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Displayed below are some selected recent viaLibri matches for books published in 1963

        Raise High the Roof Beam Carpenter and Seymour an Introduction

      Little, Brown and Company, Boston 1963 - 248pp. Octavo [21 cm] Gray cloth with title gilt stamped on backstrip. Very good/Very good. Minor sunning to spine of jacket. The edges of the jacket are lightly rubbed. Bookplate on front pastedown. First state lacking tipped in dedication page. Starosciak A42 [Attributes: First Edition; Hard Cover]

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Corrida. 22 Original-Lithographien von Charles Hug.

      1963. 1963 - 40,5 x 59 cm. Orig.-Halbleinenmappe mit mont. Orig.-Lithographie, signiert. 22 signierte Orig.-Lithographien zum Thema Stierkampf. - Sehr selten. - Charles Hug (eigentlich Karl Hug) war ein Schweizer Maler, Zeichner, Graphiker und Buchillustrator. Geboren 1899 in St. Gallen, gestorben 1979 in Zürich. Er war u.a. Mitarbeiter bei der Zeitschrift Kunst und Künstler und Querschnitt. Er lebte zwischen 1926-1933 in Paris, war mit Picasso, Cocteau und Matisse bekannt. Besuche der Stierkämpfe in Arles inspirierten ihn die Stierkampfszenen künstlerisch umzusetzen. - Die Tafeln von hoher künstlerischer Qualität. - Eine Tafel mit Lichtrand. Sonst sehr gut erhalten.- Fotos gerne auf Anfrage. [Attributes: Signed Copy]

      [Bookseller: Altstadt Antiquariat M. Weiers]
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        Nova Genera et Species Plantarum quas in perigrinatione ad plagam aequinoctialem orbis novi collegerunt, descripserunt, partim adumbraverunt. Reprint der Ausgabe Paris 1815-1825. (= Voyage de Humboldt et Bonplant - Sixiéme Partie: Botanique).

      Cramer, Weinheim 1963. 7 Bände in 3 Bänden (Text) und der dazugehörige Atlasband, 377 S. - 404 S. - 456 S. - 312 S. - 432 S. - 535 S. - 506 S. und 700 ganzseitige schwarzweiße Tafeln (Atlasband). Groß 8° (Textbände) und 4° (Atlas), Original-Leinen, gutes und innen sauberes, vollständiges Exemplar, Pritzel 4333; Versand D: 5,00 EUR Amerika, Botanik, Floren, Reise, Südamerika

      [Bookseller: Antiquariat Silvanus]
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        Eurafrique (puis) Le Saharien : Revue d'action touristique culturelle économique sportive : de 1963 à 1992 : 91 numéros + 2 numéros spéciaux soit 93 numéros sur 101

      - Ensemble de 91 numéros (sur 99) du n° 32 (avril 1963) au n°122 (3e trimestre 1992) + le n° spécial consacré à l'abbaye de Sénanque + le supplément au n°96 "Annuaire 1986". Il manque seulement 8 numéros (n°46; 66; 75; 76; 108; 111, 118 et 121) sur ces 29 années de publication. Le Saharien revue trimestrielle prenant la suite du Bulletin des Amis du Sahara et d'Eurafrique et du Bulletin de Liaison Saharienne. Couvertures souples agrafées entre 20 et 80 pages avec quelques illustrations. Bel ensemble en bon état. Poids 9,115 kg. [Attributes: Soft Cover]

      [Bookseller: MAGICBOOKS]
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        Gedichte. Auswahl und Lithographien von Robert Wehrlin.

      - Zürich, Arcade-Presse 1963. 41,5 : 30 cm. 64 unn. S. Mit 27 (1 doppelblattgr.) meist farb. Orig.-Lithographien. Orig.-Umschlag u. Orig.-HPergamentchemise mit RTitel in Gold in Pappschuber mit Roma-Büttenbezug. 4. Druck der Arcade-Presse Zürich. - Eines der 10 Exemplare der absoluten Vorzugsausgabe auf Echt-Japanpapier mit A-K bezeichnet mit einer 2. Folge der Lithographien und 11 Zustandsdrucken. Jedes Blatt der separaten Folge ist zusätzlich vom Künstler handschriftlich signiert. Vorliegend Ex. Nr. F gedruckt für Marcelle Reinhart. - Die auf 26 Seiten verteilten Lithographien von Robert Wehrlin, 17 einfarbige und 9 zweifarbige, wurden auf den Handpressen der Graphischen Kunstwerkstätte Emil Matthieu in Zürich gedruckt. Die Gedichte wurden aus der 16 Punkt Caslon von Hand gesetzt. - Die Extrafolge, 13 Einzel- u. 14 Doppelblätter, in identischer HPergamentkassette mit RTitel in Gold u. Schuber. - Schuberkanten mit geringen Gebrauchsspuren, sonst sehr schönes Exemplar. - Spindler 62, 4. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        Thrilling Cities.

      London: Jonathan Cape,, 1963. Octavo. Original white cloth-backed grey boards, titles to spine gilt, black endpapers, top edge block. With the dust jacket. Housed in a custom black quarter morocco solander box. 48 pages of illustrations from photographs. A superb copy in the bright dust jacket. First edition, first impression. Presentation copy, inscribed by the author on the half-title "To John, His usual copy from Ian." An excellent association, the recipient being noted literary scholar John Hayward (1905-1965) who "for the last dozen years of his life edited the Book Collector, read by collectors, dealers, and librarians throughout the English-speaking world. Among those with whom he worked was Ian Fleming Â… the Book Collector's founder and chief proprietor" (ODNB). Fleming's five-week round-the-world travelogue written for the Sunday Times is highly uncommon in this condition, all the more so in presentation state.

      [Bookseller: Peter Harrington]
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        Psychopathologie und bildnerischer Ausdruck. Eine internationale ikonographische Sammlung. 1. - 25. Serie (25 Bde.).

       Basel, Sandoz, 1963-77. Textblätter mit zahlreichen farb., losen Tafeln, orig. kartonierte Mappe, Quart -guter Zustand- Der Text (Dt. oder Frz.) und die grosszügigen Tafeln zu folgenden Themen: 1. Serie: Jean Delay u. Rob. Volmat: Malerei und Chemotherapie; 2.: P. L. De Luca u. B. Sacchettini: Die Malerei als Mittel zur psychodiagnostischen Forschung; 3.: Hanscarl Leuner: Die optische Halluzinose und ihre Sinngehalte; 4.: G. C. Argan u. C. Traversa: Die Zeichnung im Kindesalter; 5.: Th. Spoerri: Le monde image d\'Adolf Wölfli; 6.: W. v. Bayer u. H. Häfner: L\'oeuvre de Prinzhorn; 7.: G. R. Lafora: Sujets de composition orientaux dans les peintures d\'un schizophrene; 8.: E. Cunningham Dax: La representation picturale de la depression; 9.: Comte Wittgenstein: Les \"\"Series iconographiques des elements\"\" dans la psychiatrie; 10.: H. Delgado: Un peintre schizophrene; 11.: J. Delay u. R. Volmat: Ästhetische Ausdrucksformen des Wahns; 12.: Ungewöhnliche Materialien im künstlerischen Schaffen Schizophrener; 13.: P. Kielholz u. a.: Malerei von Depressiven; 14.: Leo Navratil u. a.: Zwischen Eros und Thanatos; 15.: C. Nespor: Die Teppichstickereien des Jules Leclercq; 16.: A. Wildbolz: Eine psychotische Entwicklung in präkognitiver Selbstdarstellung; 17.: H. Aubin: Masken und Neomorphismen bei einem psychotischen jungen Mädchen; 18.: A. Bader: Die \"\"Vorstadt-Gräfin\"\". Eine manimorphe Schizophrenie; 19.: I. Jakab u. M. Howard: Eine entmenschlichte Welt; 20.: A Marinow: Narkomanie und Malerei; 21.: H. Leuner: Fratzen und Masken in der toxischen Halluzinose; 22.: H. Steck; Aloyse; 23.: G. Ferdiere: Der Fall Philipp B. Fellmer; 24: V. Andreoli: Carlo. Die non-verbale Kommunikation eines Schizophrenen; 25: P. Baukus, F. Reimer: Kreative Grundfunktionen und halluzinatorische Formkonstanten, dargestellt an den Bildern der Erika O. Versand D: 5,90 EUR Psychologie, Kunst

      [Bookseller: Celler Versandantiquariat]
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        Manuscript Archive - US Intelligence in Communist China

      China, 1963. China, 1963. Document archive of a journey to China for a pseudo-clandestine reconnaissance, made by author and poet R. P. Lister, featuring a fair journal in typescript transcribed by the author himself from his original travel diary, an introductory account describing the nature and purpose of the journey, and his draft copies of seven articles written upon his return, together with a travel itinerary, other travel papers and vouchers including a Visa request receipt from the China International Tourist Service completed in manuscript and miniature hotel room cards, sightseeing pamphlets, and newspaper articles of importance in China at the time of his travel. Also with a scant few papers pertaining to a one day visit to Moscow. Typescript fair journal: 8vo. 77 pages, with a scant few manuscript drawings. This account is present in duplicate, typed simultaneously onto light tissue paper creating a carbon copy. Typescript pre-press drafts of articles: 8vo. 55 pages combined, including revisions, with annotations throughout. Some of these are also found in duplicate. Typescript introduction to the mission titled "Unexpectedly to China": 8vo. 25 pages including minor revisions in manuscript. A single copy. Travel vouchers and receipts: These vary in size, the smallest measuring 6 x 2,5 cm (hotel room cards) and the largest measuring 13 x 15cm (Visa receipt), mostly on tissue paper, several inscribed in manuscript in China. Pamphlets and newspaper cuttings vary in size and attributes. The lot in very good condition, contained in the author's own original folders and envelopes inscribed in manuscript. Richard Percival Lister (1914-2014), was an English author, poet, artist and metallurgist. During the Second World War he worked in the Royal Naval Torpedo Factory in Greenock in Scotland, the Royal Aircraft Establishment in Farnborough, Hampshire, and the Ministry of Aircraft Production in London. In 1950 he abandoned metallurgy for full-time writing, publishing most of his works under the name R. P. Lister, including some 400 poems and several books. They include prose novels, autobiographical accounts of travel and other experiences, historical works, and poetry. His travel books are especially engaging, and reputed for the highly personal manner in which he writes. These are also largely illustrated by himself. From 1954 to 1957, he was also general editor for the publishing house Macdonald & Evans Ltd. In 1970 he became a Fellow of the Royal Society of Literature. Lister later became in effect a professional artist in response to enthusiasm for his paintings, earning income from his art. Receiving accolades for his written works as well as his art, Lister has been described as a "reflective, quizzical and un-phased" man, "gently testing humanity," and "a buoyant, erudite, very funny poet." The University of Texas, Harry Ransom Center, holds a collection of R. P. Lister manuscripts relating to the London literary society. According to his own typed account found in the present archive of documents, Lister embarked on a tour of China, ostensibly as a visitor, but, in actuality, on a purposeful, investigative, and somewhat risky expedition on behalf of New York's Associated Press. The mission unveils itself to be a reconnaissance mission to gather information on civilian welfare, the state of economy, on industry, and Communist governance. [For twenty years (1949-1969), the government of the United States of America tried to disrupt, destabilize, and weaken China's communist government, establishing military alliances along China's eastern and southern borders, cutting off trade and orchestrating an international embargo of China, and effectively creating a division between China and the Soviet Union with their so-called "wedge strategy." These efforts and campaigns, naturally, caused China to be suspect of all foreign journalists, and hostile towards American visitors in general.] Lister being an English subject, a travel writer and poet, posed no visible threat to Chinese authorities, was an ideal candidate in the eyes of the major American press agency, and therefore selected as investigator and informant. His expedition being entirely funded by the agency, paid in cash for absolute concealment from potential Chinese spies, began in Peking (Beijing) after a transfer the Omsk airport in Russia. Upon his return to the Western world, Lister wrote and published at least seven unique articles to be published in American periodicals. Further research is warranted to ascertain whether all were published. Here, his draft copies are titled as follows: Red Giants, Old and New The Elusive Gap - Between Plan and Reality Children of the New China Chang's Seventy Yuang The Next Twenty-Five Years The Land of Yesterday and Tomorrow The New Dynasty Especially fascinating is a 25 page typed account which reveals the covert design of the expedition, the secrecy in organizing his funding and so forth, and occasions of "dutiful tourism" whilst privily observing an unsuspecting people and government. Lister being both an astute observer and a skilled writer, his own private diary, 77 pages typed, provides generously, with statistics and notes on commerce, agriculture, and politics, including production of pottery, wine, tea, silk, bricks, carved ivory artefacts, so forth. His journey being in the recent post liberation era, he learns directly by interviewing Chinese civilians, of improved wages, new sanatoriums, improved education and a movement for abolition of illiteracy, medical treatment and standards of living. Over a three week period he extracts an appreciable amount of information, travelling to Beijing, Hankou, Hubei, Shiwan, Hangzhou, Shanghai, Taiping, and back to Beijing for the return journey via Russia. Excerpts from Lister's introductory account and journal: "Unexpectedly to China" - An Introductory Account: "I never had any intention of going to China until four weeks before I left... A friend of mine from New York was in London... I went along to the press agency... Joe said they wanted a man to go to China and see what things were like there, only they could not send one of their own men, because they were all journalists and Americans, and the Chinese had some kind of objection to both... They were so nervous about the Chinese attitude to Americans and journalists that they would not even give me a cheque, in case the Chinese had spied sitting in my bank... So I collected a hundred and seventeen five-pound notes and set off down the Strand... these notes tucked into my inside pocket, feeling like a secret agent..." "The Chinese were uncommonly swift with my visa... probably the fact that I declared myself free from religious beliefs or political affiliations turned the scale... A few hours later we were in Moscow... filling in a lot of green forms with inaccurate statements about the amount of British, Russian and Chinese currency we had with us..." "There were thirteen of us. Two were writers, like myself..." "... on to Peking... Everybody stared at me. I am a rare sight, it seemed, even in Peking, the European was unexpected enough... We spent the day in dutiful tourism, visiting the Imperial Palace - the Forbidden City...the immense Tien An Men Square... the Great Hall of the People... in the evening... off to a theatre... Flanking us was a row of soldiery..." "... Wuhan, on the Yangtze River... seemed more thoroughly Chinese than Peking with its metropolitan apparatus of national government... My impressions of Peking were reinforced; undoubtedly these people were crushed by a tyrannical government, and half-starved, but they succeeded in looking neither crushed nor starved... the children were fat and happy... a general air of purposeful activity, and a greater air of apparent contentment than is immediately visible in Chicago or Stockton-on-Tees. Clearly I was being brainwashed... " "Everything in China has happened since the Liberation. On October 1st, 1949 Moa Tse-Tung proclaimed the founding of the People's Republic... and illustrates the superiority of the Marxist-Leninist way of life... " "Human muscle does most of the work that in the West would be done by machines... may explain to some extent the bland Chinese attitude toward birth control... In rural areas, mechanical transport is almost non-existent... " "In every town... meeting with the local C.I.T.F. [China International Travel Service] officials... we were exposed to the full delegate-ritual of Communist countries... and a toast of British-Chinese friendship." "The Chinese were not reluctant to talk about their difficulties. This was a poor backward country, they told us... They have a furious impatience with revisionism, the departure from the pure faith. Russia is an old and still-valued friend who has gone astray... They consider that journalists would only send out biased reports of them..." "This seems to be - I am speaking from the standpoint of what we saw and heard... - the one country in the world whose inhabitants do not feel themselves to be menaced by anybody.... The one true enemy is America..." "Notes on a Journey to China" - Lister's Diary: "Yangste River Bridge... one of the oddities of the Chinese bureaucratic dictatorship... not allowed to take photographs from the top of the bridge - the roadway - because there is a militia post on the top of a hill on the north side of Yangtse, almost out of sight, and taking photographs of militia posts or militiamen is strictly forbidden..." "D and I talked much on the way back to Li and Ray about medical treatment, standard s of living, and the unfortunate matter of the W. German journalists who published those carefully selected photographs showing the seamier sides of life in the People's Republic." "Ivory carving factory... scrapings are used in medicine - eye complaints... Mostly one man from start to finish. Ivory imported through Hong Kong." "Fushan village commune... estab. end of Aug. 1958. 11,700 households, 44,000 people, 18,000 labour force... All communal enterprises serve agricultural production... Welfare facilities: hospitals, clinics, medical stations, primary school... Members of commune work very happily and each woman has 6 days & each man 4 days holiday per month..." "Before liberation... half of cultivated land was owned by landlords, about 20-30% by middle or poorer classes... They earn according to how much is picked, not hours worked..." "Ping Fung Workers' Sanatorium... Built 1954... 800 beds... People who come to cure their chronic diseases... those who come for short rest... Treatment usually combines Chinese traditional medicine and Western medicine... electro-therapy, hydratherapy, wax therapy, heat treatment, ultraviolet, infrared etc. Also Chinese liquid medicine, acupuncture..." "Ming Hung Industrial Area... 26 km from Shanghai...All inhabitants of MH are workers in the Ming Hung Industrial Area. Many recently built factories... Cinemas, park, library... New hospital... This is one of the 12 districts of Shanghai... No light was here and no running water... Couple with 1 child have 1 room. 5-6 people 2 rooms..." End excerpts. Some years later, R. P. Lister would write two books on China, "The Secret History of Genghis Khan," published in London by Peter Davies, 1969, and "Marco Polo's Travels (in Xanadu with Kublai Khan)," published in London by Gordon & Cremonesi, 1976. Excerpts from Lister's introductory account and journal: "Unexpectedly to China" - An Introductory Account: "I never had any intention of going to China until four weeks before I left... A friend of mine from New York was in London... I went along to the press agency... Joe said they wanted a man to go to China and see what things were like there, only they could not send one of their own men, because they were all journalists and Americans, and the Chinese had some kind of objection to both... They were so nervous about the Chinese attitude to Americans and journalists that they would not even give me a cheque, in case the Chinese had spied sitting in my bank... So I collected a hundred and seventeen five-pound notes and set off down the Strand... these notes tucked into my inside pocket, feeling like a secret agent..." "The Chinese were uncommonly swift with my visa... probably the fact that I declared myself free from religious beliefs or political affiliations turned the scale... A few hours later we were in Moscow... filling in a lot of green forms with inaccurate statements about the amount of British, Russian and Chinese currency we had with us..." "There were thirteen of us. Two were writers, like myself..." "... on to Peking... Everybody stared at me. I am a rare sight, it seemed, even in Peking, the European was unexpected enough... We spent the day in dutiful tourism, visiting the Imperial Palace - the Forbidden City...the immense Tien An Men Square... the Great Hall of the People... in the evening... off to a theatre... Flanking us was a row of soldiery..." "... Wuhan, on the Yangtze River... seemed more thoroughly Chinese than Peking with its metropolitan apparatus of national government... My impressions of Peking were reinforced; undoubtedly these people were crushed by a tyrannical government, and half-starved, but they succeeded in looking neither crushed nor starved... the children were fat and happy... a general air of purposeful activity, and a greater air of apparent contentment than is immediately visible in Chicago or Stockton-on-Tees. Clearly I was being brainwashed... " "Everything in China has happened since the Liberation. On October 1st, 1949 Moa Tse-Tung proclaimed the founding of the People's Republic... and illustrates the superiority of the Marxist-Leninist way of life... " "Human muscle does most of the work that in the West would be done by machines... may explain to some extent the bland Chinese attitude toward birth control... In rural areas, mechanical transport is almost non-existent... " "In every town... meeting with the local C.I.T.F. [China International Travel Service] officials... we were exposed to the full delegate-ritual of Communist countries... and a toast of British-Chinese friendship." "The Chinese were not reluctant to talk about their difficulties. This was a poor backward country, they told us... They have a furious impatience with revisionism, the departure from the pure faith. Russia is an old and still-valued friend who has gone astray... They consider that journalists would only send out biased reports of them..." "This seems to be - I am speaking from the standpoint of what we saw and heard... - the one country in the world whose inhabitants do not feel themselves to be menaced by anybody.... The one true enemy is America..." "Notes on a Journey to China" - Lister's Diary: "Yangste River Bridge... one of the oddities of the Chinese bureaucratic dictatorship... not allowed to take photographs from the top of the bridge - the roadway - because there is a militia post on the top of a hill on the north side of Yangtse, almost out of sight, and taking photographs of militia posts or militiamen is strictly forbidden..." "D and I talked much on the way back to Li and Ray about medical treatment, standard s of living, and the unfortunate matter of the W. German journalists who published those carefully selected photographs showing the seamier sides of life in the People's Republic." "Ivory carving factory... scrapings are used in medicine - eye complaints... Mostly one man from start to finish. Ivory imported through Hong Kong." "Fushan village commune... estab. end of Aug. 1958. 11,700 households, 44,000 people, 18,000 labour force... All communal enterprises serve agricultural production... Welfare facilities: hospitals, clinics, medical stations, primary school... Members of commune work very happily and each woman has 6 days & each man 4 days holiday per month..." "Before liberation... half of cultivated land was owned by landlords, about 20-30% by middle or poorer classes... They earn according to how much is picked, not hours worked..." "Ping Fung Workers' Sanatorium... Built 1954... 800 beds... People who come to cure their chronic diseases... those who come for short rest... Treatment usually combines Chinese traditional medicine and Western medicine... electro-therapy, hydratherapy, wax therapy, heat treatment, ultraviolet, infrared etc. Also Chinese liquid medicine, acupuncture..." "Ming Hung Industrial Area... 26 km from Shanghai...All inhabitants of MH are workers in the Ming Hung Industrial Area. Many recently built factories... Cinemas, park, library... New hospital... This is one of the 12 districts of Shanghai... No light was here and no running water... Couple with 1 child have 1 room. 5-6 people 2 rooms..." End excerpts. Some years later, R. P. Lister would write two books on China, "The Secret History of Genghis Khan," published in London by Peter Davies, 1969, and "Marco Polo's Travels (in Xanadu with Kublai Khan)," published in London by Gordon & Cremonesi, 1976. . Very Good.

      [Bookseller: Voyager Press Rare Books & Manuscripts, ]
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        Haven of Rest Radio Favorites (Words AND Music)

      The Rodeheaver, Hall-Mack Company, 1963. Spiral Bound. Used; Acceptable. Spiral Bound; English language; 8vo - over 7.75" - 9.75" tall; a fair reading copy; words AND music edition; features photos of First Mate Bob and the crew of the good ship Grace. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
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        El Siglo De Las Luces

      Revolución ediciones, La Habana 1963 - PRIMERA EDICIÓN CUBANA BELLAMENTE DEDICADA Y FIRMADA. FIRST CUBAN EDITION WITH A BEAUTIFUL AUTHOR'S INSTRIPTION . Edición de 2200 ejemplares. Colección "novela". MUY BUEN ejemplar encuadernado en tapa dura y conserva cubierta en primera página. 423pp + sumario + catálogo de colección [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: 101PoE]
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        Selden Society. Annual Series. Vols. 1-80 (1887-1963)

      1963. The First 76 years of the Selden Society Year Books Selden Society. Annual Series. Vols. 1 to 80 (1887-1963). London: Selden Society, 1887-1963. Original blue gilt stamped cloth, light shelfwear. Ex-library with location labels at foot of spines and stamps, else a very good set. Interiors otherwise clean. Reprint Price USD 7,512. * A detailed list of the contents of each volume is available. The Selden Society's principal achievement has been the publication of its annual series, which includes essential source materials of the common law, including law reports dating back to the Middle Ages (known as the Year Books), plea rolls and courts' records, eyre rolls of itinerant justices, select leading cases in the courts of King's Bench, Chancery, Star Chamber, Admiralty, Requests, Exchequer Chamber, and Privy Council; and in local, manorial, ecclesiastical, and mercantile courts. Select charters of trading companies, borough customs, and records of public works show the development of business enterprise and local government. Professional literature, early treatises, formularies, judges' notebooks, and lecturers' readings on statutes show the development of the legal profession, early legal education, the inns of court, and their teaching methods. The publication of English legal materials is an unfinished project! The Selden Society edits, translates, and publishes one volume each year which often contains materials appearing for the first time in print. The contents of each volume are explained and discussed in its introduction; and these introductions therefore represent much of the research and scholarship that has been devoted over the past hundred years to the development of the common law and its institutions.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        La Cerise

      1963 - 443 p. Paris, Plon, 1963, in-8, 443 p, broché, Édition originale. Tirage à 55 exemplaires numérotés sur papier pur fil Lafuma (n°4). Deuxième roman d'Alphonse Boudard (1925-2000), La Cerise dévoile ses années d'incarcération. Le titre fait probablement écho à l'expression "se faire la cerise", c'est-à-dire "fuir", clin d’œil à son passé délinquant. Le roman remporte le prix Sainte-Beuve en 1963. A travers son œuvre, l'auteur se plaît à manier la langue, entre culture lettrée, argot et gauloiseries. C'est un romancier au parcours atypique : Résistant pendant la 2ème guerre mondiale, il entre dans le réseau Navarre et s'engage dans l'armée De Lattre de Tassigny, qui fait partie de l'Armée française de la Libération. Après la guerre, il passe plusieurs années en prison pour cambriolage et trafic de fausse monnaie. C'est derrière les barreaux qu'il se forge une culture littéraire. Fort de son expérience dans la vie, et de ses nombreuses lectures, il commence à écrire après sa sortie de prison en 1958. Son premier roman, La Métamorphose des cloportes, publié en 1962, obtient le prix Renaudot. Il sera adapté au cinéma par Pierre Granier-Deferre, avec des dialogues de M. Audiard. Il s'essaye lui-aussi au cinéma, via les adaptations de ses romans (Le Tatoué avec Jean Gabin), et en collaborant à divers scénarios. Sur la page de faux-titre, un envoi de l'auteur à Jacques Delarue (1919-2014), résistant, historien et ancien commissaire de Police. A la Libération, il s'occupe des poursuites contre les collaborateurs au régime nazi. Alphonse Boudard s'amuse de la signification de son titre, dont il sait que Delarue comprendra le sens sans avoir "besoin de glossaire". Bel exemplaire. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Psychopathologie und bildnerischer Ausdruck. Eine internationale ikonographische Sammlung. 1. - 25. Serie (25 Bde.).

      - -guter Zustand- Der Text (Dt. oder Frz.) und die grosszügigen Tafeln zu folgenden Themen: 1. Serie: Jean Delay u. Rob. Volmat: Malerei und Chemotherapie; 2.: P. L. De Luca u. B. Sacchettini: Die Malerei als Mittel zur psychodiagnostischen Forschung; 3.: Hanscarl Leuner: Die optische Halluzinose und ihre Sinngehalte; 4.: G. C. Argan u. C. Traversa: Die Zeichnung im Kindesalter; 5.: Th. Spoerri: Le monde image d'Adolf Wölfli; 6.: W. v. Bayer u. H. Häfner: L'oeuvre de Prinzhorn; 7.: G. R. Lafora: Sujets de composition orientaux dans les peintures d'un schizophrene; 8.: E. Cunningham Dax: La representation picturale de la depression; 9.: Comte Wittgenstein: Les "Series iconographiques des elements" dans la psychiatrie; 10.: H. Delgado: Un peintre schizophrene; 11.: J. Delay u. R. Volmat: Ästhetische Ausdrucksformen des Wahns; 12.: Ungewöhnliche Materialien im künstlerischen Schaffen Schizophrener; 13.: P. Kielholz u. a.: Malerei von Depressiven; 14.: Leo Navratil u. a.: Zwischen Eros und Thanatos; 15.: C. Nespor: Die Teppichstickereien des Jules Leclercq; 16.: A. Wildbolz: Eine psychotische Entwicklung in präkognitiver Selbstdarstellung; 17.: H. Aubin: Masken und Neomorphismen bei einem psychotischen jungen Mädchen; 18.: A. Bader: Die "Vorstadt-Gräfin". Eine manimorphe Schizophrenie; 19.: I. Jakab u. M. Howard: Eine entmenschlichte Welt; 20.: A Marinow: Narkomanie und Malerei; 21.: H. Leuner: Fratzen und Masken in der toxischen Halluzinose; 22.: H. Steck; Aloyse; 23.: G. Ferdiere: Der Fall Philipp B. Fellmer; 24: V. Andreoli: Carlo. Die non-verbale Kommunikation eines Schizophrenen; 25: P. Baukus, F. Reimer: Kreative Grundfunktionen und halluzinatorische Formkonstanten, dargestellt an den Bildern der Erika O. Sprache: Deutsch Gewicht in Gramm: 7030 Basel, Sandoz, 1963-77. Textblätter mit zahlreichen farb., losen Tafeln, orig. kartonierte Mappe, Quart

      [Bookseller: Celler Versandantiquariat]
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        Trémelo sur l'oeil, edited by Gaston Puel. Texts and illustr. completely in zincography.

      Veilhes, Gaston Puel, 1963. Sm.4to. Orig. decorated boards. Illustr. b/w. 16 p.*Printed in 300 copies "sur la presse de l'auteur". - Fine copy. - Weber II, 972-990.

      [Bookseller: André SWERTZ B.V.]
 14.   Check availability:     NVvA     Link/Print  


        Révolution (1933-1950). Farblithographie auf Velin v. Charles Sorlier nach Chagall.

      Paris, 1963, ca. 77,5 x 55,5 cm (Druck ca. 54 x 47 cm). Von Chagall im Stein signiert. Abzug vor der Schrift. Rand leicht nachgedunkelt u. ein wenig knittrig, ansonsten guter Zustand.Versand D: 5,00 EUR

      [Bookseller: Antiquariat Walter Markov]
 15.   Check availability:     buchfreund.de     Link/Print  


        Ballett Theater. Weitere Beiträge von Hermann Frieß und Karl Viktor Prinz zu Wied.

      München, Süddeutscher Verlag, 1963. 1. Auflage 193 Seiten mit zahlreichen Abbildungen ( Illustrationen von Cocteau, Noten von Orff, Szenenfotos von Ballettszenen) 4°, gebundene Ausgabe, Ledereinband cremefarbenes Leder in bezogenem Pappschuber, dieser etwas lichtrandig, Exemplar VIII einer Vorzugsausgabe von 175 Stück von denen die Nummern 1 bis 150 in den Handel kamen, mit den Signaturen von Jean Cocteau, Carl Orff und Werner Egk, zusätzlich signiert von den beteiligten Tänzern Heino Hallhuber, Margot Werner, Winfried Krisch und Heidi Högl (siehe Dokumentation), auf dem Vortitel mit ganzseitiger Widmung des Herausgebers Heinz Rosen für Johannes Rüger, dem es nach den Worten Rosens zu verdanken ist, daß dieses Buch so qualitätvoll erscheinen konnte \"... die \"Welt des Balletts\" wird ihm dafür dankbar sein, ganz besonders ist es Heinz Rosen\", mit Bildern der Fotografen Rudolf Betz, Margret Deeg, Siegfried Enkelmann,Wolfgang Hager, Robert Hetz, Fritz Peyer, Sabine Toepffer und Kurt Ulrich. Versand D: 5,00 EUR

      [Bookseller: Bührnheims Literatursalon GmbH]
 16.   Check availability:     buchfreund.de     Link/Print  


        Fluxus. Aus der Sammlung Van der Grinten.

      Kranenburg, Hause Van der Grinten, 1963. Orig. wrappers (spine faded). With portrait and 24 plates. 76 p.*Printed in 500 copies. - Famous and early catalogue.

      [Bookseller: André SWERTZ B.V.]
 17.   Check availability:     NVvA     Link/Print  


        Florenz. Aquarell.

      1963 - Monogrammiert in Aquarell. Signiert, datiert und betitelt "Friedrich Gotsch 63 / - Florenz -". Farbfrische Arbeit auf Bütten. Blattfüllendes, farbintensives Aquarell mit breiten Pinselstrichen, teilweise naß in naß gearbeitet. Von einem erhöhten Standpunkt aus malt Gotsch die Stadt mit dem Florentiner Dom Santa Maria del Fiore im Zentrum, dessen Kuppel der einzige konkrete Hinweis auf die toskanische Metropole ist. Umspannt wird die Stadt von einem mediterranen, blauen Himmel und die leuchtenden Farbtöne des Südens. - 1920 beginnt F. K. Gotsch ein Studium an der Sächsische Akademie der Künste Dresden und wird ein Meisterschüler von Oskar Kokoschka. Hier hat er Kontakt mit Hilde Goldschmidt und Hans Meyboden. Zu Studienaufenthalten hält er sich in New York, Paris, Italien und Südfrankreich, München und Berlin auf. Bei einem Luftangriff während des Zweiten Weltkriegs wurde sein Berliner Atelier und fast sein komplettes Werk zerstört. Nachdem Gotsch in den ersten Nachkriegsjahren vorrangig kulturpolitisch tätig ist, konzentriert er sich ab 1951 wieder vollständig auf seine künstlerische Arbeit. Nach einer Phase intensiver Auseinandersetzung mit dem Kubismus Picassos und des Experimentierens mit abstrakten Darstellungsformen entwickelt der Künstler den für sein weiteres Werk typischen "späten Expressionismus". Als einer der wenigen gegenständlich malenden Künstler seiner Generation kann sich Gotsch schon zu Lebzeiten öffentlicher Anerkennung erfreuen. - Minimale Griffknicke an den Blattkanten. Außenränder ,wohl technikbedingt, etwas wellig. Sprache: Deutsch Gewicht in Gramm: 2100

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        The White House Years: Mandate for Change 1953-1956.

      

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 19.   Check availability:     Biblio     Link/Print  


        Zero Mostel reads a book

      New York Times, New York 1963 - Signed and dated by Robert Frank on the title page. 1963, First Edition. Hardcover. Illustrated throughout with Frank's b&w photos of, what else, Zero Mostel reading books. Near Fine with minor fading along the edges of the boards; Fine contents. Signed by Frank and dated '1995, NYC.' Digital images available upon request. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        Edition Suhrkamp Band 1 bis 500.

      Ffm., Suhrkamp, 1963-1984. - Meist Erste Ausgaben. * Vereint Literatur, Philosophie und gesellschaftliche Aufklärung in einer die Generationen der sechziger und siebziger Jahre, wie keine andere, prägenden Reihe. Adorno, Beckett, Benjamin, Bernhard, Brecht, Eich, Enzensberger, Frisch, Handke, Hildesheimer, Horkheimer, Jens, Marcuse, Mayer, Sachs, Walser u.a. in regebogenfarbenem Gewand. Es liegen bei: die später erschienenen Bände von Brecht, die Nummern von früher erschienen Bände ersetzten. Sprache: Deutsch Gewicht in Gramm: 85000 Kl. 8°. Tausende Seiten. OBroschur und OBroschur mit Schutzumschlag von Willy Fleckhaus. Bis auf einzelne Bände mit kleineren Gebrauchsspuren schöne, gut erhaltene Reihe. Papier z.T. minimal vergilbt. 497 Nummern (die Nummern 460,475 und 493 sind nicht erschienen). [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat Jürgen Fetzer]
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        Cat's Cradle

      Holt, Rinehart and Winston, New York 1963 - A fine first edition copy in a near fine dust jacket that is priced $3.95. Signed and dated on the half title page. Book is square, boards colors bright, binding tight, pages crisp and clean. Dust jacket bright. Top corners have light small light crease, otherwise would be fine. If read it was done with care. An excellent copy. 233 pages. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Wolfmueller's Books]
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        Tamanoir jaune (Ameisenbär gelb). Farblithographie.

      1963 - Signiert "Calder" und nummeriert "51/90". Auf Velin von BFK Rives. Zeitgleich mit der Entstehung der monochromen monumentalen Skulptur "La Tamanoir", erscheinen bei Maeght Éditeur" die sehr plastisch wirkenden Lithographien des Sujets in verschiedenen Farbvarianten. - Minimale Spuren einer alten Montierung im Darstelllungsrand. - Margenbesteuerung. Sprache: Deutsch Gewicht in Gramm: 2100

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        A Murder Of Quality

      Walker, New York 1963 - First Edition/First printing published by Walker and Company, New York 1963. Yellow cloth boards are very clean with minimal wear. Bright black text to spine. Rear pastedown creased/Bubbled. No marks or inscriptions. Dustjacket has slight sunning to spine area. A Section missing from base of spine. Small chipping to edges. Price clipped. Protected in archive cover. [Attributes: First Edition; Hard Cover]

      [Bookseller: Idlegeniusbooks]
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        6 Autograph letters signed and 10 Typed letters signed.

      , 1954-1963 - 30 pages. 4to and 8vo. À son habilleuse Ginette Renaudin. Affectueuse correspondance, signée Joséphine Baker ou Joséphine Bouillon, ou «votre deuxième maman». Elle dit à son habilleuse combien elle lui manque, notamment pendant ses tournées au Danemark, en Suède et en Amérique du Sud («J'adore le Brasil [.] j'ai acheter beaucoup de singes et oiseaux», etc.). Elle la charge de courses pour ses costumes et pour la décoration des Milandes (rideaux et couvertures en fourrure). Elle évoque ses succès, ses soucis d'argent, ses enfants (ils sont tous les neuf avec elle en janvier 1958 dans la neige à Stockholm «en train de se rouler par terre comme de petits animaux»), la maladie de sa mère, ses difficultés avec Jo Bouillon Elle la fait engager par Bruno Coquatrix pour ses spectacles à l'Olympia et à l'étranger (1959); elle la réclame par un télégramme (1963) pour 15 jours aux États-Unis.On joint un certificat des bons états de service de Ginette Renaudin signé par Joséphine Baker et Jo Bouillon (1951), une déclaration de bagage au nom de Joséphine et Jo Bouillon (Japon mai 1954), une fiche d'immigration au nom de Ginette Renaudin (U.S.A. 1955-56), et 2 cartes de voeux. [Attributes: Signed Copy]

      [Bookseller: Kotte Autographs GmbH]
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        THE COLLECTOR

      London: Jonathan Cape, (1963). First Edition. Hardcover. Very mild soiling to the white rear panel of the dustwrapper. Fine in a close to Fine, price-clipped dustwrapper. Author's first book in rust cloth with the first issue dustwrapper with art by Tom Adams.

      [Bookseller: Charles Agvent]
 26.   Check availability:     Biblio     Link/Print  


        Gutter Girls [The Yellow Teddybears; The Yellow Golliwog] (Original screenplay, director Robert Hartford-Davis' working copy)

      London: Tekli Film Productions / Animated Motion Pictures, 1963. Final shooting script for the 1963 film, "The Yellow Teddybears," here under both that title and the film's working title, "The Yellow Golliwog," and released in the US as "Gutter Girls." Directed by Robert Hartford-Davis and written for the screen by Donald and Derek Ford. Director Robert Hartford-Davis' working copy, with his holograph ink and penciled notations, deletions, and drawings throughout. Though instantly packaged at the time (and indeed, today) as a sexy exploitation film, "The Yellow Teddybears" is very much a pre-"Swinging London" message picture, about a group of girls at a girls' boarding school who wear a small yellow teddy bear on their lapels to indicate they have lost their virginity. Red titled wrappers with title window, single call sheet dated April 5, 1963, both in a custom green cloth spring back binder with the director's initials ("RHD"), the film's final title ("The Yellow Teddybears") and the production company ("Tekli Film Productions Ltd") embossed in yellow on the front board. Title page present, with credits for screenwriters Donald and Derek Ford, the two production companies (Tekli and Animated Motion Pictures), noted as FINAL, and dated February 1963. 85 leaves, mimeograph, with pink and goldenrod revision pages throughout. Pages and wrapper Very Good plus, bound with three silver brads. Binder Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Senza titolo

      Ancona: Bucciarelli, , 1963. Acquaforte. Opera appartenete alla cartella ''Testamento per Luciana'', contenente l'incisione ed un testo dell'Artista. Cm 10,5x5 (Foglio 35x25). . Tiratura 100 + alcune p.d.a.

      [Bookseller: Studio Bibliografico MArini]
 28.   Check availability:     Biblio     Link/Print  


        Un herbier des dunes.

      Paris, Jeanne Bucher, 1963. - In-folio, non paginé, Edition limitée à 100 exemplaires. Celui-ci un des 80 exemplaires numérotés sur Auvergne de Richard de Bas (n° 14). Illustré de 20 planches originale de Marcel Fiorini gravées en taille douce sur cuivre et lino entre 1959 et 1963. Exemplaire signé par l'auteur et par l'artiste à la justification. Magnifique ouvrage alliant typographie et illustration. en feuilles, sous couverture illustrée rempliée, chemise et étui. [Attributes: Signed Copy]

      [Bookseller: Le Cabinet d'Amateur]
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        SECONDS .

      Pantheon Books A Division of Random House [1963], New York - Octavo, cloth-backed boards. The story of a man caught up by a nameless organization that uses advanced managerial and technological methods to achieve its singular aim -- lifting the moral and physical barriers to personal liberty and self-indulgence. Brilliantly filmed by John Frankenheimer with Rock Hudson as the hapless victim of a shadowy organization which ultimately kills him and recycles his body parts. "Like David Ely's slender, nightmarish novel, SECONDS has a thinly science-fictional rationale, but it is actually an exercise in Kafkaesque horror . Outstandingly photographed by James Wong Howe, extremely well played by the whole cast (the choice of Hudson as every man's self-image is inspired), and directed with the imaginative flair John Frankenheimer brought to The Manchurian Candidate, Seven Days in May, and 99 and 44/100% Dead, SECONDS is perhaps the scariest movie of the 1960s." - Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, p. 374. Reginald 37728. Hubin (1994), p. 266. A fine copy in a fine dust jacket with two light blue horizontal lines on the verso of the jacket (offset from a previous jacket protector) with slight bleed through at jacket flaps. A sharp copy. (16591) [Attributes: First Edition; Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
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        Hallelujah the Hills with Scorpio Rising (Promotional broadside)

      Los Angeles, 1963. Promotional broadside, designed to resemble an oversized postcard, for the Los Angeles premiere of Adolfas Mekas' feature film debut, "Hallelujah the Hills," along with the debut of Kenneth Anger's short film, "Scorpio Rising." Mekas was the brother of Jonas Mekas, a film critic, filmmaker, and essentially father figure of the avant-garde New American Cinema of the 1960s, which in turn spawned the underground film movement that continued into the 1970s. "Hallelujah the Hills," a surreal comedy satirizing politics, American pop culture, religion, and sexual mores, was the first feature film in that movement. 11.5 x 9.25 inches, black and white type and illustrations on brown card stock, printed on recto only. Slight toning at the edges, brief creasing to one corner, else Near Fine.

      [Bookseller: Royal Books, Inc.]
 31.   Check availability:     Biblio     Link/Print  


        My Fair Lady (Original screenplay for the 1964 film)

      Burbank, CA: Warner Brothers, 1963. Revised Estimating Script for the 1964 film. Brief notation in holograph ink on one page. Based on George Bernard Shaw's 1912 play, "Pygmalion," at one time the longest-running Broadway musical (as "My Fair Lady"). Cockney flower girl Eliza Doolittle (Hepburn) meets linguistic expert Henry Higgins (Harrison), and, after a tirade against "verbal class distinction," Higgins tells his companion that he could transform Eliza into a proper lady, simply by teaching her proper English. Winner of eight Academy Awards, including Best Picture, and nominated for another four. Cukor, who was fired from working on the 1939 film "Gone With the Wind" due to his homosexuality (Clark Gable proclaimed "I won't be direct by a fairy!"), earned an Academy Award for his direction. Hepburn's musical sequences were dubbed by Marni Nixon. Tan titled wrappers, noted as ESTIMATING SCRIPT on the front wrapper, rubber-stamped copy No. 63, dated March 15, 1963. Distribution page present, with receipt intact, dated 3/15/63. Title page present, dated 3/15/63, with credits for screenwriter-playwright Lerner, composer Frederick Loewe, and playwright Shaw. 141 leaves, with last leaf of text numbered 138. Mimeograph on yellow stock, with blue revision pages throughout, dated 5/20/63. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads.

      [Bookseller: Royal Books, Inc.]
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        Tremolo sur l'Oeil - SIGNED PRESENTATION COPY to Henri Pol Bouché

      Veilhes: Gaston Puel, 1963. 8vo. (215 x 172 mm). [8 unnumbered leaves]. Lithograph text and illustration printed recto and verso throughout: text and illustration after Dubuffet's original manuscript, final verso with illustration only, achevé d'imprimer and justification to inner rear wrapper. Original publisher's printed wrappers with monochrome illustrations to front and rear covers, title to front cover. From the edition of 300 unnumbered copies. "Texte autographe de Jean Dubuffet calligraphié et illustré à l'encre de Chine, reporté photographiquement sur zinc, imprimé par Serge Lozingot sur les presses de l'auteur en lithographie, Paris, été 1963." [Webel II, 972 - 990, see pp. 60 - 63]. In fine condition with scattered light foxing. This copy signed and inscribed to Henri Pol Bouché, member of the so-called "Collège de Pataphysique," translator of the writings of Swiss Art Brut artist Adolf Wölfi: "pour la trémolation joyeuse de Henri Pol Bouché / Jean Dubuffet," adding a small design beneath his signature. A remarkable item from the influential French artist whose idealistic approach to aesthetics embraced so called "Art Brut" ("Raw Art" or "Low Art") and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.

      [Bookseller: Schubertiade Music & Arts]
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        6 Autograph letters partly signed.

      Philadelphia, New York, , October-November 1963 - 19 pages. 4to and 9 pages. 8vo. On the letterhead of American Hotels. 5 envelopes. Intéressante correspondance pendant sa tournée de 1963 aux U.S.A., mentionnant les décès de Piaf et de Cocteau, et l'assassinat de J. F. Kennedy.New York (The New York Hilton) 11 and 12 October. Elle est bien arrivée et tout s'annonce pour le mieux: «toute est vendu». Elle repousse son retour car elle a des rendez-vous pour les livres et le film, et demande que Kenza la rejoigne avec divers documents et costumes oubliés. Elle cherche à contacter Stephen Papich (qui sera son biographe) en Californie «c'est très très important», car en cas d'ennuis, il pourrait l'aider dans son combat contre la discrimination raciale: il est au courant de ses affaires passées et du procès. La presse lui a fait un accueil formidable, tout va bien et elle compte gagner beaucoup d'argent. «Je suppose que tu a envoyer les fleurs pour la pauvre Piaf et Cocteau 15000 AF chaque». Elle est enrhumée, et a toujours sommeil à cause du décalage horaire Philadelphia (The Bellevue Stratford) 17 et 18 octobre. «Un trionphe, alors l'avenir assuré [.] Je suis en train de faire les contracts ici, pour environ 2 mois [.] avec des prix formidable que seule on peut faire dans ce pays». Les critiques sont excellentes, mais elle a besoin de rentrées d'argent immédiates, et les engagements n'arriveront que mi-novembre. Elle fait ses comptes et donne des instructions pour ses affaires, ses futurs contrats, et régler ses ennuis financiers; il faut trouver quelqu'un en Suisse pour les dépanner financièrement. Elle veut gagner du temps, «car malgré que nous avons gagné la bataille complètement ici le toute Amerique est à nos pied comme avant il faut le temps pour avoir des ettablissements car le success est venu d'un coup». Coïncidence: le Mirror, qui lui a fait tant de mal, a fermé ses portes. «Les USA sont dans notre poche de nouveau, et il faut le garder car c'est ici l'argent, et sans limite». Elle leur envoie des critiques: «Le triomphe continue», et elle repousse son retour «car c'est sur ce contracte que nous allons pouvoir avoir du crédit en Suisse».New York (Essex House) 22 octobre. Elle bat le fer tant qu'il est chaud et conclut d'importantes affaires: «toute le monde me veux maintenant que c'est un succes et naturellement je veux en profiter». Il y a les engagements, les livres, et ensuite le film; et tout cela lui donnera «une assurance financière où il y aura plus besoin des pretes des banques car mon seul métier me garantie toute cela»; mais il faut du temps Elle a vu beaucoup aimé le spectacle de Marie Bell, «mais le success que j'ai ici à New York et Philadelphia est hors concours». Elle demande des nouvelles des Mirandes, donne des instructions pour ses affaires, etc.New York (Essex House) 24 novembre. «Que des evenements depuis mon départ de la maison»: l'assassinat du Président Kennedy, «ensuite, l'assassinat du l'assassin». Elle a été à Washington pour l'enterrement: «Il y a 1 mois de deuil national», ce qui reporte son spectacle au 27 décembre au mieux. Tout ici est arrêté. Elle parle de son projet de livre, dont elle a rencontré l'auteur, très connu aux États-Unis, et pour lequel la maison Opera Mundi est prête à lui avancer 25 ou 30 000 dollars, etc. Elle demande également une avance sur sa tournée de mai. Elle donne des instructions pour les affaires courantes et ses finances, et demande des nouvelles des Milandes (professeur, cuisinière, femme de chambre) La ville d'Integrate dans l'état de New York va se jumeler avec les Milandes. «Le grand succes des notabilités venu pour l'enterrement etc de Gaulle en tete ensuite l'empereur de l'Éthiopie».On joint une l.a.s. de Jacques Abtey à sa femme Jacqueline (Copenhague 29.VIII.1963); 2 doubles dactyl. de lettres de Bernd W. Heinricht à Tino Davini au sujet d'un projet d'exposition d'Abtey, avec des notes autogr. de Jacques Abtey. [Attributes: Soft Cover]

      [Bookseller: Kotte Autographs GmbH]
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        Christo | Galleria Apollinaire, Milano, 1963

      Galleria Apollinaire 1963 - Invito-manifesto-catalogo di mostra, Galleria Apollinaire, Milano, 18 giugno 1963. Foglio cm. 60 x 48 stampato su entrambe le facciate, divise e piegate in 8 parti. Interamente illustrato con foto in bianco e nero. Testo in francese di Pierre Restany. Timbro a tampone della galleria [Attributes: First Edition]

      [Bookseller: s.t. foto libreria galleria]
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        The Clocks

      Book Club, 1963. Hardcover. Used; Good. Hardcover; English language; Good jacket; 12mo - over 6.75" - 7.75" tall; good condition. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
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        LEAVING CHEYENNE

      New York Harper and Row 1963 - First Edition. SIGNED BY THE AUTHOR, LARRY MCMURTRY. 8vo, publisher’s original cloth, in the original dustjacket. 298pp. A fine copy in like dustjacket, very fresh and attractive. SIGNED COPY OF LARRY MCMURTRY’S SECOND BOOK, every bit as hard to find in collectable condition as his first, HORSEMAN, PASS BY. This copy has been signed boldly on the free-fly by McMurtry in blue ink. The jacket is in what is sometimes called "Second State", which is actually the same printing as the "first" but with the price clipped off by the publisher and replaced by a small sticker (in some cases a stamp) at $4.95. This was all done prior to the book’s original release date, thus only a very small number of copies can be found with the original $4.50 price intact. "Leaving Cheyenne traces the lives of three West Texas characters as they follow that sundown trail: Gideon Fry, the serious rancher; Johnny McCloud, the free-spirited cowhand; and Molly Taylor, the sensitive woman they both love and who bears them each a son. Tragic circumstances mark the trail but McMurtry's style never turns melodramatic or sentimental." - modern editorial review. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        The Work of Antonio Frasconi, 1952-1963: Woodcuts, Lithographs and Books -- 1/100 copies with signed frontis, plus an additional laid-in signed plate

      Baltimore: Baltimore Museum of Art, 1963. Limited ed. Paperback. Very Good. 1963, Softcover. One of 100 copies with a signed frontis by Frasconi. This frontis additionally inscribed by Frasconi. And this copy also comes with a second frontis, also signed by Frasconi, and tipped-in to a separate paper-folder. The catalog is in Very Good condition with the occasional foxing. Includes original wax paper jacket. The catalog's frontis is titled 'Self Portrait after Hieronymus Bosch'. The second frontis is a simple woodcut of Frasconi's face. 3 separate signatures by Frasconi: signed frontis, an additional inscription and an extra signed plate. Rare.

      [Bookseller: Caliban Books ABAA-ILAB]
 38.   Check availability:     Biblio     Link/Print  


        Cat and Mouse - 1st US Edition/1st Printing

      New York: A Helen and Kurt Wolff Book / Harcourt, Brace, & World, Inc.. Fine in Fine dust jacket. 1963. First US Edition; First Printing; Signed by Author. Cloth. An attractive first printing of the first American edition in Fine condition in equally fine dust-jacket, signed by Nobel Laureate Günter Grass directly on the title page; Cat and Mouse focuses on the extraordinary fate and person of one hero, Joachim Mahlke. From the Nobel Peace Prize winning author of The Tin Drum. Translated by Ralph Manheim .

      [Bookseller: Books Tell You Why]
 39.   Check availability:     Biblio     Link/Print  


        Psychopathologie und bildnerischer Ausdruck. Eine internationale ikonographische Sammlung. 1. - 23. Serie (23 Bde.).

      (Basel), Sandoz, 1963-76 4°, meist 2 Doppelblätter Text (selten 1 bzw. 4) u. 12/14 farb. Taf., Lose Taf. in Kart.-Mappe, Mappen tlw. angestaubt u. knittrig, selten fleckig, Taf. u. Text meist tadell. Hg. von Sandoz. Der Text (Dt. oder Frz.) und die grosszügigen Tafeln zu folgenden Themen: 1. Serie: Jean Delay u. Rob. Volmat: Malerei und Chemotherapie; 2.: P. L. De Luca u. B. Sacchettini: Die Malerei als Mittel zur psychodiagnostischen Forschung; 3.: Hanscarl Leuner: Die optische Halluzinose und ihre Sinngehalte; 4.: G. C. Argan u. C. Traversa: Die Zeichnung im Kindesalter; 5.: Th. Spoerri: Le monde imagé d`Adolf Wölfli; 6.: W. v. Bayer u. H. Häfner: L`oeuvre de Prinzhorn; 7.: G. R. Lafora: Sujets de composition orientaux dans les peintures d`un schizophrène; 8.: E. Cunningham Dax: La représentation picturale de la dépression; 9.: Comte Wittgenstein: Les «Séries iconographiques des éléments» dans la psychiatrie; 10.: H. Delgado: Un peintre schizophrène; 11.: J. Delay u. R. Volmat: Ästhetische Ausdrucksformen des Wahns; 12.: Ungewöhnliche Materialien im künstlerischen Schaffen Schizophrener; 13.: P. Kielholz u. a.: Malerei von Depressiven; 14.: Leo Navratil u. a.: Zwischen Eros und Thanatos; 15.: C. Nespor: Die Teppichstickereien des Jules Leclercq; 16.: A. Wildbolz: Eine psychotische Entwicklung in präkognitiver Selbstdarstellung; 17.: H. Aubin: Masken und Neomorphismen bei einem psychotischen jungen Mädchen; 18.: A. Bader: Die «Vorstadt-Gräfin». Eine manimorphe Schizophrenie; 19.: I. Jakab u. M. Howard: Eine entmenschlichte Welt; 20.: A Marinow: Narkomanie und Malerei; 21.: H. Leuner: Fratzen und Masken in der toxischen Halluzinose; 22.: H. Steck; Aloyse; 23.: G. Ferdière: Der Fall Philipp B. Fellmer. Versand D: 20,00 EUR Kunst - art brut Psychologie

      [Bookseller: Antiquariat Peter Petrej]
 40.   Check availability:     buchfreund.de     Link/Print  


        Guide Album (2 Tukane auf Ast)

      Colorado Springs 1963 - 15,5 x 23 cm 108 Seiten 250 gr. [Attributes: Soft Cover]

      [Bookseller: Schueling Buchkurier]
 41.   Check availability:     ZVAB     Link/Print  


        Where The Wild Things Are

      New York: Harper & Row, 1963. First edition of Sendak's celebrated and controversial picture book. His fable of rebellion and escape was criticized upon publication as too confusing and scary for children, but Where The Wild Things Are appealed to its audience on a primal level, and won the Caldecott Medal in 1964. Fifty years later, it remains a bestseller, and Sendak's iconic illustrations are part of the imaginary landscape of American childhood. "'And now,' cried Max, 'let the wild rumpus start!'" This copy has all first edition points: the publisher's price of $3.50, the correct code on the front flap, and jacket copy with no mention of the Caldecott Medal or the New York Times Best Illustrated Award. It was customary for bookstores to apply Caldecott stickers to their copies of the winning books each year; later printings would have the medal embossed on the front panel of the jacket. This copy once had the medal affixed as a sticker, underscoring its priority. A very good copy of one of the greatest children's books. Oblong quarto, original grey cloth over paper pictorial boards, patterned endpapers, original unclipped pictorial dust jacket. Light soiling to jacket, inobtrusive early tape repairs, small chip to head of spine. Faint trace of Caldecott sticker to front panel.

      [Bookseller: Honey & Wax Booksellers]
 42.   Check availability:     Biblio     Link/Print  


        ORPHANS OF THE SKY.

      London: Victor Gollancz Ltd, 1963 - Octavo, boards. First edition. Preceded the 1964 Putnam edition. Part of Heinlein's "future history" series, first published as a two-part serial in ASTOUNDING SCIENCE FICTION in 1941 as "Universe" and "Common Sense." Anatomy of Wonder (2004) II-513. Sargent, British and American Utopian Literature, 1516-1985, Additions. See Survey of Science Fiction Literature IV, pp. 1653-64. Neatly written gift inscription dated May 1963 on front free endpaper. A fine copy in very good or better dust jacket with touch of wear at spine ends and corner tips and a bit of tanning, mostly to spine panel. An attractive copy. (#150337) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
 43.   Check availability:     AbeBooks     Link/Print  


        La Vache au Pré Noir. Lettre d'un Imprimeur à un Peintre et la Réponse que celui-ci y Fit. Etude pratique de chromologie scientifique sur 24 combinaisons des couleurs de base de la quadrichromie et de leurs clichés respectifs, pour reproduire un tableau de Dubuffet " Cow in a black field " ª

      - P. Collège de Pataphysique, 4 décervelage 90 1963. Petit in-4° demi-chagrin noir à coins, couverture conservée. Edition originale, tirée sur Arches avec 24 planches sur papier couché. Amusant document pataphysique imprimé sur Ordre de Sa Magnificience Le Vice-Curateur par les soins du Provéditeur-Inquisiteur-Général . Tirage limité à 333 exemplaires, un des 33 de tête marqués de la chandelle verte. [Attributes: First Edition]

      [Bookseller: Librairie In-Quarto]
 44.   Check availability:     AbeBooks     Link/Print  


        Le Mépris [Contempt] (Collection of 3 reference photographs from the 1963 film, French issue)

      Paris: Les Films Concordia, 1963. Collection of 3 vintage black and white single weight reference photographs from the French release of the 1963 film. Head shots of Brigitte Bardot and Michel Piccoli, one of each, and one especially striking shot of the two together. Godard's lush Technicolor landmark that transformed Brigitte Bardot from a sex symbol into an art object, while simultaneously furthering his own reputation for being the most commercially successful deconstructionist in film history. A fascinating film that can be watched either as narrative about a disintegrating relationship or as an unending series of pure cinematic references. 8 x 10 inches (20 x 25 cm). Fine. Criterion 171.

      [Bookseller: Royal Books, Inc.]
 45.   Check availability:     Biblio     Link/Print  


        Oh les beaux jours

      Edition originale sur papier courant.Précieux envoi autographe signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise.Une tache en milieu du spine légèrement insolé. Les éditions de minuit Paris 1963 10x18,5cm broché

      [Bookseller: Librairie Le Feu Follet]
 46.   Check availability:     Direct From Bookseller     Link/Print  

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