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Displayed below are some selected recent viaLibri matches for books published in 1963

        The Vinegar Works: Three Volumes of Moral Instruction

      New York.: Simon & Schuster , 1963 Boxed set contains: three volumes: [1.] The GashlycrumbTinies.[2.] The Insect God. [3.] The West Wing. ***This is a scarce author-signed collection. First Edition, First Printing. Signed by the author-illustrator: e Gorey has crossed out his name on title page of each book and replaced it with his signature. *** Books are bound in illustrated paper-covered boards. Books show light shelf wear. As issued without dust jackets. Bindings are firm. Interiors are clean and bright. Intact slipcase shows edge wear.*** Accompanied by a Certificate of Authenticity, dated 12.24.2007, with a $1,200 value by Joseph M. Sutton, president of Vintage 429 Celebrated Autographs.*** Toledano A13 (which incorporates A11a, A12a and A14a)

      [Bookseller: Boomerang Booksellers]
 1.   Check availability:     IOBABooks     Link/Print  


        A Venetian Story. With Illustrations from Eighteenth Century Copperplate Engravings Selected and Introudced by Eleanor M. Garvey and Philip Hofer

      [Kentfield, California:] Allen Press, 1963 One of 150 copies. Brown cloth over decorative boards, a Fortuny print of an eighteenth-century design. Housed in brown cloth clamshell box. . Oblong folio. Leaf size: 13 x 19. 47 loose leaves, including the two red endsheets and one purple leaf separating the introduction from the text. Thirty-five full-page illustrations from 18th-century copperplate engravings, vignettes in text. Large hand-colored woodcut initial by Mallette Dean. Printed in Goudy Modern and Cochin, set by hand, on all-rage and mould-made Rives paper. Printed damp on an Acorn-Smith handpress. Minor soiling to box, but a fine, clean copy.

      [Bookseller: Michael R. Thompson, Booksellers, ABAA/I]
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        The Feminine Mystique

      New York: W. W. Norton, 1963.. First edition of the author's classic work. Octavo, original half cloth. Fine in a very good dust jacket with some light fading to the spine. Signed by Betty Friedan on the title page. First editions are rare, especially signed.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        LAND OF TEMPEST Travels in Patagonia 1958-1962

      London: Hodder & Stoughton. 1963. First Edition; First Printing. Hardcover. Very Good in a Very Good price clipped dust jacket. A few small tears to jacket edges. Smudge to FEP. Small pen mark to rear flap. ; Signed by the author. ; 8vo 8" - 9" tall; Signed by Author .

      [Bookseller: Rare Book Cellar]
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        The Favourite Game

      London: Secker & Warburg, 1963. First edition, preceding both the Canadian and American publication. Octavo, original cloth. Warmly inscribed by Leonard Cohen. Fine in an excellent dust jacket showing just light toning. The author's first novel. "Is there any Canadian novel as compelling and as good as at capturing youthful anxieties as J. D. Salinger's Catcher in the Rye? Absolutely. . . . Leonard Cohen's first novel, The Favorite Game." [Globe & Mail]. Is there any Canadian novel as compelling and as good as at capturing youthful anxieties as J. D. Salinger's Catcher in the Rye? Absolutely. . . . Leonard Cohen's first novel, The Favorite Game" (Globe & Mail). Paul Quarrington said "[t]he Favorite Game is a morally brave book, intimate and unflinching. . . . Leonard Cohen sustains the highest level of poetic craftsmanship throughout," and The Observer added "[h]e is a writer of terrific energy and color, a Rabelaisian comic and a visualizer of memorable scenes." Lastly, Calgary Albertan concluded that "[i]t is the kind of book that becomes a law unto itself, simply because there is nothing with which to compare it.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Texan Fast Gun

      John Gresham. Hardcover. General wear to boards but has small sticker on front board, content clean and sharp but with some foxing, solidly bound, no DJ. Tiny number scripture on first blank page. . Fair. First Edition PBYR|1963.

      [Bookseller: Infinitebooks]
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        LEAVING CHEYENNE

      New York: Harper and Row, 1963. First Edition. SIGNED BY THE AUTHOR, LARRY MCMURTRY. 8vo, publisher’s original cloth, in the original dustjacket. 298pp. A fine copy in like dustjacket, very fresh and attractive. SIGNED COPY OF LARRY MCMURTRY’S SECOND BOOK, every bit as hard to find in collectable condition as his first, HORSEMAN, PASS BY. This copy has been signed boldly on the free-fly by McMurtry in blue ink. The jacket is in what is sometimes called “Second State”, which is actually the same printing as the “first” but with the price clipped off by the publisher and replaced by a small sticker (in some cases a stamp) at $4.95. This was all done prior to the book’s original release date, thus only a very small number of copies can be found with the original $4.50 price intact. “Leaving Cheyenne traces the lives of three West Texas characters as they follow that sundown trail: Gideon Fry, the serious rancher; Johnny McCloud, the free-spirited cowhand; and Molly Taylor, the sensitive woman they both love and who bears them each a son. Tragic circumstances mark the trail but McMurtry's style never turns melodramatic or sentimental.” - modern editorial review.

      [Bookseller: Buddenbrooks, Inc.]
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        Leaving Cheyenne, inscribed by the author with 2 inscribed postcards laid-in

      New York: Harper and Row. 1963. First edition. Hardcover. Very Good+. Inscribed by the author on the fly leaf; this copy also comes with 2 postcards inscribed by the author laid-in. 1963, First Edition. 298 pp. Hardcover, cream cloth. A Very Good+ copy in a Good dust jacket. Faint browning to the text-blocks and endpapers; otherwise a clean, square, unmarked copy. The DJ is price-clipped and has a 3/4-inch ink mark on the front panel; shallow chipping to the spine ends and corners; one tape- residue spot on the front and rear panels; faint discoloration in places as well. DJ now housed in a mylar wrap. Digital images available upon request.

      [Bookseller: Caliban Books ABAA-ILAB]
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        LEAVING CHEYENNE

      New York: Harper & Row, [1963].. Cloth. First edition of the author's second novel. Modest dust soiling along top and bottom extremities of boards, otherwise a very good copy in price-clipped dust jacket with some darkening and light soiling to the spine panel and a thin, short, angular discoloration at the top edge of the upper panel.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Leaving Cheyenne

      New York: Harper & Row, 1963 First edition, first printing. About fine in an unclipped jacket with the publisher's "4.95" sticker affixed over the original price; some light wear and fading to spine, ink mark to the dot of the "i" in "Leaving" and a small mark to the second "e" in "Cheyenne". Still a very presentable copy in a jacket that's often found price-clipped.. First Edition. Hard Cover. Very Good/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        One Day In The Life Of Ivan Denisovich

      United States: E. P. Dutton, 1963. 1st Edition 1st Printing. Soft cover. Fine. 8vo - over 7¾ - 9¾" tall. Signed by the Author. Stated First Edition. True first issue of the title. Contains the original publisher issued slip outlining the Soviet withdrawal of 'authorization' due to permission not being granted for the forward by Marvin L. Kalb. Softcover. Unread with absolutely no creasing to the spine or fanning to the text. Mildest of uniform toning to the edges of the text block. Two small creases to the front cover, one to the top corner and another to the bottom. Lightest of shelf wear. Presents well inside custom made archival mylar cover. Extremely rare example, signed and with original publisher slip.

      [Bookseller: Southern Books]
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        Run To Daylight with Suberbowl I 1966-67, Green Bay Packers Team Signed Football

      Prentice-Hall, Inc., 1963. Two items for sale: 1. The First Edition of Run to Daylight by Vince Lombardi, brown cloth boards, with black-lettered spine, and green endpapers; and in original dust jacket. 2. Signed, 1966-67 Green Bay Packers, team signed football. One of the most desirable post-war pigskins is presented here, representing the roster of Lambeau legends that claimed victory in Super Bowl I & II. Signed by 50 players and coches, filling three panels of this brown leather treasure bearing the bold block lettering "Green Bay Packers, World Champions 1966." Signed by: Herb Adderley, Lionel Aldridge, Bill Anderson, Donny Anderson, Ken Bowman, Zeke Bratkowski, Allen Brown, Bob Allen, Bob Brown, Tom Brown, Lee Roy Caffey, Don Chandler, Dale Carroll, Tommy Crutcher, Willie Davis, Boyd Dowler, Jim Flanigan, Marv Fleming, Gale Gillingham, Jim Grabowski, Forrest Gregg, Doug Hart, Bob Hyland, Claudis James, Bob Jeter, Henry Jordan, Ron Kostelnik, Jerry Kramer, Bob Long, Max McGee, Chuck Mercein, Ray Nitschke, Elijah Pitts, Dave Robinson, John Rowser, Bob Skoronski, Bart Starr, Fuzzy Thurston, Jim Weatherwax, Travis Williams, Ben Wilson, Willie Wood, and Steve Wright; and coaches Vince Lombardi, Phil Bengston, Jerry Burns, Dave Hanner, Bob Schnelker, and Ray Wietecha. Most signatures register at a boldness of 7/10 or better, and only a few slip below a readily legible 4/10. The ball itself is partially deflated but still presents very nicely. Arguably the most important of all Packers team signed artifacts, and a lasting keepsake of one of greatest dynasties in American professional sports history.. Signed by Author(s). 1st Edition. Hard Cover. Very Good/Very Good.

      [Bookseller: Idler Fine Books]
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        RAISE HIGH THE ROOF BEAM, CARPENTERS AND SEYMOUR. AN INTRODUCTION. Publisher's File Copy

      Boston: Little, Brown and Company, 1963 Unique. 8vo., pp248. The Publisher's File Copy & Only Known Copy Extant As Such. The First Edition - bound by Little Brown, the publisher, as a production sample prior to the actual production run. This copy with the dedication page present which is a curious fact in the light of the various states of the first edition assumed. This is Little Brown's file copy. Glued to the rear free-endpaper is a printed notice stating: SAMPLE Return to Manufacturing Department LITTLE BROWN AND COMPANY Published: 1/28,63 Cloth: GSB Silver Black,Word Count; 54,225. Four typographical errors in the text have been identified by an editor/proof reader in green pencil. These are indicated on the verso of the front fly leaf - marked: "Corrections / P.117 /p.159 /p.173 /p.185". Curiously only one error, "Seymour" for "Seymore" on p.173 was found & corrected. Obviously a significant & special item, which provides unique bibliographical information. A very good example, with some fading to spine, light edgewear to cloth-covered boards, & soiling to the top edge & with glue remains on the rear pastedown to which was pasted a copy of the book's original dustwrapper since lost in time & space. A fascinating copy in a very good supplied dustwrapper. Custom Clamshell Case.. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Portrait de Famille Ingresque IV

      Paris: Gallerie Louis Leiris,, 1963. Linocut in brown and black on Velin Arches paper. Image size: 40 x 53.3 cm. Sheet size: 50.5 x 65.4 cm. Presented in a black and gilt wooden frame. Fine condition. Edition of 50, 4 trial proofs and 20 artist's proofs. Signed lower right in pencil by Picasso and numbered lower left.

      [Bookseller: Peter Harrington]
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        Basil Seal Rides Again or The Rake's Regress

      London: Chapman & Hall,, 1963. Frontispiece by Kathleen Hale. Quarto. Original blue cloth, titles to spine and pictorial design to upper board gilt, blue endpapers, top edge gilt, others untrimmed. Colour frontispiece by Kathleen Hale. Boards a little mottled, faint toning to edges of contents. An excellent copy. First edition, first impression. One of a limited edition of 750 numbered copies signed by the author on the limitation leaf, this an out-of-series presentation copy inscribed by the author, "a belated wedding present for Bertie from Evelyn" and with a slash through the portion of the limitation that reads "This is No…".

      [Bookseller: Peter Harrington]
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        The Favourite Game

      London: Secker & Warburg, 1963 First UK Edition. A near Fine book in a Fine Dustjacket, with only a minute trace of toning to the top edge of the dustjacket . No chips or tears and the dust jacket is not price clipped. The book has a touch of soiling to the page edges. A very nice copy of the first novel from the award winning songwriter, poet and novelist. Inscribed by the author on the title page.. Signed by Author. First Edition.

      [Bookseller: MDS Books]
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        Jawbreakers (UNIQUE ASSOCIATION COPY)

      Toronto, Ontario: Contact Press, 1963. Card covers. Near Fine. 54 pp. Light card covers printed in red and black in dust wrapper. 8vo., 1 of 200 copies printed in near-fine condition.Light edgewear and a few creases to covers. Extraordinary inscribed copy. On the half title, the poet has written: "A poem is something/you call a poem/P-O-E-M/or P-O-M-E/and works/Milton Acorn/in loving appreciation /of/Joe Rosenblatt/Joe Irving/Red Lane/and Lionel Kearns (MA)". The inscription likely dates from the mid-'60's when "People's Poet" Acorn was living in Vancouver. He used to hang out in a coffee house named The Advance Mattress Company, and was involved politically with the LSA (League for Socialist Action), a Trotskyite organization. Joe Irving was a folk singer and a poet in residence at the LSA offices on Granville Street. Richard Stanley "Red" Lane (1936-1964) was the older brother of poet Patrick Lane and a promising West Coast poet in his own right. Joe Rosenblatt got his early start as a poet with assistance from Acorn, Al Purdy and Earle Birney. Lionel Kearns was a young poet at UBC and a member of the original Tish group.

      [Bookseller: Come By Chance Books (IOBA)]
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        Ian Fleming: The Bibliography

      London, Queen Anne Press,, 2012. Preface by Fergus Fleming. Foreword by Michael L. Vanblaricum. Edited by Brad Frank. Quarto. Original quarter bound vellum with black boards, Fleming family crest to front cover and titles to spine gilt, top edge gilt (inspired by Fleming's own design for a limited edition of On Her Majesty's Secret Service, Cape, 1963). With the glassine dust jacket. Housed in a black cloth slipcase with Fleming family crest in gilt to front. With black and white illustrations throughout plus four suites of eight colour plates. A fine copy. First deluxe edition, first impression. Limited to 250 numbered copies signed by Gilbert. A comprehensive guide to the work of Ian Fleming, covering everything from the first draft of "Casino Royale" in 1952 to editions still in print today.

      [Bookseller: Peter Harrington]
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        THE BRANCH WILL NOT BREAK Poems

      Wesleyan University Press. Very Good. 1963. Paperback. Black and white paperback cover has faint wear. Signed by author on half title page with some small notations including former owner's name neatly inscribed. Pages clean and in very good condition. ; Wesleyan Poetry Series; 7.98 X 6.01 X 0.18 inches; 59 pages; Signed by Author .

      [Bookseller: New Boston Fine and Rare Books]
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        The Lithographs of Chagall

      Monte Carlo, Boston and New York: André Sauret (Monte Carlo, vol.II), Boston Book and Art Shop, Inc. (vols.II & III) and Crown Publishers, Inc. (New York, vol.IV), 1963-1969-1974. Volumes II-IV only (of 6), large quarto. (12 31/2 x 9 5/8 inches). 13 original lithographs after Chagall, 517 illustrations after Chagall (coloured where the originals are coloured). Original grey cloth, upper cover and spine lettered in black, variously coloured dust-jackets, those to vols. III and IV with an integral original lithograph by Chagall, each with a glassine chemise. Fine copies of the standard work on the subject, with original lithographs A good representative sample of the English-language edition this great fully-illustrated catalogue raisonné of Chagall's lithographs. Freitag 1561 (Vols 1-4); Rigg p. 170.

      [Bookseller: Donald Heald Rare Books]
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        L Y 1961: La Monte Young Compositions 1961

      [NY]: [Fluxus Editions], [1963]. Paperback. Very good. Very good in printed blue wraps that show some light sunning to the edges. Uncommon La Monte Young item containing his 1961 compositions e.g.:"Composition 1961 No.1, January 1 Draw a Straight Line and Follow it" Silverman No. 529; Hendricks page 584.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
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        The Natural (Uncorrected Proof of the First UK Edition)

      London: Eyre and Spottiswoode, 1963. First Edition. UNCORRECTED PROOF, preceding the First Edition. As with the first edition, this proof contains an afterword by Malamud and a 10-page glossary of baseball terms not found in the American edition. Basis for the iconic 1984 film directed by Barry Levinson and starring Robert Redford, Robert Duvall, Glenn Close and Kim Basinger. Very Good plus in plain butcher paper wrappers as issued, with toning at the edges, a couple of faint splashes to the spine, and some production creasing to same. Rare. McCue, page 66. Shannon 100.

      [Bookseller: Royal Books, Inc.]
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        On Her Majesty's Secret Service

      London: Jonathan Cape, 1963.. Signed Limited edition. This being a presentation, one of a handful given by the publisher to Ian Fleming. Octavo, original quarter vellum over black cloth, gilt titles to the spine. Fine in a near fine acetate wrapper that has a small chip to the foot of the spine. The eleventh novel in the James Bond series. Housed in a custom quarter morocco clamshell box.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Thrilling Cities

      Jonathan Cape, London, 1963, 1963. First Impression, First State, INSCRIBED BY THE AUTHOR. Large octavo. With photographic plates. Publisher's quarter white cloth. A near fine copy in the striking 'Monte Carlo' dustwrapper. A particularly fine copy. A fine association, being presented to Fleming's close friend John Hayward, a man-of-letters and a fellow bibliophile; both these men served as directors on the editorial board of The Book Collector journal. The inscription reads; To John, His usual copy! from Ian. Gilbert A16a (1.1), see also pages 479 and 644.

      [Bookseller: Adrian Harrington Rare Books]
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        On Her Majesty's Secret Service

      London: Jonathan Cape,, 1963. Octavo. Original black boards, titles to spine in silver, white ski track design to upper board in white. With the dust jacket. Minor bumps to corners. An excellent copy in the very lightly rubbed jacket. Fifth impression. Presentation copy inscribed by the author on the front free endpaper, "To CD from Ian". A superb association copy. Sir Charles Denis "CD" Hamilton, was a close friend and colleague of Ian Fleming, a director of Kemsley Newspapers and later editor of The Sunday Times.

      [Bookseller: Peter Harrington]
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        It Catches My Heart in Its Hands

      New Orleans: Loujohn Press, 1963. Paperback. Very Good. First Edition. One of 777 cc signed and dated by Bukowski in silver ink. Top edge slightly foxed, otherwise a near fine copy of this elaborate production and the first book from the press. Krumhansl 12.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
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        Russian Icons

      London: Spring Books, (1963). Small quarto. 40pp., + (48)pp. of color illustrations. This copy was specially bound by Philip Smith in 1964, constituting an example of his earlier work. Bound in full morocco: rose on the upper cover and blue on the lower cover, with the two hues meeting in the center of the spine. Both covers feature an elaborate modern take on the traditional icon, incorporating numerous smaller figures within the larger, main icon. On the upper cover, against a background of black, the icons are formed with teal and burgundy onlays, with extensive gold and black stamping to highlight the figures. Additional onlays in two shades of orange highlight the edges of the design. The lower cover features a similar, simpler version of the motif against a rose background, with onlays in shades of purple, teal, and orange morocco. The figures are outlined with blind tooling. Spine titled in gilt on a free-form black onlay. Patterned paper paste-downs. Signed by Smith on the rear turn-in with his symbol and the date 1964. This copy has been inscribed to "Joan," to whom the accompanying (1)pp. ALs on Smith's stationery is also addressed. The letter thanks Joan for her financial contribution to help fund an upcoming exhibition, and he presents this book as gratitude for her kindness. Smith also mentions his fellow bookbinder, Elizabeth Greenhill, and discusses his own involvement in the field of binding: "I suppose we get used to strange manifestations in bookbinding by being in the thick of it here... But I expect mine are 'horrid' to most people...Of course I am always experimenting and not every one is a 'winner' by any means. Perhaps I have done 3 or 4 really inspired ones. The rest is just practice and experiment. Some are 'sketch bindings'." A prelude to Philip Smith's later and more developed maril style, yet burgeoning with his highly advanced technique of tooling, leather placement, and keen sense for complementary color. Very light rubbing to corners with a slight bow to upper cover (amenable to pressure), some slight fading to spine, else a fine copy of one of this talented binder's earlier creations. A.e.g.

      [Bookseller: Bromer Booksellers]
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        Autograph Letter, signed ("Thomas H. Benton") to caricaturist Jay Clark, regarding the latter's depiction of him

      Kansas City, Mo., november 23, 1963. 4to. One page. Fine. With Clark'e pen and ink and pencil caricature of Benson. The two in linen portfolio . Funny letter from the artist to Clark, who evidently had sent Benton his caricatures: "Dear Jay Clark, "Your caricatures are fine. I think the one of me is best but maybe that is only because I like my face better than the faces of those other guys. "Keep it up. "I don't play the harmonica very much any more because when I hit a high note my false teeth jump out of my mouth. "Sincerely "your friend "Thomas H. Benton"

      [Bookseller: James Cummins Bookseller]
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        I Maestri del Colore: La più grande collana d'arte del mondo (The Masters of Color), Vol 1 - 100

      Milano, Italy: Fratelli Fabbri Editori, 1963. Paperback. First Edition, First Printing. Tall Quarto. Volumes 1 through 100. Published from 1963 to 1965. Each volume devoted to an individual artist and contains numerous color plates. Text in Italian. Each volume in pictorial wraps in Very Good plus to Near Fine condition, most notable flaw being light wear to corners and light yellowing of covers. Every set of ten comes in a brown slip case with gilt font to spine listing all of the individual titles. The ten slipcases range from Very Good to Near Fine, some have slight wear to corners and card board binding is separating along edges.// v. 1. Mantegna -- v. 2. Goya -- v. 3. Carpaccio -- v. 4. Renoit -- v. 5 Correggio -- v . 6. van Gogh -- v. 7. Rubens -- v. 8. Botticelli -- v. 9. Modigliani -- v. 10. Michelangelo -- v. 11. Pieter Bruegel -- v. 12-13. Raffaello -- v. 14. Paul Gaugin -- v. 15. Giorgione -- v. 16. Duccio -- v. 17. Tintoretto -- v. 18. Toulouse-Lautrec -- v. 19. Beato Angelico -- v. 20 Rembrandt -- v. 21. Pietro Longhi -- v. 22. Albrecht Dürer -- v. 23. Antonello -- v. 24. Parmigianno -- v. 25. Delacroix -- v. 26-27. Giotto -- v. 28. Canaletto -- v. 29. Paolo Uccello -- v. 31. Fernand Léger -- v. 32. Carlo Crivelli -- v. 33. Hans Holbein -- v. 34. Maurice Utrillo -- v. 35. Guido Reni -- v. 36. Frans Hals -- v. 37. Giambattista Tiepolo -- v. 38. Giorgio Morandi -- v. 39. Filippo de Pisis -- v. 40. Jacopo Bassano -- v. 41. Edouard Manet -- v. 42. El Greco -- v. 43. Wassily Kandinsky -- v. 44. Paolo Veronese -- v. 45. Giovanni Bellini -- v. 46. Théodore Géricault -- v. 47. Pisanello -- v. 48. Andrea del Castagno -- v. 49. Annibale Carracci -- v. 50. Henri Matisse -- v. 51. Murillo -- v. 52. Carlo Carro -- v. 53. Andrea del Sarto -- v. 54. Johannes Vermeer -- v. 55. Bartolomeo Montagna -- v. 56-57. Pablo Picasso -- v. 58. Vincenzo Foppa -- v. 59. Alessandro Magnasco -- v. 60. Domenico Veneziano -- v. 61. Filippo Lippi -- v. 62. Giovanni Segantini -- v. 63. Guercino -- v. 64. Palma Il Vecchio -- v. 65. Van der Weyden -- v. 66-67. Tiziano -- v. 68. Perugino -- v. 69. Diego Velazquez -- v. 70. Camille Pissarro -- v. 71. I Lorenzetti -- v. 72. Jan van Eyck -- v. 73. Lorenzo Monaco -- v. 74. Piet Mondrian -- v. 75. Giovanni Fattori -- v. 76. Sassetta -- v. 77. Alfred Sisley -- v. 78. Dosso Dossi -- v. 79. Alberto Giacometti -- v.80. Masolino da Panicale -- v. 81. Bramantino -- v. 82. Lukas Cranach -- v. 83. Orazio Gentileschi -- v. 84. Konrad Witz -- v. 85. Pollaiolo -- v. 86. Cosmè Tura -- v. 87. J.A. Dominique Ingres -- v. 88. Cima da Conegliano -- v. 89. Piero dell Francesca -- v. 90. Joshua Reynolds -- v. 91. Hugo van der Goes -- v. 92. Giuseppe Maria Crespi -- v. 93. Hieronymus Bosch -- v. 94. Pontormo -- v. 95 Romanino -- v. 96. Maurice de Vlaminck -- v. 97. Rosalba Carriera -- gv. 98. Iovanni Battista Piazzetta -- v. 99. Stephan Lochner -- v. 100. Boucher. Image or additional images available upon request

      [Bookseller: Wessel & Lieberman Booksellers ABAA]
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        La france revolutionnaire et imperiale annales de bibliographie methodique et description des livres illustres tIX annees 1811-1812 epilogue romantique

      Imprimerie nationale, 1963. in8 broché

      [Bookseller: Livre Nomade]
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        Arauco Domado por el excelentisimo Señor Don Garcia Hurtado de Mendoza. Tragicomedia famosa de Lope de Vega Carpio

      Santiago: Sociedad de Bibliófilos Chilenos, 1963. First edition. Loose in stiff paper portfolio in slip case. A very good unopened (uncut) copy, spine tanned, 2 inch tear at head, light soiling on wrappers with a few small tears; contents near fine; in a very good marbled slip case. Folio. Illus. with 4 b/w plates and 3 drawings. Each plate (other than frontis) is signed by the illustrator. No. 90 de 100 copies for the Society members (of a total run of 300 copies). This book is printed in the workshops of the Editorial Universitaria, SA, in Santiago, Chile. The text is printed on Johannot vellum paper. The three plates outside the text, on d'Arches vellum, in the lithographic press the Museum of Contemporary Art at the University of Chile, under the direction of Angel Sepulveda. The portrait etching of Lope de Vega on the front cover and the vignette at the end, have been printed in la Casa de Moneda de Chile by Jose Moreno. The typography is by Mauricio Amster. Lope de Vega's famous tragicomedy was first published in 1625. Nemesio Antunez Zañartu (b. 1918) is a Chilean painter and engraver and director of the National Museum of Fine Arts.

      [Bookseller: Kaaterskill Books, ABAA/ILAB]
 31.   Check availability:     Biblio     Link/Print  


        The White House Years: Mandate for Change, 1953-1956; Waging Peace, 1956-1961 (2 Volumes)

      Garden City, NY: Doubleday & Company, Inc, 1963. Limited. Hard Cover. Fine/Fine. Signed by Author. Both volumes in exceptional condition with original clear mylar dust jacket. Light olive cloth covered boards with Presidential Seal embossed in gold on cover boards, titled in gold on spine within a larger, darker olive green title block. Front endpapers of Volume I are illustrated with a map of the United States, rear endpapers a map of Africa, Europe, the then-Soviet Union, and Asia. Front endpapers of Volume II are illustrated with a map of the World, rear endpapers also a map of the World but from a different perspective and delineating the many United States alliances. Each volume is crisp and clean within and appears to never have been read. Each volume signed by Dwight D. Eisenhower in black ink on tipped in page preceding the title page, facing the limitation page. Volume I is copy #557 of 1,434; Volume II is copy #245 of 1,434. There were a total of 1,500 copies of each volume printed. Each volume comes in its original, paper covered slipcase; both in Very Good condition with minor scuffing from shelf wear. Photographs gladly provided.

      [Bookseller: Artisan Books & Bindery]
 32.   Check availability:     Biblio     Link/Print  


        Aniara [Signed] [Aniara : en revy om människan i tid och rum; Underskrivet] A Review of Man in Time and Space

      London: Hutchinson, 1963. First UK edition. Hardcover. Very Good +/near fine. A Very Good copy of the first UK edition, first printing (some white spotting where it appears that the dye was not absorbed by the cloth, minor edge wear and some corner bumping), in a Near Fine dust jacket (light wear at the outer corners, age toning to the white flaps), SIGNED BY HARRY MARTINSON on the title page; an epic poetic cycle about a spaceship, the "Aniara", that escapes from an Earth polluted by the nuclear explosions of a great and ongoing war and heads to Mars with 8,000 colonists. The Aniara (a name derived from the ancient Greek work for "sad or "despairing") is unexpectedly diverted from its destination, and then heads irretrievably into the void. In the Poem, Martinson examines humanity through the cults and sects that develop among the passengers and the ways in which the travelers, with no destination and surrounded by the vast emptiness of Space, deal with their isolation. Martinson won the 1974 Nobel Prize in Literature for "writings that catch the dewdrop and reflect the cosmos". "Aniara", perhaps, Martinson's most famous work, was quite well received. Prominent Science fiction writer Theodore Sturgeon (who famously stated that ninety percent of all Science Fiction is "crud") proclaimed respecting Aniara that: "Martinson's achievement here is an inexpressible, immeasurable sadness. [It] transcends panic and terror and even despair [and] leaves you in the quiet immensities, with the feeling that you have spent time, and have been permanently tinted, by and with an impersonal larger-than-God force." (The 1974 prize was divided equally between Martinson and his co-winner Eyvind Johnson and evoked controversy as both men were then members of the Swedish Academy. Furthermore, Graham Greene, Saul Bellow, and Vladimir Nabokov were the other candidates that year and many expected that one of them would win the Prize.) Only a few of Martinson's works have been translated to English. Signed copies of his works in any language, even in his native tongue are quite uncommon, and signed copies of them translated into English are hen's teeth. All in all, a Very Good + copy of what many consider to be his greatest work, SIGNED BY HARRY MARTINSON. RARE.

      [Bookseller: Allington Antiquarian Books, LLC]
 33.   Check availability:     IOBABooks     Link/Print  


        A Cold Sunday Afternoon in Baltimore" (Original Manuscript, with holograph corrections)

      December 12, 1963. Original corrected typescript for a story by Lewis H. Lapham that ultimately appeared (in a revised form) in the March 14, 1964 issue of The Saturday Evening Post. This early version is titled "A Cold Sunday Afternoon in Baltimore." In this piece, Lapham conducts a dedicated troll through the burlesque houses of Baltimore one day in the winter of 1963. The published article was titled, "Whatever Happened to Burlesque?" and was expanded to include visits to burlesque houses throughout Maryland and Pennsylvania. & & Lapham later served as editor of Harper's Magazine from 1971 to 2006, and is largely responsible for what became the magazine's modern look, which caused it to gain prominence in that 30-year-period. He introduced many signature features of the magazine, most notably the famed "Harper's Index." & & 18 non-numbered pages, bound with a paper clip. With profuse holograph corrections on every page by the author, the piece details the nature of the houses themselves (and their odd uses during non-burlesque hours), the strippers and dancers, the customers (nearly all men, "all in overcoats"), the owners, and the onlookers. A wonderful piece of period Baltimoreana from one of the best essayists of his generation. Very Good or better condition. In a custom quarter-leather clamshell box.

      [Bookseller: Royal Books, Inc.]
 34.   Check availability:     Biblio     Link/Print  


        Journal of Hydrology - Vol. 1 (1963) - Vol. 199 (1997) - cpl. years bound (ONLY Vol. 108 MISSING) - Vol. 155 - 161 softcover/ komplette Jahrgänge (1963 - 1997) gebunden (nur Bd. 108 FEHLT - Bd. 155 - 161: broschiert, sonst einheitliche Bindung),

      North-Holland publ. comp.; 1963 - 1997. - je Band ca. 400 Seiten; Die hier angebotenen Jahrgänge/ Bände stammen aus einer teilaufgelösten wissenschaftlichen Bibliothek und tragen die entsprechende Kennzeichnung/ Stempel im Buchinnern; Der Buchzustand ist ansonsten ordentlich; Textsaubere Exemplare; Komplettpreis für o.g. Bände/ Jahrgänge; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten!! Beiträge in englischer Sprache! Das erste Bild zeigt lediglich eine Auswahl des angebotenen Gesamtwerks!! Sprache: en Gewicht in Gramm: 20000

      [Bookseller: Petra Gros]
 35.   Check availability:     AbeBooks     Link/Print  


        Spy Who Came in from the Cold, The

      London: Victor Gollancz, 1963. First Impression. Hardcover. Fine-/Fine. A truly superior first printing of "the best spy novel I've ever read" (Graham Greene), with the rare Book Society belly-band still intact. Small 8vo; 222pp. Publisher's pale blue cloth, the spine lettered gilt, in a scarlet, price-clipped dust jacket printed. Just about Fine, with only a thin line of fading to the top edge of both boards and a previous owner's neat signature to the front fly leaf. Internally, bright and fresh, the text block square, in a Fine, remarkably vibrant jacket, with barely a trace of the usual fading to the spine panel and the yellow belly-band practically as crisp as the day it was issued. Preserved in a blue cloth-covered sleeve. In the early 1960s, when Le Carre's masterwork appeared, the popular spy novel presented a melange of "fantasy, farce, and fanatic nationalism; the genre's most successful practitioner was Ian Fleming; and the preeminent spy was the whorish, amoral James Bond." By contrast, Le Carre's protagonist, George Smiley, is a short, fat scholar of German poetry too weak-spined to resist continual pleas from both his unfaithful wife and the intelligence service he loves but questions. 'Spy' also created a new hero, Alec Leamas, who denigrates spy fiction's conventions by angrily evaluating espionage's capacity to betray the souls of its agents. . . . Far from being “priests, saints, martyrs,” he recognizes that spies are “vain fools, traitors too, yes; pansies, sadists and drunkards, people who play cowboys and Indians to brighten their rotten lives” and who exist solely that “the great moronic mass [. . .] can sleep soundly in their beds at night.” (adapted from the Literary Encyclopedia) Note: With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.&

      [Bookseller: Fine Editions Ltd]
 36.   Check availability:     Biblio     Link/Print  


        The Spy Who Came in From the Cold

      London: Gollancz, 1963. First British edition. Hardcover. Hardcover. First British edition. A near fine book in a near fine dust jacket. The author's third novel and the one that catapulted him to literary fame. One of the essential spy novels of the Cold War. Book is slightly cocked with foxing to the fore edges and name on the front free endpaper. Short closed tear to the top of the rear panel and sunning to the jacket edges. a very collectable copy. This book is from the library of well known Oklahoma book collector Larry Owens. Laid into the book is a bookplate signed by the author.

      [Bookseller: Sawtooth Books]
 37.   Check availability:     Biblio     Link/Print  


        The Spy Who Came in From the Cold (First UK Edition)

      London: Victor Gollancz, 1963. First Edition. First Edition. Widely considered Le Carré's best, basis for the 1965 film directed by Martin Ritt and starring Richard Burton and Claire Bloom.& & Very Good plus in a Very Good plus, price-clipped dust jacket. Binding slightly cocked, backstrip (and jacket spine) faded, strips of staining at the top and bottom edge of the jacket verso from an old jacket protector.

      [Bookseller: Royal Books, Inc.]
 38.   Check availability:     Biblio     Link/Print  


        Le Mythe Tragique de L'Angélus de Millet

      Paris: Jean-Jacques Pauvert,, 1963. Quarto. Original beige cloth with woven strap and buckle, titles to front cover on octagonal plate in red and black, black and white illustration to front cover on rectangular plate. Illustrated throughout by Salvadore Dali with many tipped in plates. A fine copy. First edition, first printing.

      [Bookseller: Peter Harrington]
 39.   Check availability:     Biblio     Link/Print  


        THE ARTS OF THE SOUTH PACIFIC.

      - Translated by Anthony Christie. Edited by Andre Malraux and Georges Salles. Pp. [viii]+464(last blank), illustrated throughout in colour and black & white (2 folding), glossarial index; demy 4to; ribbon marker; price-clipped dust wrapper, edges lightly rubbed and split, back panel soiled; top edges of leaves a trifle marked, bookseller's sticker at foot of upper pastedown; Thames & Hudson, London, 1963. The Arts of Mankind series. *The Bernard Brett copy, with his bookplate on upper pastedown. [Attributes: Hard Cover]

      [Bookseller: Kay Craddock - Antiquarian Bookseller]
 40.   Check availability:     AbeBooks     Link/Print  


        CLIFFS OF FALL

      1963. Very Good. HAZZARD, Shirley. CLIFFS OF FALL. NY; Knopf, 1963. First edition. 8vo., boards. Very good, a little sun and spotting and a sunned and slightly nicked dust jacket. Hazzard's first book with a warm personal inscription (29 October 1963). "For....who took the kindest interest/in these stories when they/ were newborn with love/from Shirley."

      [Bookseller: Boston Book Company ]
 41.   Check availability:     ABAA     Link/Print  


        Podkayne of Mars

      G. P. Putnam. Hardcover. First Edition 2nd Impression. Previous bookseller's price sticker on rear free-endpaper. Browning to edges. First Issue DJ with $3.50 publisher's price. DJ is in good condition with a triangular chip about the size of a thumb nail missing from upper right corner of front panel, and moderate wear and chipping to the tips and extremities of the spine. DJ design by Irv Doktor. Heinlein's last juvenile title . Very Good. 1963.

      [Bookseller: Earthlight Books]
 42.   Check availability:     Biblio     Link/Print  


        THE LITHOGRAPHS OF CHAGALL 1957-1962. ( Lithograph II )

      Boston, Boston Book and Art Shop, Inc., printed in France for Andre Sauret, 1963.. FIRST AMERICAN EDITION 1963, translated from the French, Volume 2 only of 6, 4to, 320 x 245 mm, 12½ x 9¾ inches, 184 lithographs, most in colour and most full page, plus 12 ORIGINAL LITHOGRAPHS including the DUSTWRAPPER, 7 of which are in colour, 208 pages, original publisher's beige cloth, lettered in black on upper cover and spine, in original dustwrapper with publisher's outer acetate dustwrapper. Very small crease to 2 lower page corners, not affecting page number or original lithograph pages, otherwise book FINE in FINE DUSTWRAPPER, dustwrapper just very slightly rubbed at corners and tail of spine. Acetate dustwrapper has minute chip at 3 corners. This is Volume II of the 6 volume Catalogue Raisonne of Chagall's lithographs. The reproductions were printed on the presses of Draeger Freres, and the original lithographs on the presses of Mourlot Freres. MORE IMAGES ATTACHED TO THIS LISTING. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 43.   Check availability:     Biblio     Link/Print  

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