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Displayed below are some selected recent viaLibri matches for books published in 1965

        Le Chien à la Mandoline -

      Gallimard 1965 -, Paris - 1 volume. In-12 carré. 243 pp. Couverture jaune rempliée avec petite trace bleue. Bel état. Collection "Le point du Jour". ÉDITION en partie originale. Exemplaire du service de presse. [Attributes: Soft Cover]

      [Bookseller: Librairie KOEGUI]
 1.   Check availability:     AbeBooks     Link/Print  


        The North Ship

      London: Fortune Press, 1945 [but 1965]. Second (unauthorized) Edition. Tall, slim 8vo: [4],36pp. Publisher's maroon buckram (some copies bound in brownish-orange buckram, no priority known), spine lettered in gilt, bottom edge untrimmed; beige dust jacket (Bloomfield calls it pale orange, but to my eye there is very little, if any, orange in it) printed in black, priced 21s. Possibly run off from the same plates as the first edition, with this copyright page still reading "First Published 1945," though this edition appeared in a larger format than the original (9 1/8'' x 5 5/8'' vs. 7 1/8 x 5"). A virtually pristine, unread copy, completely free of foxing and wear, in Fine jacket. Bloomfield A1(b). Originally published, by the Fortune Press, in 1945. This pirated edition, limited to 500 copies, was issued in advance of the authorized Faber & Faber release, which appeared in 1966 but was swiftly withdrawn when Larkin discovered its existence. By 1972, according to Bloomfield, the publisher still had 220 copies in stock, but these had no dust jackets, which "had inadvertently been destroyed." Larkin's first major collection of [31] poems, The North Ship is often criticised for its high-flown Yeatsian rhetoric, but it is, essentially, a wartime collection of poems and its significance lies primarily in its elegiac lyricism and withdrawn but tenacious sense of survival." (Literary Encyclopedia) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine / Fine.

      [Bookseller: Fine Editions Ltd]
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        GOD BLESS YOU, MR. ROSEWATER, OR PEARLS BEFORE SWINE

      New York: Holt, Rinehart and Winston, 1965. INSCRIBED BY KURT VONNEGUTcovering the entire front flyleaf: "And God bless my pal --- Kurt Vonnegut Jr. (with small drawing) July 14, 1977." A near fine copy in a very good, price-clipped dust jacket with two small tape mends on the verso. . SIGNED. First Edition (Stated). Hard Cover. Near Fine/Very Good.

      [Bookseller: RON RAMSWICK BOOKS, IOBA ]
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        You Only Live Twice.

      London: Jonathan Cape, 1965. First edition, first state with "First published 1964" on the copyright page of the last James Bond novel published in Fleming's lifetime and the eleventh in the series. Octavo, original black cloth. Inscribed by the author on the front free endpaper, "To Jonathan Chase, Herewith appointed 'Fixer' to Ian Fleming." An excellent example in a near fine dust jacket. Jacket design by Richard Chopping. Housed in a custom half morocco clamshell box. Uncommon signed and inscribed as Fleming passed away in the year of publication. You Only Live Twice is the eleventh novel and twelfth book in Ian Fleming's James Bond series. The Belfast Telegraph considered Fleming to be "still in a class of his own." The Bookman declared that You Only Live Twice "must rank among the best of the Bonds." It is the last novel by Fleming to be published in his lifetime, with subsequent works being published posthumously. Made into the 1967 film of the same title with a screenplay by Roald Dahl, starring Sean Connery as Bond and Donald Pleasence as Blofeld.

      [Bookseller: Raptis Rare Books]
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        A Way Of Seeing (Signed First Edition)

      New York: The Viking Press, 1965. First edition. Oblong hardcover. First printing. The first book to collect fifty of Levitt's classic black and white street photographs. Includes Agee's terrific posthumous essay. A very near fine copy in a close to near fine dust jacket with some slight wear to the top of the spine. Signed by Levitt on the title page. A very nice copy and increasingly uncommon signed. (Parr & Badger, v1 252-253: Roth 178-179)

      [Bookseller: Jeff Hirsch Books, ABAA]
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        Man with the Golden Gun, The

      London: Jonathan Cape, 1965. "Mr. Bond, bullets do not kill. It is the finger that pulls the trigger.""Exactly. I am now aiming precisely at your groin. So speak or forever hold your piece."A Near Fine First Edition in the Publisher's Unclipped Dust JacketFLEMING, Ian. The Man With The Golden Gun. London: Jonathan Cape, [1965]. First edition, first impression, second state, Binding 'A'. Octavo (7 3/8 x 5 inches; 188 x 127 mm.). 255, [1] pp.Publisher's black cloth effect paper over boards, spine lettered in bronze, green and white 'smoke' or 'fibre' patterned endpapers. Publisher's (unclipped) dust jacket designed by Richard Chopping. Binding very lightly 'cocked' otherwise a near fine copy in an excellent dust jacket with a few very small closed edge tears."The Man with the Golden Gun was the last novel to be written by Ian Fleming, who died before making his final revisions. These were carried out by Jonathan Cape stalwarts William Plomer and Michael Howard, his regular script typist Jean Frampton, and the author Kingsley Amis, who was hired as somewhat of an authority on Bond, having been in correspondence with Fleming earlier in the year over the reference book The James Bond Dossier, which was about to be published by Cape. (Gilbert, p.420).The Man with the Golden Gun is the twelfth novel (and thirteenth book) of Ian Fleming's James Bond series. It was first published by Jonathan Cape in the UK on 1 April 1965, eight months after the author's death. The novel was not as detailed or polished as the others in the series, leading to poor but polite reviews. Despite that, the book was a best-seller.A year after James Bond's final confrontation with Ernst Stavro Blofeld, while on a mission in Japan, a man claiming to be Bond appears in London and demands to meet the head of the Secret Service, M. Bond's identity is confirmed, but during his debriefing interview with M, Bond tries to kill him with a cyanide pistol; the attempt fails. The Service learns that after destroying Blofeld's castle in Japan, Bond suffered a head injury and developed amnesia. Having lived as a Japanese fisherman for several months, Bond traveled into the Soviet Union to learn his true identity. While there, he was brainwashed and assigned to kill M upon returning to England. Now de-programmed, Bond is given a chance to again prove his worth as a member of the 00 section following the assassination attempt. M sends Bond to Jamaica and gives him the seemingly impossible mission of killing Francisco "Pistols" Scaramanga, a Cuban assassin who is believed to have killed several British secret agents. Scaramanga is known as "The Man with the Golden Gun" because his weapon of choice is a gold-plated Colt .45 revolver, which fires silver-jacketed solid-gold bullets…Gilbert, A13a, 1.2.

      [Bookseller: David Brass Rare Books, Inc. ]
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        L'oeuvre de Corot par Alfred Robaut. Precede de L'Hiostoire de Corot et de ses Oeuvres par Etienne Moreau-Nelaton, ornee de dessins et croquis originaux du maitre. (COMPLETE 4-VOLUME SET)

      Paris, France: Leonce Laget, 1965. Limited Edition, 381/500 sets. Hardbound. Contents very good in general with crisp, sharp pages and images. Cover edges show a little wear: Vol. 1 has damage to external base of spine (1" x 1.8") and a wee bit on the upper outer front cover corner. Vol. 4 has a small bit to one cover corner and a tiny amount of cover edge. Still a superb set overall. Green cloth, with original folded thick green paper wraps bound in.; leather label on each spine with gilt lettering; marbled end papers. Rough cut edges. Vol. 1: 356, [8] pp.; Vol. 2: 395 pp.; Vol. 3: 400 pp.; Vol. 4: 398 pp.; All volumes profusely illustrated in black and white. Heavy, with a shipping weight of 40 pounds (about 18 kilos) and will require extra postage. Text is in French. An exact and complete reproduction of the original 1905 edition with additional recently-discovered documents and material as a supplement to Volume 1. Contentsare as follows: Volume 1: Histoire de Corot et de ses œuvres. Volumes 2 & 3: Catalogue des peintures. Volume 4: Catalogue des dessins et des estampes originales (eaux-fortes, lithographies et autographies, procédés sur verre). Really a lovely, scarce set.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        L'eredità sotto chiave

      MILANO: Federico Elmo Editore, 1965. Brossura. BUONO. 13 19. USATO

      [Bookseller: Biblioteca di Babele]
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        A Sense of Where You Are

      New York: Farrar , Straus and Giroux, 1965. Cloth. Very Good +/Near Fine. A tight, very sharp copy of the 1965 stated 1st printing. Clean and VG+ (very light spotting at the panels, tiny indentations to the preliminaries) in a crisp, price-intact ("$3.75"), unusually nice example of the pictorial dustjacket, with no fading whatsover along the spine. The orange, which almost invariably fades at least to some degree, in this case is as strong and vibrant as the day the book was published and the dustjacket overall, which shows just a touch of rubbing to the front tips and the slightest bit of creasing at the spine crown, easily merits a Near Fine. 12mo, a very impressive copy of McPhee's seminal first book, in a remarkably bright dustjacket.

      [Bookseller: Appledore Books, ABAA]
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        You Only Live Twice.

      London: Jonathan Cape, 1965. First edition, first state with "First published 1964" on the copyright page of the last James Bond novel published in Fleming's lifetime and the eleventh in the series. Octavo, original black cloth. Inscribed by the author on the front free endpaper, "To Jonathan Chase, Herewith appointed 'Fixer' to Ian Fleming." An excellent example in a near fine dust jacket. Jacket design by Richard Chopping. Housed in a custom half morocco clamshell box. Uncommon signed and inscribed as Fleming passed away in the year of publication. You Only Live Twice is the eleventh novel and twelfth book in Ian Fleming's James Bond series. The Belfast Telegraph considered Fleming to be "still in a class of his own." The Bookman declared that You Only Live Twice "must rank among the best of the Bonds." It is the last novel by Fleming to be published in his lifetime, with subsequent works being published posthumously. Made into the 1967 film of the same title with a screenplay by Roald Dahl, starring Sean Connery as Bond and Donald Pleasence as Blofeld.

      [Bookseller: Raptis Rare Books ]
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        Teatr. (Teatp). 1965. 11 issues.

      Moscow (Moskva): Iskusstvo 1965 - 4to. Original wraps. 12 issues ; Complete Year.Later issues ISSN 0131-6885 [Attributes: Soft Cover]

      [Bookseller: Wittenborn Art Books]
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        Jasper Johns. January 26 Thru February 28, 1965 Pasadena Art Museum (Exhibition Poster, Signed Limited Issue)

      Pasadena: Pasadena Art Museum, 1965. 1st Edition . No Binding. Fine. Jasper Johns. Exhibition Poster 24" X 18", Light Brown Paper With Cream Color Abstract Lithographed Image, Folded Twice For Mailing. Fine. #19 Of 33 Copies, Numbered And Signed Beneath The Image By Johns. Rare.

      [Bookseller: Arroyo Seco Books]
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        Les Ordines Romani du Haut Moyen Age (Spicilegium Sacrum Lovaniense Etudes et Documents, Fascicule 11, 23-4, 28-9). 5 vols (set)

      Spicilegium Sacr. Lovaniense, Louvain 1965 - ~Volumes in this set published 1965 (2nd impress), 1960 (2nd impress), 1961 (2nd impress), 1956 & 1961. Pagination: xxiii, 631 + xlix, 536 + viii, 633, (ii) + xi, 543, (ii) + (vi), 418, (ii) pp. Sometime rebound in fine red cloth, gilt lettering to slightly faded spines. Without dustwrappers. Minor Franciscan library marks to prelims. Very scarce. Size: c.500 pp / volume. 8vo [Attributes: Hard Cover]

      [Bookseller: St Philip's Books, P.B.F.A., B.A.]
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        THE (DIBLOS) NOTEBOOK

      NY: Atheneum, 1965. First edition, first prnt. Review Copy with the publisher's slip laid in. Signed by Merrill on the title page. Two small dampstains on topedge; dustkacket with quarter-inch chip on rear panel bottom edge and a short closed tear on the front panel topedge. Near Fine condition in a Very Good+ dustjacket with a Durafold mylar cover.The image is of the actual book described and not a stock photo.

      [Bookseller: Revere Books, ABAA & IOBA]
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        Bibliotheca lusitana.

      Coimbra, Atlântida, 1965. - 4 volumes. Folio (27.5 x 19.3 cm.), recent crimson half morocco over marbled boards, spine with raised bands in five compartments, gilt letter, original printed wrappers bound in. A fine set, uncut and partially unopened. (40 ll.), port., 767 pp., (1 l.); (4 ll.), 926 pp., (2 ll.); (2 ll.), 798 pp., (2 ll.); (4 ll.), 721 pp., (3 ll.). *** Facsimile reprint of the original 1741-59 edition. The author was "incontestably the greatest Portuguese bibliographer. His Bibliotheca lusitana forms the basis of all Portuguese bibliography . The confidence with which he wrote and the exactitude of the biographical facts make these four folios an indispensable reference work even today" (Borba de Moraes [1983] II, 969). Because it covers Portuguese authors writing in Portuguese or any other language (especially Latin and Spanish), the Bibliotheca lusitana is not superseded by Innocêncio, who deals mainly with works in Portuguese. *** Breslauer and Folter 100 (for the original edition). Borba de Moraes (1983), II, 968-9. Cf. Jorge Peixoto, Bibliografia analítica das bibliografias portuguesas 330 (for the second edition, 1930-1935). [Attributes: Soft Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        Man with the Golden Gun, The

      London: Jonathan Cape, 1965. "Mr. Bond, bullets do not kill. It is the finger that pulls the trigger." "Exactly. I am now aiming precisely at your groin. So speak or forever hold your piece." A Near Fine First Edition in the Publisher's Unclipped Dust Jacket FLEMING, Ian. The Man With The Golden Gun. London: Jonathan Cape, [1965]. First edition, first impression, second state, Binding 'A'. Octavo (7 3/8 x 5 inches; 188 x 127 mm.). 255, [1] pp. Publisher's black cloth effect paper over boards, spine lettered in bronze, green and white 'smoke' or 'fibre' patterned endpapers. Publisher's (unclipped) dust jacket designed by Richard Chopping. Binding very lightly 'cocked' otherwise a near fine copy in an excellent dust jacket with a few very small closed edge tears. "The Man with the Golden Gun was the last novel to be written by Ian Fleming, who died before making his final revisions. These were carried out by Jonathan Cape stalwarts William Plomer and Michael Howard, his regular script typist Jean Frampton, and the author Kingsley Amis, who was hired as somewhat of an authority on Bond, having been in correspondence with Fleming earlier in the year over the reference book The James Bond Dossier, which was about to be published by Cape. (Gilbert, p.420). The Man with the Golden Gun is the twelfth novel (and thirteenth book) of Ian Fleming's James Bond series. It was first published by Jonathan Cape in the UK on 1 April 1965, eight months after the author's death. The novel was not as detailed or polished as the others in the series, leading to poor but polite reviews. Despite that, the book was a best-seller.A year after James Bond's final confrontation with Ernst Stavro Blofeld, while on a mission in Japan, a man claiming to be Bond appears in London and demands to meet the head of the Secret Service, M. Bond's identity is confirmed, but during his debriefing interview with M, Bond tries to kill him with a cyanide pistol; the attempt fails. The Service learns that after destroying Blofeld's castle in Japan, Bond suffered a head injury and developed amnesia. Having lived as a Japanese fisherman for several months, Bond traveled into the Soviet Union to learn his true identity. While there, he was brainwashed and assigned to kill M upon returning to England. Now de-programmed, Bond is given a chance to again prove his worth as a member of the 00 section following the assassination attempt. M sends Bond to Jamaica and gives him the seemingly impossible mission of killing Francisco "Pistols" Scaramanga, a Cuban assassin who is believed to have killed several British secret agents. Scaramanga is known as "The Man with the Golden Gun" because his weapon of choice is a gold-plated Colt .45 revolver, which fires silver-jacketed solid-gold bullets... Gilbert, A13a, 1.2.

      [Bookseller: David Brass Rare Books, Inc.]
 16.   Check availability:     Biblio     Link/Print  


        GOD BLESS YOU, MR. ROSEWATER

      N.Y. Holt, Reinhart and Winston, [1965] - First edition. About very fine in near very fine dust jacket but for two 2 cm. tears at the top of the spine panel and very faint shelf rubbing to the glossy surface. [Attributes: First Edition; Hard Cover]

      [Bookseller: Tall Tales]
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        Neruda participa en acto politico

      1965 - Fotografía tomada por Sergio Larrain cuando trabajaba en la Agencia Magnum. Tamaño: 15 x 23 cm

      [Bookseller: Libros del Ayer]
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        CHANGE / 1 - Fall/Winter 1965 [and] CHANGE / 2 - Spring/Summer 1966 [Two Issues, Complete Run]

      Detroit: Artists' Workshop Press, 1965 and 1966. First Edition. Wraps. Very good +. 4to. Side-stapled photographic wraps, the first orange, the second light blue. Interiors printed mimeo on both rectos and versos. First issue very good plus or better; second very good. No. 1 has a small dent to fore edge, and rear wrapper half-separated from bottom staple. Includes fold-out signable petition for support of a House bill funding the National Humanities Foundation bound in, along with photographs and a musical score on thicker white paper. Otherwise printed throughout on tan paper; trivially toned, but clean and fresh overall. 78pp. Second issue a bit soiled, toned to wrappers, and top staple fully separated from rear wrapper. Also includes a photo section; and other pages light-gray paper; a bit yellowed, but clean. 118pp. A handsome set of this relatively fragile and quite beautiful production, conceived as a magazine for enthusiasts of "The New Jazz Music," or free jazz as it came to be commonly known. The production was led by John Sinclair, with help from his wife Leni, and trumpeter Charles Moore, featuring writing from secveral leading voices in new jazz: Archie Shepp, Marion Brown, Sun Ra, Joseph Jarman, Stanley Cowell, and Andrew Hill. The magazine also featured concert and record reviews by Sinclair, George Tysh, and many others, discussing the leading lights of new jazz: Coltrane (including an interview), Ayler, Coleman, Dolphy, Sanders, Mingus, Davis, et al. Includes poems by Clark Coolidge in the first issue. Quite a remarkable document of the early years of an emerging art form. The second issue was printed in an edition of 1000 copies, and the first in an unknown limitation. Scarce. OCLC locates only 16 copies of any issues.

      [Bookseller: Brian Cassidy, Bookseller]
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        Rififi No Harlem [Cotton Comes to Harlem]

      Distribuidora Record, Rio de Janeiro / Sao Paulo 1965 - First Brazilian edition of Cotton Comes to Harlem, and first edition in Portuguese. Illustrated self-wrappers. A trifle spine-sunned else very near fine. Signed by Chester Himes and presumably uncommon thus. [Attributes: First Edition; Signed Copy]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Lyndon B. Johnson on Civil Rights

      1965 - Typed Letter Signed, to Michael J. Kirwan, March 17, 1965. 1 p., 6 1/2 x 8 1/2 in., with original envelope (7 x 4 1/2 in.). "there are few issues before the people of this country that are so rooted in rightness - constitutionally, morally, and humanly."Just ten days after the "Bloody Sunday" confrontation at the Edmund Pettus Bridge in Selma, Alabama, drew national attention to civil rights, President Johnson thanks a Congressman for his approval of Johnson's major voting rights speech to Congress. Five months later, Johnson signed the Voting Rights Act of 1965 into law. Complete Transcript THE WHITE HOUSEWASHINGTON March 17, 1965Dear Mike: Your telegram was a bright and happy event in my day. Of course I am glad that you heartily approved of what I had to say. There really can be no argument about the position that I have taken for there are few issues before the people of this country that are so rooted in rightness - constitutionally, morally, and humanly. Thank you, my dear friend, for your very kind words. Sincerely, Lyndon B. JohnsonHonorable Michael J. KirwanHouse of Representatives / Washington, D.C.Historical BackgroundOn Sunday, March 7, 1965, six hundred marchers assembled in Selma, Alabama, to march to Montgomery, more than forty miles away, to protest discrimination in voting rights. In Selma, at the Edmund Pettus Bridge over the Alabama River, the marchers were met by Alabama State troopers and local police who ordered them to turn around. When they did not, police shot teargas into the crowd and began beating the protestors, over fifty of whom were hospitalized. This encounter, labeled "Bloody Sunday," was televised around the world, drawing outrage from many.A week later, on March 15, 1965, President Lyndon B. Johnson addressed Congress with a special message, broadcast live to the nation on radio and television. Entitled "The American Promise," Johnson's speech passionately argued for Congress to pass a strong voting-rights bill to prohibit racial discrimination. "Every American citizen must have an equal right to vote," Johnson said, "There is no reason which can excuse the denial of that right." Johnson used his considerable oratorical skills to move Congress: "Their cause must be our cause too. Because it is not just Negroes, but really it is all of us, who must overcome the crippling legacy of bigotry and injustice. And we shall overcome." He concluded, "Above the pyramid on the great seal of the United States it says-in Latin-'God has favored our undertaking.' God will not favor everything that we do. It is rather our duty to divine His will. But I cannot help believing that He truly understands and that He really favors the undertaking that we begin here tonight."Two days later, the same day as this letter, as Johnson promised in his speech, Senate Majority Leader Mike Mansfield of Montana and Senate Minority Leader Everett Dirksen of Illinois introduced a voting rights act in the Senate. They had worked with Johnson's Attorney General Nicholas Katzenbach to draft the language, and 64 other senators cosponsored the bill. The Senate passed the bill on May 26, by a vote of 77-19.On March 19, 1965, Emanuel Celler of New York introduced the voting rights bill in the House of Representatives. After being amended in committee, it came to the full House on July 6. On July 9, the House passed the bill by a vote of 333-85. After a conference committee resolved differences between the two bills on July 29, the House approved it on August 3, and the Senate followed suit the following day. On August 6, President Johnson signed the Voting Rights Act of 1965 into law.In this letter, Johnson thanks Congressman Kirwan for his support and reemphasizes his determination to see the bill passed.Full Text of President Johnson's SpeechLyndon B. Johnson (1908-1973) was born in Texas and graduated from Southwest Texas State Teachers College in 1930. He won election to the U.S. House of Rep. (See website for full description)

      [Bookseller: Seth Kaller Inc.]
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        Seated Child. Niño sentado.

      Quito, Ecuador: 1965 - 65 x 90 cm. Ink and gouache on paper. Signed, dated and placed lower right. Short marginal tear. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
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        Uncollected Poems

      First edition. 8vo., original pale blue wrappers. London, Turret Books.

      [Bookseller: Maggs Bros. Ltd.]
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        T'ang Poems. Volume II. Takeo Hiraoka and Kokichi Ichihara, Kiyoshi Imai.

      Kyoto, Jumbunkagaku Kenkyusho Kyoto University, 1965. - 20 Seiten, S. 883-1825, 1 Blatt, 4to (ca. 26x19,5 cm), goldgeprägter Original-Ganzleinen im Original-Schuber. A.d.R.: T'ang Civilization Reference Series, No. 12. Sehr gut erhalten. - A well preserved copy. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Mertens]
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        Archive of 1964 - 1968 Materials, Plans, Correspondence & Personal Effects of Democratic National Committee Chairman of Campaign Materials, Burnhart Muller

      Washington DC. Archive. Very Good. Archive of materials from former Democratic National Committee (DNC), Director of Campaign Materials / 1965 Inaugural Parade Committee member Burnhart Muller. Muller was instrumental in organizing the 1964 Democratic National Convention in Atlantic City, NJ as a memer of the internal staff of the event. He was also the Director of the Lady Bird John's very successful "Whistle-Stop Tour of 1964." The archive consists of Muller's own collection of Lyndon Baines Johnson (1964) and Hubert Humphrey (1968) Democratic campaign materials as well as a bulk of his campaign related correspondence, handwritten notes and scrapbook materials. Highlights of the collection include: SIX heretofore unpublished photographs Lady Bird Johnson during the 1964 campaign, detailed plans - passes - guides for the 1965 Inaugural Parade, Internal staff communications of the 1964 Democratic National Convention in Atlantic City and a large cache of materials - annotated diagrams - plans for the 1968 Democratic National Convention at the Leamington Hotel in Minneapolis, MN. Other items in the collection include: 1) Several election related magazines owned by Muller 2) Muller's personal "Advanceman's Handbook" 3) Dozens of pieces of correspondence to Muller in his position as Director of Campaign materials 4) Signed First Edition copy of "The President's Lady" by Marie Smith (signed by Lady Bird Johnson) 5) Bernie's personal scrapbook of the 1964 campaign and 1965 Inaugural Parade (Includes his badges, ribbons and OFFICIAL felt armband from the Parade X2) 6) Hundreds of Campaign pinbacks for LBJ and Humphrey (1964 & 1968 elections) 7) Official House of Representatives Porcelain Jar presented to Muller 8) Jane Russell signed napkin (with interesting note) 9) 1968 DNC Leamington Hotel Guides, plans (annotated in Bernie's hand) and over 20 handwritten pages of personal notes on things to do in preparation for the convention 10) Copy of the Hubert H. Humphrey March signed to Bernie by the composer, Mason Mallory 11) Large mounted photograph of Lady Bird Johnson inscribed to "Bernie Muller" by Lady Bird Johnson in November of 1964 12) FOUR Pinbacks and TWO whistles from the Lady Bird Johnson "Whistle-Stop Tour of the South" (the Civil Rights push in the South during the campaign) 13) Lady Bird Johnson signed 8X10 photograph (with two promotional bookmarks) 14) Collection of 1964 Democratic National Convention passes and brochures 15) NINE B/W 8X10 photographs of the "Whistle-Stop Tour" of 1964 16) Collection of xerox copies of newspaper clippings from several stops on the "Whistle-Stop Tour" of 1964 17) Muller's personal Internal House of Representatives Phone Directory 18) 1965 Inaugural Parade (LBJ) diagrams of car positions, secret service details and rules for every minute of service to the President 19) SEVEN plaster and metal LBJ and JFK bust plaques 20) Promotional LBJ Zippo Lighters, Bolo Ties and mini hanging plaques 21) John F. Kennedy For President plastic banner 22) Official Vice-President of the United States vinyl garment bag (from Hubert Humphrey) and much more... A sweeping cache of fresh Presidential campaign materials from "The Great Landslide" Lyndon Johnson / Hubert Humphrey win of 1964. NOTE: This is a very large collection and extra shipping will be required. Personal delivery of the items can be discussed.

      [Bookseller: Back in Time Rare Books, LLC]
 25.   Check availability:     Biblio     Link/Print  


        Vorlesungen über Geschichte der Mathematik. Erster Band: Von den ältesten Zeiten bis zum Jahre 1200 n. Chr. Zweiter Band: Vom Jahre 1200 bis zum Jahre 1668; Dritter Band: Vom Jahre 1668 bis zum Jahre 1758; Vierter Band: Vom Jahre 1759 bis zum Jahre 1799. Nachdruck der ersten bis dritten Auflage von 1907/1908. (= Bibliotheka Mathematica Teubneriana - Bände 6, 7, 8 und 9).

      Johnson Reprint Corporation, New York + Teubner, Stuttgart 1965 - 941 S. - 943 S. - 923 S. - 113 S. S. mit zahlreichen Figuren, ACHTUNG ABWESENHEIT! AUS BETRIEBLICHEN GRÜNDEN KANN IHRE BESTELLUNG ERST NACH DEM 25. AUGUST 2017 AUSGEFÜHRT WERDEN! DER NÄCHSTE VERSAND ERFOLGT VORAUSSICHTLICH AM MONTAG, DEN 28. AUGUST! Sprache: Deutsch Gewicht in Gramm: 6720 Groß 8°, Original-Leinen, Bibliotheksexemplare (ordnungsgemäß entwidmet), Stempel auf Titel und Schnitt, insgesamt gute und innen saubere Exemplare,

      [Bookseller: Antiquariat Silvanus]
 26.   Check availability:     ZVAB     Link/Print  


        Signed proof poster for the film of Katerina Izmailova

      Leningrad: Volodarsky Printing Shop, March 20,, 1965. Proof avant les lettres of a large monochrome lithographic poster (850 × 603 mm). Archivally framed. Slightly worn and creased; some browning; lower portion lightly rippled; professionally laid down. Signed and inscribed by the composer in the lower margin (in Russian): "To dear Irina Ivanovna and Georgy Nikolayevich with best thanks D. Shostakovich April 16, 1965". This striking poster, here in proof state before letters - without Shostakovich's name above the titling and the name of "I.I. Vedernikova" in the margin at top right - was produced in connection with the 1966-67 film adaptation of the revised version of Shostakovich's Lady Macbeth of the Mtensk District, titled Katerina Izmailova, which had premiered on January 8, 1963. "Shostakovich completed Lady Macbeth in December 1932, dedicating it to his new bride Nina Varzar. The work was projected as the first of a trilogy or tetralogy of operas, a cycle dealing with the fates of women from different periods of Russian history … The opera … was an immediate critical and, especially, popular success; its earthy approach to sex, its graphic language and extreme violence gave it powerful veristic appeal. The composer's confident mastery of the musical and dramatic idiom was indisputable. Despite minor criticisms, Lady Macbeth was widely hailed as the first major opera of the Soviet period." (Laurel Fay, Grove Music Online). Despite its success, the opera was banned by Stalin for its bleak portrayal of Soviet life and disappeared from the repertory for nearly 30 years. Shostakovich significantly revised the music during 1954-63 after Stalin's death; the work was "rehabilitated" as Katarina Izmailova receiving its first performance at the Stanislavsky Nemirovich-Danchenko Theatre in Moscow. "Although Lady Macbeth has finally and firmly established itself among the few operatic masterpieces of the 20th century, its fate as tragic victim of Soviet political repression also caused an irreparable loss for the history of opera. Still under the age of 30 and one of the most naturally gifted theatrical composers of his generation, Shostakovich abandoned his ambition to create a tetralogy of operas about women after the work's condemnation. Despite a lifelong attraction to the genre and frequent fitful starts, he never completed another opera" (ibid.). We have been unable to identify the recipients but they may have been linked to the Shevchenko Theatre of Opera and Ballet in Kiev: "Of all the productions [of Katerina Izmailova], Shostakovich found the one at the Shevchenko… the most satisfying musically, and thus it was the forces from this theatre, under the baton of Konstantin Simeonov, who were recruited to record the soundtrack for the film version… (directed by Mikhail Shapiro for Lemfilm) in 1965… Shostakovich himself prepared the scenario and supervised the taping and editing of the film, which was released in 1967" (Laurel E. Fay, Shostakovich: A Life, OUP 2000, p. 239). This compelling image owes something, in terms of form and shading, to the earlier Russian Cubo-Futurist school, exemplified in paintings such as Malevich's The Woodcutter (1912). The edition was probably limited to 1000 copies, as indicated by a code alongside the printer's name in the lower margin. Ephemera of such an impressive nature, inscribed by one of the masters of 20th-century music, is rarely encountered.

      [Bookseller: Peter Harrington]
 27.   Check availability:     Biblio     Link/Print  


        Andy Warhol

      Institute of Contemporary Art, University of Pennsylvania, Philadelphia 1965 - Color-illustrated stiff white card wraps with spine of black linen tape. [55] with illustrations in color and bw. This scarce catalogue features a full-color print of Warhol's 100 Campbell Soup Cans on the cover with 27 additional works reproduced inside, some in color, some bw, some color or bw on colored paper: Marilyn Monroe, Selma, Brillo Boxes, Jackie [Kennedy], Elvis, 200 One-Dollar Bills, and more. With a preface by Samuel Adams Green. Catalog from the exhibition held at the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, October 8 to November 21, 1965, which was Warhol's first museum exhibition. The list of works also includes the names of the lenders to the exhibition. Thought the opening of this exhibit was a logistical nightmare, the catalogue has become an icon in itself as a memento. A little treasure! Good-. A clean copy but gallery ex-library with number stamps to cover verso, title page, and two other pages (none to any pages with images); spine tape is torn an inch at head of spine by front hinge; preliminary pages prior to first plate all are detached but laid in (all present); and there is some shelf soiling and age toning to the white areas of the covers. The majority of the copy is clean, tight, and free of marks. [Attributes: Soft Cover]

      [Bookseller: Mullen Books, ABAA]
 28.   Check availability:     AbeBooks     Link/Print  


        Chitty Chitty Bang Bang - A lovely set

      Cape 1965 - A set of three UK first editions, published by Cape between 1964-5. Adventure no.1: A near fine book without inscriptions, in a very good+ clipped wrapper with a little loss to the spine tips and to corners. Adventure no. 2: A near fine book (with one name to the reverse of the half-title) in very good+ unclipped wrapper with some wear to the head of the browned spine and some wear to extremities. - Adventure no. 3: A near fine book without inscriptions in a very good+ unclipped wrapper with some wear to the spine tips and to corners and one closed tear to the foot of the front panel. A very pleasing set and now housed in a custom-made slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: John Atkinson Books ABA ILAB PBFA]
 29.   Check availability:     AbeBooks     Link/Print  


        [Broadside]: Come to the Hootenanny Sponsored by Friends of the Children's Theatre Workshop. Saturday Oct. 9 2:00 P.P. Kulp Aud

      {Ithaca, New York]: The Children's Theatre Workshop, 1965. Very Good. Large illustrated broadside on cardstock. Image of a guitar and banjo surrounded by text. Approximately 14" x 22.5". Some age-toning, chip on one corner (the chip is detached but present), about very good. Interesting example of the use of folk culture in entertaining and educating children.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 30.   Check availability:     Biblio     Link/Print  


        Broadside]: Come to the Hootenanny Sponsored by Friends of the Children's Theatre Workshop. Saturday Oct. 9 2:00 P.P. Kulp Aud

      The Children's Theatre Workshop, {Ithaca, New York] 1965 - Large illustrated broadside on cardstock. Image of a guitar and banjo surrounded by text. Approximately 14" x 22.5". Some age-toning, chip on one corner (the chip is detached but present), about very good. Interesting example of the use of folk culture in entertaining and educating children.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 31.   Check availability:     AbeBooks     Link/Print  


        1965 New York Jazz Festival Program

      1965 - front cover torn at top along spine DATE PUBLISHED: 1965 EDITION: UNPAGINATED [Attributes: Soft Cover]

      [Bookseller: Princeton Antiques Bookshop]
 32.   Check availability:     AbeBooks     Link/Print  


        Franz u. Trude Danneberg zu eigen". Stammbuch mit Eintragungen von u. a. Alfred Cortot, Werner Egk, Paul Hindemith, Enrico Mainardi, Yehudi Menuhin und Hans Knappertsbusch.

      [Wiesbaden, 1933 bis 1965]. - 138 SS. mit Eintragungen. Brauner genarbter Lederband. 8vo. Die nicht immer in chronologischer Reihenfolge enthaltenen Einträge beginnen mit einem eigenhändigen Notenzitat ("Brahms, II. Symphonie") von Siegmund von Hausegger vom Januar 1938 und enden ". mit allen guten Wünschen! ." von Ferenc Fricsay (Wiesbaden, 28. II. 1958). Die noch bis in die Mitte der 1960er Jahre weitergeführten Widmungen gelten allesamt dem langjährigen Leiter des Kur- und Symphonie-Orchesters Wiesbaden, dem Kammervirtuosen Franz Danneberg. Enthalten sind u. a. die Sängerinnen und Sänger Elisabeth Höngen, Maria Cebotari, Ria Ginster, Elisabeth Schwarzkopf, Anton Dermota, Franz Völker und Peter Anders, die Dirigenten Francesco Molinari-Pradelli, Carl Schuricht, Oswald Kabasta, Karl Elmendorff, Hans Weisbach, Karl Böhm, Franz Konwitschny, Hans Knappertsbusch, Joseph Keilberth (mit Notenzitat), Robert Heger, Georg Solti, Wolfgang Sawallisch, die Instrumentalisten Alfred Cortot, Wilhelm Stross, Elly Ney, Georg Kulenkampff, Wilhelm Kempff, Hermann von Beckerath, Claudio Arrau, Walter Gieseking, Wilhelm Backhaus, Wolfgang Schneiderhan, Henryk Szeryng, Enrico Mainardi, Max Strub, Pierre Fournier, Eduard Erdmann, Yehudi Menuhin sowie die Komponisten Karl Höller, Walter Niemann, Hermann Zilcher, Gino Marinuzzi, Josef Pembaur, Carlo Alberto Pizzini, Paul Hindemith und Werner Egk. Von der Familie Wagner grüßen Winifred, Wolfgang und Wieland. - Das Stammbuch bietet interessante Einblicke in das Musikleben der Stadt Wiesbaden über drei Jahrzehnte hinweg. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 33.   Check availability:     ZVAB     Link/Print  


        Ariel

      Faber and Faber, London., 1965. First edition. Octavo. 86 pages. Forty poems. Fore-edge and endpapers lightly spotted. Very good indeed in very good indeed, faintly spotted and slightly dusty dustwrapper a bit darkened at the spine and with one small chip.

      [Bookseller: Peter Ellis bookseller]
 34.   Check availability:     Biblio     Link/Print  


        Reason For Gladness.

      NY: Funk & Wagnalls 1965 - VG+green cloth 8vo hardcover, 312p, VG+ dj is priced at $4 .95 and has sone light edge wear at points and edges with no chips lacking, 2 inch cease at btm outside corner of front panel, solid VG+/VG+ 1st edition with the F & W "1" on the cp, very scarce novel in nice enough condition, no names or markings to text. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bristlecone Books RMABA]
 35.   Check availability:     AbeBooks     Link/Print  


        The Woods and the Sea: Wilderness and Seacoast Adventures in the State of Maine. Drawings by Henry B. Kane

      New York: Alfred A. Knopf, 1965 - First Edition. Very good or a little better in a dust jacket with some tears. With the gift inscription of Maine's distinguished part-time resident and celebrated artist, Andrew Wyeth, "Dear____, Hope you are feeling better and that you will be back to Maine soon. Warmest wishes, Sincerely, Andy Wyeth." [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 36.   Check availability:     AbeBooks     Link/Print  


        Galerie Rene Block. 8 Einladungskarten bzw. sonstige Ephemera.

      Berlin: Galerie Rene Block. 1965-1966 Lose in adressiertem Briefumschlag mit Galeriestempel. Umschlag mit Läsuren, sonst von sehr guter Erhaltung. 1. Hommage a Berlin. U.a. Beuys, Lueg, Polke, Richter. Mit aufgeklebtem Gummibärchen (mit Papierresten). 2. K. H. Hödicke: Passagen, Verzerrungen. 3. Wolf Vostell: 100 Ereignisse - 100 Minuten - 100 Stellen. 4. Werbezezzel für Hödickes \"Swissair\" und \"Abreisskalender\" von K. P. Brehmer. 5. und 6. POP Stimmzettel. 7. POP Wahlaufruf (Über unsere Zukunft wird kein Grass wachsen!). 8. Gutschein DM 50,00 mit handschriftlichem Namenseintrag. Versand D: 4,80 EUR

      [Bookseller: Antiquariat am St. Vith]
 37.   Check availability:     buchfreund.de     Link/Print  


        Briefe von Ludwig Wittgenstein und Erinnerungen an ihn [WITH] Letters from Ludwig Wittgenstein

      Paul Engelmann, Haifa 1965 - Small Folio. 83 (1)pp. on onion skin paper. Original stapled brown wraps. Carbon copies of manuscript with collection of 54 letters from Ludwig Wittgenstein to Paul Engelmann starting with a letter of 12/25/1916 through 6/21/1937, followed by essays "Wittgenstein in Olmütz," "Religiöses" (Religious Matters), "Literatur, Musik, Film" (Literature, Music, and Cinema), "Bemerkungen zum Tractatus" (Observations on the Tractatus), "Die Familie Wittgensteins" (Wittgenstein's Family), "Kraus, Loos, Wittgenstein," and "Der wortlose Glaube" (Wordless faith). Introduction by Dr. Josef Schächter. The book was written in German by Engelmann during the last months of his life describing his birthplace and the intellectual circles of the city. It was published in an English translation by Horizon Press in 1968. The manuscript is apparently a late version. It contains a number of handwritten annotations and corrections by Engelmann, including direct instructions for the translator. Text of the manuscript, all corrections and annotations are included in the Horizon Press, New York, 1968 publication "Letters from Ludwig Wittgenstein." The publication features Wittgenstein letters in English and German with footnotes of the German manuscript published in English only. The essays are published in English only. The letters document the close relationship between the two men, the essays treat Wittgenstein's stay in Olmütz, Engelmann's birthplace, religious matters, literature, music and film, Engelmann's remarks on Wittgensteins Tractatus, the Wittgenstein family, the relation of Wittgenstein, Karl Kraus and the architect Adolf Loos, and the wordless faith, a philosophical commentary on un-reflected sets of beliefs. Manuscript and the published book are dedicated to Engelmann's mother. Paperback "Letters from Ludwig Wittgenstein" published by Horizon Press, 1967, included. Text in German. Wraps with some small tears and chips at spine. Water damage to the top portion of the book with some staining and rippling as a result. Wraps in fair, interior in good- condition overall. Protected by modern mylar. Extremely scarce. Paul Engelmann (1891-1965) studied architecture under Adolf Loos in Vienna, presumably his favorite student. He was best known for the design and building of the Stonborough House in Vienna, commissioned by Wittgenstein's sister Margaret Stonborough-Wittgenstein. Engelmann also worked as a private secretary for the Austrian writer and journalist Karl Kraus. Engelmann emigrated to Palestine in 1934. He settled and worked as an interior designer in Haifa until his death in 1965. [Attributes: Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
 38.   Check availability:     AbeBooks     Link/Print  


        Andy Warhol

      Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1965. Color-illustrated stiff white card wraps with spine of black linen tape. [55] with illustrations in color and bw. This scarce catalogue features a full-color print of Warhol's 100 Campbell Soup Cans on the cover with 27 additional works reproduced inside, some in color, some bw, some color or bw on colored paper: Marilyn Monroe, Selma, Brillo Boxes, Jackie [Kennedy], Elvis, 200 One-Dollar Bills, and more. With a preface by Samuel Adams Green. Catalog from the exhibition held at the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, October 8 to November 21, 1965, which was Warhol's first museum exhibition. The list of works also includes the names of the lenders to the exhibition. Thought the opening of this exhibit was a logistical nightmare, the catalogue has become an icon in itself as a memento. A little treasure! Good-. A clean copy but gallery ex-library with number stamps to cover verso, title page, and two other pages (none to any pages with images); spine tape is torn an inch at head of spine by front hinge; preliminary pages prior to first plate all are detached but laid in (all present); and there is some shelf soiling and age toning to the white areas of the covers. The majority of the copy is clean, tight, and free of marks.

      [Bookseller: Mullen Books, Inc.]
 39.   Check availability:     Direct From Seller     Link/Print  


        MISSIONE ARCHEOLOGICA ITALIANA A MALTA, RAPPORTO PRELIMINARE DELLA CAMPAGNA 1964 ESTRATTO

      CENTRO DI STUDI SEMITICI, 1965. ITALIANO 0,09 All'interno testo di Paolo Minganti dal titolo Fonti Storiche Arabe, in italiano con alcune frasi nei testi in lingua araba, brossura editoriale morbida, leggermente ingiallita e con lievissimi segni di usura ai bordi, pagine in buonissimo stato di conservazione USATO

      [Bookseller: Biblioteca di Babele]
 40.   Check availability:     maremagnum.com     Link/Print  

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