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Displayed below are some selected recent viaLibri matches for books published in 1963


      TWENTIETH CENTURY FOX 1963 - VON RYAN'S EXPRESS - FIRST DRAFT SCREENPLAY - DARRYL ZANUCK'S PERSONAL COPY with HIS NOTES and EDITS THROUGHOUT, plus TWO LONG, RELEVANT LETTERS from DARRYL ZANUCK to his son RICHARD ZANUCK regarding his many concerns about the SCRIPT. Darryl Zanuck's large initials are on the front cover. Bound in blue paper covers with the Twentieth Century Fox Film logo and name at the bottom of the front cover, and with "Von Ryan's Express", "July 18, 1963", and "First Draft Screenplay", all printed on the front cover. The spine covering is split and tattered, but the printed: "Von Ryan's Express - July 18, 1963" is still legible. The title page has the printed information: "Von Ryan's Express / Screenplay by David Westheimer and Saul David / Based on the Novel by David Westheimer / First Draft Screenplay / July 18, 1963". Printed on light-green tinted paper, with many blue revision pages dated 7/23/63, 7/24/63 and 7/31/63. Zanuck's edit marks and notes are found here and there on both the light-green pages and on the blue revision pages. 172 pages, plus a few additional revision pages (e.g. "141" followed by "141A"). Pages are printed on 8.5x11" paper, printed on one side only. The covers are somewhat larger, overhanging the inner pages by 1/2" at the front edge and 1/4" at the top and bottom edges. The screenplay is three hole punched and bound with three brass brads. Darryl Zanuck was head of Twentieth Century Fox, the studio producing Von Ryan's Express. ZANUCK HATED THE SCRIPT as it stood in this first draft. His numerous notes on the inside front cover, title page, and first page of the screenplay are full of comments such as: "Basic plot was exciting, original - but it is now told devoid of characters or logic or humor." Zanuck also made various notes, marks, suggestions and edits here and there throughout the rest of the script, but his most extensive comments are on the first few pages. This FIRST DRAFT has RYAN staying alive at the end of the film. In the final version RYAN DIES. There are MANY other changes between this draft and the final version. Neither of the writers of this first draft are listed as writers on the final script, though David Westheimer is still credited for writing the novel. PLEASE NOTE: ALSO INCLUDED ARE TWO LONG, IMPORTANT, RELATED LETTERS BY DARRYL ZANUCK (Head of Twentieth-Century Fox Corporation) TO HIS SON, RICHARD ZANUCK (who he made head of film production). The letters are both carbon copies (presumably Zanuck's copies) on onion skin paper, typed by his Secretary. The letters are dated August 13 and August 23, 1963. These carbon copies of the sent letters are not signed. In the first letter, Darryl Zanuck is VERY upset about the quality of the screenplay; and by default he is upset with his son, the Studio's head of Production, for allowing the screenplay to be so bad. The letter is 7 pages long. "What started like a marvellous and original adventure has become in screenplay an amateurish delivery of hokum melodrama with obvious characters and embarrassing attempts at humor." "I have detailed notes on an entirely new opening and on innumerable changes." In the second letter, dated August 23, D. Zanuck details the changes that he thinks will improve the film. The letter is 14 pages long. CONDITION: The SCREENPLAY covers are tattered along the edges where they overhang the inner pages, tattered at the spine, have some creases, are toned, and have a coffee cup ring stain (probably Zanuck's cup!). The inner pages are all in VERY GOOD condition, some corner creases, some edge toning, overall still bright and clean. THE TYPED CARBON LETTERS have some stiff creases, toning to the margins, paper clip marks, and signs of general handling, but are still bright and clear. Together, this first draft screenplay and associated letters show the Zanucks, father and son, at loggerheads. Was this the beginning of what ended with Richard Zanuck taking over the studio and kicking his father out in 1969? [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Blank Verso Books]
 1.   Check availability:     AbeBooks     Link/Print  

        A Wrinkle in Time

      Constable 1963 - 1963. 182 pages. Red boards with cream pictorial dust jacket. A couple of foxing marks to the title page, but the rest of the pages are tightly bound bright pages with light tanning and foxing to text block edge and endpapers. Moderate tanning to the ffep. Area of light foxing to the top 2cm of the front and back boards. Light edge wear with light corner bumping. Light chipping, rubbing, foxing, tearing and tanning to the dust jacket spine and its extremities. The dust jacket is unclipped. [Attributes: Hard Cover]

      [Bookseller: World of Rare Books]
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        A Wrinkle In Time

      Constable Young Books. Hardcover. Scarce book with DJ. Light wear to boards with two small pieces of tape to the rear edges. Light tape mark to paste down and rear end paper. Content is clean with front end paper missing & small light stains to a few pages. Complete Good+ DJ with slight creasing to edges and line tape residue mark to rear flap. Ex County library with sticker to front paste down and small stamp to last text page. . Good. 1963.

      [Bookseller: Infinitebooks]
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        Novellen um Claudia : Roman.

      Reinbek b. Hamburg : Rowohlt, 1963 - Taschenbuch in gutem Zustand. Altersbedingt sind die Seiten angegilbt. Leichte Gebrauchsspuren. ek56/ror/541 Sprache: Deutsch Gewicht in Gramm: 400 [Attributes: Soft Cover]

      [Bookseller: Versandantiquariat Olaf Roehder]
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        Planet of the Apes

      The Vanguard Press, 1963 Fine in a near fine dust jacket. First U.S. Edition, and the First Edition in English. Translated by Xan Fielding. Original price of $4.50 printed on the front flap of the dust jacket. Jacket has slight rubbing and very slight soiling, but is otherwise intact and not creased. A very nice copy. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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        Die Dorfkirche. Radierung.

      2. Hälfte 17. Jahrhundert. - Mit der Nr. 5. Ausgezeichneter, malerischer Druck auf festem Bütten. Mit gleichmäßigem Rändchen um die volle Plattenkante. Bartsch 11. Blatt 5 aus einer Folge mit Landschaften. - Insgesamt nicht störend gebräunt bzw. braunfleckig. Ausgeschiedene Doublette der Kunsthalle zu Hamburg, verso mit Stempel (nicht bei Lugt) und handschriftlicher Vermerk "Dubl. 368 K. / ausgeschieden aus der Kunsthalle 1963". Sprache: Deutsch Gewicht in Gramm: 2100 9 x 14 cm (Einfassungslinie). Papier: 9,8 x 14,6 cm.

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Joan Miro: Trace sur l'Eau, Suite d'Aquarelles

      Paris: Maeght, 1963 Paperback First edition. Near Fine paperback with light crimping to the tips and perhaps a touch of soiling. A very nice copy. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A lovely volume reproducing a suite of 14 of watercolors by Joan Miro (1893-1983.) Each is an original tipped-in color lithograph on Marais onion skin paper. The dust jacket is an original lithograph on Rives wove; the image covers the front, back, spine and the four folded flaps. The title page is preceded by two semi-translucent vellum sheets printed with design elements derived from the cover image. From an unnumbered edition limited to 900 copies. 44 pages; 16 color and b&w illustrations; 14 x 11.5 inches. See: Cramer, Miro The Illustrated Books, no. 82, p.226-227; Maeght Editeur (1972-1973), p.60-61.

      [Bookseller: A&D Books]
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        The Fire Next Time

      New York: The Dial Press, 1963. First Edition. Hardcover. Like New. First edition. Signed by author on the title page in black ink. 120 pp. with author bio at rear. Cream cloth with red lettering. Near Fine in Near Fine dust jacket. Cloth a bit foxed. Jacket spine panel shows just a touch of sunning, very light wear at head and tail, unclipped ($3.50). The African-American novelist's powerful thoughts on race in the U.S. in two essays, an instant bestseller. Rarely found as a signed first printing, especially in such nice shape.

      [Bookseller: Burnside Rare Books]
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        The Bender / A Sad Comedy (SIGNED)

      William Morrow & Co., New York 1963 - First edition indicated by the lack of any statement of edition to copyright page, as per the publisher's 1947 and 1976 statements. Thus, the first American edition, first printing, 1963. Inscribed "To Toby" and signed by the author (full name with middle initial) to title page, apparently in pencil. Signed copies somewhat scarce. The unclipped dust jacket in lovely with only a few small spots of foxing to front flap. The book will close its own text block and thus would usually grade "very good," but shows brown nitrate tape ghosts to endpapers and outside of boards, where some earlier dust jacket protector was once taped down. There are NO signs of library attachments, stampings, or other degradations. Earlier novel by the author of "Jewel in the Crown" and the rest of the Raj Quartet. A droll comedy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Cat's Curiosities]
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        Annual New York Avant Garde Festival [title varies]. Complete set of 19 vintage posters, 1963-1980, 13 of them signed by Jim McWilliams

      - Between 1963 and 1980 the cellist and performance artist Charlotte Moorman (known mostly for her work with Nam June Paik) organized fifteen increasingly elaborate festivals featuring a wide variety of performances in various locations. The first three were at Judson Hall, a small recital hall across from Carnegie Hall (not to be confused with Judson Memorial Church in Greenwich Village). Number 4 was in Central Park. Number 5 took over a Staten Island ferry. Number 6 paraded down Central Park West. The 7th was on two islands in the East River, the 8th, at the Lexington Avenue Armory. Festival number 9 occupied a vintage riverboat docked at South Street Seaport. Number 10 took place in Penn Central boxcars on a track at Grand Central Station. Number 11 was at Shea Stadium; number 12, at Floyd Bennett Field at Gateway National Park in Brooklyn. The World Trade Center was the site of the 13th. Number 14 took place on the Charles River in Cambridge. The final number 15 was at the Passenger Ship Terminal on the Hudson River. **By number 11 (1974) the casts and acknowledgments had grown to the length of movie credits. Among the many hundreds of performers were John Cage, David Tudor, Allan Kaprow, Nam June Paik, Yoko Ono, Allen Ginsberg, Ray Johnson, Joseph Beuys, John Lennon, Max Neuhaus, Yvonne Rainer, Laurie Anderson, Ornette Coleman, Geoff Hendricks, Shirley Clarke, Bob Watts, James Tenney, Meredith Monk, and Al Hansen. **For each of these festivals Charlotte Moorman published a poster; there were two versions each of numbers 1, 2, 8, and 9, for a total of nineteen. She designed the simple first three herself; number four was a collaboration with Jim McWiliams; the remaining eleven were his work. Including two versions of nos. 8 and 9, those thirteen are each signed in silver or bronze ink by Jim McWilliams. Like the festivals, the posters became larger and increasingly elaborate, with images and text in layers. Number 11 is a riot of color featuring multiple aerial views of Shea Stadium. Number 13 shows the Twin Towers from different views. If number 11 was a riot of color, number 14 is full-fledged revolution. The sequence ends with a 20-color extravaganza. **A few complete sets remain available of approximately 50 that could be assembled from Charlotte Moorman's estate. Numbers 1, 2, 8, and 9 appear in two versions. Please write or call for a complete descriptive list. Some posters also are available singly. Nearly all of these posters that might appear on the current market were folded and mailed. All of these are flat, uncreased, and unmailed, except 2b, 3, and both number 8s. Those four were folded but are unmarked and have been stored flat. Sizes range from 8-1/2 x 5-1/2 inches to 36 x 24 inches. Sets will be shipped in tubes.

      [Bookseller: Laurence McGilvery, ABAA/ILAB]
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        Run River.

      New York: Ivan Obolensky,, 1963. Octavo. Original green cloth, titles to spine in white. With the dust jacket. Spine a little darkened and with lettering slightly flaked. An excellent copy in a lightly rubbed jacket with tiny chips at extremities. First edition, first printing. Presentation copy inscribed by the author on the front free endpaper, "For Mary, with love & thanks for all good cheer & encouragement, Joan".

      [Bookseller: Peter Harrington]
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        Mary Poppins (Original screenplay for the 1964 film)

      Burbank, CA: Walt Disney Pictures, 1963. Shooting script for the 1964 film. Based loosely on the P.L. Travers book series. Julie Andrews is a magical nanny briefly employed by a dysfunctional Edwardian London family in this classic Disney feature that combines both live action and animated sequences. The film won five Academy Awards and was nominated for another seven, including Best Picture, making "Mary Poppins" the highest-awarded Walt Disney feature ever. Novelist Travers famously voiced her objections to the Disney adaptation of her character, particularly the animated scenes and musical numbers for which the film later gained so much acclaim. Blue studio wrappers, noted as SHOOTING SCRIPT on the front wrapper, marked production No. 2162, dated February 11, 1963, with credits for screenwriters Walsch and DaGradi, songwriters Sherman and Sherman, and novelist Travers. Title page present, dated February 11, 1963, noted as Shooting Script, with credits for screenwriters Walsch and DaGradi, songwriters Sherman and Sherman, and novelist Travers. 207 leaves, mimeograph, with blue and green revision pages throughout, dated variously between 5/14/63 and 6/26/63. Pages about Fine, wrapper Near Fine bound with three gold brads. National Film Registry.

      [Bookseller: Royal Books, Inc.]
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        Collector, The

      London Jonathan Cape 1963 First Impression of the author's important first novel. 8vo: 283, [1]pp. Publisher's rust-colored cloth with a matching top stain and the spine stamped in gilt; in a price-clipped first issue (without reviews) dust jacket illustrated by Tom Adams. A Fine, bright example, probably unread, with a crimp to the head of the spine; in a just about Fine jacket, save for light soiling to the white back panel. This issue was preceeded by the very scarce black boards issue, and possibly an even scarcer grey boards one before that. It is however still hard to find, especially in this condition. Fine

      [Bookseller: Fine Editions Ltd.]
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        Othmar Spann. Gesamtausgabe [in 21 Bänden]. Herausgeber: Walter Heinrich, Hans Riehl, Ulrich Schöndorfer, Raphael Spann, Ferdinand A. Westphalen. Redaktionelle Leitung: Erwin Sulek.

      Akademische Druck- u. Verlagsanstalt Mischauflage 1963-1979, Graz - Gr.-8°. Je Band ca. 400 S. Orig.-Leinenbände. Ziegenfuß II,572 - 1: Frühe Schriften in Auswahl. 2: Die Haupttheorien der Volkswirtschaftslehre auf lehrgeschichtlicher Grundlage. 3: Fundament der Volkswirtschaftslehre. 4: Gesellschaftslehre. 5: Der wahre Staat. 6: Tote und lebendige Wissenschaft. 7: Kämpfende Wissenschaft. 8: Kleine Schriften zur Wirtschafts- und Gesellschaftslehre. 9: Kategorienlehre. 10: Der Schöpfungsgang des Geistes. 11: Gesellschaftsphilosophie. 12: Geschichtsphilosophie. 13: Philosophenspiegel. 14: Erkenne dich selbst. 15: Naturphilosophie. 16: Religionsphilosophie auf geschichtlicher Grundlage. 17: Ganzheitliche Logik. 18: Meister Eckeharts mystische Philosophie im Zusammenhang ihrer Lehrbegriffe dargestellt. 19: Kunstphilosophie. 20: Gespräch über Unsterblichkeit. 21: Othmar Spann - Leben u. Werk. - Einbände gering berieben und beschabt; Rückenschildchen teils unterschiedlich verfärbt und teils etwas angerändert; ansonsten schönes und sauberes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Mattheis]
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        Vysokomolekuljarnye Soedinenija. Zurnal Teoreticeskoj i Eksperimental'noj Chimii i Fiziki . Akademija Nauk SSSR.

      Leningrad, 1963-1975. - ISSN: 0507-5475 - 0042-9368. Titel gestempelt. Sprache: Deutsch Gewicht in Gramm: 55000 8°. Halbleinen- und Leineneinbände. Bände 5 - 8 + Serie A: Bände 9 - 18 + Serie B: Bände 9 - 21 in zusammen 47 Bänden.

      [Bookseller: Antiquariat Trageser]
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        Archigram 3 Expendability Towards throwaway architecture

      Magazine of Ideas Architecture. Published at 59 Aberdare Gardens, London NW6 1963 9 stapled yellow sheets overprinted in green ink (or appears green on the yellow) and on one side only. Price in red on upper wrapper. Combination of collaged texts and illustrations on each page. Professionally printed. Very slightly soiled and creased at edges and outer wrapper a little dusty. Imperial sized paper. This is a themed issue which is generally concerned with temporary buildings and structures and lack or permanence as a concept. .

      [Bookseller: Janette Ray]
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      London: Anthony Blond Ltd., 1963. Paperback with jacket in acceptable condition. Singed by author on half title page. Jacket is marked, tanned and scored. Jacket leading corners, edges and spine are worn, creased and nicked. One centimetre tears on spine ends and front lower leading corner. Cover is partially detached from page block. Covers are lightly marked, scored and edge worn. Minor dent on rear cover affects closing pages. Spine and leading corners are creased, affecting pages. Page block and pages are lightly marked and tanned. Extra pen besides signature on half title page. Half title page is partially detached on lower edge. Stains, light creases and bumps on some pages. Volume is cocked and binding is slightly visible throughout, but pages remain intact. Contents remain legible throughout. HCW. Signed by Author. paperback. Acceptable/Acceptable. Used.

      [Bookseller: PsychoBabel & Skoob Books]
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        United States Passport Signed Twice

      1963 - ("Frank Capra"), issued June 12, 1963 at the U.S. Embassy in Madrid, Spain. Tipped-in small b/w portrait photograph. Signed "Frank Capra." 3 3/4" x 6 1/8" (contains several customs and immigration rubberstamps). Original stiff blue wrappers. Very good, fresh. Rare thus! Pages 8-9 record his visit to Russia. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Houle Rare Books/Autographs/ABAA/PADA]
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      - Madrid, Joyas Bibliográficas, 1963-1977, 18 tomos de 36x25,5 cm., texto y láminas facsímiles en rama y con carpeta de cartulina edit. Edición de 300 ejemplares sobre papel hilo. (Colección completa. Muy buen estado de conservación)

      [Bookseller: Fábula Libros (Librería Jiménez-Bravo)]
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        The BELL JAR

      London: Heinemann, 1963. 1st Edition. Black cloth binding with gilt stamped title lettering to spine. No dust jacket. Cocked. Shelf-wear. A Good - Abt VG copy.. [4], 258 pp. Crown 8vo.

      [Bookseller: Tavistock Books, ABAA]
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        Signed Photograph

      Used; Like New/Used; Like New. Rare vintage 1963 Oxfam promo photograph card of the Beatles, signed in blue ink by John Lennon, Paul McCartney & Ringo Starr. The card has been signed on behalf of George Harrison by Neil Aspinall, and this signature alone has also been traced over.  Heavy overall creasing, small loss to upper edge.<br style="">Beatles manager Brian Epstein had refused all charitable organizations access to the Beatles due to their already overloaded schedule. However whilst Epstein was occupied in America, Jeffrey Archer (who was running Oxfam's anti-hunger campaign) managed to get himself backstage at the Beatles concert in Liverpool on December 7th, 1963 at which time he convinced the Beatles to pose for a quick photo with a banner and collection pots. This is the image featured on the present signed Oxfam flyer.<br style="">

      [Bookseller: Schubertiade Music & Arts]
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        Leaving Cheyenne

      Harper & Row, 1963 A fine first edition in a near fine dust jacket, with original price sticker ($4.95) still on front flap. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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      New York: Harper and Row, 1963. First Edition. SIGNED BY THE AUTHOR, LARRY MCMURTRY. 8vo, publisher’s original cloth, in the original dustjacket. 298pp. A fine copy in like dustjacket, very fresh and attractive. SIGNED COPY OF LARRY MCMURTRY’S SECOND BOOK, every bit as hard to find in collectable condition as his first, HORSEMAN, PASS BY. This copy has been signed boldly on the free-fly by McMurtry in blue ink. The jacket is in what is sometimes called “Second State”, which is actually the same printing as the “first” but with the price clipped off by the publisher and replaced by a small sticker (in some cases a stamp) at $4.95. This was all done prior to the book’s original release date, thus only a very small number of copies can be found with the original $4.50 price intact. “Leaving Cheyenne traces the lives of three West Texas characters as they follow that sundown trail: Gideon Fry, the serious rancher; Johnny McCloud, the free-spirited cowhand; and Molly Taylor, the sensitive woman they both love and who bears them each a son. Tragic circumstances mark the trail but McMurtry's style never turns melodramatic or sentimental.” - modern editorial review.

      [Bookseller: Buddenbrooks, Inc.]
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        22 offprints by Viktor Hamburger. One with Rita Levi-Montalcini

      Various, 1939-1963 - One inscribed presentation copy signed and dated "Viktor" All in very good or better condition. Most with rusted staples. Titles included: Some Aspects of Embryology of Behavior (1963) An Embryologist Visits Japan (1962); Regeneration (1961); Some Aspects of Neuroembryology (with Rita Levi-Montalcini) 1950;Prehatching Motility and Hatching Behavior in the Chick (1967); Motor and Sensory Hyperplasia Following Limb-bud Transplantations in Chick Embryos (1939) Full list of offprints upon request. Rita Levi-Montalcini was awarded the Nobel Prize in Physiology or Medicine in 1986. Quality, Value, Experience. [Attributes: Signed Copy]

      [Bookseller: Robinson Street Books, IOBA]
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        8 1/2 [Otto e mezzo] (Original photograph from 1963 film)

      Rome: Cineriz, 1963. Vintage borderless black-and-white single weight photograph from the 1963 Italian film. A striking shot of Mastroianni, refusing to remove his deluxe frames even while steaming in the sauna. 7.25 x 9.5 inches. Fine. Criterion Collection 140.

      [Bookseller: Royal Books, Inc.]
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      1963 - (KENNEDY, Jacqueline) SHAW, Mark. Gelatin silver print. New York: Mark Shaw, 1963. Black-and-white photographic print, measuring 11 by 13-1/2 inches. $7000.Vintage photographic print, taken in Hyannis Port in the fall of 1959, depicting Jackie Kennedy playing the piano with Caroline on her lap. Bears Shaw's own studio stamp on verso.Photographed in 1959 at the Kennedy Compound, this image was evidently printed by photographer Mark Shaw in 1963, most likely in preparation for his book, The John F. Kennedys. The gelatin silver print shows Jackie Kennedy, dressed in casual clothes and slippers, holding Caroline on her lap as she picks out a song on the piano with two fingers. "Just as Abraham Lincoln thought Mathew Brady's photography won him the presidency, so Jackie Kennedy thought Mark Shaw's pictures helped her husband win the 1960 election. 'They really should be in the National Gallery!' she enthused. Shaw was very much a part of Camelot and his most famous still photography is associated with that period" (Sullivan, 492). Shaw began his career as a fashion photographer for publications including Harper's Bazaar, Mademoiselle, and LIFE Magazine. His talent for discovering new designers and trends caught the eye of Jackie Kennedy, who was growing increasingly visible as the wife of a senator and who was already on her way to becoming a style icon. In 1959, seeking to bolster JFK's presidential campaign, the Kennedys agreed to let Shaw have unrestricted access to their home and lives in order to do a photo-essay for LIFE called A Frontrunner's Wife. Shaw proved unintrusive, managing to take extraordinary candid shots that Jackie compared to the work of Caravaggio. Shaw quickly became a family friend and was a frequent guest in the Kennedy home. Allowed complete access to the family, Shaw began to take photographs of the Kennedys in Georgetown and in Washington; on vacation in Hyannis Port and elsewhere; and even in the White House once JFK was elected President. In 1964, the year after this print was produced, the image appeared as a half-tone in The John F. Kennedys, a photobook that Shaw compiled just after JFK's assassination for Farrar, Straus as a tribute to the family he had grown to love. After JFK died, Shaw became quite protective of the Kennedy prints and put together just five complete albums of the photographs used in the books to be given to four members of the Kennedy family and Dr. Max Jacobson, Kennedy's personal physician. As Shaw died unexpectedly in 1969 at the age of 47, Kennedy prints bearing his studio stamps are quite rare. Shaw studio stamp dated 1963 on verso. Black pencil numbers on verso.Fine condition. [Attributes: Soft Cover]

      [Bookseller: Bauman Rare Books]
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        The Vantage Point. Perspectives of the Presidency 1963-1969. [Signed].

      First Edition. New York / Chicago / San Francisco, Holt, Rinehart and Winston, 1971. Octavo. X, 636 pages. Original Hardcover with illustrated dustjacket in protective Mylar. Near Fine condition with only minor signs of external wear. Signed by Lyndon B. Johnson on the endpaper (NOT on a tipped-in plate).

      [Bookseller: The Time Traveller's Bookshop ]
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        Nouvelle Biographie Générale, depuis les temps jusqu'a 1850-60. Avec les renseignements bibliographiques et l'indications des sources a consulter. Vol. 1-46 in 23 bindings.

      Rosenkilde & Bagger, Copenhagen 1963-69, reprinted after the Paris edition 1852-66. Large 8°, orig. green cloth with braun title labels, . The most comprehensive international biographical encyclopedia of the world. It comprises 46 volumes with 45540 columns containing 52420 biographies. Written in French. Most of the biographies are with comprehensive literary references, which are extremel.. 16051801

      [Bookseller: Andersens Antikvariat]
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        Beyond A Boundary.

      London: Hutchinson, 1963. - First Edition. Octavo, pp. 256. Black cloth with gilt titles to spine, in pictorial dustjacket designed by Peter Chadwick. A fascinating memoir on cricket which mixes social commentary with commentary on the game, arguing that what happened inside the "Boundary Line" in cricket affected life beyond it, as well as the converse. Neat ownership signature to the title page, dustwrapper is price clipped, with some slight creasing and nicking to the top and bottom edges, some light wear, very slightly tanned to spine, white rear panel shows some marking. A very good copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
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        Curious George Learns the Alphabet

      Houghton Mifflin, 1963 Fine first edition (matching dates on title page and copyright page) in a fine dust jacket, price-clipped. Comes with a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
 30.   Check availability:     Biblio     Link/Print  

        Lettre signée à Gallina Menschikova célèbre obstétricienne

      - Lettre dactylographiée signée à l&#146;obstétricienne russe Galliana Menschikova de l&#146;institut de Gynécologie et d&#146;obstétrique de Moscou. La Havane (Cuba) 24 mai 1963 « année de l&#146;organisation » ; 1 page in-4° sur papier en-tête « Republica de Cuba Ministerio de la Industria ». Le Che Guevara remet les travaux sur l&#146;endométriose d&#146;un jeune étudiant en médecine de la Havane à la grande obstétricienne russe : « Je vous remercie de votre sollicitude, je suis heureux de vous remettre le livre de Donato Gonzalez Marmol « L&#146;Endométriose » grâce au collège médical de la Havane. Sans plus tarder, lui souhaitant beaucoup de succès dans sa thèse, recevez un salut révolutionnaire du Che » [Attributes: Signed Copy]

      [Bookseller: Manuscripta]
 31.   Check availability:     IberLibro     Link/Print  

        Beyond A Boundary

      Hutchinson, London, UK 1963 - First printing. Well bound in clean black cloth with gilt titling to spine. Corners and spine ends all good. Text pages and eps are all clean with no markings or inscriptions although the top edge of text block is a little dulled. D/J is largely good although there are minor faults. The original price (25s) is there but has been crossed through and a 10s price written alongside. There is a light scratch on front cover, a tiny closed tear at bottom edge of rear panel and some tarnishing to top edge of the same panel. Despatched same or next working day in protective packaging. [Attributes: First Edition; Hard Cover]

      [Bookseller: James Hulme Books]
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        Théâtre III

      Gallimard 1963 - - Gallimard, Paris 1963, 11,5x18cm, broché. - Edition en partie originale, un des exemplaires du service de presse. Précieux envoi autographe signé d'Eugène Ionesco à Tsilla Chelton et Jacques Mauclair : ". Pour Tsilla, pour Jacques affectueusement et avec ma sympathie profonde." Dos légèrement insolé. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, review copy. Precious autograph signed by Eugène Ionesco and Jacques in Zillah Chelton Mauclair: ". For Zillah, for Jacques affectionately and with my deepest sympathy ." Back slightly insolated. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
 33.   Check availability:     AbeBooks     Link/Print  

        Travelling People


      [Bookseller: Maggs Bros. Ltd. ]
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        Self Portrait

      Boston: Atlantic Monthly Press,, 1963. Octavo. Original black cloth, titles to spine in gold and pink, top edge stained pink. With the dust jacket. Illustrated throughout. An excellent copy in the nicked and price-clipped dust jacket. First edition, first printing. With the photographer's signed presentation inscription to the half title page, "For Virginia Townsend compliments of Man Ray". The great photographer's autobiography and scarce inscribed.

      [Bookseller: Peter Harrington]
 35.   Check availability:     Biblio     Link/Print  

        MAP COLLECTORS' CIRCLE (complete set)

      Map Collectors' Circle, London 1963 - Complete set of 110 issues bound together in 11 volumes without original wraps bound in. Binding is uniform maroon cloth covered boards. Set is in fine condition. Uncommonly nice set of this reference work. 1963 - 1974. Note: overseas shipping will be more expensive for this large set. [Attributes: First Edition; Hard Cover]

      [Bookseller: Carydale Books]
 36.   Check availability:     AbeBooks     Link/Print  

        GRIAL. Revista da Cultura Galega

      - Disponemos desde el número 1 (1 de julio de 1963) hasta el número 129 (marzo de 1996), excepto los siguientes: 4,5,6,7,10,11,16,17,18,19,20,21,22,23,24,25,26,30,42,43,44,45,46,47,78,114,115,117. En los primeros números especialmente pueden leerse las colaboraciones de X. Mª. Álvarez Blázquez, J. Bal y Gay, Xosé Manuel Beiras, Eduardo Blanco Amor, etc. Forman el conjunto un total de 101 revistas que se venden en lote por el precio de La revista Grial apareció por vez primera en 1951, pero una suspensión administrativa la obligó a un silencio de más de diez años. Reapareció en 1963 y desde entonces no ha dejado de publicarse, aunque al ver la luz el número 100 y, a la vez, conmemorarse el 25 aniversario de la publicación, se produce una brevísima interrupción (de junio de 1988 a enero de 1989) después de la cual se da comienzo a una segunda etapa con un nuevo equipo de redacción que comienza su trabajo en el número 101. El espíritu universal que le imprimieron sus fundadores, servir de cauce responsable de la actividad cultural gallega y hacer de puente para la incorporación de la cultura universal a Galicia, sigue siendo el mismo que preside la elaboración de la revista en la actualidad. Después de todo, esta publicación lleva el nombre de una hermosa leyenda que es patrimonio cultural de toda Europa, pero que está también presente en la historia y el arte gallegos. En Grial aparecen trabajos que obedecen al doble propósito de informar sobre la realidad de Galicia al mismo tiempo que se informa y reflexiona sobre los más diversos aspectos de la cultura universal.

      [Bookseller: Librería Anticuaria Galgo]
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        On Her Majesty's Secret Service

      London: Jonathan Cape. 1963, 1963. First Edition, First Impression, Binding A. Publisher's dark grey cloth-effect paper over boards with silver titles to spine, in original jacket priced at 16s. No inscriptions or price-clipping. Some of the faintest dustiness but a genuinely fine copy in a richly-coloured jacket. Simply marvellous, protected from any possible sunlight damage within an elegant clamshell box. Published in 1963, this is the second part of a collection of James Bond books that has become known as the 'Blofeld' trilogy, sitting between Thunderball (1961) and You Only Live Twice (1964). Gilbert A11a (1.1).

      [Bookseller: Adrian Harrington Rare Books]
 38.   Check availability:     IOBABooks     Link/Print  

        New Babylon. Folge von 10 (5 farb.) Orig.-Lithographien von Constant.

      Galerie d'Eendt . -, Amsterdam 1963 - Lose Graphiken und 1 Bl. (Druckvermerk) in schwarzer OLwd.-Decke mit blindgepr. Deckeltitel und blauem OLwd.-Schuber. 40 : 38 cm. - 1 von 50 num. Exemplaren der deutschen Ausgabe, im Druckvermerk von Constant und von S. Vinkenoog signiert. - Der begleitende Text stammt von Vinkenoog und trägt den Titel Präambel zu einer neuen Welt, die Typographie entwarf gleichfalls Constant. Diese interessante Graphikfolge - eines der graphischen Hauptwerke des Cobra-Künstlers - entstand im Frühjahr 1963 für die Galerie d'Eendt, Druck der zumeist doppelblattgroßen Lithographien im Studio P. Clement auf leicht chamoisfarb. Papier. Papierformat ca. 40 : 76 cm. - Der Druckvermerk in Schwarz auf blauem Karton. Die Folge erschien zeitgleich auch in einer englischen und niederländischen Ausgabe in gleicher Auflagenhöhe. - Constants "Projekt der Errichtung von New-Babylon, als Objekt einer Massenkreativität, zielt auf die Umformung des gesamten kulturellen Lebens von einer individualistischen zu einer Massenkultur" (Reclams Künstlerlexikon). - 1 Bl. mit minim. Randläsuren, Schuber leicht berieben. Exemplar aus der Sonet-Bibliothek (Exlibris). 2000 g. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
 39.   Check availability:     ZVAB     Link/Print  

        1964 Chevrolet Catalogue

      1963 - (AUTOMOTIVE) GENERAL MOTORS. There's 5 in 64. Chevrolet. Chevelle. Chevy II. Corvair. Corvette. Detroit, Michigan: Chevrolet Motor Division, General Motors Corporation, 1963. Oblong folio (12 by 14 inches), laminated plastic eight-ring binder, 112 pp.; spiral-bound fabric and paint samples affixed to interior of rear board. $1700.Vintage Chevrolet dealers' showroom catalogue, with over 200 color illustrations advertising the automotive giant's 1964 model series, and with more than 100 upholstery and paint samples.Car dealers used this catalogue and showroom sample book to steer customers toward purchasing a new Chevrolet. It presents detailed external and internal views of the Corvette ("America's sporty, luxurious road car"), Impala ("a revelation in tailored-for-pleasure going"), Biscayne ("enjoys the highest resale value of any car in its class"), Malibu ("Chevelle's young-at-heart line for '64"), the Monza Spyder ("turbocharged action for driving fun") and other model series. Lavishly illustrated with over 200 color illustrations on full- and half-size leaves of stiff stock. Also, at rear, with 105 interior upholstery samples and combinations, 101 of them spiral-bound; and 17 leaves of exterior paint samples (1 leaf containing 15 small, tipped-in samples), also spiral-bound. The full-page color art gracing the front cover and major section dividers (uncredited, but evoking the styles of such contemporary illustrators as Robert McGinnis and Barbara Walton) shows various Chevrolet automobiles at the heart of their owners' active, affluent, and cultured lives. Typed list of prices for models and options in plastic sleeve laid into plastic pocket at interior of front board.Occasional light soiling and wear to interior, mostly to graduated thumb-tabs and spiral-bound wrappers; a few stray ink marks. Exterior lightly soiled and rubbed. A vintage piece of American automotive memorabilia in excellent condition. [Attributes: Soft Cover]

      [Bookseller: Bauman Rare Books]
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        La planète des singes

      First edition in trade, one of 50 numbered copies on Alfa paper only leading copies.Rare and beautiful copy as published. Julliard Paris 1963 15x20cm broché

      [Bookseller: Librairie Le Feu Follet]
 41.   Check availability:     Direct From Bookseller     Link/Print  

        Mandate For Change: 1953-1956

      Garden City: Doubleday, 1963 - First Edition; trade issue; bound in full red leather (custom, presentation?) in a matching cloth slipcase; inscribed on his dated Gettysburg label by Eisenhower (Ówith the affectionate regard of his friend.Ó to Lt. General Milton G. Baker, founder of Valley Forge Military Academy. [With] Waging Peace: 1956-1961. Garden City: Doubleday, 1965. First Edition; trade issue; fine; bound and inscribed as in the previous volume. Both bindings have the recipientÕs name gilt-stamped on their front covers. It was by no means unusual for the former President to present books on these labels. In fact, this is the manner in which he inscribed these titlesto his grandson David. Presumably copies of the trade issue were provided to the author for his own purposes. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 42.   Check availability:     AbeBooks     Link/Print  

        Naissance De L'Odyssée.

      Lausanne: André et Pierre Gonin, 1963. One of only 20 copies with extra suites showing various states of the lithographs. 26 original colour lithographs by Adrien Holy. No.16 of only 20 copies printed on Japon with an extra suites on Chine showing the adding of each colour, signed by the artist and the publishers. The total edition was 180 copies. The lithographs were printed by J.E. Wolfensberger in Zurich, the text was handprinted in Times type face by André Kundig in Geneva. Two volumes. Loose in wrappers as issued in chemises of vellum backed blue boards with red lettering on the spine and in vellum edged blue cloth slipcases. A very good set. Some superb lithographs by the Swiss artist Adrien Holy, 1898-1978.

 43.   Check availability:     Biblio     Link/Print  

        Derrière Le Miroir N°s 151-152 Miró "Peintures sur cartons"

      Paris: Maeght, 1963. Folio. With 26 original lithographs. Cramer, 102. Mourlot, 360-381. Very good with small tears on the spine. DLM édité en mai 1965 pour l'exposition de 32 peintures récentes sur cartons de MIRO à la Galerie Maeght. 24 pages non reliées. 26 pages de lithographies originales en couleurs dont 4 en double page. 1 lithographie originale en noir en double page. Tirage original

      [Bookseller: Alan Wofsy Fine Arts]
 44.   Check availability:     Biblio     Link/Print  

        On Her Majesty's Secret Service

      Jonathan Cape 1963 - Jonathan Cape, London 1963. First UK Edition / First Printing / First State. Stated First Published 1963 with no additional printings. Black cloth boards with silver lettering. Original dust jacket priced at 16 s net. Book Condition: Near Fine, clean boards, tight spine. A few light spots, owner name stamp at the endpaper. Dust Jacket Condition: Very Good+, shelf wear, light spots. Short tear, light stain at the reverse of the jacket spine. Wrapped in a new removable mylar cover. [Attributes: First Edition; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books]
 45.   Check availability:     ZVAB     Link/Print  

        A Section of one of the Muntz metal plates removed from the bottom of the hull of the "Cutty Sark" in the course of repairs to the ship in 1963.

      330 x 335mm approx, with irregular edges and several holes, some oxidation and patination, preserved in custom-made cloth flapcase with leather label. With original certificate of authenticity, stating this is no. 15 of an unstated limitation, signed by Henry Barraclough, Chairman of the "Cutty Sark" Society. Also with a copy of the 1953 "Cutty Sark and the Days of Sail" exhibition catalogue, and a copy of Frank G.G. Carr's The Story of the Cutty Sark (1972). During ongoing restoration to the Cutty Sark in 1963, 289 sheets of Alumbro were used to replace badly dezincified Muntz metal sheets, some of the original sheets being offered for sale. Muntz Metal is a form of alpha-beta brass with about 60% copper, 40% zinc and a trace of iron. It is named after George Fredrick Muntz, a metal-roller of Birmingham, England. Muntz commercialised the alloy following his patent of 1832, although William Collins had patented a 56:44 alloy in 1800. Its original use was as a replacement for the copper sheathing placed on the bottom of boats, as it maintained the anti-fouling abilities of the pure copper. As it cost around two thirds of the price of pure copper and had identical properties for this application, it became the material of choice and Muntz made his fortune. Later it was used to sheathe the piles of piers in tropical seas, as a protection against teredo shipworms, and in locomotive tubes. Muntz Metal is still the term this form of brass is known by. It is a form of brass that must be worked hot and is used for machine parts that must be corrosion resistant. After successful experimentation with the sheathing Muntz also took out a patent for bolts of the same composition and these also proved a success, for not only were they cheaper they were also very strong and lasted longer. The hull of the Cutty Sark was a notable use of Muntz Metal.

      [Bookseller: Henry Southern Ltd.]
 46.   Check availability:     Direct From Bookseller     Link/Print  


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