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Displayed below are some selected recent viaLibri matches for books published in 1950

        Jacques Vingtras L'enfant - Le bachelier - L'insurgé - Le proscrit corres EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: Les éditeurs français réunis, 1950. Fine. Les éditeurs français réunis, Paris 1950, 12x18,5cm, 4 volumes brochés. - Collective First edition, one of 150 numbered copies on "pur-fil" paper ours one of the 25 hors commerce copies for each of the only leading copies. Original prefaces Gaston Monmousseau, Francis Jourdain, Marcel Cachin and Lucien Scheler, editor of the works of Jules Vallès, autograph dedication of the author signed autograph latter Alice Eterstein the last volume. Nice together despite the shaded guard on which appears the autograph of Lucien Scheler. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale collective, un des 150 exemplaires numérotés sur pur fil, le nôtre un des 25 hors commerce pour chacun des exemplaires, seuls grands papiers. Préfaces originales de Gaston Monmousseau, de Francis Jourdain, de Marcel Cachin et de Lucien Scheler, directeur de publication des oeuvres de Jules Vallès, envoi autographe signé de ce dernier à Alice Eterstein sur le dernier volume. Agréable ensemble malgré la garde ombrée sur laquelle figure l'envoi autographe de Lucien Scheler, première garde du premier volume plus légèrement ombrée.

      [Bookseller: Librairie Le Feu Follet]
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        Kopf des Dresdner Rathausmannes. Silbergelatine - Abzug. Original - Fotografie.

      Original - Fotografie. ca. 1950, . - 21,9 x 16 cm unter Passepartout 30 x 24 cm moniert, auf diesen handschr. Name und Titelbezeichnung. Ausdruckstarke Aufnahme. Franz Fiedler war 1905 Schüler von Dührkoop in Hamburg, 1908 Schüler u. Mitarbeiter von Hugo Erfurth, ab 1920 selbständig tätig. Frühzeit Edeldrucke, um 1920 Anhänger realistischer Fotografie. . Sprache: de

      [Bookseller: Buecherstube Eilert]
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        Mountain Sheep in the Rockies

      1950. () Fine. Original watercolour, mated and framed. Visible image measures 17" X 15.5", tasteful, deep wooden white and gold filagree frame measured 28" X 27". Colours vibrant and unfaded. Signed and dated by Phillips in the lower right corner. A beautiful, original watercolour by the famous Canadian artist of a autumn scene in the Canadian Rockies. The image depicts 2 rams and 2 ewes in an alpine meadow amid the reds and yellows of late autumn. Mountain peaks in the background are still free of snow, yet a stormy sky reminds that winter is not far behind. Walter Joseph Phillips (October 25, 1884 - July 5, 1963) was an English-born Canadian painter and woodcutter, acclaimed as one of Canada's most famous printmakers and for popularizing the colour woodcut in the style of the Japanese. His artistic career spanned from the 1900s through the 1940s, during which time his work was exhibited throughout North America and Great Britain. In 1940 he was asked to become a resident artist at the Banff Centre, then known as the Banff School of Fine Arts, where he played an important role in the development of their visual arts program. Its Walter Phillips Gallery, which focuses on contemporary art, is named after him. The Glenbow Museum in Calgary, Alberta holds an extensive collection of Phillips works and a research archive. Phillips embraced the difficulty of watercolour and revealed in the challenge to capture the beauty of a landscape in the medium. Says Phillips "A landscape painting is essentially emotional in origin. It exists of a record of an effect in nature whose splendor has moved a human heart…" Boulet 21. The example offered here is a splendid example of this sentiment..

      [Bookseller: Aquila Books]
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        Un mauvais rêve suivi de Notes et variantes établies par Albert Béguin et d EDITION ORIGINALE Grand papier

      Paris: Plon, 1950. Fine. Plon, Paris 1950, 13x20cm, relié sous étui. - First edition, one of 65 numbered copies on Holland, deluxe edition after 50 Japan. Full burgundy morocco binding studded with golden dots, smooth back, a restoration in the foot of a jaw, flat struck at their centers a set of nets spirals contreplats guards and red velvet, preserved covers and backs, gilt edges of witnesses; case lined with burgundy morocco inside brown felt, flat lined as wood paper, superb signed binding Madeleine Gras. Marginal light bites on the white guards binding. Beautiful specimen well established. - [FRENCH VERSION FOLLOWS] Edition originale, un des 65 exemplaires numérotés sur Hollande, tirage de tête après 50 Japon. Reliure en plein maroquin bordeaux constellé de points dorés, dos lisse, une restauration en pied d'un mors, plats frappés en leurs centres d'un jeu de filets en spirales, gardes et contreplats de velours rouge, couvertures et dos conservés, tranches dorées sur témoins; étui bordé de maroquin bordeaux, intérieur de feutrine marron, plats recouverts de papier façon bois, superbe reliure signée de Madeleine Gras. Légères piqûres marginales sur les gardes blanches de la reliure. Bel exemplaire parfaitement établi.  

      [Bookseller: Librairie Le Feu Follet]
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        Danske bibelarbejder fra reformationstiden genudgivet i facsimile af Det Danske Sprog- og Litteraturselskab i 400-Året for trykningen af den danske bibel 1550. Første Bind: Thet Nøye Testamenth. Christiern II's nye Testamente, Wittenberg 1524. - Andet Bind: Det ny Testamente oversat af Christiern Pedersen, Antwerpen 1529. Tredie Bind: Gammeltestamentlige Bøger oversat af Peder Tidemand. Domernes Dag 1539. Jesus Syrach 1541. Salomonis Wijshed 1541.

      København, Rosenkilde og Bagger, 1950. Fine priv. håndb. skinnbd. med fem opph. bind. Ryggdekor i gull. Topp gullsnitt. Orig. omsl. medbundet. I kassett. (Sign. G. Hedberg).. Gustaf Bernströms eksemplar

      [Bookseller: Ruuds Antikvariat]
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        PARAGONE. ARTE. Mensile di arte figurativa e letteratura diretto da R. Longhi.

      Sansoni 1950-2014 In - 16, bross., ca. 80 pp. cad. fascicolo, con ill. in b.n. nel t. Di questa celebre rivista offriamo, della serie dedicata all'Arte, una raccolta completa di 64 annate consecutive, dal n. 1 (gennaio 1950) al n. 766 (gennaio 2014). "Mancano solo i seguenti numeri: 395 e 401 / 403 (1983) - 409 (1984) - 425, 427 e 429 (1985) - 459, 461 e 463 (1988)". Uniamo anche gli Indici 1950 - 1974). Esempl. ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Philippines. American President Lines Orient Cruises

      No date. Ca. 1950?. Vintage screenprinted color poster, 39 x 25 inches, professionally conserved with Japanese paper and wheat paste. Paper loss to 3 x 3 and 1 x 1 inch areas of upper left corner, a few additional smaller chips along upper edge (all professionally filled), faint toning from removed adhesive tape in corners (barely visible), archivally mended long tears to mid upper edge and lower left edge, staining to upper corner of verso (not visible on front of poster), pinhole at each corner. Image is clean and bright. A stunningly bright image by A. Belen of a family of agricultural workers, set in a rural scene with volcano in the background. "Screen Process by Advertising Associates Inc. Philippines" printed at lower right image. .

      [Bookseller: oldimprints.com]
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        Le scaphandrier des rêves EDITION ORIGINALE Tirage de tête

      Paris: Glm, 1950. Fine. Glm, Paris 1950, 16x22,5cm, en feuilles. - First Edition, one of 10 numbered copies on vellum Renage, leading copy. Illustrated book of 12 original collages of Max Bucaille. Preface by J. Laude. boards slightly and marginally passed without any serious, if rare and beautiful copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 10 exemplaires numérotés sur vélin de Renage, tirage de tête. Ouvrage illustré de 12 collages originaux de Max Bucaille. Préface de J. Laude. Plats très légèrement et marginalement passés sans aucune gravité, sinon rare et bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Le minotaure ou la halte d'Oran EDITION ORIGINALE Tirage de tête

      Paris: Charlot, 1950. Fine. Charlot, Paris 1950, 16x25,5cm, relié. - Edition partly original, one of 17 numbered copies on China, drawing head. Binding to bradel half morocco cherry, flat spine decorated with mosaics of two pellets morocco cream, date and name of the publisher golden tail, covered with Japanese paper boards, covers and spine preserved, golden head on witnesses, elegant binding signed of Devauchelle. Provenance: Library Raoul Simonson with his bookplate pasted. Very nice copy well established. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition en partie originale, un des 17 exemplaires numérotés sur Chine, tirage de tête. Reliure à la bradel en demi maroquin cerise, dos lisse orné de deux pastilles mosaïquées de maroquin crème, date et nom de l'éditeur dorés en queue, plats recouverts de papier japonais, couvertures et dos conservés, tête dorée sur témoins, élégante reliure signée de Devauchelle. Provenance : bibliothèque de Raoul Simonson avec son ex-libris encollé. Très bel exemplaire parfaitement établi.

      [Bookseller: Librairie Le Feu Follet]
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        My Camera in the National Parks

      Yosemite National Park, California & Boston: Virginia Adams; Houghton Mifflin Company,, 1950. 30 photographs with interpretative text and informative material on the Parks and Monuments and photographic data. Folio. Original spiral-bound paper boards, front cover printed in black. With the dust jacket. 30 full-page images. A fine copy in the jacket that has shallow chip to foot of spine and head of rear panel, some short closed tears to extremities and spine panel. First edition, first printing, in the scarce jacket. Signed by the author on the first blank. The book features Adams's magnificent images, including the Grand Canyon, Yellowstone, Death Valley, Yosemite, and Glacier Bay.

      [Bookseller: Peter Harrington]
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        La vocation suspendue EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: Gallimard, 1950. Fine. Gallimard, Paris 1950, 12x19cm, broché. - First edition, one of 43 numbered copies on "pur-fil" paper only leading copies. Signed autograph of the author Georg Svastics in Romanian: "Ad usum Georg Svastics cum respectu valde Lutetia 1996.". Nice copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 43 exemplaires numérotés sur pur fil, seuls grands papiers. Envoi autographe signé de Pierre Klossowski à Georg Svastics en roumain : "Ad usum Georg Svastics cum respectu valde. Lutetia 1996". L'on joint un billet autographe de l'auteur qui a noté son adresse à Paris afin d'expédier cet ouvrage au dédicataire. Infimes piqûres sans gravité sur les gardes, agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Collected Stories

      New York: Random House,, 1950. Octavo. Original grey cloth, titles to spine gilt on blue ground, top edge blue. With the dust jacket. Mild bumping to ends of spine, light toning to pages in the price clipped dust jacket with toning to spine and panels, light wear to ends of spine. A very good copy. First edition thus collected, first printing, in the first issue binding with "The" included in the spine title.

      [Bookseller: Peter Harrington]
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        NOTES ON A HORSE THIEF (Signed)

      The Levee Press, Greenville, Mississippi 1950 - Signed. An attractive copy bound in green buckram stamped in silver. This is #129 of 975 copies Signed by William Faulkner. The endpapers near the hinges have a crease from the binding of the book. (Petersen A27). Very Good binding. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: BLACK SWAN BOOKS, INC., ABAA, ILAB]
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        Manuscrit autographe inédit et complet du texte intitulé : 'L'orient arabe EDITION ORIGINALE ENVOI AUTOGRAPHE

      s.l.: S.n., 1950. Fine. S.n., s.l. s.d. (circa 1950), 21,5x27,5cm, en feuilles retenues par des trombones. - Complete and original 74 pages with additions, deletions and corrections autographs Jacques Benoist-Méchin an article he proposed to 'Paris-Match' who refused autograph. It consists of four chapters: 'While flying the plane Saudi King Saud', 'When Damascus delirious celebrates the resurrection of the Empire of Saladin', 'Facing the bubbling people, the Hashemite monarchy rise guard around the paradise 'and' Swirls in the empire of oil. This complete autograph is accompanied by his mimeographed during which comprises, too, autograph corrections of the author (Chapter 2 being doubles). We enclose a correspondence with the author 'Paris-Match' and mimeographed manuscripts and records of amounts due or paid ATTACHING to achieving this report done by Jacques Benoist-Méchin. Valuable set. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Manuscrit autographe complet et inédit de 74 pages comportant des ajouts, ratures et corrections autographes de Jacques Benoist-Méchin d'un article qu'il proposa à 'Paris-Match' qui le refusa. Il est composé de 4 chapitres : 'En survolant l'Arabie dans l'avion du Roi Saud', 'Quand Damas en délire fête la résurrection de l'Empire de Saladin', 'Face au bouillonnement des peuples, les monarchies hachémites montent la garde autour du paradis' et 'Remous dans l'Empire du pétrole'. Ce manuscrit autographe complet est accompagné de son pendant ronéotypé qui comporte, lui aussi, des corrections autographes de l'auteur (le chapitre 2 étant en double). Nous joignons une correspondance de l'auteur avec 'Paris-Match' et des relevés manuscrits et ronéotypés des sommes dues ou réglées afférant à la réalisation de ce reportage effectué par Jacques Benoist-Méchin. Précieux ensemble.

      [Bookseller: Librairie Le Feu Follet]
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        La vouivre ENVOI AUTOGRAPHE

      Paris: Pierre Bricage, 1950. Fine. Pierre Bricage, Paris 1950, 25x33cm, en feuilles sous chemise et étui. - Illustrated edition of 56 original woodcuts by Jean Chièze, one of 20 copies reserved literate employees, ours printed on pure Marais thread. Signed autograph from the author to his daughter Colette and his son Raymond Magne. Beautiful copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition illustrée de 56 bois gravés originaux de Jean Chièze, un des 20 exemplaires lettrés réservés aux collaborateurs, le nôtre imprimé sur Marais pur fil. Envoi autographe signé de Marcel Aymé à sa fille Colette et à son gendre Raymond Magne. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        ARTISTES LIBRES; première série du bibliothèque de Cobra [bibliotheque]. COMPLETE; 16 volumes !!!

      Copenhagen. Editions Enjar Munksgaard. 1950 , . Broché, original and in very good condition ! With the original colored slip-case in Cobra style, 16 mono-graphs ( 14 lithographs ) in paper folder as issued. 17.1 x 13 cm. 16 pages per volume. Very good set, text in French; with the catalog (4pp) includes: Pierre Alechinsky; Else Alfelt; Karel Appel; Atlan; Ejler Bille; Constant; Corneille; Jaques Doucet; Sonja Ferlov; Stephen Gilbert; Svavar Gud-nason; Henry Heerup; Egill Jacobsen; Asger Jorn; Carl-Henning Pedersen and Ortvad. Texts are by Jean Laude , Luc Zangrie, Edouard Jaguer , Michel Ragon and Chr. Dotremont,

      [Bookseller: ERIK TONEN BOOKSELLER]
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        Scandale aux Abysses. Argument de dessin anime, images de Pierre-Marie Renet.- Avec envoi a.s. de Pierre Monnier.

      S.l., Chambriand, Imprimeries reunies de Chambery, novembre 1950.. 21,5 x 16 cm, 100 p., ill. coul. Broche, couv. ill. couleurs, non coupe. Bel exemplaire.. Edition originale, un des exemplaires numerotes sur velin de Savoie, seul tirage avec 320 velin d'Annonay. Bel envoi autographe signe de Pierre Monnier, a la fois editeur (Frederic Chambriand) et illustrateur (Jean-Marie Renet) : "ces croquis dans les marges de Scandale aux Abysses avec toute l'amitie de Pierre Monnier (Jean-Marie Renet et Frederic Chambriand)". Couverture et 4 h.-t. en couleurs, 41 bandeaux, culs-de-lampe et vignettes dans le texte en noir.- A l'origine, Celine et Denoel signent un contrat en fevrier 1943 pour la publication de Scandale des Abysses avec 17 eau-fortes de Roger Wild. Compose au printemps 1944 mais non tire l'ouvrage restera sur le marbre. En 1950, Pierre Monnier, l'infatigable ami de Celine (Ferdinand furieux, 1979) mene a bien cette edition. . Emballages soignes, expedition rapide. Photographies originales du livre visibles sur librairie-solstices .

      [Bookseller: Solstices rare books]
 17.   Check availability:     ZVAB     Link/Print  


        The Works of Rudyard Kipling The Jungle Book; The Second Jungle Book; Puck of Pook's Hill; The Day's Work; Stalky & Co; Kim; Just So Stories For Little Children; The Light That Failed; Captains Courageous; Rewards and Fairies; Wee Willie Winkie; Soldiers Three Twelve titles in full leather

      London: Macmillan and Co. Ltd. 1950 / 1960. Twelve volumes. Bound in full red leather with top edge gilt and decorative gilt spines. Each volume in a red slipcase. Slight wear to a few slipcases. Original glassine wrappers present with a few minor chips to spines. Very slight wear to a few spine ends. Loosely laid in is the publisher's sheet describing the books as 'twelve famous titles in full leather.' The glassine wrappers have kept the leather covers in Fine fresh condition. Internally very clean and fresh. Near Fine. . Near Fine. Full Leather. Reprint. 1950. 12mo..

      [Bookseller: Fosters' Bookshop]
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        Noces Tirage de tête ENVOI AUTOGRAPHE

      Paris: Gallimard, 1950. Fine. Gallimard, Paris 1950, 11,5x18cm, reliure de l'éditeur. - New edition to 1050 numbered copies printed on vellum Navarre Voiron. Binding Editor open cardboard made according to the original model of Mario Prassinos. Valuable and important autograph signed by the author René Char: "René Char, these first Noces, with the best heart / Albert Camus.". Beautiful specimen of exceptional provenance. - [FRENCH VERSION FOLLOWS] Nouvelle édition imprimée à 1050 exemplaires numérotés sur vélin Navarre de Voiron. Reliure de l'éditeur en plein cartonnage réalisé d'après la maquette originale de Mario Prassinos. Précieux et important envoi autographe signé d'Albert Camus à René Char : « à René Char, ces premières Noces, avec le meilleur du cœur. Albert Camus ». L'amitié entre Albert Camus et René Char figure parmi les plus belles et fructueuses de la littérature française. Rien ne semblait destiner l'écrivain journaliste algérois et le poète provençal à se rencontrer et encore moins à s'apprécier. Camus n'entendait rien à la poésie et Char n'avait aucun goût pour le roman, ceux de Maurice Blanchot mis à part. Pourtant, c'est par leurs œuvres respectives que les deux artistes se découvrent et s'apprécient. Ainsi avant Camus et Char se rencontrent Caligula et Hypnos, illustrant tous deux la responsabilité du poète face à la violence du monde. « Dans nos ténèbres, il n'y a pas une place pour la Beauté. Toute la place est pour la Beauté. » (Char, Feuillets d'Hypnos). C'est cette exigence commune de la Beauté comme réponse politique à la démesure des idéologies qui unit les deux artistes au sortir de la guerre. Ferment de leur amitié, cette première « reconnaissance » inaugure une correspondance de douze années au fil de laquelle croît leur affection mutuelle et se révèlent leur convergences artistiques : « Je crois que notre fraternité - sur tous les plans - va encore plus loin que nous l'envisageons et que nous l'éprouvons. » (Char à Camus, 3 novembre 1951). « Quelle bonne et profonde chose que de se détacher peu à peu de tout ce et tous ceux qui ne méritent rien et de reconnaître peu à peu à travers les années et les frontières une famille d'esprits. Comme on se sent beaucoup tout d'un coup à être enfin quelques-uns... » (Camus à Char, 26 février 1950) Ces « quelques-uns », référence à la citation de Gide : « Je crois à la vertu du petit nombre ; le monde sera sauvé par quelques-uns », Char et Camus tenteront de les rassembler en fondant ensemble la revue Empédocle : « Il est peut-être temps que les quelques-uns dont parlait Gide se réunissent » écrit Camus à Guilloux en janvier 1949. Ils publieront des écrits de Gracq, Melville, Grenier, Guilloux, Blanchot, Ponge, Rilke, Kafka... Les dissensions internes auront rapidement raison de la revue, et c'est ensemble qu'ils abandonneront le projet. Leur amitié, elle, est sans ombre. Les deux hommes se retrouvent régulièrement en Provence, terre natale de Char et devenue, grâce à lui, le pays d'adoption de Camus. Ils partagent leurs manuscrits, se confient leur doutes : « Plus je produis et moins je suis sûr. Sur le chemin où marche un artiste, la nuit tombe de plus en plus épaisse. Finalement, il meurt aveugle. Ma seule foi est que la lumière l'habite, au-dedans, et qu'il ne peut la voir, et qu'elle rayonne quand même. Mais comment en être sûr. C'est pourquoi il faut bien s'appuyer sur l'ami, quand il sait et comprend, et qu'il marche lui-même du même pas. » Ils se dédient leurs œuvres (la réédition des Feuillets d'Hypnos et Actuelles) et s'adressent sur chaque nouvel exemplaire des dédicaces qui, chacune, scellent leur fraternité d'armes et d'âme. « à René Char qui aide à vivre, en attendant notre royaume, son ami et son frère en espoir. » (manuscrit de La Peste) « Pour Albert Camus, un des très rares hommes que j'admire et que j'aime et dont l'œuvre est l'honneur de ce temps. René Char » (Fureur et mystère) « [à RENÉ CHAR], frère de route, ce livre de bord d'un commun voyage vers le temps des hommes, en attendant midi. Affectueusement Albert Camus » (Actuelles I) « Pour Albert Camus, dont l'amitié et l'œuvre forment une Présence qui éclaire et fortifie les yeux » (Art bref) « Ah si seulement les poètes consentaient à redevenir ce qu'ils étaient autrefois : des voyants qui nous parlent de ce qui est possible... Que ne nous donnent-ils l'avant-goût des vertus à venir. Nietzsche ». « A René Char, frère de ceux-ci, dont il a fait toute la route avec l'admiration et l'affection de son ami. / Albert Camus » Notre exemplaire, lui, a sans doute été adressé en octobre 1953 avec les autres « reliés » (les cartonnages Prassinos - cf. lettre du 23 octobre 1953). Camus avait déja adressé à Char un premier exemplaire de cette ode à son pays natal, initialement parue en 1939, bien avant leur rencontre : A René Char, pour ramener entre nous deux ces années où je ne le connaissais pas mais qui contenait déja les raisons de notre amitié.". Cette seconde dédicace sur "ces premières Noces" souligne combien cette oeuvre de jeunesse qui célèbre "les noces de l'homme avec le monde" est une révélation précoce de ce qu'ils nommeront leur "fraternité de planète". A la mort de Camus, Char publie La postérité du soleil, leur œuvre commune écrite en 1952, hommage à leur amitié et à : « cet arrière-pays qui est à l'image du nôtre, invisible à autrui ». Très bel exemplaire d'une exceptionnelle provenance. Merci de nous contacter 24 heures à l'avance si vous souhaitez voir cet ouvrage à la librairie.  

      [Bookseller: Librairie Le Feu Follet]
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        Collected Impressions

      Knopf, UK 1950 - 1st Edition 1950. Flat signed inscription by the author to the endpaper. Signed Bowen books are very un-common. Book is very good++ with bright boards. Contents very good. The wrapper is very good+ Small loss to spine tips. Edges lightly worn in places. Price clipped. Digital images available upon request Ref 11139 Size: 12mo - over 6¾" - 7¾" tall [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Lasting Words Ltd PBFA]
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        L'Enfer. 4 volumes (2v textes - 2v suites)

      Paris, chez Jean Porson 1950 - Eaux-fortes originales de Édouard Goerg. Traduit de l'italien par L. Espinasse-Mongenet. 108 eaux-fortes, 2 pour les couvertures, 2 frontispices, 2 fleurons de titre (le même répété), 34 hors texte et 68 en-têtes ou culs-de-lampe. Le papier, filigrané, a fait l'objet d'une cuvée spéciale des Papeteries du Marais. Complet & Contrôlé. Édition tirée à 250 exemplaires. Celui-ci (N°22) un des 24 exemplaires de tête contenant une suite des 234 états intermédiaires, une suite des 108 illustrations du livre, 2 cuivres originaux encrés ayant servi à l'impression, 2 dessins originaux à l'encre de Chine signés par l'artiste. Complet & Contrôlé. Paris, chez Jean Porson - 1950. Pages volantes sous couverture illustrée rempliée. Chemises et Étuis illustrés. Parfait état. Format in-4°(34x27). Edition illustrée

      [Bookseller: Livres et Collections]
 21.   Check availability:     IberLibro     Link/Print  


        Petites et Grandes Residences

      1950. DUCHÊNE, Achille. Petites et Grandes Residences. Introduction by Ernest de Ganay. [1], 6, [7] ff. Illustrated with 64 collotype prints, mostly from Duchêne's original drawings. Loose as issued in oblong folio format, housed in an folding box. Paris: Fondation Ligne à Beloeil, 1950. |~| Number 6 of 10 hors commerce copies from a total planned edition of 350. This splendid work was never published as almost the entire edition was destroyed while in storage. Some few years ago the Ligne Foundation was able to assemble eight sets from the estate of Duchêne and made three of them available for sale. Achille Duchêne, whose career spanned the years 1880 to 1940, was the architect in charge of redesigning the gardens of almost all the major French historic residences. This work documents the renovation of the gardens a la française after a long period of neglect during the 19th century. It is a celebration of the renaissance of traditional architecture and landscape gardening and marks the return to grande décoration. The portfolio comprises 64 plates executed in collotype on fine filigrane velin d'Arches paper. Most of the original drawings and designs for these garden images were executed by Duchêne, as well as a few after Henri Brabant, his student and collaborator. The grand residences of France, including Chambord, Le Marais, Voisins, Sully, as well as the grounds and gardens of great American estates such as those of the Vanderbilts and Wallachs, are included. The drawings are from a birds-eye view; many show plans and details of the grounds and garden layouts. The preface was written by Ernst de Ganay, one of the most important scholars of garden history from the first half of this century. The rediscovery and availability of a few copies of Petites et grandes résidences represents an important opportunity to study this beautiful and essential document of this phase of the traditional art of the French garden and to come to know the man whose love of gardens is made manifest in his words, "Je donnerai ma vie pour que les fleurs me parlent." Extremely rare, with OCLC listing on 4 copies worldwide: 2 in France, one at Dumbarton Oaks, and the other at the Getty. No copies at all are listed on ABPC.

      [Bookseller: Ursus Rare Books]
 22.   Check availability:     Biblio     Link/Print  


        I Was There: The Personal Story of the Chief of Staff to Presidents Roosevelt's and Truman

      New York: Whittlesey House/ McGraw-Hill Book Company, 1950. First edition. Octavo, original cloth. Inscribed by the author, "To Mr. H.F. McLendon, Fleet Admiral, William D. Leahy U.S. Navy." Also inscribed by Harry Truman who wrote the foreword, "A great look from a great man- and my friend. Harry S. Truman Independence. March 15,1955." Some rubbing to the bottom cloth, near fine in a very good dust jacket with wear and tear, a chip to the spine crown and rear panel. Rare. Throughout almost five years from November, 1940, to the end of World War II in September, 1945, my duties placed me at pivotal points in the high command that accomplished the defeat of our enemies against what at times seemed heavy odds. These observations are based on participation in many historic discussions at which the course of the war was charted and at which attempts were made to map the road to peace. As Franklin D. Roosevelt's and Harry Truman's chief of staff, Admiral William D. Leahy was involved in most of the key decisions and conferences that won the war and saw the creation of the postwar world.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        SEVENTY CANTOS

      London: Faber and Faber, 1950. 1st English edition, full black cloth with gold lettering on spine, with printed dust jacket. (Gallup A61b.) A presentation copy, inscribed by T. S. Eliot upon publication, to Elisabeth Jungmann (Lady Beerbohm). Eliot was the editor of the present volume, as well as the publisher at Faber when this volume was issued. The inscription reads: "for / Elisabeth Jungmann / from T. S. Eliot / Sept. 1950" in blue fountain pen ink on the first FEP. At the time of publication, Elisabeth Jungmann was serving as Max Beerbohm's secretary and confidante, living in Genoa, and a neighbor of Ezra Pound. Soon after, Elisabeth Jungmann married Max Beerbohm. The relationship between Eliot and Pound is legendary, and both men enjoyed a mutual friendship as well with the Beerbohms. Far beyond just an interesting association copy, the present volume links two of the most influential early modern poets who edited and championed each other's work. Minimal wear to jacket not withstanding, a fine copy. Truly unique and one of a kind.

      [Bookseller: Jett W. Whitehead Rare Books (ABAA)]
 24.   Check availability:     Biblio     Link/Print  


        Alcoholics Anonymous

      New York: Works Publishing Inc, 1950. First Edition. Hardcover. Very Good. First Edition, Twelfth Printing. Near Fine, lacking the dust jacket. A few small faint stains to cloth, light edge wear. Bookplate from previous owner on front paste down. A nice copy overall; A rare early printing of this A.A. cornerstone.

      [Bookseller: Burnside Rare Books]
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        Burning Bright

      New York, NY: The Viking Press, 1950. First Printing. Hardcover. Very Fine/Near Fine. This is the first edition, first printing of the canonical American writer John Steinbeck's "play in story form" as it is subtitled, "First published by The Viking Press in November 1950" as noted in the copyright page. This presentation copy is very special indeed- it is from the estate of actress Lauren Bacall (1924-2014), & on the dedication page, just below the printed dedication "To, For, and because of Elaine"(who would become his third wife just after this book was first published), Steinbeck has hand-written in black ink: "And also for/Stephen/much love/(signed) John Steinbeck/(squiggly doodle-drawing)/Regards." Stephen is Stephen Bogart, the son of Bacall & legendary actor Humphrey Bogart. Presuming Steinbeck's undated citation was written at or near the time of publication, Stephen would have been a toddler, born the year before in early 1949. A most important, one-of-a-kind collectible with outstanding provenance & reference. Book in very fine condition with only lightest wear to top & bottom of cloth spine; very light browning to edges, endpapers & interior leaves. Unclipped dust jacket in near-fine condition with very mild creasing, rubbing & soiling to front, back covers & spine; mild, short chips, tears & wear along all edges; one vertical closed tear & horizontal crease forming a small rough rectangle at upper right corner of front cover. Signed by John Steinbeck with citation to Stephen Bogart, son of Humphrey Bogart & Lauren Bacall.

      [Bookseller: Third Mind Books]
 26.   Check availability:     Biblio     Link/Print  


        AUTC. ALMANSA, UNIÓN, TRABAJO, CONSTANCIA. Complejo Agroindustrial de Almansa. ALÍA (Badajoz)

      Empresa, Badajoz 1950 - 158 págs 16x22 cm Tapa dura, en carpesano Buen estado El ayer y el hoy del proyecto. Los trabajadores y sus actividades, los diferentes edificios, las actividades, las diferentes producciones, todo con fotos e ilustraciones en el reverso de las hojas, estas son en cartoncillo. Algunas fotos como : El ayer; La entrada; La capilla; La procesión; Casa del Guarda; Cursillo de Divulgación; Monte Pardo, descuaje y Chaparral en media luna; Chaparral en los Balcones; Zona regadio La Huerta; Regadio La Barranca; Regadio Los Godos; Vista General Gallinero, jardín y casa propietario; Bascula; Secadero de Tabaco; Ganado Lanar; Cochiqueras; Toro; Arado; etc. En total 66 fotos + 2 fotos dobles. Un pueblo nuevo donde colonos de otras partes y trabajadores de Alía, Castilblanco, Valdecaballeros y Guadalupe fundamentalmente implantaron las mas modernas técnicas agrícolas, probaron la última maquinaria recién importada de Alemania o Estados Unidos.

      [Bookseller: Librería Maestro Gozalbo]
 27.   Check availability:     IberLibro     Link/Print  


        Santipur in Indien; 1898 - 1954). Landschaft mit Haus. Öl auf Holz von 1950. Unten rechts signiert u. datiert. Gerahmt.,

      1950 - Der indische Maler Lalit Mohan Sen studierte einige Zeit am Londoner Royal College of Art und gehörte zu den Künstlern, die an der Ausschmückung des India House in London beteiligt waren.- In gedeckten Farben gehaltene Darstellung eines fensterlosen indischen Hauses, im Vordergrund zwei schlanke, kahle Bäume.- Verso vom Künstler handschriftlich bezeichnet: 'Presented to my friend E. Guenther with my compliments. L.M. Sen. Sept. 1950. Lucknow. India.'.- . Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        THE LION, THE WITCH AND THE WARDROBE. A STORY FOR CHILDREN

      Geoffrey Bles (1950), London - Lewis's classic Christian fable, the high spot of his Chronicles of Narnia series, here in its original first printing recently rebound in full brown morocco with gilt rules on the covers and gilt lettering and decorative devices on the spine and matching gilt-lettered black morocco spine labels. Illustrations by Pauline Baynes. Owner name on front endpaper; minor scratches to covers. Near Fine in an attractive binding [Attributes: First Edition; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
 29.   Check availability:     AbeBooks     Link/Print  


        Fish Hooks. Edgar Sealey & Sons. Brockhill Works, Redditch, England. "Octopus Brand" [Sample Book]

      Redditch, England: Edgar Sealey & Sons, 1950. With 12 printed sample cards, each with mounted sample hooks arranged by size (12 to 20 hooks per card); each card with printed label in upper corner identifying type of hook. 1 vols. Oblong 8vo. Blue cloth folding case, snap closure. Very good (some internal soiling). With 12 printed sample cards, each with mounted sample hooks arranged by size (12 to 20 hooks per card); each card with printed label in upper corner identifying type of hook. 1 vols. Oblong 8vo. Full array of fish hooks from this English manufacturer, active from the 1930s to the late 1950s. Sample cards for Hand Forged, Hand Forged Heavy Eyed, Forgé Renversé, Forgé Renversé Sliced, Italians, "Octopus", O.P., L.S., D.S., 5XDS, Dry Fly, Pennell's Sneck, Pennell's Limerick, and Sproat hooks.

      [Bookseller: James Cummins Bookseller]
 30.   Check availability:     Biblio     Link/Print  


        Reallexikon für Antike und Christentum [RAC]. Sachwörterbuch zur Auseinandersetzung des Christentums mit der antiken Welt. Bände 1-11 (= A bis Gottesnamen). - Herausgegeben von Theodor Klauser u.a.

      Stuttgart: Anton Hiersemann 1950-81.. 11 Bände (von bislang 25 erschienenen). Mit zahlreichen Karten und Abbildungen. 4° (28 x 20,5 cm). 11 Orig-Halblederbände mit goldgeprägten Rückentiteln und dunkelgrauem Kopfschnitt. - Die Einbände sauber mit selbstklebender transparenter Buchbinderfolie kaschiert. [Hardcover / fest gebunden].. Das Lexikon wird federführend vom Franz Joseph Dölger-Institut in Bonn herausgegeben. Angaben des Instituts zum RAC: "Das RAC dient als Hilfsmittel zur Erforschung der ausgehenden Antike und des beginnenden Frühmittelalters bzw. der frühbyzantinischen Zeit. Konkret soll die Frage beantwortet werden: Wie wurde aus der vielschichtigen, keineswegs einheitlichen antiken Kultur, die sich seit hellenistischer Zeit in der Mittelmeerwelt entwickelte, die spätantik-christliche der folgenden Jahrhunderte? Die Bedeutung dieser Fragestellung ergibt sich aus der Tatsache, dass diese spätantik-christliche Kultur eine Vorstufe der mittelalterlichen und damit zum Teil der heutigen bildet. Verkürzt wird diese Aufgabenstellung mit der von F. J. Dölger geprägten, im Untertitel des RAC programmatisch verwendeten Formel 'Auseinandersetzung des Christentums mit der antiken Welt' umschrieben." - Ehemaliges, foliertes Bibliotheksexemplar mit Rückensignatur, Inventarnummern und Stempeln auf Schnitten, Vorsatz- und Titelblättern. Ansonsten gut erhaltenes, sauberes Exemplar.

      [Bookseller: Antiquariat Kretzer - www.bibliotheca-th]
 31.   Check availability:     ZVAB     Link/Print  


        Drawings.

      London. Collins. 1950. - Folio. 35.5cm, 188p., the first edition limited to 500 number and signedcopies, this being #166, signed by artist, with 134 sepia and tone platesand illustrations, bibliography, index of plates, half bound in tan finegrain book linen backed decorated paper over boards, lite green leatherlabel, original clear plastic wrapper, lacking the slip-case, fine copy. With signed mounted print of ballerina "Norma Shearer", in envelope laidin, Signed in the bottom margin in sepia brown conte drawing pencil, alsofine. (cgc) Lavishly illustrated with scenes of France and Spain andnumerous female nudes, a form that the artist was particularly noted for.Flint provides a background and description of each of his 134illustrations in which he used crayon, chalk, pen or pencil. [Attributes: First Edition; Hard Cover]

      [Bookseller: Patrick McGahern Books, Inc. (ABAC)]
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        AURORA

      Imprenta Góngora Madrid. 1950. 34X26. Honadesa. 2Vol. 1Vol, LXIV+1h+658Pág+2h. 2Vol, 374Pág+2. 1er Volumen tirada de 3000 ejemplares. Raríssima Obra. II Congreso Internacional del Notariado Latino. Ilustre Colegio de Notarial de Madrid. Ref 13 Biblioteca A.. Edición Especial. Encuadernación de tapa dura. Excelente.

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        Gedenkausgabe der Werke, Briefe und Gespräche von Johann Wolfgang Goethe in 24 Bänden herausgegeben von Ernst Beutler. Hier in 24 Bänden komplett plus 3 Ergänzungsbände also 27 Bücher !

      Zürich und Stuttgart, Artemis Verlag, 1950.. Dünndruckausgabe !. 8°, zusammen ca. 21000 Seiten, Komplettes Exemplar der Jubiläums-Ausgabe im Artemis Verlag in grünen Leineneinbänden mit aufgedruckten roten und blauen Rückenschildchen und Bandnumerierung mit den 3 seltenen Ergänzugsbänden: 1. Briefe aus dem Elternhaus. / 2. Tagebücher. / 3. Registerband. - Die Einbände teils leicht berieben sonst guter Zustand - 1950-1972. Band 1: Gedichte - Band 2: Gedichte - Band 3: Epen, Divan, Theatergedichte - Band 4: Der junge Goethe - Band 5: Faust-Dichtungen - Band 6: Weimarer Dramen - Band 7: Wilhelm Meisters Lehrjahre - Band 8: Wanderjahre Urmeister - Band 9: Wahlverwandschaften, Novellen, Maximen - Band 10: Dichtung und Wahrheit - Band 11: Italienische Reise, Annalen - Band 12: Biographische Einzelschriften - Band 13: Schriften zur Kunst - Band 14: Schriften zur Literatur - Band 15: Übertragungen - Band 16: Naturwissenschaftliche Schriften - Band 17: Naturwissenschaftliche Schriften II - Band 18: Briefe 1764-1786 - Band 19: Briefe 1786-1814- Band 20: Briefe Goethe-Schiller - Band 21: Briefe 1814-1832 - Band 22: Gespräche 1752-1817 - Band 23: Gespräche 1817-1832 - Band 24: Gespräche mit Eckermann. c71436

      [Bookseller: Antiquariat Ehbrecht]
 34.   Check availability:     ZVAB     Link/Print  


        [Photo Album]: South Africa 1950

      Oblong quarto. Blue spiral bound paper wrappers imprinted with "Photographs" in gilt. Some scrapes and the handwritten words "South Africa No. 2" on the front wrap, crease on the corner of one image, very good. 62 images (two images appear to be lacking, a couple have come loose). Mostly glossy gelatin silver prints ranging in sizes 3.5" x 2.5" to 8.5" x 6.5", over half of the images are captioned in white. Interesting images of a vacation in South Africa in 1950 (one image taken from shipboard captioned "Goodbye to South Africa. 10 Nov 1950"). Images of the Cape of Good Hope, Cape Town, Cape Province, the Seven Weeks Pass, and the Great Karroo. Apparently mostly a motor journey, there are images of various passes, images of the auto on and off the road, Eland cows and bulls, and an interesting panorama of Cape Town made up of five separate photos taken from Signal Hill. A series of larger images show indigenous people, wildebeests, the auto on a primitive man-powered river ferry, and some impressive wilderness scenes. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Archive of correspondence with an emotive typed letter, signed

      New York and Los Angeles: , 1950-2. 12 pages of correspondence, including 5 original letters, one over the signature of James C. Petrillo, as president of the American Federation of Musicians; three with the autograph ink-stamp of Charles R. Iucci, secretary of New York, Local 802 of the AFM, and an original telegram sent by him; a claim form against Parker made out by Elmer Fain, "business representative" of Local 767 in LA; together with Bird's moving appeal for his livelihood. Light toning, the Local 767 claim form browned, but overall very good. Revealing sequence of documents relating of an aspect of Bird's life, and character, not often illuminated in such a way - his almost pathological feud with the authorities that directly controlled access to the clubs and bars that were the essential arena for his creativity. These years were marked by an accelerated decline in his mental state, his life spiralling out of control, during which Parker was more or less continually in dispute with the The American Federation of Musicians - the musicians union, as represented by the endlessly intrusive New York Local 802, and also the national president himself Joseph Petrillo, notorious for having called the Recording Strike of 1942-4 which robbed posterity of a record of the development of be-bop - while he also drew hostile attention from the New York State Liquor Authority, advised by the NYPD, who had the revocation of his 'cabaret card' in their command. The archive highlights his coast-to-coast evasion of the AFM, and includes a heartfelt, and almost plausible, plea from Bird himself. The group opens with a letter from 1950 sent by Charles R. Iucci of Local 802 in New York to Paul L. Howard, the financial secretary of Local 767 in LA, requesting clarification of a notice relating to unpaid dues, a total of $21.50. Iucci explains that Bird has left for Europe, but Teddy Blume, Parker's personal manager during the "With Strings" tours of 1950, had assured him that Parker had "personally given his resignation to the President of your Local, after which they shook hands in token of good friendship". To which Howard replies, a little stiffly, advising "that [Parker] has not been in this jurisdiction for a year or more, at which time our former president was in office. Our succeeding President has never met Charley[sic.] Parker face to face," before concluding "we would appreciate any assistance you can give us in collecting the money from Mr. Parker". The next piece is from two years later, a claim form for Local 767 filed in June 1952 made out by Elmer Fain, a business manager for the local, and a man described as "severe business, no-nonsense, [who] scared everybody to death … this man just exuded competence and power, you know. He had the bylaws memorised. You know, he knew what was right, and he knew what the scales were" (Jackie Kelso, "Central Avenue Sounds", UCLA oral history project). Fain explains that in three attempts he has never been shown a union card or travelling book - a permit for a musician to play in jurisdictions other than his home local - by Charlie; "Since Charlie came here to get him [sic.] straight untill [sic.] now I haven't seen a card or book". As a result of the proceedings Parker was fined $350 for "playing an engagement at the Tiffany Club, and for Jazz at the Philharmonic Recording Company, while erased from membership" of the AFM. His response was a request to James Petrillo, the president of the AFM, for a stay of judgement subject to an appeal, "I am a family man and have been out of work for along time and find it impossible to pay this amount" (text published Vail, Bird's Diary, p.113). There follow a series of triple forte choruses in the key of outrage, with Leo McCoy Davis of 767 signing off; "While we do not know about Parker's financial business, it is noted that he was earning $750 per week when he played the Tiffany Club, and in addition, he was earning extra money making recordings. He is a very popular musician, and if he is out of work, it is no doubt due to his conduct, which is very poor". With reference to Vail it clear that Bird was still gigging regularly, if controversially, with a problematic residency at the Say When Club in San Francisco in June-July, recording sessions at Zorthian's Ranch in Altadena in August, and, back in New York in September, a broadcast from Birdland and a benefit at the Rockland Ballroom, and no doubt more lost to history during the confused period of his life. Remarkably Parker was apparently never subject to a narcotics bust per se, he "survived countless pat-downs, raids, and ransacking of rooms … he always seemed to be one jump ahead of the 'narcs'. His luck, and supposed immunity from the bust, became part of the Parker legend" (Russell, Bird Lives!, p.304). However, his "cabaret card" was pulled sometime in 1951, essentially on suspicion, forcing him to play only theatre engagements or out of town for around a year, and the final document here, a letter from Iucci to Local 767, shows that from January 1953 he had also been "terminated from Local 802 for failure to pay" the fine of $350. The unquestionable genius of Charlie Parker has sometimes blinded people to his less appealing side. He has been tellingly described as "a reckless virtuoso … whose music embodies the contradictions of the man. He demonstrated complete control of his horn, even as his personal life spun out of control … An addict who would steal or con for a fix, he was beloved by friends and family" (jazz.com encyclopaedia). These bureaucratic proceedings offer a clear-eyed, if vindictive, view of Bird the risk-taker; Bird the wheedling junkie, the personality described on his admission to Bellevue as "ingratiating" (Russell, p.334); and also reveal a glimpse of his persistent, if perhaps delusional, desire for normality, to be the "family man" that he impersonated with "a rolled copy of The New York Times tucked under one arm" during his brief glimpse of almost suburban happiness with Chan (Russell, p.302). This period represented "the peak of Parker's commercial success … but one fatal flaw remained - his addiction drugs" (p.303), fuelling his self-destructive fugue from success, his decline and tragic death in 1955.

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  


        nach Goya: El tres de Mayo,

      1950 - Ölbild ca 1950, keine JA; Ölbild auf Leinen, ungerahmt, an ein paar Stellen beschabt und ein paar Kratzer, ansonsten ein sehr schöne Kopie eiens Ausschnitts des berühmten Werkes von Goya 125x100cm Sprache: de [Attributes: Hard Cover]

      [Bookseller: Liber Antiqua]
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        Uhu.

      C. C. Meinhold & Söhne in Dresden., Dresden, 1950 - Farbige Lithographie. Dresden, C. C. Meinhold & Söhne in Dresden. o. J. (um 1950). Bildformat: 88 x 64 cm. Schuldwandbild.

      [Bookseller: EOS Buchantiquariat Benz AG]
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        A DROP OF DEW.

      FIRST, ONLY LIMITED NUMBERED & SIGNED EDITION BY KAZUO HEARN[Tokyo 1950, - Hokuseido]. Buff boards, slipcase, very clean,21 x 27.5 cm., double signed by Kazuo Koizumi Hearn's son,silver flecked paper covers, gold stamped,deckle edge paper.FIRST AND ONLY LIMITED NUMBERED EDITION OF 350 DOUBLE SIGNED Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        High-Speed Computing Devices.

      New York, McGraw-Hill, 1950. 8vo. In the original full cloth with the original dust-jacket. Dust-jacket with light miscolouring to spine and and a tear to capitals. Small tear to upper part of the back to dust-jacket. A very fine and clean copy. XIII, (1), 451 pp.. First edition in the rare original dust-jacket of the first textbook on digital computers. It constitutes "the first genuine textbook on computing techniques and computer hardware, was a pioneering book that influenced both American and foreign computer developments." (Tomash-Erwin E14)"High-Speed Computing Devices was written to satisfy a perceived need, following the end of World War II, for a compendium of technologies applicable to the emerging field of the electronic digital computer. Because published technical information was scarce in the US, there can be little question that the book was an important contribution to the computer literature of the 1950s. For today's student of computer history, whether a professional historian or a history buff, the book, with its state-of-the-art picture of the period 1947 through 1949, establishes a well-documented baseline for tracking and evaluating subsequent technological progress" (A.A. Cohen, "Introduction", Charles Babbage Institute Reprint Series Edition of the ERA Report, 1983)."It provides the best picture of the state of the industry in its infancy. Ostensibly written as a report to the Office of Naval Research, the work was really undertaken on behalf of the Naval cryptographic establishment. Engineering Research Associates, ERA, was a group formed primarily from demobilized World War II naval cryptographers. It presents a discussion of the mechanical and electrical (both analog and digital) devices that could be usefully incorporated into computing machines. Although it does not survey the computer projects then underway, it does occasionally discuss individual machines in the context of integrating devices into complete systems. Engineering Research Associates (ERA) later became a division of Remington Rand and then of Sperry Rand." (Tomash-Erwin E14)Tomash-Erwin E14

      [Bookseller: Lynge & Søn A/S]
 40.   Check availability:     Antikvariat     Link/Print  


        The Martian Chronicles.

      Doubleday & Company, Inc. 1950 - A Fine hardcover copy in pale dull green cloth stamped in maroon at spine, in a Fine pale reddish-orange and blue dustwrapper, not price-clipped. The spine of the book is slightly toned. The jacket has no chipping, no tears, and there is no staining. The text and endpapers are clear and unmarked. 222pp. Simply a superb example of one of Bradbury's most famous early sci-fi novels. Q03393 [Attributes: First Edition; Hard Cover]

      [Bookseller: Compass Rose Books, ABAA-ILAB]
 41.   Check availability:     AbeBooks     Link/Print  


        Revista Luna y Sol. Facticio. 1950 completo. 8 años correlativos completos (1955-1962), Encuadernados en 18 tomos.

      Graficas Reunidas, Madrid - 18 tomos con 6 revistas cada uno. 1950 y 1955-1962, unas 82pp aprox cada revista. conserva rustica original revistas Revista Luna y sol, el escaparate de la revista de sociedad y estilo de vida de la época, dedicada a toda la familia LUNA Y SOL dirigida a gente moderna con valores tradicionales, gente con buen gusto, que disfruta con las cosas bien hechas, Luna y Sol cuenta con un cuaderno para mujer, La Luna, otro para hombre, El Sol y también para los más jóvenes Las Estrellas. Además de los temas de sociedad (fiestas, presentaciones, exposiciones ) la revista cuenta con muchas secciones interesantes como moda, belleza, psicología, medicina, derecho, economía, libros, viajes, escapadas, cine, teatro, restaurantes e ideas para organizar el tiempo libre. Imprescindible para conocer los pormenores y las inquietudes de la alta sociedad aristocrática de época franquista. [Attributes: Hard Cover]

      [Bookseller: Chamorro Ediciones]
 42.   Check availability:     IberLibro     Link/Print  

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