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Displayed below are some selected recent viaLibri matches for books published in 1956

        Original 1956 Signed Blueprint of Frank Lloyd Wright’s design which is today the Monona Terrace Community and Convention Center in Madison, Wisconsin

      n.p., 1956. 28.5" x 5". "Printed Blueprint Signed “F Ll W / 56” in brown ink in a 1” x 1” brown ink square box shaded in red pencil in the lower left, 56.5” x 18”. Two 2.75” vertical lines have been drawn in red pencil at each end of the 28.5” x 5” architectural drawing in the lower half, captioned “Elevation From Lake Monona Scale: 1/32” = 1’-0”” Lightly printed. Minor soiling and mounting traces at perimeter easily matted over. Fine condition.In 1938, Frank Lloyd Wright proposed a design for a civic auditorium which would link Lake Monona, surrounded on three sides by the city of Madison, Wisconsin, with the State Capitol building two blocks away. Wright had a summer home at Spring Green, 35 miles from Madison. It was defeated at a County Board meeting by one vote. In 1954-1955, in the postwar economic boom, Madison voters approved a bond referendum for a civic center and Wright was chosen as project architect. The original signed blueprint here offered was accomplished in 1956. The Lake Monona project was effectively destroyed the next year by a state law reducing the height of a lakefront building to 20 feet; Wright’s building would have been 60 feet high. Madison’s Mayor called the signing of the bill into law by Republican Gov. Vernon Thomson on September 21, 1957, “a regrettable insult to Wisconsin’s most renowned living citizen.” Wright said that objectors to the civic auditorium had misrepresented the facts, saying that his proposal would not have interfered with the view of Lake Monona from the street above. “From the capitol two blocks away,” explained Wright, “there would be no change whatever from the view except a great fountain of gushing water where the unconscious objectors have shown a building.”On this blueprint, viewing the civic auditorium from Lake Monona, the fountain and the Madison State Capitol building can be seen in the distance.After the 1958 elections, in January 1959, Madison-area state legislators introduced a bill which was signed by new Democratic Gov. Gaylord Nelson, repealing the 1957 law. Wright completed his last rendering shortly before his death on April 9, 1959. In 1992, Madison voters narrowly approved the transformation of Wright’s civic center into a convention facility. Construction began in 1994 and in July 1997, the Monona Terrace Community and Convention Center opened, 59 years after Frank Lloyd Wright’s inception of the project. “With interiors redesigned by Taliesin architect Tony Puttnam, Monona Terrace spans ninety feet out over shimmering waters, incorporating thoroughly modern technology and amenities with the architect´s signature organic design…” (from MononaTerrace.com)"

      [Bookseller: University Archives]
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        Tractatus de evictionibus ... Omnibus quidem juri operam damtibus, tam in theorica, quam in praxi perutilis, et non minus judicibus, quàm advocatis valdè neccesarius. In quo non tatum quaestionum practicarum in jure civili, & canonico repertarum resolutiones spectantes, sed etiam omnem huius curiae cernere licet.

      First edition of Guzman's several-times reprinted work on warranty in Roman and canon law. WorldCat locates no copies of this edition in the U.S.; NUC Pre-1956 (under Guzman Genzer) finds three copies in the U.S.; the Catálogo Colectivo del Patrimonio Bibliográfico locates no copies in Spain, but the OPAC of the BNE finds a single copy in its holdings.

      [Bookseller: PRB&M/SessaBks (Philadelphia Rare Books ]
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        I Wonder as I Wander; an Autobiographical Journey

      New York: Rinehart, 1956. 1st ed. Hardcover. Good. ix, 405p. Original cloth. 22cm. Ends of backstrip chipped. Corners worn. Extensive but relatively light cover spotting and staining. Contents sound and clean. No Jacket. INSCRIBED on endpaper by Hughes in dark ink ("Inscribed especially for Amy Spingarn, another "life" of mine, for a friend who has helped to make life of ever joyous and cultural interest, Most sincerely, Langston New York, 1957"). Autobiographical sequel to "The Big Sea." Spingarn has copied "Acceptance," a four-line poem by Hughes, in the blank space at the end of the final page of text.

      [Bookseller: McBlain Books]
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        Walter Niedermayr, Kazuyo Sejima + Ryue Nishizawa. SANAA. Vorzugsausgabe.

      - Kazuyo Sejima (Jg. 1956) und Ryue Nishizawa (Jg. 1966) gründeten im Jahr 1995 in Tokio das Architekturbüro SANAA. Mit ihren in Asien, Europa und den USA realisierten Bauten erobern die Japaner derzeit die internationale Architekturszene. Walter Niedermayr gehört zu den wichtigsten Fotografen seiner Generation. International bekannt wurde er durch seine fotografischen Erkundungen des alpinen Raumes, die - durch Unterbelichtung in unwirkliches Weiß getaucht - stets der Realität entrückt erscheinen. Das Ergebnis der mehrjährigen Zusammenarbeit zwischen Fotograf und Architekten ist diese überaus attraktive Edition: eine zweiteilige Fotografie sowie ein Gebäudegrundriss des bisher wichtigsten Bauwerkes von SANAA, dem Museum für zeitgenössische Kunst in Kanazawa. (Text dt., engl.) Sonderedition 30 x 30,5 cm, 148 S., 81 farb. Abb., 20 Zeichnungen, geb., mit Diptychon, zwei C-Prints in Mappe, je 41 x 50,5 cm (Blatt), je 35,5 x 47 cm (Bild), signiert, num., lim. (Auflage 30 Expl. + 6 e.a.) [Attributes: Signed Copy]

      [Bookseller: Frölich und Kaufmann]
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        Das Auto - Motor und Sport - Heft 8 vom 14. April 1956

      Vereinigte Motor Verlage Stuttgart Erscheinungsjahr 1956 - Format 4° ( Kleinfolio ) - Heft 8 -, 42 S. mit zahlreichen teils halb- und ganzseitigen Abbildungungen zum Thema "Automobil" (Typen, Technik, sportliche Ereignisse usw.), Originalheft mit farbigen Deckelbild und Deckeltitel gering unfrisch, vordere Umschlagseite mit fixierten Riss, ansonsten Erhaltung 2 // [Attributes: Soft Cover]

      [Bookseller: Antiquariat Alfred Tauchnitz]
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        Remarks on the Foundations of Mathematics.

      Oxford: Basil Blackwell,, 1956. Edited by G. H. von Wright, R. Rhees, G. E. M. Anscombe. Translated by G. E. M. Anscombe. Octavo. Original dark blue cloth, gilt lettered spine. With the dust jacket. Parallel text in English and German. Jacket spine lightly toned. An excellent copy. First edition in English, first impression, of the author's major work on the philosophy of mathematics. Originally published under the title Bemerkungen über die Grundlagen der Mathematik earlier the same year. Although intended as the second part of the author's Philosophical Investigations, this imposing and brilliantly edited work stands by itself.

      [Bookseller: Peter Harrington]
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        A History of the English-Speaking Peoples

      

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        1956 Carnevale Nazionale dei Bambini Lithograph

      1956 - "Carnevale Nazionale dei Bambini" by Unknown, Unsigned Lithograph printed in 1956. The overall is size of the Lithograph is 55 x 39 inches. The condition of this piece has been graded as C: Several Signs of use and handling, some visible marks. Here is some supplemental information about the Lithograph: Fold lines. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        Six Television Plays (First Edition, inscribed to playwright Neil Simon)

      New York: Simon and Schuster, 1956. First Edition. First Edition. INSCRIBED by the author to fellow playwright Neil Simon: "To Doc and Joan / #10 / Bright? He's a common ignorant slob! He dont even speak good English! / #11 / He doesnt even speak good English / as long as he writes good English! / Thanks for buying this one / Best / Reggie / Feb. 15, 1957." Doc and Joan are Neil Simon and his first wife, Joan Baim, a dancer. Simon received the nickname as a kid, when he would pretend to be a doctor and always carry a toy stethoscope. The inscription alludes to an inside joke between the three, as well as a close relationship. Near Fine in a Very Good plus or better dust jacket. Light rubbing at the extremities, and a few white specks at the rear board. Jacket spine slightly toned, with brief chipping at the crown, and light shelfwear. Jacket design by William Bunce. Each of the plays included appeared on "Studio One [in Hollywood]" (1948-1958), a Columbia-produced television series, with the exception of "Crime in the Streets," which appeared on "The Elgin Hour," and which was adapted to film in 1956. One year later, "Twelve Angry Men" was adapted into an Academy Award nominated film (as "12 Angry Men") directed by Sidney Lumet and starring Henry Fonda. A notable association between two prestigious screenwriters.

      [Bookseller: Royal Books, Inc.]
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        Till We Have Faces: A Myth Retold [Signed]

      London: Geoffrey Bles, 1956. First edition. Hardcover. Very Good +/fine. A Very Good + copy of the first edition, first printing (some darkening to the spine head, bumping to the corners, some offsetting to the endpapers, and light foxing to the closed page block's edges), in a Very Good + dust jacket (light wear to the spine ends and flap turn corners, light sunning to the spine panel, offsetting the the flaps, vertical fold line to the rear flap), SIGNED BY C. S. LEWIS on the page immediately following the front free endpaper below the brief printed note about the book. This highly-notable C. S. Lewis work sets forth his retelling of the Cupid and Psyche myth based upon their story as contained in a chapter of "Metamorphoses", a work written in the 2nd century AD by Lucius Apuleius Madaurensis (also known as Platonicus as he was a student of Platonic philosophy in Athens. [St. Augustine referred to the story as "The Golden Ass" -- the name by which the tale is commonly known -- as the work's protagonist, Lucius, desiring to practice magic, performs as spell intended to turn himself into a bird but which ends up turning him into an ass -- also known as a donkey). [Interestingly, the entire work is the only ancient Roman novel written in Latin to survive in its entirety.] Lewis began to think of retelling the Myth as an undergraduate student. He thought of, and worked on, the retelling over a period of 35 years -- first writing in it in verse form as he initially saw himself a Poet. He ultimately rewrote the story in prose finally producing the novel which was first published in 1956. The novel was well-received by the literary community and both Lewis and his dear friend and fellow-author J. R. R. Tolkien considered the novel to be Lewis' best and most-accomplished work. It was Lewis' favorite of all of his works. The New York Herald Tribune described the novel as "The most significant and triumphant work that Lewis has . . . produced" and of it the New York Times stated: "Till We Have Faces succeeds in presenting with imaginative directness what its author has described elsewhere as ‘the divine, magical, terrifying and ecstatic reality in which we all live’ . . . [It] deepens for adults that sense of wonder and strange truth which delights children in The Lion, the Witch and the Wardrobe, Prince Caspian, and other legends of Narnia." Having an excellent Provenance, this novel came from the Estate of Martha Graham of dance fame. Signed copies of C. S. Lewis novels are far from common. An excellent copy of C. S. Lewis' favorite of all of his works, SIGNED BY C. S. LEWIS. QUITE SCARCE INDEED.

      [Bookseller: Allington Antiquarian Books, LLC]
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        Diamonds Are Forever

      UK: Jonathan Cape, 1956. 1st Edition 1st Printing. Hardcover. Fine/Fine. Diamonds Are Forever by Ian Fleming First Edition Jonathan Cape 1956. No inscriptions, no foxing or browning, clean white edges. Covers fine, corners sharp, in a fine and bright original dust jacket. Not price clipped (12s 6d), with a very small and imperceptible repair to head and tail of spin. Remarkably white rear panel (see images). An excellent copy.

      [Bookseller: Brought to Book Ltd]
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        Sankt Peter auf ddem Schwarzwald. Kunstführer Nr. 561 von 1952.

      München, Zürich : Schnell & Steiner, 1956 - 14 S. : zahlr. Ill., graph. Darst. ; 17 cm, antiquarisch gut erhalten, Einband mit Gebrauchsspuren, mit Stempel K12578 Sprache: Deutsch Gewicht in Gramm: 18

      [Bookseller: Antiquariat Buchhandel Daniel Viertel]
 12.   Check availability:     IberLibro     Link/Print  


        König Hirsch. Oper in 3 (drei) Akten von Heinz von Cramer. Musik von Hans Werner Henze. Von Henze signiertes Exemplar. Klavierauszug von Heinz Moehn. Edition Schott 4915.

      Mainz: B. Schott\'s Söhne, 1956. 725 Seiten, mit Noten, 4°, gebundene Ausgabe Illustrierter Originalhalbleinenband mit Titel und Rückentitelprägung. Einband insgesamt etwas berieben, kleiner Fleck am unteren Buchrücken, obere rechte Ecken geringfügig angestoßen, insgesamt ein zeitgemäß sehr gutes Exemplar. Mit einer handschriftlichen signierter Widmung Henzes an an den Dirigenten Hermann Scherchen und den Regieseur Leonhard Steckel, datiert vom 23. IX. 1956, offensichtlich überreicht nach der Uraufführung. - Henze hat sich stets gegen die Festlegung auf einen bestimmten Stil oder eine bestimmte Technik gewehrt. Entgegen den Prämissen der so genannten Darmstädter Schule verzichtete er auf streng serielle Organisation seiner Werke. Henze ist ein explizit politischer Künstler, der auch die anscheinend abstrakten technischen Aspekte des Komponierens nie als Selbstzweck betrachtet hat, er wendet sich gegen das Elitäre des klassischen Kulturbetriebs, wirft aber die Last der bildungsbürgerlichen Tradition nicht als obsolet über Bord, sondern bietet Möglichkeiten einer aufgeklärten, oft auch spielerisch-ironischen Auseinandersetzung mit historischen Modellen aus Musik, Literatur und Malerei. - Scherchen setzte sich in seiner Karriere wie kaum ein zweiter Dirigent für die Neue Musik ein. Er dirigierte viele Uraufführungen, darunter u.a. Werke von Arnold Schönberg, Alban Berg, Anton Webern, Paul Hindemith, Ernst Krenek, Richard Strauss, Karl Amadeus Hartmann, Edgar Varèse, Luigi Nono, Luigi Dallapiccola, Paul Dessau, Boris Blacher, Hans Werner Henze, Karlheinz Stockhausen und Iannis Xenakis. Daneben gründete er Ensembles, die sich der Aufführung zeitgenössischer Musik widmeten, und Zeitschriften, die sich publizistisch um deren Verbreitung bemühren. - 1952 brachte Leonhard Steckel mit Kiss me Kate am Theater am Kurfürstendamm das erste amerikanische Musical in Deutschland zur Aufführung. Später feierte er damit auch in Hamburg Erfolge. Er war in den fünfziger Jahren vor allem an Berliner und Münchner Bühnen zu sehen, daneben in Bochum, Münster, Basel, Hamburg und 1963 bis 1964 bei den Salzburger Festspielen. Von 1958 bis 1959 leitete er das Theater am Kurfürstendamm. Daneben gab er mehrere Gastinszenierungen. Versand D: 5,50 EUR Musik. Klassische Musik. Musikwissenschaft. Musikgeschichte. Noten. Partituren.

      [Bookseller: Brungs & Hönicke Medienversand]
 13.   Check availability:     buchfreund.de     Link/Print  


        Biblioteca hispano-americana 1493-1810. Tom. I: 1493-1600. Tom. II: 1601-1650. Tom. III: 1651-1700. Tom. IV: 1701-1767. Tom. V: 1768-1810. VI: Adiciones I. VII: Adiciones II.Amsterdam, Nico Israel, 1962. 7 volumes. 8vo. Red cloth.

      Cf. Besterman, World bibliography (1956), col. 159 (original ed.); Greenspan & Rose, Book history Volume 6 (2003), p. 281. All seven volumes of the Medina's monumental Biblioteca hispano-americana. "The work of José Toribio Medina (1852-1930), the towering figure of Spanish American bibliography, played a key role in cementing this vision of the region's cultural past" (Greenspan & Rose). It's an unchanged reprint of the original edition published 1898-1907, which was limited to only 250 copies. This is the first and somewhat larger reprint in red cloth, published by Nico Israel in seven volumes. A reprint with an additional eight volume on the Phillipines and in slightly reduced size appeared later in blue cloth.With a few spots to the endpapers and some minor black scuff marks to a few of the corners of the binding edges; a very good set.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        A History of the English-Speaking Peoples

      

      [Bookseller: Peter Harrington]
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        TIME FOR THE STARS.

      New York: Charles Scribner's Sons, [1956] - Octavo, cloth. First edition. Anatomy of Wonder (2004) II-520. A fine copy in very good first printing dust jacket (priced $2.75 on the front flap) with fraying and shallow loss at spine ends, rubbed corner tips, and several small rub marks to rear spine fold. Overall, an attractive example of the jacket. (#140591) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Brief Authority: Excursions of a Common Man in an Uncommon World

      New York: Harper & Brothers 1956 - 8vo., tan boards and rust cloth lettered in gilt; pictorial dust jacket, with a touch of edge-wear. First edition, first printing. A presentation copy, inscribed: "To Phil Jessup, In appreciation of his wise guidance of our policies in Southeast Asia during [?] years, Ed Stanton," on the front endpaper. ---- The recipient Philip C. Jessup, a judge on the International Court of Justice and veteran U.S. diplomat, was credited with playing a major role in ending the Soviet blockade of West Berlin. Jessup was a U.S. representative to the United Nations General Assembly, as well as a member of the International Court of Justice at The Hague. He also served as a U.S. ambassador at large from 1949 until his resignation in 1953. During that time, he was one of the closest advisers of then-Secretary of State Dean Acheson. After Jessup was maligned by Senator Joe McCarthy for purported communist "affinities," General Dwight D. Eisenhower heralded Jessup's "devotion to the principles of Americanism." McCarthy's charges kept Jessup from being reappointed to the U.S. delegation to the United Nations in 1951 but President Harry S. Truman made him an alternate delegate the following year. In 1950 Edwin F. Stanton, the ambassador to Thailand, invited Ambassador Jessup to attend a crucial meeting with the Thai government. Stanton recalled Jessup's contribution in his "Brief Authority." A compelling presentation copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
 17.   Check availability:     AbeBooks     Link/Print  


        Elizabeth Taylor on the set of "Raintree County" (1956)

      N.p.: N.p., 1956. Vintage oversize double weight photograph of Elizabeth Taylor on location for the shooting of "Raintree County" 1956. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his rubber stamp on the verso (noting his address at Coolmaine Castle in Kilbrittain, Cork, Ireland), as well as his holograph inscription to Deirdre Hughes, dated November 1989. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, Willoughby began working as a photographer for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. It was while on assignment covering Judy Garland in a "A Star is Born" that Willoughby's ability to capture his subjects' spontaneity, humor, and vulnerability, resulting in images that were far different from more traditional film stills, came to Hollywood's attention and earned him his first "Life" magazine cover. Willoughby spent the next 20-plus years working as a set photographer for every major studio, documenting some of most important films of the era and creating intimate portraits of some of Hollywood's greatest celebrities. Technically and stylistically innovative, Willoughby built the first remote radio-controlled cameras used on film sets, pioneered the use of the "silent blimp" for 35mm cameras, and created brackets to mount his cameras directly over the movie cameras to capture the same images. Willoughby moved his family to County Cork, Ireland in 1972, working on only a handful of films through the late 1970s and early 1980s, though he would continue to photograph, exhibit, and publish books for the remainder of his life. The stills in this collection were given by Willoughby to friends in Kilbrittain, Ireland just prior to his move to Vence, France in 1989, where he would remain until his death in 2009. Perhaps more than any other photographer, Willoughby is responsible for creating the the look of mid-century celebrity and moviemaking in the popular imagination, with his images printed in magazines literally every week of his career. But beyond being prolific, Willoughby's legacy rests with his ability capture the essence of the actors he photographed, as well as the films with which those photographs were associated. As Sydney Pollack said in his introduction to Willoughby's autobiography, "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of "They Shoot Horses, Don't They?" Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. In a custom museum-quality frame, archivally mounted, with UV glass. 20 x 13.5 inches. Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Picasso Lithographe: Notices et Catalogue III, 1949-1956 [WITH TWO ORIGINAL LITHOGRAPHS]

      André Sauret - Editions du Livre, Monte-Carlo 1956 - Folio (9 5/8 x 12 1/2"). 159, [3]pp. Original glassine over lithographic dust-jacket and blind wrappers. Lithographic frontispiece. Title page in brick and black lettering. Complete with its two original lithographs (dust-jacket and frontispiece), this volume is a splendid pictorial inventory of Pablo Picasso's prints executed between 1949 and 1956. It is the third volume of an extensive 4-vol. set catalogue raisonné listing all of the artist's lithographs between 1919 and 1963. Glassine sunned and chipped at head and tail of spine. Blind wrappers creased along inner gutter. Text in French. Glassine in overall fair, dust-jacket in very good, wrappers in good, interior in very good condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        David with the harp Original color lithograph.

      Mourlot, Paris 1956 - Original Lithograph in colours published in his series (Verve 33/34) of the bible lithographs in Paris. Edition 6000 unsigned and unnumbered copies. In excellent condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
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        A History of the English-Speaking Peoples, full set of British first editions, finely bound in three-quarter morocco

      London: Cassell and Company Ltd., 1956. First edition, first printing. Leather bound. This is a full, four-volume British first edition, first printing set, beautifully rebound. The bindings feature three-quarter red morocco over red cloth boards with generous leather corners, raised and gilt-ruled spine bands, lion rampant device in spine compartments, gilt rule transitions, head and foot bands, gilt top edges, and laid paper endsheets. Churchill's sweeping history and last great work was published between 1956 and 1958. The first draft was completed just before the Second World War, but the work was not completed and published until after Churchill's second and final Premiership, nearly 20 years later. The work traces a great historical arc from Roman Britain through the end of the Nineteenth Century, ending with the death of Queen Victoria. Perhaps not coincidentally, this is the very year that saw Churchill conclude his first North American lecture tour, take his first seat in Parliament, and begin to make history himself. The British first edition is regarded as one of the most beautiful productions of Churchill's works, with tall, well-proportioned, red cloth-bound volumes. Churchill seems to have taken an active and detailed interest in the aesthetics of the publication. He told his doctor: "it is not necessary to break the back of the book to keep it open. I made them take away a quarter of an inch from the outer margins of the two pages and then add the half-inch so gained to the inner margin." He was clearly satisfied with the result, remarking with pardonable exuberance "It opens like an angel's wings." (Gilbert, Volume VIII, p.1184) This finely bound set further refines the aesthetic, echoing the red of the original bindings, but in red morocco. Condition of this set is fine. The bindings show no appreciable wear, soiling or fading, and shelf appearance is superlative. The contents are crisp and bright for the edition. The spotting endemic to the edition is quite light and appears confined to the fore and bottom edges. We find no previous ownership marks. The top edge gilt is uniformly bright and clean. Bibliographic reference: Cohen A267.1(I-IV).a, Woods/ICS A138(aa), Langworth p.315.

      [Bookseller: Churchill Book Collector]
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        Diamonds Are Forever

      UK: Jonathan Cape, 1956. 1st Edition 1st Printing. Hardcover. Near Fine/Worn. Diamonds Are Forever by Ian Fleming First Edition Jonathan Cape 1956. Very lightly browned ep's, otherwise no foxing or browning. Small date inscription to fep, text block edges clean. Covers unmarked and near fine in original first state dust jacket with loss and shelf wear (see image). Not price clipped.

      [Bookseller: Brought to Book Ltd]
 22.   Check availability:     Biblio     Link/Print  


        Henri-Georges Clouzot, Claude Renoir, and Pablo Picasso on the set of "Le mystère Picasso" [The Mystery of Picasso] (1956)

      N.p.: N.p., 1956. Vintage double weight borderless photograph from the 1956 film. A candid, on-the-set photograph of Picasso, director Clouzot, and the film's cinematographer Claude Renoir. On the verso is the stamp of the French production company Filmsonor. One of the most important films about art--and more broadly, about the creative process--ever made. Based on a more primitive 1949 Belgian documentary, "Visit to Picasso," Clouzot conceived the idea of capturing Picasso in the act of creating paintings for the camera. He had the artist paint on glass, then photographed the reverse side of the glass, so that the viewer saw only the painting, but not the painter, as it emerged. By agreement between Picasso and Clouzot, most of the paintings were subsequently destroyed so that they would only exist on film. The film begins with Picasso creating simple marker drawings in black and white, gradually progressing to full scale collages and oil paintings. Winner of the Special Jury Prize at the 1956 Cannes Film Festival. In a custom museum-quality frame, archivally mounted, with UV glass. 9.5 x 7 inches. Single faint crease to one corner, else Near Fine.

      [Bookseller: Royal Books, Inc.]
 23.   Check availability:     Biblio     Link/Print  


        Picasso

      1956 - COCTEAU, Jean. Picasso (cover title: Médecines, Peintures, Picasso). Arcueil: Innothéra Laboratoire Chantereau, circa 1956. Slim octavo, original paper wrappers; pp. [14]. $2600.Later edition of Cocteau’s Picasso, inscribed on the title page, “Le feu jaillit de l’eau, La mer et l’oiseau, amities, Jean Cocteau.” With an original full-page pencil and blue wash drawing of a bird rising from the sea.Jean Cocteau first met Picasso in 1914. “As he remarked in later years, if Stravinsky was a great encounter in his life, Picasso was the great encounter” (Emboden, 23). First published in 1923 in a limited edition of 100 copies, this is Cocteau’s brief overview of Picasso’s work, with 14 plates of his paintings, re-published as Number 84 in the Innothéra series. Very minor soiling to wrappers. A near-fine copy. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Diritto e Pratica Tributaria. Diretta da V. Uckmar. Supplemento alla rivista Diritto e Procedura Commerciale . Consiglio di amministrazione composto da G.Bottai e F.Flora.

      Casa editrice Propria 1956-1993, Roma - La rivista fu fondata nel 1926. n.d. p. annate dal 1956 al 1960 dal 1963 al 1974 dal 1976 al 1991 per un totale di 33 annate rilegate in 75 tomi in-8

      [Bookseller: Libreria Antiquaria Giulio Cesare]
 25.   Check availability:     ZVAB     Link/Print  


        Leo Baeck Institute. Year Book.

      Oxford, University Press, 1956-2006. - ISSN: 0075-8744. Buchrücken mit Bibliotheksrückenschild. Titel mit kleinem Bibliotheksstempel, ansonsten sauberes Exemplar in guter Erhaltung. Sprache: Deutsch Gewicht in Gramm: 32000

      [Bookseller: Antiquariat Trageser]
 26.   Check availability:     ZVAB     Link/Print  


        Neue Mozart Ausgabe sämtlicher Werke.(Partituren von Klavierkonzerten, Messen, Opern, Arien) Hardcover edition 60 volumes / 60 Bände von circa 100 Bänden. Leinen Ausgabe. In Verbindung mit den Mozartstädten, Augsburg, Wien und Salzburg, herausgegeben von der Internationalen Mozart Stiftung Salzburg.

      Bärenreiter, Kassel, etc. 1956 - Kassel, etc. Bärenreiter 1956-1991. Folio Rotes Original Leinen. Durchgehend gut erhalten. Das Jahrhundertwerk der neueren Mozart-Forschung. Enthält nur die Partituren, ohne die kritischen Berichte. Einige Einzelbände sind mittlerweile vergriffen.Verkauf nur komplett. We sell the edition only as a set, unfortunately no single volumes available. abweichende Versandkosten EU Länder: EUR 60,-- Versandkosten im Nicht EU Ausland nur auf Anfrage, aber circa EUR 380,-. Shipping costs on request. Non EU countries, around EUR 380,- Vorhanden sind / Available are SERIE I WERKGRUPPE 1 MESSEN UND REQUIEM I. 1,1 Messen Band 1 I 1. 2. Requiem Fragmente I.1. 2. Requiem Fragmente, Ergänzungen WERKGRUPPE 2 LITANEIEN UND VESPERN I. 2. 1. Litaneien I. 2.2. Vespern WERKGRUPPE 3 KLEINERE KIRCHENWERKE I.1. 3 Kleine Kirchenmusik WERKGRUPPE 4 ORATORIEN, GEISTLICHE SINGSPIEL UND KANTATEN I. 4.1. Die Schuldigkeit des Ersten Gebots I.4. 2. Betualia liberata. I. 4.4. Kantaten SERIE II WERKGRUPPE 5, OPERN UND SINGSPIELE II. 5.1. Apollo II. 5.4. Mitridate II. 5.5. Ascanio in Alba II. 5.10. Zaide. Das Serail II. 5.13. L'oca del Cairo II. 5.15. Der Schauspieldirektor II. 5.17. Don Giovanni II. 5.19. Zauberflöte II. 5.20 La clemenza de Tito WERKGRUPPE 6 MUSIK ZU SCHAUSPIELEN, PANTOMIMEN UND BALLETTEN II 6.1. Thamos, König zu Ägypten II.6.2. Musik zu Pantomimen und Balletten. II.7.1. Arien II.7.2. Arien II.7.3. Arien SERIE 3 LIEDER, MEHRSTIMMIGE KANONS, KANONS WERKGRUPPE 8 III, 8 Lieder WERKGRUPPE 9 III, 9. Mehrstimmige Gesänge SERIE IV: ORCHESTERWERKE WERKGRUPPE 11, SINFONIEN IV, 11. 3. Sinfonien IV, 11. 4. Sinfonien IV. 11. 5. Sinfonien IV. 11. 7. Sinfonien IV. 11. 8 Sinfonien IV. 11. 9. Sinfonien WERKGRUPPE 12. Kassationen IV, 12, 1 Kassationen, Serenaden. IV, 12, 2 Kassationen, Serenaden. IV. 12. 3. Kassationen IV. 12. 6. Kassationen WERKGRUPPE 13: TÄNZE und MÄRSCHE IV. 13. 1. Tänze WERKGRUPPE 15 KLAVIERKONZERTE V. 15.5. Klavierkonzerte V. 15.6. Klavierkonzerte V. 15.7. Klavierkonzerte V. 15.8. Klavierkonzerte SERIE 6 KIRCHENSONATEN VI. 16. Sonaten für Orgel und Orchester SERIE 8: KAMMERMUSIK WERKGRUPPE 19, Streichquintette und Quintette mit Bläsern VIII, 19.1. Streichquintette VIII. 19.2. Quintette mit Bläsern WERKGRUPPE 20, Streichquartett und Quartette mit einem Blasinstrument VIII. 20. 1. Streichquartette VIII. 20. 2. Quartette mit einem Blasinstrument VIII. 20. 3. Streichquartette WERKGRUPPE 22 Quintette, Quartette und Trios mit Klavier und mit Glasharmonika VIII. 22. 1. Quartette und Quintette mit Klavier VIII. 22. 1. Quartette und Quintette mit Klavier, Stimmen VIII. 22. 2. Klaviertrios WERKGRUPPE 23 VIII. 23. 1. Sonaten und Variationen für Klavier VIII. 23. 2. Sonaten und Variationen für Klavier SERIE IX KLAVIERMUSIK WERKGRUPPE 24 WERKE FÜR ZWEI KLAVIERE IX, 24.1. Werke für zwei Klaviere und für Klavier zu vier Händen IX, 24.2. Werke für zwei Klaviere und für Klavier zu vier Händen WERKGRUPPE 26 VARIATONEN FÜR KLAVIER IX. 26 Variationen für Klavier SERIE X SUPPLEMENT WERKGRUPPE 28 Bearbeitungen, Ergänzungen und Übertragungen fremder Werke X, 28 1.3. Das Alexander- Fest, KV 591 X. 28. 1.2. Messias X. 28. 1.4. Ode auf St. Caecilia X. 28. 2. Bearbeitungen Klavierkonzerte WERKGRUPPE 30: Studien, Skizzen, Entwürfe, Fragmente, Varia X. 30.1 Thomas Attwoods Theorie und Kompositionsstudien WERKGRUPPE 31 NACHTRÄGE X. 31.1 (34) Dokumente seines Leben X. 32 Mozart und seine Welt in zeitgenössischen Bildern. JJ Heckenhauer was established in 1823 and is for more than 100 years a family business. All our books are carefully described, packed and shipped by registrated mail. Sprache: Deutsch [Attributes: Hard Cover]

      [Bookseller: Antiquariat J.J. Heckenhauer e.K.]
 27.   Check availability:     IberLibro     Link/Print  


        Zephir Vogel - Zephyr Bird

      Maeght Éditeur, Paris 1956 - Original lithograph in colors, printed 1965 at Mourlot in Paris. Published in the catalogue Dèrriere le Miroir (DLM) for an exibition. Unnumbered edition of 1500 copies published in DLM 87-88-89. On the full sheet with the usual centre fold, as published. Ca. 15 x 22 inches. In excellent condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
 28.   Check availability:     ZVAB     Link/Print  


        The Supreme Court

      Washington, D.C.: Ed Clark 1956 - Enormous color photograph of the Supreme Court at the height of the school desegregation movement. Completed in 1935, the magnificent neoclassical Supreme Court Building features the motto “Equal Justice Under the Law” on the west facade, which serves as the front of the building. This splendid, enormous color photograph was taken by famed LIFE magazine photographer Ed Clark. The standard work on Clark notes: “Black Church Leaders pray on the Supreme Court steps for integration to succeed” (Herrera, Frank, Ed Clark: Decades). “We conclude that, in the field of public education, the doctrine of “separate but equal” has no place. Separate educational facilities are inherently unequal. Therefore, we hold that the plaintiffs and others similarly situated for whom the actions have been brought are, by reason of the segregation complained of, deprived of the equal protection of the laws guaranteed by the Fourteenth Amendment” (Supreme Court of the United States, Brown v. Board of Education, 1954). Provenance: Ed Clark. 16 x 20 in. Color photograph. Minimal wear. Fine condition.

      [Bookseller: 19th Century Rare Book & Photograph Shop]
 29.   Check availability:     AbeBooks     Link/Print  


        Aristoteles Werke in deutscher Übersetzung. Begründet von Ernst Grumach. Herausgegeben von Hellmut Flashar. 27 Bände.

      Berlin : Akademie; Darmstadt : Wissenschaftliche Buchgesellschaft, 1956-2008. - ca. 14000 S. Gute Exemplare. Sprache: Deutsch Gewicht in Gramm: 10000 Gr.-8°, Originalleineneinbände. 6 Bände mit Schutzumschlag. Bd. 1/I, Kategorien (K. Oehler, Hamburg). Bd. 1/II, Peri hermeneias (H. Weidemann, Bonn). Bd. 3/II,1 Halbbd. Analytica Posteriora (W. Detel, Frankfurt). Bd. 3/II, 2 Halbbd., Analytica Posteriora (W. Detel, Frankfurt/M.).Bd. 4, 1. Halbbd.,( C. Rapp, Berlin). Bd. 4, 2 Halbbd., Rhetorik (C. Rapp). Bd. 6, Nikomachische Ethik (F. Dirlmeier, Heidelberg). Bd. 7, Eudemische Ethik (F. Dirlmeier, Heidelberg). Bd. 8, Magna Moralia (F. Dirlmeier, Heidelberg). Bd. 9/I-IV, Buch I-VIII Politik (E. Schütrupf, Boulder).; Bd. 9/III, mit H. J. Gehrke, Freiburg). Bd. 10/I, Staat der Athener (M. Chambers, Los Angeles). Bd. 10/II, Ökonomik/Oikonomika (R. Zoepffel, Freiburg/Breisgau). Bd. 11, Physikvorlesung (H. Wagner, Bonn). Bd. 12/I u. II, Meteorologie u. Über die Welt (H. Strohm, Erlangen). Bd. 13, Über die Seele, (W. Theiler, Bern). Bd. 14/II, Parva Naturalia II, De memoria; De somno (J. Wiesner, Berlin). Bd. 14/III, Parva Naturalia III, De insomniis; De divinatione per somnum (Ph. J. van der Eijk, Leiden). Bd. 17 Zoologische Schriften II/II u. III, Über die Bewegung de Lebewesen; Über die Fortbewegung der Lebewesen (J. Kollesch, Berlin). Bd. 18, Opuscula I, Über die Tugend (E. A. Schmidt, Tübingen). Bd. 18, Opuscula II u. III, Mirabilia (H. Flashar, München); De Audibilibus (U. Klein, Stuttgart). Bd. 18, Opuscula V, De coloribus (G. Wöhrle, Saarbrücken). Bd. 18, Opuscula VI, Physiognomonica (S. Vogt, München). Bd. 19, Problemata Physica (H. Flashar, München). Bd. 20, Fragmente III, Historische Fragmente (M. Hose).

      [Bookseller: Antiquariat Michael Solder]
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        David and Absolom Original lithograph.

      Mourlot, Paris 1956 - Original lithograph in colours published in his series (Verve 33/34) of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. In excellent condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
 31.   Check availability:     ZVAB     Link/Print  


        Archaeological Researches in the Edsen-Gol Region, Inner Mongolia. Together with the catalogue prepared by Folke Bergman [2 volumes]

      Statens Etnografisk Museum 1956-1958, Stockholm - 9 x 11.5 Hardback in Very Good condition. Attractively rebound; Illustrated by XXVI + 40 black and white plates 2 maps 187 figures; Reports from the scientific expedition to the north-western provinces of China under the leadership of Dr. Sven Hedin. The Sino-Swedish Expedition. Publication 39, 41. VII. Archaeology, 8-9. ; 5; 386 pp. [Attributes: Hard Cover]

      [Bookseller: RugBooks, IOBA]
 32.   Check availability:     AbeBooks     Link/Print  


        RÉCITS DE BELZÉBUTH À SON PETIT-FILS; Critique objectivement impartiale de la vie des hommes

      Paris: Janus, 1956. First printing in French. Leather covers very worn and fraying; Contents very good.. No 15 of a limited edition of 75 copies bound in red leather; Hand-written note to Dushka Howarth from René Zuber laid-in; 1,178 pages.

      [Bookseller: By The Way Books]
 33.   Check availability:     Biblio     Link/Print  


        He. 1000 [Signed]

      Published by Hutchinson & Co. Ltd., 178-202 Great Portland Street, London First Edition 1956. 1956. First edition hard back binding in publisher's original scarlet cloth covers, gilt title and author lettering to the spine. 8vo. 9½'' x 6¼''. Contains 287 printed pages of text with monochrome photographs throughout. Surface damp marks to the boards, not affecting the contents. Good condition book in Good condition dust wrapper with internal tape repairs across the spine ends and corners, spine very slightly sun faded, price clipped with 30/- over priced. SIGNED by the author to the half-title page Raymond Way Esq. with best wishes 'Ernst Heinkel'. Small slip of paper loosely enclosed explaining that Raymond Way was 'the well-known used car dealer from Kilburn, London, who has acquired the share capital of W. S. Shackleton Ltd., the equally well-known aircraft sales and consultancy firm.' Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
 34.   Check availability:     Biblio     Link/Print  


        U.S. Highball - Gate 5 Records, Issue No. 6 (First pressing, inscribed to Amos Vogel in 1960)

      Champaign, IL: Gate 5 Records, 1956. First and only pressing. Issue No. 6 in Harry Partch's self-released Gate 5 series, sold by mail order. INSCRIBED by Partch in 1960 to noted film scholar Amos Vogel on the rear flap: "For Amos Vogel / With all best wishes / Harry Partch / Feb 11 '60." A conceptual 10-inch EP, putting a road trip into the context of experimental music. The tracks read, in order, "San Francisco to Sparks," "Sparks to Moleen," "Moleen to Rock Springs," etc., ending with "North Platte to Chicago." Discogs reports complete unavailability and 26 wants. Partch, who died in 1974, rarely signed his records, and associations are nearly non-existent. With Partch's red rubber address stamp on the rear panel as called for. EP record enclosed in textured card stock, with a flap at the rear. Near Fine.

      [Bookseller: Royal Books, Inc.]
 35.   Check availability:     Biblio     Link/Print  


        Facsimile-Edition of the Latin Charters Prior to the Ninth Century. Vorhanden ist der lückenlose Bestand von Band 1-61 und Band 72.

      Dietikon-Zurich, Urs Graf-Verlag, 1956-2002. - Folio (44 x 32 cm). Je Band ca. 100 bis 160 Seiten mit je ca. 20 bis 50 Urkundentafeln. Zus. 62 Bände. *Monumentalwerk zur Urkundenkunde. - Die Reihe der Chartae Latinae Antiquiores stellt Beschreibung der äußeren und inneren Merkmale, Bibliographie und originalgetreues Faksimile aller Urkunden bis zum Ende des 9. Jahrhunderts bereit. Die erste Serie ist abgeschlossen und umfasst Band 1-49, sie beinhaltet Papyrus- und Pergamenturkunden bis zum Jahr 800. Die zweite Serie (ChLA2) wird mit Band 50 fortgesetzt. Erfasst werden zunächst alle in Italien aufbewahrten Urkunden ab dem 9. Jahrhundert. Eine Übersicht der Einzelbände können Sie unter folgendem Internetlink einsehen Internet unter "urs-graf-verlag" - Die Serie ist im Buchhandel bzw. Verlag lieferbar (Preis der Einzelbände: 630 Euro bzw. bei Gesamtkauf je 560 Euro). - Hier eine Gelegenheit den kompletten Grundbestand von Band 1-61 + Bd. 72 antiquarisch zu erwerben (Neupreis für den hier vorhandenen Bestand: ca. 35.000 Euro). - Vorsätze und Titel mit je einem Stempel. Ansonsten völlig unbenutzt und wie neu. Sprache: Deutsch Gewicht in Gramm: 80000

      [Bookseller: Antiquariat Braun]
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        Terres des grand feu.

      1956 1956 - Original lithographed poster in colour produced for the exhibition of 43 ceramic pieces, made by Miro and Llorens Artigas between 1950 and 1956, at the Galerie Maeght, Paris. 75x52,5 cm. * One of 200 copies "avant la lettre" on Arches paper, numbered and signed by Miro. Mourlot nr. 53. Corredor-Matheos nr. 7. [Attributes: Signed Copy]

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
 37.   Check availability:     ZVAB     Link/Print  


        Aniara.

      En revy om människan i tid och rum. Stockholm, A. Bonniers boktryckeri, 1956. 218,(2 blanka,3) s. Natthimmelsblått halvmarokängbd med två upphöjda bind i ryggens nederdel, guldornering, bl.a. i form av stjärnor på ryggen, och övre guldsnitt (Albert Bonniers privatbokbinderi). Omslaget medbundet. Två svaga skrapningar på ryggen. Dedikation till Jan Cornell "från tillgivne Harry Martinson", med en tecknad blomma. Med Per A. Sjögrens exlibris.. Enligt Cornells blyertsanteckning på försättsbladet är detta ett exemplar av en separatupplaga om 50 exemplar på tjockare papper, som alltså inte ingår i den "vanliga" numrerade bibliofilupplagan på 125 exemplar. Jan Cornell (1914-78) var förlagsdirektör och fackboksredaktör på Bonniers

      [Bookseller: Mats Rehnström]
 38.   Check availability:     Antikvariat     Link/Print  


        GONE WITH THE WIND

      Macmillan Company, New York 1956 - Wear to bottom of spine. Small closed tear to page 3; Special limited edition published in 1956 commemorating the new headquarters of WSB and WSB-TV in Atlanta, 'White Columns on Peachtree' was the name of the new building ; 8vo - 8" to 9" tall; 1037 pages [Attributes: Hard Cover]

      [Bookseller: Complete Traveller Antiquarian Bookstore]
 39.   Check availability:     AbeBooks     Link/Print  


        Aniara.

      En revy om människan i tid och rum. Stockholm, A. Bonniers boktryckeri, 1956. 218,(2 blanka,5) s. Lätt nött blått marokängbd med upphöjda bind, guldornerad rygg, gulddekor på främre pärmen, blindpressad dekor på bakre pärmen och helt guldsnitt (Nordiska bokhandeln). Omslaget medbundet. Signerad "Harry Martinson" på smutstitelbladet och "Erik Saedén (mimaroben)" på den motstående sidan.. Av en bibliofilupplaga på bättre papper omfattande 125 exemplar numrerade I-XXV respektive 1-100, är detta nummer 95. Bibliofilupplagan är även försedd med ett gråblått omslag i en ljusare färg än den vanliga upplagans. Operasångaren Erik Saedén gjorde rollen som Mimaroben vid uruppförandet av Karl-Birger Blomdahls operaversion av "Aniara"

      [Bookseller: Mats Rehnström]
 40.   Check availability:     Antikvariat     Link/Print  


        Quiet Days in Clichy

      Paris: Olympia Press, 1956. Illustrated with photographs by Brassa. Slight spine lean and two mild vertical creases to spine, minimal edgewear, else a bright, clean, and tight very good plus copy in perfect bound self-wrappers.. First Edition. Soft Cover. 12mo - over 6¾" - 7¾" tall.

      [Bookseller: Albert Books]
 41.   Check availability:     Biblio     Link/Print  


        The Hunters

      Harper, New York 1956 - Near fine in a very good or better unclipped dust jacket. Light erasure indentations at the top of the front end paper, corners a little bumped, light shelf wear to the bottom edge of the boards. The red on the bottom third of the jacket spine has faded to a cream color, and the spine has tiny chipping at the top. Light soiling to the rear panel. [Attributes: First Edition; Hard Cover]

      [Bookseller: James Graham, Bookseller, ABAA, IOBA]
 42.   Check availability:     AbeBooks     Link/Print  


        RECIT DU NORD ET REGIONS FROIDES

      pour la cause du Degré Quarante-et-un, (Iliazd), Paris 1956 - Récit mis en lumière et en page par Iliazd, précédé d¿une EAU-FORTE en couleurs hors texte de Camille BRYEN. Tirage unique à 49 exemplaires numérotés et signés par l'éditeur et l'artiste. Un des 45 sur Chine satiné, celui-ci avec une page sans coin inférieur. >>>> Iliaz pour ce prodigieux exercice typographique imprime un extrait du GRAND BAL DE LA DOUARIERE DE BILLEBAHAUT composé en 1626 par René Bordier, poète toulousain oeuvrant à la Cour de Louis XIII. Cet unique passage totalement phonétique n'est pas sans rappeler le Zaoum, autre langage phonique inventé par Kroutchenykh en 1913 et qu'Iliazd adoptera pour ses poèmes, ou comme HEPERILE de Bryen publié six ans plus tôt par Pab. [Attributes: Soft Cover]

      [Bookseller: Librairie-Galerie Emmanuel Hutin]
 43.   Check availability:     AbeBooks     Link/Print  


        Waiting for Godot

      Faber and Faber Limited, London 1956. First edition, first issue. Alan Ross' copy with his signature on the front endpaper. Alan Ross (1922-2001) was a notable British poet, editor and writer. VG+ (offsetting to slightly foxed endpapers as usual, bumped and edges dusty) otherwise clean, bright and tight. In very fresh clean and bright dustwrapper without the usual wear. Overall an outstanding example and nice association. The dustwrapper is housed in a protective removable sleeve. 9561.

      [Bookseller: Holybourne Rare Books]
 44.   Check availability:     Biblio     Link/Print  

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