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Displayed below are some selected recent viaLibri matches for books published in 1965

        God Bless You, Mr Rosewater (SIGNED INSCRIBED )

      Holt, Rinehart New York 1965 - Second printing Very Good+ (No DJ) Stated second printing (April, 1965), lacking the dj. Quarter bound paper boards decorated in red and blue and stamped in black with a grey cloth backstrip stamped in yellow, red, blue, white, rose, and green. A square and solid book with generally bright boards, bit of age toning to edges. Minor flaking of spine lettering. Internally sound and clean, faint foxing to eps. Boldly inscribed " Peace and Plenty To My Friend ___" Signed and dated Dec 28, 1970, Barnstable. Nice copy of an early hardcover title reprinted in same month as the first printing. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Jim's Books]
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        God Bless You, Mr. Rosewater, or Pearls Before Swine

      Holt, Rinehart, and Winston, New York, 1965, Hardcover, Book Condition: Near Fine, Dust Jacket Condition: Near Fine, A First Edition, First Printing, Signed By AuthorNear fine in a near fine unclipped dust jacket. Corners slightly bumped, a bit of rubbing along the bottom edge, else the volume is near fine. Jacket spine a bit faded with the title in light pink, top of jacket flaps with some wear, a small rubbed spot on the back panel near the spine, difficult to see. A very nicely preserved copy of this early, signed Vonnegut, Book

      [Bookseller: James Graham, Bookseller]
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        God Bless You, Mr. Rosewater

      London: Jonathan Cape. (1965). The first British edition of Vonnegut's sixth book, one of the novels that began earning him a small but passionate following in the mid-1960s, before his breakthrough to the status of "major author," which came when Slaughterhouse-Five was published. Signed by the author. Fine in a near fine dust jacket with mild rubbing to the rear panel and very slight edge wear. In custom clamshell case. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        GOD BLESS YOU, MR. ROSEWATER OR PEARLS BEFORE SWINE.

      London: Jonathan Cape, [1965] - Octavo, dark pink decorated wrappers with publisher's printed paper label affixed to front wrapper. Advance copy (uncorrected proof) of the first British edition. One of the purest expressions of Vonnegut's social and political criticism, and of his idealism, in his fiction. Eliot Rosewater is a good man, a vision of secular sainthood, in spite of the corrupting forces of the world. Kilgore Trout appears, too. The musical adaptation was the first collaboration of Menken and Ashman, and a little-known gem. Pieratt, Huffman-klinkowitz and Klinkowitz AF8 (not noting the proof state). Lightly rubbed along spine folds, faint crease at lower front corner tip, a nearly fine copy. A rare proof. (#102827) [Attributes: First Edition; Soft Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        The Looking-Glass War

      London: Heinemann,, 1965. Octavo. Original black boards, titles to spine in silver. With the dust jacket. Spine bumped, owner's name to front free endpaper, dust jacket faded to spine, nicked and torn to corners. First edition, first impression. Inscribed on the title page by the author "For Gwen Davis, with my warmest wishes, John Le Carré 13 ii 99, London.

      [Bookseller: Peter Harrington]
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        The British Museum is Falling Down

      London: MacGibbon & Kee,, 1965. Octavo. Original brown boards, titles to spine gilt. With the dust jacket. Contents a little tanned but an excellent copy in the dust jacket with some light tape residue to the edges of the flaps. First edition, first impression.

      [Bookseller: Peter Harrington]
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        THE FAR SIDE OF THE DOLLAR

      New York: Alfred A. Knopf, 1965., 1965. First edition. 8vo. Fine in fine dust jacket. Inscribed in Santa Barbara on Jan. 15, 1965, "For Bill Gault, one of the best of men and writers, affectionately, Ken." William Campbell Gault [1910-1995], an Edgar Award winning author for DON'T CRY FOR ME, published in 1952, was a close friend of Ross Macdonald, who dedicated his book, THE BLUE HAMMER, to Gault. Has Tom Hillman run away from his exclusive reform school, or has he been kidnapped? California investigator, Lew Archer, is hired by the principal of the private reform school to find the missing boy. What appears to be a matter of juvenile delinquency turns into a web of murder and extortion. An exceptional copy, housed in a cloth slipcase with red leather labels on the spine, with titles and date stamped in gold. A handsome presentation.

      [Bookseller: BUCKINGHAM BOOKS]
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        The Looking-Glass War.

      London: Heinemann, 1965 - Octavo. Original black boards, titles to spine in silver. With the dust jacket. Spine bumped, owner's name to front free endpaper, dust jacket faded to spine, nicked and torn to corners. First edition, first impression. Inscribed on the title page by the author "For Gwen Davis, with my warmest wishes, John Le Carré 13 ii 99, London."

      [Bookseller: Peter Harrington. ABA member]
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        Felice Casorati. Opera Grafica

      Torino: Einaudi, 1965. Prima edizione di 1000 es. numerati. quartini sciolti, br, custodia. Ottimo (Fine). Folio. 63 incisioni in facsimile su fogli sciolti protetti da acetato

      [Bookseller: Studio Bibliografico MArini]
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        Anyone Can Whistle: A Musical Fable.

      Random House, New York 1965 - First edition. Octavo, original cloth. Warmly Inscribed by both Arthur Laurents and Stephen Sondheim. Fine in a near fine bright jacket without the fading usually encountered with the spine. Anyone can whistle is a play written by the same author of the West Side Story, and it was performed on Broadway in 1964, Carnegie Hall concert in 1995, and the New York City Center Encores in 2010. The New York Times wrote that Laurents' "book lacks the fantasy that would make the idea work, and his staging has not improved matters. Mr. Sondheim has written several pleasing songs but not enough of them to give the musical wings. The performers yell rather than talk and run rather than walk. The dancing is the cream." And Steven Suskin wrote, the "fascinating extended musical scenes, with extended choral work, . immediately marked Sondheim as the most distinctive theatre composer of his time. The first act sanity sequence . and the third act chase . are unlike anything that came before." [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        A Sense of Where You Are: A Profile of Princeton's Bill Bradley

      New York: Farrar, Straus & Giroux. (1965). First. First edition. Fine in a fresh and near fine dustwrapper with a little rubbing at the corners and a thin pen stroke on the front panel, but none of the usual spine fading. A much brighter than usual copy of the author's fragile first book, which has become very scarce in this condition. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        [Program]: Newport Folk Festival July 22-25, 1965

      New York: Newport Folk Foundation. 1965. First. First edition. Quarto. 64pp., illustrated. Stapled illustrated wrappers. Neat owner's name on front wrap, some soiling and faint stains on the wrappers, very good or better. Extensive program with several articles including one by Bob Dylan, "Off The Top of My Head." Uncommon program for the landmark festival at which Dylan "went electric" to great controversy. Other performers included Richard (or here styled "Dick") and Mimi Farina, Joan Baez, Peter, Paul and Mary, Pete Seeger, Odetta, Gordon Lightfoot, Donovan, Mississippi John Hurt, Son House, and many other greats. The cover art is by Jonathan Shahn, son of Ben Shahn and a folk musician in his own right. OCLC locates no copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Draeger, 1886-1966

      Paris: Draeger Frères, 1965. Significant edgewear, extensive chipping to spine edges, else very good in photo-illustrated extended french flaps. Tattered publisher's bellyband laid in, with crisp original reader reply card.. Square Quarto. First Edition. Unheralded company book by Draeger Fères, the famed French printer known for working with artists such as Matisse and Bill Brandt. In this highly produced book, focus is on the creative commercial art potential of Draeger's photography laboratories. Made apparently for an American market shortly after merging with a New York advertising agency, the book is a tour of mostly European fine art from Impressionism to Pop. However, rather than simply reproduce photos of the artwork, the company's photographers and lab developers labored to create unique, highly manipulated photo images that each pay homage to a particular artist or style. Though created to show off the the creative and design potential of Draeger Fères to potential clients, the book becomes a sort of history of the twentieth century filtered through the lens of an emerging underground psychedelic graphic language. Concludes with tipped in photo illustration of a three year old Nicolas Draeger, extending his arms to the future.

      [Bookseller: Harper's Books, Inc.]
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        1964 - 1974 ARCHIVE OF TYPED LETTERS SIGNED [TLS] ON PERSONAL STATIONERY TO A DEVOTED CANADIAN FAN

      LOS ANGELES CALIFORNIA CA 1965 - On offer is a charming, small archive of five [5] typed letters, four signed boldly 'Joan Crawford' and one signed 'Joan'. Canadian fan E. Pearson began a correspondence with Ms. Crawford in the mid-1960s which continued for a decade. Short sweet letters of gratitude for birthday greeting and holiday wishes. The final letter a mere two years before Crawford's death. Expected folds, some stains but overall G+. 16mo - over 5¾" - 6¾" tall

      [Bookseller: M Benjamin Katz FineBooksRareManuscripts]
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        Fluxpost 17-17. 1965.

      - Artist stamps. Perforated sheet of 100 postage stamps. Black offset lithograph on gummed paper. 28x21.5 cm. Reference: Fluxus Codex p. 544, Silvermann Coll. 487, ff. [Attributes: First Edition]

      [Bookseller: ARCHIVES]
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        Cicero's Letters to Atticus 7 volumes + Epistulae 3 volumes.

      Cambridge University Press., Cambridge. 1965 - The complete set of the Shackleton Bailey edition of Ciceros correspondence published by Cambridge Classical Texts and Commentaries numbers 3,4,5,6,7,8,9,16,17,22. As new hardbacks in as new, protected, orange dust wrappers with black lettering. NB. Heavy item please contact us directly for details of our preferential carriage rates. [Attributes: First Edition; Hard Cover]

      [Bookseller: Elaine Beardsell (ABA,PBFA )]
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        Moulin à la Galette

      Paris: Sorlier, 1965. Sorlier, Charles [after Buffet, Bernard] Lithograph in seven colors. One of 300 signed in pencil by Buffet. Paper: 80 x 59 cm. Image: 65 x 50 cm. Sorlier, 308.

      [Bookseller: Alan Wofsy Fine Arts]
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        VANITY DIES HARD

      Long 1965 - First edition. Original black cloth in pictorial dustwrapper. A fine copy with a small inscription in a very near fine dustwrapper that just has the slightest creasing to the base of the spine. An attractive, crisp copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        Autunnale

      Verona: Editiones Dominicae di Franco Riva, 1965. Prima edizione di 150 es. numerati. broch, cartellina, custodia. Ottimo (Fine). 4to. Poesie di Diego Valeri. Con 2 acqueforti originali, firmate, di Domenico Cantatore (cm 22,5x15,5) Testo composto a mano con carattere Bodoni e in torchio da Franco Riva [Jentsch, 1993; Gambetti, 2007]

      [Bookseller: Studio Bibliografico MArini]
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        Alcune piacevoli epistole

      Verona: Editiones Dominicae di Franco Riva, 1965. Edizione originale di 150 es. numerati. ril, custodia (hard cover, slip-case). Perfetto (Mint). 8vo. Inedite facezie di Feliciano redatte e postillate da Franco Riva e ornate di 2 acqueforti originali firmate di Walter Piacesi (cm 17,5x1,5) Stampa con torchio a mano di Franco Riva. Copertina in mezza pelle e carta decorata [Tamborini, 1997]

      [Bookseller: Studio Bibliografico MArini]
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        COLLECTION OF TWENTY-ONE FIRST EDITIONS, INCLUDING FOUR SIGNED TITLES

      1965 - O^E Kenzaburo. A COLLECTION OF (PREDOMINANTLY) EARLY WORKS BY OE KENZABURO, NOBEL PRIZE WINNER. TWENTY-ONE FIRST EDITIONS, INCLUDING FOUR SIGNED TITLES: 1. O^E, Kenzaburo. SHISHA NO OGORI. Tokyo, Bungei Shunju^, 1958, First printing, 8vo. Tan boards in printed dustwrapper. A bit foxed and stained in fine dustwrapper. O^e's first appearance in book form. This volume of very early stories also includes his important stories "SHIIKU" ["The Catch"] and "TANIN NO ASHI" ["SOMEONE ELSE"S FEET"]. "SHISHA NO OGORI" had first appeared in Bungakukai the year before as O^E's first appearance in print. Later translated as "LAVISH ARE THE DEAD" and published in the Evergreen Review in 1965. 2. O^E, Kenzaburo. MIRU MAE NI TO^BE. Tokyo, Shincho^sha, 1958. First Printing, 8vo. Red cloth in printed dustwrapper. A selection of short stories, here published in book form for the first time. Shincho^sha obviously rushed these stories into print, capitalizing on young O^e's celebrity after he won the Akutagawa Prize earlier in the year for SHIIKU. The stories first appeared in 1958 in Shincho^ magazine. The title story is usually translated as "LEAP BEFORE YOU LOOK." "FUI NO OSHI" ["UNEXPECTED MUTENESS"], on the vicissitudes of human communication, has been translated into many languages since. A very important collection here in very good or better condition. 3. O^E, Kenzaburo. WARERA NO JIDAI. NOTRE EPOQUE. Tokyo, Chu^o^ Ko^ronsha, 1959. First edition of O^e's second novel, the title of which is usually translated OUR GENERATION. 8vo., softcovers with self-wrappers, in the original slipcase with belly-band. Near fine. 4. O^E Kenzaburo. KODOKU NA SEINEN NO KYUKA. Tokyo, Shincho^sha, 1960. First Edition., 8vo. Cloth over boards, in printed slipcase. Collection of fiction. Fine. 5. O^E KENZABURO-SHU^ Tokyo, Chikuma Shobo^, 1960, 8vo., First thus. Very early and unusual collection of O^e stories, published as number 12 in the series SHINSETSU BUNGAKU SO^SHO. Stiff paper covers, in slipcase. Fine. 6. O^E Kenzaburo. YOOROPPA NO KOE BOKU JISSHIN NO KOE. Tokyo, Asahi Shimbunsha, 1962. 1st edition. Illustrated boards in printed dustwrapper, with bellyband. Fine. The title could be translated as "Europe's Voice and My Own." 7. O^E, Kenzaburo. SAKEBIGOE. Tokyo, Ko^dansha, First Printing, 1963. Black cloth, 8vo., in slip [Attributes: Soft Cover]

      [Bookseller: Boston Book Company, inc.o ABAA]
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        The Castaway and Other Poems

      London: Jonathan Cape,, 1965. Octavo. Original black cloth backed grey and white patterned boards, titles to spine gilt, red top-stain. With the dust jacket. Minor bump to head of spine, circular dampstain to lower board. An excellent copy in the lightly rubbed jacket with a tape repair to the verso and dampstain corresponding to that on the board. First edition, first impression. Inscribed by the author on the front free endpaper, "Best wishes to Roger & Mary. Come back soon, Derek." Inscribed first editions of this book are scarce.

      [Bookseller: Peter Harrington]
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        Cowboy Kate and Other Stories

      New York: Crown Publishers, 1965. Prima edizione (First edition). ril tela, sovrac (cloth, DJ). Ottimo (Fine). 4to (cm 36x27). Introduction by Norman Hall. Synopsis by Desmond Skirrow. Technical information by Sam Haskins. Photographs in black and white This book presents a phenomenon. She is the new London girl. She is Julie Christie, and Sandie Shaw, and In 1961, the high-brow publisher The Bodley Head seemed ahead of the game when it published Bill Brandt's Perspective of Nudes. In 1965, however, things had progressed so far that it was able to publish Cowboy Kate and Other Stories by South African photographer Sam Haskins, a wholly frivolous book that reflected the frivolous side of the decade. This was the first of many similar "soft-porn" books issued by "respectable" publishers, with titles like Six Nymphets, Birds of Britain, and Young London Permissive Paradise (Parr & Badger, pp. 77, Vol. III) [Parr, Badger, 2014; Roth, 2004]

      [Bookseller: Studio Bibliografico MArini]
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        Fürstenberger Porzellan. - Band 1: Geschichte der Manufaktur - Band 2: Geschirre - Band 3: Figuren.

      Braunschweig, Klinkhardt & Biermann, 1965.. Mit zusammen 62 farbigen Tafeln, 4 Markentafeln sowie über 800 teils ganzseitigen Textabbildungen. Jeweils in goldgeprägten Oln mit OU (dieser jeweils mit farbig montiertem Deckelbild ), 4° ( 33 x 24,5 cm ). Mit ausführlichem Register und umfassendem Katalog der hergestellten Geschirre und Figuren. Kopfschnitt von Band 1 gering fleckig, ansonsten von guter, dekorativer Erhaltung. ( Gesamtgewicht 6900 Gramm ) ( Pic erhältlich / webimage available ).

      [Bookseller: Buchhandlung & Antiquariat Friederichsen]
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        Fürstenberger Porzellan. Band I: Geschichte der Fabrik. Band II: Geschirre. Band III: Figuren.

      Klinkhardt & Biermann,, Braunschweig, 1965 - 3 Bände. Braunschweig, Klinkhardt & Biermann, 1965. 4°. XIV, 319 S.; IX, 302 S.; IX, 306 S. Mit insges. 62 farb. Abb. auf Tafeln und über 800 Abb. im Text und auf Tafeln. Orig.-Leinenbände mit farbig illustr. Schutzumschlägen (leicht stockfleckig). Orig.-Leinenbände mit farbig illustr. Schutzumschlägen [Attributes: Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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        The Kandy-Kolored Tangerine-Flake Streamline Baby

      New York: Farrar, Straus and Giroux,, 1965. Octavo. Original white cloth, titles and decoration to spine and upper board in gold and yellow, orange endpapers, yellow top-stain. With the dust jacket. 18 black and white illustrations. An excellent copy in the lightly rubbed and creased dust jacket with a small nick to the bottom of the front panel. First edition, first printing. Inscribed by the author on the front free endpaper "Best wishes, fourteen thousand seven hundred and ninety-three of them, from Tom Wolfe".

      [Bookseller: Peter Harrington]
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        THE KANDY KOLORED TANGERINE FLAKE STREAMLINE BABY (signed 1st)

      Farrar Straus Giroux, New York 1965 - Farrar Straus Giroux. New York. 1965. 339 pages. Tom Wolfe's first book. First Edition, First Printing, stated. SIGNED by Tom Wolfe without inscription directly to front free endpaper. A large, BOLD swirling Dr. Seuss-like signature in marker that Mr. Wolfe also partially colored with a colored yellow pencil. 1st issue DJ with $5.50 price intact on flap. Yellow topstain has a small scuff. White cloth with rust colored endpapers. Minor shelfwear along edges with a touch of edge toning. DJ shows light soiling, most faint staining and a small discolored chip at top of DJ front. Light wear to edges/corners. A very nice, overly tight copy with a large multi-colored signature by Tom Wolfe. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Medium Rare Books LLC]
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        FUNCIÓN DE TOROS. Colección de veinte láminas, que formó parte de su "España Pintoresca y Artística". Precedida de Van Halen y el Toreo por Gerardo Diego

      - Madrid, 1965. Folio apaisado, 18 h., 40 h. (explicación de las láminas), 1 h. (colofón). Plena piel gofrada con estuche. - Ilustraciones entre texto y guardas alusivas al tema. Láminas a toda plana. Tirada especial hecha por el Banco Ibérico de 300 ejemplares. Ejemplar nº 137. Papel de hilo. Magnífico ejemplar. [Attributes: Hard Cover]

      [Bookseller: Berrocal Libros Antiguos]
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        The Complete Works of Percy Bysshe Shelley, in TEN Volumes -book I, II, III, IV, V, VI, VII, VIII, IX, X ( VOLS. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 )( Poems, Prose, Letters )(includes: Laon and Cynthia; Queen Mab; Prometheus Unbound; ... (Truncated)

      N.Y.: Gordian Pres, 1965 By Arrangement with Ernest Benn of London, 1965, 1st edition, 1st Printing, 1965, Hard Cover, Book Condition: Near Fine, Dust Jacket Condition: No Jackets as Issued, First Edition, Illustrated By: No Dustjacket as IssuedFull Book Title: The Complete Works of Percy Bysshe Shelley, in TEN Volumes -book I, II, III, IV, V, VI, VII, VIII, IX, X ( VOLS. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 )( Poems, Prose, Letters )(includes: Laon and Cynthia; Queen Mab; Prometheus Unbound; Adonais; Zastrozzi; etc)-----------10 volumes, hardcovers, all are Near Fine copies, no dustjackets as issued, a few slightly bumped corners, 427, 433, 352, 458, 304, 380, 373, 339, 348 and 453 pages, all in uniform format and condition, upper edge gilt on all volumes, no writing in the books, a lovely set, any image directly beside this listing is the actual book and not a generic photo

      [Bookseller: Leonard Shoup]
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        The Book of Thel

      London: Trianon Press, 1965. 4to, 8 plates, (5) pp. text, plus the extra materials. Full brown morocco, marbled paper-covered slipcase, gilt lettering to backstrip. A fine copy. Edition limited to 426 copies, de luxe issue being copy IX of XX copies with a suite of progressive states of one plate, an original guide-sheet and stencil etc. One of the more difficult Trianon Press books to find. Bentley, Blake Books, 26.

      [Bookseller: John Windle Antiquarian Bookseller]
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        THEATRE.

      Lidis / Imprimerie Nationale,, Paris, 1965 - 5 vol., 480 pp. + 331 pp. + 377 pp. + 377 pp. + 339 pp. in-4, [Attributes: Soft Cover]

      [Bookseller: alphabets]
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        Visa for Avalon

      Harcourt, Brace & World, Inc., New York,, 1965. Octavo. Original blue cloth-backed brown boards, titles to spine gilt, brown endpapers. With the dust jacket. An excellent copy in the lightly rubbed and creased dust jacket. First Edition, First Printing. With the author's signed presentation inscription to the half title page, "For Kenneth [Macpherson] who knows so much about Avalon. Bryher 5th July 1966". Macpherson and Bryher had been married ?- at least in name ?- and collaborated on various literary and critical projects including the film periodical Close Up. They remained lifetime friends.

      [Bookseller: Peter Harrington]
 32.   Check availability:     Biblio     Link/Print  


        In Cold Blood : a True Account of a Multiple Murder and its Consequences

      New York; Random House, 1965, Hardback, First edition - stated first printingFine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Flat-signed by the author. ; 343 pages; Subjects: Hickock, Richard Eugene, 1931-1965. Smith, Perry Edward, 1928-1965. Murder --Kansas. DW priced and correctly coded. References; Kenneth Starosciak; Truman Capote, a Checklist [1.a].

      [Bookseller: MW Books Ltd.]
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        LA LLAVE DE LOS CAMPOS (El Techo de la Ballena)

      Ediciones El Techo de la Ballena, 16 pgs. aprox., Caracas, Venezuela 1965 - Catálogo editado por Galería del Techo, Galería du Dragon, abril de 1965. Ilustrado con láminas de reproducciones en b/n. Cubierta desplegable. Textos de Max Clarac Serou, Edmundo Desnoes y Perán Erminy. De los numerosos movimientos artísticos venezolanos que confirieron su peculiar nota tumultuosa a la década del sesenta en Caracas, hubo uno que se distinguió por su violencia, su espíritu anárquico, su voluntaria agresividad pública, haciendo de la provocación un instrumento de investigación humana. Fue el que libérrimamente se autodenominó El Techo de la Ballena. Tanto o más importante que esas condiciones estrepitosas, que lo definieron como un estallido más que como una escuela o una estética coherente, fue su capacidad para aglutinar por breve tiempo a un conjunto de creadores jóvenes entre quienes se contaron algunos de los narradores y poetas que habrían de llevar a cabo la renovación literaria contemporánea de Venezuela. El solo hecho de que en ese movimiento hayan militado, con diverso grado de participación, narradores como Adriano González León o Salvador Garmendia que habrían de constituirse en figuras centrales de la nueva prosa narrativa del país, o poetas como Juan Calzadilla, Francisco Pérez Perdomo, Efraín Hurtado, Caupolicán Ovalles, Dámaso Ogaz, Edmundo Aray, entre otros, prueba la imantación mostrada en el primer quinquenio de los sesenta por El Techo de la Ballena, la cual puede realzarse más si se agrega la contribución capital que le prestaron artistas plásticos como Jacobo Borges o Carlos Contramaestre, siendo este último quien más ostensiblemente definió sus rasgos iniciales y algunas de sus posiciones artísticas centrales. El movimiento se constituyó a comienzos del año 1961; en marzo de ese año abrió, en un simple garaje de la urbanización El Conde, de Caracas, una exposición titulada Para restituir el Magma y publicó su primer manifiesto-revista que era una simple hoja plegada, bajo el título Rayado sobre el Techo, al tiempo que en el diario La Esfera daba a conocer un breve texto programático. Tras esta inauguración se sucedieron diversas actividades: declaraciones, hojas sueltas, pequeñas plaquettes de poesía y prosa, con una visible y poco usual tendencia a la teorización apodíctica que encontraba en los manifiestos su instrumento preferido y que delataba la concepción vanguardista que habían asumido sus integrantes. [Libro en Español / Book in Spanish] === ARTE LATINOAMERICANO - SURREALISMO === Size: 8vo. [Attributes: Soft Cover]

      [Bookseller: Buenos Aires Libros]
 34.   Check availability:     IberLibro     Link/Print  


        In the Heat of the Night

      Harper & Row, New York 1965 - SIGNED AND INSCRIBED BY AUTHOR on a 1 1/2" by 4 1/2" slip of paper tipped in at title page, typed "Very sincerely yours, John Ball" and signed in ink by author between the sentiment and his name. Fully Fine in Fine dustjacket, the book has no flaws and appears unread. His first book, Winner of the Edgar Awards for Best First Novel in 1966 and Best Motion Picture in 1968, the 1967 movie directed by Norman Jewison and starring Rod Steiger, Sidney Poitier, and Warren Oates was the winner of 5 Oscar Awards including Best Actor and Best Picture, and was nominated for and won of a host of other awards. Set against the backdrop of the Civil Rights Movement, Balll used this police procedural to discuss racial tensions, and the groundbreaking film in which a black man slapped a white man in his face startled audiences across America. A classic of the genre, this is truly a lovely copy, SCARCE SIGNED. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Dale Steffey Books]
 35.   Check availability:     AbeBooks     Link/Print  


        PARA LAS SEIS CUERDAS

      Emecé, Bs. As. 1965. - 1a Edición////Ilustrado por Héctor Basaldúa./Ejemplar con la firma manuscrita de Borges.///36x26. Sin paginar.//Narrativa Española-Hispanoamericana, Libros Firmados, Vanguardias

      [Bookseller: Libreria El Astillero]
 36.   Check availability:     IberLibro     Link/Print  


        The Smell of Fear: Fourteen Stories

      London:: Hamish Hamilton,, 1965. . A Near Fine copy with some light foxing spots to all edges in a Near Fine unclipped dust jacket with some foxing. Of these fourteen classic Chandler stories, two have never before been published in book form: Blackmailers Don't Shoot and The Pencil. .

      [Bookseller: Gregor Rare Books]
 37.   Check availability:     Biblio     Link/Print  


        The Smell of Fear

      London: Hamish Hamilton, 1965. First Edition. About fine in a lightly soiled dust jacket with a tiny tear at the foot of the spine.

      [Bookseller: Peter L. Stern & Company, Inc.]
 38.   Check availability:     Biblio     Link/Print  


        Ono's Sales List

      Yoko Ono, New York 1965 - 8 1/2 x 14", offset printed on recto only, with two holograph corrections in blue ink as issued. Folded three times for mailing, some offsetting, heaviest to recto; very good. Reportedly, 200 copies of this sales list were produced and mailed out to followers of her artwork. It lists such conceptual projects as a crying machine, which will cry when a coin is deposited, underwear for women that can make you high, and some architectural projects, including Light House. Rare and important. [Attributes: First Edition]

      [Bookseller: Division Leap, ABAA]
 39.   Check availability:     IberLibro     Link/Print  


        Andy Warhol. (ICA Catalogue)

      Philadelphia: Institute of Contemporary Art, (1965). Covers very lightly soiled, binding completely intact (a rarity); a near fine copy in the distinctive wrappers, illustrated with Campbell's Soup Cans.. First Edition. Small octavo. A catalogue published in conjunction with Andy Warhol's first museum exhibition, held at the Institute of Contemporary Art, Philadelphia, October 8 - November 21, 1965. Famously organized by Sam Green, the 25 year-old director of the Philadelphia ICA, appointed largely as a result of his relationship with Warhol. The opening of the show was a logistical disaster: large crowds, akin more to a rock concert than an art opening, prompted Green to pull all the art off the walls before people stormed in. Thus Warhol and his entourage became the only art to see, accelerating his status as a Pop art icon. The catalogue was itself a revelation. Created with Ben Birillo, who had been responsible for some of the most recognizable Pop art ephemera of the era, the pages are printed on heavy card stock colored green, silver, and blue, with mostly full-bleed images, 27 total, and entirely devoid of text, save Green's opening essay.

      [Bookseller: Harper's Books, Inc.]
 40.   Check availability:     Biblio     Link/Print  


        POP ART ONE

      Herzka, D. (Dorothy). POP ART ONE. New York: Publishing Institute of American Art, 1965. First Edition. Oblong 8vo. Spiral Bound Die-Cut Wrappers. Near Fine. np (32pp) + 27 individual b&w illustrations laid in. In a protective clear acetate dustwrapper. This charming little item edited by Dorothy Herzka (later to become Lichtenstein) is one of the earliest documents of the New York Pop Art movement. Innovatively designed in a double plastic comb bound die-cut portfolio format, it presents brief texts, photographic portraits, and four or five individual plates each for artists Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, and Andy Warhol. A bright, white, most handsome copy of this fragile item with no cracks to the plastic showing just a bit of typical light soiling to the matte rear panel. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 016445

      [Bookseller: Arcana: Books on the Arts]
 41.   Check availability:     Biblio     Link/Print  


        The Looking-Glass War

      London: Heinemann,, 1965. Octavo. Original black boards, titles to spine in silver. With the dust jacket. With Ian Norrie's bookplate to the front pastedown. An excellent copy in the jacket with slightly faded spine panel and tiny rubbed spots at the extremities. First edition, first impression. Inscribed by the author on the front free endpaper, "I. Norrie best wishes John le Carré". Ian Norrie (1927?-2009) was a prominent London bookseller, publisher and author, proprietor of the High Hill Bookshop in Hampstead.

      [Bookseller: Peter Harrington]
 42.   Check availability:     Biblio     Link/Print  


        The Spice-Box of Earth (INSCRIBED Association Copy)

      McClelland & Stewart, Toronto 1965 - First printing of this revised edition, with 88 pp. The first printing in 1961 has 99 pp. Octavo, softcover. Very Good copy: very tight and fresh with some light wear to covers. Inscribed by Cohen to an important Canadian literary figure: "To _____ fraternal greetings Leonard Toronto October 1991". Also, the inscribee has signed and dated the book "Sept. 6/1975". [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Inno Dubelaar Books]
 43.   Check availability:     AbeBooks     Link/Print  


        Alice im Wunderland. Herausgegeben vom Forum Stadtpark.

      Graz, Grazer Druckerei, 1965.. Qu.-Fol. Mit 7 (1 farb.) signierten Orig.-Lithographien von Peter Pongratz. 3 Bll. (Titel, Druckvermerk und Inhalt). Lose in OLn-Mappe mit Deckelschildchen (leicht fleckig).. Eines von 5 (Gesamt 30) Exemplaren außerhalb des Handels, als epreuve d'artiste ("E.d.A") gekennzeichnet. - Druckvermerk mit eh. Signatur des Künstlers und Stempel "Forum Stadtpark".- Peter Pongratz, 1940 in Eisenstadt geboren, wuchs in Graz auf und studierte Malerei an der Akademie der bildenden Künste Wien und an der Hochschule der bildenden Künste Berlin. Von 1966 bis 1970 war er Assistent bei Max Weiler in Wien. "Pongratz war am Beginn seines künstlerischen Schaffens beim Forum Stadtpark in Graz, und in Zusammenarbeit mit Schriftstellern wie Wolfgang Bauer, Peter Handke und Gerhard Roth. Diese Verbindung zur Literaturszene zieht sich durch bis zum Austrokoffer, welchen er illustrierte. Im Jahre 1968 gründete Pongratz mit Wolfgang Herzig, Martha Jungwirth, Kurt Kocherscheidt, Franz Ringel und Robert Zeppel-Sperl die Künstlergruppe 'Wirklichkeiten'.".- Gutes Exemplar.

      [Bookseller: Antiquariat Meindl & Sulzmann OG]
 44.   Check availability:     ZVAB     Link/Print  

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