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Displayed below are some selected recent viaLibri matches for books published in 1965

        A Sense of Where You Are

      NY: Farrar, Straus & Giroux. (1965). The first book by the Pulitzer Prize-winning author, a profile of former New Jersey Senator Bill Bradley done at the time when Bradley was a Princeton basketball player and Rhodes scholar. A portion of this book first appeared as a "Profile" in The New Yorker, where McPhee's prose in the 1960s and 1970s helped elevate nonfiction writing to the realm of literary art. Owner name and date (1965) front flyleaf; near fine in a very good, spine-faded dust jacket with a small chip threatening at the upper front edge. Signed by the author on the title page. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 1.   Check availability:     IOBABooks     Link/Print  

        [Program]: Newport Folk Festival July 22-25, 1965

      New York: Newport Folk Foundation. 1965. First. First edition. Quarto. 64pp., illustrated. Stapled illustrated wrappers. Neat owner's name on front wrap, some soiling and faint stains on the wrappers, very good or better. Extensive program with several articles including one by Bob Dylan, "Off The Top of My Head." Uncommon program for the landmark festival at which Dylan "went electric" to great controversy. Other performers included Richard (or here styled "Dick") and Mimi Farina, Joan Baez, Peter, Paul and Mary, Pete Seeger, Odetta, Gordon Lightfoot, Donovan, Mississippi John Hurt, Son House, and many other greats. The cover art is by Jonathan Shahn, son of Ben Shahn and a folk musician in his own right. OCLC locates no copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Draeger, 1886-1966

      Paris: Draeger Frères, 1965. Significant edgewear, extensive chipping to spine edges, else very good in photo-illustrated extended french flaps. Tattered publisher's bellyband laid in, with crisp original reader reply card.. Square Quarto. First Edition. Unheralded company book by Draeger Fères, the famed French printer known for working with artists such as Matisse and Bill Brandt. In this highly produced book, focus is on the creative commercial art potential of Draeger's photography laboratories. Made apparently for an American market shortly after merging with a New York advertising agency, the book is a tour of mostly European fine art from Impressionism to Pop. However, rather than simply reproduce photos of the artwork, the company's photographers and lab developers labored to create unique, highly manipulated photo images that each pay homage to a particular artist or style. Though created to show off the the creative and design potential of Draeger Fères to potential clients, the book becomes a sort of history of the twentieth century filtered through the lens of an emerging underground psychedelic graphic language. Concludes with tipped in photo illustration of a three year old Nicolas Draeger, extending his arms to the future.

      [Bookseller: Harper's Books, Inc.]
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      LOS ANGELES CALIFORNIA CA 1965 - On offer is a charming, small archive of five [5] typed letters, four signed boldly 'Joan Crawford' and one signed 'Joan'. Canadian fan E. Pearson began a correspondence with Ms. Crawford in the mid-1960s which continued for a decade. Short sweet letters of gratitude for birthday greeting and holiday wishes. The final letter a mere two years before Crawford's death. Expected folds, some stains but overall G+. 16mo - over 5¾" - 6¾" tall

      [Bookseller: M Benjamin Katz FineBooksRareManuscripts]
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        Cicero's Letters to Atticus 7 volumes + Epistulae 3 volumes.

      Cambridge University Press., Cambridge. 1965 - The complete set of the Shackleton Bailey edition of Ciceros correspondence published by Cambridge Classical Texts and Commentaries numbers 3,4,5,6,7,8,9,16,17,22. As new hardbacks in as new, protected, orange dust wrappers with black lettering. NB. Heavy item please contact us directly for details of our preferential carriage rates. [Attributes: First Edition; Hard Cover]

      [Bookseller: Elaine Beardsell (ABA,PBFA )]
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        Moulin à la Galette

      Paris: Sorlier, 1965. Sorlier, Charles [after Buffet, Bernard] Lithograph in seven colors. One of 300 signed in pencil by Buffet. Paper: 80 x 59 cm. Image: 65 x 50 cm. Sorlier, 308.

      [Bookseller: Alan Wofsy Fine Arts]
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      Long 1965 - First edition. Original black cloth in pictorial dustwrapper. A fine copy with a small inscription in a very near fine dustwrapper that just has the slightest creasing to the base of the spine. An attractive, crisp copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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      Verona: Editiones Dominicae di Franco Riva, 1965. Prima edizione di 150 es. numerati. broch, cartellina, custodia. Ottimo (Fine). 4to. Poesie di Diego Valeri. Con 2 acqueforti originali, firmate, di Domenico Cantatore (cm 22,5x15,5) Testo composto a mano con carattere Bodoni e in torchio da Franco Riva [Jentsch, 1993; Gambetti, 2007]

      [Bookseller: Studio Bibliografico MArini]
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        Alcune piacevoli epistole

      Verona: Editiones Dominicae di Franco Riva, 1965. Edizione originale di 150 es. numerati. ril, custodia (hard cover, slip-case). Perfetto (Mint). 8vo. Inedite facezie di Feliciano redatte e postillate da Franco Riva e ornate di 2 acqueforti originali firmate di Walter Piacesi (cm 17,5x1,5) Stampa con torchio a mano di Franco Riva. Copertina in mezza pelle e carta decorata [Tamborini, 1997]

      [Bookseller: Studio Bibliografico MArini]
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      1965 - O^E Kenzaburo. A COLLECTION OF (PREDOMINANTLY) EARLY WORKS BY OE KENZABURO, NOBEL PRIZE WINNER. TWENTY-ONE FIRST EDITIONS, INCLUDING FOUR SIGNED TITLES: 1. O^E, Kenzaburo. SHISHA NO OGORI. Tokyo, Bungei Shunju^, 1958, First printing, 8vo. Tan boards in printed dustwrapper. A bit foxed and stained in fine dustwrapper. O^e's first appearance in book form. This volume of very early stories also includes his important stories "SHIIKU" ["The Catch"] and "TANIN NO ASHI" ["SOMEONE ELSE"S FEET"]. "SHISHA NO OGORI" had first appeared in Bungakukai the year before as O^E's first appearance in print. Later translated as "LAVISH ARE THE DEAD" and published in the Evergreen Review in 1965. 2. O^E, Kenzaburo. MIRU MAE NI TO^BE. Tokyo, Shincho^sha, 1958. First Printing, 8vo. Red cloth in printed dustwrapper. A selection of short stories, here published in book form for the first time. Shincho^sha obviously rushed these stories into print, capitalizing on young O^e's celebrity after he won the Akutagawa Prize earlier in the year for SHIIKU. The stories first appeared in 1958 in Shincho^ magazine. The title story is usually translated as "LEAP BEFORE YOU LOOK." "FUI NO OSHI" ["UNEXPECTED MUTENESS"], on the vicissitudes of human communication, has been translated into many languages since. A very important collection here in very good or better condition. 3. O^E, Kenzaburo. WARERA NO JIDAI. NOTRE EPOQUE. Tokyo, Chu^o^ Ko^ronsha, 1959. First edition of O^e's second novel, the title of which is usually translated OUR GENERATION. 8vo., softcovers with self-wrappers, in the original slipcase with belly-band. Near fine. 4. O^E Kenzaburo. KODOKU NA SEINEN NO KYUKA. Tokyo, Shincho^sha, 1960. First Edition., 8vo. Cloth over boards, in printed slipcase. Collection of fiction. Fine. 5. O^E KENZABURO-SHU^ Tokyo, Chikuma Shobo^, 1960, 8vo., First thus. Very early and unusual collection of O^e stories, published as number 12 in the series SHINSETSU BUNGAKU SO^SHO. Stiff paper covers, in slipcase. Fine. 6. O^E Kenzaburo. YOOROPPA NO KOE BOKU JISSHIN NO KOE. Tokyo, Asahi Shimbunsha, 1962. 1st edition. Illustrated boards in printed dustwrapper, with bellyband. Fine. The title could be translated as "Europe's Voice and My Own." 7. O^E, Kenzaburo. SAKEBIGOE. Tokyo, Ko^dansha, First Printing, 1963. Black cloth, 8vo., in slip [Attributes: Soft Cover]

      [Bookseller: Boston Book Company, inc.o ABAA]
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        The Castaway and Other Poems

      London: Jonathan Cape,, 1965. Octavo. Original black cloth backed grey and white patterned boards, titles to spine gilt, red top-stain. With the dust jacket. Minor bump to head of spine, circular dampstain to lower board. An excellent copy in the lightly rubbed jacket with a tape repair to the verso and dampstain corresponding to that on the board. First edition, first impression. Inscribed by the author on the front free endpaper, "Best wishes to Roger & Mary. Come back soon, Derek." Inscribed first editions of this book are scarce.

      [Bookseller: Peter Harrington]
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        Cowboy Kate and Other Stories

      New York: Crown Publishers, 1965. Prima edizione (First edition). ril tela, sovrac (cloth, DJ). Ottimo (Fine). 4to (cm 36x27). Introduction by Norman Hall. Synopsis by Desmond Skirrow. Technical information by Sam Haskins. Photographs in black and white This book presents a phenomenon. She is the new London girl. She is Julie Christie, and Sandie Shaw, and In 1961, the high-brow publisher The Bodley Head seemed ahead of the game when it published Bill Brandt's Perspective of Nudes. In 1965, however, things had progressed so far that it was able to publish Cowboy Kate and Other Stories by South African photographer Sam Haskins, a wholly frivolous book that reflected the frivolous side of the decade. This was the first of many similar "soft-porn" books issued by "respectable" publishers, with titles like Six Nymphets, Birds of Britain, and Young London Permissive Paradise (Parr & Badger, pp. 77, Vol. III) [Parr, Badger, 2014; Roth, 2004]

      [Bookseller: Studio Bibliografico MArini]
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        Fürstenberger Porzellan. - Band 1: Geschichte der Manufaktur - Band 2: Geschirre - Band 3: Figuren.

      Braunschweig, Klinkhardt & Biermann, 1965.. Mit zusammen 62 farbigen Tafeln, 4 Markentafeln sowie über 800 teils ganzseitigen Textabbildungen. Jeweils in goldgeprägten Oln mit OU (dieser jeweils mit farbig montiertem Deckelbild ), 4° ( 33 x 24,5 cm ). Mit ausführlichem Register und umfassendem Katalog der hergestellten Geschirre und Figuren. Kopfschnitt von Band 1 gering fleckig, ansonsten von guter, dekorativer Erhaltung. ( Gesamtgewicht 6900 Gramm ) ( Pic erhältlich / webimage available ).

      [Bookseller: Buchhandlung & Antiquariat Friederichsen]
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        Fürstenberger Porzellan. Band I: Geschichte der Fabrik. Band II: Geschirre. Band III: Figuren.

      Klinkhardt & Biermann,, Braunschweig, 1965 - 3 Bände. Braunschweig, Klinkhardt & Biermann, 1965. 4°. XIV, 319 S.; IX, 302 S.; IX, 306 S. Mit insges. 62 farb. Abb. auf Tafeln und über 800 Abb. im Text und auf Tafeln. Orig.-Leinenbände mit farbig illustr. Schutzumschlägen (leicht stockfleckig). Orig.-Leinenbände mit farbig illustr. Schutzumschlägen [Attributes: Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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        The Kandy-Kolored Tangerine-Flake Streamline Baby

      New York: Farrar, Straus and Giroux,, 1965. Octavo. Original white cloth, titles and decoration to spine and upper board in gold and yellow, orange endpapers, yellow top-stain. With the dust jacket. 18 black and white illustrations. An excellent copy in the lightly rubbed and creased dust jacket with a small nick to the bottom of the front panel. First edition, first printing. Inscribed by the author on the front free endpaper "Best wishes, fourteen thousand seven hundred and ninety-three of them, from Tom Wolfe".

      [Bookseller: Peter Harrington]
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      Farrar Straus Giroux, New York 1965 - Farrar Straus Giroux. New York. 1965. 339 pages. Tom Wolfe's first book. First Edition, First Printing, stated. SIGNED by Tom Wolfe without inscription directly to front free endpaper. A large, BOLD swirling Dr. Seuss-like signature in marker that Mr. Wolfe also partially colored with a colored yellow pencil. 1st issue DJ with $5.50 price intact on flap. Yellow topstain has a small scuff. White cloth with rust colored endpapers. Minor shelfwear along edges with a touch of edge toning. DJ shows light soiling, most faint staining and a small discolored chip at top of DJ front. Light wear to edges/corners. A very nice, overly tight copy with a large multi-colored signature by Tom Wolfe. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Medium Rare Books LLC]
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        FUNCIÓN DE TOROS. Colección de veinte láminas, que formó parte de su "España Pintoresca y Artística". Precedida de Van Halen y el Toreo por Gerardo Diego

      - Madrid, 1965. Folio apaisado, 18 h., 40 h. (explicación de las láminas), 1 h. (colofón). Plena piel gofrada con estuche. - Ilustraciones entre texto y guardas alusivas al tema. Láminas a toda plana. Tirada especial hecha por el Banco Ibérico de 300 ejemplares. Ejemplar nº 137. Papel de hilo. Magnífico ejemplar. [Attributes: Hard Cover]

      [Bookseller: Berrocal Libros Antiguos]
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        The Complete Works of Percy Bysshe Shelley, in TEN Volumes -book I, II, III, IV, V, VI, VII, VIII, IX, X ( VOLS. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 )( Poems, Prose, Letters )(includes: Laon and Cynthia; Queen Mab; Prometheus Unbound; ... (Truncated)

      N.Y.: Gordian Pres, 1965 By Arrangement with Ernest Benn of London, 1965, 1st edition, 1st Printing, 1965, Hard Cover, Book Condition: Near Fine, Dust Jacket Condition: No Jackets as Issued, First Edition, Illustrated By: No Dustjacket as IssuedFull Book Title: The Complete Works of Percy Bysshe Shelley, in TEN Volumes -book I, II, III, IV, V, VI, VII, VIII, IX, X ( VOLS. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 )( Poems, Prose, Letters )(includes: Laon and Cynthia; Queen Mab; Prometheus Unbound; Adonais; Zastrozzi; etc)-----------10 volumes, hardcovers, all are Near Fine copies, no dustjackets as issued, a few slightly bumped corners, 427, 433, 352, 458, 304, 380, 373, 339, 348 and 453 pages, all in uniform format and condition, upper edge gilt on all volumes, no writing in the books, a lovely set, any image directly beside this listing is the actual book and not a generic photo

      [Bookseller: Leonard Shoup]
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        The Book of Thel

      London: Trianon Press, 1965. 4to, 8 plates, (5) pp. text, plus the extra materials. Full brown morocco, marbled paper-covered slipcase, gilt lettering to backstrip. A fine copy. Edition limited to 426 copies, de luxe issue being copy IX of XX copies with a suite of progressive states of one plate, an original guide-sheet and stencil etc. One of the more difficult Trianon Press books to find. Bentley, Blake Books, 26.

      [Bookseller: John Windle Antiquarian Bookseller]
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      Lidis / Imprimerie Nationale,, Paris, 1965 - 5 vol., 480 pp. + 331 pp. + 377 pp. + 377 pp. + 339 pp. in-4, [Attributes: Soft Cover]

      [Bookseller: alphabets]
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        Visa for Avalon

      Harcourt, Brace & World, Inc., New York,, 1965. Octavo. Original blue cloth-backed brown boards, titles to spine gilt, brown endpapers. With the dust jacket. An excellent copy in the lightly rubbed and creased dust jacket. First Edition, First Printing. With the author's signed presentation inscription to the half title page, "For Kenneth [Macpherson] who knows so much about Avalon. Bryher 5th July 1966". Macpherson and Bryher had been married ?- at least in name ?- and collaborated on various literary and critical projects including the film periodical Close Up. They remained lifetime friends.

      [Bookseller: Peter Harrington]
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        In Cold Blood : a True Account of a Multiple Murder and its Consequences

      New York; Random House, 1965, Hardback, First edition - stated first printingFine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Flat-signed by the author. ; 343 pages; Subjects: Hickock, Richard Eugene, 1931-1965. Smith, Perry Edward, 1928-1965. Murder --Kansas. DW priced and correctly coded. References; Kenneth Starosciak; Truman Capote, a Checklist [1.a].

      [Bookseller: MW Books Ltd.]
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        LA LLAVE DE LOS CAMPOS (El Techo de la Ballena)

      Ediciones El Techo de la Ballena, 16 pgs. aprox., Caracas, Venezuela 1965 - Catálogo editado por Galería del Techo, Galería du Dragon, abril de 1965. Ilustrado con láminas de reproducciones en b/n. Cubierta desplegable. Textos de Max Clarac Serou, Edmundo Desnoes y Perán Erminy. De los numerosos movimientos artísticos venezolanos que confirieron su peculiar nota tumultuosa a la década del sesenta en Caracas, hubo uno que se distinguió por su violencia, su espíritu anárquico, su voluntaria agresividad pública, haciendo de la provocación un instrumento de investigación humana. Fue el que libérrimamente se autodenominó El Techo de la Ballena. Tanto o más importante que esas condiciones estrepitosas, que lo definieron como un estallido más que como una escuela o una estética coherente, fue su capacidad para aglutinar por breve tiempo a un conjunto de creadores jóvenes entre quienes se contaron algunos de los narradores y poetas que habrían de llevar a cabo la renovación literaria contemporánea de Venezuela. El solo hecho de que en ese movimiento hayan militado, con diverso grado de participación, narradores como Adriano González León o Salvador Garmendia que habrían de constituirse en figuras centrales de la nueva prosa narrativa del país, o poetas como Juan Calzadilla, Francisco Pérez Perdomo, Efraín Hurtado, Caupolicán Ovalles, Dámaso Ogaz, Edmundo Aray, entre otros, prueba la imantación mostrada en el primer quinquenio de los sesenta por El Techo de la Ballena, la cual puede realzarse más si se agrega la contribución capital que le prestaron artistas plásticos como Jacobo Borges o Carlos Contramaestre, siendo este último quien más ostensiblemente definió sus rasgos iniciales y algunas de sus posiciones artísticas centrales. El movimiento se constituyó a comienzos del año 1961; en marzo de ese año abrió, en un simple garaje de la urbanización El Conde, de Caracas, una exposición titulada Para restituir el Magma y publicó su primer manifiesto-revista que era una simple hoja plegada, bajo el título Rayado sobre el Techo, al tiempo que en el diario La Esfera daba a conocer un breve texto programático. Tras esta inauguración se sucedieron diversas actividades: declaraciones, hojas sueltas, pequeñas plaquettes de poesía y prosa, con una visible y poco usual tendencia a la teorización apodíctica que encontraba en los manifiestos su instrumento preferido y que delataba la concepción vanguardista que habían asumido sus integrantes. [Libro en Español / Book in Spanish] === ARTE LATINOAMERICANO - SURREALISMO === Size: 8vo. [Attributes: Soft Cover]

      [Bookseller: Buenos Aires Libros]
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        In the Heat of the Night

      Harper & Row, New York 1965 - SIGNED AND INSCRIBED BY AUTHOR on a 1 1/2" by 4 1/2" slip of paper tipped in at title page, typed "Very sincerely yours, John Ball" and signed in ink by author between the sentiment and his name. Fully Fine in Fine dustjacket, the book has no flaws and appears unread. His first book, Winner of the Edgar Awards for Best First Novel in 1966 and Best Motion Picture in 1968, the 1967 movie directed by Norman Jewison and starring Rod Steiger, Sidney Poitier, and Warren Oates was the winner of 5 Oscar Awards including Best Actor and Best Picture, and was nominated for and won of a host of other awards. Set against the backdrop of the Civil Rights Movement, Balll used this police procedural to discuss racial tensions, and the groundbreaking film in which a black man slapped a white man in his face startled audiences across America. A classic of the genre, this is truly a lovely copy, SCARCE SIGNED. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Dale Steffey Books]
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      Emecé, Bs. As. 1965. - 1a Edición////Ilustrado por Héctor Basaldúa./Ejemplar con la firma manuscrita de Borges.///36x26. Sin paginar.//Narrativa Española-Hispanoamericana, Libros Firmados, Vanguardias

      [Bookseller: Libreria El Astillero]
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        The Smell of Fear: Fourteen Stories

      London:: Hamish Hamilton,, 1965. . A Near Fine copy with some light foxing spots to all edges in a Near Fine unclipped dust jacket with some foxing. Of these fourteen classic Chandler stories, two have never before been published in book form: Blackmailers Don't Shoot and The Pencil. .

      [Bookseller: Gregor Rare Books]
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        The Smell of Fear

      London: Hamish Hamilton, 1965. First Edition. About fine in a lightly soiled dust jacket with a tiny tear at the foot of the spine.

      [Bookseller: Peter L. Stern & Company, Inc.]
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        Ono's Sales List

      Yoko Ono, New York 1965 - 8 1/2 x 14", offset printed on recto only, with two holograph corrections in blue ink as issued. Folded three times for mailing, some offsetting, heaviest to recto; very good. Reportedly, 200 copies of this sales list were produced and mailed out to followers of her artwork. It lists such conceptual projects as a crying machine, which will cry when a coin is deposited, underwear for women that can make you high, and some architectural projects, including Light House. Rare and important. [Attributes: First Edition]

      [Bookseller: Division Leap, ABAA]
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        Andy Warhol. (ICA Catalogue)

      Philadelphia: Institute of Contemporary Art, (1965). Covers very lightly soiled, binding completely intact (a rarity); a near fine copy in the distinctive wrappers, illustrated with Campbell's Soup Cans.. First Edition. Small octavo. A catalogue published in conjunction with Andy Warhol's first museum exhibition, held at the Institute of Contemporary Art, Philadelphia, October 8 - November 21, 1965. Famously organized by Sam Green, the 25 year-old director of the Philadelphia ICA, appointed largely as a result of his relationship with Warhol. The opening of the show was a logistical disaster: large crowds, akin more to a rock concert than an art opening, prompted Green to pull all the art off the walls before people stormed in. Thus Warhol and his entourage became the only art to see, accelerating his status as a Pop art icon. The catalogue was itself a revelation. Created with Ben Birillo, who had been responsible for some of the most recognizable Pop art ephemera of the era, the pages are printed on heavy card stock colored green, silver, and blue, with mostly full-bleed images, 27 total, and entirely devoid of text, save Green's opening essay.

      [Bookseller: Harper's Books, Inc.]
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        POP ART ONE

      Herzka, D. (Dorothy). POP ART ONE. New York: Publishing Institute of American Art, 1965. First Edition. Oblong 8vo. Spiral Bound Die-Cut Wrappers. Near Fine. np (32pp) + 27 individual b&w illustrations laid in. In a protective clear acetate dustwrapper. This charming little item edited by Dorothy Herzka (later to become Lichtenstein) is one of the earliest documents of the New York Pop Art movement. Innovatively designed in a double plastic comb bound die-cut portfolio format, it presents brief texts, photographic portraits, and four or five individual plates each for artists Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, and Andy Warhol. A bright, white, most handsome copy of this fragile item with no cracks to the plastic showing just a bit of typical light soiling to the matte rear panel. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 016445

      [Bookseller: Arcana: Books on the Arts]
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        The Looking-Glass War

      London: Heinemann,, 1965. Octavo. Original black boards, titles to spine in silver. With the dust jacket. With Ian Norrie's bookplate to the front pastedown. An excellent copy in the jacket with slightly faded spine panel and tiny rubbed spots at the extremities. First edition, first impression. Inscribed by the author on the front free endpaper, "I. Norrie best wishes John le Carré". Ian Norrie (1927?-2009) was a prominent London bookseller, publisher and author, proprietor of the High Hill Bookshop in Hampstead.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  

        The Spice-Box of Earth (INSCRIBED Association Copy)

      McClelland & Stewart, Toronto 1965 - First printing of this revised edition, with 88 pp. The first printing in 1961 has 99 pp. Octavo, softcover. Very Good copy: very tight and fresh with some light wear to covers. Inscribed by Cohen to an important Canadian literary figure: "To _____ fraternal greetings Leonard Toronto October 1991". Also, the inscribee has signed and dated the book "Sept. 6/1975". [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Inno Dubelaar Books]
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        Alice im Wunderland. Herausgegeben vom Forum Stadtpark.

      Graz, Grazer Druckerei, 1965.. Qu.-Fol. Mit 7 (1 farb.) signierten Orig.-Lithographien von Peter Pongratz. 3 Bll. (Titel, Druckvermerk und Inhalt). Lose in OLn-Mappe mit Deckelschildchen (leicht fleckig).. Eines von 5 (Gesamt 30) Exemplaren außerhalb des Handels, als epreuve d'artiste ("E.d.A") gekennzeichnet. - Druckvermerk mit eh. Signatur des Künstlers und Stempel "Forum Stadtpark".- Peter Pongratz, 1940 in Eisenstadt geboren, wuchs in Graz auf und studierte Malerei an der Akademie der bildenden Künste Wien und an der Hochschule der bildenden Künste Berlin. Von 1966 bis 1970 war er Assistent bei Max Weiler in Wien. "Pongratz war am Beginn seines künstlerischen Schaffens beim Forum Stadtpark in Graz, und in Zusammenarbeit mit Schriftstellern wie Wolfgang Bauer, Peter Handke und Gerhard Roth. Diese Verbindung zur Literaturszene zieht sich durch bis zum Austrokoffer, welchen er illustrierte. Im Jahre 1968 gründete Pongratz mit Wolfgang Herzig, Martha Jungwirth, Kurt Kocherscheidt, Franz Ringel und Robert Zeppel-Sperl die Künstlergruppe 'Wirklichkeiten'.".- Gutes Exemplar.

      [Bookseller: Antiquariat Meindl & Sulzmann OG]
 33.   Check availability:     ZVAB     Link/Print  

        The Bunny's Nutshell Library:The First Robin, Juniper, The Silver Dandelion, Springfellow's Parade. [Signed Copies].

      Harper & Row, Publishers. 1965 - 2 3/4 in. x 4 in. four small books in a color-illustrated slipcase. "The First Robin" 47 pp., "Juniper" 48 pp., "The Silver Dandelion" 32 pp., "Springfellow's Parade" 32 pp. Each book with color illustrations by author, Robert Kraus. Light yellow-green, textured cloth, with titling and a design of a seated rabbit writing with a quill on the front covers; each with a color-illustrated dustjacket on various colored backgrounds. Each book is signed by Robert Kraus with a short inscription, and each has a small drawing: "The First Robin", "Juniper" & "The Silver Dandelion" have drawings of standing rabbits holding balloons (the rabbit is wearing a coat & glasses in "Juniper"), and a horse with a hat for "Springfellow's Parade". The Nutshell Library box shows rubbing to the top & bottom panels & to the corners. Some fading & tanning to the dustjacket spines & book spines. A very scarce set when found together in the box and with each signed and with drawings. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        [Broadside]: Come to the Hootenanny Sponsored by Friends of the Children's Theater Workshop. Saturday Oct. 9 2:00 P.P. Kulp Aud

      [Ithaca, New York]: The Children's Theater Workshop. [1965]. Large illustrated broadside on cardstock. Image of a guitar and banjo surrounded by text. Approximately 14" x 22.5". Some age-toning and spotting, one corner creased and bumped, a handsome, about very good example. Interesting example of the use of folk culture in entertaining and educating children. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Broadside]: Come to the Hootenanny Sponsored by Friends of the Children's Theater Workshop. Saturday Oct. 9 2:00 P.P. Kulp Aud.

      The Children's Theater Workshop, [Ithaca, New York] 1965 - Large illustrated broadside on cardstock. Image of a guitar and banjo surrounded by text. Approximately 14" x 22.5". Some age-toning and spotting, one corner creased and bumped, a handsome, about very good example. Interesting example of the use of folk culture in entertaining and educating children.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        The American Indian: Aspects of His Culture and An Indication of His Present Status in the Society of His Dispossesors

      (n.p.): (Pithekos Press/Bowdoin College). (1965). Unbound, folded and gathered sheets for a fine press limited edition with unattributed text on the "Historical Perspective," "The Indian Portrait," and "The Economic Aspect." With nine full-page unattributed woodcut portrait illustrations, most retaining their tissue guards. According to the colophon, 50 copies were produced, or were to be produced, in May of 1965 and this was the third work of this now-elusive press. 22 leaves. 10-1/2" x 13". Oddly, although not obviously misbound, two of the text pages repeat; else fine. The leaves were laid into a plain brown folder, which is present, but split at the fold and losing its edges. An attractive production, very possibly the prototype for a student fine press edition that was never completed. We can find no record of this title in OCLC nor in the specific catalog of Bowdoin College; nor can we find any listing for any other volume issued by this press. That being said, it is an attractive production: the woodcuts were apparently done by different artists and some are quite striking; the text, which is highly critical of U.S. historical treatment of Native Americans, is an early example of the kind of social criticism that the 1960s became famous for: the Free Speech Movement in Berkeley was taking place in the same academic year this was produced, and it wasn't for another two or three years that widespread criticism of the Vietnam War spilled over into widespread critical reevaluation of the national myths and official histories of the United States. This Bowdoin production is evidence of these ideas simmering on college campuses prior to their exploding into the national consciousness. A powerful piece and a notable historical document. First Edition.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        A Bibliography of Canadiana

      - Being items in the Public Library of Toronto, Canada, relating to the early history and development of Canada. Total of 6 volumes Edited by Frances M. Staton and Marie Tremaine. Introduction by George H. Locke. 1965 reprint of 1934 edition. First Supplement. Edited by Gertrude M.Boyle, assisted by Marjorie Colbeck. Introduction by Henry C. Campbell. Reprint of 1959 Second Supplement 1512-1800, Volume I : Edited by Sandra Alston, assisted by Karen Evans Second Supplement 1801-1849, Volume II : Edited by Sandra Alston, assisted by Karen Evans Second Supplement 1850-1867, Volume III : Edited by Sandra Alston, assisted by Karen Evans Second Supplement Index, Volume IV : Edited by Sandra Alston, assisted by Karen Evans [Attributes: Hard Cover]

      [Bookseller: Maple Books]
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        Incredibly desirable 2pp memorandum of Carl T. Rowan with awesome Viet Nam content. Endorsed with the handwriting of none other than Lyndon B. Johnson

      "Autograph Endorsement, 8? x 10.5?, 2p, Washington, D. C. April 26, 1965 the memo from Carl T. Rowan, Director of the United States Information Agency regarding the public stance Johnson should take in his upcoming press conference about the United States/Viet Nam question. At the top of the page, LBJ has written ""get to Bill M-"" He is referring to Press Secretary, Bill Moyers. Also at the bottom of the first page, is an unknown hand is the pencil notation, ""This kind of speculation is unproductive and harmful."" There are secretarial filing notes in the upper left corner. Fine condition. In this memo, Rowan points out the press conference would be an excellent opportunity to ?win world support (or mute criticism) for our policies and actions with regard to Viet Nam.... 1. Peking and Hanoi both seem to cling to an assumption that world opinion...will force you to pull back from your present policies. 2. Should negotiations occur in any forum, we will need all the support that we can muster from other countries....Countries and leaders who sympathize with us privately....are somewhat critical of us publicly because of this overriding fear of war. Your John Hopkins speech .... Put the United States on the ?peace? offensive without weakening our pledge to South Viet Nam....our desire to help build Southeast Asia rather than bomb it, ...we would prefer to bring American Boys home from Viet Nam instead of sending more in ?" if only the aggressors would leave their neighbors alone.?At the press conference on April 27, 1965, Johnson said, in part ?We are engaged in a crucial struggle in Viet-Nam. Some may consider it a small war, but to the men who give their lives it is the last war and the stakes are high. Independent South Viet-Nam has been attacked by North Viet-Nam. The object of that attack is total conquest. Defeat in South Viet-Nam would deliver a friendly nation to terror and repression. It would encourage and spur on those who seek to conquer all free nations that are within their reach....Through the first 7 months of 1964, both Vietnamese and Americans were the targets of constant attacks of terror. Bombs exploded in helpless villages, in downtown movie theaters, even at the sports fields where the children played. Soldiers and civilians, men and women, were murdered and crippled, yet we took no action against the source of this brutality--North Viet-Nam....I say again that I will talk to any government, anywhere, any time, without any conditions, and if any doubt our sincerity, let them test us. Each time we have met with silence, or slander, or the sound of guns. But just as we will not flag in battle, we will not weary in the search for peace.?Also included is an earlier interoffice memorandum dated September 28, 1964 from George Stevens to Richard Goodwin on National Citizens for Johnson ?" Humphrey stationary, measuring 8.5? x 11?. The memo is in regards to how to use the half-hour national television time in October.At the time of this memo, Lyndon Johnson was running as the incumbent President against Barry Goldwater. Goldwater was campaigning on a platform that he would use an atomic bomb on Hanoi, ending the war. Johnson?s approach was to look for a more ?peaceful? means to the end of the war. The memo suggests showing clips of ?Test Ban?, ?Hot Line to Moscow? and ?our military strength is the great instrument in keeping the peace?"

      [Bookseller: University Archives]
 39.   Check availability:     Biblio     Link/Print  


      McKay, New York 1965 - Advance Reading Copy in printed blue wraps of author's first book, which was made into a film starring Liza Minnelli, who was nominated for an Academy Award for Best Actress. With a long SIGNED INSCRIPTION by the author to editor Bill Targ and his wife, Roslyn, a literary agent: "Back in the prehistoric age when I was but a lad and this thing was just taking flight, I wrote long letters to you - Roslyn - and received beautiful polite epistles in return. Little did I know that the very person with whom I was communicating then would turn up white, angelically and incredibly beautiful on the arm of my future editor and friend. Eh bien, c'est comme ca - and thank goodness for you both! John." Laid in is a homemade Christmas card from Nichols SIGNED by him for his wife and cat. Faint creasing to covers. Near Fine [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Magic of a Line (1st edition hardback, with Blond Fine Art 1980 Laura Knight leaflet)

      Kimber, 1965, Hardcover, Book Condition: Near Fine Condition, Dust Jacket Condition: Very Good, First Edition~~Comes with Laura Knight Etchings leaflet from Blond Fine Art 1980 and newspaper trade article from 1987 detailing sale of Knight Goliath clown drawing~~VG+/VG exceptionally hard to find 1st edition 1965 Kimber hardback, beautiful jacket illustration , unclipped dust-jacket. Light edge-rub to DJ, a little dulling to pages and lower edge of pages cut unevenly due to printing anomaly only else VG+ and well-preserved. Other Laura Knight books also available. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Inventory No: 050056.

      [Bookseller: 84 Charing Cross Road Books]
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        Photographie originale] Flèches signalétiques sur une route de Bruxelles, ca 1965.

      1965 - 23,6 x 16,9 cm. Tirage gélatino-argentique d'époque. Au verso les mentions manuscrites "Folon" et "photo à restituer". Cette photographie - et plus particulièrement ce tirage (qui comporte exactement les mêmes défauts dans le coin supérieur droit) - apparaît dans les mains d'Yves Montand dans le film d'Alain Resnais "La guerre est finie" (vers la 52e minute, 40e seconde). Nous connaissons le négatif de cette photographie et pouvons donc sans le moindre doute l'attribuer à Folon. La flèche est un élément essentiel, récurrent, voire obsessionnel dans l'oeuvre de Folon. Il en photographiait lui-même énormément et demandait à ses amis de lui donner des tirages de clichés de flèches ou autres signes urbains qu'ils pouvaient prendre. Il semble que dans cette scène du film, où Yves Montand feuillette six tirages photographiques, dont cinq figurant des flèches signalétiques au sol, quatre des photos soient de Folon et une d'Alain Resnais (voir notre référence n° 3431). Nous joindrons une mauvaise photocopie d'une capture d'écran du film où l'on voit ce tirage dans les mains de Montand. Il est à noter que Folon a été présent sur le tournage du film, dont il a pris des photos (voir nos références n° 3475, 3476 et 3489). Folon est également cité dans le film (vers 41'30'' - 41'55'') : "On prépare un livre sur les villes, sur toutes les villes du monde. enfin, sur la manière dont la ville parle avec ses habitants et comment les gens dans la rue lui répondent. comment ça devient un langage. c'est compliqué à dire, mais en images c'est tout simple. Tu verras : on prend des photos des villes et on mélange avec des dessins de Folon et Topor. C'est moi qui ai fait la maquette avec Agnès. Bill s'en va au Brésil, alors on fait tout de suite le premier choix des photos avant son départ." Resnais avait montré en 1965 à Jorge Semprun, l'auteur du scénario, des dessins de Folon figurant des flèches, car il souhaitait que Semprun intègre Folon dans le scénario (cf. sa préface à "Folon, aquarelles, gravures et affiches", 1982). Notons enfin que Folon faisait faire la plupart du temps un unique tirage de ses photos, deux au maximum et souvent aucun. A part les défauts dans le coin supérieur du tirage, qui lui donnent une valeur "historique" ou du moins cinéphilique, en bel état.

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Handbuch der Lebensmittelchemie. Bänd I bis IX in 13 Büchern. Komplett. Bd I. : Die Bestandteile der Lebensmittel; Bd. II/1: Analytik der Lebensmittel - Physikalische und physikalisch-chemische Untersuchungsmethoden; Bd. II/2: Analytik der Lebensmittel - Nachweis und Bestimmung von Lebensmittelinhaltsstoffen; Bd. III/1: Tierische Lebensmittel - Milch, Butter, Käse; Bd. III/2: Tierische Lebensmittel - Eier, Fleisch, Fisch, Buttermilch; Bd. IV: Fette und Lipoide (Lipids); Bd. V/1: Kohlenhydratreiche Lebensmittel; Bd. V/2: Obst, GEmüse, Kartoffeln, Pilze; Bd. VI: Alkaloidhaltige Genussmittel, Gewürze, Kochsalz; Bd. VII: Alkoholische Genussmittel; Bd. VIII/1: Wasser und Luft; Bd. VIII/2: Wasser und Luft; Bd. IX: Bedarfsgegenstände, Verpackung,

      Springer-Verlag, Berlin, Heidelberg, New-York, 1965. - Zs1-3 Gr.-8°. 13 uniforme, dunkelgrüne Originalleinenbände mit goldgeprägten Rückentiteln. Ausgeschiedenes Exemplar des Institutes für Hygiene und Medizinische Mikrobiologie mit nur jeweils Stempel im Vorsatz u. auf Titelblatt, keine Einbandkennzeichnung. Innen schön sauber, Einbände ebenso. Wohlerhltenes Exemplar. Bd.I: 136 Abb., XXVII(+1)/1288 S.// Bd. II/1: 539 Abb., XXIII(+1)/944 S. // Bd. II/2: 162 Abb., XXXI/1552 S. // Bd. III/1: 153 Abb., XXXII/877 S.; Bd. III/2: 154 Abb., XV(+1)/1641 S.; Bd. IV:338 Abb., XXIII(+1)/1111 S.; Bd. V/1: 389 teils farbige Abbildungen u. 7 Tafeln mit 63 Einzelbildern, XXII(+1)/819 S., Bd. V/2: 178 Abb., XXI(+2)/ 608 S.; Bd. VI: 265 Abb., XXIII(+1)/770 S.; Bd. VII: 123 Abb., XIX(+1)/742 S.; Bd. VIII: 208 Abb., XXX/861 S.; Bd. VIII/2: 76 Abb., XIII(+1)/ S. 862-1495; Bd. IX: 82 Abb., XXV(+1)/988 S. Jeder Band mit Sachregister. 13000

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        PLAIN SONG. Poems

      New York: Norton, (1965). First Edition. A fine copy in green cloth/a very good plus clean jacket, price-clipped bottom, but with the price present on top of front flap. There is a tape pull that affects the N in Plain on top of the front panel. From the estate of Beef Torrey, writer, raconteur, and close friend of the author.. Author's first book. This copy is inscribed to his close friend Beef Torrey on the half-title page, "To Beef / to the true art / of the / hunt / Yrs / Jim."

      [Bookseller: Ed Smith Books]
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        Richard Nixon correctly predicts a Democratic defeat in the 1966 California governor's race: "If the California Democratic Party fails to purge itself of these radical Left-wing elements, registered Democrats by the thousands will refuse to support the Democratic nominee and will assure an overwhelming Republican victory in 1966."

      "Typed Letter Signed ?Dick?, on his personal letterhead, 1 page, 7.25 x 10.5?, New York, September 29, 1965 to newspaper magnate James Copley concerning his statements regarding the left wing of the Democratic Party in California. Offered together with a typescript of his remarks on the issue before the Republican State Central Committee Convention, 1 page, 8.5? x 11? San Francisco, September 25, 1965. Staple holes in top left corner, light mailing folds, else fine condition. Nixon writes, in full: ""For over four years the 'Far Right' problem has plagued the Republican Party because of the continued attacks by Democrats and so-called liberal columnists and commentators. It seemed to me that it was time to put this whole subject in perspective by pointing out that the Democratic Party has an even greater problem with the 'Far Left.' I am enclosing a copy of some remarks I made in this vein at the Republican State Central Committee Convention in San Francisco on Saturday, September 25."" The accompanying typescript of his statements emphasize similar points, and reads, in part: ""...The radicals of the Left post a afar greater threat to the Democratic Party in California than do the radicals of the Right to the Republican Party. The Right-wing radicals are a fringe of the Republican Party. The Left-wing radicals are part of the very fabric of the Democratic Party in California."" Nixon then publically challenged Governor Brown to do more to purge the party of these elements that he blamed for a variety of abuses, including: ""They brought a great University to its knees through disgraceful and illegal riots and demonstrations. They advocate appeasement of our enemies abroad - from Castro in Cuba to the Communists in Viet Nam. They give aid and comfort to the enemies of the United States by advocating the halting of troop trains and tearing up of draft cards. They reject the rule of law and preach and practice rule by the mob."" Nixon concluded, ""If the California Democratic Party fails to purge itself of these radical Left-wing elements, registered Democrats by the thousands will refuse to support the Democratic nominee and will assure an overwhelming Republican victory in 1966."" True to Nixon's prognostications, Ronald Regan, campaigning on a message critical of ""welfare bums"" as well as the burgeoning anti-war movement and the counterculture, won the governorship of California. Ironically, in 1968 Regan would test the presidential waters by mounting a ""Stop Nixon"" campaign which fizzled out in the wake of Nixon's overwhelming delegate count at the Republican National Convention in Miami Beach."

      [Bookseller: University Archives]
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        Storyville, Volume 1 through Volume 158 (consecutive and nearly complete run of the magazine)

      Storyville Publications, Essex, Great Britain, 1965, Paperback, Book Condition: Near Fine, First editionSoftcover magazine--6 1/4" x 8" format. Lot (not bound) contains 158 consecutive issues of the magazine, from the first, in October 1965, to issue number 158 in June 1994. (There were a few additional issues published between 1984 and 1995--see below.) All issues in very good or better condition. Each issue of this noted British magazine for collectors of classic jazz and blues records contains several articles, reviews, photos, discographies, and ads. Each issue about 40 pages. There are two copies of issue #119. One has a signed, typed note from the editor (to a subscriber) laid in. From an obituary for editor Lawrence (Laurie) Wright, who died in 2010: "Issue 1 appeared in October 1965. Initially a typical enthusiasts’ fanzine it grew rapidly into what became a peer-reviewed journal of scholarship overseen by Laurie and The Storyville Team. Laurie bought a used Gestetner offset printer to print the publication, which was then collated, folded, stapled and trimmed on equipment ranging from Victorian in vintage to home-made, by other members of the Team. The entire text was prepared for plate-making by Team members on four Olympia typewriters with a Congress-Elite font, using manual half-and quarter-spacing to justify the print columns, first by inspired guesswork then acquired skill, saving typesetting cost. In 1973, Dave French and an IBM Compositor joined the effort, saving labor, eyesight and operator patience, and taking the efficiency level a step beyond Gutenberg. This volunteer crew made the bi-monthly operation financially achievable, inspired substantially by Laurie’s impetus. The schedule was maintained, with very few hiccups; these largely caused by external forces such as postal strikes (another nationally British trait) for 162 issues up to June 1995, upon which Laurie published four biennial volumes, solo, up to 2003. Laurie used his time in retirement thereafter, to carry out detailed analyses of the African-American press, which brought to light a mass of additional data and a postulated re-dating of the activities of the Paramount record label." Special shipping arrangements may be necessary for overseas orders.

      [Bookseller: Warwick Books]
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