BFK paper. Page size: 10-7/8 x 8". Bound by Zahra Partovi: handmade paper with original etching over boards, printed on both sides, accordion style binding housed in a custom-made box by BookLab. The etchings, photogravures from noted photographer, Judith Turner's extraordinary photographs, were editioned by Peter Pettengill at Wingate Studio from plates by Jon Goodman. The text was printed by Dan Keleher at Wild Carrot Letterpress in Monotype Univers, with calligraphy by Jerry Kelly. Michael Feingold's Words are "songs" from the end of the world, where there are no more people, only empty landscapes. Alien visitors come to Earth and hear these "songs" without people in the barren landscape and try to understand what humans had done to themselves. This powerful and moving book has been nominated for the prestigious Brenden Gill Award given by the Municipal Arts Society of New York City. This is Mr. Feingold's first published book of poetry and as such is an important literary first edition in its own right. Fine. See an Image. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        To the Blue Wall. Etchings by T. Kurahara.

      Vincent FitzGerald & Company, New York 1993 - One of only 50 copies, all on Rives BFK and Dieu Donne' handmade paper, each signed and numbered by the artist. Page size: 9 inches x 9 inches. Bound by Zahra Partovi: wood maple covers by Dennis FitzGerald, Coptic- style binding, opening to full circle, housed in custom box by BookLab, Inc., fine. The etchings were editioned by Marjorie Van Dyke and Vincent FitzGerald at The Printmaking Workshop. The letterpress in linotype Palatino is by Dan Keleher at Wild Carrot Letterpress. The calligraphy is by Jerry Kelly. T. Kurahara, well-known artist, is Professor of Painting at Pratt. This is a very beautiful book, with a strong color presence that comes as a shock upon opening the austere maple binding! The artists says, "Red is always life, bright yellow presence. Blue is water: oceans, sky and air. Silver illuminates; brown fashipns matter and greens pass beyond spring. Greys give us balance; the darks are mysteries, the tones variable; intensities reveal breath." See an Image. [Attributes: Signed Copy]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        MIRACULA BEATAE MARIAE VIRGINIS. Colección latina medieval de milagros marianos de un "Codex Pilarensis" de la Biblioteca Capitular de Zaragoza.

      Zaragoza, Deleg. Diocesana de Catequesis, 1993 - -25 x 34,5 cm.- , 364 págs. La obra consta de Presentación, Facsímil del "Codex", Transcripción latina y traducción castellana, Apéndice con versión castellana de Gonzalo de Berceo de algunos milagros presentes en el "Codex Pilarensis". Ilustrado con 28 láminas en color, tomadas del Ciclo Mariano del Coro de la Catedral Basílica del Pilar y Sargas de su Sacristía Mayor. Colaboran varios especialistas coordinados por Tomás Domingo Pérez. La edición consta únicamente de 200 ejemplares numerados. Magníficamente impreso, con clara tipografía y amplios márgenes, sobre grueso papel de gran calidad. Encuadernado en plena piel, con nervios en el lomo y estampaciones en planos. Protegido por un estuche. (Impecable.) [Attributes: Hard Cover]

      [Bookseller: Berceo (Libros Antiguos)]
 31.   Check availability:     IberLibro     Link/Print  

        Nightmares & Dreamscapes

      Viking, New York 1993 - 1st edition/1st printing. 1st printing, with the number line beginning with '1'. SIGNED and INSCRIBED by the author on the title page: 'To Ruth - Happy Birthday! Stephen King 12/15/93-11'. A fine, authentic example of King's writing and signature. Near fine book: straight, clean, tight, with no previous owner handling or soiling, but with the spine cloth flattened (the spine itself is straight) and a tiny, very faint smudge to the lower part of the outer page edges. The dustjacket is fine: bright, crisp, clean, price intact, with no damage. 'Short stories, ranging from a non-fiction piece to real horror, many published here for the first time.' ; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: AAABOOKS (Authors & Artists)]
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        Manuscript]: Midnight in the Garden of Good and Evil

      The Author, New York 1993 - Unbound manuscript pages. 491 leaves, typed on rectos only. The title page has a modest stain, otherwise the pages are fine. Housed in a worn paper box with a note "J.B.'s Book" on the back. Several small corrections (typos, spelling) in the text in an unknown hand. There are many significant differences between this manuscript and the final published version, including different chapter headings, rewritten passages, name changes (to protect the innocent and avoid lawsuits), exclusion of some anecdotes, and differing accounts of the same event. Inscribed by Berendt on the title page to the sister of his very close friend Bruce Kelly, a landscape architect who was responsible for designing many parts of New York's Central Park, most notably Strawberry Fields: "For Phyllis Kennedy -- With great affection. You read this manuscript before it turned into a book, and the main reason it DID become a book was the suggestions and encouragement of Bruce Kelly, your brother & my great good friend. All the best John Berendt. New York 12/13/99." In 1985 Berendt and Bruce Kelly co-edited, with others, *Rebuilding Central Park: A Management and Restoration Plan*. Reportedly, Kelly knew the Jim Williams story from his Georgia-resident sister, to whom this is inscribed, and suggested to Berendt that it would make an interesting story. Kelly died in 1993 at the age of 44, the year before Berendt's bestseller was published. Berendt wrote an essay about Kelly for the book *Loss Within Loss*, edited by Edmund White, which commemorated the lives of artists, writers, and other creative people who died of AIDS. The splendid nonfiction account of a celebrated crime in Savannah, Georgia, in which the author manages to capture the feel and character of the city and its residents. The basis for the 1997 Clint Eastwood-directed film with John Cusack, Kevin Spacey, and Jude Law. [Attributes: First Edition; Signed Copy]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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      Bora Bologna 1993-2007 - 10 voll. ril. in tela con sovr.ill. a col., cm 30x24,5, pp 6496, 9028 tavv. e ill. a col. e b/n, 4720 artisti considerati. Piano dell'opera: generazione maestri storici (3 tomi), Generazione primo decennio, gener. anni dieci, gener. anni venti, gener. anni trenta, gener. anni quaranta (2 tomi), indice generale.

      [Bookseller: EDITORIALE UMBRA SAS]
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        For Shop Use Only Eric Ravilious Curwen & Dent Stock Blocks & Devices

      Garton & Co 1993 - 48pp. Red and white decorated boards w blue cloth spine in a similarly decorated fold out box. THIS COPY IS 69/75 OF EDITION A. Complete w 20 original wood engravings for Dent and Curwen blocks mounted separately. An absolutely pristine copy. [Attributes: Hard Cover]

      [Bookseller: David Kenyon]
 35.   Check availability:     AbeBooks     Link/Print  

        VISIONAIRE NO. 10: THE ALPHABET (WINTER 1993-1994)

      Visionaire Publishing, New York 1993 - Individual sheets laid into a die-cut printed portfolio, profusely illustrated in color and b&w. Designed by Gregory Foley. Published in an edition of one thousand, five hundred copies, this is the ninth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. "Greg Foley, who had been collaborating with us on our cover designs since the day he graduated from Rhode Island School of Design, really went to town with this one. He sliced out every letter he fancied and created one gigantic collage that we then photographed and printed. The concept was exciting: The B from Harper's Bazaar and the V from Vogue could all appear on our cover, along with many other famous typefaces. In the end it even became a kind of guessing game: ''Name that logo.'' The only drawback was that for months after this cover was made, there was not a magazine, phone book, or cereal box in the house that didn't have a hole cut out of it. The holographic metallic foil stamping also made this one of our most memorable covers. As for the contents, we assigned each of the contributing artists a different letter of the alphabet. For the first time, the directions were very specific, but even so, many artists took the challenge and proceeded as if they had been given carte blanche". Its contributors include editor Stephen Gan, Nick Knight, Robert Medvedz, Dovanna Pagowska, Jeffrey Fulvimani, Tim Rollins + K.O.S., Ruben Toledo, Bill Cunningham, Steven Meisel, James Dignan, Steven Klein, James Vance, Kareem Iliya, Bruce Weber, Francois Berthoud, Robert Adams, Stevan Dohan, Michael Capotosto, Miguel Calvo, Florentino J. Pamintuan, Donna Trope, Lucy Ewing, Helmut Lang, Arnaldo, Ferrara Ocanto, Mei Tao, Malcolm Hill, Joshua Jordan, Manolo, James White, Alexis Rockman, Peter Robathan, Torkil Gudnason, Christophe Rihet, Juan Gatti, Josef Astor, John Martin Newsom, Victoria Bartlett, Bernard Figueroa, Filip Pagowski, Michael "Rags" Raglin, Susan Cianciolo, Andrew Gellaty, and Lori Kessel. A most handsome individually numbered example of this uncommon issue. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase.

      [Bookseller: Arcana: Books on the Arts]
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        Caves and Cave Life. New Naturalist No 79

      London HarperCollins 1993. VG : in Very good condition with VG dust jacket First Edition Green hardback cloth cover 220mm x 140mm (9" x 6"). 219pp + index. 97 b/w photographs line drawings & maps.

      [Bookseller: Barter Books]
 37.   Check availability:     TomFolio     Link/Print  

        Komplette Serie von sechs Original cliche verre von Pidder Auberger.

      . Motivgrößee jeweils 49 x 37 cm auf Blattformate 60,3 x 50,5 cm. In kleiner Auflage in der Edition Griffelkunst-Vereinigung Hamburg 1993 erschienen. Jede der sechs Cliche verre (Abzug von Glasplatte) ist verso von Hand mit Bleistift signiert, datiert 1993 und betitelt. Sehr guter Zustand. Gesamtpreis für alle sechs Grafiken..

      [Bookseller: Versandantiquariat Elke Rehder]
 38.   Check availability:     ZVAB     Link/Print  

        Hochdeutsch-plattdeutsches Wörterbuch. Auf der Grundlage ostfriesischer Mundart. Band 1-12 (12 Bände, so vollständig). Bd. 1: A bis Bei; Bd. 2: Beil bis D; Bd. 3: E bis Fl; Bd. 4: Fl bis Gun; Bd. 5: Gur bis J; Bd. 6: K bis Le; Bd. 7: Li bis Pe; Bd. 8: Pf bis Schn; Bd. 9: Scho bis Tz; Bd. 10: U bis Vul; Bd. 11: W bis Zy; Bd. 12: Index, bearbeitet von Heye Coordes und Hinrich Schoolmann.

      Aurich: Oostfreeske Taal - Vereen för oostfreeske Spraak un Kultur i.V. (Lizenz Neumünster: Wachholtz), 1993.. Fotomechanischer, etwas verkleinerter Nachdruck der Ausgabe 1962 - 1975. XVIII S., 960 Sp.; 974 Sp.; 952 Sp.; 960 Sp.; 908 Sp.; 956 Sp.; 954 Sp.; 962 Sp.; 948 Sp.; 976 Sp.; 854 Sp. 368 Sp.; gr. 8°, gebunden, Orig.-Pappbände,. Band 11 und 12 mit Namenseintrag, sonst sehr guter Zustand. >>Selten angeboten!<< // OttoTaleus Eberhard BUURMAN, geb. 10.11.1890 Kirchborgum, gest. 3.3.1967 Göttingen, war Mediziner und Philologe. 1959 begann er mit der Arbeit an seinem Wörterbuch. Fußend auf dem plattdeutschen Wörterbuch von Ten Doornkaat-Koolman griff er auf andere niederdeutsche Mundartwörterbücher als Quellen zurück, aufgrund der inneren Verwandtschaft der Groninger Mundart mit dem Wort- und Sprachschatz des niederdeutschen Raumes teilweise auch auf das Nieuw Groninger Woordenboek von K. ter Laan. Als letzte große Quelle erschloß sich Buurman für sein Wörterbuch die plattdeutschen Bibelübersetzungen von Johannes Jessen und Paul Köppen. So wuchs das Werk schon bald über das zunächst angestrebte Ziel einer hochdeutsch-plattdeutschen Ausgabe des "Doornkaat" hinaus. Buurman, der möglichst jedes plattdeutsche Wort durch Satzbeispiele, Redensarten und Sprichwörter belegen wollte, gelang es, die Bildhaftigkeit des Plattdeutschen sowie dessen reiche Ausdrucksmöglichkeiten anschaulich darzustellen. Unter Vermeidung von Übersetzungen stellte er dar, daß das "Plattdeutsche hinsichtlich Stil, Wortwahl, Aussage und Satzbau kein entartetes Hochdeutsch ist, sondern eine selbständig gewachsene, uralte Sprache" (Einführung zum 1. Band). Da er sein Werk nie als philologische Arbeit oder als Ort für sprachgeschichtliche Auseinandersetzungen verstand, schrieb er sein Wörterbuch in ostfriesischer Mundart, einem Plattdeutsch, das dem in den nördlichen Teilen Niedersachsens gesprochenen Plattdeutsch trotz feststellbarer Unterschiede weitgehend ähnelt und somit auch verstanden wird. Es sollte ein Nachschlagewerk für jedermann werden und ist so konzipiert, daß es den Benutzer mühelos in den Stand setzt, zum hochdeutschen Wort "das jeweils entsprechende plattdeutsche Wortgut im Umkreis seines Sinnbereiches zu überblicken" (Einführung). (Quelle: Ostfriesische Landschaft). /platt

      [Bookseller: Altstadt-Antiquariat Nowicki-Hecht UG (h]
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        Kurrimurri : Erinnerungen an die Kannenbäcker in Höhr-Grenzhausen

      Höhr-Grenzhausen : Stadt Höhr-Grenzhausen 1993. 280 S. : Ill., graph. Darst. ; 28 cm Leinen im original Schutzumschlag 1. Aufl. - Zust.: Gutes Exemplar..

      [Bookseller: Antiquariat Bernhardt]
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        Liber Aureus von Pfäfers. Das Goldene Buch von Pfäfers. Vollständige Faksimile-Ausgabe in Originalformat des Codex-Fabariensis 2 aus dem Besitz des Stiftsarchivs Pfäfers im Stiftsarchiv St. Gallen. Faksimile & Kommentar. 2 Bde.

      Graz, Akademische Druck- und Verlagsanstalt 1993 - . 4°. 53 Bl. Faksimile, 219 pages Kommentar. Orig.-Samteinband with Rückentitel / Kommentar in original cloth Faksimile in Orig.-Schuber. (Studia Fabariensia 2). 1 von 430 (total 480 numm. Ex.) Exemplaren. Ex Libris auf beiden Innendeckeln. Das ?Liber Aureus? gehört zu den wichtigsten Handschriften Churrätiens und ist die wichtigste Quelle zur Geschichte der Abtei Pfäfers. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Fatzer ILAB]
 41.   Check availability:     IberLibro     Link/Print  

        Run With The Hunted

      New York: Harper Collins, 1993. First edition. Fine in a near fine pictorial slipcase. Of a total of 226 copies, 200 of which were numbered, this copy is one of just 26 lettered and reserved for private distribution, designated A/K and signed by Bukowski with his trademark drawing, in this case a small dog. The one-volume summation/overview of the great man&#39;s work with John Martin and the Black Sparrow Press. Quite a nice item.

      [Bookseller: John Kehoe, Bookseller ABAA]
 42.   Check availability:     Biblio     Link/Print  

        Las llanuras del transito

      Maeva 1993 - 731 páginas, 23 cm. Los gastos de envío para pedidos contra reembolso son de 4,83&#128;. Revisar las condiciones de venta. Referencia interna: 3037 [Attributes: Soft Cover]

      [Bookseller: yaleidos]
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        Diary (First Edition with OBI)

      Tokyo: Libro Port Publishing, 1993. 1st Edition 1st Printing. Hardcover. Fine/Fine. This is a first edition, first printing of Diary by Peter Beard with the obi. Published by Libro Port in 1993 to coincide with the major Peter Beard exhibition Diary at the Seibu Museum in Tokyo, the book is a comprehensive study of the major works of Peter Beard. The text is in Japanese and the book is unpaginated. The book measures 9.5 x 12.5 inches. The condition of the book is FINE in a FINE- dust jacket with some slight shelf wear to the edge of the dust jacket. Overall, an exceptional copy of this uncommon title that is rarely found in this condition with the obi.

      [Bookseller: Franklin Books]
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        The Twelve Terrors of Christmas

      New York: Gotham Book Mart, [1993] - (GOREY, EDWARD) First edition, copy 20 of 100 numbered and signed copies in boards. 5.75 x 4 inches. [32] pp, with drawings by Edward Gorey. Illustrated paper covered boards. Fine [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Archive of 30 letters from Ernst Mayr to Ernst Caspari (University of Rochester) and Arthur J. Cain (University of Liverpool)

      Ernst Mayr 1980s-1990s. UNBOUND. 30 letters both ALS and TLS some 1 page, others 2 or more pages. from Ernst Mayr to Ernst Casperi (University of Rochester) and Arthur J. Cain (University of Liverpool). Cain mostly attached his answer, in photocopy, some serveral pages long. Some content: to Cain from Mayr: "thanking you for your reprints, particularly the analysis of Bauhin&#39;s Pinax. It is certainly important for the history of taxonomic methods to have a perceptive analysis of the forerunners of Linnaeus. Of course every time I deal with Linnaeus I am impressed how strongly his approach is dominated by the principles of logic" Letter dated 16 Dec. 1993 with enclosures: "As far as Maniola is concerned, the enclosed copy of my letter to Turner will tell you what is involved. In his presentation of the case Ford did not make nearly as careful an analysis as he should have and instead distinguished rather sweepingly a western and an eastern type. I am sure someone will make a more careful study in the near future. I am also enclosing a copy of the Gmelin speech as well as a draft copy of my paper on Scientific Revolutions......The amount of interesting papers being published these days is enormous. What pleases me is that they all support the Darwinian paradigm. No matter how much certain people try to claim otherwise, this is demonstrably true." another letter "This is why Mendel was so frustrated in his later work, when he tried to apply the rules of his pea crosses to species crosses "Aren&#39;t they all hybrids?". Letters dated in the 1990s. "Locke&#39;s species concept was rather similar to one defended by Mill and now usually referred to as his "nature kind" concept." To Ernst Casperi he writes: "When one compares the writings of contemporary embryologists and evolutionists of that period one realizes how completely different the conceptual framework of the two groups were. It is particularly clear whenever the embryologists criticize the thinking of the evolutionists. This is evident not only in the writings of Spemann but also from Boveri&#39;s famous speech when he was rector of Wurzburg University... I am planning to write this spring a paper with the title with the title of "Richard&#39;s Goldschmidt&#39;s Unanswered Questions. It is usually ignored that Goldschmidt in his 1940 book raises quite a few problems which the reductionists "beanbag" geneticists are quite unable to answer." Ernst Mayr letter to Caspari dated 1986, mostly chatty about wife, grand-children "I presume you are please about Rita Levi-Montalcini got the Nobel Prize. All her early research was done with Viktor Hamburger. If he had continued this line of research, I presume he would have shared in the honor! But he got interested in other things." Included in the archive: Offprint: Systems of Ordering Data reprint from Biology and Philosophy, 1995. Author&#39;s Proof: Systems of Ordering Data. Photocopy of Disciplining Evolutionary Biology: Ernst Mayr.. by Vassiliki Betty Smocovitis Feb. 1994. at dedication Ernst Mayr has added " For Arthur with best wishes! Ernst" in ink. Ernst Mayr to Caspari letters mostly 1980s. 12 als mostly one sheet front and back. 1 tls 2 pages. Ernst Mayr to A. J. Cain letters mostly 1990s. Note card signed, 10 als mostly 1 sheet two sides. 6 tls. Lots of science content in these letters. Mostly to A. J. Cain. Rare books make Fine Gifts. Shipped in new box. Free tracking USA. Quality, Value, Experience. . Very Good.

      [Bookseller: Robinson Street Books, IOBA]
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