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Displayed below are some selected recent viaLibri matches for books published in 1965

        The Man with the Golden Gun

      London: Jonathan Cape,, 1965. Octavo. Original black boards, titles to spine gilt, green and white endpapers. With the dust jacket. Foxing to top edge, an excellent copy, in the jacket with light nicks to edges. First edition, first impression, second state (without the gun design on the front board), binding A. The twelfth James Bond novel.

      [Bookseller: Peter Harrington]
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        Terry Southern's Screen Writers Guild Nomination plaque for "Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb"

      Screenwriters Guild, Los Angeles 1965 - Award plaque issued to Terry Southern by the Screen Writers Guild, certifying Southern's nomination for Writing Achievement for the 1964 film. Full provenance available on request.Paper laminated onto wood, with gilt outline, 13.5 x 11 inches. Mounting made by Perma Plaque in Santa Monica, California, with their label on the verso. Near Fine. [Attributes: Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        The Man with the Golden Gun.

      London: Jonathan Cape,, 1965. Octavo. Original black boards, titles to spine and gun design to front board gilt, green and white endpapers. With the dust jacket. Small ownership inscription to front pastedown. Slight bump to head of spine, edges of text block slightly foxed. An excellent copy in the jacket with small mark to spine panel and just a little creasing to spine ends and rubbing to tips. First edition, first impression, first issue, first state, with the gilt gun design to the front board, which was abandoned very early in the binding run for economic reasons.

      [Bookseller: Peter Harrington]
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        ARIEL - a lovely copy with wrap-around band

      Faber, 1965 A first edition, first printing published by Faber in 1965. A near fine book with a small name and date to the head of the front endpaper. In a near fine unclipped wrapper with a small neat closed tear and some light edge wear. Complete with the rare Poetry Book Society band. A superb copy and rare with the band.[removed][removed]

      [Bookseller: John Atkinson Books]
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        ARIEL (First Edition in Superb, Virtually As New, Condition)

      London: Faber & Faber, 1965. Plath, Sylvia. ARIEL. London: Faber & Faber, 1965. First Edition. Fine in Fine dust jacket, one tiny closed tear to the top edge of the dust jacket, else virtually faultless. One is unlikely to find a better copy of Plath's appallingly brilliant final collection of poetry. "I/ Am the arrow, the dew that flies/ Suicidal, at one with the drive/ Into the red/ Eye, the cauldron of morning.". First Edition. Hard Cover. Fine/Fine.

      [Bookseller: Lakin & Marley Rare Books ]
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        Ariel.

      Faber and Faber, London. 1965 - First edition. Octavo. 86 pages. Forty poems. Fore-edge and endpapers lightly spotted. Very good indeed in very good indeed, faintly spotted and slightly dusty dustwrapper a bit darkened at the spine and with one small chip. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        Le Grand Meaulnes.

      Paris, Editions Vialetay 1965 - Lithographies originales de Gaston Barret. 24 compositions (dont 6 à double page). Complet & Contrôlé. Édition tirée à 312 exemplaires tous signés par l'artiste et l'éditeur. Celui-ci (N°201) un des 150 sur Rives. Paris, Éditions Vialetay - 1965 - 231 pages. Pages volantes sous couverture repliée illustrée. Chemise et étui cartonnés. Titre et auteurs dorés au dos de la chemise. Pas de rousseur. Parfait état. Format in folio (38x29). Edition illustrée

      [Bookseller: Livres et Collections]
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        The Orchard Keeper.

      New York: Random House, 1965. First edition of the author's rare first book. Octavo, original half cloth. Signed by Cormac McCarthy on the title page. Fine in a near fine price-clipped dust jacket with some light fading to the spine. Books signed by McCarthy are uncommon, especially his earlier novels. The novels of Cormac McCarthy owe much to William Faulkner, especially in their "use of dialect and concrete sense of the world? a debt McCarthy does not dispute. ?The ugly fact is books are made out of books,? he says. ?The novel depends for its life on the novels that have been written.' "Cormac McCarthy is expert in generating an emotional climate, in suggesting instead of in stating, in creating a long succession of brief, dramatic scenes described with flashing visual impact" (The New York Times).

      [Bookseller: Raptis Rare Books]
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        ANTIQUITATES ITALICAE MEDII AEVI. 6 voll.

      Arnaldo Forni Editore, 1965. 6 volumi in ottime condizioni, copertina rigida in tela e scritte in oro al dorso

      [Bookseller: Messinissa Libri]
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        Ten Poems

      Belfast: Festival Publications,, [1965]. Octavo, single quire. Original white wrappers, wire-stitched, lettered in black, centrepiece illustration to front wrapper in purple. With a black and white postcard sent by Longley. Tanning to wrapper, dampstain, light foxing, offsetting, and creasing to rear wrapper, a very good copy. First edition, first issue, signed and dated by the author on the inner front cover. This is the author's first publication and, as well as being the most desirable, the first issue is by far the most scarce. Festival Publications printed this among a series of pamphlets by other emerging Irish poets like Seamus Heaney, Derek Mahon, and Philip Hobsbaum, and this loosely defined group "is generally identified as the beginning of the Northern Irish poetry revival of the late 1960s through to the 1980s" (ODNB). The recipient of the postcard was Irish bibliophile Dr Philip Murray, whose collection was sold in 2016 in Ireland's largest-ever sale of first editions. Longley responds in the affirmative to Murray's request for book signings at their next meeting.

      [Bookseller: Peter Harrington]
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        Desolation Angels

      New York: Coward-McCann, Inc, 1965. First Edition. Hardcover. Very Good. First edition, first printing. Near Fine in a Near Fine dust jacket with price intact. Slight oxidation to gilt title stamping on spine. Small strip of cloth sunned along top edge. Previous owner address stamp to front free end paper. Light edge wear to dust jacket, with fading and light rubbing to spine panel. A very sharp copy of this posthumously published Keroauc title.

      [Bookseller: Burnside Rare Books]
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        Le opere Il Rickshaw fantasma - Wee Willie Winkie - Bee, Bee, pecora nera - I due tamburini - La legione perduta - Il libro della giungla - Il secondo libro della giungla - Kim

      U. T. E. T. Unione Tipografico-Editrice Torinese, 1965. ITALIANO 0,53 Stato eccellente, coperta in simil pelle, su dorso bella targhetta, caratteri e grafica dorati in bassorilievo, tagli e pagine perfetti. Bella anteporta con ritratto, in b. e n. di Kipling, protetto da foglio di carta velina. Edizione speciale per concessione del Club degli Editori su licenza della U. Mursia & C. e delle Edizioni Casini. Prefazione del Club degli Editori-Milano. Volume della collana Scrittori del mondo: i Nobel, Premio Nobel 1907. USATO

      [Bookseller: Biblioteca di Babele]
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        Casino Royale, Leben und sterben lassen, Diamantenfieber. 3 Kriminalromane [G...

      DAS BUCH IST IM SEHR GUTEN ZUSTAND UND HAT KEINERLEI EINTRGE ODER MARKIERUNGEN. AUSGABE VON 1965. SIEHE MEIN FOTO

      [Bookseller: Antiquariat Trèves]
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        DRAWINGS OF REMBRANDT vol. 1

      DOVER PUBLICATIONS, NEW YORK 1965 - INGLESE Primo di due volumi, con 300 illustrazioni in nero con relative didascalie, in pagine lievemente ingiallite ai bordi da fattore tempo rimanendo comunque in buonissimo stato di conservazione, brossura editoriale illustrata, leggermente ingiallita e con lievissimi segni di usura ai bordi ed agli angoli

      [Bookseller: Biblioteca di Babele]
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        SIXTEEN POEMS IN VERSE & WOOD. Wood cut & engraved by George Lockwood.

      Boston: Impressions Workshop, Cricket Press, 1965. 9 x 9 1/2. 17 French-fold leaves. A color engraving (on the left) faces a poem (on the right). Brown boards, side-stitched, label on upper cover, marbled endpapers. Small bookplates of Harold Hugo & family member on blank. A 45-RPM recording of the poet reading his poems, in rear pocket. Fine in slipcase. No. 48 of 150 copies, signed by Lockwood & Bockes. Beautifully printed in Venezia type. The poems were written to accompany the wood engravings. A handsome book.

      [Bookseller: The Veatchs Arts of the Book]
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        FOX IN SOCKS

      - SEUSS,DR. FOX IN SOCKS. NY: Random House 1965. 8vo (6 5/8 x 9 1/4"), glazed pictorial boards, Fine in VG dust wrapper with some light soil and fraying and a few marks, with price intact. 1st edition (based on ads for no later title and not listing this title). A beginning reader book of tongue twisters with great full color illustrations. A nice copy. Younger / Hirsch 24. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Fox in Socks. A Tongue Twister for Super Children

      Beginner Books, Random House, New York 1965 - First edition. dust jacket flap with 195/195 and last book listed on bottom rear panel: "Little Black Goes to the Circus" Illustrated by the Author. 61, [1] pp. 1 vols. Small 4to. White pictorial boards. Fine in fine unclipped dust jacket Illustrated by the Author. 61, [1] pp. 1 vols. Small 4to First edition. dust jacket flap with 195/195 and last book listed on bottom rear panel: "Little Black Goes to the Circus". [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Charlotte Moorman, Cellist / Nam June Paik, Human Cello - "26'1.1499" for a String Player by John Cage. - Original Vintage Silber Gelatine Abzug. Mit handschriftlicher Bezeichnung von Nam June Paik und dem roten Atelierstempel von Peter Moor, rückseitig handschriftlich datiert "Oct. 4 1965" und mit "A21" nummeriert.

      New York, 4. Oktober 1965 - 17,5 x 23 cm. Eine der schönsten Arbeiten von Moorman und Paik, die kurzentschlossen die 1955 entstandene Komposition von John Cage zu einem Happening erweiterten. Paik baute sich in Moormans Interpretation als "Human Cello" ein. Die Cellistin legte ihr Instrument zur Seite und Paik, der sich während der Musik auf der Bühne auszog, kniete sich zwischen die Knie der Musikerin und spannte, mit beiden Händen auf dem Rücken eine Cellosaite die von Moorman als lebendiges Instrument bespielt wurde. Paik verstand die Aktion als Hommage und Spiegelung von Man Rays berühmter Fotoarbeit "Le violon d'Ingres". Cage sprach sich klar gegen die Interpretation von Moorman/Paik aus, die den musikalischen Wert der Komposition zerstöre.

      [Bookseller: Daniel Thierstein]
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        Original-Farblithographie. Ohne Titel. Mit Bleistift von Lascaux signiert.

      Stuttgart, Hatje Verlag, 1965 - Format: ca 29,5 x 25 cm (HxB). Ursprünglich erschien diese Graphik als eingebundene Originallithographie in dem Buch 'Werner Spies (Hg), Pour Henry-Daniel Kahnweiler'. Zusätzlich erschien eine Vorzugsausgabe von 100 (+ 100 für Kahnweiler) Exemplaren. Dort waren die Graphiken lose als handsignierte Arbeiten beigelegt. Um solch eine 'Beilage' handelt es sich hier. Die Graphik ist in einem guten Zustand. Handsigned originally graphics by Lascaux. Limited for 200 copies. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: Signed Copy]

      [Bookseller: Antiquariat Schröter -Uta-Janine Störmer]
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        Le opere Il Rickshaw fantasma - Wee Willie Winkie - Bee, Bee, pecora nera - I due tamburini - La legione perduta - Il libro della giungla - Il secondo libro della giungla - Kim

      U. T. E. T. Unione Tipografico-Editrice Torinese, VERONA 1965 - Scrittori del mondo: i Nobel ITALIANO Stato eccellente, coperta in simil pelle, su dorso bella targhetta, caratteri e grafica dorati in bassorilievo, tagli e pagine perfetti. Bella anteporta con ritratto, in b. e n. di Kipling, protetto da foglio di carta velina. Edizione speciale per concessione del Club degli Editori su licenza della U. Mursia & C. e delle Edizioni Casini. Prefazione del Club degli Editori-Milano. Volume della collana Scrittori del mondo: i Nobel, Premio Nobel 1907.

      [Bookseller: Biblioteca di Babele]
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        Sei canti della Divina Commedia. Litografie originali di Michele MAINOLI. Sechs Gesange aus der Gottlichen Komodie. Originallithographien von Michele MAINOLI.

      Zurich, Arcade-Press, 1965. - In 4¡, cartella rigida in Mz. Pergamena con titolo oro al dorso e al piatto, contenete una cartella in bross. con camicia edit. e 8 doppi fogli a margini intonsi, dei quali 2 con frontespizio e colophon, e 6 con il testo italiano e tedesco dei canti, dove in ciascuno  inserita un foglio con litografia orig. Stampato in 150 esemplari num. Il nostra, nr. XVIII, fa parte della tiratura di XL con firma autografa dell'illustratore al colophon. Custodia editoriale rigida. Ottimo esemplare. [Attributes: Hard Cover]

      [Bookseller: Maria Calabrò Studio Bibliografico]
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        Dune

      Philadelphia: Chilton Books, 1965. First Edition. Hardcover. Good. Stated first edition, first printing. Publisher's original blue cloth binding with white stamping to spine, in first issue dust jacket with $5.95 price intact and four lines of publisher identification on bottom of rear flap beginning with "Chilton Books." Good with a concave roll to spine, cloth toned at edges, previous owner details to front free end paper, musty odor to pages. In a Good dust jacket with light loss at corners and spine ends, toning, general wear, ding to center of spine panel, six line-long ink notation on blank verso of dust jacket, pencil strike through price and revised price lightly below. A classic of science fiction and basis for the David Lynch film, as well as winner of both Hugo and Nebula awards.

      [Bookseller: Burnside Rare Books]
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        Charles Hinman-International University Choral Festival-1965 Serigraph-SIGNED

      1965 - "International University Choral Festival" by Charles Hinman, Signed Serigraph printed in 1965 from an edition size of 100. The overall size of the Serigraph is 42 x 29.5 inches. The condition of this piece has been graded as B-: Good Condition, Signs of Handling and Age. Here is some supplemental information about the Serigraph: Hand signed and numbered out of 100 in pencil by Hinman. Some wear and discoloration around the edges of the print. Small scuff present in the black area of the print. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        Dictionnaire biographique du Canada, volume I è XIII, de l'an 1000 à 1910; avec Index de volumes I à XII (14 volumes)

      presses de l'Université Laval, Québec 1965 - 1965-1994. Édition laurentienne pour le tome I tirée à 250 exemplaires (ex. 136). Frais de transport à déterminer. [Attributes: Hard Cover]

      [Bookseller: Livresse]
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        Sämtliche Romane in vier (4) Bänden. Hrsg. u. mit Anmerkungen und einer Einführung in die Romankunst Henry Fieldings versehen von Norbert Miller. Übersetzung von Rudolf Schaller, Paul Baudisch u.a. I.: Die Geschichte der Abenteuer Joseph Andrews\'. Die Lebensgeschichte des Mr. Jonathan Wild, des Grossen. - II.III.: Die Lebensgeschichte des Tom Jones. - IV.: Amelia. Tagebuch einer Reise nach Lissabon.

      München, Hanser Verlag, 1965-1966. Kl.-8°, Ledereinband 732, 614, 583, 858 Seiten. Mit 64 Stichen von William Hogarth. Dünndruck. Sehr seltene grüne OLedereinbände von Hermann Zapf mit schwarzen Ledertitelschildern u. doppeltem Lesebändchen. Mit Exlibris auf Vorsatz. Sehr gutes Exemplar. Versand D: 5,00 EUR Bibliophile Ausgabe, Englische Literatur

      [Bookseller: Antiquariat an der Uni München]
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        Mein Ausflug in die Politik Seltsame Erlebnisse eines Sekretarius aus der Zeit Marco Polo's

      "Dieses ausserordentliche Buch wurde in einer Auflage von 300 Exemplaren gedruckt, ...". Dieses erhielt die Nummer 2! Auf der ersten Seite ist ein handschriftlicher Eintrag von 1965, wo das Buch gekauft wurde.

      [Bookseller: Säm]
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        Crucifix in a Deathhand

      New Orleans: Loujon Press, 1965. First Edition. Like New. Signed by Author. Self-wraps with orange wrap-around "belly band." First edition from a limited edition of 3,100. Signed by Bukowski on second to last page in magenta ink, dated 3-21-65. Very Near Fine with just a hint of toning to wraps, slightly bumped bottom corner, Fine belly band. A lovely copy of a key early Bukowski poetry collection.

      [Bookseller: Burnside Rare Books]
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        Pour un Malherbe

      First edition, one of 26 numbered copies on Hollande, tirage de tête.Small glued tears, not serious, to head and foot of the joints, a good copy. Gallimard Paris 1965 19,5x24,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        La Catalunya Vella. Notes de viatge. Amb 30 litografies de Jaume Pla, manuscrit original i una planxa litogràfica

      - Editorial Teide, Barcelona 1965. Enquadernació editorial. 191 pàgines, il.lustrat amb litografies de Jaume Pla. Exemplar XXIV d un tiratge de 25 exemplars sobre paper de fil guarro, signats per l autor i l il.lustrador, que contenen el manuscrit original íntegre d un capitol i una de les planxes litogràfiques. Molt bon estat de conservació. 26x19 cm. Ref: 3359 [LS/014851-3359]

      [Bookseller: Libreria Sanchez]
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        Pubblicita in Italia: 1965-1966

      - Signed by David Klein, famous advertising artist who created the iconic TWA posters!

      [Bookseller: The Cary Collection]
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        XXXIV TAVOLE per L'INFERNO di DANTE. Commento di Dore Ashton.

      Edito da Edgardo Macorini. (Milano, 1965). - Scatola editoriale in Piena Tela formato cm. 46x46, titolo impresso in rosso e nero al piatto, contenente: un volume dello stesso formato, rilegato in mz. tela, piatti in cartone rigido fig. in rosso e nero, pp. 35(1) con il commento ed il colophon, e 34 cartelle in cartoncino avorio con le 34 tavole a colori, riprodotte in fac-simile nelle stesse dimensioni degli originali. I disegni furono eseguiti dall'autore tra il 1959 ed il 1960, impiegando sia tecniche non convenzionali quali la trasposizione fotografica ed il collage, sia tradizionali quali la tempera, l'acquerello, il pastello e le matite colorate. Edizione stampata in 250 esempl. numerati e FIRMATI dall'autore (ns. 102). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Maria Calabrò Studio Bibliografico]
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        Terre d'amour et de feu

      First edition, one of 120 numbered copies on pur fil paper, the only large paper copies.A fine copy, the covers and spine not faded as usual. Plon Paris 1965 14,5x21cm broché

      [Bookseller: Librairie Le Feu Follet]
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        La centaine d'amour, sonnets

      1965. Club des amis du livre progressiste, Paris 1965, 14x20cm, reliure de l'éditeur. - Club des amis du livre progressiste, Paris 1965, 14x20cm, reliure de l'éditeur. - Edizione bilingue con la traduzione francese è stata fatta da Jean Marcenac e André Bonhomme. autografo firmato di Pablo Neruda, il feltro verde, Hubert Lesigne arricchito l'invio autografo firmato Jean Marcenac e un autografo firma Andre Bonhomme e anche sua moglie. Binding Editor con tela di canapa completa scintillante viola, schiena liscia, piatti leggermente scoloriti. [FRENCH VERSION FOLLOWS] Edition bilingue dont la traduction française a été établie par Jean Marcenac et André Bonhomme. Envoi autographe signé de Pablo Neruda, au feutre vert, à Hubert Lesigne enrichi d'un envoi autographe signé de Jean Marcenac et d'une signature autographe d'André Bonhomme au même et à sa femme. Reliure de l'éditeur en pleine toile moirée violette, dos lisse, plats marginalement décolorés.

      [Bookseller: Librairie Le Feu Follet]
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        The Smell of Fear

      London, Hamish Hamilton, 1965. FIRST EDITION. Short crime thrillers. 8vo. Contains 14 stories, including the first book publication of the Philip Marlowe story "The Pencil". There was no US equivalent edition. Publisher's cloth in dustwrapper designed by Youngman Carter. Quite simply a fine, crisp, untouched copy, as fresh as the day it was printed! Uncommon title. Bruccoli. A Raymond Chandler Bibliography.

      [Bookseller: Adrian Harrington]
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        Nuclei and Particles. An Introduction to Nuclear and Subnuclear Physics.

      W. A. Benjamin: New York & Amsterdam, 1965. First edition, second printing, of Segrè's major textbook on nuclear physics, the author's own copy heavily annotated by him throughout, with numerous manuscript additions/revisions in pencil and red and blue crayon. Some 145 pages carry annotations ranging from minor typographical corrections to major textual changes. Inserted in a 16-page printed pamphlet listing the corrections made to the first printing (1964), itself heavily annotated by the author. Segrè shared the Nobel Prize in Physics with Owen Chamberlain in 1959 for the discovery of the antiproton. "Emilio Segrè was born in Tivoli, Rome, on February 1st, 1905, as the son of Giuseppe Segrè, industrialist, and Amelia Treves. He went to school in Tivoli and Rome, and entered the University of Rome as a student of engineering in 1922. In 1927 he changed over to physics and took his doctor's degree in 1928 under Professor Enrico Fermi, the first one under the latter's sponsorship. "He served in the Italian Army in 1928 and 1929, and entered the University of Rome as assistant to Professor Corbino in 1929. In 1930 he had a Rockefeller Foundation Fellowship and worked with Professor Otto Stern at Hamburg, Germany, and Professor Pieter Zeeman at Amsterdam, Holland. In 1932 he returned to Italy and was appointed Assistant Professor at the University of Rome, working continuously with Professor Fermi and others. In 1936 he was appointed Director of the Physics Laboratory at the University of Palermo, where he remained until 1938. "In 1938 Professor Segrè came to Berkeley, California, first as a research associate in the Radiation Laboratory and later as a lecturer in the Physics Department. From 1943 to 1946 he was a group leader in the Los Alamos Laboratory of the Manhattan Project. In 1946 he returned to the University of California at Berkeley as a Professor of Physics. "The work of Professor Segrè has been mainly in atomic and nuclear physics. In the first field he worked in atomic spectroscopy, making contributions to the spectroscopy of forbidden lines and the study of the Zeeman effect. Except for a short interlude on molecular beams, all his work until 1934 was in atomic spectroscopy. In 1934 he started the work in nuclear physics by collaborating with Professor Fermi on neutron research. He participated in the discovery of slow neutrons and in the pioneer neutron work carried on in Rome 1934-1935. Later he was interested in radiochemistry and discovered together with Professor Perrier the element technetium, together with Corson and Mackenzie the element astatine, and together with Kennedy, Seaborg, and Wahl, plutonium-239 and its fission properties. "His other investigations in nuclear physics cover many subjects, e.g., isomerism, spontaneous fission, and lately high-energy physics. Here he, his associates and students have made contributions to the study of the interaction between nucleons and on the related polarization phenomena. In 1955 together with Chamberlain, Wiegand, and Ypsilantis he discovered the antiproton" (nobelprize.org). "In his later years Segrè turned himself into a first-class historian of physics; his historical surveys, From X-Rays to Quarks: Modern Physicists and Their Discoveries and From Falling Bodies to Radio Waves: Classical Physicists and Their Discoveries and his biography Enrico Fermi: Physicist are widely used" (aip.org). Segrè remained at Berkeley until his death in 1989. Nuclei and Particles was highly successful: OCLC records 47 separate editions/printings. The third printing of the first edition appeared later in the same year as the present second printing. A second edition appeared in 1977, expanded to 986 pages. Large 8vo (254 x 178 mm), original publisher's cloth, the author's own copy, with his ink stamp on front free endpaper.

      [Bookseller: SOPHIA RARE BOOKS]
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        The Magic of a Line The Autobiography

      

      [Bookseller: Maggs Bros. Ltd.]
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        Pour un Malherbe

      First edition, one of 26 numbered copies on Hollande, tirage de tête.A very fine copy. Gallimard Paris 1965 19,5x24,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Literarni Noviny.Tydenik svazu Ceskoslovenskych spisovatelu.

      LN, Ceskoslovenskych 1965 - In-folio n( 465x310 mm ) plein skivertex brun.- n° 1 ( Ledna 1965 ) à n° 43 ( 23 Rijna 1965 ).- n° 45 ( 6 Listopadu 1965 ).- n° 46 ( 13 Listopadu 1965 ).- n° 48 ( 27 Listopadu 1965 ) à n° 51/52 ( 18 Prosince 1965 ).- Z Obsahu XIV Rocniku LN.- n° 1 ( 1 Ledna 1966 ) à n° 52 ( 24 Prosince 1966 ).- Z Obsahu LN XV rocniku.- n° 1 ( 7 Ledna 1967 ) à n° 51/52 ( 23 Prosince 1967.- LN Z obsahu XVI rocniku. republique Tcheque Tchequie.

      [Bookseller: Librairie FAUGUET]
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        Oeuvres

      - Paris, Éditions de L’Odeon & Éditions Andre Vial, 1965 - 1968. 11 forts volumes in-4 en reliure de l'éditeur en plein maroquin à grain, dos à 5 nerfs, titre et tomaison dorés, têtes dorées. Plats ornés d'entrelacs dorés et monogramme de Dostoïevski doré au centre. Illustrations en couleurs et à pleine page de Cardin-Bogratchew, Grau-Sala, Fontanarosa, Gaston Barret, Edy-Legrand et Michel Ciry. Tome 1 : Le joueur traduction de Sylvie Luneau. Tomes 2 et 3 : L'idiot traduction de G. et G. Arut. Tomes 4 et 5 : Crime et Châtiment traduction d'Elisabeth Guertiuk. Tome 6, 7 et 8 : Les frères Karamazov traduction d'Elisabeth Guertiuk. Tome 9 : L'éternel mari traduction de Yacha Zwizagora. Tome 10 et 11 : Les possédés, traduction d'Elisabeth Guertik.Tirage limité numéroté. 1 des 72 exemplaires du tirage de tête et portant le n° 8, sur Vélin de Hollande Van Gelder, contenant une suite en noir des illustrations sur Lana (en fin de chaque volume) et enrichi d'un original hors-texte en couleurs. Exemplaire bien complet de l'original en couleurs, signé.Dos des trois premiers volumes légèrement insolés, sinon exemplaire en parfait état. La librairie offre aux clients d'AbeBooks 15% de réduction sur l'ensemble de son catalogue. Prix d'origine : 1000 EUR. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: LIBRAIRIE GIL-ARTGIL SARL]
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        The James Bond Dossier

      London: Jonathan Cape. 1965. FIRST EDITION. THE AUTHOR'S COPY, in a bespoke quarter leather binding of half red morocco, gilt, commissioned by the publisher for presentation to Amis. Obviously a unique copy, this was likely bound by Ian Fleming's own binder Arthur Last, the style matching closely the author's copies of Cape's original Bond novels now residing at the Lilly Library and researched by Gilbert while producing the forthcoming bibliography. Amis' presentation binding also features his initials tooled in gilt. A typed statement is included, noting this as being the only such copy produced for him, SIGNED in full by Amis. Owned in conjuction with Lucius Books of York. Amis' first venture into the world of James Bond. He also wrote the light-hearted 'Book of Bond' in 1965 and the first post-Fleming 007 novel 'Colonel Sun'. BMC No.1 p.4-13 'Fleming and Bond; Related Titles'. Gilbert, Jon; Ian Fleming: The Bibliography, page 592, see also Appendix A, page 634.

      [Bookseller: Adrian Harrington]
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        The Man With the Golden Gun.

      London: Jonathan Cape. 1965. First Issue, Second State, Binding A (in Excelin material) without gilt-stamped gun motif and stamped in Nuvap (gilt) to the spine. SIGNED BY ROGER MOORE with added 'Best wishes' and '007' motif. Octavo, pp.221. Black cloth-effect paper over boards, green endpapers, in pictorial dust-wrapper. Very fine indeed, in a custom-made leather clamshell. A truly stunning copy, with half-title page signed by Moore, who played James Bond in the 1974 film adaptation. One of just 23,203 copies in this binding from a print run of 81,890 copies. Gilbert A13a (1.2).

      [Bookseller: Adrian Harrington]
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        The James Bond Dossier

      London: Jonathan Cape. 1965. SIGNED FIRST EDITION. Pp.159. Publisher's black cloth-effect paper over boards with gilt titles to spine and blind-stamped bullet-holes to upper cover in the dust-wrapper based on the familiar 'trompe l'oeil' designs which decorated the Ian Fleming first editions. Near fine; a lightly handled copy with a little rubbing and toning. Inscribed to reviewer Michael Curtis, with full signature of the author. With a previous bookseller's catalogue description loosely inserted.Amis' first venture into the world of James Bond. He also wrote the light-hearted 'Book of Bond' in 1965 and the first post-Fleming 007 novel 'Colonel Sun'. BMC No.1 p.4-13 'Fleming and Bond; Related Titles'. Gilbert, Jon; Ian Fleming: The Bibliography, page 592, see also Appendix A, page 634.

      [Bookseller: Adrian Harrington]
 42.   Check availability:     Direct From Seller     Link/Print  

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