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Displayed below are some selected recent viaLibri matches for books published in 1965

        In Cold Blood: A True Account of a Multiple Murder and Its Consequences

      New York: Random House, 1965 Inscribed book club edition in a first issue dust jacket. Inscribed by Capote on a front flyleaf in month of publication: "For Bert Klein / with all good wishes / Truman Capote / H. H. Klein - January, 1966". Publisher's maroon cloth, with lettering stamped in gilt and metallic silver, circular blind stamp to the rear board; in the trade issue tan dust jacket designed by S. Neil Fujita, lettered in maroon and black. Near fine book, with some light toning to the spine, minor soiling to the boards, faint offsetting to the front flyleaf, clean interior; unclipped dust jacket, with some light toning to the spine, a few minor nicks to the spine ends, light rubbing to the folds, bright and fresh panels. An attractive copy, inscribed by the author. In Cold Blood is a fact-based account of the 1959 murders of the Clutter family in Holcomb, Kansas, and is one of Capote's most popular books. When police found the bodies of the Clutter parents and their two children, there was little to no evidence to suggest a motive or the perpetrators. After reading a brief article about the quadruple murder, Capote became fascinated with the mystery and traveled to Holcomb with his friend Harper Lee to investigate further. He conducted much research, which he used to write a narrative and realistic account for In Cold Blood. Although Capote insisted on the veracity of his book's factualness, subsequent research has shown that, while essentially a truthful account, In Cold Blood presents exaggerated characters and events in addition to at least one completely fabricated interaction. Regardless, the intriguing murder mystery and Capote's captivating writing make In Cold Blood a literary classic and a forerunner in the True Crime genre.. Inscribed by Author. Hard Cover. Near Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        The dances of death, through the various stages of human life: wherein the capriciousness of that tyrant is exhibited in forty-six copper plates; done from the original designs, which were cut in wood, and afterwards painted, by John Holbein, in the town house of Basil [...]. Etched by D. Deuchar.

      Edinburgh, o. Vlg., 1788 8°, 1 Bl., 2 Kupfern (Portrait D. Deuchar; frz. Titelkupfer (von Mechels Kupferstich von 1780, aber mit Duchars Namen u. der Jahreszahl 1786) als Fronti. bzw. Taf. I, Titelbl. (Portrait H. Holbein), 2 S. (Preface), 1 Kupfer («Creatio Mundi»), 46 S. Text wechselnd mit 46 Kupfern. Zusätzlich: 1 Kupfer (Mortalium Nobilitas, 2-streifiger Kupferstich: Dolchscheiden-Totentanz., Ldr. d. Zeit gold.geprägt. m. Rückenschild., Blätter durchgängig fingerfleckig, Monogramm a. erstem Kupferstich a. Vs., Meist Abklatsch der Kupfern auf Textseite, ein Blatt am Steg minimal verstärkt. Die Kupfern manchmal etwas flach abgezogen. Ohne das Wappen des Todes. Die Bildunterschriften in den Kupfern in Latein. die erläuternden Texte engl./frz. - David Deuchar (1743 - 1808) kopierte recht unbeschwert die 30 Totentanzstiche von Wenzel Hollar (1607-1677). den jener nach Holbein neu gestochen hatte. Die dekorative Rahmen um die Kupferstiche nach Abraham van Diepenbeck (1596-1675.. - Massmann 57. Versand D: 20,00 EUR Totentanz Illustr. Bücher - Originalgrafik

      [Bookseller: Antiquariat Peter Petrej]
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        Journal of Differential Equations.

      New York und London, Academic Press, 1965 - 2000. - ISSN: 0022-0396. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Sprache: Deutsch Gewicht in Gramm: 80000 8°. Blaue Leineneinbände der Zeit.

      [Bookseller: Antiquariat Trageser]
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        Simple's Uncle Sam

      New York: Hill and Wang, 1965. 1st ed. Hardcover. Very Good/Very Good. x, 180p. dj. 21cm. Jacket lightly soiled and has a few green ink spots on lower edge of front flap (blotting from the Hughes' inscription). A few pages browned from now-absent newspaper clippings. INSCRIBED by Hughes in his characteristic green ink ("Another Simple -- for Amy Spingarn -- Affectionately Langston New York, October 11, 1965"). 46 short stories about Jess B. Semple.

      [Bookseller: McBlain Books]
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        Hamburgum. Altkolorierter Kupferstich von 1588 aus dem großen Ansichtenwerk *Civitates Orbis Terrarum*. Gezeigt wird die Stadt Hamburg aus der Vogelschau ( Gesamtansicht ).

       1588 Bildmaß der Darstellung: 32,5 x 47,5 cm ( Höhe x Breite ). Hier die überaus seltene Vogelschaukarte aus dem Städteatlas *Civitates Orbis Terrarum* des Geistlichen Georg Braun (1541-1622) und des Kupferstechers Franz Hogenberg (1535-1590). Für den 1588 in Köln erschienenen vierten Band der *Civitates* ließen die beiden Herausgeber eine Vogelschau von Hamburg erstellen, nachdem im ersten Band von 1572 lediglich eine Seitenansicht der Stadt präsentiert wurde. Dieser hier vorliegende sehr seltene Kupferstich-Plan zeigt Hamburg um das Jahr 1587 von Südosten her mit der Sankt Jacobi-Kirche noch ohne ihren neuen Turm von 1587/1589 und dem Gebiet der Neustadt (hier im oberen Bildteil zu sehen ) noch außerhalb des Stadtwalls. Im Norden die Alster, rechterhand oben einige wenge Häuser in St. Georg. Kurz nach Erscheinen des vierten Bandes der lateinischen Ausgabe ging vermutlich die Kupferplatte des Hamburg-Plans verloren, so dass für die deutsche Ausgabe von 1590 eine neue Vogelschau gezeichnet und gestochen wurde, die sich wesentlich von der ersten ( hier vorliegenden ) unterscheidet. Das Blatt mit 2 Kartuschen am oberen Bildrand ( incl. Städtewappen ) sowie Titel, am unteren Bildrand links unten eine Bildlegende mit 10 angeführten Positionen, zur Mitte am Unterrand eine Figurengruppe von 4 Personen, rechts außen am Bildrand eine Kartusche mit 2 stehenden Figuren. Die Elbe mit zahlreichen Schiffen. Das Blatt in schönem Altkolorit. Unter Passepartout und Glas gerahmt ( Rahmenmaß: 56 x 69 cm ). Das Blatt gering stockfleckig - von guter Erhaltung. Das Passepartout stärker stockfleckig, der Rahmen gering bestoßen. ( Bitte beachten: Hier kein Versand wegen Bruchgefahr - hier nur Selbstabholung in meinem Ladengeschäft ). ( Pic erhältlich // webimage available ) Versandkostenfreie Lieferung Georg Braun, Franz Hogenberg, Braun-Hogenberg, Cititates Orbis Terrarum, Google, Hamburgum, Hamburg, Kupferstich, altkoloriert, Vogelschau, Elbe, Hafen, Alster

      [Bookseller: Antiquariat Friederichsen]
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        Beschreibung und Contrafactur der vornembster Stät der Welt. Civitates orbis Terrarum.

      Plochingen, Verlag Müller und Schindler, 1965. Faksimile-Ausgabe.Sehr guter Zustand ! 59 x 43 cm, 6 stabile Leinenkassetten mit unzähligen farbigen Städteansichten in Kupferstichen und jeweils 1 Kommentarheft sowie Register. Als Vorlage für diese Faksimile-Edition dienten sorgfältig kolorierte Originale aus verschiedenen deutschen Bibliotheken. Beschreibung zu jeder Stadtansicht auf der Rückseites des Bogens. Kassette 1 : 2 doppelblattgroße Bögen, beidseitig bedruckt mit 1 farbigen Titelkupfer, 59 doppelblattgroßen, farbigen Städteansichten, 3 doppelblattgroßen Bögen, beidseitig bedruckt. Kassette 2 : 3 doppelblattgroße Bögen mit 1 farbigen Titelkupfer, 59 doppelblattgroße, farbige Städteansichten, beidseitig bedruckt, 2 doppelseitige Bögen, beidseitig bedruckt. Kassette 3 : 5 doppelblattgroße Bögen, beidseitig bedruckt, 59 doppelblattgroße, farbige Städteansichten. Kassette 4 : 2 doppelblattgroße Bögen, 1 Titelkupfer, 59 doppelblattgroße, farbige Städteansichten, 5 doppelblattgroße Bögen, beidseitig bedruckt. Kassette 5 : 4 doppelblattgroße Bögen, beiseitig bedruckt mit 1 Titelkupfer, 69 doppelblattgroße, farbige Städteansichten, Blatt 27 : Faltplan (Panorama), 3 doppelblattgroße Bögen, beidseitig bedruckt. Kassette 6 : 2 doppelblattgroße Bögen, 1 Titelkupfer, 58 doppelblattgroße, farbige Städteansichten, 2 Bögen Register, Bogen 43 : Vorder- und Rückseite Text. Sehr guter Zustand !! 1965. E 9 Versand D: 4,50 EUR Geographie, Stadtpläne, Karten, Kunst, Geschichte

      [Bookseller: Antiquariat Kirchheim]
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        Eleven Poems.

      Belfast: Festival Publications, 1965. First edition, third issue. Octavo, original green wrappers as issued. In near fine condition. Signed by Seamus Heaney on the front cover. In 1957, Seamus Heaney travelled to Belfast to study English Language and Literature at Queen's University Belfast. During his time in Belfast, he found a copy of Ted Hughes's Lupercal, which spurred him to write poetry. "Suddenly, the matter of contemporary poetry was the material of my own life," he said. (BBC) He graduated in 1961 with a First Class Honours degree. In 1963, Heaney became a lecturer at St Joseph's and in the spring of 1963, after contributing various articles to local magazines, he came to the attention of Philip Hobsbaum, then an English lecturer at Queen's University. Hobsbaum set up a Belfast Group of local young poets and this would bring Heaney into contact with other Belfast poets such as Derek Mahon and Michael Longley. His first book, Eleven Poems, was published in November 1965 for the Queen's University Festival.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Dune

      Chilton 1965 - A very good first edition in a very good first issue dust jacket with the correct price on the front flap and the 4 line address for Chilton on the back flap. Housed in a custom-made collector's slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        The Man with the Golden Gun.

      London: Jonathan Cape,, 1965. Octavo. Finely bound by the Chelsea Bindery to a design by Paul Smith, red full morocco, titles to spine in black and gilt, front cover decorated with black morocco onlay and gilt showing a stylish evening-suited man with a golden gun, rear cover with Paul Smith facsimile signature in gilt, gilt-ruled turn-ins, pink coated endpapers, all edges black. Fine condition. First edition, first impression, in a specially executed fine binding by the Chelsea Bindery, designed by and bound for Paul Smith in collaboration with Peter Harrington.

      [Bookseller: Peter Harrington]
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        18 autograph letters signed.

      Various places, 1938-1965. - Various formats. Altogether 21 pp. on 21 ff. Several addenda. Important collection of extensive, fatherly letters to Maria Jacoba Lagendijk (1907-1990), his steadfast and loyal nurse from 1938 until Schweitzer's death. Some letters were written from Schweitzer's hospital in Lambaréné, others are travel letters from abroad. Schweitzer informs his nurse about the daily affairs in the 'Spital' and difficulties with the hospital's staff when she is in Holland visiting her parents in Oudewater. Schweitzer writes about his illness, his busy schedule, his encounters with admirers, and is concerned about Lagendijk's boat trip and her visa. Several times he congratulates her on her birthday, and when her father dies he sends heartfelt condolences. "[.] Also siehst du: das Morgenrot nach der trüben Zeit kündigt sich an. Und du weisst, dass ich dich von Herzen lieb habe. Du gehörst zu meinem Spital. Ich zähle auf dich. Und schone dich, dass du gesund bleibst [.]" (letter dated 2 Oct. 1851). - Addenda: I) 4 (3 autogr. and 1 typed) confirmations of Lagendijk's employment at the hospital, all signed (Lambaréné, 1956-1965; stamped individually). - II) 1 autogr. letter signed by Schweitzer's nurse Emma Haussknecht (Lambaréné, 1 Aug. 1955) and Mathilde Kottmann (ibid., no date). - III) 1 autogr. letter draft from Maria Jacoba Lagendijk (ibid., 8 Dec. 1949). - On lightweight airmail paper with usual traces of handling; one letter remained unsigned. - Detailed description upon request.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Archive of Correspondence

      1965-1973. A collection of Six Typed Letters Signed from J.R.R. Tolkien including one Autograph Letter Signed by his wife, Edith Tolkien to Sterling E. Lanier, written between 1965 and 1973. The letters were sent to Lanier, an author, sculptor, and editor at Chilton Books, who had notably persuaded the automotive manual publishing company to publish Frank Herbert's Dune. The letters cover a range of subjects including figurines Lanier made of The Lord of the Rings characters and gifted to Tolkien; piracy issues that Tolkien was dealing with in America; the death of his wife, Edith; the writing of The Silmarillion; and acknowledgments of books and newsletters that Lanier had sent to his friend. The letters are near fine with some edgewear and folds from mailing.The correspondence began in 1965 when Lanier sent a letter to Tolkien with an accompanying package of his handcrafted figures based on characters from The Lord of the Rings. Lanier asked whether he could have the approval of Tolkien to market them resulting in the two exchanging letters and becoming friendly, with Tolkien fully supporting the figures: "[T]hey are in a wholly different class to many things that are often marketed without my permission." In a later letter Tolkien writes, "I recently, after my wife's death, moved back to Oxford...I have a feeling, though I hope not justified, that I have never written to you to thank you for your set of bronze figures. They survived the move and are now on display in a cabinet. I prize them, and they have been much admired." The figures appear to have never been mass produced, hitting a snag due to legal issues related to United Artists who owned the rights.In a letter from the end of 1965 Tolkien writes, "I at last received a letter direct from Ace Books, very specious and slightly glutinous, but it offered to discuss terms for royalties." Apparently, Lanier had been assisting Tolkien on confronting Ace Books, the company that had released an unauthorized edition of The Lord of the Rings. Lanier also sent Tolkien several science fiction newsletters, and two books, including a copy of Dune. Chilton had only recently acquired the novel which had been originally serialized from 1963-1965 in Analog Magazine. While the book became a huge best-seller, Lanier, who championed its publication, was ironically fired due to slow initial sales. At the time of the letter Tolkien hadn't been able to read Dune.In the final letter written in 1973, less than a year before his death, Tolkien writes, "I am only now at last able to actually work upon The Silmarillion and prepare at least part of it for publication. I am afraid you have hit on one quite serious point; the legends of The Silmarillion are largely mythological, and mostly grim, and without any tinge of comedy." The Silmarillion was Tolkien's last work and informed the myths and origins of his now famous Middle Earth. The book was completed by his son Christopher, whose efforts to compile and organize his father's writing was published posthumously in 1977. It won the Locus Award for Best Fantasy novel in 1978.A wonderful collection of letters from the greatest fantasy author of the 20th Century about manuscript publishing rights, the science fiction community, and the then nascent world of literary merchandising. A detailed list is available upon request. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Philadelphia, Here I Come.

      London: Faber and Faber,, 1965. Octavo. Original green cloth, titles to spine gilt. With the dust jacket. Bookseller's ticket to front pastedown. Faint foxing to edges; an excellent, bright copy in the jacket with slightly rubbed and nicked extremities. First edition, first impression. The play premiered at the Dublin Theatre Festival in September 1964, to wide acclaim. Uncommon in such nice condition.

      [Bookseller: Peter Harrington]
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        Stoner

      New York: Viking, 1965. First edition. Hardcover. Hardcover. First edition. A fine book in a very good dust jacket. Minor sunning to the jacket spine and wear wear to the extremities. Evidence of tape repair on the verso of the head of the jacket spine. Small stain in the verso of the jacket fold. An uncommonly nice first edition of John Williams's novelistic look at the world of academia and the life and death of an ordinary man. A recent bestseller in Europe, the novel has continued to gain recoganition with many scholars calling it the "best novel you never read." Wrote Julian Barnes recently: "It is good, and it has considerable substance, and gravity, and continuation in the mind afterwards.

      [Bookseller: Sawtooth Books]
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        Micro Book: Poem of Tu Fu

      Toppan, Tokyo 1965 - (24)pp. This set includes two versions of the ancient Chinese poet Tu Fu's verse "The Eight Immortals of the Wine Cup": a miniature book measuring 1 3/8 inches (35mm.) square, and an ultra-microminiature measuring a mere 3.75mm square. In each, the text is presented in English and Japanese. The ultra-microminiature is contained within a magnifying case attached to a keychain. The case's metal cover is printed with "Micro Book" in white and gold on a black background, and has a distinctly mid-century aesthetic. According to the accompanying bilingual brochure, which includes instructions for opening the case, "This key-holder contains the smallest book ever published in the world. the fruit of our outstanding technical know-how involved in plate-making and printing." The thickness of each letter is approximately equivalent to one-fifth of a human hair. Toppan produced its first Micro Books in 1965 for the New York World's Fair, and the company has continued to break records for the world's smallest book ever since. Housed in a silver plastic clamshell box, lined with satin and red velvet. Only one institutional copy recorded, in a different, less elaborate presentation. Very fine. [Attributes: Soft Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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        Eigenh. Brief mit U.

      Lambarene, 10. II. 1965. - ¾ S. Qu.-8vo. Mit eh. adr. Kuvert und einer Beilage (s. u.). An die Cembalistin Lina Lalandi (geb. 1920) mit Dank "für Ihre Grüsse und Wünsche, die Sie mir vom Englischen Bach Festival senden für [!] meinen 90ten Geburtstag [.] Sie haben mir eine grosse Freude gemacht. Ich habe diesen Geburtstag in guter Gesundheit gefeiert. Ich muss mich glücklich preisen, dass ich in meinem Alter noch meine Arbeit machen kann [.]". - Auf Briefpapier mit gestemp. Briefkopf; Faltspuren; beiliegend ein eh. Brief mit U. von Schweitzers "dutch nurse" Ali Silver (dat. 10. III. 1963) an die Adressatin.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Collection of 90 Paper and Plastic Bags from New York City Bookshops

      New York, c. 1965. Soiling and fading present throughout the collection, as are contemporary pieces of plastic tape affixed to the bags. Good condition overall.. Collection of 90 paper and plastic bags from at least 35 different bookshops in New York City. Bags range from 10 X 6 1/4 inches to 15 1/2 X 12 inches, differ in design and color scheme; about half the collection contains duplicates. Many feature iconic logos from the stores which distributed them; others are unattributed. If time was taken to map the location of each bookshop mentioned, one would come up with a veritable tourist's guide to the destinations of a bygone New York literary culture. Collection includes bags from Sheridan Square Paperback Corner Greenwich Village, Grand Central Paperback Bookshop, Rexall, Harcourt Brace Jovanovich Bookstore, Wiliam A. Lowell, Incorporated, Marboro Book Shops, Bookmasters Bookshop, Brentano's Booksellers, Salter's Book Centers, R. Gordon and Company, Gail G. Grant Company, Barnes and Noble Incorporated, All Booked Up, Doubleday Books, Rexall Books, Studio Paperbacks Bookshop, Paperback Forum, Atlantic Men's Shop,Brentano's Literary Emporium, 8th Street Book Shop, Cokesbury, E. J. Korvettes, Florman and Babb, Laurel Book Center, Scribner's, Weber and Heilbroner, The 55th Street Bookcase, Incorporated, Three Sixes Bookshop, and Tie City.

      [Bookseller: Harper's Books, Inc.]
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        Thunderball.

      London: Pan Books, 1965., 1965. Pp.234 + 6. Paperback. Promotional Copy for Player's Cigarettes, with 'Domino' letter insert. Slim octavo, pictorial card wrappers with wraparound movie artwork; this is the correct (fourteenth) printing used for this promotion which includes a printed notepaper 'handwritten' by Domino to James Bond (although addressed 'Darling'), mentioning Player's cigarettes and asking Bond to read pages 152–5 of the accompanying book (which is the section discussing the Player's brand). One leaf, measuring 227 × 149 mm, folded twice (to be tucked inside the paperback). The letter is in fine condition, book is near fine with a couple of minor rubs to joints. Housed in an elegant gilt-titled cloth covered case A rare piece of Bondiana- I can find no other copy advertised for sale at the time of writing. Gilbert A9a (25.1)

      [Bookseller: Adrian Harrington Rare Books]
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        Hummelchen geht in die Schule; Die erste Schulzeit eines kleinen Wildfangs,

      Hannover, Berlin Weichert, 1965 - 127 Seiten, 21 cm Gut erhaltenes Buch, leicht schiefgelesen, Einband mit leichten Gebrauchsspuren, Stempel im Vorsatz Blatt, K7585 Sprache: Deutsch Gewicht in Gramm: 400 Hardcover/Pappeinband, Halbleinen [Attributes: Hard Cover]

      [Bookseller: Antiquariat Buchhandel Daniel Viertel]
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        [Original Poster VINYL and POOR LITTLE RICH GIRL World Premier at the Filmmakers' Cinematheque]

      (New York): Andy Warhol, (1965). First Edition. Offset lithographed B&W poster. 8.5" x 11". Archivally mounted in a black metal frame with wooden back brace. Near fine. Vintage poster for the world premiere of Andy Warhol's seminal films, VINYL and POOR LITTLE RICH GIRL at Jonas Mekas' Filmmakers' Cinematheque. Photo-illustrated with a repeating image of Edie Sedgwick and Gerard Malanga, "[t]he poster's typewrit- ten descriptions of these Warhol films as 'cinema verite,' 'pop art,' and his 'first nonstatic film' denote an attempt to place underground cinema in a more mainstream genre of film. Its childlike drawing of a butterfly is reminiscent of the butterflies Warhol drew in the 1950s when he worked as a commercial illustrator" (Maréchal p. 29). Variously cited as either Warhol's most or least "entertaining" film, VINYL is an experimental adaptation of Anthony Burgess' A CLOCKWORK ORANGE (for which Warhol legitimately paid $3000 for rights), adapted by regular Factory collaborator Ronald Tavel, and featuring songs by The Rolling Stones, The Kinks, The Isley Brothers, and others. Shot by Warhol and Malanga in Edie Sedgwick?'s apartment, POOR LITTLE RICH GIRL was Sedgwick?'s first speaking and starring role in a Warhol film. Conceived as a day-in-the-life of the Factory superstar and at least conceptually autobiographical, IMDB's description of the story seems to sum up its intentions best: "A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh cof- fee, and tries on some clothes from a large wardrobe." [Maréchal 4].

      [Bookseller: Brian Cassidy, Bookseller]
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        Science & Civilisation in China (Vols. I-IV Complete and Vol. V Parts 2 & 3) --8 Books

      Cambridge University Press, 1965. Cloth. Near Fine/Near Fine. A nice representation of roughly the first half of Joseph Needham's towering study of the development and growth of science in China. Vols. I-IV complete and Vol. V --Parts 2 & 3. All volumes very solid and Near Fine in bright, VG+ to Near Fine dustjackets. All are internally immaculate and still very firmly bound. Vols. I-III are very early reprints and Vols. IV (3 parts) and Vol. V (2 parts) are all 1st editions. Thick quartos, all fold-out plates complete and pristine.

      [Bookseller: Appledore Books, ABAA]
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        The Prose Writings of Jonathan Swift (the first 14 Vols.)

      Oxford: Basil Blackwell, 1965. Cloth. Near Fine/Near Fine. An impressive run of this sweeping collection of the prose wiritings of Jonathan Swift, published out of Oxford by Basil Blackwell. All 14 volumes are early reprints (except the final volume, the "Index" volume) and all are clean, tight and Near Fine in crisp, price-intact, VG+ to Near Fine dustjackets. Just a touch of mild darkening --and a bit of light soiling-- along several of the dustjacket spines, otherwise very sharp. Uniform, mostly thick 12mos, internally immaculate, with no writing or markings of any kind. The breakdown of this exhaustive collection is as follows: Vol. I: A Tale of a Tub--With Other Early Works 1696-1707; Vol. II: Bickerstaff Papers and Pamphlets on the Church; Vol. III: The Examiner and Other Pieces Written in 1710-1711; Vol. IV: A Proposal for Correcting the ENGLISH TONGUE Polite Conversation, Etc.; Vol. V: Miscellaneous and Autobiographical Pieces, Fragments and Marginalia; Vol. VI: Political Tracts 1711-1713; Vol. VII: The History of the Four Last Years of the Queen; Vol. VIII: Political Tracts 1713-1719; Vol. IX: Irish Tracts 1720-1723 AND Sermons; Vol. X: The Drapier's Letters and Other Works 1724-1725; Vol. XI: Gulliver's Travels 1726; Vol. XII: Irish Tracts 1728-1733; Vol. XIII: Directions to Servants and Miscellaneous Pieces 1733-1742; Vol. XIV: Index to the Prose Writings.

      [Bookseller: Appledore Books, ABAA]
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        Journal de guerre et d'occupation 1939-1948 EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Julliard, 1965. Fine. Julliard, Paris 1965, 14x20cm, broché. - Edition partly original of wich no leading copies exists. Bel autograph signed and dated by Ernst Jünger, full page, Marcel Bookseller Clouzot written at the Closerie des Lilas. spine slightly défaîchi not serious, small spots on the second board. - [FRENCH VERSION FOLLOWS] Edition en partie originale pour laquelle il n'a pas été tiré de grands papiers. Bel envoi autographe daté et signé de Ernst Jünger, à pleine page, au libraire Marcel Clouzot redigé à La Closerie des Lilas. Dos très légèrement défaîchi sans gravité, petites taches sur le second plat.

      [Bookseller: Librairie Le Feu Follet]
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        Unsafe at Any Speed

      New York: Grossman Publishers, 1965. First Edition. Hardcover. Very Good. Signed. First edition, first printing. Signed and inscribed "For safer technology" by Ralph Nader. Near Fine in a Very Good dust jacket with price intact. Tiny stain to edge of page block. Dust jacket shows two short closed tears and associated creasing at bottom of rear panel, light rubbing and light edge wear; small water drop to verso of jacket near foot of spine. A bright copy.

      [Bookseller: Burnside Rare Books]
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        DUNE.

      Philadelphia and New York: Chilton Books, [1965] - Octavo, cloth. First edition. First novel in the Dune series, an immensely popular work which led to many sequels. "Politics and metaphysics are tightly bound into a remarkably detailed and coherent pattern; an imaginative tour de force . The series demonstrates how a good SF writer's ability to build a coherent and convincing hypothetical world can serve the purpose of making philosophical and sociological questions concrete; the series thus becomes a massive thought experiment in social philosophy ." - Anatomy of Wonder (2004) II-524. Winner of the 1965 Nebula and 1966 Hugo awards for best novel. Basis for a feature film directed by David Lynch, filmed again as a SciFi Channel mini-series. Anatomy of Wonder (2004) II-524. Pringle, Science Fiction: The 100 Best Books 48. Sargent, British and American Utopian Literature, 1516-1985, p. 295. Survey of Science Fiction Literature II, pp. 647-58. A fine copy in fine first issue dust jacket with touch of rubbing to lower front right corner. A sharp, lovely copy. (#138526) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        ARIEL

      Faber & Faber. London. 1965. FIRST EDITION. 8vo. (8.8 x 5.6 inches). Fine, bright copy of the book in a fine leather binding. Recent full red morocco, spine with five raised bands, gilt. Compartments double ruled, decorated and lettered in gilt. Single gilt ruled border on boards. Top edge gilt. A lovely copy of this classic book. Only 3100 copies printed.

      [Bookseller: Paul Foster Books]
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        Tables of Racah Coefficients. Translated (from the Russian) by P. Basu., (= Mathematical Tables - Volume 36).

      Pergamon Press, Oxford 1965 - 319 S. mit zahlreichen Tabellen, Sprache: Englisch Gewicht in Gramm: 395 4°, Original-Kunstleder (Hardcover), Bibliotheks-Exemplar (ordnungsgemäß entwidmet) mit leichten Kleberückständen vom Rückenschild, Stempel auf Vortitel und auf Schnitt, insgesamt gutes und innen sauberes Exemplar, (library copy in good condition), [Attributes: Hard Cover]

      [Bookseller: Antiquariat Silvanus]
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        DANTE URBINATE (IL) DELLA BIBLIOTECA VATICANA ( CODICE URBINATE LATINO 365) ** RIPRODUZIONE DEL CODICE. NON E' PRESENTE IL VOLUME INTRODUTTIVO.

      Biblioteca apostolica vaticana - Fratelli Fabbri editori, Città del Vaticano 1965 - A Cura: Biblioteca Apostolica Vaticana . Edizione: Prima edizione esemplare n°682 di 1990 . Pagine: 294 . Illustrazioni: Fotolitografie eseguite dalla Flam di Milano. . Formato: in folio . Rilegatura: Cartonato pergamena con nervature coperte ai dorsi. Cofanetto originale. Ai piatti e al dorso fregi dorati . Stato: Buono . Caratteristiche: Riproduzione fac-simile in occasione del settimo centenario della nascita di Dante. Carta fabbricata dalla Cartiera del Sole di Sora . Collana: Codices e Vaticanis Selecti .

      [Bookseller: Libreria Scripta Manent]
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        Crucifix in a Deathhand. new poems 1963-65: a loujon press award book: lyle stuart inc./ new york with etchings by Noel Rockmore.

      New Orleans Loujon Press 1965 - gr.4°. 101 S., 3 Bll. mit 4 ganzseitigen Illustrationen Illustrationen von Noel Rockmore. Fadengehefteter Pappbd. mit angebundenem Umschlag. (Einband mit minimalem Einriß oben, sonst sehr guter Zustand). Dorbin A6. Gypsy Lou series ; no. 2. 1. Auflage. Handpressendruck auf verschiedenen handgeschöpften farbigen Papieren und handgebunden. Vom Autor signiert und datiert (3-21-65). Orangefarbene Bauchbinde beiliegend. Title vignette. Edition statement from colophon. Title poem in facsimile on heavy ivory colored paperboard.With a half-title. "This is one volume of a limited edition of 3100 copies printed: April 1965"--T.p. verso. "Cover: Night music, etching by Noel Rockmore. Drawing on preceding page is a self-portrait by the author. Jacket inside cover comment on C.B. is from an article by John William Corrington in the Northwest review. Bukowski photo: John Stevens. Rockmore photo: Jack Beech"--T.p. verso (photographers not traced) "Thirty-one hundred copies of this first edition of Crucifix in a deathhand, handset in Bulmer, Roman, American Unical & others, have been printed, handfed in single page impressions, on Linweave Spectra paper in shades of ivory, white, peacock, gobelin, bayberry, bittersweet & saffron, on an 18 by 12 C. & P. letterpress in New Orleans La. The book was edited, designed, printed and handbound by Loujon Press editors Louise and Jon Webb, with delivery begun in April 1965 of books as they were completed to publisher Lyle Stuart, Inc., N.Y.C." Buch [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Aegis Buch- und Kunstantiquariat]
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        Heizwerk Nord" originales Gemälde, Öl auf Malplatte ca. 20,5x30,5cm; rechts unten monogrammiert; um 1965

      - Ludwig Bock begann seine künstlerische Ausbildung an der privaten Akademie bei Heinrich Knirr. Unter den Anweisungen von Bernhard Buttersack entwickelte er sich in Haimhausen bei München zum Landschaftsmaler. 1906 wurde er an die Münchener Akademie aufgenommen und wurde Meisterschüler bei Heinrich von Zügel. Seine erste Ausstellung fand 1908 im Rahmen der Sezession statt. Außerdem stellte er in den Jahren danach unter anderem in den über München hinaus bekannten Galerien Thannhauser, Brakl und Heinemann aus. 1908 und 1909 erhielt der die bronzene und silberne Medaille der Münchner Akademie. Eine Reise nach Paris im Jahre 1913, auf der er die französische Moderne, so etwa Werke von Matisse und Cézanne, studierte, beeinflußte ihn nachhaltig. In den Folgejahren löste er sich - wie so manch einer seiner bekannten Mitschüler - deutlich vom Stil seines Lehrers Zügel und entwickelte eine expressive, auf scharfe Konturen und leuchtende Farbigkeit basierende Malerei. 1917 wurde der Künstler Mitglied der Sezession. Seit 1918 folgten regelmäßige Ausstellungen im Münchner Glaspalast sowie in zahlreichen anderen deutschen Städten. Im Jahre 1920 wurde das erste Gemälde Bocks von den Bayerischen Staatsgemäldesammlungen angekauft, es sollten noch weitere folgen. Im Jahre 1927 erhielt er den Professorentitel. Von nun an schuf er fast ausschließlich Stilleben, die sich in seiner späteren Zeit an die Malweise von Carl Schuch anlehnten. 1929 erhielt er den Rom Preis der Villa Massimo. Nach Kriegsende war Bock an der Wiederbegründung der Münchner Sezession beteiligt und stellte dort regelmäßig mit aus. 1952 erhielt er den Kunstpreis der Stadt München.

      [Bookseller: Antiquariat Niederbayern]
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        Lithographie de l'Atelier Mourlot Paris

      The Redfern Gallery: London 1965 - Mourlot, Paris, 1965. Ouvrage publié à l'occasion de l'exposition " L'atelier Mourlot" à la Galerie Redfern de Londres. Lithographies originales de Marc Chagall, Alexander Calder, Henri Matisse, Paul Jenkins, André Minaux, Alberto Giacometti, Joan Miro, Pablo Picasso et d'autres artistes de l'atelier Mourlot. Tirage limité à 1150 exemplaires. Mourlot, Paris, 1965. Ouvrage publié à l'occasion de l'exposition " L'atelier Mourlot" à la Galerie Redfern de Londres. Lithographies originales de Marc Chagall, Alexander Calder, Henri Matisse, Paul Jenkins, André Minaux, Alberto Giacometti, Joan Miro, Pablo Picasso et d'autres artistes de l'atelier Mourlot. ONE OF 1000 COPIES ON VELIN D'ARCHES. [Attributes: Soft Cover]

      [Bookseller: Internationalismus - Arno Kundlatsch]
 30.   Check availability:     ZVAB     Link/Print  


        Tooneel der Vereenigde Nederlanden en onderhorige landschappen, geopent in een algemeen historisch, genealogisch, geographisch en staatkundig woordenboek. 2 delen in een band. Leeuwarden: H. Halma, 1725.

      Folio, half leer, (14)+470+(2)+408 p., ill. Goed exemplaar. Lit: Haitsma Mulier/Van der Lem 202b, Tiele 447, Maandblad Oud-Utrecht 38 (1965), p. 85-90, Bodel Nijenhuis 94."François Halma (1653-1722) was boekhandelaar en academiedrukker, eerst te Utrecht, later te Amsterdam en vanaf 1710 te Leeuwarden. Het 'Tooneel' is een soort encyclopedie op plaatsnamen en persoonsnamen. Bij zijn overlijden was Halma bijna gereed met de tekst. Brouërius van Nidek nam toen de letters W, Y en Z voor zijn rekening en voegde een levensbeschrijving van Halma toe. Het boek is geïllustreerd met 26 kaarten en 38 portretten en 2 platen. De kaarten zijn voor het merendeel hetzelfde als die in M. Altings 'Descriptio agri Batavi et Frisii'. De portretten betreffen voornamelijk de graven van Holland; de platen een afbeelding van het Huis te Britten en het standbeeld van Alva. Ook leverbaar een exemplaar in twee geheel leren banden uit de tijd, voor 1750 euro."

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 31.   Check availability:     NVvA     Link/Print  


        In Cold Blood

      New York: Random House. Advance reading copy, first edition. Very Good. ADVANCE READING COPY OF THE FIRST EDITION of Capote's masterpiece. "One of the more distinguished achievements in reportage by any writer, In Cold Blood first appeared serially in the New Yorker, where it examined with extraordinary depth, precision, and drama the victims and their killers. So immense was the stress of the editorial undertaking, however, that Capote became addicted to tranquilizers and developed an emotional attachment to the criminals, whose deaths by hanging he witnessed at the Kansas state penitentiary. From more than four thousand pages of typewritten notes gathered with Harper Lee, Capote's celebrated 'non-fiction novel' won the Mystery Writers of America Edgar Allan Poe Award and exacted enough of a psychological toll upon its author to preclude much sustained work in the future" (American National Biography).

 New York: Random House, [1965]. Octavo, original first-state dust jacket as wrappers bound over burgundy paper, as issued. A slight bit of rubbing at extremities; one of the nicest copies we've seen of the fragile advance reading copy.

      [Bookseller: The Manhattan Rare Book Company]
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        Where's the Rest of Me?

      Duell, Sloan and Pierce 1965 - A first edition, advance review copy, inscribed by Ronald Reagan on the front free endpaper. First edition stated on the copyright page. Review slip laid in. Very good in a very good dust jacket. Housed in a custom-made collector's slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
 33.   Check availability:     AbeBooks     Link/Print  


        [Original Poster VINYL and POOR LITTLE RICH GIRL World Premier at the Filmmakers' Cinematheque]

      (New York): Andy Warhol, (1965). First Edition. Offset lithographed B&W poster. 8.5" x 11". Archivally mounted in a black metal frame with wooden back brace. Near fine. Vintage poster for the world premiere of Andy Warhol's seminal films, VINYL and POOR LITTLE RICH GIRL at Jonas Mekas' Filmmakers' Cinematheque. Photo-illustrated with a repeating image of Edie Sedgwick and Gerard Malanga, "[t]he poster's typewrit- ten descriptions of these Warhol films as 'cinema verite,' 'pop art,' and his 'first nonstatic film' denote an attempt to place underground cinema in a more mainstream genre of film. Its childlike drawing of a butterfly is reminiscent of the butterflies Warhol drew in the 1950s when he worked as a commercial illustrator" (Maréchal p. 29). Variously cited as either Warhol's most or least "entertaining" film, VINYL is an experimental adaptation of Anthony Burgess' A CLOCKWORK ORANGE (for which Warhol legitimately paid $3000 for rights), adapted by regular Factory collaborator Ronald Tavel, and featuring songs by The Rolling Stones, The Kinks, The Isley Brothers, and others. Shot by Warhol and Malanga in Edie SedgwickÂ’s apartment, POOR LITTLE RICH GIRL was SedgwickÂ’s first speaking and starring role in a Warhol film. Conceived as a day-in-the-life of the Factory superstar and at least conceptually autobiographical, IMDB's description of the story seems to sum up its intentions best: "A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh cof- fee, and tries on some clothes from a large wardrobe." [Maréchal 4].

      [Bookseller: Brian Cassidy, Bookseller]
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        The (Diblos) Notebook (With a James Merrill Handwritten Letter)

      New York: Atheneum, 1965. 1st. Cloth. Collectible; Very Good/Very Good. The 1965 stated 1st edtion, SIGNED BY JAMES MERRILL on the title page. THIS COPY ALSO INCLUDES A HANDWRITTEN LETTER FROM MERRILL TO THE BOOK'S OWNER, MARY BOATWRIGHT, WHO WAS MERRILL'S NEIGHBOR IN STONINGTON, CT. A warm, lovely letter, written on Merrill's personal stationary and including the original envelope. The book itself has held up nicely too. Solid and VG+ (with a very light stain at the front panel's lower tip) in a bright, price-intact, VG+ dustjacket, with very mild darkening along the spine. Octavo, 147 pgs. Signed by Author.

      [Bookseller: Appledore Books, ABAA]
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        No More the Tusker

      W H Allen 1965 - *** BOOK in good to very good condition. Black boards with silver title on spine. Previous owner gift dedication on front free endpaper. (it is possible that the donor, RCT, was Sir.Robert Clarkson Tredgold, one time Acting Governor General of Southern Rhodesia). Page 19/20 has 'dog ear' crease, otherwise the text block is unmarked and clean. 205 pages. 12 pages of b&w illustrations. *** DUST JACKET in good condition, Small chips on corners (see image) No tears. Price clipped. Brodart protective clear cover. *** CONTENTS: This book is a chronicle of elephant hunting; the author was, among other things a professional hunter and also a Game warden in Tanganyika (now Tanzania). this is a scarce classic of the genre. Size: 225x145mm [Attributes: First Edition; Hard Cover]

      [Bookseller: Salusbury Books]
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        The James Bond Dossier

      London: Jonathan Cape. 1965. - FIRST EDITION. THE AUTHOR'S COPY, in a bespoke quarter leather binding of half red morocco, gilt, commissioned by the publisher for presentation to Amis. Obviously a unique copy, this was likely bound by Ian Fleming's own binder Arthur Last, the style matching closely the author's copies of Cape's original Bond novels now residing at the Lilly Library and researched by Gilbert while producing the forthcoming bibliography. Amis' presentation binding also features his initials tooled in gilt. A typed statement is included, noting this as being the only such copy produced for him, SIGNED in full by Amis. Owned in conjuction with Lucius Books of York. Amis' first venture into the world of James Bond. He also wrote the light-hearted 'Book of Bond' in 1965 and the first post-Fleming 007 novel 'Colonel Sun'. BMC No.1 p.4-13 'Fleming and Bond; Related Titles'. Gilbert, Jon; Ian Fleming: The Bibliography, page 592, see also Appendix A, page 634. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, ABA, ILAB]
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        In Cold Blood

      Random House 1965 - The signed limited edition, signed by Truman Capote on the colophon page which is marked "Out of Series." Fine in a fine custom-made collector's slipcase. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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        Typed letter signed.

      Les Milandes, 3. I. 1965. - Folio. 2 pp. Asking the Italian musical publisher Tino Davini for assistance in finding sponsors for her "Université de la Fraternité" at Les Milandes: "Mon ami, Cesare Pavani [.] m'annonce dans son télégramme qu'il y a plus de 600.000 Lires pour une vente de tableaux et dessins par les meilleurs Peintres Italiens [.] Voulez-vous également avoir la bonté de remercier Mr. le Prof. LUCIO FONTANA, pour son aimable geste, ainsi que Mr. l'Architecte, Dott. Bruno Fedrigolli, pour les plans de notre Université de la FRATERNITE que nous allons construire aux Milandes selon sa maquette, dans le cas ou cette maquette nous conviendrait [.] J'ai également sollicité une Audience à Sa Sainteté le Pape et j'ai reçu un mot du Chambellan de Sa Sainteté m'avisant que la date du 3 sollicité ne pouvait se réaliser. J'ai alors envoyé un autre mot, en réponse tant au Saint Siège, qu'à l'Ambassade de France au Vatican pour suggérer que cette audience ait lieu, si possible, le 7 ou le 8 de ce mois, ou éventuellement à une autre date 2 ou 3 jours plus tard. Je désire, en effet, faire coincider ma venue à Rome pour voir également, en même temps que le St. Père, les Professeurs, Architectes, Peintres, etc., etc., en question, ce qui m'éviterait deux voyages couteux [.] A part les Artistes-Peintres, etc.; ne pourriez-vous pas contacter de grands industriels tels que: FIAT, les confiseurs ALLEMAGNE et MOTTO[sic], Machines Fa OLIVETTI etc., etc., pour qu'ils fassent des dons en faveur de notre future Université, ainsi que l'Italie entière, dans ses divers domaines, permettant ainsi à votre pays de contribuer, pour une grosse part, à l'avenir des Milandes et de ses enfants [.]". - Blindstamped "Les Milandes Village du Monde, Capitale du Tourisme du Périgord". - Small damage to edges.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        TYPED POSTCARD, SIGNED, TO VALENTIN OSTROVSKY

      St. Petersburg, FL: S.i., [n.d. but ca.1965]. Original postcard, typed on recto and verso and measuring 3.25" x 5.5". Signed by the author, with four additional holograph notations in his hand. Stamps and original postmarks, with some pinpooint wear, else Fine. Humorous postcard from Jack Kerouac to Valentin "Pan" Ostrovsky, postmarked 26 January and mailed from Kerouac's 10th Avenue North address in St. Petersburg, Florida - the author's final address. Ostrovsky was the foreign editor for the Moscow Literary Gazette, responsible for interviewing and soliciting material for print from American and European authors. Kerouac mentions a number of Russians he admires (Prokofieff, Shostakovich, Brodsky) and a few he doesn't (Yevgeni Yevtushenko and Andrei Voznesensky). Small file of correspondence between the two held in Kerouac's papers in the Berg Collection (NYPL).

      [Bookseller: Captain Ahab's Rare Books]
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        Casta Diva

      Paris: , 1965. Colour print on textured paper (700 × 485 mm). Near fine. Titled and signed by Zeffirelli in green ink in the lower margin, "Franco Zeffirelli—1965". Zeffirelli began his career in the theatre as Luchino Visconti's assistant, working on the 1955 La Scala Traviata, and subsequently becoming a close friend of Callas, first working with her as director in the Dallas 1958 production of the same opera. In 1964, he created what was to be Callas' last Norma at the Paris Opera, for which the present commemorative print was designed, it bears no imprint and was probably produced for Zeffirelli himself. The image records the mise en scène for what is widely considered to be Callas' signature aria, perhaps the perfect expression of her unique talent. Zeffirelli writes of the Paris production, when Callas' voice was far from at its best; "To those of us who appreciated what Callas stood for, difficulties with the highest notes were irrelevant. Her acting interpretation and general vocal creativity were at a peak. That night, her Norma was one of the finest moments of music theatre I have ever experienced; she could at will pick us up and dash us down emotionally … hers was a great interpretation of Norma, certainly the greatest ever in our time …" (Zeffirelli. The Autobiography of Franco Zeffirelli. pp.192-3). A wonderfully thoughtful evocation of a great artist in her greatest rôle.

      [Bookseller: Peter Harrington]
 41.   Check availability:     Biblio     Link/Print  


        Neunte Sardinienreise : Typoskript, korrigiertes Typoskript und Druckvorstufen mitsamt Probedruck,

      1965 - 1 Aktenordner mit der gesamten Druckgeschichte des so schon seltenen Drucks der Neunten Sardinienreise Ernst Jünger, die 1965 als Privatdruck bei Hans Thomae (Basotherm) in Biberach erschienen ist, Seite für Seite ordentlich in Klarsichthüllen: 2 Seiten Typoskript von Jünger mit dessen Monogramm und Imprimaturvermerk vom 18. 2. 1965 und Korrekturen und Anmerkungen von seiner Hand (roter Kugelschreiber) sowie mit Bleistift von der Hand seiner Ehefrau Liselotte Jünger.- Dazu 2 Seiten Typoskript von Jünger mit Adnoten von Heinz Saueressig von der Firma Thomae zum Druck, dazu: grossformatige Negativkopie (8xDIN-A4!) der originalen Tagebuchseiten von Jünger.- Dazu: die Kopien abermals, diesmal auf 16 Seiten zur Reproduktion zugeschnitten und aufbereitet.- Dazu: dasselbe noch einmal, diesmal die Texte im Positiv auf 22 Seiten mit Texten mit Schreibmaschine und dazu Anmerkungen zum Druck von Saueressig.- Dazu: Probedruck von 24 Seiten, der interessanterweise von der Druckausgabe, die dann 100 numerierten Exemplaren erschienen ist (davon 30 signiert), abweicht.- Das Tagebuch umfasst den Text vom 4. September 1963. Durchweg von ordentlicher Erhaltung, die Typoskripte sind mit normalen "Arbeitsspuren" und Knickchen.- Provenienz: Das Konvolut ging von Heinz Saueressig an den Bankier und Jüngersammler Otmar Lang in Staufen, aus dessen Nachlass ich es wiederum gekauft hatte. Sehr seltenes Autograph, solche Druckgeschichten sind ja meist in Verlagsarchiven oder Nachlässen verbuddelt. Detaillierte Einzel-Photos gern per eMail.- Mühleisen 0136: Neunte Sardinien-Reise. T.B. Texte und Zeichungen aus Ernst Jüngers Tagebuch der Neunten Sardinienreise, 4.9.63, Ernst Jünger zum 70. Geburtstag am 29. März 1965 // Kein Versand, nur persönliche Übergabe in Mitteleuropa // interner vermerk kxx \m/' Sprache: Deutsch Gewicht in Gramm: 10000 [Attributes: Signed Copy]

      [Bookseller: Wimbauer Buchversand]
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        C COMICS #2

      [NYC]: ["C" Press] / Boke Press, [1965]. First edition. Wraps. Very Good. 4to. Stapled wraps. Offset printed. Minor toning to covers. Touches of shelf-wear, rubbing. Spot of soil to rear panel. Very good. Second of two issues of this short-lived "C" Press item. Brainard illustrates in comic form the poems of his NY School buddies: Ashbery, Gallup, Lima, Schuyler, Berrigan, etc.

      [Bookseller: Brian Cassidy, Bookseller]
 43.   Check availability:     IOBABooks     Link/Print  

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