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Displayed below are some selected recent viaLibri matches for books published in 1965

        Where's the Rest of Me?

      Duell, Sloan and Pearce, 1965 INSCRIBED first edition. First edition, stated on copyright page. Inscribed by author on the front free end paper to Dean McCormick, prominent Republican civic leader in Orange County, CA. Also, Reagan hand corrected from "Honey" to "Nancy" on verso of half-title page. Book near fine, except for some darkening on front paste-down and front free end paper. Dust jacket very good, some general soiling; some sun-fading along edges, visible on inside of dj, and spine. Flap price $5.95. Housed in a custom-made slipcase. We will provide a certificate of authenticity.. Inscribed by Author(s). 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Autograph manuscript signed: Julius Robert Mayer:Die Entdeckung des Gesetzes der Erhaltung der Energie

      1965 - Gerlach, Walther (1889-1979). Julius Robert Mayer: Die Entdeckung der Erhaltung der Energie. Autograph Manuscript Draft, signed. 4-1/3 pp., written in pencil and ballpoint pen on rectos of 5 sheets; sheets stapled together in upper left corner. Munich, January 21, 1965. 300 x 212 mm. Creased where previously folded, very slight wear and soiling. Very good. English translation included. Draft of Gerlach's lecture commemorating the 150th anniversary of the birth of Julius Robert Mayer, one of the founders of the principle of the conservation of energy-the first law of thermodynamics. Gerlach, "contributed to many experimental topics, especially the ones connected with radiation and quantum theory (e.g. together with Alice Golsen, he determined the pressure of light quantitatively); he made important contributions to the development of modern methods of chemical spectral analysis, the physics of the (technical) magnetization curve, and measurements on artificial and natural radioactivity" (Mehra & Rechenberg, I, p. 436). He is best known as one of the discoverers of the Stern-Gerlach effect (1922), by which Otto Stern and Gerlach demonstrated the empirical validity of Sommerfeld's spatial quantization; i.e., the discrete orientation in space of electronic orbits. The effect is created by passing an atomic beam of silver atoms through a magnetic field of strong inhomogeneity, which splits the silver beam into two separate beams. "This result then proved space quantization as well as once again confirming the existence of stationery states. However, it also went far beyond the Bohr-Sommerfeld theory, as Einstein and Paul Ehrenfest demonstrated by their calculation of the time needed by the silver atoms to be oriented in the two directions: they estimated a time for the (classical) magnetic interaction of 1011 s, in contrast to the observation-which gave a time of less than 10-4 s. Thus one of the bases of the existing atomic theory broke down" (Twentieth Century Physics I, pp. 164-65).The energy-conservation principle was arrived at more or less simultaneously in the mid-19th century by a number of scientists, the most important being Helmholtz, Joule and Mayer, but Mayer was the first, as Helmholtz acknowledged, to articulate a general law of energy conservation. Gerlach's lecture gives a brief history of Mayer's discovery and its reception:The law of conservation of energy, first understood empirically by [Mayer], is the fundamental principle of rational natural science and technology. It can be stated that the entire area of natural science research is governed by the validity of the energy law throughout the inanimate and animate world, through the macro- and micro-cosmos, through the technical utilization of apparent matter such as the insight into elementary particles, through cosmic processes, and within living cells. . . .It is thus no coincidence that Mayer as well as Helmholtz, who established the energy theorem five years after [Mayer] in his writings on the conservation of force, making use of the same considerations, but with different motivation, came not from physics but from physiology. In it the picture of a life force dominated, even though it was perceived as being unsatisfactory, which was supposed to control processes in the organic realm, as mechanical force did in inanimate nature. After unfavorable experiences with "natural philosophy", that blurry mixture, physicists rejected generalizations and extrapolations for fear of allowing it [natural philosophy] back in again. Therefore, Poggendorff also did not print Helmholtz, in the Annalen der Physik, and Helmholtz said in 1854 that Robert Mayer was the first one who had dared to state such a general law. . . .In 1842 Mayer calculated the mechanical equivalent of heat from the Dulong-Petit experiments, and with it the low efficiency of the steam engine, whose principle of operation he was the first to explain correctly through the consumption of heat as the equ [Attributes: Signed Copy]

      [Bookseller: Jeremy Norman's historyofscience]
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        Fun in a Chinese Laundry (Signed First Edition, copy belonging to actor Gene Ringgold)

      Macmillan, New York 1965 - First Edition. INSCRIBED by von Sternberg to actor Gene Ringgold on the front endpaper: "To Gene Ringgold / Affectionately / Josef von Sternberg / Feb 1966." The brilliant director's highly personal account of his chaotic ride through the Hollywood machine, including vivid and interesting reflections of the making of his more obscure pictures (e.g., "Anathan"), his infamous non-involvement with "Duel in the Sun," and an essay on his renowned work with Marlene Dietrich that David Thomson has called one of the most important essays in film history.Near Fine in a Very Good plus dust jacket. Extremities lightly bumped and toned. Light shelfwear, rubbing and toning to the jacket. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        The Oxford Jonson Edited by C.H. Herford, Percy and Evelyn Simpson.

      The Clarendon Press Oxford 1965-1970 - 8vo. 11 volumes, set. Complete critical edition. Reprints. Originally published 1925-52. Green buckram, gilt. (Volumes VII, VIII & XI are slightly shorter than the other volumes, as issued.) With photogravure and collotype illustrations. All volumes with foxing to top and fore edges, not affecting text. All d/ws slightly faded on spines with very light shelf wear. Volume II has three round marks on the lower panel. Near fine in near fine dust-wrappers. A handsome set of the standard critical edition of Jonson's complete works. [Attributes: Hard Cover]

      [Bookseller: Anthony Smith Books]
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        The White House Years, Waging Peace, 1956-1961

      New York: Doubleday, 1965 No. 637 of 1434 copies. Limited Edition. pages clean. Fine copy. ORIGINAL Fine slipcase.

      [Bookseller: Blitzen Books]
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        UR. Nouvelle série. No 5, Printemps 1965.

      1 volume in-4, (4) pages, 14 oeuvres originales ( collages, peinture, dessin, sérigraphies, linogravures...), signées et justifiées par les artistes, contenu dans une chemise à rabats et un emboîtage. Fondateur-Directeur : Maurice Lemaître, Comité de rédaction : R. Altmann, M. Lemaître, J. Spacagna. Maquette de Maurice Lemaître, dessin de couverture de Micheline Hachette. Tiré à 100 exemplaires. Participations de J. Gelpe, S. Hasegawa, A. Gagniare, J. Gaulme, M. Lemaître, R. Sabatier, M. Hachette, C.-P. Quémy, J. Spacagna, A. Jessemin, A. Tramblay, J. Adam, A. de Latour. Cette revue étant composée d'oeuvres originales, les contributions des artistes varient d'un exemplaire à l'autre, faisant de chaque série une collection unique.

      [Bookseller: Didier Lecointre-Dominique Drouet]
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        «Vie de Napoléon»

      Illustrations originales de Jean GRADASSI. Édition du Baniyan, 1965. Grand in-4 (28x38cm) en feuilles sous couverture chemise en demi-parchemin décorée à l'aquarelle et étui.Édition richement enluminée, ornée de 127 illustrations de Jean GRADASSI dont 14 hors-texte enluminées au pochoir par les ateliers Vairel. Tirage limité 1080 ex. Exemplaire sur Vélin de Lana.

      [Bookseller: Librairie Ancienne Quadr'arts]
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        Asia in the Making of Europe: Volume 1, Books 1-2; Volume 2, Books 1-3; Volume 3, Books 1-4 (Complete Nine-Book Set)

      Chicago: The University of Chicago Press, 1965-1998. Hardcover. Very Good. Praised for its scope and depth, Asia in the Making of Europe is the first comprehensive study of Asian influences on Western culture." Complete nine book set: Volume I, Books One and Two; Volume 2, Books One through Three; and Volume 3, Books One through Four. Print dates from 1965 to 1998. From the private collection of Frederick A. Hagar. Books' pages remain clean and unmarked; bindings tight. Dust jackets of first volume's books are agetoned and a little edgeworn. Top edge of same books' text block is lightly dust-stained.

      [Bookseller: Black Paw Books]
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        Le Train de Venise.

      Paris, Les Presses de la Cité, 1965 In-8, demi-maroquin bleu roi avec encadrement de maroquin sur le plat et papier à motifs bleus et noirs avec encadrement doré, dos lisse, tête dorée, couvertures, jaquette illustrée et dos conservés étui (Reliure signée Alix). Edition originale.Un des 60 exemplaires de luxe, seul grand papier. Bel exemplaire, très bien relié.

      [Bookseller: Livres de A à Z]
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        Après le banquet

      Gallimard, 1965. - Gallimard, Paris 1965, 13x20cm, broché. - Prima edizione della traduzione francese, uno dei 26 esemplari numerati sul filo di puro, un paio di fuori del nostro commercio solo le principali carte. Azzerato indietro come al solito, bello stato interiore. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 26 exemplaires numérotés sur pur fil, le nôtre un des quelques hors commerce, seuls grands papiers. Dos éclairci comme habituellement, agréable état intérieur.

      [Bookseller: Librairie Le Feu Follet]
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         OEUVRES COMPLETES. Préface de Max-Pol Fouchet. Introduction et notes de Michel Décaudin. Iconographie établie par Marcel Adéma.

      1965/1966Balland et Lecat, 1965-1966. 4 volumes in-8, en feuilles sous chemises, étuis cartonnés de percaline dans différents tons de gris à deux compartiments. 109 reproductions in-texte (portraits, dessins, bois gravés, fragments de manuscrits, pages de titre, etc) et sous coffret à part dans chaque emboîtage : 39 documents reproduits en fac-similé (autographes ou imprimés, cartes, lettres, photographies, coupures de presse, catalogues d'exposition, etc). Un des 480 premiers exemplaires sur Arches contenant une eau-forte originale de Sonia Delaunay tirée dans l'atelier de Roger Lacourière. Belle réalisation à l'état de neuf.

      [Bookseller: Librairielegalet]
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        Le Bestiaire ou Cortège d'Orphée

      important vol.ume , in-4, feuilles sous chemise imprimée à rabats, emboîtage imprimé, . P. Editions d'Auteuil, 1965, tirage limité à 167 exemplaires. Ouvrage illustré de 16 bois gravés en couleurs par Lorjou, Exemplaire signé par lorjou. Dans une boite coffret recouverte de tissus beige , tres propreSuperbe volume , tres original dans ses illustrations , frais dans tout les sens du mot ray rdc armo

      [Bookseller: Antiquités Duvert Martial]
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      1965. Litografia a colori eseguita nel 1965, mm 415x495 (foglio mm 500x655). Tiratura su carta "Rives". Firmata "Campigli 65" in basso a destra e numerata 3/65 tutto a lapis. Timbretto a secco "K", editore Ketterer per la cartella "Europaeische Graphik III" pubblicata a Monaco di Baviera. Ottima prova, stato unico, pieni margini. Ottimo stato di conservazione. Le maggiori fonti d'ispirazione dell'artista furono l'arte etrusca e l'archeologia, ma la figura della madre, il ruolo e l'importanza che le donne rivestirono nella sua vita furono di straordinario rilievo per la sua arte. Rappresenta sovente una donna grande sia dal punto di vista figurativo, poiché riempie la tela, che spirituale per la benevolenza e la confortante presenza. L'immagine che l'artista ci regala è quella ricorrente della figura femminile vista come un essere eccezionale, ma allo stesso tempo un essere umano dalla grande semplicità, una donna che riempie il mondo e viene raffigurata nei diversi momenti della propria vita. Meloni 212.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        HELMAN par Marchiori, 10 lithographies originales de HELMAN + une gouache originale + une suite

      - Éditions impriludes, 1965. Format 40x30cm. En feuilles sous chemise et étui. Exemplaire exceptionnel comportant une gouache originale de Helman signée. Avec 10 lithographies originales signées et une suite dont toutes les planches sont signées. Tirage à 86 exemplaires, ici un des 16 exemplaires hors commerce réservés aux auteurs et aux collaborateurs. Très bel ouvrage en très bon état. - ENGLISH : In leaves under black case. Exceptional copie with a beautiful original gouache handsigned. Illustrated with 10 original lithographs handsigned and a suite signed. Edition of 86 copies, one of 16 copies for contributors and authors. Very good condition. [Attributes: Hard Cover]

      [Bookseller: Riviera Art&Books]
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        Daughter Of The Tejas signed by McMurtry

      New York: New York Graphic Society. NF/F. 1965. 1st Edition. Hardcover; 1st Printing. 1st edition/1st printing. This book ghost-written by Larry McMurtry, and is signed on the front end page by McMurtry, in his usual scrawl. Stated First Edition, in white 2nd issue dustjacket. The book is bound in beige cloth and is straight, clean, tight and has no handwriting other than author's signature, but with bumps to upper corners and a narrow strip to front end page that's very slightly darkened (like by a bookmark having been placed there once). The price intact ($2.95) dustjacket is bright and clean and crisp. The only faults I can find at all are what may be a very, very tiny rub at lower spine end and the hint of a tiny, extremely faint spot near the spine. Lovely example of this scarce book, particularly scarce signed. ; Signed by Author .

      [Bookseller: Authors & Artists]
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        Empire Flyer

      New York: City Hall Cinema, 1965. Fine copy.. Original 8 1/2 X 11 inch flyer for the world premiere of Andy Warhol and John Palmer's film Empire, screened in its full eight-hour glory at City Hall Cinema, New York, on March 6, 1965.

      [Bookseller: Harper's Books, Inc.]
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        Call It Sleep

      New York: Cooper Square Publishers, Inc.,, 1965. Foreword by Walter Allen. Octavo. Original blue cloth, titles to spine gilt. With the dust jacket. Small mark to rear cover, some light spotting to edges of text block, a very good copy in the slightly soiled jacket with some loss to spine ends and some shallow chips and and tears to extremities. Presentation copy, inscribed by the author on the half-title, "To Kenton Morse, ''Tis here! 'Tis here! 'Tis Gone!' Affectionately, Henry Roth." It is accompanied by a typed and signed postcard from Roth to Kenton Morse, in which he writes that has "discouraged at first about dramatic 'form', but easier now though not voluble enough." The book was originally published in the US in 1934, but, though well-received critically, sales were poor and the book went out of print for 25 years. In 1964, the book was re-published in paperback by Avon Books, and sold over a million copies. This edition, issued a year later, features a critical introduction by Maxwell Geismar.

      [Bookseller: Peter Harrington]
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        La Tempête.

      P. Au Depens d'un Amateur 1965. In-4° en ff, sous chemise illustrée et étui. Traduction de André du BOUCHET. 22 lithographies originales en couleurs dont la couverture, 11 H.T. et 10 bandeaux de Léonor FINI. Tirage limité à 200 exemplaires, un des 100 sur vélin portant la signature du traducteur et de l'artiste à la justification.

      [Bookseller: Librairie In-Quarto]
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        La Tempête. [Traduction de] André du Bouchet. [Lithographies de] Léonor Fini.

      1965Paris, Aux dépens d'un amateur (distribué par Trinckvel), 1965. 42 x 32 cm, in-folio, 162 pp. + 5 ff. n. ch. + 2 ff. bl., avec 22 lithographies originales dont la couverture, 11 à pleine page et 10 bandeaux, en feuilles sous couverture lithographiée rempliée, coffret de toile grise de l'éditeur. Tirage limité à 200 exemplaires sur divers papier. Celui-ci sur grand vélin de Rives réservé à l'artiste et SIGNE par celle-ci. La belle traduction d'André du Bouchet est très agréablement servie par les superbes compositions fantastiques de Léonor Fini. Très bel exemplaire. (MONOD, 10307)

      [Bookseller: Julien Mannoni livres anciens]
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        Signiertes Original-Vintagefoto aus der Mappe: Barlach.

      Erschienen im Friedrich Verlag Velber, 1965 - Auf Klapp-Karton montierte s/w-Photografie Motiv ist ein Detail der Skulptur "Mutter mit Kind" aus dem jahre 1953 der Sammlung H.F. Reemtsma. Unterhalb des Fotos von Clausen mit Bleistift betitelt 'Barlach' und signiert. Der geklappte Karton etwas verschmutzt. Auf der Vorderseite mit Kugelschreiber beschriftet 'Barlach Orig Fotos von Rosemarie Clausen' (vermutlich von der Fotografin selbst). Insgesamt gutes Exemplar. Good copy. With originally vintage photos by Clausen. Signed. Sprache: Deutsch Gewicht in Gramm: 1000 im Maß ca. 23 x 23 cm auf 28 x 24 cm (HxB). [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Uta-Janine Störmer]
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      Paris Piazza 1965- En feuilles, sous chemise et étui cartonnés. Lithographies originales de Claude Schurr. L'un (n° 135) des 150 exemplaires tirés sur grand Vélin d'Arches. Absolument magnifique. Etat du livre : très bon. Envoi soigné sous emballage sécurisé. Frais de port gratuit pour la France métropolitaine. Pour les autres destinations, nous consulter.

      [Bookseller: Au Duc de Richelieu]
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      BIBLIOPHILES DU PALAIS 1965 1Lithographies de Léonor FINI. Paris, Les Bibliophiles du Palais, 1965, in-4, en feuilles, sous couverture rempliée, sous chemise et étui cartonnés noir, 130 pages. Tirage limité à 200 exemplaires numérotés et tirés sur vélin d'Arches. Un des 180 exemplaires numeroté et nominatif réservé aux sociétaires celui-ci pour le pilote et avocat Le Coq de Kerland. Les 12 lithographies originales, en noir et hors-texte, de Léonor FINI ont été imprimées par Guillard, le texte par Fequet et Baudier. Petits frottements et légères griffures sur la couverture et l'étui.

      [Bookseller: Librairie Chrétien]
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        The James Bond Dossier.

      London: Jonathan Cape. 1965.. Pp.159. Publisher olive green soft covers flanked with publisher's logos in white, titles in black. A beautiful, fine copy, housed in an elegant green leather-spined clamshell box. This particular example is from the library of crime specialist and Ian Fleming bibliographer Otto Penzler, with the auctioneer's number card loosely inserted. Uncorrected Proof copy.

      [Bookseller: Adrian Harrington Rare Books]
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        Cold Dogs In The Courtyard

      Chicago: Literary Times / Cyfoeth Publications, 1965. First Edition. Paperback. Like New. First edition. 23 pp. Stapled tan wraps. Near Fine with tiny name written on title page. One of only 500 copies of Buk's only self-published chapbook, comprised of "overlooked (or looked-over and shunned)" poems.

      [Bookseller: Burnside Rare Books]
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        Guillaume Apollinaire.

      Liège, Éditions Dynamo, Pierre Aelberts éditeur, 1965 ; in-8, broché ; (14) feuillets non chiffrés et couverture blanche illustrée, le premier et dernier feuillets sont blancs. "Cet album en souvenir d'Apollinaire est tiré à 51 exemplaires, numérotés de 1 à 51 (celui-ci N°20), le texte d'Eugène Montfort en édition originale. Imprimé en mars 1965". Reproduction de plusieurs dessins de Picasso, Bakst, Marcoussis, Cocteau, etc, de gravures anciennes, photographies, etc., imprimés en noir ou bleu sur fond blanc, jaune ou bleu ciel. Exemplaire en parfait état de ce rarissime petit album.

      [Bookseller: Librairie Ancienne Clagahé]
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        Rinconete et Cortadillo.

      P. Les Francs-Bibliophiles 1965. In-4° en ff, sous chemise et étui Couverture, 2 lithographies en couleurs à double page, 13 H.T. et 5 dans le texte, dont 2 à double page de JANSEM. Tirage limité à 185 exemplaires, nominatifs, sur Hollande Van Gelder. Notre exemplaire est enrichi d'une des 16 suites sur Japon, d'une des 20 suites des 2 lithographies non utilisées pour l'ouvrage et de 2 menus de la Société avec une lithographie supplémentaire.

      [Bookseller: Librairie In-Quarto]
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      BIBLIOPHILES DU PALAIS 1965 - Lithographies de Léonor FINI. Paris, Les Bibliophiles du Palais, 1965, in-4, en feuilles, sous couverture rempliée, sous chemise et étui cartonnés noir, 130 pages. Tirage limité à 200 exemplaires numérotés et tirés sur vélin d'Arches. Un des 180 exemplaires numeroté et nominatif réservé aux sociétaires celui-ci pourle pilote et avocat Le Coq de Kerland. Les 12 lithographies originales, en noir et hors-texte, de Léonor FINI ont été imprimées par Guillard, le texte par Fequet et Baudier. Petits frottements et légères griffures sur la couverture et l'étui. Livres

      [Bookseller: Librairie Chretien]
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        The Man with the Golden Gun

      London: Jonathan Cape,, 1965. Octavo. Original black boards, titles to spine bronze, green and white endpapers. With the pictorial dust jacket. In the spine toned dust jacket, tiny closed tear to top edge of front panel, an excellent copy. First edition, first impression, second state, binding B, without the gun design on the front board. The twelfth James Bond novel, The Man with the Golden Gun was, like many 007 titles, written while Fleming was at Goldeneye, his Jamaican hideaway.

      [Bookseller: Peter Harrington]
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        Senza titolo

      , , 1965. Molto Buono (Very Good). Acquaforte acquatinta originale stampata in rosso. cm 48x32 (Foglio cm 70x50). . Molto Buono (Very Good). Tiratura: 30.

      [Bookseller: Studio Bibliografico MArini]
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        "Sir Magazine- Blouson rouge".

      1965 1Encre de Chine, encre-feutre et gouache, (1965), 36 x 24 cm. René GRUAU (Rimini, 1909-2004), d'origine italienne, de son véritable nom Zavagli Ricciardelli Comte Delle Caminate, vient s'installer à Paris avec sa mère française, dont il prend le nom en 1931. Très jeune il entame une carrière d'illustrateur de mode avec Lidel en Italie, puis Fémina, Marie-Claire, L'Officiel de la Couture, Vogue, Harper's Bazar, Flair, Adam, Sir et une longue collaboration avec "International Textiles" de Bemberg dont il réalise la plupart des couvertures. Dès 1947 il se lance dans la publicité et l'affiche avec des campagnes phares pour "Rouge Baiser", les "Bas Scandales", Elisabeth Arden, Jacques Griffe, Pierre Balmain, Boussac, Dormeuil... Il réalise pour son ami Christian Dior la campagne pour Miss Dior et ce fut le début d'une longue collaboration. Auprès des grands couturiers il noue aussi des relations d'amitié avec Hubert de Givenchy et Pierre Cardin. Son style se manifeste, selon son expression par "la simplicité graphique", le jet de son trait et l'élégance dont le sujet principal est la femme. Ce qu'il exprime "j'aime les femmes et mon oeil est amoureux d'elles". ("Gruau" de Gilles de Bure, Herscher 1989). De nombreuses expositions lui furent consacrées, dont une rétrospective, en 1989 au Musée du costume, Palais Galliéra et en 2010-2011, une exposition lui fut consacrée à la Somerset House de Londres. Avec décontraction mais raffinement, René GRUAU représente un homme vêtu d'un blouson rouge à poche ventrale sportif et portant une sacoche noire au côté. Cette maquette originale est réalisée pour le magazine masculin "Sir" (1957-1970). Légers plis.

      [Bookseller: Librairie Chrétien]
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        Trois contes. La Dame au petit chien. Ma Chérie. La Cigale.

      22 Lithographies originales en couleurs de Kostia TERECHKOVITCH. (Complet & Contrôlé). Édition tirée à 150 exemplaires tous numérotés et signés par l'artiste. Celui-ci (N°24) un des 30 sur grand vélin d'Arches, comportant une SUITE des 22 lithographies en couleurs sur JAPON nacré (Complète & Contrôlée). Paris, Paul Pétridès - 1965 - 116 pages. Pages volantes sous couverture repliée illustrée en couleurs. Chemise avec titre au dos, et étui toile grise. SUITE sous couverture individuelle. Très bon état. Format in-folio (37x29).

      [Bookseller: Livres et Collections P. Commerot]
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      London: Hamish Hamilton. 1965. First hardcover edition, first printing. First hardcover edition, first printing. Original brown cloth with gilt titles to the spine, in dustwrapper. A superb fine copy, the binding clean, square and tight, the contents without inscriptions or stamps. Publisher?s review slip (for the editor of The Times Literary Supplement) loosely inserted. Complete with the fine and bright dustwrapper which is entirely without fading. Not price-clipped (15s net to the front flap). A stunning example of this modern children?s classic. Originally published by Puffin as a paperback original in 1963, the hardcover issue is scarce. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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      Prandi, 1965. 4°; pp. non num. 6 su carta a mano pesante a quartini sciolti; seguono, sciolte, numerate e firmate a matita le dieci incisioni degli Artisti: Sigfrido Bartolini; Arnoldo Ciarrocchi; Fiorella Diamantini; Nello Leonardi; Mino Maccari; Paolo Manaresi; Alberto Manfredi; Carlo Mattioli; Duilio Rossoni; Alberto Ziveri. Frontespizio, testo e colophon sono stati impressi da Gino Castiglioni e Alessandro Corubolo sul loro privatissimo torchio. Cartoncino edit. in cartella cartone con titoli in oro al dorso, astuccio editoriale. Rarissima nostra edizione limitata a soli 115 esemplari f.commercio, edita in occasione del settantesimo compleanno di Giacomo Prandi e del cinquantesimo di Dino Prandi. Esaurita da anni. (vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        "The girl with the red armchair".

      1965 1Maquette publicitaire pour les Cigarettes du Maurier, impression réhaussée à la gouache et encre de Chine, et collage signée dans la planche et titrée, (1960), 46 x 35 cm., encadrée. René GRUAU (Rimini, 1909-2004), d'origine italienne, de son véritable nom Zavagli Ricciardelli Comte Delle Caminate, vient s'installer à Paris avec sa mère française, dont il prend le nom en 1931. Très jeune il entame une carrière d'illustrateur de mode avec Lidel en Italie, puis Fémina, Marie-Claire, L'Officiel de la Couture, Vogue, Harper's Bazar, Flair, Adam, Sir et une longue collaboration avec "International Textiles" de Bemberg dont il réalise la plupart des couvertures. Dès 1947 il se lance dans la publicité et l'affiche avec des campagnes phares pour "Rouge Baiser", les "Bas Scandale", Elisabeth Arden, Jacques Griffe, Pierre Balmain, Boussac, Dormeuil... Il réalise pour son ami Christian Dior la campagne pour Miss Dior et ce fut le début d'une longue collaboration. Auprès des grands couturiers il noue aussi des relations d'amitié avec Hubert de Givenchy et Pierre Cardin. Son style se manifeste, selon son expression par "la simplicité graphique", le jet de son trait et l'élégance dont le sujet principal est la femme. Ce qu'il exprime "j'aime les femmes et mon oeil est amoureux d'elles". ("Gruau" de Gilles de Bure, Herscher 1989). De nombreuses expositions lui furent consacrées, dont une rétrospective, en 1989 au Musée du Costume, Palais Galliéra et en 2010-2011, une exposition lui fut consacrée à la Somerset House de Londres. Cette maquette, vraisemblablement le "Bon A Tirer" destiné à l'imprimeur, est réalisée par l'artiste, corrigeant son premier dessin, pour la campagne de presse canadienne des Cigarettes du Maurier. Elle fut sous-titrée "Just waiting for you to make up your mind". Assise dans un fauteuil rouge, une femme, dont nous n'apercevons que la main tenant sa cigarette et le bas de sa robe longue, offre l'image du délassement et de l'élégance. Selon cette technique qui lui est propre René GRUAU masque le personnage principal pour ne nous en livrer qu'une partie de son anatomie aiguisant ainsi notre curiosité. Infimes taches et petit grattage.

      [Bookseller: Librairie Chrétien]
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        Leonard Bernstein's "Member of the National Council on the Arts" Certificate, signed by President Johnson

      Very large document signed, appointing Bernstein as a "Member of the National Council on the Arts", dated 2 March 1965. 47.5 x 57.5 cm, also signed by Secretary of State Dean Rusk, with mounted blindstamp seal of the United States. Paper seal sighly affected by silverfish, mounted on board, corners bumped, overall fine.

      [Bookseller: Schubertiade Music & Arts]
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        Spectro-Mach 1 production archive

      Filmmakers' Cinematheque, New York 1965 - An archive of two original posters for Don Snyder's multi-media presentation, "Spectro-Mach 1," along with extensive manuscript notations, diagrams, and charts. Instructions include visual and aural cues for projectionists and musicians, detailed instructions for presentation sequence (numbered 1 to 13 across the versos of the two posters), random project development notations, and a handwritten note with event information."Spectro-Mach 1" was a largely undocumented collaborative multimedia performance developed by Don Snyder, featuring poet and musician Angus MacLise, Ralph Metzner, co-author of "The Psychedelic Experience," and John Cale. Inspired by the psychedelic environments of Gerd Stern and Michael Callahan's "USCO," Snyder incorporated minimalist music, similar to MacLise and Cale's work with Theatre of Eternal Music, with hypnotic visuals and repetitive actions. This work proved influential on Andy Warhol's "Up-Tight," which premiered at the Filmmakers' Cinematheque two months later.Snyder was a prolific and highly influential photographer. His most famous collection of photographs, "Aquarian Odyssey" (Liveright, 1979), chronicles utopian communities in New York, New England, and San Francisco in the 1960s and the personalities that fueled them, but it narrowly represents his career, which was furiously active and varied since his start in the late 50s. He was also regarded as a master printer, and struck photographs for Eugene Smith, Diane Arbus, and Gerard Malanga.Posters 9 x 14.5 inches, letterpress, folded. Typescripts 8.5 x 11 inches, folded. Manuscript cue charts 8.5 x 11 inches. Event information sheet 4 x 4 inches. All material is supple, with some expected wear from use, Very Good overall.Gerard Malanga, "Don Snyder, 1934-2010," Berkshire Fine Arts.

      [Bookseller: Royal Books, Inc., ABAA]
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      Garden City: Doubleday & Company, Inc., 1965. First Edition. First Printing. Octavo (21.5cm); pale gray cloth, with titles stamped in black on spine; dustjacket; [10], 278pp. A fresh, Fine copy, giving every appearance of being unread. Dustjacket is unclipped, with $4.95 sticker placed directly over publisher's price of $4.59 on front flap; a handful of pinpoint rubs, else a Fine, unworn example, with the spine colors still bright and unfaded. A novel in which, "more extremely than any previous Dick book, inhabits the badlands within which the real and the ersatz interpentrate: suppliers of a hallucinogenic drug which makes life tolerable for Martian colonists facing opposition from the sinister Eldritch, whose own new drug, Chew-Z (imaged in language which recalls the Communion wafer), pre-empts reality entirely" (The Encyclopedia of Science Fiction). A superior copy, ranked #44 on David Pringle's list "Science Fiction: The 100 Best Novels." Provenance: From the estate of science fiction publisher and editor Franklyn M. Dietz, founder of the Lunarians (NY Science Fiction Society). Levack 40a; Sargent, p.294.

      [Bookseller: Captain Ahab's Rare Books]
 37.   Check availability:     Biblio     Link/Print  



      [Bookseller: Librairie du Château de Capens]
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         ( GRADASSI ) - STENDHAL. Vie de Napoléon. Illustrations originales de Jean GRADASSI.

      Boulouris, Éd. du Baniyan 1965, in-folio (39,5 x 29 cm) de 287 (7) pp. En feuilles sous couverture rempliée, chemise + étui recouverts de percaline verte. Tirage à 1080 exemplaires, ici un des 1075 sur beau papier vélin de Lana. Très belles et fines miniatures de cet illustrateur réputé : 14 à pleine page dont frontispice, une grande scène de bataille sur double page (pp. 107/110), 10 têtes de chapitres à mi-page, nombreuses lettrines personnifiées et culs de lampe; d'autre part, toutes les pages sont encadrées d'un filet de lauriers et d'aigles impériaux, bicolore. Un des exemplaires marqués "réservé aux Bibliophiles Corses" avec la signature de Gradassi à la justification, en très bel état de conservation. Franco de port pour la France métropolitaine, en recommandé, avec assurance.................. NOUVEAU : CATALOGUE de 250 ILLUSTRÉS MODERNES visibles sur notre site

      [Bookseller: Librairie Ancienne Darreau]
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      (RUSCHA, EDWARD). Ruscha, Edward. SOME LOS ANGELES APARTMENTS. Los Angeles: Self-Published, 1965. First Edition 1/700. 12mo. Printed Wrappers in Glassine. Artist's Book. Near Fine./Near Fine.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies in the publisher's glassine wrapper showing some typical minor age patination along with a tiny missing chips along the bottom of the rear panel. All in all, this is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025232

      [Bookseller: Arcana: Books on the Arts]
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        Akkadisches Handwörterbuch. Band I - III. Unter Benutzung des lexikalischen Nachlasses von Bruno Meissner.

      Wiesbaden, Otto Harrassowitz, 1965-1981. Un vol. in-4 en reliure pleine toile bleue d'édition (A.L) + 10 fasc. in-4 br. pour le reste (M-Z + supplément), soit: XVI- 1592pp, texte sur 2 colonnes. Bonne condition. .

      [Bookseller: Librairie Le Trait d'Union S.A.R.L.]
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        Cowboy Kate & Other Stories

      Crown, New York, 1965. First Edition. Hardcover (Original Cloth). Very Good Condition/Very Good. HASKINS, SAM. Cowboy Kate & Other Stories, New York: Crown Publishing, 1965. Folio, first edition, unpaginated, chartreuse boards with brown lettering on front and spine, full-bleed duotone photos. See "The Open Book" (Hasselblad) pp. 210-11. Parr & Badger (v1. p. 192) called Haskins' technique an alluring "combination of grain, graphics and gravure." Condition: Slight edge wear and soiling to jacket and boards, no tears; faint age-toning at leaves' edges. All in all very good. Size: Large Folio (bigger than A3). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. . Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Photography; 1960s; Erotica. Pictures of this item not already displayed here available upon request. Inventory No: 51028. .

      [Bookseller: Rarities etc.]
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        The Boarding House (Signed By The Author)

      The First UK Printing published by Bodley Head in 1965.The BOOK is in near FINE condition.Very mild pushing to the upper spine and a little spotting to the text block.None of the usual tanning and offsetting to the end papers.The book is clean and free from inscriptions,erasures and markings.The WRAPPER is neatly price-clipped and is in near FINE condition. A small closed tear to the upper front cover edge.The spine is very mildly toned and far less than usually encountered.A little creasing at the upper spine.The rear cover is remarkably clean for its age.The Bernard Blatch wrapper artwork looks striking in the removable Brodart archival protector.The book has been Signed by William Trevor to the title page.The author's third novel and scarce with such attributes.A sharp copy.

      [Bookseller: Ashtonrarebooks ABA PBFA]
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      Paris Tartas 1965In-folio (405 x 305 mm), en feuilles sous couverture rempliée, emboîtage marron d'éditeur. Illustré par JEAN COMMERE de 18 lithographies originales dont 17 en couleurs, parmi lesquelles 6 sur double page, et 1 double en noir et blanc. Tirage limité à 301 exemplaires numérotés plus quelques-uns réservés aux collaborateurs ; celui-ci enrichi d'un dessin original de Commère et de deux envois autographes signés par l'artiste et l'éditeur à Claude Bellanger. (petits défauts sur l'emboîtage). // Folio (405 x 305 mm), loose leaves as issued under folded cover, editor brown folder. Illustrated by JEAN COMMERE with 18 original lithographs including 17 in colours, 6 of which double, and 1 double in black and white. Limited printing of 301 numbered copies and some copies printed for contributors ; this copy enriched with an original drawing by Commère and two signed autograph dedications by the artist and the editor to Claude Bellanger. (little defects on folder).

      [Bookseller: Henri Picard et Fils]
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