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Displayed below are some selected recent viaLibri matches for books published in 1939

        Long Shore. Foreword by Gordon Grand. Illustrations by Arthur D. Fuller

      New York: The Derrydale Press, [1939] - First Edition, One of 750 copies, this one marked "HH" on the box label and the colophon, and signed by the author. 12mo. Frontispiece and six full-page drawings of ducks, decoys, and hunters. xviii, [i], 1-108 pp. Full red morocco gilt, glassine jacket, original publisher's box with printed label on upper cover, uncut at fore and lower edges. Some very minor scattered foxing to initial three leaves. Some fading and rubbing to box, with some loss. Bookplate. An attractive copy. Siegel 151 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Changing New York

      E.P. Dutton, New York 1939 - First edition. Corners a little bumped, and a little soiling to the boards, else near fine in near fine dustwrapper with three old, small internal repairs, and some very small nicks and tears. A nice copy of this important book, probably the premier book of New York images. Parr and Badger, *The Photobook Volume 1*, p.141; Hasselblad. *The Open Book*, p. 130-131; Roth. *The Book of 101 Books*, p. 100-101. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        The Family Tree of John Field of Skelmanthorpe [Nr. Huddersfield] and Elizabeth Field.

      Halifax: Edward Mortimer; and Huddersfield: Netherwood Dalton, 1939 - 56. - Oblong 4to. A Collection of large folding pedigrees collected and printed over a large number of years bound together in full crushed morocco, inlaid and lettered in gilt. Loosely inserted are further corrections and additions on roneoed sheets. Not in Copac. [Attributes: Hard Cover]

      [Bookseller: Michael S. Kemp, Bookseller]
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        Spalicek narodnich pisni a rikadel. [Jan Sobota Bookbinding].

      Nakladatelstvi Melantrich A. S. v Praze [Prague]. In a handcrafted bookbinding: "The Little Block of Wood". 1939 - Size of the binding: 8 1/2 inches x 11 1/2 in x 4 3/4 in. (thick: at the fore-edge) (290 x 220 mm). Half-title; decorative title-page in red and black; introduction by Dr. Emanuel Svoboda. xx, pp. [1]-306, including alphabetical title listings; reproduces black & white Ales drawings (1874-1909), with decorative texts in Czech. The entire text is in Czech. In a handcrafted, sculptural design bookbinding, entitled: "The Little Block of Wood", created by Czech born bookbinder, Jan Sobota in 1982, and exhibited at Frantiskovy Lazne, Czechoslovakia, in 1982, and at the Guild of Bookworkers Exhibition in 1987. The book is shaped like a wedge of wood cut from a round of tree trunk, with the wood-grained leather on the edges, and leather to resemble bark on the covers, with the author's initials: MA, carved in the front cover. Japanese paper flyleaves, suede doublures; a wedge-shaped box-binding sculpture, covered with tan and brown reverse sheepskin over relief abstract shapes. Calf edges blind tooled to resemble wood grain. In a gray, textured, cloth-covered slipcase, with inner, felt lined partitions, angled to hold the wedge-shaped book. The top and botton edges of the right side of the slipcase show splitting to the top edge, and partial splitting to the bottom edge. The book is in fine condition. Weight: 8 lbs. Postage is extra on this item. [Attributes: Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Last Poems and Two Plays by William Butler Yeats. Limited Edition. Cuala Press

      The Cuala Press/Elizabeth Corbet Yeats, Dublin 1939 - 59pp. Includes: The Death of Cuchulain; Purgatory; The Black Tower; John Kinsella's Lament for Mrs Mary Moore. VG : in very good condition with glassine wrapper and in clear protective wraps.Glassine wrap edge-chipped. Some pages uncut Quarter cloth spines on blue papered boards [Attributes: Hard Cover]

      [Bookseller: Barter Books Ltd]
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        Decisive Battles: Their Influence upon History and Civilization

      London: Eyre and Spottiswoode,, 1939-40. Vol. I. From Alexander the Great to Frederick the Great. Vol. II. From Napoleon the First to General Franco. 2 volumes, octavo. Original red cloth, spines lettered in gilt, top edge red. With the dust jackets. 53 full-page maps and plans. An excellent set with minor foxing, in the bright jackets, with a few chips to the extremities of Vol II. First edition. Extremely uncommon. Both volumes inscribed by the author to his mother (Vol I dated 11.11.1939, and Vol II dated 19.3.1940). It was subsequently given to her other son, Walter, and noted in his handwriting below the inscription: "A. W. J. Fuller from Mother." The large part of this edition was destroyed in the Blitz, which was stroke of good fortune for Fuller's reputation as the text has been described by Anthony Trythall, Fuller's first biographer and a far from hostile witness, as "shrill Fascist special pleading." Fuller was able to "prune it of Fascist encrustation" (Brian Holden Reid in ODNB), and expand it in the 50s, in the process turning it into "the major work on which his reputation as a historian must rest… thenceforward he was able to bask in the sunshine of a prophet restored to honour in his own country…" (Michael Carver in DNB) From the library of Col. Roderick 'Rory' Macleod with his ownership inscriptions to the front free endpapers and upper panels of the jackets.

      [Bookseller: Peter Harrington]
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        Four papers on packaging and industrial design from the Journal of the Royal Society of Arts.

      London, RSA, 1939-59 - Octavo. Half vellum on marbled boards, title gilt longitudinally to the spine, top edge gilt, marbled endpapers. Very good. Half-tone illustrations to the text. Attractively bound volume comprising four articles by Gray extracted from the journal of the RSA over a twenty year period. Inscribed by the author to his wife on the front free endpaper, "To Gnade with all my love,Milner 1959". The papers are; "The History and Development of Packaging"(26 pages with illustrations, 5 May, 1939); "The Industrial Designer and Consumer Goods" (17 pages, 8 April 1949); "The Creative Urge" (6 pages, one illustration, 25 November 1955); "Packaging Progress" (19 pages with illustrations, August 1959). Milner Gray trained initially at Goldsmith's, spent the First World War in the Royal Engineers School of Camouflage, and in 1921 established "with fellow students Charles Bassett and his brother Henry—the Bassett–Gray Group of Artists and Writers, effectively the first British multi-disciplinary design consultancy. The group's complement of freelance creators included Gray's lifelong friend Graham Sutherland and, later, Misha Black" (ODNB). In 1930 he founded the Society of Industrial Artists (SIA), which he "came to regard as his lifetime's achievement". In 1938 he was elected Royal Designer for Industry, and in 1940 chosen to head the Ministry of Information's exhibitions branch. Post-war he was a founder member of the Design Research Unit which "soon began its ground-breaking work in a field which became a dominating factor in commerce over the next four decades: corporate identity establishing a co-ordinated visual style across the full range of items, from printed material to vehicles, by which a company presented itself to the world." Early clients included Rolex, Ilford, and British Rail. Gray was subsequently involved "branding" the Festival of Britain, the Coronation, and the Queen's Jubilee in 1977. "In his professional life Gray did much to set the standards for designers for most of the twentieth century. His own designs—which embraced, from the early 1930s, bottles, cookware, table china, furniture, and even the Ascot gold cup, as well as graphics, exhibition design, and packaging—were always immaculate, combining craftsmanship and deep respect for materials On a personal level he was a delightful companion, with an irreverent wit, and a formidable mimic Gray continued to 'enjoy weak health' until he died, aged ninety-seven [in]1997. At his own wish, he was cremated without ceremony or witnesses, apart from his wife who had been his unfailing support in life and work for sixty-three years."

      [Bookseller: Peter Harrington. ABA member]
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        THE GARDEN PARTY and Other Stories

      The Verona Press 1939 - First edition of this collection. Number 506 of 1200 copies printed at the Officina Bodoni after a design by Hans Mardersteig. Original green patterned linen covered boards with red title label, in grey dustwrapper printed in green, complete with numbered card slipcase. A fine copy in a fine dustwrapper, with a small scratch to the spine, in a very good slipcase with some edge wear. A superb copy. Illustrated with sixteen original colour lithographs by Marie Laurencin. The first edition of this collection, its contents differing from those of the collection of the same name published in 1922. The publisher's note states that, "This special limited edition aims at presenting in one volume the best stories written by Katherine Mansfield at every stage in her career". [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        The Garden Party and Other Stories

      The Verona Press London, Oxford 1939 - This book, designed by Hans Marderseig, was printed in the autumn of 1939 at the Officina Bodoni, Verona, In Centaur type. The paper was made by Enrico Magnani, Pescia. The stones from which the coloured lithographs were printed have been ground. The edition consist of twelve hundred numbered copies of which Nos. 1-30 were signed. This copy is number 352. In original pictorial cloth with red label to the spine. Dust-wrapper in fine condition with additional transparent jacket. In original cloth numbered slipcase. Size: Large 8vo [Attributes: Hard Cover]

      [Bookseller: Henry Pordes Books Ltd]
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        THE GENTLE PEOPLE A Brooklyn Fable.

      Random House (1939)., New York: - First edition of his second book, a play. INSCRIBED to a drama critic at The New Yorker: "To Edith Oliver, for 'Madison Avenue Bus Driver.'/ -Irwin Shaw." The play, directed by Harold Clurman, featured Sam Jaffe, Franchot Tone, Karl Malden, Sylvia Sidney, and Lee J. Cobb. Fine in dust jacket with edgewear and minor chipping. A presentable copy and hard to find inscribed. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quill & Brush, member ABAA]
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      Verona Press, London 1939 - 315 pages. This is number 1054 of the edition limited to 1200 numbered copies. 16 stunning colour lithographs by Marie Laurencin. Original dust jacket fine with minimal wear to edges, fine short closed tear to the edge of the spine, not price-clipped, now attractively presented in a loose-fitting clear archival sleeve. Decorative green cloth binding with a red spine label fine with bright gilt. Designed by Hans Mardersteig and printed at the Officina Bodoni, Verona the contents is fresh, clean and tight, light ink inscription to the front blank, fore-edge and bottom page edges uncut, no foxing. A fine bright copy. Interesting publishing history in that it was printed before the second world war but held up in Italy during the war and not released until 1947. [Kirkpatrick D6-- bibliographer states: "Though printed in 1939, the Second World War delayed publication until 1947"] Size: 4to (19 x 26cm) [Attributes: First Edition; Hard Cover]

      [Bookseller: LOE BOOKS]
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        Night Rider.

      Houghton, Mifflin Company, Boston, 1939 - Octavo. Original blue cloth, titles to upper board and spine in red. With the dust jacket. Contents a little toned, cloth lightly tanned at the edges, very good in the lightly rubbed dust jacket with a tear and some loss at the top of the spine panel. First Edition, First Printing. With the author's signed presentation inscription to the front free endpaper, "To Marie & Ted with all love Red Warren Memphis April 1940" [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Mein Kampf

      MUNCHEN 1939 - Text in German Two Volumes Bound in One, Quarter Bound Leather , Leather is Ruffed, Brown Paper Over Boards, spine hinges splitting internally, gutters professionally reinforced with tape, spine has one inch tears to top and bottom, otherwise a pretty tight copy DATE PUBLISHED: 1939 EDITION: 781 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        MEIN KAMPF

      Zentralverlag Der NSDAP, Franz Eher Nachf - München. 1939. Holandesa. XXVI+3h+781Pág+6h. 20X13. Clasica Obra de Hitler del 1939 con muy buenos acabados. Excelente. Ref 4.4 Biblioteca A. [Attributes: Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        Portrait etching of Freud. No. 12 of 50", signed in pencil by the artist, J. Hansegger.

      1939 - [Freud, Sigmund (1856-1939).] Hansegger, John (b. 1908). Portrait etching of Freud, probably after a 1939 photograph. No. 12 of 50, numbered and signed by the artist. 448 x 336 mm. (plate size 316 x 245 mm). Paper flaw in lower left corner, otherwise very good. First state, and rare. The portrait is a head and shoulders view of Freud in old age. The Swiss artist Hansegger, a member of Paul Klee's "Allianz" group, was known for his portraits. [Attributes: Signed Copy]

      [Bookseller: Jeremy Norman's historyofscience]
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        LE OCCASIONI.:

      Einaudi,, Milano 1939 - (Codice PT0478) In 8º (21,5x13,5 cm) 105(2) pp. Prima edizione, cfr. Gambetti Vezzosi, 550. Brossura editoriale illustrata con incisione di Francesco Menzio. Ottimo, freschissimo volume. Euro 1150 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA ~ Tutti i libri subito disponibili. Descrizioni precise, consegna rapida con imballaggio solido. All books are in stock in fine conditions or described meticulously. Very safe packaging ~

      [Bookseller: Bergoglio Libri d'Epoca]
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        Mike Mulligan and His Steam Shovel.

      Houghton Mifflin, Boston 1939 - First edition of this children's classic with the date of 1939 on the copyright page. Oblong quarto, original tan cloth. Signed "greetings from Virginia Lee Burton" on the half title page. An excellent near fine copy in a near fine price-clipped dust jacket. Housed in a custom half morocco clamshell box. Most desirable signed by the author. "Taking her cue from her small sons, Aristides and Michael, Burton chose subjects that would intrigue children. Mary Ann, the steam shovel (Burton's books) have heroes and heroines children can understand and enjoy, ingenious and satisfactory endings and lively illustrations. The books survive because they exhibit so effectively the elements most basic to children's literature" (Silvey, 109-10). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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      Country Life 1939 - First edition. 4to. Original cloth backed paper covered boards, illustrated in colour by Peake. In the original pictorial dustwrapper with illustrations mirroring those of the boards. With a large detailed pencil drawing by Peake of Slaughterboard on the front end paper, and inscribed by Peake's father (Doc) to Peake's mother (Elizabeth). Further signed by Peake and dated 1940. A near fine copy in a very good dustwrapper which has chips from head and tail of the spine, internally reinforced, and a couple of short closed tears. A generally well preserved copy of a very uncommon book. Dustwrapper and boards illustrated in colour by Peake, with line drawings throughout. Peake's first book was published in October 1939. On 3 October, Peake, having heard that his mother had had a stroke, went to his parent's Sussex house, from where he wrote to his friend Gordon Smith, "I am writing to tell you about Mother, who I am afraid has not long to live now, Maeve [Peake's wife] came up from Stratford and she and I are now with Doc. down here." (Gordon Smith - Mervyn Peake A Personal Memoir). Peake's mother died on the 8th of October. It is possible that Peake took down a copy of his just printed first book to show his parents, which was to become this poignant presentation copy from father and son. The literary press were not receptive to the book: "quite unsuitable for sensitive children" (Punch) and sales of the book were slow. The publisher's were advertising remaindered copies for 2/6 less than a year later, shortly after which all remaining copies were destroyed in a warehouse fire caused by the Luftwaffe's bombing of London. Now one of the most sought after modern illustrated books, the first edition is very rare, and this is the only significant association copy, or copy with a drawing that we have encountered. Winnington A1a [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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      New York Pyson Printers 1939 - First Edition and one of 370 copies only signed by Dard Hunter and Elmer Adler, the publisher. Illustrated with eighty-four photogravure plates and twenty-seven tipped-in specimen pages. 4to (11 7/2" x 9"), publisher’s original smooth black cloth spine over Indian patterned cloth boards. Housed in a quarter leather clamshell box, the spine with raised bands and lettering in gilt. A very fine copy, beautifully preserved A VERY FINE COPY OF THIS IMPORTANT WORK BY DARD HUNTER. This is one of 370 copies only and is signed by both Dard Hunter and his publisher, Elmer Adler. On a spring day in 1911, Dard Hunter wandered into the London Science museum and saw the hand papermaking and type-founding exhibits. The equipment for these crafts - papermaking moulds, watermarks, steel punches, copper matrices, and hand-held typecasting moulds - inspired Hunter to learn more about these centuries-old crafts. Hunter finally realized his dream and established a commercial hand papermaking mill in Lime Rock, Connecticut. In 1930 the first paper was made\. While in operation, the mill provided Hunter with enough handmade paper for many of his later limited edition books but, due largely to the Great Depression the mill was closed in 1933. While Hunter never again started another commercial paper mill, he spent the rest of his life pursuing the investigation of making paper by hand throughout the world and would share this knowledge through his books written on the subject. Beyond the significance of his books, one of Hunter’s greatest accomplishments was the establishment of the Dard Hunter Paper Museum. Originally housed at the Massachusetts Institute of Technology, it now comprises most of the collection of the Robert C. Williams American Museum of Papermaking located at the Institute of Paper Science and Technology in Atlanta, Georgia. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        Papermaking by Hand In India.

      New York: Pyson Printers. 1939 - Limited edition. No. 363 of 370 copies, signed by Hunter and by the publisher Elmer Adler. Measures 9 in. x 11 ½ in.,129 pp., illustrated with b/w photos. Includes an index. Black leather spine and hinges, with gilt titling and blue dividing lines on the spine. Floral paper over boards. 24 examples of paper tipped in at the back of the book. Loosely inserted is the prospectus for the book. In a slipcase covered with brown paper, with title and author printed and “No. 363” hand-written in black ink on the spine. An exceptionally fine copy. Weighs 3.5 lbs. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Pale Horse, Pale Rider. Three Short Novels.

      New York: Harcourt, Brace and Company, 1939 - Octavo. Original blue cloth, titles to upper board and spine in black. With the dust jacket. Spine tanned, with light spotting to covers and endpapers. A very good copy, internally fresh, in the somewhat rubbed and marked jacket. First edition thus, first printing. Inscribed by the author on the front free endpaper, "Katherine Anne, September 25, 1965, Washington D.C., with love". With the ownership signature of the poet Barbara Howes, and the bookplate of Howes and her husband William Jay Smith, sometime United States poet laureate. Contains, loosely inserted, a holograph letter signed (dated 14 May 1965) from the author thanking them for her birthday poem and asking them to come and visit her in Washington because "I am not well and cannot go out". It is assumed that the poem mentioned is William Jay Smith's "A friend laughing: a rose for Katherine Anne Porter", published (27 June 1965) in the Washington Star in celebration of Porter's 75th birthday, and that this book was inscribed for the couple when they came to visit her in Washington. A charming document of a close literary friendship. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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      Reilly and Lee Company, Chicago 1939 - Children's; Fantasy; We fit archival quality clear acrylic covers for additional protection whenever possible. ; 8vo 8" - 9" tall; 272 pages; Fist edition, first state in like dustjacket. Orange-yellow cloth with picotrial color label pastedown on front cover. Binding bright, with contents FINE. No marks other than very lightly penciled dealer's notation on first free end paper. In Brodart protected DJ with several short tears and a few chips. As per Hanff and Greene, Oziana, XXXIII, 16 page gatherings. Scarce. Graphic shows both book and DJ. ; 0 [Attributes: First Edition; Hard Cover]

      [Bookseller: poor man's books (mrbooks)]
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        Capítulos de Literatura Española. Primera serie

      México D.F. : La Casa de España en México 1939 - ~ Viñeta de cubierta por Ramón Gaya ~ La vieja admiración de Reyes por Victoria Ocampo -él hacía parte del «Consejo Extranjero» de SUR desde la aparición de la revista- se refleja en esta cariñosa dedicatoria que le envía desde México, en 1939. Procedencia: Legado Julio Carlos Díaz Usandivaras ~ Con dedicatoria autógrafa del autor a Victoria Ocampo ~ Rústica original ~ VI+317p+1f ~ 21x15x2cm. ~ Cubierta con señales de uso, lomo insolado, con escisiones. Interior en muy buen estado ~ LANGUAGE: Español / Additional images available/ [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Lirolay]
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        Step By Step, Princess Marthe Bibesco's copy inscribed and dated by Churchill and presented by Churchill's brother

      Thornton Butterworth Limited, London 1939 - This book is perhaps unique in bearing a personalized, three-way association between Winston S. Churchill, Churchill's longtime friend, the influential and colorful Romanian Princess Marthe Bibesco, and that of Winston Churchill's brother, John Strange "Jack" Spencer-Churchill. Winston Churchill's inscription appears on the ffep in three lines and reads "Inscribed by / Winston S. Churchill / March 1946". Bibesco's distinctive signature appears directly above Churchill's inscription in pencil and reads "Marthe Bibesco". The pastedown (opposing the ffep) bears a personal note from Jack Churchill on the stationary of The Ritz Hotel, Piccadilly, London. Written in pencil in 4 lines it reads: "Princess Bibesco / with / Mr. John Churchill's / Compliments". The number "411" also appears on the note; we can only speculate about the meaning, which may refer to a room number. It is not certain that the note was hand written by Jack Churchill, but this seems quite plausible given that Jack was then a prosperous London resident and Bibesco was then living at The Ritz Hotel in Paris. A more than reasonable assumption is that Jack sent the book to Bibesco at The Ritz in Paris via The Ritz in London. Bibesco first met Churchill in April 1914 at a dinner party with French politicians on the eve of the First World War. They would become and remain friends until Churchill's death more than half a century later. Bibesco was highly educated, beautiful, exotic, engaging, and a prolific author. She spent her long life moving comfortably in the circles of Europe's royal, political, social, and intellectual elite. She was friend, confidante, and sometimes intimate of European monarchs and prime ministers. She knew not only Winston Churchill, but also members of his family, counting among her more intimate friends Churchill's aunt, Leonie Jerome. Bibesco would write a book about Churchill in 1956 (Winston S. Churchill: Master of Courage, Zoller A178). Bibesco's book was published 10 years after she received this inscribed copy of Step By Step. Twelve years his junior, Bibesco would outlive Churchill, dying at age 87 in 1973. John "Jack" Churchill was the younger brother of Winston. Jack and Winston were close. Jack served in the South African Light Horse alongside his war correspondent brother in the Boer War between 1899 and 1900 and later fought with distinction in the First World War. Reaching the rank of Major, he was awarded the Croix de Guerre and the Légion d'Honneur, as well as the British Distinguished Service Order. Jack became a successful businessman in London. During the Second World War, when Jack's house was destroyed in the Blitz, he lived at 10 Downing Street. Jack would die of heart disease in 1947, one year after this book was presented with his compliments to Princess Bibesco. Step By Step is a seminal Churchill book that includes 82 newspaper articles focused on foreign affairs written by Churchill between March 1936 and May 1939, many of them containing his warnings and predictions about Nazi Germany. As such, it is emblematic of the courage Bibesco would later profile in her book about Churchill - in particular, what she called "courage to displease others and defy their opinions" (Winston Churchill: Master of Courage, Hale, London, 1957, p.10). This unique inscribed copy is a first edition, first printing. Though unjacketed, it is in very good condition. The green cloth binding shows only light scuffing. Given Princess Bibesco's intellect and education, it seems quite plausible that it was actually read by her. The contents remain clean and tight. Light soiling is confined to the text block edges. The book is preserved in a custom built clamshell preservation case in dark green half leather over green cloth, lined with acid-free archival paper. The rounded spine features raised bands and gold tooling. Bibliographic reference: Cohen A111.1.a, Woods/ICS A45(a.1), Langworth p.197 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Churchill Book Collector, IOBA]
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        o. T. [Hafen]. Oel auf Holzplatte.

      1939 1939 - 45 x 37 cm, gerahmt, Rechts unten monogr. u. dat. FM 1939. - Frans Masereel (1889-1972) bedeutender belgischer Grafiker, Zeichner und Maler, enger Freund von Stefan Zweig, der vor allem für seine beeindruckenden, von starken Emotionen geprägten Holzschnitte bekannt ist. Er vertrat in seiner Kunst einen konsequenten Humanismus. Er stellte die Menschen in ihrer Verlorenheit und Verlassenheit in der modernen Zivilisation dar, ohne indessen als Pessimist gelten zu können. Denn gleichzeitig lieferte er Beispiele für Handlungsmöglichkeiten, um dem Menschlichen in einer sich entmenschlichenden Welt den ihm gebührenden Platz zu sichern. Beispiele hierfür sind die 80 Holzschnitte ?Das Gesicht Hamburgs? oder die 100 Holzschnitte des Zyklus ?Die Stadt? (1925). 1919 erschien seine Folge von 167 Holzschnitten ?Mein Stundenbuch?, die in Deutschland 1920 von Kurt Wolff verlegt wurde.Eine Freundschaft verband ihn mit Henry Gowa, der ihn nach Saarbrücken holte, wo er von 1947 bis 1951 die Meisterklasse für Malerei an der neugegründeten Schule für Kunst und Handwerk leitete.Frans Masereel regte am 26. September 1953 gemeinsam mit den deutschen Künstlern HAP Grieshaber, Erich Heckel, Gerhard Marcks, Ewald Mataré, Otto Pankok, Max Pechstein, Karl Rössing und anderen in Zürich an, die ?XYLON Societé Internationale des Graveurs sur Bois? zu gründen. Diese Gründung der Internationalen Vereinigung der Holzschneider XYLON wurde beschlossen und Masereel war ihr erster Präsident.1956 schuf er ein weiteres großes Holzschnittwerk, 100 Blätter unter dem Titel ?Mijn Land? 1964 erhielt Masereel den Kulturpreis des Deutschen Gewerkschaftsbundes.Eine Dauerausstellung von Masereel-Werken gibt es im Frans Masereel Centrum in Kasterlee bei Antwerpen. 5000 gr.

      [Bookseller: antiquariat peter petrej]
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        The Cornfields

      The House of Russell, New York 1939 - First edition. Octavo. Green printed wrappers. 8pp. Covers very slightly soiled, but still near fine. Publisher's prospectus laid in. First separate edition of the first poem in *Mid-American Chants* (1918), with a brief biographical notice at the back. Not in *Sheehy & Lohf*, nor in Ray Lewis White's *Sherwood Anderson: Fugitive Pamphlets and Broadsides, 1918-1940*, nor in the later "Additions to the Bibliography" of Sherwood Anderson by Charles E. Modlin et al. *OCLC* locates only three copies: at William and Mary, Columbia, and University of Texas, Ransom Center. Rare. [Attributes: First Edition; Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Mattisse, Bonnard, Klee and others] VERVE. Nos. 5-6, 7 & 8

      A. Zwemmer 1939-1940, London - Large folios. Offered here is a small collection of three Verve, comprising No 5-6 in one volume, No. 7 and No. 8 in separate volumes (3 in all). No. 5-6 scarce and sought after number with superb cover by Aristided Maillol and lithographs by Guys, Roualt, Braque, Derain, Leger, Bonnard, Matisse and Klee. Many of these have been printed on thick card stock, and one by Matisse is truly impressive. No. 8 has drawings and paintings by Matisse, Derain, Picasso, Bonnard, with colored lithography by Pierre Bonnard. Issue 7 features tipped-in color plates comprising Les Tres Riches Heures du Duc de Berry in the form of a calendar. Very good to near fine. [Attributes: First Edition]

      [Bookseller: Edward Nudelman Rare Books]
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        Ballets de Monte-Carlo. Grande saison des Ballets Russes Théâtre National du Palais de Chaillot, juin 1939. Léonide Massine, directeur artistique et Maître de ballet - Boris Kochno collaborateur artistique.

      Nicolas Editions artistiques 1939 - Couverture d'après le dessin de Christian Bérard, 1 vol. in-4 cartonnage éditeur à Spirale, Edité par Nicolas Editions artistiques, Bureau de Concert Marcel de Valmatète, Hirok Attractions, s.d. (1939), 25 ff. n. ch. Avec la reproduction en couleur du rideau d'Henri Matisse pour "l'étrange farandole". Etat très satisfaisant (couv. lég. frottée avec une pliure et accroc au mors spiralés en queue au second plat). Rare. Langue: Français [Attributes: Soft Cover]

      [Bookseller: Librairie du Cardinal]
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        Little Black Sambo. The Enlarged Picture Edition.

      Albert Whitman & Co., Chicago 1939 - Color drawings by Cobb X. Shinn. Very minor wear to extremities. [Attributes: Hard Cover]

      [Bookseller: James & Mary Laurie, Booksellers A.B.A.A]
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        Old Possum's Book of Practical Cats

      Faber and Faber 1939 - First Edition, First Printing. A beautiful dustjacket that is rich in color with light wear to the edges. The book is in excellent condition. The binding is tight, and the boards are crisp with minor wear to the edges. The pages are clean with no writing, marks or bookplates in the book. Overall, a lovely copy of this TRUE FIRST EDITION with the ORIGINAL dustjacket. We buy Eliot First Editions. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Wind, Sand and Stars

      Reynal & Hitchock, New York 1939 - Original quarter blue leather over patterned paper boards in original publisher's cardboard slipcase; gilt titles and top edge. LIMITED (1/500 copies) first US edition, SIGNED by Saint Exupery. 306 pages; illustrated decorations and endpages by John O' H. Cosgrave II. Typical spine rubbing and wear, internally clean and bright; slipcase rubbed and worn. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Books & Bidders, Antiquarian Booksellers]
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      Faber & Faber 1939 - 1st thus 1939. Very good condition in an almost very good dustwrapper. Spiral bound inside white cloth covers. B/w photos, also b/w photos on pale green paper plates. Covers lightly browned at edges. The following words have been punch stamped as holes at the bottom of the title page 'Complimentary Copy Not for Sale' else contents fine. Pictorial wrapper is a little edge-chipped. A very nice copy of the first Faber edition. [S] [Attributes: First Edition; Soft Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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      [Bookseller: Librairie du Château de Capens]
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        SOMERSET Shell Guide

      Faber & Faber, 1939. - 1st edn. 8vo. Original red lettered white cloth over spiral binding (near Fine), dustwrapper (top edge light rubbed and chipped - otherwise VG in protective wrapper, not price clipped). Pp 46, illus with decorative endpapers, 2 coloured maps, b&w plates and photos in text (no inscriptions). [Attributes: First Edition; Hard Cover]

      [Bookseller: Rothwell & Dunworth (ABA, ILAB)]
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        Emily Carr in Her Studio, with the Painting 'sunshine and Tumult' Behind Her.

      - [circa 1939]. (Photograph) Very good. 9.5" X 7.5". (24.2 X 19 cm). B / W Photograph on heavy textured stock. Pinholes in margins and minor old stress mark on lower right hand corner, not affecting the signature. With the photograph comes a signed copy, in fine condition, of Doris Shadbolt's 'The Art of Emily Carr' (1979) in which the image is used as a frontispiece. Inscribed probably in Carr's hand on the verso "Emily Carr print from a photograph taken by Mortimer Lamb". Additionally signed "Sincerely Emily Carr" on image. This well known image of the Canadian artist has been reproduced in many publications including being used as the frontispiece in Shadbolt's 'The Art of Emily Carr' (1979). The out-of-focus charactor of the print (enhanced by the textured paper it has been printed upon) seems to be intentional, as the Library and Archives Canada negative for the print shows the same fuzzy atmosphere. Sophie Pemberton introduced Mortimer Lamb (1872-1970), who was an engineer as well as an artist, to Carr in 1918. Enthusiastic about Carr's work Mortimer Lamb is known to have written to the Director of the National Gallery of Canada, Eric Brown, about her. A print of the photograph, and the negative, were sent by Mortimer Lamb in 1945 to the National Gallery to be used in an exhibition of Carr's work. Carr's studio and painting 'Sunshine and Tumult' are visible in the background of the image. The unsigned print of the image and negative that were shown at the National Gallery sold at Heffel's Auction house in 2006 for over 5000.00 dollars. Photography by Harold Mortimer Lamb. Signed by Emily Carr. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Aquila Books(Cameron Treleaven) ABAC]
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      Faber & Faber Ltd. and The Viking Press, 1939., London, New York - James Joyce. FINNEGANS WAKE. Signed Limited Edition. London; Faber & Faber; New York, 1939. 4to., 260 x 171 mm [10 1/4 x 6 3/4"]. 4 p.l., [first blank], 628 pp. Original gilt titled brick red buckram, edges untrimmed. In the original [mildly soiled] yellow cloth slipcase which is in solid very good or better condition. Curiously with a possible original clear plastic dustwrapper not mentioned in the bibliography but for all intents and purposes, this wrapper has always been on the book. An extremely attractive example, spotless text block, neatly signed by Joyce on the limitation's page, number 216 of 425 copies only. - Slocum and Cahoon A49. Having exhausted all the possibilities of English in "Ulysses," he had only one recourse for his next project, which was to create an entirely new language as a pastiche of all the existing ones; the result is "Finnegans Wake." The language in "Finnegans Wake" is a continuum of puns, portmanteaus, disfigured words, anagrams, and rare scraps of straightforward prose. What Joyce does is exploit the way words look and sound in order to associate them with remote, unrelated ideas. For example, his phrase "Olives, beets, kimmells, dollies" may sound familiar to those who happen to know that the first four letters of the Hebrew alphabet are aleph, bet, gimel, daled. "Psing a psalm of psexpeans, apocryphul of rhyme" recalls a nursery rhyme that may reside quietly in your most dormant memory cells, while "Where it is nobler in the main to supper than the boys and errors of outrager's virtue" sounds like a drunk auditioning for the role of Hamlet. Imaginary adjectives that pertain to letters of the English alphabet are employed to describe Dublin as a city "with a deltic origin and a nuinous end." "Finnegans Wake" is the ultimate in esoterica, and what you get out of it depends largely on your store of knowledge, so that upon completion, with a mutual wink at Joyce, you congratulate yourself for being so clever. In 1994, in The Western Canon, Harold Bloom wrote of Finnegans Wake: "[if] aesthetic merit were ever again to center the canon [it] would be as close as our chaos could come to the heights of Shakespeare and Dante," [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Finnegans Wake.

      London: Faber and Faber, 1939 - Octavo. Original red cloth, titles to spine gilt, top edge yellow. With the dust jacket. Minor browning to endpapers otherwise fine, dust jacket with tiny amount of rubbing to head of spine otherwise fine. A lovely bright copy. First edition, first impression of which 3400 copies were printed, 950 later destroyed. Joyce's last and most revolutionary novel remains one of the outstanding books of the modern movement. Slocum & Cahoon A47; Connolly 87. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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      London: Faber and Faber, [1939]. - Large octavo. Gilt cloth. Usual tan offset from free endsheets to facing pages, otherwise a fine, bright copy in dust jacket, and uncommon thus. Half morocco slipcase and chemise. First British edition, trade issue, published on the same day as the U.S. trade edition from Viking, and the limited edition bearing Faber and Viking's joint imprint. One of a total first printing of 3400 copies, of which 950 copies in sheets were destroyed. This copy was quite possibly utilized for review, as the formal publication date ('4 May 1939') is stamped on the front dust jacket flap. "If Finnegans Wake is a key book, it is a key which needs a key. The Wake reminds me of the unfinished obelisk which lies on its side at Assuan, yet it has passages of unearthly beauty (particularly the last page) and huge comic scenes" - Connolly. MODERN MOVEMENT 87. SLOCUM & CAHOON A47.

      [Bookseller: William Reese Company - Literature, ABAA]
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        Finnegans Wake

      London Faber and Faber 1939 - James Joyce’s Last and Most Revolutionary Novel JOYCE, James. Finnegans Wake. London: Faber and Faber, [1939]. First (regular) edition. Large octavo. [8], 628 pp. Original rough red cloth. Spine ruled and lettered in gilt on two panels stamped in blind. Top edge stained orange-yellow, others uncut. Maroon dust jacket. A few minute abrasions to the top edge of the jacket. About fine. "The ordinary edition consisted of 3400 copies of which 2255 were sold to the pubilc, 950 in the form of sheets being destroyed. The balance were gratis, etc." (Slocum and Cahoon). Joyce’s last and most revolutionary novel, Finnegans Wake was begun in 1922, with individual sections published as Work in Progress during the seventeen years of its composition. "Written in a dense, richly textured, and allusive style, whose punning, fragmentary quality mirrors the free-associating nature of the dreaming mind, the book is perhaps the definitive and most extreme work of literary Modernism. At once simple and complex, its narrative, which takes place in a single night but also incorporates the whole of human history, describes the relationships between Humphrey Chimpden Earwiker, an Everyman (H.C.E. translates as ‘Here Comes Everybody’) who is also Adam, his wife, Anna Livia Plurabelle, who is Eve and also the River Liffey, their daughter Iseult/Isobel, and their twin sons, Shem and Shaun, who are also Cain and Abel.The work is divided into four sections, corresponding, amongst other things, to the four seasons of the year and the Four Ages of Man, and offers a kind of guided tour around the ‘museyroom’ of the past, as well as a condensed history of language itself" (The Oxford Companion to Twentieth-Century Literature in English). "If Finnegans Wake is a key book, it is a key which needs a key.The ‘Wake’ reminds me of the unfinished obelisk which lies on its side at Assuan, yet it has passages of unearthly beauty.and huge comic scenes. Joyce insisted that each word, each sentence had several meanings and that the ‘idéal lecteur’ should devote his life-time to it, like the Koran" (Connolly, The Modern Movement, 87). Slocum and Cahoon A47. HBS 64362. $6,000 [Attributes: First Edition; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        Finnegan's Wake

      Faber and Faber 1939 - First Edition, First Printing. An attractive dustjacket with light wear to the spine and edges. The book is in excellent condition. The binding is tight, and the boards are crisp with minor wear to the edges. The pages are clean with no writing, marks or bookplates in the book. Overall, a sharp clean copy of with the ORIGINAL dustjacket in collector's condition!!! We buy James Joyce First Editions. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
 40.   Check availability:     IberLibro     Link/Print  


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