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Displayed below are some selected recent viaLibri matches for books published in 1950

        Waldo and Magic, Inc.

      Doubleday & Company, Inc, New York 1950 - A fine crisp copy. scarse. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: HERB RIESSEN-RARE BOOKS]
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        The Lion, The Witch and The Wardrobe.

      London: Geoffrey Bles,, 1950. Illustrations by Pauline Baynes. Octavo. Original green cloth, titles to spine in silver. With the dust jacket. Colour frontispiece and black and white illustrations by Pauline Baynes. Spine rolled, ends faded, ghosting through the dust jacket to spine, endpapers foxed; a very good copy in the lightly toned jacket with short closed tear to head of front panel, and some nicks, chips and rubbing to extremities. First edition, first impression of the first book in the Narnia series.

      [Bookseller: Peter Harrington]
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        Poems: 1950.

      The Cleaner's Press, Galveston, Texas. 1950 - First edition. First issue in reddish boards with pale blue title labels on front and spine. Octavo. pp [x], 55. One of 1000 copies. The author's second book. The poems include Sonatas, Odes, Overdrafts, Chomei at Toyama etc. The five-page Preface by Dallam Flynn, which Bunting greatly disliked, is missing from most copies. Most of the sheets were sold to another company, who subsequently issued the book in wrappers without the Preface. On the front free endpaper is a gift inscription by Omar Pound, Ezra's son and a great friend of Bunting's: "To: J.F. Fearnley. April. 1953. Omar S. Pound".Tail of spine slightly rubbed. Very good indeed. No dustwrapper, but it is by no means certain that all copies were issued with one. Scarce. [Attributes: First Edition; Soft Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        Bebop and Jitterbug dancing in the Club Eleven, London

      London, "Illustrated", 1950. Original photograph, silverprint, 19,3 x 24 cm. Photograph 3. Club Eleven, named after the number of founder members, began life just before Christmas in 1948. It was a co-operative arrangement designed to bring bebop to the attention of the jazz public at large. The musicians involved were Ronnie Scott, Hank Shaw, Leon Calvert, Johnny Rogers, Bernie Fenton, Tommy Pollard, Lennie Bush, Joe Muddel, Tony Crombie and Laurie Morgan plus manager Harry Morris. Johnny Dankworth and Denis Rose were regulars from the start. Some gave up steady work, Scott left Ted Heath, Fenton severed relations with Oscar Rabin, and Rose, Crombie, Muddel and Dankworth came from the now defunct Tito Burns orchestra. - This venue with these musicians were the first truly organised bebop sessions in Britain. With the star-studded assembly of musicians, Club Eleven became the focal point for the new jazz and the inspiration to many other young musicians throughout the country. - The music was played by the Johnny Dankworth Quartet comprising Dankworth, Bernie Fenton (pno), Joe Muddel (bs), and Laurie Morgan (d) and a band led by Ronnie Scott with Hank Shaw (tpt), Johnny Rogers (alto), Tommy Pollard (pno), Lennie Bush (bs), and Tony Crombie (d). The Dankworth quartet became a quintet when trumpeter Leon Calvert was added. - Mac's Rehearsal Rooms, 41, Windmill Street, (where the Moffat Club had been), became the first venue operating on Thursday and Saturday nights. The early months of the Eleven saw the highest peak of enthusiasm in the history of British modern jazz. The jazzmen continued to listen and study as many records of Charlie Parker, Dizzy Gillespie and Miles Davis that they could get hold of. Broadcasts, recordings, and concerts came in quick succession and public acclaim was such as to force a move within a few months to much larger premises at 50, Carnaby Street, satisfying the legions of fans coming from all over the country to the by now famous Club Eleven. It was now operating six days a week in the evening and was open in the afternoon as a meeting point for musicians. At this point Johnny Dankworth left to form his Seven taking Joe Muddel with him, and Harry Morris also quit. - Tony Hall writing in 1960 said "I can never recall such a sense of evil excitement in a club. The atmosphere was so vivid that the red glow from the stand and the savaget beat made me think of hell on earth!" - The phenomenal rise of the club, though dependent on the new jazz music it embraced, owed much to the personality of group leaders Ronnie Scott and Johnny Dankworth. - Unfortunately after this the early enthusiasm among the musicians began to wear off, they began to quarrel about the financial side of the club and the old spirit was gone. On the night of 15th April, 1950, Club Eleven was raided by the Drugs Squad. Six musicians appeared on drugs charges and Denis Rose was arrested by the Military Police as an Army deserter. The news of the arrest, trial and conviction of some of the Club Eleven members occupied the front page of almost every national paper in the size of type usually reserved for earthquakes or war. Though this publicity did nothing to lessen attendances, the decline of the Club Eleven was only a matter of time. There were a number of other factors contributing to the dissolution of an organisation that for the two years of its existence had a profound influence on its leading figures and devoted followers but it folded shortly afterwards. - - - Don Rendell remembers Club Eleven... A lot of jazz activity was consolidated by the formation of the 'Club Eleven' which was quite a milestone. It was the first regular paid modern jazz gig for London musicians, who ran it themselves. They used Mac's Rehearsal Rooms in Great Windmill Street. - Two groups were featured. One was fronted by Johnny Dankworth, with Leon Calvert on trumpet, Bernie Fenton on piano, Joe Muddel on bass and Laurie Morgan on drums; the other was led by Ronnie Scott, with Hank Shaw on trumpet and the rhythm of Tommy Pollard, Lennie Bush and Tony Crombie. The eleventh man was a non-musician the late Harry Morris, who, being a good businessman, took care of the financial side. When Ronnie Scott left to go on the boats to the States, I was asked to fill the vacancy in the Eleven. It was quite a closed circle that we had at the Club Eleven. I have the feeling that not everyone was very popular if they got up and tried to join in. Just those whose gig it was did the playing with very few exceptions. But the people didn't seem baffled at all by the new music we were playing. It seemed to be so obviously right. What we were hearing on record from Parker, Gillespie, the early Miles Davis, tenor players like Wardell Gray, Dexter Gordon, Stan Getz and Allan Eager - we just fell naturally into it. And the audiences just lapped it up. Through being there, of course, I got to meet Johnny Dankworth... (Extracted from 'A recap of twenty years of British Jazz', written in 1967 by Don Rendell. The full text can be read at Jazz Professional website.) - - - The Club Eleven and its music provided a base for many offbeat types, and the audience was involved with the music and the way of life that it implied. Little exists in print about what the Eleven was like from this point of view but the following might be of interest: "The musicians played what they liked as they liked - but it was mostly bebop and a lot more frantic than at Feldman's. There was no requests and no programme. If the music failed to please...well you didn't have to stay. But there were hundreds like myself who liked the music. So we stayed while some left. And the more we stayed the more the Club Eleven crept into the marrow of our bones..." Raymond Thorp: Viper (WDL Books, London 1960). KEYWORDS:england/london/bebop/photo/united kingdom

      [Bookseller: Krul Antiquarian Books]
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        Five erotic scenes.

      c. 1950 - Five gelatin silver prints. Dimensions: 155 by 110mm. (6 by 4 inches).

      [Bookseller: Shapero Rare Books]
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        China and Gardens of Europe of the Eighteenth Century

      Ronald Press Company 1950 - xiv, 223, 192 photographs; 16 color plates. 32 cm. Bound in publisher's green cloth. Hardcover. No slip case. Good binding and cover. Clean, unmarked pages. In addition, profusely illustrated. Text describes Chinese style elements in garden design and garden structures at the time of the chinoiserie vogue in decoration, notably in England, France, and Sweden, includes bibliography, and index. This is an oversized or heavy book, that requires additional postage for international delivery outside the US. [Attributes: First Edition; Hard Cover]

      [Bookseller: Sequitur Books]
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        Gray Day [Boats in a Maine Harbor]

      Robinhood, Maine: Circa 1950s. - Gouache Signed lower right. 17x 20 inches on heavy rag paper. Titled on the verso. Label of the Kraushaar Galleries, 32 E. 57th St., New York, 22 N.Provenance: Estate of the artist. Born in Cleveland, Ohio in 1919, Jason Schoener came from a family of distinguished American artists. He was the nephew of sculptor/painter William Zorach and his wife, painter Marguerite Zorach. Beginning in 1939, Schoener spent his summers at the Zorach family farm in Georgetown, Maine, where he studied art with his Uncle William. After service in the Pacific during WWII, Schoener served as an instructor, department chairman, and dean at California College of Arts and Crafts in Oakland, CA. Schoener's other teaching assignments included Mills College in Oakland, California, and the Athens Technological Institute in Greece. Meanwhile, Schoener continued to use his Georgetown and then Robinhood homes Maine as a summer studio. Over the span of almost two decades, Schoener had several solo exhibitions at the Midtown Gallery on East 57th Street in New York City. His works are in many museum and private collections, including the Oakland Museum and the Whitney Museum in New York. He died in 1997. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
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        L'Academie Des Dames; Accompanied by a poem by Paul Verlaine: Tendre, la jeune femme rousse

      Sixty-Ninth Avenue, New York 1950 - Unpaginated. 32 x 26.5 cm. Limited edition, copy 324 of 325 copies on Velin D'Arches paper. 20 original black and white lithographs, all with tissue guards. Albert Marquet was a French painter, associated with the Fauvist movement. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. Marquet subsequently painted in a more naturalistic style, primarily landscapes, but also several portraits and, between 1910 and 1914, several female nude paintings -- which are exemplified in this work in a series of erotic poses, singular and coupled. Front and back cover of four page text and introduction toned. Loose as original issued. Very good in near fine cream portfolio with front cover inset [Attributes: First Edition; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        Lehrbuch der Harmonik

      Zürich, Occident Verlag 1950. LII, 329 Seiten., 1 Bl. 500 teils ganzseitige Abbildungen, einige farbig und auf Falttaf. [So komplett]. Orig.-Brosch. in Orig.-Halbpergamentumschlag, Bütten, unbeschnitten, Halbpergament-Umschlag unten am Gelenk größer eingerissen und berieben, +++innen etliche An- Unterstreichungen mit Rotstift, +++ sonst gut Einzige Originalausgabe. Bibliophil gestaltet, auf Bütten gedruckt. Hauptwerk des Autors Musik Versand D: 4,50 EUR Musik / Klassische Musikgeschichte / Musikologie / Musikwissenschaft /,

      [Bookseller: Wiesbadener Antiquariat Christmann]
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        Simple Speaks His Mind - A presentation copy inscribed to the teacher who first encouraged Hughes to write poetry

      New York: Simon & Schuster, 1950. First Edition. Hardcover. Very Good. Signed. First edition, first printing. Inscribed in year of publication by Hughes to his favorite teacher who first inspired him to write, "For Ethel Welch -- my teacher and friend in whose class I first began to write -- Sincerely, Langston Hughes / New York, April 14, 1950." Welch was the eighth grade English teacher at Central School in Lincoln, Illinois who first recognized the literary talent of the recently-transferred student (one of few African-Americans in an almost entirely white school), suggested books for him to read, and encouraged him to write. He was elected class poet that year. He would correspond with her as an adult and later muse, "In a sense, I owe the beginning of my career to Ethel." Label of Welch's niece on rear endpaper. Very Good with mottled cloth and bumped corners in Very Good unclipped dust jacket with some rubbing and edge wear, small split near head. A truly wonderful presentation copy from the famous writer, lecturer, and Harlem Renaissance poet to the single most important, pivotal figure in his artistic life.

      [Bookseller: Burnside Rare Books]
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        Auguste Vestris, le dieu de la danse

      Nagel 1950 - - Nagel, Paris 1950, 14,5x23cm, relié. - Edition originale, un des 25 exemplaires lettrés sur papier alfa, tirage de tête. Reliure en plein cuir façon peau de serpent, dos lisse, gardes et contreplats de papier marbré, couvertures conservées, élégante reliure non signée. Ouvrage illustré de 16 hors-texte et de 13 illustrations. Agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of the 25 best scholars on Alfa paper paper, deluxe edition. full leather binding way snakeskin, smooth back, guards and contreplats marbled paper, wrappers preserved and bound in, elegant non-binding signed. Book illustrated with 16 full-page illustrations and 13. Nice copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Autograph letter signed "Benjamin [?]Br" to the noted English composer, broadcaster, and writer on music Antony Hopkins

      Hopkins's Festival Overture was first performed at the Aldeburgh Festival on June 24, 1950, in Aldeburgh Parish Church, conducted by the composer. Of the work, Hopkins writes: "Judge of my surprise when I received a letter from Benjamin Britten asking me to write a short Festival Overture for the then comparatively new Aldeburgh Festival. It was to be for a tiny band - just 11 strings and 2 trumpets. I had earlier dedicated my first opera to Britten and this may have been a kindly reciprocal gesture. I duly wrote this piece and tried to finish it triumphantly, despite the small resources. My 'triumph' was received in total silence - I had forgotten that the performance was given in the local church, and in those days applause wasn't allow in churches. Surely the angels wouldn't mind? Anyway, to this day, it was the biggest anti-climax of my life, and I slunk out of the building a broken spirit." From Goodmusic Publishers online. After its first publication, the Festival Overture was named Aldeburgh Festival Suite. "[Britten] and his contemporary Michael Tippett are among several pairs of composers who dominated English art music in the 20th century. Of their music, Britten';s early on achieved, and has maintained, wider international circulation." Philip Brett et al. in Grove Music Online.. 2 pp. Octavo (ca. 176 x 137 mm). Dated July 6, 1950. In ink on stationery with "4 Crabbe St. Aldeburgh, Suffolk" printed at head. Britten warmly thanks "Tony" for writing an overture for the Aldeburgh Festival, which Britten, Peter Pears, and Eric Crozier had founded in 1948. He apologizes for not writing sooner, and for not spending more time with Hopkins and his wife, Alison, during the Festival. "... [the Overture] made an extremely brilliant effect, and was a perfect opening piece for what, I think, turned out to be a nice concert. I especially admired the restraint & skill in writing for the small body of performers. The performance seemed fine - I hope you were pleased... I was sorry not to see more of you & Alison - but the whole social business of the week gets a bit out of hand... Thank you again for your kindness, promptness & skill in writing the overture." Slightly worn and soiled; creased at fold and slightly overall; minor foxing to small area of verso.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        The Morning Watch.

      Rome: Botteghe oscure,, 1950. Octavo. Original buff wrappers, title to front cover in black. Faint spotting to wrappers, front hinge starting at head but text block sound, contents lightly toned. A very good copy. First edition, first printing. Presentation offprint, inscribed by the author on the front free endpaper, "For Albert Brush, with warmest regard and esteem, Jim Agee, June 6, '54"; an offprint of the novella as it first appeared in the literary journal Botteghe oscure, VI. The recipient, the enigmatic Santa Monica poet Albert Brush, travelled in bohemian circles in Greenwich Village in the 1920s. He was in Paris in the early 1930s and spent most of his life moving in the artistic circles of Southern California; he appears briefly in the biographies of figures such as Christopher Isherwood and Charles Laughton. In the later 1930s he helped write Laughton's famous English adaptation of Bertold Brecht's Life of Galileo. In 1954, the time of this inscription, Agee was finishing work with Laughton on the screenplay of The Night of the Hunter (1955); it was presumably Laughton who introduced the two. Agee's novella, with its 12-year-old protagonist and atmosphere of foreboding religiosity, shares a number of themes with his screenplay for Laughton's celebrated film.

      [Bookseller: Peter Harrington]
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        Cocktail Party, The [Signed]

      New York Harcourt, Brace 1950 First Printing, without code symbols specifying later printings (per Gallup, "Through oversight, the words 'first American edition' were omitted from the verso of the title page on the first printing). Tall, slim 8vo: 190,[2, including sheet of music]pp. Publisher's black cloth, spine lettered in gilt; white typographic dust jacket, priced $3.00 and printed in yellow and black. Signed in blue ink by Eliot beneath his initials on the acknowledgements page. A Near Fine or better copy, lightly shelf-rubbed, spine gilt dulled, page edges slightly toned; about Fine jacket marred only by light fading to spine panel. Gallup A55b. Near Fine

      [Bookseller: Fine Editions Ltd.]
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        Aeschylus Agamemnon. 3 Volumes. Edited with a commentary by Eduard Fraenkel. Vol. 1., Prolegomena, Text, translation. Vol. 2., Commentary on 1-1055. Vol. 3., Commentary on 1056-1673, Appendixes, Indexes.

      Oxford : Clarendon Press, 1950. Orig.-Ausgabe. XVI, 195 S., 2 Taf. mit Abb.; VIII, 850 S. Gr.-8°, fadengeheft. Olwd. OU gute Exemplare, Bleistiftanstreichungen u. -notizen Versand D: 5,00 EUR

      [Bookseller: Antiquariat Michael Solder]
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        Elemente. Holzschnitte. Entwürfe aus dem Jahre 1920.

      Zürich 1950 - Zürich, 1950. 4°. 20 n.n. Bl. mit 10 (6 schwarzen und 4 senfgelben) Orig.-Holzschnitten. Lose Bogen in senfgelber OHalbpergament-Decke, in Schuber. =2. Stubendruck. - Arntz 283-292. - Erstausgabe. - Eines von 200 numerierten und von Hans Arp signierten Exemplaren (unser Exemplar nicht numeriert). - Die Entwürfe entstanden 1920. Hans Arp 'Elemente' wurde in der Werkstatt Karl Schmid im Jahre 1949 geschnitten und handgedruckt. Typographie Alfred Willimann. - Mit handschriftlicher Widmung von Karl Schmid im Kolophon. - (Schuber etwas fleckig). Sprache: Deutsch Lose Bogen in senfgelber OHalbpergament-Decke, in Schuber. [Attributes: First Edition; Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        Framed Typed Letter Signed "Ralph" on United Nations letterhead

      Lake Success, NY, 1950. unbound. 1 page, 9 x 6 inches, Lake Success, New York, September 28, 1950. In this letter, Bunche thanks the recipient for a letter of congratulations, in full: "Dear Irwin, I wish to thank you for the very kind sentiments expressed in your congratulatory message on the occasion of the award to me of the Nobel Peace Prize. I am deeply appreciative. Sincerely yours..." Float-mounted and matted in white beside a 9.75 x 7.5-inch photo of Bunche seated casually on a desk with a world map in the background; set in a black frame measuring 15.5 x 20.75 inches. Natural folds but still in fine condition. American political scientist, academic, and diplomat who received the 1950 Nobel Peace Prize for his late 1940s mediation in Israel and was involved in the formation of the United Nations.

      [Bookseller: Argosy Book Store]
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        Presenting Tabarin.

      1950 - New York, (1950), Gotham Hosiery Company Inc., in-4, reliure à spirale, plat illustré du logo de Tabarin, 15 pages non chiffrée. Plaquette publicitaire illustrant les bas nylons commercialisés par le célèbre cabaret Tabarin de New York chez Saks sur la cinquième avenue. Les bas Tabarins s'adapte à différents situations, la pluie, le restaurant, le spectacle, la couture. Marcel VERTES (Ujpest 1895-1961 Paris) est un artiste d'origine hongroise, illustrateur, graveur, aquarelliste, décorateur. Il s'exila en France suite à la publication d'affiches politiques satiriques pendant la première guerre mondiale. Il collabora à l'illustration de nombreuses revues (Fantasio, Le Témoin, La Vie Parisienne, La Gazette du Bon Ton.). Pendant la Seconde Guerre Mondiale il s'exila à New-York et dès lors partagera sa vie entre les deux capitales (Dico Solo, 873-874). Salissure à la couverture. Livres

      [Bookseller: Librairie Chretien]
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        A Hornbook for Witches

      Arkham House 1950 - First edition. Near Fine in a Near Fine dust jacket. Browning to endsheets, gutters of prelims, and to spots on the top edge of page block. Black cloth is sharp and clean. The dust jacket shows light rubbing at extremities, and toning to the spine panel and to the blank verso, but presents rather well. A collection of poetry self-financed by the author and originally printed in a run of 533 copies, 300 of which the author distributed on her own. A very scarce Arkham House title. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Manuscript]: One Lonely Night

      - Original manuscript of the fourth Mike Hammer novel. 253 typed pages printed rectos only, with 246 pages of text (paged 1-240), with six additional pages inserted, plus seven pages of preliminary matter. Spillane's deletions are substantial, his changes and corrections are numerous, on nearly every page, and are virtually all in his hand (there are a few copy editor's or typesetter's corrections as well). Signed twice by the author and dated 27 September 1950 (the novel was published in 1951). Near fine, the top sheet, as usual, exhibiting the most wear. Hammer finds a ring of Commies and kills them by the scores, literally, at one point dispatching 40 by machine gun! Housed in a full morocco clamshell case. [Attributes: Signed Copy]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        The Kon-Tiki.

      New York: Rand McNally & Company, 1950. First American edition of the explorer's classic first book. Octavo, original cloth. Illustrated throughout. Signed by Thor Heyerdahl on the title page. Fine in a very good jacket that shows some rubbing to the crown of the spine. Rare signed. On April 28, 1947, Heyerdahl and five other adventurers sailed from Peru on a raft built from balsa wood, bamboo, and hemp. After three months and 4,300 nautical miles on the open sea they sighted land?the Polynesian island of Puka Puka.The Kon-Tiki has been translated into sixty-five languages and has sold millions of copies. It is the basis for the 2012 Norwegian film directed by Joachim Ronning and Espen Sandberg, and was nominated for an Oscar and Golden Globe.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Reallexikon für Antike und Christentum [RAC], Sachwörterbuch zur Auseinandersetzung des Christentums mit der antiken Welt, [.], Textbände 1-23 sowie 1 Registerband zu den Bänden 1-15, 1 Supplementband, (insgesamt 23 Bände), Herausgegeben von Theodor Klauser [bis Band 13] und Ernst Dassmann [bis Band 18],

      Stuttgart, Anton Hiersemann, 1950-2006. - Bände mit zahlr. Karten und Abb., (28 x 20,5 cm), Bibliotheksexemplare, mit Signatur, die neueren Bände mit sehr geringen Gebrauchsspuren, aber auch die älteren Bände sind insg. gut erhalten; Sprache: Deutsch Gewicht in Gramm: 40000 Gr.-8°, Registerband: goldgeprägter Leineneinband, ansonsten goldgeprägte Orig.-Halbledereinbände.

      [Bookseller: Antiquariat Bläschke]
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      - (FOUJITA)illus. NIGHT AND THE CAT by Elizabeth Coatsworth. NY: Macmillan 1950, 8vo (6 3/4 x 10"), two-tone cloth, endpaper toned else near Fine in dust wrapper (dw slightly frayed at spine ends). Stated 1st printing. Poems by Elizabeth Coatsworth feature 12 beautiful full page lithographs depicting all types of cats by FOUJITA, the noted Japanese artist. LAID- IN IS COATSWORTH'S PERSONAL PICTORIAL "CHIMNEY - FARM" CARD SIGNED BY HER. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        The Town and the City.

      New York: Harcourt, Brace and Company, 1950. First edition of the author's first book. Octavo, original red cloth. Signed "John Kerouac" on the front free endpaper. Some light rubbing to the bottom cloth in an excellent dust jacket with light rubbing and wear. Housed in a custom half morocco clamshell box. Kerouac began writing The Town and the City in late 1945, according to Ellis Amburn, who edited Kerouac's last two novels and wrote the biography Subterranean Kerouac. Heavily influenced by Thomas Wolfe, he sent the completed manuscript to Wolfe's publisher, Charles Scribner's Sons, in 1948. Allen Ginsberg lobbied his former teacher at Columbia University (Kerouac had also attended Columbia), Mark Van Doren for help, and Van Doren set up an interview with Alfred Kazin, who worked as a scout for Harcourt Brace. Kerouac was unable to make the interview with Kazin but Ginsberg introduced Kerouac to New Yorker editor Ed Stringham, who arranged a meeting between Kerouac and the editor-in-chief of Viking Press. Kazin eventually decided to read the manuscript and if he liked it, he would pass it to the top publishers in New York. His contacts also included Houghton Mifflin, Alfred A. Knopf, Little Brown and Company, and Random House. Kazin recommended the book. In December 1948, Scribner's again rejected the manuscript, despite changes that Kerouac had made to the text. Little Brown also rejected the book that same month, declining publication due to its excessive length, which meant the book would be prohibitively expensive for a first novel. (Most of the costs of publishing a first novel are the costs of paper and binding, and a long book makes it harder for the publisher to recoup its costs.) After reading sample chapters of The Town and the City (along with Kerouac's work-in-progress Dr. Sax), Mark Van Doren recommended the novel to Robert Giroux at Harcourt Brace in March 1949. Giroux, like Van Doren and Kerouac, was associated with Columbia. Giroux was impressed with the 1,100-page-long manuscript, which he thought comparable to Wolfe's Look Homeward, Angel in terms of its lyricism and poetry, and offered Kerouac a $1,000 advance against royalties. Publication eventually was pushed back to March 2, 1950. It received good notices from Charles Poore, reviewing the book for the daily New York Times, and John Brooks, reviewing it for the Sunday Times Book Review.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        I Can Get It for You Wholesale (Original screenplay for the 1951 film with script breakdown lists)

      Los Angeles: Twentieth Century-Fox, 1950. Revised First Draft Continuity script for the 1951 film. Included is an index to the script breakdown, detailing various scenes and script page numbers with revisions. Copy belonging to Dane Anderson, an uncredited member of the crew, with his name on the front wrapper of the script breakdown, and notations throughout, in holograph pencil. File copy, rubber-stamped on the front wrapper. Based on Weidman's 1937 novel, and Vera Caspary's loose adaptation. Harriet Boyd (Hayward) is a fashion designer who partners with Teddy (Dailey), whom she loves, and Sam (Jaffe), and starts a new business dedicated to selling affordable women's dresses. A rival fashion company lead by Noble (Sanders) momentarily distracts Harriet, but at the last minute she realizes her true devotion to Teddy and Sam. Screenwriter Polonsky was blacklisted shortly after the film's release, refusing to answer questions before the House Un-American Activities Committee. White titled wrappers, rubber-stamped as REVISED FIRST DRAFT CONTINUITY on the front wrapper, copy No. 3 and production No. 2446.8, dated August 4, 1950. Distribution page present, with receipt removed. Title page present, dated August 4, 1950, noted as Revised 1st Draft Continuity, with a credit for screenwriter Polonsky. 170 leaves, with last leaf of text numbered 168. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine, internally bound with three gold brads. Script Breakdown: self wrappers as issued. 88 leaves, dated 10/2/50, mimeograph on eye-rest green stock. Near Fine, bound with three gold brads.

      [Bookseller: Royal Books, Inc.]
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        Dinah Washington

      Original watercolor. Frame measures 22 7/8" x 31 1/2". Painting measures 28" x 19 1/2 Lovely original watercolor of Jazz icon Dinah Washington. Undated, circa 1950. Dinah Washington (1924-1963) was a renowned singer and pianist. She was inducted into the Rock and Roll Hall of Fame in 1993. Stuyvesant van Veen (1910-1988) was best known for his large-scale social realism style murals. His watercolors and portraits are rare.

      [Bookseller: Argosy Book Store]
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        Der Romanführer. Band 1-36 + Bd. 37: Registerband zu Bd. 1-36. (37 von 51 bis 2013 erschienenen Bänden). [37 Bd.].

      Hiersemann Stuttgart, 12500 S. Leinen fest gebunden Erscheinungsjahre: 1950 - 2001. Ältere Ausgaben Papier alterungsbedingt leicht vergilbt. Bd.1/I: Der Inhalt der deutschen Romane und Novellen vom Barock bis zum Naturalismus. Alexis - Hermann Kurz. Bd.2/II: Lafontaine - Zschokke.Band 3/I: Der Inhalt der deutschen Romane und Novellen der Gegenwart. Bd. 3/Teil I: Alverdes - Gurk. 4/II: Haensel - Musil. 5/III: Nabl-Zweig. Bd. 6: Der Inhalt der französischen, italienischen, spanischen u. portugiesischen Romane u. Novellen von den Anfängen bis zum Beginn des 20. Jahrhunderts. Bd. 7: Der Inhalt der englischen, nordamerikanischen, flämischen u. holländischen Romane u. Novellen von den Anfängen bis zum Beginn des 20. Jahrhunderts. Bd. 8: Der Inhalt der nordischen, slawischen, ungarischen u. rumänischen Romane u. Novellen von den Anfängen bis zum Beginn des 20. Jahrhunderts. Bd. 9: Der Inhalt der französischen, italienischen, spanischen u. portugiesischen Romane u. Novellen der Gegenwart. Bd. 10: Der Inhalt der englischen, flämischen u. holländischen Romane u. Novellen der Gegenwart. Bd. 11: Der Inhalt der nordamerikanischen Romane u. Novellen der Gegenwart. Bd. 12: Der Inhalt der nordischen, russischen, polnischen, tschechischen, ungarischen und südosteuropäischen Romane u. Novellen der Gegenwart. Bd. 13: Der Inhalt der deutschen Romane u. Novellen aus dem Jahrzehnt 1954 bis 1963. Nebst Nachträgen zu Bd. I bis V des Gesamtwerkes u. einem Register aller im \'Romanführer\' behandelten deutschen Autoren. Bd. 14: Der Inhalt der ausländischen Romane u. Novellen aus dem Jahrzehnt 1957 bis 1966. Nebst Nachträgen zu Bd. VI bis XII des Gesamtwerkes u. einem Register aller im \'Romanführer behandelten ausländ. Autoren. Bd. 15: Der Inhalt der Romane und Novellen der Weltliteratur. Register zu Band I-XIV. Bd. 16: Inhalte erzählender deutscher Prosa aus dem Jahrtzehnt 1964 bis 1973. Nebst Nachträgen zu Bd. I-V u. XIII des Gesamtwerkes. Bd. 17: Inhalte erzählender ausländischer Prosa aus den Jahren 1967 bis 1973. Bd. 18/I+19/II: Inhalte erzählender deutscher Prosa aus den Jahren 1974 bis 1985. A-Z. Nebst Nachträgen zu den Bd. I-V, XIII u. XVI des Gesamtwerkes. Bd. 20: Anglophone Prosa aus den Jahren 1973-1987. Bd. 21: Romanische Prosa aus den Jahren 1973-1989. Bd. 22: Multinationale u. multiphone Literatur der Sowjetunion, Literatur von Dissidenten u. sowjetische Untergrundliteratur. Slawische, albanische u. ungaro-finnische sowie nordische Literatur aus den Jahren 1973-1989. Bd. 23: Die Literaturen Asiens von den Anfängen bis zur Gegenwart. Bd. 24: Griechische, türkische, arabische, jüdische, jiddische, israelische, niederländische, flämische, afrikaanse u. südafrikanische Erzählprosa von den Anfängen bis zur Gegenwart. Bd. 25/I+26/I: Prosa der DDR von den Anfängen bis zu ihrem Ende 1990. Teil I: A-K. Teil II: L-Z. Bd. 27/I+28/II: Deutschsprachige Prosa aus den Jahren 1986 bis 1992 (ausgenommen Literatur der DDR 1949 bis 1990). Teil I: A-K. Teil II: L-Z. Bd. 29: Multinationale deutsche Literatur. Bd. 30/I+31/II: Anglophone Prosa aus den Jahren 1988 bis 1994. Teil I: A-K. Teil II: L-Z. Bd. 32/I+33/II: Romanische Prosa aus den Jahren 1989 bis 1995. Teil I: Frankophone, italienische u. rumänische Erzählprosa. Teil II: Spanische, lateinamerikanische, portugiesische u. brasilianische Erzählprosa. Bd. 34: Ost-, südost- u. nordeuropäische Erzählprosa aus den Jahren 1989 bis 1995. Bd. 35/I+35/II: Deutschsprachige Prosa im Dritten Reich (1933 bis 1945). Teil I: A-K. Teil II: L-Z. Bd. 37: Register zu den Bänden 1 bis 36. [37 Bd.]. Guter Zustand Bibl-Ex. Stempel auf Seitenschnitt. Versand D: 3,99 EUR Literatur Literaturforschung Literaturgeschichte Literaturen Literaturverzeichnis literaturwissenschaftliche literaturgeschichtliche Forschung

      [Bookseller: Antiquariat Thomas Haker GmbH & Co. KG]
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        In a three-page draft of a speech most probably delivered at the United Nations, Abba Eban, Israel's Representative at the U.N., blames the Arab States for preventing peaceful supervision of the Holy Places in Jerusalem

      New York, N.Y., c. Early 1950's. 6" x 8". "Historically important Autograph Manuscript of a speech by Abba Eban, three pages, 6"" x 8"", separate sheets of hotel stationery of The Savoy-Plaza, New York City. The Savoy-Plaza was demolished in 1964. Eban was Israel's first Representative to the United Nations. With cross-outs and additions, but not signed by Eban. In full: ""The record of the Arab Government in the Jerusalem question is as follows: -They violently opposed the Statute of Jerusalem when it was first proposed by the U.N. and made brutal destructive war upon the City in cynical disregard of its sacred associations."" Eban then writes ""This assault caused the abandonment and irrevocable,"" then crosses the phrase out, replacing it with ""and with heavy loss of life and damage to buildings old and new, religious and secular."" He continues, ""When Jerusalem obtained its political freedom through integration with Israel, proposals arose in the United Nations and in world opinion generally for establishing United Nations representation in Jerusalem for the supervision of the Holy Places. The Arab States have opposed these suggestions and are largely responsible for their not having been put into effect. At the same time, Jordan, the only Arab government with actual interests and positions in Jerusalem opposes the internationalization proposals for which other Arab governments profess tactical support. This the Arab policy has been and is - to thwart whatever proposals can effectively or justly at any time give peaceful expression to international concern for the Holy Places. In these circumstances their exploitation of the Jerusalem question for a hollow political maneuver is a shocking profanity, offensive to the City's peace and holiness. The Arab Ambassadors have publicly referred to the responsibilities of the United States in this question. In this connection the Israel Embassy merely recalls the following facts from Israel's own experience. First. The United States and Israel were unable to maintain the original internationalization plans against Arab assault and the United States in May 1948 took the lead in advocating the non-implementation of the plan. Second. The United States representative in the U.N. in November 1948 proposed that Jerusalem be integrated with the rest of Palestine. In 1949 and 1950 the United States opposed the plan for territorial internationalization in the General Assembly and Trusteeship Council. Third. The United States encouraged and supported Israel's initiative in June 1950 in proposing an international representative for the Holy Places in and outside Jerusalem."" In October, 1948, President Truman stated that ""We continue to support, within the framework of the United Nations, the internationalization of Jerusalem and the protection of the holy places in Palestine."" In 1952, the United States took the position that ""The Government of the United States has adhered and continues to adhere to the policy that there should be a special international regime for Jerusalem which will not only provide protection for the holy places but which will be acceptable to Israel and Jordan as well as the world community."" Abba Eban was Israel's first voice to the world. A brilliant and eloquent speaker and a superb orator, Eban was born in South Africa and educated at Cambridge. He became Israel's first Representative at the United Nations in 1948, and served concurrently as Ambassador to the United States from 1950 until his election to the Knesset in 1959. Abba Eban was Israel's Foreign Minister from 1966-1974. In excellent condition."

      [Bookseller: University Archives]
 28.   Check availability:     Biblio     Link/Print  

        Actuelles. Chroniques 1944-1948

      Gallimard 1950 - - Gallimard, Paris 1950, 12x19cm, broché. - Edition originale, un des exemplaires du service de presse. Une tache pale au deuxième plat de couverture, papier jauni, notre exemplaire est présenté sous chemise en demi chagrin gris et étui, ensemble signé de signé Devauchelle. Précieux envoi autographe signé des initiales d'Albert Camus à son proche ami André Belamich. Belamich rencontre Camus en 1932 sur les bancs du cours de philosophie de Jean Grenier au lycée Bugeaud d'Alger, la fameuse « Khâgne africaine ». Après avoir participé ensemble à l'aventure du Parti Communiste Algérien, Camus et Belamich forment avec d'autres penseurs et artistes ce que l'on nomme aujourd'hui "l'Ecole d'Alger" réunissant autour de l'éditeur et libraire Edmond Charlot une génération d'esprits progressistes dont Claude de Fréminville, Max-Pol Fouchet, René-Jean Clot, emmanuel Roblès et Gabriel Audisio. Après plusieurs traductions pour Charlot de Jane Austin et David Lawrence, Belamich devient surtout, à l'initiative et avec le soutien de Camus, le principal traducteur de Garcia Lorca et l'instigateur de sa diffusion en France. L'indéfectible amitié qui l'unit à Camus jusqu'à sa mort - il est à ses côtés lors de la remise de son Prix Nobel - font de lui un des principaux témoins de la vie de l'écrivain comme l'attestent ses contributions aux biographies de Herbert R. Lottman et de Olivier Todd. Emouvant et précieux envoi à cet ami des premières heures algériennes qui ont construit l'humanisme de Camus et auxquelles il consacra son dernier roman inachevé : « Le premier homme ». [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] first edition of the theatrical adaptation established by Albert Camus, one of the review copies service. Precious autograph signed by Albert Camus to his close friend Andre Belamich . [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
 29.   Check availability:     AbeBooks     Link/Print  

        Thomas Merton Original Calligraphic Artwork.

      Original signed artwork from Thomas Merton. In the last decade of his life, while living as a hermit-monk in dialogue with the world, Thomas Merton created a body of visual art, drawing from the Zen Buddhist tradition. When he was a student at Columbia University, Merton sought out a Hindu monk named Bramachari for counsel. The monk advised Merton to follow his own Christian tradition to find what he was most deeply looking for. A strong admirer of Gandhi, Merton also noted how Gandhi, a Hindu, had found a congenial ' second home' of sorts in the Christian Sermon on the Mount. In the 1950's Merton began exploring Buddhism, especially Zen Buddhism. He thought he found some resonance between Zen and the Desert Fathers. Merton sent a copy of his study of the Desert Fathers to Daisetsu Suzuki, the leading exponent of Zen in the west. They began a long correspondence in the late 1950's, and Suzuki's influence can be seen in Merton's artwork. Includes a letter from activist W.H. Ferry, which reads, "4/3/68 For Mary Sue Dilliard: Daisetsu Suzuki told Father Tom Merton in 1965 that the only way finally to understand Zen was to practice calligraphy. This is the result: one of Tom's earliest calligraphs. W.H. Ferry." On the Center for the Study of Democratic Institutions letterhead, which Ferry was the Vice President. Matted and framed in what looks to be the original frame, which measures 13 inches by 15 inches. Calligraphy drawing measures 9 inches by 12.5 inches. On the verso of the frame, it includes various Merton material including numerous clippings. Original artwork by Merton is exceptionally rare in the marketplace.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 30.   Check availability:     Biblio     Link/Print  

        L'Age de Soleil. With one etching and one drypoint by Picasso

      Paris: Aux dépens de l'auteur 1950 - L'Age de Soleil. Illustrated by Pablo Picasso. GODET, Robert-J. Paris: Aux dépens de l'auteur, 1950. One of 100 copies on Vélin du Marais with frontispiece etching "Picasso pour Roby", in black, and with an ORIGINAL POINTE-SÈCHE “La Torera” dated in plate 29 April 1944. In the original stiff wrappers, lightly tanned. Condition: In very Good condition, minimal wear Ref: Cramer n° 57. MORE PICTURES ON REQUEST [Attributes: Soft Cover]

      [Bookseller: Marninart, Inc (ABAA - ILAB)]
 31.   Check availability:     IberLibro     Link/Print  


      - DISNEY,WALT. ORIGINAL ART: MICKEY, DONALD AND GOOFY PLAYING SOLDIER. Offered here is a marvelous original watercolor from the Walt Disney Studio. Done on artists board, the image measures 9x12", matted. The upper margin has publishing notations reading: "Walt Disney Studio (stamp), Walt Dinsey's Wonder Book p.64, reduce to 2/3." Not dated or signed, circa 1950. Captioned in the corner: "Marching on to don't know where / Don't care if we don't get there / So long as we are home to tea / Jolly soldier boys are we." Depicted are the 3 characters marching along with Donald playing the flute, Goofy playing a bucket drum with spoons and Mickey carrying the flag. [Attributes: Signed Copy]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 32.   Check availability:     AbeBooks     Link/Print  

        Eigenh. Brief mit U. ("bertolt").

      [Wohl Berlin], o. D. - ¾ S. auf Doppelblatt. 8vo. An die namentlich nicht genannte Ruth Berlau: "liebe, | ich lag zu Bett um auszuruhn, als Ihering und 2 Andere kamen, mich zu einer Akademiesitzung (Zweig, Becher) zu holen [.] ich sehe nach 8 Uhr bei dir vorbei! | d | bertolt". - Der Journalist und Dramaturg Herbert Ihering war zu Beginn der 1950er Jahre Gründungsmitglied der Sektion Darstellende Kunst der Akademie der Künste Ost gewesen; Arnold Zweig war von 1950 bis 1953 Präsident der Deutschen Akademie der Künste, Johannes R. Becher wurde sein Nachfolger. - In Kugelschreiber auf bräunlichem Durchschlagpapier.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 33.   Check availability:     ZVAB     Link/Print  

        Painter and his Ballerina Model.

      ca. 1950. - Watercolor painting. 16.75 x 22.5 inches. Framed.

      [Bookseller: Wittenborn Art Books]
 34.   Check availability:     AbeBooks     Link/Print  

        The Third Man -- Release Script


      [Bookseller: Bookbid Rare Books]
 35.   Check availability:     Biblio     Link/Print  

        Pebble in the Sky

      Doubleday & Co., 1950 INSCRIBED First edition, HC w/ dustjacket. Comes in custom made slipcover. Author's inscription on title page to David Hartwell, acclaimed and important American science fiction editor and publisher. First edition stated on copyright page. Book: Fine. Interior is clean and tight. Pages are smooth and crisp. Binding/spine in great condition. DJ: Price unclipped. (Original: $2.50). Tape marks on DJ flaps, otherwise a bright, clean cover.. Inscribed by Author(s). 1st Edition. Hardcover. Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
 36.   Check availability:     Biblio     Link/Print  

        Vingt fables. Illustrées de lithographies originales et d'ornements par Jean Lurçat.

      André Gonin, Lausanne 1950 - Lausanne, André Gonin 1950. 37x28 cm. 89 p. en feuilles, Sous chemise, jaquette et étui. No. 191/213 exemplaires numérotés et signés Lurçat et Gonin sur Rives teinté. - Bel exemplaire. Sprache: Französisch Sous chemise, jaquette et étui. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Daniel Thierstein]
 37.   Check availability:     AbeBooks     Link/Print  

        COCA-COLA, Délicieux.

      1950 - Affiches Une affiche Originale cartonnée en couleurs (Original Cardboard poster) imprimée en offset (Technique of printing Offset ), format : 41 x 61 cm (16 x 24 inch), 1950 (Paris Havas Editeur) + la même affiche avant la lettre en bleuté l'ensemble des deux affiches : .Condition : A- [Attributes: Hard Cover]

      [Bookseller: Librairie Guimard]
 38.   Check availability:     AbeBooks     Link/Print  

        Alcoholics Anonymous The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism

      New York: Alcoholics Anonymous World Services, Inc.. Very Good+ in Very Good dust jacket. 1950. 1st Edition; 13th Printing. Hardcover. This book is in Very Good+ condition and has a Very Good to Near Very Good+ dust jacket. The book and its contents are in clean, bright condition. The top front cover has some wear to the sizing on the cloth. The text pages are clean and bright. The dust jacket has several edge tears, nicks and a couple of small chips missing, and some light, but noticeable rubbing to the spine ends and flap joints. "Those of us who live in large cities are overcome by the reflection that close by hundreds are dropping into oblivion every day. Many could recover if they had the opportunity we have enjoyed." .

      [Bookseller: S. Howlett-West Books]
 39.   Check availability:     Biblio     Link/Print  


      GRUND 1950 26 x 33.5 cm, 242, 48 tavole con raffigurati bellissimi giochi dell'oca italiani e francesi. Edizione Originale della più importante bibliografia e documentazione iconografica sul gioco dell'oca. Es. n. 271 sulla tiratura di 700 copie. Condizioni del volume ottime, copertina con qualche segno del tempo - - - - - Le jeu de l'Oie dans l'histoire, letterature et l'art. Physiologie de l'Oie et physionomie du jeu de l'Oie. L'antiquite supposee et vraie du jeu de l'Oie. La regle et la forme classiques .

      [Bookseller: Libreria Bissoni]
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        A Hornbook for Witches

      Sauk City: Arkham House, 1950. First Edition. Hardcover. Very Good. First edition. Near Fine in a Near Fine dust jacket. Browning to endsheets, gutters of prelims, and to spots on the top edge of page block. Black cloth is sharp and clean. The dust jacket shows light rubbing at extremities, and toning to the spine panel and to the blank verso, but presents rather well. A collection of poetry self-financed by the author and originally printed in a run of 533 copies, 300 of which the author distributed on her own. A very scarce Arkham House title.

      [Bookseller: Burnside Rare Books]
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      1950 - Gerona. 1950. 35X25. Cartoné. Ordenanzas de la Edificación. Memoria Descriptiva. Proyectos. Muy raro ejemplar original sobre la historia mas de reciente de la Villa de Arbucias. Ref A-333 Biblioteca FHK 51. [Attributes: Soft Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
 42.   Check availability:     IberLibro     Link/Print  

        Collection of First Day Covers / Original Stamps from all over the world / First Day Covers of Shakespeare 400th Birthday / 20th Anniversary of the World Health organisation / Royal Cork Yacht Club etc. / First Day Cover British Explorers (Captain Robert Falcon Scott / Henry Hubson / Sir Martin Frobisher / Sir James Clark Ross etc. Over 1000 Stamps

      Cork / London etc.: Irish Post / British Post etc.. The whole collection in a blue koffer. Ask for more images.. Cork / London etc., Irish Post / British Post etc., c. 1950 - 1990. Octavo. more than 50 First day Covers and hundreds of stamps. Original Softcover. The whole collection in a blue koffer. Ask for more images.

      [Bookseller: The Time Traveller's Bookshop]
 43.   Check availability:     Biblio     Link/Print  


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