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Displayed below are some selected recent viaLibri matches for books published in 1965

        Airline Map of the United States 1965

      Rand McNally & Co, Chicago 1965 - This set of maps dates to the glory days of the airline industry, when high prices made the experience an exciting luxury. The poster contains four maps: Principal Non Stop Routes, Regional Airline Routes, Trunk Airline Routes, and Alaska Airline Routes. Pink and blue in hues common to mid-1960s design shape the maps, while lines in a rainbow of colors describe the possible airplane paths. At the top center is the title, printed on a green image of clouds with an encircled airplane graphic. Below an ad presenting the logo of Texaco, the map's sponsor, describes it as a "symbol of quality, dependability and leadership in aviation fuels and lubricant." Just right of center is a guide to the map with a key for all of the airlines. The poster in mounted on linen and in very good condition. No margins as issued. Lithograph printed in 1965, mounted on linen. Image measures 31 x 43.5".

      [Bookseller: Argosy Book Store, ABAA, ILAB]
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        ORIGINAL PEN AND INK DRAWING FROM "THE OLD NURSE'S STOCKING BASKET". Artwork.

      Oxford University Press, 1965.1965, image size approximately 115 x 125 mm, 4½ x 5 inches, showing a little girl in a very simple dress holding a bunch of flowers out in the country surrounded by bushes and trees. She seems to have flowers in her hair and around her waist (headpiece to page 84). Bright and clean. Fine in large cream mount ready to frame. Unsigned. Sold with a good plus ex - library copy of the first Ardizzone edition in a good plus slightly chipped dustwrapper. Price includes VAT. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        GOD BLESS YOU, MR. ROSEWATER - OR PEARLS BEFORE SWINE [Rare UK proof copy with very scarce trial proof dustwrapper]

      Jonathan Cape, London 1965 - Very rare proof copy with ultra rare precursory variant illustrated dustwrapper. Provisional publication date of October 21st 1965 stated on rear wrapper flap. Proof copy of the first impression of the first UK edition. ***Kurt Vonnegut's fifth novel, published four years before Slaughterhouse Five. ***Very good in red Jonathan Cape logo printed red card wrappers, with publisher's original typed blurb on white paper pasted to front wrapper, and dated the month of October, as called for. Child's blue biro scribble to front free endpaper [which at first glance resembles a wild version of Vonnegut's signature!]. Light reading creases to spine. Spine tight. All other pages clean. Red paper wrapper bright. ***In a good precursory variant trial mauve and pink colour illustrated outsize dustwrapper, with original publisher's price of 21s net. Dustwrapper rubbed and creased. Child's small blue biro light scribble over titles to front panel of dustwrapper. Small scuffs to front panel of dustwrapper. Edges of dustwrapper creased, rubbed and nicked (being outsize for the proof edition). Head of spine of dustwrapper creased and rubbed with small tears and tiny chips. Top edge of rear panel of dustwrapper creased, rubbed with tiny tears. ***200mm x 132mm. 217 pages. ***'Kurt Vonnegut has been called by Graham Greene "one of the best living American writers"; this is his best book. ***It infiltrates its subject (which might be called the American way of life) and leaves it apparently as solid as ever but, in face, riddled. ***It concerns the Rosewaters, a multi-millionaire American family whose fortune originated in the great bygone days of laissez-faire, bribery and corruption. ***In particular, it is about the family's sole prospective heir, Eliot Rosewater. His eccentricity is that he give money away without even requiring them to feel grateful. In a drab room in a small Indiana town he operates a one-man benevolent aid society. He helps people. It makes him happy. ***It also makes him, by most standards, crazy. To prove that he actually is crazy (and thereby divert the vast Rosewater inheritance to a more tractable distant cousin) is the aim of Mushari, a lawyer. ***The plot moves over the whole spectrum of American life, sparing nothing and no one, except Eliot Rosewater himself and a science fiction writer named Trout.' (Quote from typed printed publisher's blurb label pasted to front cover and inside front and rear dustwrapper blurb). ***'One of the best living American writers' Graham Greene.' (Review quote from rear of trial dustwrapper blurb). ***A rare proof of the first impression of the first UK edition complete with ultra scarce precursor variant illustrated dustwrapper, of interest to collectors of Kurt Vonnegut and rare literary first editions and first edition proof copies. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. [Attributes: First Edition; Soft Cover]

      [Bookseller: Orlando Booksellers]
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        THE MARIJUANA NEWSLETTER, Nos. 2

      

      [Bookseller: Brian Cassidy, Bookseller]
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        XXXV Kompositionen zur Divina Commedia von Dante Alighieri. Mit einer lose beilieg. kolor. OZeichnung und 35 Farbillustrationen von Otto Baumberger. Einführung von Theophil Spoerri.

      Weiningen und Zürich, J. und R. C. Baumberger, 1965. 2 w. Bll., 160 nn. S. 4°, OPergament mit goldgepr. RTitel in OPp.-Schuber Nr. VIII von XLIV röm. num. u. namentl. bezeichneten Exemplaren (GA 1000) der Vorzugsausgab A mit der kol. OSkizze aus dem Nachlass des Künstlers und in Ziegenpergament gebunden. Vorsatz mit Exlibris. Versand D: 2,30 EUR

      [Bookseller: Antiquariat Galerie Joy]
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        ORIGINAL PEN AND INK DRAWING FROM "THE OLD NURSE'S STOCKING BASKET". Artwork.

      Oxford University Press, 1965.. 1965, image size approximately 115 x 125 mm, 4½ x 5 inches, showing a little girl in a very simple dress holding a bunch of flowers out in the country surrounded by bushes and trees. She seems to have flowers in her hair and around her waist (headpiece to page 84). Bright and clean. Fine in large cream mount ready to frame. Unsigned. Sold with a good plus ex-library copy of the first Ardizzone edition in a good plus slightly chipped dustwrapper. Price includes VAT. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Patriarch Tree: Thirty Poems

      Worcester: Stanbrook Abbey Press, 1965. Middleton, Bernard. Small quarto. 81pp. One of 500 copies beautifully printed in red, black, and green on handmade paper. Title-page decorations by Margaret Adams. Lithographed portrait of the author tipped in. With an English translation on each page facing the original French text by Raissa Maritain, who was the wife of French philosopher Jacques Maritain. This copy has been specially bound by Bernard Middleton in full russet crushed levant, elaborately paneled on both covers with alternating rules of black and gilt and a single ivy border tooled in black. Spine in six compartments with a single wheat tool in five, and a green morocco lettering piece. Richly tooled turn-ins frame a doublure of handmade Japanese paper, which also forms the endleaves. Signed by the printer, Dame Hildelith Cumming, on the colophon, with an additional note in ink indicating that this copy was bound by Middleton for the V&A exhibition entitled "Stanbrook Abbey Press and Sir Sydney Cockerell: A Centenary," which ran from November 1976 to February 1977. Laid in is an ALs from Dame Cumming to the owner of the present copy. Also laid in is the prospectus, which has been corrected in ink by Dame Cumming, and an offprint of the English title page, which has been annotated by her in pencil. According to Butcher, Patriarch Tree was Cumming's "personal favorite of all the books she printed at Stanbrook." This elegant piece of printing is completed with a sumptuous binding, which is housed in a morocco trimmed slipcase. (Butcher A12).

      [Bookseller: Bromer Booksellers]
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        Aus den Memoiren des Venetianers Jacob Casanova de Seingalt,. oder sein Leben, wie er es zu Dux in Böhmen niederschrieb. Nach dem Original-Manuscript bearbeitet von Wilhelm von Schütz. (Ab Band 6 bearbeitet von einem anderen, unbekannt gebliebenen Übersetzer.) 12 Bände. Leipzig, Brockhaus 1822 – 1828. Halblederbände der Zeit mit goldgeprägtem Rückenschild.

      - Erste Ausgabe des berühmten Memoirenwerkes. - Die Ausgabe folgt relativ getreu der Vorlage, enthält aber viele Auslassungen, insbesondere bei den erotischen Stellen. Sie bildete lange Zeit die Grundlage für Übersetzungen ins Französische. Eine vollständige deutsche Übersetzung erschien erst 1965 - 1967 im Propyläen-Verlag Berlin. – Einbände etwas bestoßen, Vorsätze erneuert, gering stockfleckig, ein Vorsatz beklebt, die Außengelenke des dritten Bandes oben etwas eingerissen, ein Rückenschild mit größerer Fehlstelle. Ordentliches Exemplar des seltenen Werkes.

      [Bookseller: Antiquariat Eckert & Kaun GbR]
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        Midnight Cowboy

      New York: Simon and Schuster,, 1965. Octavo. Original blue cloth, titles to spine gilt. With the dust jacket. Scattered surface loss to cloth. A very good copy in a jacket with a few vertical creases. First edition, first printing. Presentation copy inscribed by the author on the front free endpaper: "For my very dear Virginia after seven years of friendship - Love, Jamie, Key West, Birthday time 1966".

      [Bookseller: Peter Harrington]
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        Midnight Cowboy (Signed First Edition)

      New York: Simon and Schuster, 1965. First Edition. First Edition. Lengthily INSCRIBED by the author in the year of publication to "New York Post" columnist and critic Leonard Lyons on the front endpaper: "Dear Leonard Lyons / Thanks so much for all your attention to me and to my work in the past. You have all my best wishes and regards. / Sincerely / Jim Herlihy / New York / July 21, 1965." Basis for the 1969 counterculture film classic, directed by John Schlesinger, written by Waldo Salt, and starring Dustin Hoffman and Jon Voight. Winner of three Academy Awards, including Best Picture. About Near Fine in a Near Fine dust jacket. Small bumps to the lower board edges, with some minor fraying to the corners of the same. Jacket is lightly rubbed, with light offsetting to the the upper portion of the rear panel from an old sticker, and light soil.

      [Bookseller: Royal Books, Inc.]
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        Terry Southern and John Gielgud on the set of "The Loved One" (Original photograph)

      London and Los Angeles: MGM / Filmways, 1965. Vintage single weight still photograph of noted screenwriter Terry Southern with British actor John Gielgud on the set of Tony Richardson's seminal 1965 black comedy, "The Loved One." On the verso is a printed ditto-style mimeo description of the shot and a blurb for the film. "The Loved One" has always been overshadowed by Terry Southern's screenplay from the year before it, "Dr. Strangelove," but remains an important companion piece to that film. Whereas "Strangelove" was a meditation on war from an American perspective, "The Loved One" is more a meditation on death and Hollywood from the British point of view. Photographs of Southern at work, particularly on films, are rare in our experience. 8 x 10 inches (20 x 25 cm). Near Fine, with slight bleed of the mimeo printing to the image, as is typical.

      [Bookseller: Royal Books, Inc.]
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        Cowboy Kate and Other Stories

      New York , CROWN PUBLISHERS, 1965 - Introduction by Norman Hall. Synopsis by Desmond Skirrow. Technical information by Sam Haskins. Photographs in black and white. 4to (cm 36x27). pp. 160 n.n. . Ottimo (Fine). . Prima edizione (First edition). . ''This book presents a phenomenon. She is the new London girl. She is Julie Christie, and Sandie Shaw, and In 1961, the high-brow publisher The Bodley Head seemed ahead of the game when it published Bill Brandt's Perspective of Nudes. In 1965, however, things had progressed so far that it was able to publish Cowboy Kate and Other Stories by South African photographer Sam Haskins, a wholly frivolous book that reflected the frivolous side of the decade. This was the first of many similar ''soft-porn'' books issued by ''respectable'' publishers, with titles like Six Nymphets, Birds of Britain, and Young London Permissive Paradise (Parr e Badger, pp. 77, Vol. III) Rilegato tela, sovracoperta (cloth, dust jacket) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Archive - Author's Travels Through Turkey - Includes Maps & Illustrations - "Turkey Observed"

      Turkey 1965 - Turkey, 1965. Document archive of a journey to Turkey made by author and poet R. P. Lister, featuring his original 426 page manuscript travel diary, 22 manuscript drawings made during his travels, over 500 pages of heavily annotated draft typescripts and notes for the making of his book including extracts from his diary, some 100 pages of unpublished material also in typescript and annotated, 2 pencil drawings and measurements for designing the book's illustrated boards, 55 page bibliography notes in manuscript, and 1 signed letter to the publisher. Together with travel receipts and vouchers, sightseeing pamphlets, maps, and an official stamped Press Member travel visa being an approved photographic identification issued to him by the Turkish ministry of tourism and publicity, [Turizm ve Tanitma Bakanligi Basin Karti]. The lot in very good condition, contained in the author's own original folders and envelopes inscribed in manuscript. The University of Texas, Harry Ransom Center, holds a collection of R. P. Lister manuscripts relating to the London literary society. Including unpublished material from the cutting room floor so-to-speak, and several manuscript drawings, this archive forms the complete, firsthand, original account, with candid remarks of personal observations, made by Richard Percival Lister during his travels in Turkey, and serves to illustrate the acclaimed author's fastidious work for the making of his book. Having travelled widely through Turkey, Lister's account is vast in scope yet specific and detailed, also illustrated in his own hand. In keeping with his reputation, his account renders a feeling of personal experience as he shares his own without reservation. Adding depth to his observations of the country, he delves into historical events which influenced its present state. In getting to know the people, he learns much about the "Armenian dream of independence" at the turn of the century, and on this subject he reviews Greek origins of the place, Armenian uprisings, the Greek invasion of Anatolia, and so forth. Turkish culture and tradition appear throughout as he travels to Istanbul, ancient Troy and Ephesus, Kars, Lake Van, Antioch, Antalya, Samsun, and Trebizond on the great Anatolian plateau. The archive consist of the following: R. P. Lister's manuscript travel diary: 426 pages in 8 paper 12mo pocket journals, pagination continuing in each subsequent volume which is labeled and numbered in manuscript to front. Also containing an additional 113 pages of notes such as expenses, hotels, contacts. 22 Manuscript drawings made by the author whilst in Turkey, in pencil and ink, each on separate leafs, measuring approximately 20 x 13 cm, many or all to be published in his book about Turkey. On his travels, Lister made drawings of the Turkish people, of historic places, and of striking views. Some of these include the Yedikule Fortress (captioned 15/8/65), musicians and other civilians, the village of beehive houses at Harran in Upper Mesopotamia, Istanbul's Galata Bridge built in 1912 by a German firm over the Golden Horn and extending to the Yeni Cami Mosque, and the perimeter of a once fortified city with walls and towers of stone. Over 100 pages of typescript unpublished material, with annotations, but excluded from final publication copy. Together in a folder with manuscript notes 36 pages of varying sizes, an outline "Plan of the Turkey book," and a partial typed copy of his diary covering the first twelve days of travel. In this lot, we also learn that Lister's original planned title for the book was "The Dark Tower." Excerpts from the unpublished leafs: "This affair shows. that unorthodox travel is productive of unorthodox experiences, and that the Turks are likely to be as civilised when mishaps occur as anybody else." "Tarsus is unusual in that its name remains unchanged from Biblical times. Adana is a very Arab town; Marsin even more so. There are Hittite remains here and there." ". the great Ci

      [Bookseller: Voyager Press Rare Books & Manuscripts]
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        Holy Bible King James Version

      Tokyo: Toppan Printing Co, 1965. This set includes two versions of the first chapter of the Book of Genesis, a microminiature book measuring 3/4 of an inch square and an ultra-microminiature measuring 4mm square. The microminiature contains 29 pages of text, including an explanation of the production of the accompanying ultra-microminiature. This miniscule marvel of printing was published at the time of the New York World's Fair using a new process called "microprinting." The microscopic volume is bound in red gilt-stamped leather covers with a gold cross on the front. The larger miniature is bound in red paper wrappers. Both are housed within a sliding plastic drawer inside a red plastic case. The case fits into an embossed red leather bag. A fine set. (Bromer/Edison, p. 117).

      [Bookseller: Bromer Booksellers]
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        [Lithographic Poster]: Paris L'Opera le Plafond de Chagall (Romeo and Juliet)

      Paris: Mourlot. [1965]. Color lithographic poster. Limited edition, published by and for the French Government. Measures 38.75" (width) x 24.75" (height). Light stain and ripple along the left edge (visible only on the back), a two-inch thin scrape to the bottom right corner, and three-inch light scratch to the bottom left corner, very good. A beautifully printed tribute to Hector Berlioz for Romeo et Juliette, from Chagall's ceiling for the Paris Opera. Also included is Chagall's rendering of the Place de la Concorde and the Arc de Triomphe. Sorlier 96. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 15.   Check availability:     IOBABooks     Link/Print  


        AN ARCHIVE OF CORRESPONDENCE ADDRESSED TO GEORGE STURM, founder of Music Associates of America and subsequently an executive with G. Schirmer/Associated Music Publishers and European American Music

      The correspondence, dating from 1965-1993, includes 45 letters, many with musical content, from the following American and European composers, conductors, and artists: Leonardo Balada, Luciano Berio, William Bolcom, Benjamin Britten, Peter Pears, Pablo Casals, Aaron Copland, David Del Tredici, Lukas Foss, John Harbison, Lou Harrison, Al Hirschfeld (artist), Leon Kirchner, Ernst Krenek, Paul Henry Lang, Erich Leinsdorf, Fred Lerdahl, Otto Luening, Donald Martino, Gian Carlo Menotti, Thea Musgrave, Eugene Ormandy,Walter Piston, Charles M. Schulz (cartoonist), William Schuman, Roger Sessions, Elie Siegmeister, Leopold Stokowski, George Szell, Virgil Thomson and Yehudi Wyner With Sturm's replies in carbon copy in many instances. A full description is available upon request.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Subsidia Pataphysica.

      - N° 0 à 28, [1965-1975], en 22 vol. in-8 étroits. Ensemple COMPLET des Subsidia Pataphysica. Chaque numéro fut tiré à 222 exemplaires. * Voir photographie(s) / See picture(s). * Frais de port en sus. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *** Due to NY Book Fair, please note that orders placed between March 31 and April 12 will be shipped after that last date. Thank you for your understanding and your patience. *** Langue : Français

      [Bookseller: Chez les libraires associés]
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        La Postérité du Soleil

      Paris: Edwin Engelberts, 1965. Fine, loose in printed wrapper with publisher's glassine, all housed in cloth covered box, near fine.. Deluxe Edition, number 51 of 100 copies. Large Folio of loose signatures in box. SIGNED by René Char and Henriette Grindat. Comprised of thirty-eight signatures, of which thirty contain tipped-in black and white photographs by Grindat. The book tracks the friendship and arguments between the two men, assembled after the death of Camus.

      [Bookseller: Harper's Books, Inc.]
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        The Three Stigmata of Palmer Eldritch

      New York: Doubleday and Company, 1965. First Edition. Hardcover. Very Good. First edition. (As stated on copyright page.) 278 p. Gray cloth with black lettering. Near Fine in Very Good dust jacket. Slight rubbing to lettering on spine. Just a bit of light foxing to endpapers. Jacket has new price ($4.95) on front flap, spine panel red sunned, a few small scratches and light rubbing. Light foxing to flaps, which is a bit heavier on verso where there are some wear spots from removed tape. A nice copy of a rare sci-fi first.

      [Bookseller: Burnside Rare Books]
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        AN ARCHIVE OF CORRESPONDENCE ADDRESSED TO GEORGE STURM, founder of Music Associates of America and subsequently an executive with G. Schirmer/Associated Music Publishers and European American Music

      The correspondence, dating from 1965-1993, includes 45 letters, many with musical content, from the following American and European composers, conductors, and artists: Leonardo Balada Luciano Berio William Bolcom Benjamin Britten Peter Pears Pablo Casals Aaron Copland David Del Tredici Lukas Foss John Harbison Lou Harrison Al Hirschfeld Leon Kirchner Ernst Krenek Paul Henry Lang Erich Leinsdorf Fred Lerdahl Otto Luening Donald Martino Gian Carlo Menotti Thea Musgrave Eugene Ormandy Walter Piston Charles M. Schulz William Schuman Roger Sessions Elie Siegmeister Leopold Stokowski George Szell Virgil Thomson Yehudi Wyner With Sturm's replies in carbon copy in many instances. A full description is available upon request.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Dune

      Chilton, 1965 A very good first printing in a very good first issue dust jacket with the correct price on the front flap and the 4 lines in the Chilton address on the back flap. Inscribed by Frank Herbert on the title page. Housed in a custom-made collector's clamshell case with leather on spine.. Inscribed by Author(s). 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Signed 1965 Allan D'Arcangelo Paris Review Serigraph

      1965 - "Paris Review" by Allan D'Arcangelo, Signed Serigraph printed in 1965 from an edition size of 150. The overall is size of the Serigraph is 40 x 26.25 inches. The condition of this piece has been graded as B: Very Good Condition, with slight signs of handling or age. Here is some supplemental information about the Serigraph: Edition of 150, signed and numbered by the artist. The Paris Review publishes writings and poetry by aspiring writers young and old. The publications are paid for partly by the sale of artwork created and sold by the Paris Review.D’Arcangelo is better known for his pictures of highways and roadblocks, which pictured deep perspectival vistas in a simplified, flat plane, the view as seen from the driver’s seat as one zooms along the seemingly never-ending American highway in most any state. Next came a series "Barriers," in which cropped, abstracted imagery of road barriers were superimposed over the one-point perspectival highway vistas. These were a move further towards concern with abstract, two-dimensionality without negating the element culled from seen aspects of the American landscape. The series called "Constellations" (there are 120 in all) further abstracted the view of road barriers into perspectival, jutting patterns thrusting across the canvas against a white ground. The element of the seen is never obliterated and always primary in D’Arcangelo’s dialectic, as amply evidenced in his return to highway imagery in the 1970s. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        Collection of Original Drawings, 1963 - 2001

      An important and interesting collection of five original pencil drawings of various sizes, together with a signed program and an original photograph. Simply matted and backed (not attached) by foamcore, inscribed on the verso with details in the hand of Frederick Maddox. Provenance: The estate of Frederick Maddox/Lincoln Kirstein. Details as follows:The Painting Gallery at the Glass House. Original architectural print on paper with drawings in pencil throughout. 34.5 x 42.5 cm, stamped lower right "Philip Johnson Associates/Architects / 375 Park Avenue...". Designed by Philip Johnson and constructed in 1965, the Painting Gallery is an earth-berm structure, a modern interpretation of the ancient monument, the Treasury of Atreus in Mycenae, Greece. Shaped roughly like a cloverleaf, the structure resembles a large grassy mound on the outside with concrete roof deck forming a cap on top. The building houses Johnson's earthly treasures and an important part of his legacy: his art collection. This collection tells the story of Johnson as a patron of the arts, as well as the story of his relationship with his partner, David Whitney. Johnson had been involved with The Museum of Modern Art since its establishment in 1929, but after meeting David Whitney in 1960, Johnson became an avid art collector. In 1986 Johnson donated the Glass House property to the National Trust, and two years after his death in 2005, it opened to the public as a historic site.Original drawing on white paper approx 13 x 22 cm. Signed and dated lower right "P.J. 2.12.63," identified on the mount verso as a sketch done while expressing his "admiration of Sullivan's building in Soho and his theatre in Chicago," and also (in reference to the lower area of the drawing) while "currently fascinated by ancient Egyptian palace walls (exterior)." Original drawing on thin yellow paper 16.5 x 26.5 cm. Identified on the mount verso as a 1963 sketch for the "Amon Carter Musuem / Elevation (Facade) / Plan of Building."Original drawing on thin yellow paper 18 x 27 cm. Identified on the mount verso as a late 1980's "Sketch #1 of a sequence," done "in studio of New Canaan property."Original large drawing on thin yellow paper 31 x 41 cm, signed and dated 2001 in ink. The structure is unidentified, though may related to the PPG Place in Pittsburgh, PA. Program from the New York City Ballet premiere of A Mass (Missa Sicca), presented in memory of Joseph Duell and signed on the cover in black ink "PHilip Johnson." The production, made possible by a gift "given in admiration of Philip Johnson's and Lincoln Kirstein's remarkable achievements," was staged by Peter Martins and Robert LaFosse to a commissioned score by Michael Torke, staged by Alain Vaes as inspired by Johnson's designs for a still unbuilt "Pilgrimage Chapel." Together with an original Frederick Maddox color photograph of Philip Johnson and David Whitney at the NY State Theater watching the NYCB performance. The influential American architect Philip Johnson is especially known for his postmodern work since the 1980s. In 1930, he founded the Department of Architecture and Design at the Museum of Modern Art in New York City. In 1978 he was awarded an American Institute of ArchitectsGold Medal and in 1979 the first Pritzker Architecture Prize.The architect Frederick Maddox (1939 - 2013), was early on encouraged by Philip Johnson and it was he who introduced him to Lincoln Kirstein and his wife Fidelma, with whom he then had a long and enduring friendship, inheriting their home in Weston upon their deaths. Maddox established his architectural firm in 1975, and for 38 years provided architectural and engineering services in the Manhattan and Long Island areas.

      [Bookseller: Schubertiade Music & Arts]
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        Derriere le Miroir n. 151 - 152 Mai 1965. Les peintures sur carton de Mirò.

      Maeght 1965 4°; pp. 27 non num. 7; con 22 pagine in litografie orig. a colori e in nero, una a doppia pagina. Testo di Jacques Dupin in lingua francese. Brochure edit. illustrata in litografia, numero della nota rivista interamente dedicato al grande maestro (1893 - 1983). Cfr. Cramer n.102(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        In Cold Blood: A True Account of a Multiple Murder And Its Consequences

      New York: Random House, 1965 - First Edition. Aside from a tiny tear in the back panel, fine in dust jacket. Signed by the author. In a custom half morocco slipcase and chemise; [boxed with] a fine copy of the advance copy in wrappers. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        Bucolica in der Übersetzung von Theodor Häcker mit Lithographien von Robert Kirchner.

      Bad Kissingen, 1965. Druck auf Bütten, im Impressum sig. dat. und hs. num. (Nr. 79 von 98 Expl.). 28 nn. Bl. mit 17 überwiegend ganzseitigen signierten und datierten Lithographien. Gr.-Fol., blindgeprägter OHbLd. mit goldgeprägtem Rückentitel im Schuber. Arbeit (Illustrationen und Buchgestaltung) des Malers Robert Kirchner mit zusätzlich beiliegender num. (12/66), sig. u. dat. Orig.Litho. in makellosem Zustand.

      [Bookseller: Antiquariat Roland Moser]
 26.   Check availability:     buchfreund.de     Link/Print  


        Warren Beatty on the set of Mickey One (Still photograph from the 1965 film)

      Los Angeles: Florin / Columbia Pictures, 1965. Vintage black-and-white single weight still photograph from the US release of the 1965 film. Some say that the New Hollywood era began with Bonnie and Clyde in 1967, others say Mickey One in 1965. Either way you look at it, the director was Arthur Penn. A striking candid photograph of Warren Beatty from the set of the film, his profile cut in half by the vertical glass cutline between two swinging doors. Beatty was not only the muse for Penn's avant-garde tale of a comic who runs afoul of the mob, but also the crazed youngster who would get Penn assigned to Bonnie and Clyde and initiate the second golden age of cinema. Stan Getz composed and arranged the progressive and somewhat classical score for the film, where he performed improvisations against the backdrop of a full orchestra. Set in Chicago, and shot on location there. In a custom museum-quality frame, archivally mounted, with UV glass. 8 x 10 inches (20 x 25 cm). Fine.

      [Bookseller: Royal Books, Inc.]
 27.   Check availability:     Biblio     Link/Print  


        Sussicran

      (London): Turret Books. (1965). First. First edition. Stapled cream-colored self-wrappers lettered in silver. Modest soiling or age-toning, a very good or better copy. One of 150 copies (of a total edition of 200; there were also 50 numbered and signed copies). Inscribed by the author: "Harry Fainlight. To Nick, with love." Turret Booklet No. 3. A collection of poetry, Sussicran (Narcissus spelled backwards) was Fainlight's only book published in his lifetime. Little known, Harry was the brother of poet Ruth Fainlight, and a close friend of Sylvia Plath and Ted Hughes (who wrote the poem "To Be Harry" as a eulogy). He was a loner, gay, a heavy drug user, and spent time in mental hospitals. Hughes tried to convince Fainlight to publish another collection but he refused. His sister published a posthumous collection Selected Poems. This title is scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 28.   Check availability:     Biblio     Link/Print  


        Studia Albanica. Ed. Academie des Sciences de la Republique d\'Albanie, Section des Sciences Sociales. Volumes 1(1965) - 35(2002) + 40(2007) [Issues 10/2, 11/1 and 21/2 are missing.]

      Tirana, Institut d\'Histoire et de Linguistique pres de l\'Universite d\'Etat de Tirana 1965 ff.. partially original softcover, partially bound in library hardcover, Bibliotheksexemplar mit Rückenschild und Stempeln (entwidmet) / ex-library copy with label on spine and stamps, the softcover-bindings rubbed / bumped, a bit damaged and partially stained, else fine, text in French, Versand D: 4,90 EUR Albanien, albanische Studien, Geschichte, Kultur, Sprache, Zeitschrift, Linguistik,

      [Bookseller: Antiquariat Hagena & Schulte GbR]
 29.   Check availability:     buchfreund.de     Link/Print  


        The James Bond Dossier.

      London: Jonathan Cape, 1965., 1965. UNCORRECTED PROOF COPY IN RARE JACKET. Publisher's paper covers, with pictorial proof dust-wrapper, based on the familiar 'trompe l'oeil' designs which decorated the Ian Fleming first editions. Very bright jacket with inevitable wear to the unsupported oversize area, otherwise a fine copy, housed in a custom-made cloth box. Scarce in this advance or proof format, exceptionally so with the proof-only jacket. BMC No.1 p.4-13 'Fleming and Bond; Related Titles'.

      [Bookseller: Adrian Harrington Rare Books]
 30.   Check availability:     IOBABooks     Link/Print  


        Plain Song

      Norton, New York 1965 - A very good+ copy with a little foxing, in very good+ dust jacket but for a tiny tear (1/8") at head of front panel, and with spine text just slightly off center. This copy of the author's first book is signed by the author on the half-title. ; 8q; 69 pages [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Beasley Books, ABAA]
 31.   Check availability:     AbeBooks     Link/Print  


        A California Landscape (SIGNED)

      Arroyo Grande, CA: Garland Publishing Company, 1965. 1st. Original wrappers. First Edition. INSCRIBED by the author. Oblong 8vo. 64 pp. Black & white photo-reproductions of scenes in and around Santa Maria, California, along with prose text by the author. Introductory poem by John Matlack. Photo-illustrated wrappers in fine condition, with a hint of wear to extremities. An uncommon title, as of 2/16 only 3 copies listed in OCLC. The author's first book, published when he was nineteen years old.(Rocq S2171).

      [Bookseller: Carpe Diem Fine Books]
 32.   Check availability:     Biblio     Link/Print  


        Collection of letters from Marie Angel to David Jackson McWilliams

      England: 1965-1971. Collection of letters from British calligrapher and illustrator Marie Angel to Jack McWilliams, director of Casa del Libro, some with hand-drawn illustrations. Also, two illustrated Christmas cards from Angel (1968 and 1971), one black and white photograph of Angel with two of her cats, and a pink paper book jacket with illustration of a Siamese cat by Angel. Black and white photograph of Marie Angel with two of her cats. Book jacket for “My Cat Has Eyes of Sapphire Blue,” by Aileen Fisher, illustrated by Marie Angel Two Christmas cards illustrated by Angel:one on cream card with charming illustration of three of her cats climbing a tree (Honeybun, Jasper, and Seamus), decorated with gold stars and inscribed, “with every good wish for CHRISTMAS and NEW YEAR from Marie Angel.” (1968): the other on light green card with a sweet illustration of Angel’s cats and a variety of woodland creatures climbing a fir tree, with a “Happy Christmas” banner, inscribed, “with all good wishes from Marie Angel. Christmas 1971.” Letters from Marie Angel to David Jackson McWilliams: August 22, 1965 (air mail, handwritten on blue paper) discussion of illustration for Rossetti sonnet “silent noon.” January 8, 1966 (air mail, handwritten on blue paper) concerning a sonnet by Rossetti January 23, 1967 (air mail, handwritten on blue paper) apology for delay May 1, 1967 (half page, front and back) on stationary May 1, 1967 (half page, handwritten) invoice May 16, 1967 (1 page, handwritten) on stationary May 29, 1967 (2 pages, handwritten) on stationary with drawings of three cats in a flower bed, Jasper, Benedict, and Honey. June 4, 1967 (two pages handwritten) July 10, 1967 (1 page, handwritten) July 24, 1967 (3 pages, handwritten) on stationary with a charming drawing of mice chased by cats, owls, and ferrets encircling the first page, also a stamp half pasted to final page. August 19, 1967 (2 pages, handwritten) on stationary September 14, 1967 (air mail, handwritten on blue paper) referrence to Sr. Rodriguez and his wife, houseguests October 4, 1967 (2 pages, handwritten) on stationary, response to invitation to Puerto Rico October 26, 1967 (2 pages, handwritten) on stationary November 27, 1967 (1 page, handwritten) on stationary, new stamps for Irene Delano’s collection February 8, 1968 (2 pages, handwritten) including two loose stamps. February 27, 1968 (air mail, handwritten on blue paper) a thank you for a sonnet. March 9, 1968 (air mail, handwritten on blue paper) a thank you for sending Rossetti sonnet May 7, 1968 (1 page, handwritten) on stationary, with lovely drawing of Angel’s blue-eyed Siamese cat, Jasper. May 29, 1968 (2 pages, handwritten) on stationary, with drawings of two Siamese cats, Honeybun and Jasper. August 13, 1968 (one page, handwritten) on stationary October 2, 1968 (3 pages, handwritten) on stationary December 11, 1968 (3 pages, handwritten) with two tiny sketches of owl heads, which remind Angel of Tudor headdresses, with invoice for Madrigal, “The Sweet Suffolk Owl.” January 2, 1969 (1 page, handwritten) reference to Sweet Suffolk Owl, a madrigal illustrated by Angel. February 17, 1969 (2 pages, handwritten) April 17, 1969 (3 pages, handwritten) with drawing of Little Ben, the cat, in his basket/cage. July 15, 1971 (air mail, typed on blue paper) a thank you for the French version of Prayers from the Ark drafts of letters from Jack McWilliams to Marie Angel: June 9, 1967 (1 page, typed) on La Casa Del libro stationary, discussion of madrigals Undated (1 page, typed) discussion of “Silent Noon.”

      [Bookseller: John Windle Antiquarian Bookseller]
 33.   Check availability:     Biblio     Link/Print  


        The Orchard Keeper

      New York: Random House, 1965. First edition. Near Fine/Near Fine. A Near Fine copy of McCarthy's first book, in like dust jacket. The top stain is partially faded, there is a small bump on the lower edge of the rear board and evidence of a bookplate removed from the front free end paper. The dust jacket is price-clipped and has minor toning and wear at the extremities. Despite the defects an attractive copy and, on the whole, a bright, unfaded copy of this scarce debut. Tracing Biblical themes from the book of Genesis, McCarthy's first novel illustrates the politics of four men in an idyllic hamlet in rural Tennessee and its ultimate demise. The bliss of their home, in communion with nature, is shaken by a greedy antagonist that throws them from their Eden and peels away their innocence and ignorance. Upon its release, "The Orchard Keeper" won the William Faulkner Foundation notable first novel award in 1966 and established a solid foundation for McCarthy's early career. Near Fine in Near Fine dust jacket.

      [Bookseller: Whitmore Rare Books]
 34.   Check availability:     Biblio     Link/Print  


        Dune

      First Printing for Chilton Ownedd but Never opened and still like newHugo Award for Best Novel (1966), Nebula Award for Best Novel (1965)Book Condition: As New. Dust Jacket Condition: As New. 1st Edition. The book looks like new, unread and clean. Edges are sharp and fine. No tears or creases. No stain, writing or reminder marks. The binding is straight and tight. The book itself is very nice.SHIPPING WITHIN CANADA $13 DOLLARS US FUNDS Priority and International orders will require additional postage.

      [Bookseller: peterfryersales]
 35.   Check availability:     Biblio     Link/Print  


        COCON - Texte Walter Aue Farblithographien Dieter Pohlers, signiert - Beiliegend 2 orig. Offerten der Graphischen Werkstatt Berlin in gutem Zustand

      Graphische Werkstatt, Berlin 1965 - 14 Lithographien in 4 Farben von Dieter Pohlers, handgedruckt in der Graphischen Werkstatt Berlin, jedes Blatt handschr. signiert und datiert 1964 von Pohlers; 12 Originaltexte von Walter Aue; die Texte wurden gedruckt bei Walter Grützmacher in Akzidenz-Grotesk Halbfett; 46 handschr. numerierte und von Walter Aue signierte Exemplare, hier Nr. 23; 34 S. Leporellofaltung; Einband etwas angeschmutzt, sehr wenig lichtrandig, Vorsatz und Titelblatt gering lichtrandig, sauber, Seiten minimal lichtrandig, sauber, guter Zustand. Beiliegend 2 orig. Offerten (13 + 1 Seiten) der Graphischen Werkstatt Berlin in gutem Zustand. (Walter Aue, 1934, Plauen-1984, Meisterschüler von Ernst Schumacher an der HDK, Berlin; Dieter Pohlers, 1934-1984, Hochschule der Künste in Dresden, starb in Berlin). Die Graphische Werkstatt Berlin wurde von Otto Mertens geleitet. Editionen (u.a.) von Walter Stöhrer, Manfred Bluth, Kurt Bartel, Frederic Benrath, Carl Otto Bartning etc. Size: 8° [Attributes: Soft Cover]

      [Bookseller: Verlag IL Kunst, Literatur & Antiquariat]
 36.   Check availability:     AbeBooks     Link/Print  

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