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Displayed below are some selected recent viaLibri matches for books published in 1965

        Woodsmoke and Water Cress

      Barre Publishers, Barre, Massachusetts 1965 - A handsome copy of the 1965 1st edition, limited to 1500 copies. WARMLY INSCRIBED BY DANA LAMB IN YEAR-OF-PUBLICATION on the front fly-leaf. Bright and Near Fine in a Near Fine acetate dustjacket. A clean, Near Fine example of the publisher's printed slipcase as well. Ovtavo, 89 pgs. Signed by Author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        The Looking-Glass War

      London: Heinemann, 1965. First edition. 8vo. (x), 245, (1) pp. Publisher's black cloth, silver lettered to the spine, supplied dust jacket, not price clipped, inscribed by the author on the front free endpaper. A degree of fading to the jacket spine as usual, but still with some colour, plus some light wear at the upper edge, else very good.

      [Bookseller: Bow Windows Bookshop]
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        ANDY WARHOL

      1965. ANDY WARHOL. Andy Warhol. Unpaginated catalogue. With 27 illustrations including some colour reproductions. Small 4to., bound in original illustrated cardstock wraps, in a recent red cloth folding box. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1965.|~| The catalogue for the first U.S. museum exhibition devoted solely to Andy Warhol. Includes: Campbell's Soup Cans, Disasters, Flowers, Electric Chairs, Elizabeth Taylor, Brillo Boxes, Marilyn Monroe, etc. An exceptionally nice copy.

      [Bookseller: Ursus Rare Books]
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        Brasil Futebol Rei

      Rio de Janiero: Image, 1965. Two tiny chips to the bottom of the rear panel, else near fine in illustrated wrappers.. First Edition. Quarto. Paintings and drawings by Aldemir Martins, and host of exceptional gravure images of soccer and its role in Brazilian culture by what appears to be several photographers. Text in Portuguese.

      [Bookseller: Harper's Books, Inc.]
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        [The Danzig Trilogy, comprising] The Tin Drum; Cat and Mouse; Dog Years

      New York: Pantheon [Harcourt, Brace & World, through 1965], 1961. First Printings. Hardcover. Fine/Fine. First Printings of the first American editions, with matching dust jackets illustrated with drawings by the author. All translated from the German by Ralph Manheim. 8vo's; 592; 190; 570pp. The Thin Drum (Pantheon, 1961): Publisher's finely woven red cloth, the upper boarded stamped with a device of the "tin" drummer, the spine lettered in black and gilt, with a matching black top stain and threaded end papers, the dust jacket priced at $6.95. Both book and jacket are virtually As New, with no discernible faults. Cat and Mouse (Harcourt, Brace & World, 1963): Publisher's finely woven black cloth, the upper boarded stamped with a device of a curled-up cat, the spine lettered in red and gilt, the dust jacket priced at $3.95. Both book and jacket are in Fine condition, barring just a shade of toning to the jacket's spine. Dog Years (Harcourt, Brace & World, 1965): Publisher's original black cloth with brown end papers, the spine lettered in gilt, the dust jacket priced at $6.95. Fine, square and tight, in a Fine jacket with no wear. The Tin Drum, the first installment in the author's Danzig Trilogy, offers a searing indictment of the role ordinary Germans played in Hitler’s National Socialist regime and of their reluctance to address issues of guilt in the postwar era. At the time of the book's publication, the dominant historical view held that National Socialist crimes had been committed by a few fanatical individuals—an idea endorsed by the Nuremberg Trials of key Nazis in 1945-1946. It was not until the Auschwitz trials of 1963-65 that the part played in the Holocaust by “ordinary” men and women was fully documented. Grass’s next two books, Cat and Mouse and Dog Years, continue his exploration of this, until then, widely unacknowledged perspective. When Grass was awarded the Nobel Prize for Literature in 1999, in large part for the Danzig Trilogy, the prize committee noted the books' remarkable portrayal of “the forgotten face of history.” Note: With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        A partir du désert

      Seuil 1965 - - Seuil, Paris 1965, 14x20,5cm, broché. - Edition originale de la traduction française établie par Philippe Jacottet et pour laquelle il n'a pas été tiré de grands papiers, un des exemplaires du service de presse. Envoi autographe daté et signé de Giuseppe Ungaretti à Gaëtan Picon. Dos légèrement insolé, infimes piqûres marginales sur les plats, exemplaire complet de son prière d'insérer. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] first edition of the French translation drawn up by Philippe Jacottet and for which no large papers have been taken, one of the review copies service. Autographed and dated autographed by Giuseppe Ungaretti to Gaëtan Picon. Back slightly insolated, tiny marginal bites on the boards, complete copy of his prayer to insert. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Lot de 47 tirés-à-part d'articles du professeur Jean Mesnard : La couleur du passé dans la Princesse de Clèves - L'Original des Pensées de Pascal avant et après Victor Cousin - Racine et Port-Royal : Autour d'un épisode inconnu - Allocution du Président au Le Congrès de l'Association Internationale des Etudes Françaises - Trois familles Girard dans la vie intellectuelle du XVIIe siècle - La fondation de l'Ecole Normale Supérieure - Saint François de Sales et la Vérité - Colomby et la diffusion de la doctrine Malherbienne - Conclusion. Les Mémoires comme genre - La théorie des figuratifs dans les "Pensées" de Pascal - Les Conversions de Pascal - Le Talent de Madame de Scudéry - Le Classicisme français et l'Expression de la sensibilité - Entre Pascal et Descartes : Jacques Habert de Saint-Léonard - Ouverture du Colloque La Découverte de la France au XVIIe siècle - De la Diversion au Divertissement - La Fontaine et les Gascons - Le Chapelet secret du Saint Sacrement - Sur un manuscrit inconnu des poésies chrétiennes de Godeau - Pourquoi les Pensées de Pascal se présentent-elles sous forme de fragments ? - Allocution de clôture du colloque sur La Pensée religieuse dans la littérature et la civilisation du XVIIe siècle en France - Préface de l'ouvrage "Culture et pouvoir dans les Etats de Savoie du XVIIe siècle à la Révolution - Un Evêque de Bazas solitaire de Port-Royal : Henri Litolfi-Maroni - Bremond et Port-Royal - Conclusion de "Présence de la guerre au XVIIe siècle" - Voltaire et Pascal - La culture d'un chanoine de Limoges au début du XVIIe siècle : Jean Decordes - Les origines grecques de la notion d'amour-propre - Jansénisme et littérature - L'automne de la Renaissance 1580-1630 - La rencontre de La Rochefoucauld avec Port-Royal - Pascal et la contestation - Deux poésies à restituer à Corneille - Desargues et Pascal - Pascal à l'Académie Le Pailleur - Edition critique de la lettre de Leibniz à Périer du 30 août 1676 - Baroque, science et religion chez Pascal - La crise de la conscience européenne : un demi-siècle après Paul Hazard - Un autographe de Pascal découvert aux Archives départementales du Puy-de-Dôme - Pascal et Bernard de Clairvaux - Aux origines de l'édition des "Pensées" : les deux copies - Pierre Nicole, ou le Janséniste malgré lui - Pour une édition critique des Lettres de la Mère Angélique - La construction de Port-Royal de Paris - Familles amies de Port-Royal : Les Lombert - Fidèles de Port-Royal en France et en Hollande du XVIIe au XIXe siècle - Editer des Oeuvres complètes. Le cas Pascal -

      1965. 47 tirés-à-part, éditeurs divers, 1960-2000 Remarquable ensemble réunissant 47 tirés-à-part d'articles du Professeur Jean Mesnard. Ils proposent une passionnante plongée dans l'univers littéraire et historique du XVIIe siècle en général, de Pascal et de Port-Royal en particulier. De la bibliothèque de Jean Mesnard (1921-2016), l'éminent spécialiste de Pascal et de la littérature du XVIIe siècle, normalien, agrégé de lettres, professeur à la Sorbonne et doyen de l'Académie des Sciences Morales et Politiques. Français

      [Bookseller: Librairie Du Cardinal]
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        Astutuli. Eine bairische Komödie mit Holzschnitten von HAP Grieshaber und einem Nachwort von K. H. Ruppel.

      Mainz, B. Schott`s Söhne, 1965 8°, 50 Bl., 4 ganzseit. farb. Orig.-Holzschnitte, Brosch. m. OU u. Transparent-OU, Der Transp.-OU randrissig u. m. kl. Verlusten, Buch u. OU tadellos. EA dieser Ausgabe. Ex. Nr. 352/500. Von C. Orff und HAP Grieshaber im Impressum signiert. Versand D: 20,00 EUR Illustr. Bücher - Originalgrafik Signierte Bücher

      [Bookseller: Antiquariat Peter Petrej]
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        Harley Davidson Motorcycle contract signed by John Davidson who became the Iconic firms president, perfect for the free road lover!

      Milwaukee, Wisconsin, July 31, 1965. 8.5" x 14". "Standard early dealer agreement contract between Harley-Davidson and Pennsylvania dealer ""Paul W. Haines"", ""dba Haines Harley-Davidson Sales"". Dated ""July 31, 1965"". On yellow paper, 8.5' x 14"". Signed by John A Davidson as ""John A Davidson"", Dealer Placement Manager, for Harley-Davidson Motor Co. Expected folds, else fine condition. A great example of HOG memorabilia.A clean, crisp example of an original dealer contract between Harley-Davidson and a dealer doing business in ""Northumberland and Union counties in Pennsylvania"". Executed 4 years before the company merged with AMF.The contract contains the typical clauses concerning such examples in part as found below:1. Place of Business and sales Effort2. Use of Seller's Name3. Service and Parts4. Execution of Orders5. Price Change6. Inferior Parts and Oil7. Sub-dealers8. Termination9. Default10. AssignabilityInteresting contractual highlights that did not appear in earlier versions, delve into customer service aspects such as requirements that ""A Christmas mailer in four colors to be sent with dealership imprint to every registered rider in the contracted territory in November"". And then again in March, to send out a Rider Accessory Catalog to the same.Of additional interest is the importance of instilling strong brand and quality control, Harley-Davison also required that ""The Dealer agrees not to use in repairing or servicing .. Substitute functional part ...and agree to not sell, or offer to sell or use in repair of Sellers products as genuine Harley-Davidson parts or oil which are not in fact genuine Harley-Davidson parts or oil ...""Harley-Davidson is one of the few companies that has managed to survive and reinvent themselves during a massive 115 plus year run. Accomplished by trials and errors, altering the way they do business, surviving buy-outs, to mergers, to turn arounds, to even seeking governmental intervention from the Japanese dumping of product in 1983, and ultimately going public on the New York Stock Exchange in 1986, they have survived and thrived. They went from a product of excellence, to a product of mass production with cheap parts, and back again to a product of excellence, using a different inventory and part strategy. The morphing of this company has allowed them to endure bust and boom economic cycles, invasion of cheap imports, and near bankruptcy. The Harley brand is certainly it's own metaphorical example of riding a long hard road enduring much transition to ultimately finding a successful and competitive business strategy!This all-in near fine gorgeous dealer contract, signed by John Davidson is a great piece of HOG memorabilia for the free riding spirit. There are more Harley Davidson quotes than could probably fill an entire book, but below are a few that define the brand:""Live By It""""Therapy is Expensive, Wind is Cheap""""Don't Fear Dying, Fear Not Living""""Life is Not About Waiting for the Storms to Pass, it is about Riding in the Rain""""Traveling in a Car is like watching a Film, Riding a Motorbike is Like Staring in it""""First Learn the Rules, Then Break Them""""The Best Path Through Life is One on the Open Road""** An overview of the earlier days of the company's path leading up to the late 1990's and through the time it went public is shown below:The only motorcycle manufacturer in the United States, Harley-Davidson, Inc. has been designing heavyweight machines for bike enthusiasts for almost a century. The company is legendary for the great loyalty its vehicles have inspired in generations of cyclists.Early 20th-Century OriginsThe first Harley-Davidson motorcycle was built in Milwaukee, Wisconsin--still the location of the company's headquarters--in the early 1900s. The Davidson brothers--William, Walter, and Arthur--along with William S. Harley, designed and developed the bike and its three horsepower engine in their family shed. The machine went through many refinements until 1903, when the men established the Harley-Davidson Motor Company and produced three of their motorcycles for sale. Over the next several years both demand and production grew at a healthy rate, and by 1907 the company had begun to advertise.Two years later the company produced a new model featuring a V-twin engine that produced a low, deep rumble now identified as the signature Harley-Davidson sound. The revolutionary engine--still a company standard enabled riders to reach speeds of 60 miles per hour, which until that time had been believed impossible. Such capabilities served to set the company's motorcycles apart from the competition; by 1911 there were 150 other companies manufacturing the vehicles.Growth During and Following World War IThe onset of World War I was actually a boon for Harley-Davidson. The motorcycle, having done well in its utilization by police, was commissioned for use by the military. It proved especially useful on the U.S.-Mexico border, which was suffering incursions by the forces of Mexican revolutionary leader Pancho Villa. In all, 20,000 of the company's machines were employed by the U.S. infantry during the war.Henry Ford's introduction of the assembly line, on which he could quickly and inexpensively produce his Model T automobile, had a profound effect on the motorcycle industry. While motorcycles had traditionally been used by workers and businesspeople, the more affordable car became their vehicle of choice. The motorcycle, in the meantime, was gradually becoming a recreational vehicle.The Superbike Era: 1950s and 1960sAs the second generations of the founding families began moving into management positions at the company, Harley-Davidson found itself ""king of the road""--with the shutdown of Indian in 1953, the company became the sole American motorcycle manufacturer. Continuing to prove itself a design innovator, the company introduced its Sportster model in 1957, heralding the era of the all-powerful, throaty ""superbikes."" An entire subculture began to grow up around these motorcycles, and leather jackets and riding boots became as much a statement of one's desire for a life of freedom on the open road as a necessity for motorcycling. Unfortunately, the filmThe Wild One, starring Marlon Brando, depicted biker gangs riding Harley-Davidson motorcycles as packs of lawless renegades. The stereotype that grew out of this is one the company still actively strives to dispel.In 1965 Harley-Davidson went public when the two families decided to give up control and put the company's shares on the market. Four years later the company was bought by the American Machine and Foundry Co. (AMF), a leisure equipment manufacturer headed by Harley-Davidson fan Rodney C. Gott. The arrangement proved, at least initially, to be a good one for Harley-Davidson, for it was also in the 1960s that the company experienced its first competition since Indian went out of business. The financial resources and stability that AMF was able to provide helped the company battle Japanese motorcycle manufacturers, who had begun exporting their vehicles around the world, placing themselves in direct competition with Harley-Davidson.Problems and Corrective Measures: The 1970s and 1980sDemand for motorcycles continued to grow through the early 1970s, and, in an effort to keep up, the company opened an assembly plant in York, Pennsylvania, in 1974. While engines would still be made in the Milwaukee facilities, the bikes themselves would be assembled in the new plant. In 1975 AMF put Vaughn Beals at the head of Harley-Davidson, and Jeff Bleustein was named chief engineer. Bleustein was charged with making manufacturing improvements, which were becoming increasingly necessary as production grew.These efforts added an extra $1,000 in costs to each bike, however, and the profit line suffered as a result. To compensate, AMF management began to apply pressure for greater sales volume, with the result that quality began to suffer. The production standards that customers had come to count on were being lowered, and there were chronic shortages of parts, with the result that as many as 30 percent of the vehicles coming off the assembly line were incomplete. This, in turn, meant extra manpower searching for spare parts to finish outfitting the machines, a task that even fell to dealers on those occasions when incomplete bikes were accidentally shipped.Such problems took their toll on the company, especially in light of rising Japanese competition. In 1969 Harley-Davidson had enjoyed an 80 percent share of the U.S. motorcycle market for super heavyweight machines--bikes with engines over 850 cubic centimeters (cc). Ten years later, just when Honda Motor Co. was opening a plant in Marysville, Ohio, that share had dropped sharply to 20 percent. While there were still some riders who would settle for nothing but a Harley-Davidson motorcycle, newcomers to the motorcycle market were opting for Japanese affordability and dependability.To make matters worse, the 1981 recession severely threatened Harley-Davidson's share of the market for heavyweight bikes--motorcycles with engine capacities of 700-850 cc--nearly finishing the company off as a manufacturer. Soon AMF began to lose interest in keeping the struggling business afloat. To save the company, and to effect a turnaround, 13 Harley-Davidson executives, led by Vaughn Beals, put together a plan for a leveraged management buyout. With the financial support of Citicorp, the management team succeeded in taking control of Harley-Davidson from AMF on June 16, 1981, at a cost of $81.5 million.The group's turnaround strategy called for getting back on the quality track through new management and manufacturing techniques. Unable to beat them, Harley-Davidson instead decided to join their Japanese competition, adopting such management techniques as decentralized quality discussion groups and ""just-in-time"" inventory control. After the company's top management toured Honda's Marysville plant in 1981, Vaughn Beals noted in Fortune,""We were being wiped out by the Japanese because they were better managers. It wasn't robotics, or culture, or morning calisthenics and company songs--it was professional managers who understood their business and paid attention to detail."" In an effort to do likewise, management at the York plant developed three principles for change: worker involvement, manufacturing materials available as needed, and statistical operator control.One of the first steps Harley-Davidson took was to group the employees in a plant-wide network to ensure their input in improving the manufacturing process. The York plant management met with workers' representatives for months in 1981 to achieve a consensus on what was sought and also to ease skepticism. The increases in productivity stemming from these measures were deemed to be the effects of effective communication, shop floor enthusiasm, and increased recognition.The second point of the revitalization program involved managing the company's inventory. A program of just-in-time inventory control called MAN--Material As Needed--was developed, based on Toyota Motor Corporation's Toyota Production System. The plan called for the use of expanded communication in monitoring the flow of inventory. Harley-Davidson also introduced a statistical operator control system to improve quality control. The aim was to reduce defects and scrap by reworking machines right on the assembly line. The process began with the operators, who established parameters for quality using statistical methods. Then workers along the assembly line would chart actual quality and introduce improvements where warranted.During the early 1980s, the company began making cosmetic changes to its motorcycles, prompted by Vice-president William G. Davidson, grandson of the founder. Davidson, who felt it was important to remain close to the bike maker's customers and their needs, would often mingle with Harley devotees at gatherings, sporting his own beard, black leather, and jeans. As he explained in Fortune,""They really know what they want on their bikes, the kind of instrumentation, the style of bars, the cosmetics of the engine, the look of the exhaust pipes, and so on. Every little piece on a Harley is exposed, and it has to look right. A tube curve or the shape of a timing case can generate enthusiasm or be a turn-off. It's almost like being in the fashion business."" In addition to changing the look of established models, the company began to design new motorcycles to appeal to a broad range of consumers.Meanwhile, the competition was moving ahead. Though the recession of the early 1980s had depressed demand for heavyweight bikes, Japanese manufacturers swamped the U.S. market with their surplus inventory, driving average market prices down still further. In 1982, however, the company won an anti-dumping judgment from the International Trade Commission (ITC). This led then-U.S. President Ronald Reagan to impose additional tariffs on imported heavyweight Japanese models, as allowed by the ITC.The additional tariffs--45 percent on top of an existing 4.4 percent measure--were meant to decrease gradually over five years, until April 1988. These measures would give Harley-Davidson the opportunity to effect its revitalization plans. Predictably, as the company's market share began to increase, so, too, did its profits. Harley-Davidson had lost $25 million in 1982, but rebounded into the black again in 1983 before posting $2.9 million in profits on sales of $294 million in 1984. Though Japanese bike makers were able to elude some of the tariffs by building more machines in the United States, by 1986 Harley-Davidson's share of the U.S. super heavyweight market had crept back up to 33.3 percent, ahead of Honda for the first time since 1980.During this time, Harley-Davidson began placing more emphasis on its marketing efforts. In a 1983 public relations move, the company established the Harley Owners Group (HOG), a club with its own newsletter for fans of the motorcycle. By the end of the 1980s, membership in HOG had grown to 100,000 members. The company developed the SuperRide promotion, several years later; it was designed to attract large numbers of new buyers from an upscale niche. Television commercials invited people to visit one of Harley-Davidson's 600 dealers across the United States to test ride a new bike. Over 40,000 people took Harley-Davidson up on its offer. Though immediate sales did not cover the promotion's $3 million price tag, the effort did result in increased sales over the course of the next several years, and many of the new buyers were owners of rival Japanese models.Although Harley-Davidson was making great strides, the company suffered yet another blow in 1984. Citicorp--nervous that the economy was headed back into a recession, especially in light of the 1988 deadline on import tariffs--informed Harley-Davidson that in future years they would no longer provide overadvances--money over and above the conservative lending limits set as part of the company's business plan. Taking this as an indication that Citicorp wanted out of its arrangement with the company, Beals and Richard Teerlink, who was then the finance officer, began searching for another lender. Once word concerning Citicorp's plans got out, however, other banks showed little interest in making the commitment. By October 1985 Beals and his management team had contacted the investment firm Dean Witter Reynolds in order to begin Chapter 11 bankruptcy proceedings.Before those plans were finalized, Beals and Teerlink were approached by an interested lender. After weeks of hard bargaining, Heller Financial Corporation--whose second in command, Bob Koe, was a Harley buff--agreed to supply Harley-Davidson with $49 million to buy out Citicorp's stake in the business. Thus Citicorp was forced to take an $18 million write-down on its original investment. Heller Financial Corporation's faith in Harley-Davidson paid off handsomely. The company's market share began to climb steadily, and profits for 1986 topped $4.3 million on sales of $295 million. That year a revived Harley-Davidson went public, offering two million shares of stock worth $20 million and $70 million worth of unsecured subordinate notes that would mature in 1997."

      [Bookseller: University Archives]
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        Rififi No Harlem

      Rio de Janeiro / Sao Paulo: Distribuidora Record. (1965). First. First Brazilian edition (and first edition in the Portuguese language) of Cotton Comes to Harlem. Illustrated self-wrappers. A bit spine-sunned and a small stain on the edge of the first few leaves, else near fine. Signed by Chester Himes and presumably very uncommon thus. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Thunderball.

      8vo., original paperback wrappers with wrap around movie artwork. A very good copy. Fourteenth edition, Promotional Copy for Player's Cigarettes, with 'Domino' letter insert, .being a printed notepaper 'handwritten' by Domino to James Bond (although addressed 'Darling'), mentioning Player's cigarettes and asking Bond to read pages 152-5 of the accompanying book (which is the section discussing the Player's brand). One leaf, measuring 227 ? 149 mm, folded twice (to be tucked inside the paperback).

      [Bookseller: Henry Sotheran Ltd.]
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        The Witnesses; Selected And Edited From The Warren Commission's Hearings By The New York Times With An Introduction By Anthony Lewis; Plus Signed Document

      McGraw-Hill Book Company, New York London Toronto 1965 - A Very Good+ first edition, binding a little shaken, page edges lightly soiled, rubbing to boards. Includes letter on Presidential Letterhead in Fine condition, horizontal fold. Both book and letter are SIGNED and dated by President Gerald R. Ford 11/20/00; The higlights of hearings before the Warren Commission on the assassination of President Kennedy. From the first lady's statement: "All I remember is seeing my husband, he had this sort of quizzical look on his face, and his hand was up, it must have been his left hand . and then he . put his hand to his forehead and fell in my lap." The short letter, by President Gerald R. Ford, details the two conclusions of the Warren Commission--namely, Lee Harvey Oswald was the lone assassin and there was no conspiracy--and asserting his continued belief in said conclusions. President Lyndon B. Johnson appointed Ford to the Warren Commission in late 1963 ; xiv, 634 pages; Signed by Notable Personage, Related [Attributes: First Edition; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        The Man with the Golden Gun

      Jonathan Cape, London 1965 - The Man with the Golden Gun: first edition ¿ Gilt Gun Rare Edition by Ian Fleming. Cape 1965 London, A good edition of this classic James Bond novel, The Man with the Golden Gun with a very good dust jacket. The book has the genuine and very scarce golden gun illustration on the front cover and is in good condition. The dust jacket is in very good/near fine condition. A lovely copy. Dark brown cover (the correct version)with gold gilt image of the gun across the front cover and lettering on the spine. The gilt of the gun is vibrant with very slight loss on the barrel. The spine gilt is also bright, with very slight loss to the top 'H' in 'The'. The spine ends are slightly split with tiny piece missing on the lower end. 2cm tear on the top edge of the spine. 1cm tear on the lower edge. Tiny book plate on front free page. Green illustrated front free pages with three pieces rubbed over previous writing. Paper thinned by rubbing on the facing of the title page. Marks on the title page. The contents are clean. Some pages have previous printing rubbed from the page. Marks on the rear end page top edge. Page 65 has brown markings. The dust jacket is in very good/near fine condition and not price clipped. The colour of the dust jacket is bright with no fading on the spine. Minimal wear to the spine and extremities. A book and one of the most sought-after Bond books. 8vo 221 pp [Attributes: First Edition; Hard Cover]

      [Bookseller: Rare And Antique Books PBFA]
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        The Man With The Golden Gun

      London: Cape, 1965. A first edition, first printing published by Cape in 1965. A fine book in like dust wrapper with some barely visible scratches to rear. A simply superb copy without rubbing or loss.

      [Bookseller: John Atkinson Books]
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        The Man with the Golden Gun

      London: Jonathan Cape,, 1965. Octavo. Original black boards, titles to spine gilt, green and white endpapers. With the dust jacket. An excellent copy, with a couple of faint spots of foxing to edges of text block, in the bright jacket with two tiny punctures to rear flap. First edition, first impression, second state (without the gun design on the front board), binding B. The twelfth James Bond novel.

      [Bookseller: Peter Harrington]
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        The Man With The Golden Gun ~ White End-papers

      Cape, 1965. Hardcover. Very Good. A first edition, first printing published by Cape in 1965. A very good+ book with a single light stain to the top edge which has left a small tide mark to the top of the ffep - no inscriptions. The first edition, second issue which was bound using white end-papers when the stock of green/white marbled end-papers ran out (Gilbert 2012). In a very good+ wrapper which is not price clipped and has some browning to the spine and a little wear to the tips and corners. A rare version of this title.

      [Bookseller: John Atkinson Books]
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        The Man With The Golden Gun - With white endpapers

      Cape, 1965. Hardcover. Very Good. A first edition, first printing published by Cape in 1965. A very good book with some slight waviness to the text block, in a very good+ clipped wrapper with a neat closed tear to the head of the spine. Some creasing and rubbing to the edges. This copy has the white endpapers - one of only 3000 copies produced.

      [Bookseller: John Atkinson Books]
 17.   Check availability:     Biblio     Link/Print  


        Postcard from Seattle with handwritten message to Lucien Carr and Aileen [Lee] dated August 30, 1965

      Boston: Colurpicture Publishers, 1965. 3.5x5.5 inch color postcard with photograph of a night view of Third Street, Seattle, with the text in white, "Greetings from Seattle." On rear is a sixteen-line tightly written message in black ball-point pen, addressed in Ginsberg's hand to Lucien Carr, 44 Horatio Street, New York City, NY, inscribed "Love as ever" and signed Allen Ginsberg with an airmail doodle and a return address care of City Lights in his hand, dated Aug. 30 1965 with a canceled red 6 cent stamp. Beneath the script is a halftone image of the state with Washington above it. There are several brownish stains, otherwise very good. Carr was one of the primary figures at Columbia who formed the core of the Beat movement together with Ginsberg, Kerouac and Burroughs. He was also a main character in both Kerouac's "Town and the City" and Kerouac/Burroughs' piece "And the Hippos Were Boiled in Their Tanks," both of which deal with the Kammerer/Carr murder story. The text of the postcard is as follows: "Dear Lucien and Aileen - Spent a month looking around San Francisco with poets, then spent $2000 on a Volkswagon Camper 1964 Microbus, & took off for here with Gary Snyder to go backpacking and mountain hiking with ice axes and crampons around Cascade Mountains. I guess I'll be here another month and then head East in the camper with Peter. I got a great sleeping bag the size of a football rolled up. We read Tibetan poetry every morn and go thru Nature forest area...Fortunately I'm far from rumored conspiracies by the Treas. Dept. Narco bureau to fix me for a vacation. Peter is in SF with Julius - Miss you - maybe we'll all go biking in White Mountains or Purple Mountains or - well anyway Love as ever - Allen Ginsberg"

      [Bookseller: Bolerium Books, ABAA]
 18.   Check availability:     Direct From Seller     Link/Print  


        An Easy Introduction to the Slide Rule

      Houghton, Mifflin Comany, Boston 1965 - Some wear along the DJ edges. Small close and open tear bottom of DJ front cover. Minor discoloration to pages. Some rubbing wear to DJ. Minor wear to the edges of the book. Small close tear bottom of DJ back cover. [Attributes: Hard Cover]

      [Bookseller: Sabra Books]
 19.   Check availability:     AbeBooks     Link/Print  


        [JOHN CAGE] Cartridge music : also duet for cymbal and piano duet, trio, etc.

      New York : Henmar Press : Sole selling agent, C.F. Peters Corp., [1965] ©1960. Series: Edition Peters, no. 6703. Quarto, original printed portfolio with Peters' advertisements for other John Cage musical scores to recto and verso of rear cover; printed inner wrappers with full page of composer's instructions for performance of the various compositions, and a further 2 pages ofPeters' advertisements for Cage's music; containing20 loose leaves printed recto only, and 4 transparent sheets (as called for in the printed instructions); this edition reproduced from the composer's manuscript; complete and very scarce in such fine condition. American composer, music theorist, philosopher and artist John Cage's Cartridge Music was composed in 1960. A famous example of "aleatory music" (or "chance music"), it premiered in Bremen on September 15, 1960. It is a work for one to 20 phonograph cartridges and amplifiers. The composer's instructions for performance are as follows: "Each performer makes his own part from the material supplied, which is 1) 20 numbered sheets having shapes inscribed; 2) a transparent sheet with points; 3) A transparent sheet with circles; 4) A transparent sheet with a circle marked like a stop-watch; 5) A transparent sheet with a dotted curving line having at one end a circle ... All events, ordinarily thought to be undesirable, such as feed-back, humming, howling, etc. are to be accepted in this situation ..." "For Duet for cymbal, employ a contact microphone on the instrument. Use sheet number 1. Make readings as above. Where change of object is indicated, lower cymbal into water or onto piano strings or onto a mat or other material or make some such action that changes the sound radically." "For Piano duet, employ a contact microphone on the sound-board of the instrument. If using sheet 2, let one shape correspond to the keyboard, one to the strings ... Where change of object is indicated, employ principle of preparation, but in some radical way (e.g. blankets, pillows, large sheets of plastic, newspapers, etc.) From the official John Cage website: "This work was later used as music for the choreographed piece by Merce Cunningham entitled Changing Steps, with stage and costume design by Charles Atlas (from 1973, Mark Lancaster); still later, it was used for the choreographed pieces by Cunningham entitled Exercise Piece II and Exercise Piece III. The word 'Cartridge' in the title refers to the cartridge of phonographic pick-ups, into the aperture of which is fitted a needle. In Cartridge Music, the performer is instructed to insert all manner of unspecified small objects into the cartridge; prior performances have involved such items as pipe cleaners, matches, feathers, wires, etc. Furniture may be used as well, amplified via contact microphones. All sounds are to be amplified and are controlled by the performer(s). The number of performers should be at least that of the cartridges, but not greater than twice the number of cartridges. Each performer makes his or her own part from the materials provided: 20 numbered sheets with irregular shapes (the number of shapes corresponding to the number of the sheet) and 4 transparencies, one with points, one with circles, another with a circle marked like a stopwatch, and the last with a dotted curving line, with a circle at one end. These transparencies are to be superimposed on one of the 20 sheets, in order to create a constellation from which one creates one's part. It is also possible to create other pieces from these materials, such as Duet for Cymbal or a Piano Duet. Cage also used Cartridge Music as a means to compose several of his lectures, including “Where Are We Going? And What Are We Doing?” (1960), “Rhythm, Etc.” (1962), “Jasper Johns: Stories and Ideas” (1963), and “On Robert Rauschenberg, Artist, and His Work” (1961?)."

      [Bookseller: Douglas Stewart Fine Books]
 20.   Check availability:     Direct From Seller     Link/Print  


        Fox In Socks.

      New York: Random House,, 1965. Octavo. Original pictorial paper-covered boards, titles to spine and front board in grey and red, pictorial endpapers. With the dust jacket. Illustrated throughout by Dr. Seuss. Extremities a little rubbed; an excellent copy in the bright jacket. First edition, first printing, with "195/195" on the front flap, and the correct list of titles to the rear panel of the dust jacket.

      [Bookseller: Peter Harrington]
 21.   Check availability:     Biblio     Link/Print  


        SET OF ALL 7 IAN FLEMING JAMES BOND BOOKS ISSUED IN THIS PARTICULAR TRADE FORMAT/EDITION- CASINO ROYALE, LIVE AND LET DIE, MOONRAKER, DIAMONDS ARE FOREVER, FROM RUSSIA WITH LOVE, DR. NO, GOLDFINGER, published by MacMillan, copyright 1953-1959, Second Trade Printings

      MacMillan 1965 - NOTE - THERE WILL BE AN ADDITIONAL SHIPPING CHARGE SINCE THIS IS A SET OF 7 BOOKS (AND NOT JUST 1 BOOK). SET OF ALL 7 IAN FLEMING JAMES BOND BOOKS ISSUED IN THIS PARTICULAR TRADE FORMAT/EDITION- CASINO ROYALE, LIVE AND LET DIE, MOONRAKER, DIAMONDS ARE FOREVER, FROM RUSSIA WITH LOVE, DR. NO, GOLDFINGER, published by MacMillan, copyright 1953-1959, Second Trade Printings (third trade printing in the case of Casino which had 2 printings in 1954) (no printing references on copyright page), white endpapers with black boards and colored stripe along right edge and gold gilt lettering on spine (except for Live Let Die & Diamonds Are Forever which have no colored stripe as they were not published in the uniform book club version), $3.95 price on DJ front flaps. THERE WAS ONLY TWO U.S. TRADE HARDCOVER PRINTINGS OF CASINO ROYALE IN 1954 AND THEREAFTER ONLY ONE U.S. TRADE HARDCOVER PRINTING OF EACH BOOK THROUGH GOLDFINGER PUBLISHED IN 1959. IN 1965, FOLLOWING THE DEATH OF IAN FLEMING, A UNIFORM SET OF 9 BOOK CLUB EDITIONS (ALL WITH BLACK BOARDS WITH A COLORED STRIPE ALONG THE RIGHT EDGE WERE PUBLISHED) AND THESE BOOKS ALL HAD GENERIC DUST JACKETS (ALL WITH THE SAME IMAGE ON THEM WITH VERY PLAIN COLOR SCHEMES). AT THIS SAME TIME, DUE TO A HIGH DEMAND FOR HARDCOVER FLEMING BOOKS FROM LIBRARIES, THE PUBLISHER TOOK A VERY VERY VERY SMALL PERCENTAGE OF THESE HARDCOVERS AND PUT OUT TRADE EDITION (PRICED) DUST JACKETS ON THEM - EACH DUST JACKET HAD NEW ARTWORK THAT APPEARED NOWHERE ELSE. THESE BOOKS WERE SOLD EXCLUSIVELY TO LIBRARIES (AND THERE WEREN'T VERY MANY MADE), BECAUSE THESE WERE PRICED BOOKS THAT WERE TECHNICALLY AVAILABLE FOR SALE, THEY CONSTITUTE THE 2ND (IN THE CASE OF CASINO - THE 3RD) TRADE U.S. HARDCOVER PRINTING (AND ONLY THE FIRST 7 FLEMING BOOKS WERE RELEASED IN THIS FORMAT AS IT WAS THOSE FIRST SEVEN BOOKS THAT LIBRARIES DIDN'T HAVE IN STOCK DUE TO THE HIGH DEMAND FOLLOWING THE FIRST MOVIE IN 1962). FINDING THESE BOOKS (EVEN WITH EX-LIBRARY MARKINGS) IS QUITE DIFFICULT, AND EVEN RARER TO FIND A COPY WITHOUT ANY LIBRARY MARKINGS. THIS IS A SET OF ALL 7 BOOKS ALL OWNED BY THE SAME ORIGINAL OWNER. Books have flat white pages with sharp outer page corners, no creased page corners, no foxing to pages or endpapers, no foxing/dust soiling to outer page edges (slight age darkening only), colored top stains are perfect without fading or drop spots, endpapers are clean and free from any scotch tape marks or other discoloration, no former owner's or used bookseller stamps/stickers inside, no wear to board edges, corners or spine tips, no bumped board corner, no spine fade, no dust soiling to boards. Original Dust jackets have no chipping, tearing or creasing, no wear to spine tips, no wear to front flap crease, no edge wear, no spine sun fading or spine darkening, no spine darkening (common defect with this DJ), no dust soiling to panels, no staining or soiling to panel. Overall a N-FINE books in FINE-/N-FINE condition dust jackets (not price clipped) of the first 7 Ian Fleming James Bond U.S. 2nd printing hardcover books. I have a number of other U.S. and U.K. Ian Fleming James Bond 1st printing hardcover appearances up for sale. [Attributes: Hard Cover]

      [Bookseller: Far North Collectible Books]
 22.   Check availability:     AbeBooks     Link/Print  


        Pierre écrite

      First edition, one of 40 numbered copies on vélin d'Auvergne, this one of 15 reserved for the "Club de l'édition originale", tirage de tête.A very good copy with good margins. Mercure de France Paris 1965 16x20cm broché

      [Bookseller: Librairie Le Feu Follet]
 23.   Check availability:     Direct From Seller     Link/Print  


        A BIBLIOGRAPHY OF CANADIANA: BEING ITEMS IN THE PUBLIC LIBRARY OF TORONTO, CANADA, RELATING TO THE EARLY HISTORY AND DEVELOPMENT OF CANADA. PLUS: FIRST SUPPLEMENT & SECOND SUPPLEMENT (IN FOUR VOLUMES INCLUDING INDEX). SIX VOLUME SET.

      Toronto: Toronto Public Library / Metropolitan Toronto Library Board 6 volume set, bound in maroon cloth with green title blocks/gilt lettering on spines, 10" H. B&w reproductions. Volume I - A Bibliography of Canadiana: Being Items in the Public Library of Toronto, Canada, Relating to the Early History and Development of Canada - 1965 reprint, 828 pp + errata page (bound in). Volume II - Ditto: First Supplement - published 1959, 333 pp + errata page (bound in). Volume III - Ditto: Second Supplement, Volume 1, 1512-1800 - published 1989 (ISBN 0887730299 - for all four volumes of the Second Supplement), 353 pp + erratum slip (laid in at rear). Volume IV - Ditto, Second Supplement, Volume 2, 1801-1849 - published 1985, 839 pp. Volume V - Ditto, Second Supplement, Volume 3, 1850-1867 - published 1986, 910 pp. Volume VI - Ditto, Second Supplement, Volume 4, Index - published 1989, 777 pp. Tiny minor wrinkle at top edge of first 6 page leaves of Volume 2 of Second Supplement.. Hard Cover. Near Fine.

      [Bookseller: Capricorn Books]
 24.   Check availability:     Biblio     Link/Print  


        Fox in Socks

      Beginner Books, 1965 First edition. Near fine book; slight rubbing along edges. Very good dust jacket.

      [Bookseller: Bookbid Rare Books]
 25.   Check availability:     Biblio     Link/Print  


        Blackbook of Localities Whose Jewish Population Was Exterminated By the Nazis

      Jerusalem: Yad Vashem: Martyrs' and Heroes' Remembrabce Authority, 1965. Cloth. Collectible; Very Good. Very scarce and moving statistical collection of deaths to specific localities wrought by the Nazis thruout Europe. 1965 1st edition. Broken down by serial number, number of Jewish residents and specific localities of all the affected towns and cities in all the countries of Eastern and Western Europe. A detailed, clinical and yet very painful listing of all recorded wartime caualties of the European pogrom. A well-preserved copy, VG in its original black (fittingly enough) pictorial boards. Quarto, 439 pgs. As horrifying as it is uncommon.

      [Bookseller: Appledore Books, ABAA]
 26.   Check availability:     Biblio     Link/Print  


        A CHILD'S CALENDAR

      NY: Knopf, 1965. First edition, first prnt. Trade issue in dustjacket. There was a Library issue in laminated pictoral boards issued without a dustjacket (the "Gibraltar" binding). Signed by Updike on the title page. Illustrated by Nancy Ekholm Burkert. Embossed red cloth-covered boards. Set in English Monotype Bembo. Printed by Reehl Litho. Small speck on the rear board; otherwise, in Fine condition. The dustjacket has minimal edgewear, mostly at the spine ends and corner and a price-clip with the printed dollar sign just visible; it is in Near Fine condition. Updike's third book for young readers.. Signed by Author. First Edition. Hardcovers. Near Fine/Near Fine. Illus. by Nancy Ekholm Burkert. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Revere Books, ABAA & IOBA]
 27.   Check availability:     IOBABooks     Link/Print  


        The Orchard Keeper (Proof)

      Random House, New York 1965 - This is the Proof copy of Cormac McCarthy's first novel entitled - The Orchard Keeper. This scarce format is in beige wraps and is in Very Good + condition. The binding is square & tight, no writing / inscriptions, text pages are clean. Some light soil to the wraps, more notable on the spine. Light foxing to top edge block and bit of spotting on block edge. Overall, a nice copy of this rare & significant format. [Attributes: First Edition; Soft Cover]

      [Bookseller: Midwest Books]
 28.   Check availability:     AbeBooks     Link/Print  


        Les choses ENVOI AUTOGRAPHE

      Paris: Julliard, 1965. Fine. Julliard, Paris 1965, 11,5x20cm, broché. - Published the same year as the first edition, falsely stated the "78ème mille". With an autograph inscription from Georges Pérec to Jean Berthou and his wife. A small tear, not serious, on foot of one joint. - [FRENCH VERSION FOLLOWS] Edition de l'année de l'originale, fantaisiste mention de 78ème mille. Envoi autographe signé de Georges Pérec à Jean Berthou et à sa femme. Une infime déchirure sans gravité en pied d'un mors.

      [Bookseller: Librairie Le Feu Follet]
 29.   Check availability:     IOBABooks     Link/Print  


        The Orchard Keeper (1st Printing)

      Random House, 1965. First printing hardcover. This is an ex-library book with the usual markings. Otherwise, the the book is good with shelfwear (rubbed through to the boards a bit), soiling inside the covers and a slightly slanted spine. The dust jacket has NO library markings, but it is pasted down to the book, is price clipped and has rubbing, edgewear (including some very small pieces missing at the top of the spine) and light creasing. A good example of a very scarce book. Expedited international shipping is not available. The delivery expectation for international shipping is 7-32 business days, depending upon customer location. . First Edition. Hard Cover. Good/Good. Ex-Library.

      [Bookseller: MyFirstEditions]
 30.   Check availability:     Biblio     Link/Print  


        The Dark is Rising Series: Over Sea, Under Stone; The Dark is Rising; Greenwitch; The Grey King; Silver on the Tree

      London: Jonathan Cape, 1965-1977. First British editions and true firsts of each book in the Dark is Rising Sequence. Octavo, 5 volumes. Each copy is signed or inscribed by the author. Each are in excellent condition in the original dust jackets. Housed in a custom half morocco clamshell box. One of the most celebrated fantasy sequences of all time, The Dark Is Rising is a searing, epic rendering of the eternal conflict between good and evil. It was inaugurated in 1965 with the U.K. publication of Over Sea, Under Stone by Jonathan Cape. The sequels were published 1973 to 1977, volume four, The Grey King (1975), won both the Newbery Medal, recognizing the year's "most distinguished contribution to American literature for children", and the inaugural Welsh Tir na n-Og Award for English-language books with Welsh background. The concluding Silver on the Tree (1977) also won the annual Tir na n-Og Award.

      [Bookseller: Raptis Rare Books]
 31.   Check availability:     IOBABooks     Link/Print  


        Hommage fait à Marguerite Duras du Ravissement de Lol V Stein EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: In Cahiers Renaud-Barrault, 1965. Fine. In Cahiers Renaud-Barrault, Paris Décembre 1965, 14x19cm, agrafé. - First edition. Autograph inscription signed and dated by Jacques Lacan to monsieur and madame Claude Lefort, to whom he gives his best wishes for 1966. Covers slightly and marginally sunned but not seriously, one small tear to edge of lower cover, one other to foot of spine. - [FRENCH VERSION FOLLOWS] Edition originale. Envoi autographe daté et signé de Jacques Lacan à monsieur et madame Claude Lefort à qui il présente ses voeux pour l'année 1966. Plats légèrement et marginalement insolés sans gravité, une petite déchirure en marge du second plat, une autre en pied du dos.

      [Bookseller: Librairie Le Feu Follet]
 32.   Check availability:     IOBABooks     Link/Print  


        Over Sea, Under Stone

      The First UK Printing published by Jonathan Cape in 1965. The BOOK is in near Fine condition. Light pushing at the spine ends and a hint of toning to the text-block. Gilt titling remains bright. Free from erasures, markings and inscriptions. The WRAPPER is complete and is in Very Good++ or better condition. It is the correct first issue with a price of 16s net. Mild edge wear with a few short nicks and a small closed tear to the front upper edge. Minor rubbed area to the lower rear edge. Blue colouring too the spine is lightly faded and the white lettering to the spine is mildly toned. The Margery Gill wrapper design looks very striking in the removable Brodart archival cover. Wonderfully B/W illustrations throughout by Margery Gill. The first title in the acclaimed 'The Dark is Rising' series. Further series titles won both the Newbery Medal, recognizing the year's "most distinguished contribution to American literature for children", and the inaugural Welsh Tir na n-Og Award for English-language books with Welsh background. Contemporary Arthurian fantasy and the struggle between The Light and The Dark. An exceptionally difficult title to find in any condition with most going to libraries. Scarce with such attributes. Ashton Rare Books welcomes direct contact.

      [Bookseller: Ashton Rare Books ABA (Associate) PBFA]
 33.   Check availability:     Biblio     Link/Print  


        In Cold Blood

      Random House, 1965 A signed first edition, first printing, issued for the First Edition Circle by Kroch's and Brentano's in Chicago. Near fine in a near fine dust jacket, signed on a preliminary page. With the presentation card and special bookplate from Kroch's stating that this copy was autographed by Capote for the members of the First Edition Circle. Housed in a custom-made collector's slipcase. Comes with a Certificate of Authenticity.

      [Bookseller: Bookbid Rare Books]
 34.   Check availability:     Biblio     Link/Print  


        Terre d'amour et de feu EDITION ORIGINALE Tirage de tête

      Paris: Plon, 1965. Fine. Plon, Paris 1965, 14,5x21cm, broché. - First edition, one of 120 numbered copies on pur fil paper, the only large paper copies. A fine copy, the covers and spine not faded as usual. - [FRENCH VERSION FOLLOWS] Edition originale, un des 120 exemplaires numérotés sur pur fil, seuls grands papiers. Très bel exemplaire aux dos et plats non passés comme généralement.

      [Bookseller: Librairie Le Feu Follet]
 35.   Check availability:     IOBABooks     Link/Print  


        Moulin à la Galette

      Paris: Sorlier, 1965. Sorlier, Charles [after Buffet, Bernard] Lithograph in seven colors. One of 300 signed in pencil by Buffet. Paper: 80 x 59 cm. Image: 65 x 50 cm. Sorlier, 308.

      [Bookseller: Alan Wofsy Fine Arts]
 36.   Check availability:     IOBABooks     Link/Print  


        Draeger, 1886-1966

      Paris: Draeger Frères, 1965. Rubbed at the spine and edges, else a tight, very good copy in photo-illustrated wrappers with elongated French flaps. Tattered publisher's bellyband laid in, with crisp original reader reply card.. Square Quarto. First Edition. Unheralded company book by Draeger Fères, the famed French printer known for working with artists such as Matisse and Bill Brandt. In this highly produced book, focus is on the creative commercial art potential of Draeger's photography laboratories. Made apparently for an American market shortly after merging with a New York advertising agency, the book is a tour of mostly European fine art from Impressionism to Pop. However, rather than simply reproduce photos of the artwork, the company's photographers and lab developers labored to create unique, highly manipulated photo images that each pay homage to a particular artist or style. Though created to show off the the creative and design potential of Draeger Fères to potential clients, the book becomes a sort of history of the twentieth century filtered through the lens of an emerging underground psychedelic graphic language. Concludes with tipped in photo illustration of a three year old Nicolas Draeger, extending his arms to the future.

      [Bookseller: Harper's Books, Inc.]
 37.   Check availability:     IOBABooks     Link/Print  


        THe Tin Can Tree

      Alfred A. Knopf, New York 1965 - First Printing, hardcover. SIGNED by the author on the title page. Some minor bumping to spine ends, but still a tight near fine copy in a near fine dust jacket (just some light fading to the spine) which is now protected in an archival cover. An exceptional copy of the author's 2nd book. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Books Again]
 38.   Check availability:     AbeBooks     Link/Print  

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