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Displayed below are some selected recent viaLibri matches for books published in 1965

        Mutterleiber Vaterländer. Stierstadt, Eremiten-Presse 1965. Etwa 23 : 16,5 cm (Buch) und 30,5 : 22,5 cm (Kassette). 9 Blätter Textheft und 13 Tafeln mit farb. "Maschinenmalereien" von Arno Waldschmidt. Orig.-Broschur und lose Folge in Leinenkassette mit eingelegter Orig.-Grafik. - Vorzugsausgabe.

      . . Spindler 1.229a. - Slg. Rossipaul 737 (dieses Exemplar). - Erste Ausgabe. - Passgänge Bd. XII. - Es wurde 250 num. Exemplare des illustrierten Buches hergestellt. Hier eins von 4 Exemplaren der Vorzugsausgabe mit der großen, lose beigelegten Folge der "Maschinenmalereien" (das Buch selbst hier nicht illustriert). - Druckvermerk vom Künstler, A. Waldschmidt, signiert. - Der Begleittext als Blockbuch gebunden, Text auf violettem Papier. - Die Grafiken etwa 18 : 13 cm / 25 : 17 cm (Darstellung / Blattgröße) unter Passepartout montiert liegen in einer Extra-Mappe bei. Beides, Text und Grafiksuite, in einer Leinenkassette mit aufgelegter, aus der Folge wiederholten Grafik illustriert, ebenfalls vom Künstler signiert. Diese Kassette ist bestoßen. Das Buch mit kleinem Sammlerstempel. Text und Grafiken in sehr guter Erhaltung.

      [Bookseller: Antiquariat Halkyone]
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        ALIANZA Y CONDENA.

      Revista de Occidente,, Madrid 1965 - 16.2x22. 135pp. Buen ejemplar. Envíos para España: el pago contra reembolso conlleva un recargo de 2 Euros. [Attributes: First Edition; Soft Cover]

      [Bookseller: Carmen Alonso Libros]
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        The Tin Can Tree

      Knopf, NY 1965 - Her second novel, a powerful and moving story of a young boy coming to terms with his little sister's death. A little foxing to top stain; else fine in a near fine, price-clipped dust jacket with a couple faint spots and rubbing to the spine. A very nice copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
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        The Tin Can Tree (First Edition)

      Alfred A. Knopf, New York 1965 - First Edition. Fine and unread in an about Near Fine dust jacket, with a brilliant yellow topstain. Moderate toning to the jacket spine, with a small sticker shadow to the top o the rear panel, else Fine. An attractive and especially fresh copy of the author's second book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        The Untold Adventures of Santa Claus: 30 original line illustrations for this Odgen Nash title: pen and india ink on bristol board, one signed "Ionicus"

      n.p, ca. 1965 - Armitage (born 1913) is a noted English painter and illustrator; his work has been described as "meticulously executed drawings incised with pellucid linearity", and these amusing drawings are very nice indeed (NASH, OGDEN) The drawings average about 4 x 6 inches. . Fine condition. Dictionary of British Cartoonists and Caricaturists 1730-1980, p. 6

      [Bookseller: James Cummins Bookseller, ABAA]
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        In Cold Blood

      New York: Random House, 1965. Prima edizione (First Edition, First Impression). ril tela, sovrac (cloth, DJ). Ottimo (Fine). 8vo. A True Account of a Multiple Murder and its Consequences E' solo con questo romanzo, tradotto in italiano "A sangue freddo", che la narrativa di Capote si sviluppò nel senso di una più obiettiva e puntuale analisi dei fatti. L'opera, che ebbe un clamoroso successo commerciale e fu anche portata sullo schermo, si basava su un fatto di cronaca nera realmente avvenuto: la strage di una facoltosa famiglia del Kansas compiuta, apparentemente senza motivo, da due psicopatici più tardi processati e condannati alla pena capitale. Il libro, che fu definito da Capote stesso come appartenente al genere della "nonfiction novel" fu il risultato di 5 anni di attente ricerche sul crimine e sui suoi esecutori, fino a comprendere una precisa e documentata indagine sulle motivazioni sociali e psicologiche che portarono i due assassini al delitto. Dust jacket has price of $5.95 on upper right of front flap, 1/66 at lower right corner of front flap [Galati, 1980; Tartarus, 2007]

      [Bookseller: Studio Bibliografico MArini]
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        Brief mit eigenh. Unterschrift. (Prag) 11.9.1965. 1 S. 4°.

      . . Inhaltsreiches und aufschlussreiches Schreiben des späteren Präsidenten der Tschechoslowakei am Beginn seiner Laufbahn als Theaterdichter im Westen, in tschechischer Sprache über seine Arbeit mit Jan Grossman am Theater am Geländer, die bevorstehende österreichische Uraufführung seines 'Gartenfest' im Volkstheater, Wien (Regie Georg Lhotsky) und den damit verbundenen Wienbesuch, Passangelegenheiten, die Einladung durch die Österreichische Gesellschaft für Literatur, das Begleitprogramm im Theater und Übersetzungsprobleme mit seiner 'Benachrichtigung', die erst zwei Jahre später fertiggestellt sein sollte.

      [Bookseller: Georg Fritsch Antiquariat]
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        Paris / l'Opera [Romeo and Juliet

      Chagall, Marc. Paris / l'Opera [Romeo and Juliet.] [Lithographic poster printed in colors] by Mourlot Gallery. Paris: Mourlot, 1965. On paper, 24x38î 610x965 mm, sheet. The decoration for the ceiling of the Paris Opera by Chagall was commissioned by Andre Malraux, then the Cabinet Minister in charge of Cultural Affairs. This interpretive rendering of lithograph executed by Charles Sorlier, from a detail of the preliminary sketch of the ceiling of the Paris Opera. This fragment is a tribute to Berlioz for Romeo and Juliet; it also includes pictures of the Place de la Concorde and the Arc de Triomphe Ref: Sorlier, Chagall's Posters, A Catalogue Raisonne, 96; Weill page 358.

      [Bookseller: Golden Legend, Inc.]
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        Le Plafond de l'Opéra de Paris

      Monte Carlo: André Sauret,, 1965. Quarto. Original red cloth, titles to spine and illustration to front board in black. With the dust jacket, wraparound band and the original acetate and buff card slipcase. Illustrated by Marc Chagall, including one loose original lithograph frontispiece (Mourlot 434) housed in a folder and six colour lithographs after Chagall by Sorlie, colour and monochrome illustrations throughout, and one double-sided fold-out illustration to the rear pocket. Dampstain to one side of slipcase, else a fine copy. First edition, first impression. Inscribed by Chagall inside the folder housing the original lithograph, "Pour Mr Edmuni, en souvenir, Marc Chagall, 1971".

      [Bookseller: Peter Harrington]
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        ARIEL

      London: Faber (1965). 1st edition, full red boards, with printed dust jacket. The British poet Anthony Thwaite's personal copy, with his ownership signature to the first FEP. Thwaite, Plath, and Ted Hughes (whom Thwaite interviewed for the BBC in January 1963) were contemporaries. They were all published together in the "New Poems" section of the February 1962 issue of THE LONDON MAGAZINE (Vol 1, No 11), a copy of which is included in the present offering. Peter K. Steinberg states, in his excellent biography SYLVIA PLATH (Chelsea House, Great Writers Series, 2004, p. 2), "The book that first brought her (Plath) to prominence was her second collection of poetry, posthumously assembled and published as ARIEL in 1965." Both of the publications, ARIEL and THE LONDON MAGAZINE, are housed in a custom archival box. Only minimal wear to the books. A unique contemporary association copy.

      [Bookseller: Jett W. Whitehead Rare Books (ABAA)]
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        Ariel

      Faber, 1965. 1st edition. Hardcover. Super copy of the book, the boards, pages and endpapers being extremely clean and tidy, no marks of any kind, in a very near fine dustjacket, a couple of small pieces of restoration, not price-clipped, the slightest of tanning to the spine. In short, a very attractive example of Plath's poems written between The Colossus and her death in 1963. Included is the scarce Poetry Society Bulletin of February 1965 in which the book is analysed and recommended by 'T.H.'

      [Bookseller: Shellhouse Books]
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        Dog's Death

      [Cambridge, Massachusetts]: Printed in Harvard Yard by The Adams House and Lowell House Printers. May, 1965. First. First edition. Broadside. Measuring 10" x 13.25". Slightest bumping at corners, still easily fine. One of 100 numbered copies Signed by the author. The first limited signed edition by Updike, a devastating poem about a lost pet, distributed on a single day at Harvard, and long considered one of the rarest, if not the rarest of Updike's "A" items. Of the 100 copies, 15 are currently held in institutional libraries. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        A Dialogue with Solitude

      (Culpepper, VA): A Community Press Publication. 1965. First. First edition. Thin quarto. A neat gift inscription on a preliminary page, top corner slightly bumped, very near fine lacking the dustwrapper. Arresting photography, and an exceptionally scarce title. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Tendance populaire surréaliste, Association pour l?étude du mouvement Dada.

      - 1965-1971. Collection de bulletins et documents ronéotés, réunis dans un classeur. Provenance : archives de la librairie Nicaise, Paris. / Collection of roneo-ed reports & documents, gathered in a binder. Provenance: archives of the Librairie nicaise, Paris. * Voir photographie(s) / See picture(s). Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. Langue : Français

      [Bookseller: Chez les libraires associés]
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        The English and Empire Digest with Complete Annotations, Continuation Volumes A, B, C, D, E, and F. Containing Case of 1952 to 1983.

      Butterworth and Co. Butterworths., London 1965 - 1324 + 737 + 1103 + 1071 + 671 + 513pp. All still well bound. Interiors in nice clean condition. No names or inscriptions. These are in excellent condition, from a private home - not ex library. All bound in matching maroon with gilt titling to spine. Look very little used. Published various dates between 1965 & 1985. Heavy set - Weighs about 9kg Additional P&P will apply, would be very expensive to send overseas. Picture of this book available. [Attributes: Hard Cover]

      [Bookseller: Tony Hutchinson]
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        GOD BLESS YOU, MR. ROSEWATER OR PEARLS BEFORE SWINE.

      New York, Chicago, San Francisco: Holt, Rinehart and Winston, [1965] - Octavo, cloth-backed boards. First edition. 6000 copies printed. His fifth novel, ". recounts the efforts of an enormously wealthy man to alleviate human misery through the more or less random disbursement of the Rosewater Foundation's almost limitless funds." - Perry D. Westbrook, in Henderson (ed), Contemporary Novelists, p. 909. Pieratt, Huffman-klinkowitz and Klinkowitz AF1. Minute bruises to lower corner tips, else a fine copy in nearly fine dust jacket with hint of wear at upper spine end and touch of dust soiling. A very nice copy. Scarce in superior condition. (#102826) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        The Man With the Golden Gun

      London: Jonathan Cape. (1965). First. First edition, first issue, second state, binding A (without the "golden gun" on the front board). Small London booksellers's label on front pastedown and topedge a trifle soiled, else fine in very near fine dustwrapper with very tiny nicks at the corners of the spine. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        THE COLLECTED WORKS OF JOHN STUART MILL [Complete in 33 Volumes]

      Toronto / London, 1965-1991: University of Toronto Press / Routledge, 1965. Complete in 33 volumes which includes the Indexes to the Works. Dark green cloth, gilt spine titles. Fine copies. All in Fine dust jackets. Heavy item, extra shipping fees required.. First Thus. Hard Cover. Fine/Fine. Large Octavo.

      [Bookseller: Hugh Anson-Cartwright Fine Books, ABAC/I]
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        19 Original Photographs by Hans Goersch & illustrated booklet with work by Goersch

      NP n/d (ca 1965) - 1) Unique collection of nineteen original b/w photographs by Hans Goersch of women in the nude. Photos measure 6 1/4" x 9 1/2", all tipped-in on light yellow card stock. Sixteen of the images show women in nature, relaxing on the beach, near ponds & lakes, in wooded areas, and on grass. Remaining three images depict models in front of a mirror and a wall, and in 'sculptural' pose. Very minor creasing to some parts of card stock edges. Photographs in very good to near fine condition.2) Goersch, Hans. Aktfotos im Studio. Bayreuth, Hans Schwarz verlag. ND (1970). 2. Auflage (second edition). 8vo. Original photographic wraps protected by modern mylar. Illustrated with 40 b/w reproductions of photographs by Goersch of women in the nude posing in an atelier. Introduction by photographer. Text in German. Schwarz Bildbücher, 171. Head and tail of spine slightly chipped. Overall very good condition. (Heidtmann 06783). [Attributes: Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Handbuch der deutschen Literatur seit der Mitte des 18. Jahrhunderts bis auf die neueste Zeit. systematisch bearbeitet und mit Registern versehen., 8 Bände in 7 Bänden / vollständig (I: Literatur der Philologie. II: Literatur der Theologie. III: Literatur der Jurisprudenz und Politik. IV: Literatur der schönen Künste. V: Literatur der Medizin. VI: Literatur der Mathematik, Natur- und Gewerbskunde. VII/VIII: Literatur der Geschichte).

      Olms, Hildesheim 1965-2004 (= Nachdruck der Ausgaben Leipzig 1822-1840). - zus. LXV/4704 S. Original-Leinen, Ecken von Band 4 gestaucht, ansonsten sehr gutes Exemplar ohne Gebrauchsspuren / original cloth, corners of Vol. 4 bumped, otherwise very fine copy, Sprache: de Gewicht in Gramm: 4800 8° (Band V im Format abweichend), [Attributes: Hard Cover]

      [Bookseller: Antiquariat Hagena & Schulte GbR]
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        Niki de Saint-Phalle

      Paris, New York, Géneve, Milano, Roma, Madrid: Alexandre Iolas, 1965. broch. Molto buono (Very Good). 8vo. Catalogo di mostra. Con 4 litografie originali a colori sciolte riproducenti i disegni preparatori delle sue famose Nanas (cm 21,4x16,5). 7 ill. in nero delle sculture. Nota biografica e una foto in nero dell'Artista. Testo in francese Prima esposizione delle "Nanas" avvenuta contemporaneamente a New York e a Parigi nel 1965. Timbro di appartenenza (Owner's stamp)

      [Bookseller: Studio Bibliografico MArini]
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        Jean Dubuffet

      Milano: De Luca, 1965. Prima edizione (First Edition). ril tela, sovrac, custodia (cloth, DJ, slip-case). Ottimo (Fine). 4to. 275 tavole in nero e a colori applicate. Allegato in tasca in terza di copertina un disco 33 giri intitolato "Le fleur de barbe", testo, musica, esecuzione dell'Artista. Calendario, bibliografia, testi di Dubuffet, cronologia critica Copertina originale di Jean Dubuffet Sovracoperta leggermente sciupata al margine superiore (Dust jacket lightly worn at the upper edge)

      [Bookseller: Studio Bibliografico MArini]
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        Photographie originale] Flèche signalétique au sol, ca 1965

      1965 - 17 x 25,4 cm. Circa 1965. Tirage gélatino-argentique d'époque portant au verso le tampon du photographe (et cinéaste) Alain Resnais. De la collection de Jean-Michel Folon. Le sujet représenté est une flèche signalétique, objet essentiel et récurrent dans l¿¿uvre de Folon. Folon en photographiait lui-même énormément et ses amis photographes lui envoyaient celles qu¿ils trouvaient. L'intérêt du cinéaste Alain Resnais pour la photographie est connu, mais ses tirages semblent peu connus et peu nombreux. Parfait état.

      [Bookseller: Des livres autour (Julien Mannoni)]
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        L'ECHELLE DES YEUX

      1965 - Document historique DESSIN Original 1965 encre et aquarelle sur papier pelure format 30X24 Presenté dans un cadre en merisier choisi par l'artiste. [Attributes: First Edition]

      [Bookseller: Livres et collections]
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        Circa 1965 Major Projects Planned and Supervised By Robert W. Dowling and City Investing Company New York (with) The Omnia Building A Study for the Pennsylvania Railroad Company

      New York - London: City Investing Company, 1965. Two large loose portfolios, approx. 14" x 18" size sheets; both are illustrated with actual tipped-on professionally-taken photographs, in black and white and color; for several of the projects, very dramatic before-and-after views of the developments are shown; text printed in dark teal-blue on good quality heavy light putty - color paper- stock; the 'Major Projects' sheets (15, including title page cover sheet) include Parkchester, New York, 'the largest planned residential community in the country'; Stuyvesant Town Peter Cooper Village - NYC, 'innovations in large scale metropolitan residential communities'; Penn Center, Philadelphia 'a vital center of commercial business and transportation'; Penn Park Pittsburgh 'occupies six million square feet of land along the Allegheny River'; Gateway Center, Pittsburgh; Calgary, Central City Canada; Sterling Forest, NY; (with) The Omnia Building study, (14) sheets, giving the background for this concept in the 30th street area in Philadelphia, photo of the concept artwork, site location along the Schuylkill River, details of the building "...accommodating a minimum of 50,000 persons, with a potential to increase to 100,000...a vertical street, composed of the many varied facilities and services of a major downtown avenue...offices, exposition and sales, shopping, transportation, communications, manufacturing and distribution..." with details of each of these, conveyed via text and composites of imagery on photographs, an impressive site development proposal; Robert W. Dowling (1895 - 1973) American real estate investor, developer and philanthropist; Dowling College on Long Island is named for him - among his many diverse achievements we wish to note here that due to his involvement in the performing arts, "... In 1959, President Dwight Eisenhower tapped Dowling to head the Arts Advisory Committee of the National Cultural Center in Washington. Dowling proposed the design of the center, which later became the John F. Kennedy Center for the Performing Arts...." (from the Dowling College site biography - see it for extensive references to Dowling and his creative and wide-ranging career); not dated and circa 1965 from internal evidence; light edge, tips wear to sheets; occasionally, some old mounting-spots are found on the backs, not intrusive or detracting; the black and white photographs especially are very sharp and well-delineated, the color photos more muted, reflecting the technology of the time and their age; both portfolios in very good condition and an interesting group of material, documenting some of the largest real estate development projects in the United States & Canada by one of the business' largest investment firms in mid-20th century; (with) 11 extra plates, being doubles of some of the pages noted above.. Manuscript. Portfolio. Very Good.

      [Bookseller: Certain Books, ABAA]
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        HISTOIRE DE L'EGLISE DU CHRIST EN 14 TOMES.

      FAYARD / GRASSET 1965 - R260148453: Environ 500 pages par tomes. Plein cuir violet, titres, tomaisons et motifs dorés. Tranches supérieures dorées. Frontispices et quelques illustrations en couleurs et nombreuses photos et illustrations en noir et blanc dans et hors texte. Queques cartes. Rhodoïds légèrement passés. In-8 Relié plein cuir. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 270-Histoire et géographie de l'Eglise [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        Lettre a Mon Peintre Raoul Dufy

      Librarie Academique Perrin, Paris 1965 - First edition, limited and numbered (2749). 27 lithographs by Dufy, Villon, Braque, Chagall, Gromaire, Buffet, Segonzac, Lapicque, Marchand and Lurcat--eight of which are double-page spreads-- all pulled by Mourlot. Both hard-case and slip-cover are in fine condition, the text and lithographs in very fine condition. [Attributes: Hard Cover]

      [Bookseller: JMHunt]
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        Parabel en Latemse Brieven over de Lente. Handgeschreven.

      S.l. private -Saint Rémy September 1965 - Gebonden, veelkleurig linnen, mooie privé-band in schuifdoos. Handgeschreven tekst, door Saint-Rémy geschreven in September 1965 naar het uit 1901 daterende werk van Karel van de Woestijne. Dit niet-gepagineerde manuscript in mooi verzorgd schrift werd versierd door enkele kleine intertekst illustraties van Saint-Rémy, netjes met de hand ingekleurd. Het boekje bevat tevens ingekleefd een originele aquarel van Edmond van Offel, het originele in oost-indische inkt getekende ex-libris van van Offel en een illustratie van van Offel voor "Méthopes et Triglyphes". Dit zeer mooie en met liefde geschreven werkje wordt afgesloten met een acht-regelig handgeschriven gedicht van Saint-Remy. Een uitzonderlijk en uniek document. Handgeschreven tekst, door Saint-Rémy geschreven in September 1965 naar het uit 1901 daterende werk van Karel van de Woestijne. Dit niet-gepagineerde manuscript in mooi verzorgd schrift werd versierd door enkele kleine intertekst illustraties van Saint-Rémy, netjes met de hand ingekleurd. Het boekje bevat tevens ingekleefd een originele aquarel van Edmond van Offel, het originele in oost-indische inkt getekende ex-libris van van Offel en een illustratie van van Offel voor "Méthopes et Triglyphes". Dit zeer mooie en met liefde geschreven werkje wordt afgesloten met een acht-regelig handgeschreven gedicht van Saint-Remy. Een uitzonderlijk en uniek document. 0 g.

      [Bookseller: BOOKSELLER - ERIK TONEN BOOKS]
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        Feste religiose in Sicilia

      Bari: Leonardo Da Vinci, 1965. Prima edizione (First edition). ril tela, sovrac (cloth, DJ). Ottimo (Fine). 16mo. Testo di Leonardo Sciascia. Fotografie in bianco e nero di Ferdinando Scianna. Brevi note alle immagini a cura del fotografo Il volume raccoglie una scelta di immagini scattate da Scianna tra il 1961 e il 1964, che raccontano il mondo popolare di quegli anni, ritraendo i siciliani alle prese con le loro feste. Le celebrazioni religiose, secondo l’interpretazione di Sciascia, più che una connotazione metafisica e spirituale ne avevano una materialista: "che cosa è una festa religiosa in Sicilia? Sarebbe facile rispondere che è tutto, tranne che una festa religiosa (. . .) È, innanzitutto, una esplosione esistenziale. Poiché è soltanto nella festa che il siciliano esce dalla sua condizione di uomo solo". E’ questo aspetto che si riscontra in pieno negli scatti di Scianna: atti quali il trascinare la lingua a terra o procedere a ginocchioni erano il prezzo per ottenere una certa grazia. Ma i siciliani secondo Sciascia sono un popolo pieno di contraddizioni, e Scianna lo documenta con la ripresa dei riti della settimana santa in cui nei volti di uomini e donne si percepisce lo stupore e la commozione vera per il dolore di una madre. Le immagini intense e drammatiche di donne velate, di incappucciati in processione, di penitenti seminudi in pellegrinaggio sull’Etna, di bambini offerti alla benedizione del sacerdote fecero vincere al libro il prestigioso Premio Nadar.

      [Bookseller: Studio Bibliografico MArini]
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        Giorgio Morandi Pittore

      Milano: Edizioni del Milione, 1965. Seconda edizione aumentata. ril tela, acetato, custodia (cloth, acetate, slip-case). Molto buono (Very Good). 4to. Con 264 tavole in nero ed a colori applicate. Introduzione di Lamberto Vitali. Antologia critica, Note biografiche, Contributo ad una bibliografia. Seconda edizione ampliata rispetto alla prima del 1964 Timbretto di appartenenza al controfrontespizio (Owner's stamp)

      [Bookseller: Studio Bibliografico MArini]
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        Acquaforte. 5 incisioni di Bruno Caruso

      Roma: Edizione La Nuova Cometa, 1965. Edizione originale di 50 + V es. numerati. quartini sciolti in custodia in tela (loose as issued in original cloth slip-case). Ottimo (Fine). Folio. 5 acqueforti originali di Bruno Caruso, numerate e firmate a matita e su lastra, dedicate a Durer, Rembrandt, Goya, Ensor, Chagall ("Durer ritratto immaginario", "Il cranio di Goya", "Omaggio a Rembrandt", "Madame Ensor", "Omaggio a Chagall", cm 32,5x27). Con una poesia inedita di Rafael Alberti tradotta da Vittorio Bodini Edizione a cura di Mara Chiaretti. Incisioni tirate con torchio a mano dal calcografo Alberto Caprini su carta Fabriano sotto la direzione dell'Artista. Es. 49 [Caruso, 1993]

      [Bookseller: Studio Bibliografico MArini]
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        LAURENT-DÉSIRÉ KABILA À LA BASE DE KIBAMBA DÉBUT 1965. Photo polaroïd inédite en tirage original

      (Début 1965), (Base de Kibamba (Front de l'Est), Congo-Léopoldville) - 9,5cm x 7,2cm sur papier photo 10,5cm x 8,3cm. Légères salissures aux bords de la photo et au cadre blanc, petite mouillure à deux bords de la photo, très léger pli au coin inférieur gauche de la photo, très petits plis à trois coins du cadre blanc, le tout hors sujets, sinon très bon état. LA SEULE PHOTO CONNUE DU FUTUR PRÉSIDENT DE LA RÉPUBLIQUE DÉMOCRATIQUE DU CONGO DANS LE MAQUIS QU'IL A DIRIGÉ À L'EST DU PAYS DANS ANNÉES SOIXANTE, prise début 1965 et légendée au verso en français, TOTALEMENT INÉDITE ET EN TIRAGE ORIGINAL UNIQUE POLAROÏD: Laurent-Désiré Kabila (marqué d'une croix au verso), pose entouré de 20 combattants, dont certains armés, à la base de Kibamba. La base de Kibamba, établie début 1965 au bord du lac Tanganyika, à 150km au nord d'Albertville, étant alors la base principale du maquis dirigé par Laurent-Désiré Kabila depuis Kigoma; il ne s'y rendit lui-même qu'à quelques occasions, particulièrement avant le 23 avril, date de l'arrivée à la base de Che Guevara et de son premier groupe de Cubains: Che Guevara ne relate qu'un seul séjour de cinq jours de Kabila après son arrivée, du 7 au 11 juillet. A la mi-novembre, Congolais et Cubains évacuent la base, menacée par une opération de l'Armée Nationale Congolaise encadrée par des militaires belges, appuyée par deux bataillons de mercenaires et commandée par le Colonel Kakudji et son Chef d'Etat-Major le Colonel belge Hardenne, qui prennent la base le 20 novembre 1965 et qui mettront 8 jours pour détruire les installations et le matériel non récupérable et pour charger sur des péniches 600 tonnes de matériel et de documents. Congo-Kinshasa / Congo-Léopoldville.

      [Bookseller: LIVRESCOLLECTOR]
 32.   Check availability:     AbeBooks     Link/Print  


        I Love You, I Hate You, Drop Dead!: Variations on a Theme

      New York: Fleet Publishing Corporation. (1965). First. First edition. A couple of stains on the boards, a good or better copy in supplied, near fine dustwrapper. Inscribed by the musician to Carol Southern, wife of Shaw's very close friend, Terry Southern: "To Carol - Since we've already got Terry-Baby on the back, here you are, right in front - With love - Artie Shaw 4/16/65." The first of five blurbs that appear on the rear panel of the jacket is from Terry Southern. Shaw was particularly drawn to literary circles and, according to his biographer Tom Nolan, he "savored most of all his acquaintanceship with authors," including Southern. The two had became close friends when Southern returned to the U.S. in 1959. They were both looking for homes in East Canaan, Connecticut and Southern actually talked Shaw into letting him buy the house that Shaw had already put a deposit on. When Shaw retired from music, which he did several times during his long career, it was primarily to write. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 33.   Check availability:     IOBABooks     Link/Print  


        THE MOON IS A HARSH MISTRESS ~ True First Edition [serialized in 5 parts]

      Galaxy Publishing Corporation, New York 1965 - Very scarce full collection of the True First Edition/First Printing of Robert A. Heinlein's seminal work, 'The Moon is a Harsh Mistress'. Before the book version was published by Putnam in mid-1966, the novel was published in serial form (as many of this country's most famous novels have been, such as 'Huckleberry Finn'). This collection consists of a Heinlein aficionado's best copies of the 5-issue set of the "Worlds of IF" periodical (December 1965 & January, February, March, and April 1966). Copies in Very Good Plus condition: SEE SCAN ENLARGED. These issues are in exceptionally good condition (other sellers would state 'Near Fine') with NO creasing or tears and only a few have the tiniest of rubbing wear (shelf wear). Ordinarily these are heavily age-toned internally but these have been protected in plastic for many years and the pages are actually quite bright with minimal age-toning. Only minor flaws exist: Jan66 & Feb66 have small p.o. name on first page, one written, one stamped; Mar66 has small spot on rear panel where staple protrudes; Feb66 & Apr 66 have very thin bands of age-toning around the cover edges.These are all small imperfections in an excellent set which took years to assemble. Again, see the scan enlarged. One of the most important science fiction novels ever written, in its first ever printing.Ships in a box with padding. [Attributes: Soft Cover]

      [Bookseller: Seacoast Books]
 34.   Check availability:     AbeBooks     Link/Print  


        To Fear a Painted Devil

      John Long, London 1965 - Black cloth with gilt lettering to spine in decorated dust jacket. One half inch L shaped punch in rear board and dj expertly repaired. Ex libris but all stamps expertly removed. A shaken book but sound in beautiful dust jacket. Author's 2nd book. Relatively rare. Scans available on request. Size: Octavo [Attributes: First Edition; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
 35.   Check availability:     AbeBooks     Link/Print  


        Gouache e penna con graffi Insieme di 4 opere

      1965 - Anno di produzione 1965-66 come da Testo "Acquerelli e gouaches GINO BIONDA" pubblicato in occasione della Mostra tenuta dal 30 maggio al 11 luglio del 1999 presso il MUSEO DEL PAESAGGIO di Verbania Pallanza - Lago Maggiore - Italia Tecnica mista: Gouache e penna con graffi Insieme di 4 Opere uniformi per tema ed esecuzione eseguite su carta leggera Dimensioni: di ciascun pezzo singolo cm. 13.5 x 10,5

      [Bookseller: Libri Antichi e Rari di A. Castiglioni]
 36.   Check availability:     AbeBooks     Link/Print  


        Lavori in corso

      Milano: Scheiwiller, 1965. Prima edizione di 30 + 5 es. numerati. Quartini sciolti in cartella con etichetta al piatto anteriore (loose as issued in original portfolio with a label on the front cover). Molto buono (Very Good). Cm (cm 57x29,5). Versi e una nota di Vittorio Sereni. 5 incisioni originali di Attilio Steffanoni, numerate, firmate e datate a matita, ciascuna entro camicia (cm 40x14, foglio 55x28) Frammenti e versi sciolti in facsimile, in parte tratti da Gli Strumenti Umani, e una nota. Testo stampato nella Officina d'Arte Grafica A. Lucini & C. Incisioni tirate nella Bottega d'Arte Calcografica L'Acquaforte di Bergamo. Es. 2/30 Le incisioni (solo due in maniera piuttosto consistente), il quartino finale e il fondo della cartella sono interessati da fori di tarlo (The last two prints and sheets and the back of the slip-case have several worm-holes) [Gambetti, 2007]

      [Bookseller: Studio Bibliografico MArini]
 37.   Check availability:     Biblio     Link/Print  


        Dean Swift.

      c. 1965 - Sheet size: 152 × 177 mm. Stamped on verso for publication in the Sunday Telegraph. Pen and ink on wove paper. Jonathan Swift seated at his desk with quill in hand, surrounded by jeering, gesticulating miniature figures. The cartoons and illustrations of Nicolas Bentley (1907-1978) were part of the warp and weft of English popular culture in the 1950s and 60s. Never savage, though often waspishly accurate and exuding an urbane air of amusement at the foibles of his fellows, Bentley's work was familiar to the public from a wide variety of publications. Between 1952 and 1954 he drew regular cartoons for the weekly Time and Tide, and after that for the daily News Chronicle. Between 1958 and 1962 he drew topical cartoons for the Daily Mail under the title "Watch My Line." He also drew many portraits, in black and white line, of famous people, for various papers, including over sixty for the Sunday Telegraph, which began publication in February 1961.

      [Bookseller: Peter Harrington. ABA member]
 38.   Check availability:     AbeBooks     Link/Print  

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