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Displayed below are some selected recent viaLibri matches for books published in 1963

        Sanctum Evangelium Secundum Matthaeum,Marcum,Lucam,Iohannem.Verona,Editiones Officinae Bodoni,Marzo

      1963 - Tiratura di 140 esemplari su carta a mano Magnani.I quattro Vangeli nell'edizione latina "vulgata" curata dal Pontificio Istituto Biblico (Roma 1957), con una nota di Giovanni Mardersteig; frontespizio inciso da Reynolds Stone e 114 xilografie tratte dalle "Epistole et Evangelii" del 1495 nuovamente incise da Bruno Bramanti (le ultime otto furono completate da Italo Zetti). Carattere Zeno corpo 14 e 16 tondo, titoli in corpo 30 e iniziali in corpo 60. Schmoller,129. 30g.

      [Bookseller: La carta bianca studio bibliografico]
 1.   Check availability:     AbeBooks     Link/Print  


        On Her Majesty's Secret Service

      London: Jonathan Cape,, 1963. Octavo. Original quarter vellum with black cloth sides, titles to spine gilt, ski track decoration to front board in white, top edge gilt. With the original clear plastic jacket. Colour frontispiece portrait of Ian Fleming. A little toning to spine ends; some faint spotting to endpapers, small chip to jacket at foot of spine. An excellent copy. First edition, signed limited issue. Number 157 of 250 copies signed by the author, with an additional 35 unnumbered copies marked "Presentation". This was Fleming's only signed limited edition; it was published simultaneously with the first trade edition on 1 April 1963.

      [Bookseller: Peter Harrington]
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        The Buildings Plans And Designs Frank Lloyd Wright

      NY: Horizon, 1963. Hardcover. Orig. cloth and board portfolio with cloth ties. Near fine. Elephant folio, 30 pages in text, 100 mounted plates printed on heavy card stock. Foreword by William Wesley Peters. Limited edition copy 373B of 2600. 32 page booklet enclosed. Plates bright and fresh. KARPEL B1332." A near but not exact facsimile of the Wasmuth `Ausgefuhrte Bauten,' published in Berlin in 1910. H. Allen Brooks, the distinguished Wright scholar calls the Wasmuth original the `most influential book ever published by Wright , and probably the most influential book on architecture published during our century.' The Horizon facsimile is very well done and essential to the student of Wright..............." SWEENEY 1534.

      [Bookseller: Royoung bookseller, Inc.]
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        Une Fête En Cimmérie. with 31 lithographs by Matisse

      Une Fête En Cimmérie. Duthuit, Georges. Paris: Teriade, 1963. 78 pp Illustrated with 31 lithographs by Matisse on different formats of which one in the front cover, 16 hors-text, 14 in a suite numbered in verso. 4to, loose as issued, housed in original pictorial wrapper, and original black chemise with matching slipcase. One of 120 copies on Velin de Rivers. Matisse's inspiration for these illustrations was drawn from photographs and Eskimo masks. Condition: Very Good Ref: Duthuit#35.

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
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        Planet of the Apes

      New York City: Vanguard Press, 1963 First Printing of the First American edition. Octavo. First edition in English, translated from the French by Xan Fielding. Originally published in France (1963) as La Planete des Singes. Spectacular copy. Photos available upon request.

      [Bookseller: Brenner's Books - Rare & Collectable]
 5.   Check availability:     IOBABooks     Link/Print  


        51-1158

      Paris: Maeght. 1963 - Folio. With 6 original lithographs.Cramer, 83. Mourlot, 272-279. Fine."DLM édité en juin 1963 pour l'exposition "Terres de grand feu" réalisées par Mirò avec Artigas et présentées à la Galerie Maeght. Texte d'André Pieyre de Mandiargues. 28 pages non reliées. 6 lithographies originales en couleurs dont 4 en double page et 1 en triple page et 3 reproductions en noir. Tirage original." [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Negen handgeschreven brieven, een getypte brief, vijf getypte gedichten en een handgeschreven essay aan de redactie van De Gids.

      - 1. 27,5 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans Andreus' en gedateerd 'Amsterdam 20 September, 1963'. 6 regels tekst. 2. 27,7 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans -' en gedateerd 'Amsterdam 13 Februari, 1964'. 22 regels tekst. 3. 27,7 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans Andreus' en gedateerd 'Bergen-N.H. 19 Maart, 1964'. 6 regels tekst. 4. 27,7 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans -' en gedateerd 'Bergen N.H. 9 April, 1964'. 15 regels tekst. 5. 27,7 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans -' en gedateerd 'Bergen-N.H. woensdag [15 april 1964]'. 10 regels tekst. 6. 27,7 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans Andreus' en niet gedateerd [14 mei 1964]'. 16 regels tekst. 7. 27,7 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans Andreus' en gedateerd '9 Juni [1964]'. 3 regels tekst. 8. 27,7 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans Andreus' en gedateerd 'Dinsdag 23 Juni '64'. 11 regels tekst. 9. 27,7 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans -' en niet gedateerd [29 juli 1964]. 6 regels tekst. 10. 27,7 x 21,5 cm. Eén blad. Alleen recto. Gesigneerd 'Hans Andreus' en gedateerd 'Hoevelaken 29 sept. '71'. 3 regels tekst. Met originele envelop.* Interessante collectie brieven en een spraakmakende boekbespreking van een meestentijds gehaast auteur. In de eerste brief aan de redactiesecretaris van De Gids trekt Andreus het gedicht 'Bedoel' terug voor publicatie, omdat het intussen al in de bundel Aarde is opgenomen. Hij werkt aan een gedichtencyclus, maar kan nu niets inzenden: 'Ik heb nog wel wat oude gedichten, maar ik vind ze zelf stomvervelend'. 'Bedoel' is evenwel bijgevoegd in typoscript (met twee handgeschreven correcties) en als drukproef.De tweede brief begeleidt Andreus' eerste stuk voor de kroniek 'Reacties van een lezer'. 'Ik heb dit stuk in wat moeizame omstandigheden geschreven want mijn vader was overleden en behalve emotionele dingen raakte ik door begrafenis en familietoestanden nogal achter op mijn werkschema'. Uitvoerig over de titel van zijn kroniek: 'Kroniek met kritiek' en 'Kritische Kroniek' zijn geen van beide favoriet. Opmerkelijk: 'Door enige verwarring in mijn werkkamer heb ik 't stuk per ongeluk in de vuilnisbak gegooid, maar 't er later weer uitgevist'.De derde brief is kort maar belangrijk: 'Onbeschrijflijk druk, daarom nu eerst stuk over Jan Cremer. In handschrift, sorry'. Bedoeld wordt de bespreking door Andreus van Ik, Jan Cremer voor het aprilnummer: het volledige handschrift van vijf bladen is bijgevoegd. Andreus heeft een genuanceerd oordeel over de onverbiddelijke bestseller: 'enfin, je leest deze nieuw-realistische schelmenroman met zoveel doodgewoon lezersplezier dat je het doorleest en doorleest en de 344 bladzijden wilt uitlezen als vroeger een dubbele Karl May [.] Een intellectueel boek is het niet [.] Maar het boek is goed. Het heeft niets met Grote Kunst te maken'.In de volgende brieven gaat het over de kroniekonderwerpen ('Ik weet nog niet waar ik 't de volgende keer over zal hebben; ik denk gewoon wat lullen over poëzie') en de rommelige kopij ('Dan krijg je mooie getikte vellen met ook niet zulke lange zinnen d'r op', 'een slordig schrijver, deze heer'). Ter begeleiding van een stuk over Armando: 'De conclusie vooral: dat uitgerekend hij nooit het lef heeft gehad om met het materiaal van zijn emoties etc. te werken, zoals een dichter dat moet doen'.Met de laatste brief stuurt Andreus een geleende dichtbundel van Hoornik retour. Vier getypte gedichten zijn eveneens bijgevoegd.

      [Bookseller: Antiquariaat Fokas Holthuis ILAB]
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        A Wrinkle in Time Series, Five Volumes

      New York: Farrar & Straus and Giroux, 1963. Copyright dates 1963, 1973, 1978, 1986 and 1989, all five volumes are first editions, Book Number Five Is Signed. Book 1-A Wrinkle in Time, Copyright date is 1962, 1st edition, 3rd printing [1963] . Marbled and blue cover over boards with gold lettering on the spine. No tears or bent pages, nor any writing. Book 2-A Wind in the Door, first edition, second printing. Blue cloth over boards with gold lettering on the spine. Light green inside covers front and back. Top page edges are tinted, for edge pages are not cut no tears, bent pages, nor any writing. Book 3-A Swiftly Tilting Planet, first edition, first printing. Black cloth over boards with silver lettering and design on the spine. Green inside covers front and back. No tears, bent pages, nor any writing. Book 4-Many Waters, first edition, first printing. Pink and maroon cover over boards with gold lettering and design on the spine and front board. No tears, bent pages, nor any writing. Book 5-An Acceptable Time, Presentation Signature on the inside title page. Black inside covers front and back. No tears, bent pages, previous owners name (Sam) on the post flyleaf page. Red cloth over boards with silver lettering and design on the spine. Light black line near the for edge on the bottom page edges. Dust Jackets, none of the jacket are price clipped. Volume 1- jacket has a John Newberry medal gold emblem on the upper right corner. One very short tear to the back top edge. Volume 2- jacket no tears, bent flaps. Volume 3-no tears, crease to the inside front flap light age toning to the back. Volume 4-no tears, bent flaps. A label lower left front (By the Author of a Wrinkle in Time) book 5-no tears, bent flaps. All five volumes dust jackets are now in a clear protective cover. All texts are bright and clean, all bindings are secure, a solid Rare and Collectible Set of Books.. 5th Volume Signed By the Author. first Editions. Hardcovers. Very Good/Very Good. 7¾" - 9¾" Tall. Collectible & Signed.

      [Bookseller: Mclin Haven]
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        Where The Wild Things Are. Story and Pictures by Maurice Sendak.

      - [New York]: Harper & Row, Publishers, [after 1963]. Oblong 8vo (228 256 mm), [1] h-t; [2?3] double-spread col. pr. pictorial t-p, [4?40] pp. Offset color-printed throughout from the author's watercolors with letterpress text. Wove paper. Color printed decorativeendpapers. Bound in color-printed pictorial paper boards with additional illustrations on both covers. Dust-jacket printed in color repeats binding design. A very good copy. Later edition, inscribed by Sendak to Charles Mikolaycak with a drawing of a wild thing, signed and dated March 86. The illustration contains a reference to "-laes' book plate!" written next to the drawing. On the front free endpaper is a bookplate designed by Mikolaycak for the Keene State College children's literature festival award winner with Sendak's printed signature. Of his early death, the New York Times noted: "Charles Mikolaycak, a distinguished illustrator of children's books and a book designer, died of cancer Wednesday in his New York City home. He was 56. In his 30-year career, Mr. Mikolaycak illustrated more than 60 books for children and hundreds of book jackets. His illustrations, often inspired by his Polish and Ukrainian heritage, were widely acclaimed for their richness of color and evocative design." A pleasing association of two book artists. Hanrahan A58 (first edition). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: John Windle Antiquarian Bookseller, ABAA]
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        ... HO ESEGUITO LE MIE PRIME LINEE PIUÂ’ CORTE POI SEMPRE PIUÂ’ LUNGHE ...

      

      [Bookseller: Libreria Malavasi sas]
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        Self Portrait.

      New York: Atlantic, Little, Brown, 1963. First edition. Octavo, original cloth. Inscribed by the author on the half title page, "For Roberta Kimmel Cordially Man Ray." The recipient was a well regarded Manhattan art dealer and friend of Man Ray's. Some light rubbing, near fine in a near fine dust jacket with very light rubbing. In this remarkable autobiography, Man Ray painter, photographer, sculptor, film maker and writer relates the story of his life, from his childhood determination to be an artist and his technical drawing classes in a Brooklyn high school, to the glamorous and heady days of Paris in the 1940s, when any trip to the city 'was not complete until they had been "done" by Man Ray's camera'. Friend to everyone who was anyone, Ray tells everything he knows of artists, socialites and writers such as Matisse, Hemingway, Picasso and Joyce, not to mention Lee Miller, Nancy Cunard, Alberto Giacometti, Gertrude Stein, Dali, Max Ernst and many more, in this decadent, sensational account of the early twentieth-century cultural world.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        C: A Journal of Poetry. Vol. 1 No. 4

      New York: Lorenz Gude & Ted Berrigan. 1963. The fourth issue of this mimeographed poetry journal, this issue being devoted to the work of poet Edwin Denby, with contributions by him as well as pieces about his work by Berrigan, Frank O'Hara and John Wieners. It is most famous at this point for the cover, which "was designed by Andy Warhol from photographs of poets Edwin Denby and Gerard Malanga." Warhol took a number of Polaroid photographs of Denby and Malanga and then created a silk screen from them for the covers. The clarity and resolution of the images vary from copy to copy of the production, either as a result of the screen getting clogged by re-use or as a result of deliberate manipulation by Warhol; in this copy, the images on the front are clearly two individuals but the resolution is limited and the image presents almost as an abstraction; the rear cover, which is a shot of the two poets kissing, is in this copy virtually entirely abstract. An early and important Warhol production: this is the first known instance of Warhol using Polaroid photographs for making silkscreen images, a practice he came back to later and became his standard approach for portraits. Some edge wear to the covers and the spine, and a tear at the base of the spine; overall very good in stapled wrappers. Softcover.

      [Bookseller: Ken Lopez Bookseller, ABAA ]
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        Annual New York Avant Garde Festival [title varies]. Signed by Jim McWilliams. Complete set of 19 vintage posters, 1963-1980

      Between 1963 and 1980 the cellist and performance artist Charlotte Moorman (known mostly for her work with Nam June Paik) organized fifteen increasingly elaborate festivals featuring a wide variety of performances in various locations. The first three were at Judson Hall, a small recital hall across from Carnegie Hall (not to be confused with Judson Memorial Church in Greenwich Village). Number 4 was in Central Park. Number 5 took over a Staten Island ferry. Number 6 paraded down Central Park West. The 7th was on two islands in the East River, the 8th, at the Lexington Avenue Armory. Festival number 9 occupied a vintage riverboat docked at South Street Seaport. Number 10 took place in Penn Central boxcars on a track at Grand Central Station. Number 11 was at Shea Stadium; number 12, at Floyd Bennett Field at Gateway National Park in Brooklyn. The World Trade Center was the site of the 13th. Number 14 took place on the Charles River in Cambridge. The final number 15 was at the Passenger Ship Terminal on the Hudson River. **By number 11 (1974) the casts and acknowledgments had grown to the length of movie credits. Among the many hundreds of performers were John Cage, David Tudor, Allan Kaprow, Nam June Paik, Yoko Ono, Allen Ginsberg, Ray Johnson, Joseph Beuys, John Lennon, Max Neuhaus, Yvonne Rainer, Laurie Anderson, Ornette Coleman, Geoff Hendricks, Shirley Clarke, Bob Watts, James Tenney, Meredith Monk, and Al Hansen. **For each of these festivals Charlotte Moorman published a poster; there were two versions each of numbers 1, 2, 8, and 9, for a total of nineteen. She designed the simple first three herself; number four was a collaboration with Jim McWiliams; the remaining eleven were his work. Those eleven are each signed in silver or bronze ink by Jim McWilliams. Like the festivals, the posters became larger and increasingly elaborate, with images and text in layers. Number 11 is a riot of color featuring multiple aerial views of Shea Stadium. Number 13 shows the Twin Towers from different views. If number 11 was a riot of color, number 14 is full-fledged revolution. The sequence ends with a 20-color extravaganza. **A few complete sets remain available of approximately 50 that could be assembled from Charlotte Moorman's estate. Numbers 1, 2, 8, and 9 appear in two versions. Please write or call for a complete descriptive list. Some posters also are available singly. Nearly all of these posters that might appear on the current market were folded and mailed. All of these are flat, uncreased, and unmailed, except 2b, 3, and both number 8s. Those four were folded but are unmarked and have been stored flat. Sizes range from 8-1/2 x 5-1/2 inches to 36 x 24 inches. Sets will be shipped in tubes.

      [Bookseller: Laurence McGilvery]
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        The Spy Who Came in From the Cold

      Victor Gollancz, London, 1963 SIGNED first edition. 1963 stated on title and copyright page. Signed on the title page. Book near fine, except for barely visible tape residue near bottom of covers and paste-downs; very minor fading at spine ends. Dust jacket very good, some minor wear at bottom of spine; some sun-fading at spine, some minor soiling on rear panel; some water spts on inside of dj on spine. Housed in custom-made slipcase. We will provide a certificate of authenticity.. Signed by Author(s). 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        The Spy Who Came in From the Cold [Signed Bookplate Laid in]

      London: Victor Gollancz, 1963. First Edition. Small octavo (19cm.); original simulated cloth in red dust jacket; 222pp. Jacket extremities a bit chipped and worn, a few closed tears with subsequent fold lines, spine rather darkened and slightly cocked, else Near Fine in Very Good jacket. Bookplate signed by the author laid in.

      [Bookseller: Lorne Bair Rare Books]
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        MAN RAY: SELF PORTRAIT - SIGNED PRESENTATION COPY TO EMERSON AND DINA WOELFFER

      (MAN RAY). Man Ray. MAN RAY: SELF PORTRAIT - SIGNED PRESENTATION COPY TO EMERSON AND DINA WOELFFER. Signed Presentation Copy from the Artist. New York: An Atlantic Monthly Press Book / Little, Brown & Company, 1963. First Edition. 8vo. Cloth in Illustrated Jacket. Artist Autobiography. Very Good -/Very Good -. 402pp, 32 b&w illustrations. "Self Portrait" is Man Ray's 1963 tell-all autobiography that chronicles the artist's odyssey from his modest beginnings as Emmanuel Radnitzky from Ridgefield, New Jersey to becoming the toast of the Dada, Surrealist, Cinema, Fashion, and Literary sets in New York, Paris and Hollywood. A most presentable example of the 1963 first Little, Brown & Company printing additionally bearing the BOLDLY SIGNED PRESENTATION "for Emerson and Dina / Man Ray / 1966" in black ink on the title page showing some light wear and soiling along with mild dog-earing to the upper foredge corners of a few pages whose fragile dust jacket is a bit worn and rubbed on the spine and rear panel. The inscription is to Man Ray's friend, the late, great Los Angeles artist, collector, and educator Emerson Woelffer (and his wife Dina) from whose estate we acquired this directly. The 1966 date corresponds to the artist's return to Los Angeles to attend the comprehensive Man Ray retrospective exhibition held at the County Museum of Art, and produce a series of prints at Gemini G.E.L. It bears Woelffer's embossed red ownership label and handwritten date "July 31-64" on the front pastedown. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. LC 63-8319 Inventory Number: 024956

      [Bookseller: Arcana: Books on the Arts]
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        A Wrinkle in Time Series, Five Volumes

      New York: Farrar & Straus and Giroux, 1963. Copyright dates 1963, 1973, 1978, 1986 and 1989, all five volumes are first editions, Book Number Five Is Signed. Book 1-A Wrinkle in Time, Copyright date is 1962, 1st edition, 3rd printing [1963] . Marbled and blue cover over boards with gold lettering on the spine. No tears or bent pages, nor any writing. Book 2-A Wind in the Door, first edition, second printing. Blue cloth over boards with gold lettering on the spine. Light green inside covers front and back. Top page edges are tinted, for edge pages are not cut no tears, bent pages, nor any writing. Book 3-A Swiftly Tilting Planet, first edition, first printing. Black cloth over boards with silver lettering and design on the spine. Green inside covers front and back. No tears, bent pages, nor any writing. Book 4-Many Waters, first edition, first printing. Pink and maroon cover over boards with gold lettering and design on the spine and front board. No tears, bent pages, nor any writing. Book 5-An Acceptable Time, Presentation Signature on the inside title page. Black inside covers front and back. No tears, bent pages, previous owners name (Sam) on the post flyleaf page. Red cloth over boards with silver lettering and design on the spine. Light black line near the for edge on the bottom page edges. Dust Jackets, none of the jacket are price clipped. Volume 1- jacket has a John Newberry medal gold emblem on the upper right corner. One very short tear to the back top edge. Volume 2- jacket no tears, bent flaps. Volume 3-no tears, crease to the inside front flap light age toning to the back. Volume 4-no tears, bent flaps. A label lower left front (By the Author of a Wrinkle in Time) book 5-no tears, bent flaps. All five volumes dust jackets are now in a clear protective cover. All texts are bright and clean, all bindings are secure, a solid Rare and Collectible Set of Books.. 5th Volume Signed By the Author. first Editions. Hardcovers. Very Good/Very Good. 7¾" - 9¾" Tall. Collectible & Signed.

      [Bookseller: Mclin Haven]
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        26 rare offprints by Lord Rothschild and others including Vapour Pressure Changes in the Frog's Egg at Fertilization

      various, 1948-1963 - All from the collection of Robert H. Foote Cornell researcher in Artificial Insemination. All have his stamp of ownership and a few have his highlighting, marginalia. One has a few pages of notes in Foote's hand. * Very good. First separate edition. Offprint. Original wrappers. Lord Rothschild was a friend of the so called Cambridge Spy Ring who included Guy Burgess, Anthony Blunt and Kim Philby. A list of titles is available. Biology. Quality, Value, Experience. [Attributes: First Edition; Soft Cover]

      [Bookseller: Robinson Street Books, IOBA]
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        Thrilling Cities.

      Jonathan Cape, London, 1963, 1963. First Impression, First State. DEDICATION COPY, signed by the author. Pp.223. Publisher's cloth-backed marbled paper over boards, titled in gilt to the spine, black endpapers, top edge stained black. With the pictorial dust-jacket designed by Paul Davis. Illustrated with photographic plates, and with erratum slip tipped in at page 223. Boards lightly rubbed and bumped at extremities; a very good copy, housed in a black quarter morocco clamshell box made by The Chelsea Bindery. The dedication copy, inscribed by the author on the title page, To / "a man called 'CD' "/ from / Ian. / (underscore). The printed author's note reads "Nothing remains but to dedicate this biased, cranky but at least zestful hotchpotch to my friends and colleagues on The Sunday Times in London and abroad, and particularly to a man called 'CD', who pulled the trigger". Sir Charles Denis Hamilton was a close friend and colleague of Ian Fleming, a director of Kemsley Newspapers and editor of the Sunday Times. Fleming had written seven James Bond novels when he was approached by Hamilton with a plum journalistic assignment: to take a five-week, all-expenses-paid trip to visit the world's most exciting cities. Fleming's trip took in Hong Kong, Macau and Tokyo, then Honolulu, and back home via the major US cities. The material he gathered for this book also furnished much of the backdrop and research for the five Bond novels and seven short stories that would follow. Gilbert A16a (1.1), see also pages 479 and 644.

      [Bookseller: Adrian Harrington Rare Books]
 19.   Check availability:     IOBABooks     Link/Print  


        C: A Journal of Poetry. Vol. 1 No. 4

      New York: Lorenz Gude & Ted Berrigan. 1963. The fourth issue of this mimeographed poetry journal, this issue being devoted to the work of poet Edwin Denby, with contributions by him as well as pieces about his work by Berrigan, Frank O'Hara and John Wieners. It is most famous at this point for the cover, which "was designed by Andy Warhol from photographs of poets Edwin Denby and Gerard Malanga." Warhol took a number of Polaroid photographs of Denby and Malanga and then created a silk screen from them for the covers. The clarity and resolution of the images vary from copy to copy of the production, either as a result of the screen getting clogged by re-use or as a result of deliberate manipulation by Warhol; in this copy, the images on the front are clearly two individuals but the resolution is limited and the image presents almost as an abstraction; the rear cover, which is a shot of the two poets kissing, is in this copy virtually entirely abstract. An early and important Warhol production: this is the first known instance of Warhol using Polaroid photographs for making silkscreen images, a practice he came back to later and became his standard approach for portraits. Some edge wear to the covers and the spine, and a tear at the base of the spine; overall very good in stapled wrappers. Softcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 20.   Check availability:     IOBABooks     Link/Print  


        Seefahrerwind. Ein Gedicht.

      H.Heiderhoff u. M.Marschner, (Wülfrath 1963 - (Wülfrath, H.Heiderhoff u. M.Marschner, 1963). 4°. M. 3 Orig.-Holzschnitten v. Hans Arp. 13 Bll. OEngl. Brosch. in Blockbuchbindung Nr. 85 v. 150 (GA 200) Exempl., im Druckverm.v. Arp u. Schmied signiert. Arntz 236; Tiessen II,27 Nr. 85 v. 150 (GA 200) Exempl., im Druckverm.v. Arp u. Schmied signiert. OEngl. Brosch. in Blockbuchbindung [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Antiquariat Seidel & Richter]
 21.   Check availability:     IberLibro     Link/Print  


        The White House Years: Mandate for Change, 1953-1956

      Garden City, NY: Doubleday & Company, 1963 First trade edition following a limited edition of 1500 copies. Signed Dwight Eisenhower on the "November 7, 1963, Gettysburg, Pennsylvania" book plate that is tipped onto half title page with two small pieces of tape. Slight aging to tape, though plate and book are otherwise Fine. Dust jacket shows a one inch closed tear from upper edge over top panel. Edges of jacket shows light rubbing and light age toning. Jacket is otherwise bright and clean, and is now protected in a clear mylar sleeve.. Signed by Author. First Trade Edition. Cloth - Hard Cover. Near Fine/Good+.

      [Bookseller: Lloyd Zimmer, Books and Maps]
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        V.

      Philadelphia, PA: J. B. Lippincott Company. Very Good+ in Very Good+ dust jacket. 1963. 1st Edition; 1st Printing. Hardcover. This book is in Very Good+ condition and has a Very Good+ to Near Fine- dust jacket. The book and its contents are in mostly clean, bright condition. There is some light fading to the edges of the book covers at the top edge, and along the bottom spine end. The bottom edge of the front panel has some beginning glue residue from a previous dust jacket protector. The text pages are clean and bright. The dust jacket has some beginning edge tears and nicks, some beginning wrinkling to the top front panel and top rear panel. There is only a hint of fading to the spine of the dust jacket. This is a First Edition, First State dust jacket with no reviews on real panel and a $5.95 price on the bottom corner of the front flap. This book was the winner of the Faulkner Foundation Award for best first novel of the year. "This will almost certainly be the most original novel published in 1963. It is a wild, macabre tale of the twentieth century and of two men." .

      [Bookseller: S. Howlett-West Books]
 23.   Check availability:     Biblio     Link/Print  


        Living Arts : numbers 1-3 [complete set]

      The Institute of Comtemporary Arts in association with Tillotsons (Bolton) Ltd, London 1963 - A complete set of the three issues of the seminal art journal including key works by, amongst others, Cornelius Cardew, Archigram, Richard Hamilton and Reyner Banham. Slight shelf wear to edges, no inscriptions, tight and square bindings. Photographs available on request. All books dispatched same or next working day in robust packaging. [Attributes: First Edition; Soft Cover]

      [Bookseller: Springhead Books]
 24.   Check availability:     AbeBooks     Link/Print  


        Lob der Graphik. Ein Symposium über das gedruckte Blatt, seine Eigenart und seine Herstellung. Mit 6 signierten Original-Graphiken.

      Heidelberg, Wolfgang Rothe, 1963,. 118(2), Gr-8°, OLeinen m. aufgeklebtem Rückenschildchen. Einbandentwurf von Willy Pingel (Heidelberg). Mit 34 teils blattgroßen und farbigen Abbildungen u.a.v. Emil Schumacher, Sonderborg, Hoehme, Platschek. Vorliegend: eins von 100 Exemplaren der Vorzugsausgabe, der sechs lose beigelegte Original-Graphiken beigegeben sind. Die Künstler sind: Heinz Kreutz (1923; WZ 2), Hubertus von Pilgrim (1931), Rolf Sackenheim (1921-2006), Günther Kirchberger (1928-2010), Karl-Fred Dahmen (1917-1981; WZ 13, abweichende Format- und Auflagenangabe), Klaus-Jürgen Fischer (1930). Jede Graphik ist nummeriert und signiert, teils datiert. Gutes Exemplar. Komplett selten. Good copy. Rare. Numbered edition with 6 handsigned originally graphics, limited for about 100 copies. Rare. Das Foto zeigt die Graphik von Kreutz. Versand D: 5,00 EUR limitiert, limited, numbered, signiert, signed, Originalgraphik, Informel

      [Bookseller: AS - Antiquariat Schröter]
 25.   Check availability:     buchfreund.de     Link/Print  


        Positionszeichen. Vier Farblithographien von Fred Thieler. Signiert.

      Verlag Galerie Schüler Vorwort von Manfred de la Motte., Berlin - Auflage 50 Exple. 1963 Nummer 16/40. 4 signierte Lithographien (Blattgröße 60 x 42,5 cm) in Halbleinenmappe. Die Ausgabe ist in einer einmaligen limitierten Auflage von 50 Exemplaren erschienen, davon waren 10 für Mitarbeiter bestimmt. Die Ausgabe ist signiert und numeriert von 1 ? 40.

      [Bookseller: St. Gertrude Galerie und Verlag GmbH]
 26.   Check availability:     ZVAB     Link/Print  


        La Planete Des Singes [The Planet of the Apes]

      Paris: Le Cercle du Nouveau Livre, 1963. First Edition. Hardcover. Very Good. First edition, first printing, published in the original French language; Copy number 627 of an unspecified limited edition. Near Fine, with slight wear at head of spine. Lacking the dust jacket, perhaps as issued. A stunning copy of the original French language first edition, which would later be translated into English as The Planet of the Apes.

      [Bookseller: Burnside Rare Books]
 27.   Check availability:     IOBABooks     Link/Print  


        Puckoon

      Anthony Blond Ltd., London 1963 - Paperback with jacket in acceptable condition. Singed by author on half title page. Jacket is marked, tanned and scored. Jacket leading corners, edges and spine are worn, creased and nicked. One centimetre tears on spine ends and front lower leading corner. Cover is partially detached from page block. Covers are lightly marked, scored and edge worn. Minor dent on rear cover affects closing pages. Spine and leading corners are creased, affecting pages. Page block and pages are lightly marked and tanned. Extra pen besides signature on half title page. Half title page is partially detached on lower edge. Stains, light creases and bumps on some pages. Volume is cocked and binding is slightly visible throughout, but pages remain intact. Contents remain legible throughout. HCW [Attributes: Signed Copy; Soft Cover]

      [Bookseller: PsychoBabel & Skoob Books]
 28.   Check availability:     ZVAB     Link/Print  


        A Monetary History of the United States 1867-1960

      PRINCETON UNIVERSITY PRESS 1963 - Princeton University Press, Princeton, 1963. Hardcover. Book Condition: Near Fine. Dust Jacket Condition: very good. First edition, first printing. 6 x 9 1/4 in. xxiv, 860 pp. Green cloth boards with silver spine titles. First edition with no subsequent dates on the copyright pg. Condition is near fine; covers like new but one corner bumped. Binding tight and text spotless, no markings at all. DJ is good; not price-clipped ($15.00) very clean and fresh, spine moderately toned. Edges have chips and tiny tears, a few small open tears at spine tail and upper front. In a new Mylar wrapper. A very nice copy of this iconic work. This is a collectible title, as it is the pre-eminent body of work on US monetary history and is often found is in a state beyond disrepair without the rare first state dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Neverland Books]
 29.   Check availability:     AbeBooks     Link/Print  


        A PIXERAMA FOLDBOOK OF THE BEATLES. Signed by John Lennon and George Harrison.

      London: Wolfe Publishing. 1963. First edition. First edition. Twelve concertina bound photographic black and white prints, printed text to the reverse, in colour pictorial card wrappers. Introduction by Clive Denton. Signed in black ink by John Lennon [adding two kisses] and George Harrison [adding three kisses] in the blank area on the copyright page. A very good copy, the covers rubbed at the folds but the binding remains firm. The contents including all prints and the autographs remain in fine condition. Exceptionally rare in signed state. Provenance: The signatures were obtained from John and George at the stage door of the Nottingham Odeon Cinema on the 12th December 1963, the 33rd and penultimate date of The Beatles' 1963 Autumn Tour. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 30.   Check availability:     Biblio     Link/Print  


        Texas Supplemental Report on the Assassination of President John F. Kennedy and the Serious Wounding of Governor John B. Connally November 22, 1963.

      Austin: Self-published, 1963. 1st ed., 1963. 8vo. 20 pp. printed rectos only. Original white cloth printed in black. INSCRIBED on the front free endpaper: "To Bert Thompson — My good friend! Waggoner 12-15-64." This book is the summary written by the Texas Attorney General, Waggoner Carr, about the state of Texas' independent investigation into the assassination of JFK and wounding of Connally. Laid into the rear (originally stapled in) is a TLS, folded in half, from Carr to Thompson on Carr's official State of Texas letterhead and dated December 18, 1964: "Dear Bert: I thought you might like to have a permanently bound copy of the Texas Supplemental Report on the assassination of President Kennedy for your library. This is being sent to you with my personal compliments and was not printed at state expense. I continue to be deeply grateful to you for all of the help and assistance you have been to me. . .Yours sincerely, Waggoner" It is not known how many copies of the report Carr had bound but it clearly was not a great number. The covers have light soil and the text block shows evidence of dampness (slight discoloration of paste downs and page waviness). The letter has a stain at the fold which also has a 2" tear. Very good minus. An important association copy of a very scarce Kennedy assassination document.. Inscribed by Author(s). 1st Edition. Hardcover. Very Good.

      [Bookseller: Thomas Dorn ABAA]
 31.   Check availability:     Biblio     Link/Print  


        Braque lithographe. Notices et catalogue établis par Fernand Mourlot

      First edition, one of 4125 numbered copies.Book illustrated with 3 original lithographs 5 or 6 colors Georges Braque.rich iconography.Preface by Francis Ponge.Small spots without gravity top and bottom of the back, small white spots in the margins of the case, nice copy. André Sauret Paris 1963 24,5x32,5cm broché sous étui

      [Bookseller: Librairie Le Feu Follet]
 32.   Check availability:     Direct From Bookseller     Link/Print  


        Ukiyoe-Hanga, 7 volumes complete

      Tokyo: Shuei-Sha, 1963 - 1964. Shuei-sha edition. 7 volumes; Elephant folio; vinyl clamshell boxes, each containing 24 tipped-in prints in color except for volume 7 which has monochromes in black & white or limited color; all housed in loose portfolios; each volume with separate portfolio of artist biography, and descriptions of the prints, in Japanese and English. In original cardboard shipping boxes. The shipping boxes are worn & stained, but have kept the clamshell boxes and their contents overall in very fine condition. Collated complete; vol. 1, port. 12 has staining to a portion of lower leading corner outside and inside but below the plate; otherwise very occasional light soil from handling to portfolios. An amazing and ambitious project, beautifully executed.

      [Bookseller: G. F. Wilkinson Books]
 33.   Check availability:     IOBABooks     Link/Print  


        A Wrinkle In Time

      London: Constable Young Books, 1963. First British edition of the author's Newbery award-winning novel. Octavo, original cloth. Signed by the author on the title page. Very good in a very good price-clipped dust jacket with some small chips to the spine. Uncommon signed. A Wrinkle in Time is one of the most significant novels of our time. The story revolves around a young girl whose father, a government scientist, has gone missing after working on a mysterious project called a tesseract. "A book that every person should read, a book that provides a road map for seeking knowledge and compassion even at the worst of times, a book to make the world a better place" (Cory Doctorow).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 34.   Check availability:     Biblio     Link/Print  


        The Lord of the Rings - Original 1963 UK Deluxe Set, with Original Pauline Baynes Triptych Slipcase

      London: Allen & Unwin, 1963. 1st Edition, Hobbits, Lord of the Rings. Hard Cover. Very Good Plus/No Jacket, as Issued. J.R.R. Tolkien. 8vo - over 7¾" - 9¾" tall. The Lord of the Rings, by J.R.R. Tolkien. The true 1st Edition, Allen and Unwin 1963 Deluxe Edition of the 3 volumes of the Lord of the Rings, comprised of "The Fellowship of the Ring", "The Two Towers", and "The Return of the King". This set is bound in the original Black Buckram cloth with gilt titles, author and publisher to the spines of each volume. The gilt is still bright, without any rubs or tarnishing. Each volume features Bevel-Edged boards, gilded page edges, with an original silk bookmark sewn in. The books are in Very Good Plus condition, with almost no marks or rubbing to the gilded edges, a neat gift inscription to the front free endpaper of The Fellowship, no other names or markings in any of the books. The spine of The Return has a few rub marks, the gilt title, author and publisher still clean and bright. The textblocks are clean and unmarked, with a very tight binding. The spines of the books are a matching black color, with the Two Towers being slightly lighter in color, as if often the case. The books are housed in the very scarce original publishers slipcase featuring the Pauline Baynes color "Triptych" artwork. This case has a couple of minor bumps to the corners, and a little rubbing to the edges, no color loss to speak of. Clean and bright, without any corner splits, a lovely case that is one of the tighter fitting ones I've run across. The scarcest of all the original Allen & Unwin 1st Editions, as well as the Houghton Mifflin issues. According to publishers records, 1000 or less sets were produced. Briefly mentioned in the Tolkien bibliography by Hammond and Anderson on page 98. The outside of the slipcase show some superficial rubbing, but is whole & complete, without any major stains or faults. A rare opportunity for this scarce set and the orignal publishers slipcase illustrated by Pauline Baynes. Digital images available upon request. Other Tolkien sets, original and rebound are available. Inquire if interested. A wonderful addition to anyone's Tolkien collection. Very Good Plus / No Jacket, as Issued.

      [Bookseller: The Tolkien Bookshelf]
 35.   Check availability:     IOBABooks     Link/Print  


        Storia di Brescia.

      Morcelliana 1963 [-1964] - Frontespizio: Promossa e diretta da Giovanni Treccani degli Alfieri. Volume I. Dalle origini alle Signorie. 1426. Volume II. La dominazione veneta (1426-1575). III. La dominazione veneta (1576-1797). IV. Dalla Repubblica bresciana ai giorni nostri (1797-1963). V. Indici. Cinque voll. in-4° picc. (cm. 29,5 x 22,3), pp. XXIII-1147 con num. ill. b/n n.t. alcune delle quali fot. e 42 tavv. a col. f.t. alcune delle quali ripiegate + pp. XVI-1123 con num. ill. b/n n.t. alcune delle quali fot. e 39 tavv. a col. f.t. alcune delle quali ripiegate + pp. XIX-1174 con num. ill. b/n n.t. alcune delle quali fot. e 41 tavv. a col. f.t. alcune delle quali ripiegate + pp. XXV-1214 con num. ill. b/n n.t. alcune delle quali fot. e 27 tavv. a col. f.t. alcune delle quali ripiegate+ pp. 579. Leg. edit. p. pelle bordeaux con tit. e stemma bresciano impressi in oro entro triplice cornice filettata impressa a secco al piatto ant., tit. in oro su tass. verde al ds., fregi e cornici filettate impresse in oro al ds., falsi nervi, stemmi in oro raffiguranti i santi Faustino e Giovita impressi entro cornice tipografica e triplice cornice filettata impressa a secco al piatto post., sguardie in carta bordeaux, stemma bresciano in nero al frontespizio. Lievi fioriture in un buon esemplare. [Attributes: Hard Cover]

      [Bookseller: Libreria La Fenice di Pietro Freggio]
 36.   Check availability:     AbeBooks     Link/Print  

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