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Displayed below are some selected recent viaLibri matches for books published in 1963

        IRAL. International Review of Applied Linguistics - Internationale Zeitschrift für Angewandte Linguistik in der Spracherziehung (KONVOLUT aus 30 Bänden) - Bd./ Vols. 1 (1963) - 30 (1992).

      Julius Groos Verlag 1963 - 1992. je Band/ Jg. ca. 400 Seiten; each vol. 400 pages; Gebundene Ausgabe/ bound; Die hier angebotenen Bände stammen aus einer teilaufgelösten wissenschaftlichen Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 30 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; Beiträge in DEUTSCHER, ENGLISCHER und teilweise in FRANZÖSISCHER Sprache! Versandkostenfreie Lieferung mfb

      [Bookseller: Petra Gros]
 1.   Check availability:     buchfreund.de     Link/Print  


        Derrière Le Miroir N°s 151-152. Miró. "Peintures sur cartons"

      Paris: Maeght. 1963 - Folio. With 26 original lithographs.Cramer, 102. Mourlot, 360-381. Very good with small tears on the spine.DLM édité en mai 1965 pour l'exposition de 32 peintures récentes sur cartons de MIRO à la Galerie Maeght. 24 pages non reliées. 26 pages de lithographies originales en couleurs dont 4 en double page. 1 lithographie originale en noir en double page. Tirage original [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
 2.   Check availability:     AbeBooks     Link/Print  


        V

      Lippincott, 1963 Fine first edition in a near fine dust jacket (slight discoloration mark on front flap), no mention of later printings on copyright page, first issue jacket with $5.95 price still on front flap and table of contents on back panel. Comes in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
 3.   Check availability:     Biblio     Link/Print  


        Vitraux pour Jerusalem DELUXE Edition. with a drawing and a dedication in pen by Chagall.

      Vitraux pour Jerusalem DELUXE Edition. with a drawing and a dedication in pen by Chagall. Jean Leymarie Marc Chagall illustrator. Andre Sauret, Montecarlo 1963. One of 270 copies on Velin d'Arches. Comprising title page, text in French by Jean Leymarie, justification, table of contents and the complete set of seven lithographs (including three in colors), on Arches paper. Signed in pencil by the artist and the publisher on the justification page, with a drawing and a dedication from Chagall to Jean Leymarie. Loose as issued. Well preserved in the gray cloth slipcase, and Publisher's pictorial wrap in Arches paper. Condition: Fine. Ref: Cramer 55. PICTURES ONLINE or ON REQUEST

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
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        Killed by Roses [SIGNED BY BOTH AUTHORS]

      (Shueisha), (Tokyo) 1963 - 1/1500. Folio. Original acetate jacket over decorative white and olive cloth, with blue and black lettering to spine. Book housed in its original photo-illustrated cardboard slipcase. Laid in, an explanatory booklet in English, French and German. Tissue-guarded limitation page signed in Japanese caligraphy by Eikoh Hosoe and Yukio Mishima."The [ten] photos that make up the body of the book are inky, sometimes high-contrast gravures that bleed right to the edge of the page and often extend across the entire open spread, giving extra impact to images that are already quite arresting. Even if the subject of Hosoe's photographs weren't the author Yukio Mishima, the book would be remarkable for its humid mix of eroticism and myth, queer kitsch and high art. But Mishima, Japan's most celebrated and controversial modern novelist, was also a brilliant provocateur and his presence here turns "Killed By Roses" into a charged collaboration between artists testing one another's limits? [Hosoe's] first meeting with Mishima, in September 1961, was at the writer's house. That first day, Mishima, already dressed only in a loincloth, ended up wrapped in a garden hose and standing on the marble mosaic zodiac on his lawn. The resulting surreal images are among the book's most famous; though Hosoe saw them as 'the destruction of a myth'? Mishima['s] ritual suicide in 1970 was seen as his final artistic act" (Andrew Roth: "The Book of 101 Books," page 164). One of 1500 copies, of which this is No. 1085.Cardboard slipcase heavily rubbed along edges. 8 1/2" closed tear at back cover of acetate jacket. Text and photographs clean and fine. Explanatory booklet in English, French and German. Slipcase in overall fair, dust-jacket in good- to good, binding and interior in very good condition. * Eikoh Hosoe (born in 1933) is a Japanese photographer and filmmaker who emerged in the experimental arts movement of post-World War II Japan. He is known for his psychologically charged images, often exploring subjects such as death, erotic obsession, and irrationality. Through his friendships and artistic collaborations he is linked with the writer Yukio Mishima and 1960s avant-garde artists such as the dancer Tatsumi Hijikata. ** Yukio Mishima, the pen name of Kimitake Hiraoka (1925-1970), was a Japanese author, poet, playwright, actor, and film director. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968 but the award went to his fellow countryman Yasunari Kawabata. His works include the novels "Confessions of a Mask" and "The Temple of the Golden Pavilion," and the autobiographical essay "Sun and Steel." His avant-garde work displayed a blending of modern and traditional aesthetics that broke cultural boundaries, with a focus on sexuality, death, and political change. Mishima was active as a nationalist and founded his own right-wing militia. He is remembered for his ritual suicide by seppuku after a failed coup d'état attempt, known as the "Mishima Incident". The Mishima Prize was established in 1988 to honor his life and works. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Mandate for Change, 1953-1956 The White House Years Signed

      New York: Doubleday and Company, 1963. First Ediiton. Hard Cover with Dust Jacket. Fine/About Fine. Signed by President Eisenhower on his Gettysburg bookplate, "For: Miss Verna L. Davis / With best wishes," typed onto bookplate (Presidential signature beneath). Bookplate of Miss Davis on FEP. A very handsome copy, with price of $6.95 on front flap of dust jacket.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        The Collector

      Jonathan Cape, 1963 First edition, HC w/ Dustjacket. Comes in custom made slipcover. Book: Fine. Interior is tight and clean. Rare black boards with some markings and stains around textblock and fore edge, though the top edge is NOT stained. Very minimal and light markings and stains on pastedown and free endpaper on back. DJ: Fine. Bright and clean with some signs of aging on backcover of DJ.. 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
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        La ville de Rochefort sur mer au Général de Gaulle Président de la République

      Album de 5 lithographies 19è par Charles Mercereau : in folio à l'italienne (50 x 37 cm) reliure demi - basane olive à coins, dos lisse à décor doré, doré trois tranches. (vers 1850) contrecollées. Album de lithographies offert au Général de Gaulle le 13 juin 1963 par Francis Gaury maire de Rochefort. Français relié DeCollection

      [Bookseller: Livres Anciens Lucas Philippe]
 8.   Check availability:     maremagnum.com     Link/Print  


        On Her Majesty's Secret Service

      London: Jonathan Cape, 1963. First Edition. Hard Cover with Dust Jacket. Fine/Fine. "First published 1963" on copyright page; the 11th James Bond thriller. 288 pp. A fine copy in a fine dust jacket.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        In Die Maschine Gemalt: Farbiges Alphabet MCMLXIII. 69 Farbige Original-Grafiken.

      Unpag. volume with short introductory essay by Grieshaber followed by 69 original color "textured" woodcuts by Grieshaber after the works of various artists, including Thomas Bayrle, Paul Christoph Böhmer, Klaus Burkhardt, Günter Bruno Fuchs, Peter Gorsen, Michael Gramberg, Angelika Grunenberg, Bernhard Jäger, Dietrich Kirsch, Rolk Kuhn, Wolfgang Mai, Alfred Pohl, Gerburg Rohde, Ali Schindehütte, Werner Schreib, Günther Stiller, Johannes Vennekamp, Arno Waldschmidt, Bernd Wallmann, and Walter Zimbrich, each group of prints accompanied by a short biography of the artist. Sml. 4to. Illus. stiff wrpps., some slight soiling and age-darkening. N.p. (Stierstadt im Taunus (Verlag Eremiten-Presse) 1963. From a limited edition of 174 copies.

      [Bookseller: F.A. Bernett Books]
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        Rêverie de nouvel an

      - Les Centraux Bibliophiles 1963. In-4 en feuilles à feuilles sous double emboitage. 90 pages. 13 Lithographies originalesen couleurs de Michel TERRASSE, dont la couverture, une sur double page, 5 in-texte et 6 titres calligraphiés. Tirage limité à 140 exemplaires numérotés sur Vélin blanc de Rives. Celui-ci un des 20 exemplaires avec Suite sur Papier Japon Nacré. Joint avec, le menu du diner du 1° juillet 1963 des Centraux Bibliophiles au Polo de Bagatelle et l'allocution imprimée de Jacques FOUGEROLLE, Président de la Société des Centraux BIbliophiles présentant l'ouvrage à ce même diner. Quelques rousseurs sur la chemise de la suite et sur le menu. Bel exemplaire.

      [Bookseller: LIBRAIRIE GIL-ARTGIL SARL]
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        A Clockwork Orange

      W.W. Norton & Company, 1963. Hardcover. Near Fine/Very Good. W.W. Norton & Company, New York 1963. First American Edition / First Printing. Stated First American Edition, no additional printings. Cloth boards. Book Condition: Near Fine, clean boards, tight spine. Light spots at the endpaper, name at the endpaper. Dust Jacket Condition: Very Good+, shelf wear, light spots. Tear at the foot of the jacket spine. In a new mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        Saint Genet Actor and Martyr

      New York: George Braziller, 1963. First American Edition, 1st Printing. SIGNED by Jean-Paul Sartre on the half title. Sartre takes stock of Jean Genet, the great French novelist and playwright. Octavo, pp. [8], 625. Very Good, with some very toning to the pages and a bump to the lower right corner of the front board in a Very Good, unclipped dust jacket that has some chips along the edge, a small chip to the spine affecting the upper right portion of the "T" in Saint, and a 1 1/2-inch closed tear to the real panel near the spine fold. Some age-toning to the flaps and rear panel. SCARCE signed. Signed copies of Sartre's works in English are especially uncommon.

      [Bookseller: Le Bookiniste]
 13.   Check availability:     IOBABooks     Link/Print  


        Originalfotografie m. Unterschrift, 18. April 1963.

      1963 - 30x21 cm. (ordentl. Zustand). Paul Hindemith (* 16. November 1895 in Hanau; + 28. Dezember 1963 in Frankfurt am Main), deutscher Komponist der Moderne. Hindemith-Porträt fotografiert von Ben Spiegel. Hindemith

      [Bookseller: Aegis Buch- und Kunstantiquariat]
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        [Humorous Self Portrait] [Pencil Sketch Signed]

      no place: Sendak, no date (circa 1963). by the artist-author. Very Good +. 8vo (6.5" x 9"), pencil sketch on translucent drawing paper signed by the famous author-and-illustrator of children's books. One horizontal fold at bottom of self portrait. Signed & EXCEEDINGLY RARE humorous self portrait--head & hat to foot--of Maurice Sendak drawn lightly in pencil on tracing paper (presumably a "rough") and signed lightly but fully. He depicts himself looking and smiling at the viewer in a "Where the Wild Things Are" style. The artist-illustrator's hat has paper tags (suggesting those in Tenniel's famous drawing in Alice of the Mad Hatter) reading "Fun! Ha! Ha!" written on them, along with "Ho! He!" in lozenges indicating joyous speech. (Based upon other pieces by Sendak, his use of "Ha! Ha!" echoes his happy mood after the enormous success of "Where the Wild Things Are.") Much Rarer than Sendak's book illustrations!

      [Bookseller: Borg Antiquarian]
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        Teatr. (Teatp). 1963 12 issues

      Moscow (Moskva): Iskusstvo, 1963. 4to. Original wraps. 12 issues complete for the year. Later issues ISSN 0131-6885 1960--1964 -- ( ) « » -- , , . 1937 « ». 1941 1945, 1995, 1998--1999, 2009--2010. , 1990- ( 1996 1997 ). 2010 1 2 . 1945--1953 , 1954--1990

      [Bookseller: Alan Wofsy Fine Arts]
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        Twentysix Gasoline Stations.

      [Los Angeles]: Self-published, 1963 Paperback SIGNED. Third edition, 1969. Fine paperback original in the publisher's Near Fine glassine wrapper with light wear/tiny chips along the top edge. A very nice copy. Ed Ruscha's first book--a seminal artist's book and one of the most influential conceptual art works--features photographs of twenty-six gas stations with a caption stating the company name and location. The images were taken along Route 66 and are sequenced starting in Los Angeles, where Ruscha lived, to Oklahoma City, where he grew up. The final image, of a station in Groom, TX, marks the beginning of the return journey. "The first book came out of a play with words. The title came before I even thought about the pictures." Photographs and design by Ed Ruscha. SIGNED BY RUSCHA on the dedication page; no inscription. From an unnumbered edition limited to 3,000 copies. Unpaginated [48 pages]; 26 b&w illustrations; 5.5 x 7-1/8 inches. Reference: Parr & Badger, Photobook Vol. II, p.140; Engberg, Edward Ruscha Editions 1959-1999, B1; Hasselblad Center, Open Book, p.198-201; Auer, 802 Photo Books, p.427; Castleman, A Century of Artists Books, p.167. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX.

      [Bookseller: A&D Books]
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        Pomologia Republicii Populare Romine [ct 8 Vols 1969 100's Of Color Plates]

      Editura Academiei Republicii Populare Romi`ne 1963-1969, [bucharest] - Ex-Library; Color Illustrations; Pomology Romanian People's Republic. An important horticultural work on pomology and nut culture in Romania loaded with 100's of full page color plates as well as textual drawings and fold-outs. Provenance- Institute of Romania book plates gifting the set to Cornell University. Original green cloth. Horticulture is divided into the cultivation of plants for food [pomology and olericulture], dealing with fruit and nut crops. Olericulture deals with edible herbaceous plants such as asparagus, lettuce, etc. This is a significant in depth coverage in 8 voluems [complete], with hundreds of color plates and about 5000 pages in large format with text in Romanian with some Russian and French. Weight is close to 5o pounds. "A magnificent encyclopedia, published shortly before the Ceausescu dictatorship, while the world of Pomology was in the doldrums " .ACCUEIL. A scarce and historical achievement in this filed. ; 50 [Attributes: First Edition; Hard Cover]

      [Bookseller: poor man's books (mrbooks)]
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        Autograph Postcard to Leonora Ison.

      1963 - Colour Panoramic View Card of Chatsworth House. Betjeman was presumably staying at the House with his companion Lady Elizabeth Cavendish, sister of the then Duke of Devonshire. Leonora Ison collaborated with Betjeman on his series of articles Men and Buildings written for the Daily Telegraph providing illustrations to accompany his text. This postcard signed in full by Betjeman gives Ison the plan for the article Preserve or Destroy which appeared on September 9th 1963. "This time I'm writing about the quite false battle created by the fools like Reyner Banham and the Tories (but not mentionaing names) between Destructivists and Preservationists. I want a drawing to show how in the 15th Cent, a comparable time with today, they added Perp to earlier work and both went well together. eg? W Front of Peterborough with its little perp porch, or North of Canterbury with choir layout, or any other thing you like as an example." For the working relationship between Betjeman and Leonora Ison see Hillier The Bonus of Laughter (p.75-78). [Attributes: Signed Copy]

      [Bookseller: Henry Sotheran Ltd]
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        The Spy Who Came In From the Cold.

      London: Victor Gollancz Ltd,, 1963. Octavo. Original blue cloth, gilt lettered spine. With the dust jacket. Some minor fading to foot of boards, a few spots to edge of text block. An excellent copy in the bright jacket with a couple of spots to rear panel. First edition, first impression of Le Carré's third book. The definitive Cold War novel, it won Le Carré the 1964 Somerset Maugham Award and secured his reputation as a master of the spy thriller.

      [Bookseller: Peter Harrington]
 20.   Check availability:     Biblio     Link/Print  


        Black Spring

      Grove Press, 1963 A fine first US printing inscribed and dated by the author, Henry Miller, in a very good dust jacket. First printing of Grove Press hardcover edition. Black quarter-cloth, gray/green marbled paper boards, gilt spine lettering, gilt front cover facsimile author signature, black top-stain, cream endpapers. Dust jacket price 5.00. INSCRIBED by MILLER on the half-title page. Housed in a custom-made collector’s slipcase. "Written during the same period as "Tropic of Cancer and Tropic of Capricorn", and banned in the English-speaking world upon its publication in Paris in 1936, "Black Spring" is one of Miller's finest achievements, and arguably his most distinguished book from a stylistic point of view. It consists of a number of linked episodes describing some of the crucial years in his personal saga, from recollections of his childhood in Brooklyn to his time in Paris. Imbued with the spirit of Miller's life experience, "Black Spring" is a linguistic tour de force which brings together the American author's greatest merits." "In the second book of Miller's first trilogy, 'Black Spring', Miller abandons the novelistic pretense of telling any single story and instead creates a kind of collage of sketches, portraits, vignettes, essays, and poems-in-prose that once again combine to reveal the author in all his prodigious originality. This is the book, if the uninitiated reader can suspend the desire for conventional narrative and surrender to the spell of Miller's voice, that may be the best one-volume introduction to the author's work, as it represents multiple aspects of his literary persona. Perhaps the most marvelously disorienting section of Black Spring is "Into the Night Life . . . A Coney Island of the Mind," a 30-page dreamlike prose fantasia whose wild inventiveness, richness of imagination, and gorgeous sentences are breathtaking. Here is Miller cut loose beyond the stench of rotten circumstance and the arbitrary limits of "making sense" into a realm of ecstatic revelation, the writer as clown working the high wire without a net, performing for nothing so much as his own delight. The joy with which this acrobatic prose is infused is dangerously contagious. I say dangerous because, attempted with less virtuosity, this kind of writing, liberating as it may feel, is likely to result in an utterly unreadable mess. But why not, Miller might answer, make a mess? Life itself is a mess, and isn't art obliged to be faithful to life? " - Stephen Kessler.. Inscribed by Author(s). 1st Edition. Hardcover. Fine/Very Good.

      [Bookseller: Bookbid Rare Books ]
 21.   Check availability:     ABAA     Link/Print  


        1963 VON RYAN'S EXPRESS DRAFT SCREENPLAY - DARRYL ZANUCK'S COPY w/ MANY NOTES & EDITS Plus 2 LETTERS from ZANUCK re: BAD SCRIPT, NEEDS MY HELP

      TWENTIETH CENTURY FOX 1963 - VON RYAN'S EXPRESS - FIRST DRAFT SCREENPLAY - DARRYL ZANUCK'S PERSONAL COPY with HIS NOTES and EDITS THROUGHOUT, plus TWO LONG, RELEVANT LETTERS from DARRYL ZANUCK to his son RICHARD ZANUCK regarding his many concerns about the SCRIPT. Darryl Zanuck's large initials are on the front cover. Bound in blue paper covers with the Twentieth Century Fox Film logo and name at the bottom of the front cover, and with "Von Ryan's Express", "July 18, 1963", and "First Draft Screenplay", all printed on the front cover. The spine covering is split and tattered, but the printed: "Von Ryan's Express - July 18, 1963" is still legible. The title page has the printed information: "Von Ryan's Express / Screenplay by David Westheimer and Saul David / Based on the Novel by David Westheimer / First Draft Screenplay / July 18, 1963". Printed on light-green tinted paper, with many blue revision pages dated 7/23/63, 7/24/63 and 7/31/63. Zanuck's edit marks and notes are found here and there on both the light-green pages and on the blue revision pages. 172 pages, plus a few additional revision pages (e.g. "141" followed by "141A"). Pages are printed on 8.5x11" paper, printed on one side only. The covers are somewhat larger, overhanging the inner pages by 1/2" at the front edge and 1/4" at the top and bottom edges. The screenplay is three hole punched and bound with three brass brads. Darryl Zanuck was head of Twentieth Century Fox, the studio producing Von Ryan's Express. ZANUCK HATED THE SCRIPT as it stood in this first draft. His numerous notes on the inside front cover, title page, and first page of the screenplay are full of comments such as: "Basic plot was exciting, original - but it is now told devoid of characters or logic or humor." Zanuck also made various notes, marks, suggestions and edits here and there throughout the rest of the script, but his most extensive comments are on the first few pages. This FIRST DRAFT has RYAN staying alive at the end of the film. In the final version RYAN DIES. There are MANY other changes between this draft and the final version. Neither of the writers of this first draft are listed as writers on the final script, though David Westheimer is still credited for writing the novel. PLEASE NOTE: ALSO INCLUDED ARE TWO LONG, IMPORTANT, RELATED LETTERS BY DARRYL ZANUCK (Head of Twentieth-Century Fox Corporation) TO HIS SON, RICHARD ZANUCK (who he made head of film production). The letters are both carbon copies (presumably Zanuck's copies) on onion skin paper, typed by his Secretary. The letters are dated August 13 and August 23, 1963. These carbon copies of the sent letters are not signed. In the first letter, Darryl Zanuck is VERY upset about the quality of the screenplay; and by default he is upset with his son, the Studio's head of Production, for allowing the screenplay to be so bad. The letter is 7 pages long. "What started like a marvellous and original adventure has become in screenplay an amateurish delivery of hokum melodrama with obvious characters and embarrassing attempts at humor." "I have detailed notes on an entirely new opening and on innumerable changes." In the second letter, dated August 23, D. Zanuck details the changes that he thinks will improve the film. The letter is 14 pages long. CONDITION: The SCREENPLAY covers are tattered along the edges where they overhang the inner pages, tattered at the spine, have some creases, are toned, and have a coffee cup ring stain (probably Zanuck's cup!). The inner pages are all in VERY GOOD condition, some corner creases, some edge toning, overall still bright and clean. THE TYPED CARBON LETTERS have some stiff creases, toning to the margins, paper clip marks, and signs of general handling, but are still bright and clear. Together, this first draft screenplay and associated letters show the Zanucks, father and son, at loggerheads. Was this the beginning of what ended with Richard Zanuck taking over the studio and kicking his father out in 1969? [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Blank Verso Books]
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        A Wrinkle in Time

      Constable 1963 - 1963. 182 pages. Red boards with cream pictorial dust jacket. A couple of foxing marks to the title page, but the rest of the pages are tightly bound bright pages with light tanning and foxing to text block edge and endpapers. Moderate tanning to the ffep. Area of light foxing to the top 2cm of the front and back boards. Light edge wear with light corner bumping. Light chipping, rubbing, foxing, tearing and tanning to the dust jacket spine and its extremities. The dust jacket is unclipped. [Attributes: Hard Cover]

      [Bookseller: World of Rare Books]
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        A Wrinkle In Time

      Constable Young Books. Hardcover. Scarce book with DJ. Light wear to boards with two small pieces of tape to the rear edges. Light tape mark to paste down and rear end paper. Content is clean with front end paper missing & small light stains to a few pages. Complete Good+ DJ with slight creasing to edges and line tape residue mark to rear flap. Ex County library with sticker to front paste down and small stamp to last text page. . Good. 1963.

      [Bookseller: Infinitebooks]
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        Novellen um Claudia : Roman.

      Reinbek b. Hamburg : Rowohlt, 1963 - Taschenbuch in gutem Zustand. Altersbedingt sind die Seiten angegilbt. Leichte Gebrauchsspuren. ek56/ror/541 Sprache: Deutsch Gewicht in Gramm: 400 [Attributes: Soft Cover]

      [Bookseller: Versandantiquariat Olaf Roehder]
 25.   Check availability:     ZVAB     Link/Print  


        Planet of the Apes

      The Vanguard Press, 1963 Fine in a near fine dust jacket. First U.S. Edition, and the First Edition in English. Translated by Xan Fielding. Original price of $4.50 printed on the front flap of the dust jacket. Jacket has slight rubbing and very slight soiling, but is otherwise intact and not creased. A very nice copy. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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        The Glass Blowers - with signed long letter to Eileen Cond

      Gollancz 1963 - A first edition, first printing published by Gollancz in 1963. A fine book in a nearly fine unclipped wrapper with one thin horizontal crease and a little marking to the rear panel. Accompanied by a letter from the renowned collector Eileen Cond and dated April 29th 1963 on Du Maurier’s personal notepaper (Menabilly Par Cornwall). In the letter, DDM states, ‘Dear Mrs Cond, Thank you for your letter, and I am so pleased to inscribe your bookplate. My sister Angela has often spoken to me about the Deer Park Hotel and your Pekies - I did not realise you no longer lived there. I hope you enjoy The Glass Blowers, Yours sincerely, Daphne du Maurier Browning.’ Rare to find Du Maurier using her full name. Unfortunately, there is no sign of Mrs Cond’s bookplate. A lovely association and book nonetheless. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: John Atkinson Books ABA ILAB PBFA]
 27.   Check availability:     AbeBooks     Link/Print  


        Die Dorfkirche. Radierung.

      2. Hälfte 17. Jahrhundert. - Mit der Nr. 5. Ausgezeichneter, malerischer Druck auf festem Bütten. Mit gleichmäßigem Rändchen um die volle Plattenkante. Bartsch 11. Blatt 5 aus einer Folge mit Landschaften. - Insgesamt nicht störend gebräunt bzw. braunfleckig. Ausgeschiedene Doublette der Kunsthalle zu Hamburg, verso mit Stempel (nicht bei Lugt) und handschriftlicher Vermerk "Dubl. 368 K. / ausgeschieden aus der Kunsthalle 1963". Sprache: Deutsch Gewicht in Gramm: 2100 9 x 14 cm (Einfassungslinie). Papier: 9,8 x 14,6 cm.

      [Bookseller: Kunstantiquariat Joachim Lührs]
 28.   Check availability:     AbeBooks     Link/Print  


        Joan Miro: Trace sur l'Eau, Suite d'Aquarelles

      Paris: Maeght, 1963 Paperback First edition. Near Fine paperback with light crimping to the tips and perhaps a touch of soiling. A very nice copy. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A lovely volume reproducing a suite of 14 of watercolors by Joan Miro (1893-1983.) Each is an original tipped-in color lithograph on Marais onion skin paper. The dust jacket is an original lithograph on Rives wove; the image covers the front, back, spine and the four folded flaps. The title page is preceded by two semi-translucent vellum sheets printed with design elements derived from the cover image. From an unnumbered edition limited to 900 copies. 44 pages; 16 color and b&w illustrations; 14 x 11.5 inches. See: Cramer, Miro The Illustrated Books, no. 82, p.226-227; Maeght Editeur (1972-1973), p.60-61.

      [Bookseller: A&D Books]
 29.   Check availability:     Biblio     Link/Print  


        The Fire Next Time

      New York: The Dial Press, 1963. First Edition. Hardcover. Like New. First edition. Signed by author on the title page in black ink. 120 pp. with author bio at rear. Cream cloth with red lettering. Near Fine in Near Fine dust jacket. Cloth a bit foxed. Jacket spine panel shows just a touch of sunning, very light wear at head and tail, unclipped ($3.50). The African-American novelist's powerful thoughts on race in the U.S. in two essays, an instant bestseller. Rarely found as a signed first printing, especially in such nice shape.

      [Bookseller: Burnside Rare Books]
 30.   Check availability:     IOBABooks     Link/Print  


        The Bender / A Sad Comedy (SIGNED)

      William Morrow & Co., New York 1963 - First edition indicated by the lack of any statement of edition to copyright page, as per the publisher's 1947 and 1976 statements. Thus, the first American edition, first printing, 1963. Inscribed "To Toby" and signed by the author (full name with middle initial) to title page, apparently in pencil. Signed copies somewhat scarce. The unclipped dust jacket in lovely with only a few small spots of foxing to front flap. The book will close its own text block and thus would usually grade "very good," but shows brown nitrate tape ghosts to endpapers and outside of boards, where some earlier dust jacket protector was once taped down. There are NO signs of library attachments, stampings, or other degradations. Earlier novel by the author of "Jewel in the Crown" and the rest of the Raj Quartet. A droll comedy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Cat's Curiosities]
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        Annual New York Avant Garde Festival [title varies]. Complete set of 19 vintage posters, 1963-1980, 13 of them signed by Jim McWilliams

      - Between 1963 and 1980 the cellist and performance artist Charlotte Moorman (known mostly for her work with Nam June Paik) organized fifteen increasingly elaborate festivals featuring a wide variety of performances in various locations. The first three were at Judson Hall, a small recital hall across from Carnegie Hall (not to be confused with Judson Memorial Church in Greenwich Village). Number 4 was in Central Park. Number 5 took over a Staten Island ferry. Number 6 paraded down Central Park West. The 7th was on two islands in the East River, the 8th, at the Lexington Avenue Armory. Festival number 9 occupied a vintage riverboat docked at South Street Seaport. Number 10 took place in Penn Central boxcars on a track at Grand Central Station. Number 11 was at Shea Stadium; number 12, at Floyd Bennett Field at Gateway National Park in Brooklyn. The World Trade Center was the site of the 13th. Number 14 took place on the Charles River in Cambridge. The final number 15 was at the Passenger Ship Terminal on the Hudson River. **By number 11 (1974) the casts and acknowledgments had grown to the length of movie credits. Among the many hundreds of performers were John Cage, David Tudor, Allan Kaprow, Nam June Paik, Yoko Ono, Allen Ginsberg, Ray Johnson, Joseph Beuys, John Lennon, Max Neuhaus, Yvonne Rainer, Laurie Anderson, Ornette Coleman, Geoff Hendricks, Shirley Clarke, Bob Watts, James Tenney, Meredith Monk, and Al Hansen. **For each of these festivals Charlotte Moorman published a poster; there were two versions each of numbers 1, 2, 8, and 9, for a total of nineteen. She designed the simple first three herself; number four was a collaboration with Jim McWiliams; the remaining eleven were his work. Including two versions of nos. 8 and 9, those thirteen are each signed in silver or bronze ink by Jim McWilliams. Like the festivals, the posters became larger and increasingly elaborate, with images and text in layers. Number 11 is a riot of color featuring multiple aerial views of Shea Stadium. Number 13 shows the Twin Towers from different views. If number 11 was a riot of color, number 14 is full-fledged revolution. The sequence ends with a 20-color extravaganza. **A few complete sets remain available of approximately 50 that could be assembled from Charlotte Moorman's estate. Numbers 1, 2, 8, and 9 appear in two versions. Please write or call for a complete descriptive list. Some posters also are available singly. Nearly all of these posters that might appear on the current market were folded and mailed. All of these are flat, uncreased, and unmailed, except 2b, 3, and both number 8s. Those four were folded but are unmarked and have been stored flat. Sizes range from 8-1/2 x 5-1/2 inches to 36 x 24 inches. Sets will be shipped in tubes.

      [Bookseller: Laurence McGilvery, ABAA/ILAB]
 32.   Check availability:     AbeBooks     Link/Print  


        Run River.

      New York: Ivan Obolensky,, 1963. Octavo. Original green cloth, titles to spine in white. With the dust jacket. Spine a little darkened and with lettering slightly flaked. An excellent copy in a lightly rubbed jacket with tiny chips at extremities. First edition, first printing. Presentation copy inscribed by the author on the front free endpaper, "For Mary, with love & thanks for all good cheer & encouragement, Joan".

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  


        Orphans of the Sky

      Victor Gollancz Ltd, London 1963 - First impression. 8vo., 12.5 x 19cm, 160pp. Original red cloth boards with gilt titles to the spine. Original unclipped jacket showing a price of 13/6. (Currey 192). The boards are in fine condition. All fore edge corners are sharp, firm and square. Internally, there are two faint vertical bands of acid migration to the inside of the first two front free endpapers. There are tiny creases at the top of pages 53 & 55, otherwise the there are no mark, stains or tears. The original jacket in fine condition (noting slightest of toning to the spine and two tiny spots to the left of "SF" on the front cover) with no tears or loss and bright, fresh colours. This was the first appearance of the full novel in book form and precedes the first US edition. In all a superb example. If you would like further information or images, please let us know. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Bookshelf Online]
 34.   Check availability:     AbeBooks     Link/Print  


        Mary Poppins (Original screenplay for the 1964 film)

      Burbank, CA: Walt Disney Pictures, 1963. Shooting script for the 1964 film. Based loosely on the P.L. Travers book series. Julie Andrews is a magical nanny briefly employed by a dysfunctional Edwardian London family in this classic Disney feature that combines both live action and animated sequences. The film won five Academy Awards and was nominated for another seven, including Best Picture, making "Mary Poppins" the highest-awarded Walt Disney feature ever. Novelist Travers famously voiced her objections to the Disney adaptation of her character, particularly the animated scenes and musical numbers for which the film later gained so much acclaim. Blue studio wrappers, noted as SHOOTING SCRIPT on the front wrapper, marked production No. 2162, dated February 11, 1963, with credits for screenwriters Walsch and DaGradi, songwriters Sherman and Sherman, and novelist Travers. Title page present, dated February 11, 1963, noted as Shooting Script, with credits for screenwriters Walsch and DaGradi, songwriters Sherman and Sherman, and novelist Travers. 207 leaves, mimeograph, with blue and green revision pages throughout, dated variously between 5/14/63 and 6/26/63. Pages about Fine, wrapper Near Fine bound with three gold brads. National Film Registry.

      [Bookseller: Royal Books, Inc.]
 35.   Check availability:     Biblio     Link/Print  


        Collector, The

      London Jonathan Cape 1963 First Impression of the author's important first novel. 8vo: 283, [1]pp. Publisher's rust-colored cloth with a matching top stain and the spine stamped in gilt; in a price-clipped first issue (without reviews) dust jacket illustrated by Tom Adams. A Fine, bright example, probably unread, with a crimp to the head of the spine; in a just about Fine jacket, save for light soiling to the white back panel. This issue was preceeded by the very scarce black boards issue, and possibly an even scarcer grey boards one before that. It is however still hard to find, especially in this condition. Fine

      [Bookseller: Fine Editions Ltd.]
 36.   Check availability:     Direct From Bookseller     Link/Print  


        Othmar Spann. Gesamtausgabe [in 21 Bänden]. Herausgeber: Walter Heinrich, Hans Riehl, Ulrich Schöndorfer, Raphael Spann, Ferdinand A. Westphalen. Redaktionelle Leitung: Erwin Sulek.

      Akademische Druck- u. Verlagsanstalt Mischauflage 1963-1979, Graz - Gr.-8°. Je Band ca. 400 S. Orig.-Leinenbände. Ziegenfuß II,572 - 1: Frühe Schriften in Auswahl. 2: Die Haupttheorien der Volkswirtschaftslehre auf lehrgeschichtlicher Grundlage. 3: Fundament der Volkswirtschaftslehre. 4: Gesellschaftslehre. 5: Der wahre Staat. 6: Tote und lebendige Wissenschaft. 7: Kämpfende Wissenschaft. 8: Kleine Schriften zur Wirtschafts- und Gesellschaftslehre. 9: Kategorienlehre. 10: Der Schöpfungsgang des Geistes. 11: Gesellschaftsphilosophie. 12: Geschichtsphilosophie. 13: Philosophenspiegel. 14: Erkenne dich selbst. 15: Naturphilosophie. 16: Religionsphilosophie auf geschichtlicher Grundlage. 17: Ganzheitliche Logik. 18: Meister Eckeharts mystische Philosophie im Zusammenhang ihrer Lehrbegriffe dargestellt. 19: Kunstphilosophie. 20: Gespräch über Unsterblichkeit. 21: Othmar Spann - Leben u. Werk. - Einbände gering berieben und beschabt; Rückenschildchen teils unterschiedlich verfärbt und teils etwas angerändert; ansonsten schönes und sauberes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Mattheis]
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        Vysokomolekuljarnye Soedinenija. Zurnal Teoreticeskoj i Eksperimental'noj Chimii i Fiziki . Akademija Nauk SSSR.

      Leningrad, 1963-1975. - ISSN: 0507-5475 - 0042-9368. Titel gestempelt. Sprache: Deutsch Gewicht in Gramm: 55000 8°. Halbleinen- und Leineneinbände. Bände 5 - 8 + Serie A: Bände 9 - 18 + Serie B: Bände 9 - 21 in zusammen 47 Bänden.

      [Bookseller: Antiquariat Trageser]
 38.   Check availability:     AbeBooks     Link/Print  


        Archigram 3 Expendability Towards throwaway architecture

      Magazine of Ideas Architecture. Published at 59 Aberdare Gardens, London NW6 1963 9 stapled yellow sheets overprinted in green ink (or appears green on the yellow) and on one side only. Price in red on upper wrapper. Combination of collaged texts and illustrations on each page. Professionally printed. Very slightly soiled and creased at edges and outer wrapper a little dusty. Imperial sized paper. This is a themed issue which is generally concerned with temporary buildings and structures and lack or permanence as a concept. .

      [Bookseller: Janette Ray]
 39.   Check availability:     Janette Ray     Link/Print  


        Puckoon

      London: Anthony Blond Ltd., 1963. Paperback with jacket in acceptable condition. Singed by author on half title page. Jacket is marked, tanned and scored. Jacket leading corners, edges and spine are worn, creased and nicked. One centimetre tears on spine ends and front lower leading corner. Cover is partially detached from page block. Covers are lightly marked, scored and edge worn. Minor dent on rear cover affects closing pages. Spine and leading corners are creased, affecting pages. Page block and pages are lightly marked and tanned. Extra pen besides signature on half title page. Half title page is partially detached on lower edge. Stains, light creases and bumps on some pages. Volume is cocked and binding is slightly visible throughout, but pages remain intact. Contents remain legible throughout. HCW. Signed by Author. paperback. Acceptable/Acceptable. Used.

      [Bookseller: PsychoBabel & Skoob Books]
 40.   Check availability:     Biblio     Link/Print  


        United States Passport Signed Twice

      1963 - ("Frank Capra"), issued June 12, 1963 at the U.S. Embassy in Madrid, Spain. Tipped-in small b/w portrait photograph. Signed "Frank Capra." 3 3/4" x 6 1/8" (contains several customs and immigration rubberstamps). Original stiff blue wrappers. Very good, fresh. Rare thus! Pages 8-9 record his visit to Russia. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Houle Rare Books/Autographs/ABAA/PADA]
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        PRIVILEGIOS REALES Y VIEJOS DOCUMENTOS. I: TOLEDO, II: BAEZA, III: SANTIAGO DE COMPOSTELA, IV: LINARES, V: ANTEQUERA, VI: TARRAGONA, VII: GRANADA (Reino Nazarí), VIII: JEREZ DE LA FRONTERA, IX: CORDOBA, X: CUENCA, XI: UBEDA, XII: ALMERIA. XIII: ARCOS DE LA FRONTERA. XIV: SEVILLA, XV: SEGOVIA. XVI: BURGOS. XVII: ASTORGA. XVIII: LA CORUÑA

      - Madrid, Joyas Bibliográficas, 1963-1977, 18 tomos de 36x25,5 cm., texto y láminas facsímiles en rama y con carpeta de cartulina edit. Edición de 300 ejemplares sobre papel hilo. (Colección completa. Muy buen estado de conservación)

      [Bookseller: Fábula Libros (Librería Jiménez-Bravo)]
 42.   Check availability:     IberLibro     Link/Print  


        The BELL JAR

      London: Heinemann, 1963. 1st Edition. Black cloth binding with gilt stamped title lettering to spine. No dust jacket. Cocked. Shelf-wear. A Good - Abt VG copy.. [4], 258 pp. Crown 8vo.

      [Bookseller: Tavistock Books, ABAA]
 43.   Check availability:     Biblio     Link/Print  


        Signed Photograph

      Used; Like New/Used; Like New. Rare vintage 1963 Oxfam promo photograph card of the Beatles, signed in blue ink by John Lennon, Paul McCartney & Ringo Starr. The card has been signed on behalf of George Harrison by Neil Aspinall, and this signature alone has also been traced over.  Heavy overall creasing, small loss to upper edge.<br style="">Beatles manager Brian Epstein had refused all charitable organizations access to the Beatles due to their already overloaded schedule. However whilst Epstein was occupied in America, Jeffrey Archer (who was running Oxfam's anti-hunger campaign) managed to get himself backstage at the Beatles concert in Liverpool on December 7th, 1963 at which time he convinced the Beatles to pose for a quick photo with a banner and collection pots. This is the image featured on the present signed Oxfam flyer.<br style="">

      [Bookseller: Schubertiade Music & Arts]
 44.   Check availability:     Biblio     Link/Print  


        Leaving Cheyenne

      Harper & Row, 1963 A fine first edition in a near fine dust jacket, with original price sticker ($4.95) still on front flap. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
 45.   Check availability:     Biblio     Link/Print  


        LEAVING CHEYENNE

      New York: Harper and Row, 1963. First Edition. SIGNED BY THE AUTHOR, LARRY MCMURTRY. 8vo, publisher’s original cloth, in the original dustjacket. 298pp. A fine copy in like dustjacket, very fresh and attractive. SIGNED COPY OF LARRY MCMURTRY’S SECOND BOOK, every bit as hard to find in collectable condition as his first, HORSEMAN, PASS BY. This copy has been signed boldly on the free-fly by McMurtry in blue ink. The jacket is in what is sometimes called “Second State”, which is actually the same printing as the “first” but with the price clipped off by the publisher and replaced by a small sticker (in some cases a stamp) at $4.95. This was all done prior to the book’s original release date, thus only a very small number of copies can be found with the original $4.50 price intact. “Leaving Cheyenne traces the lives of three West Texas characters as they follow that sundown trail: Gideon Fry, the serious rancher; Johnny McCloud, the free-spirited cowhand; and Molly Taylor, the sensitive woman they both love and who bears them each a son. Tragic circumstances mark the trail but McMurtry's style never turns melodramatic or sentimental.” - modern editorial review.

      [Bookseller: Buddenbrooks, Inc.]
 46.   Check availability:     Biblio     Link/Print  

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