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Displayed below are some selected recent viaLibri matches for books published in 1938

        The Yearling In Beautiful Matching - Labeled Cloth Clamshell Box

      Charles Scribner's Sons. Fine in Very Good Dust Jacket. 1938. First Edition: First Printing. Hard Cover. Book is contained in a beautiful, fine condition, matching labeled cloth clamshell box. Bookjacket/dustjacket now protected by a new Brodart Mylar Cover. Dustjacket is price clipped and has some edge cuts and a small edge chip. Book's boards and pages are clean, unmarked, bright, tightly bound and sharp cornered. Scarce, Out Of Print, Book. Has scarce Scribner's "A" on copyright page. Boards are original decorated beige cloth, with front and spine lettering stamped in green and a green picture of a boy with his fawn on the front board and yellow endpapers. A classic novel that was the best-selling novel in America for the year 1938, won the Pulitzer Prize for the Novel in 1939, and was adapted into a film in 1946, starring Gregory Peck and Jane Wyman, both of whom were nominated for Oscars for their performances.: B&W Illustrations .

      [Bookseller: Keener Books & Collectibles, LLC]
 1.   Check availability:     IOBABooks     Link/Print  


        Football Game

      Associated American Artists Associated American Artists, 1938. unbound. very good. View. Black and white lithograph. Image measures 9 7/8" x 13 15/16". Upclose view of the careening bodies mid-tackle at a football game (catalogue number C-31, unknown edition, proofs only.) Stone is dated and signed "JSG". Signature and edition number (5) in pencil. Additional penciled "John Curry" at lower left. This print is related to several black crayon and oil sketches of similar subject matter, also from 1938. John Steuart Curry (1897-1946) was an American Regionalist painter and print maker, known for his scenes of rural America. This print was part of a series printed by George L. Miller and distributed by the Associated American Artists. From 1934-1949, the AAA sought to disseminate their work to the public in an affordable manner: they generally produced each print in editions of 250 and sold them for $5 a piece, first through department stores and later by themselves. The group focused on representational and regional artists including Grant Wood and Thomas Hart Benton. Minor tape residue to top corners.

      [Bookseller: Argosy Book Store ]
 2.   Check availability:     ABAA     Link/Print  


        ANTHEM

      London: Cassell, 1938 The true first edition, first issue of the author's uncommon second book; one of an estimated 3,500 copies only. Bound in the original red & black mottled cloth, top edge stained black, with the original black end-papers in excellent condition. The very rare dustwrapper on this particular example omits British pricing & instead carries the words 'Colonial Edition' at the foot of the front flap. Perinn A2a. references William Dunn regarding 2 states of the dustwrapper; the apparent first, spine priced at 6 shillings net, & the second state omitting the spine price but with "Colonial Edition" printed on the lower front flap. However, Perinn might not have actually ever seen a copy of the Colonial edition & Bill Dunn had seen only the one copy, & deduced that the priced dustwrapper preceded the un-priced, which in fact is probably incorrect. The export market for British publishers like Collins & Cassell [which excluded the US] was sufficiently important that colonial edition dustwrappers often preceded, domestic dustwrapper printing & in this instance this may very well be the case. Either way, both dustwrappers are uncommon to say the least & extremely rare in condition. An excellent bright, fine copy, the rare dustwrapper with one small chip at the top of the front panel. The True First Edition, preceding the American edition by eight years because it was denied US publication. Missing from most Rand collections.. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Just Around the Corner [Lucky Penny] (Original screenplay for the 1938 film)

      Twentieth Century Fox Los Angeles: Twentieth Century-Fox, 1938. Revised Final Script for the 1938 film, "Just Around the Corner" (here under the working title, "Lucky Penny"), directed by Irving Cummings, based on a story by Paul Girard Smith, written for the screen by Ethel Hill, J.P. McEvoy, and Darrell Ware, and starring Shirley Temple, Joan Davis, Charles Farrell, and Bert Lahr. The film in which Shirley Temple ends the Depression all by herself, starting with a determined search for Uncle Sam. A delightful entry, including many of the famed dance duets with Temple and Bill "Bojangles" Robinson. Red studio wrappers, stamped REVISED FINAL on the front wrapper, dated April 27, 1938, and with the holograph file notation, "Env. 1491." Apparently a copy made strictly for the purpose of filing, as there is no project number, copy number, or distribution page present. Title page present, with a date matching the front wrapper. 155 leaves, mimeograph, with blue revision pages throughout, all dated 4/23/38. Pages and wrapper Very Good plus, bound with two gold brads.

      [Bookseller: Royal Books, Inc. ]
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        Neues Wiener Journal 7. Februar 1938-1. Mai 1938.

      Complete run of the Vienna daily newspaper, no. 15.884 - no. 15.966 (82 issues), Wien/Vienna 1938. Folio (48x31 cm). Some illustrations. Contemporary black half-calf binding. Generally well-preserved.. Important documentation of the Anschluss, the incorporation of Austria in Nazi Germany. Day by day you follow the events when the Austrian chancellor Kurt Schuschnigg under heavy German pressure was outmanouvered by his Nazi opponent nazisten Arthur Seyß-Inquart who became chancellor on March 11th 1938 and as his first act invited German troops to "liberate"his country, followed by the triumphant entrance of Adolf Hitler into his native country. Besides witnessing these dramatic events with the eys of the contemporary Austrains, this batch of newspapers also allows you to see the impact of Nazification from day 1.** Neues Wiener Journal was founded by a jewish publisher Jakob Lippowitz in 1893 and appeared until January 31st 1939 when it was united with the Neuen Freien Presse und the Neuen Wiener Tageblatt. The name of the founder was placed in the masthead of the newspaper and was removed on March 16th, the day after the covering of Hitler's speech from the Hofburg balcony

      [Bookseller: Vangsgaards Antikvariat]
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        Too Many Cooks

      The American Magazine New York: The American Magazine. 1938. First. First edition. A book-shaped box, with title page bound in, containing a complete set of 36 cards, including the menu card, 34 recipe cards, and an important note from Nero Wolfe, dustwrapper is affixed to the box at the rear flap, as issued. Near fine, in good dustwrapper with a large chip centered on the bottom of the spine, and stretching onto both panels, removing most of the word "Stout" but affecting no other text. Very scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Autograph Letter Signed, in pencil, 8vo, postmarked New York, June 26, 1938

      It?s good to hear from you. To know you hurting with energy--the spirit of life. Good to know you are writing and good to know the child is mending and that you have more time for yourself. I feel as utterly useless even though I am on the mend. Is slow work?How stupid for me to have collapsed. When you happen in town call up WI2-0334 and it could be arranged for you to see so I should say it? will give me a chance to see you?.? Signed, ?Your old Stieglitz.?

      [Bookseller: David Schulson Autographs ]
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        Die Abenteuer des Juden Tate. Karikaturenbuch des Deutschen Volksblattes

      (Wien, Günther, 1938).. Mit zahlr. Illustrationen. 64 S. Illustr. Orig.-Umschlag.

      [Bookseller: Antiquariat Turszynski]
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        LES POÈTES MAUDITS.

      A Paris pour les bibliophiles du Palais, de l'Imprimerie de J-G Daragnès MCMXXXVIII (1938), 315x245 mm, 136p orné de 36 lithographies en noir de Luc-Albert Moreau dans et hors-texte, reproduites et tirées par Maurice Berdon et André Clot d'après la composition originale de l'artiste, toutes les illustrations sont présentées sous serpente, Introduction par Francis Carco. En feuilles, couverture imprimée, chemise toile avec titre au dos, étui toile noir; dos de la chemise jauné, bords d'étui légèrment usées. Édition limitée à 200 exemplaires imprimées sur velin d'Arche signés par L-A Moreau et J-G Daragnès, cette examplaire No 9 imprimé pour Le Professeur Balthazard.. Reproduction de l'édition originale parue chez Vanier en 1884 et complété par les pages consacrées à Marceline Desbordes-Valmore dans la second édition publiée en 1888. Provenance: Birger Andersson, Norrköping

      [Bookseller: Antikvariatet i Norrköping]
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        Sprig and Turfy

      The Golden Eagle Press Mount Vernon, NY: The Golden Eagle Press, [1938]. Hard Cover. Number VI of 108 copies. Signed and numbered by the artist. Includes fifteen plates. Thirteen are original watercolors by the noted artist, Kurt Roesch, twelve of which are hand-colored. The frontispiece and a second hors-text plate are lithographs. This is an overlooked livre dÕartiste, published six years before the press printed Orpheus, a book recognized in The Artist and the Book 1860-1960. This work is the whimsical and mysterious story of a boy, Sprig, and his horse Turfy, and their nighttime adventure and transformation. In the colophon, Roesch writes: ÒThis Archetype Edition of Sprig and Turfy is not only the first but unique in the history of the printed book. It is conveniently limited to one hundred and eight copies, each containing original paintings in watercolor over a key plate in black, printed by S.A. Jacobs, The Golden Eagle Press, Mount Vernon, N.Y.Ó. Bound in tan buckram with a gilt device on the front board, cloth ties, in a tri-fold chemise in a slipcase, both also covered in tan buckram. Book in near fine condition. Slipcase and chemise are very good with light wear. Unpaginated. PRI/081111. Near Fine.

      [Bookseller: The Kelmscott Bookshop ]
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        FOGLI DI DISPOSIZIONI - 175 esemplari - ( a cura del partito nazionale fascista) emessi dal numero 1022 del 27 marzo 1938 al numero 1447 del 27 ottobre 1939, Roma, Istituto Poligrafico dello Stato, 1938

      21,5 x 31,6, fogli stampati solitamente su due facciate e firmati sempre dal segretario del P.N.F. STARACE dal palazzo del Littorio in ROMA. Hanno tutti .per oggetto normaive, nomine, avvisi, iscrizioni, disposizioni generali organizzative, uniformi, alloggi, classifiche di concorsi (esempio Littoriali), trasferimenti ecc. ecc. Questi fogli sono in pratica una specie di "Gazzetta ufficiale del partito" e formano una notevole informazione, che li rendono assai interessanti per analisi e ricostruzioni storiche.(specialmente per individuare i "percorsi e rimbalzi" di nominativi assai noti) Sorprendente che questi fogli SCIOLTI siano arrivati a noi, ordinati ed in buone condizioni, dopo circa 70 anni!

      [Bookseller: Libreria e Rivisteria Ferraguti]
 11.   Check availability:     maremagnum.com     Link/Print  


        SELECTED POETRY OF ROBINSON JEFFERS

      New York: Random House, 1938. . First printing. . A lovely copy, just about fine in tan cloth with a printed label on the spine, but lacking the dj - . Interesting association copy INSCRIBED for noted bibliophile Albert Bender "by his friend" and dated at Tor House, Carmel in 1938 underneath four lines of poetry in Jeffers' hand. Further inscribed by Bender to noted San Franciscan Marjorie Gunst in 1939. (Gunst was one of the founders of the Friends of the San Francisco Public Library and much later was instrumental in the building of the new library.) Bookplate of Bender on front pastedown. Index of first lines.xvii, 622 pp.

      [Bookseller: bookfever.com]
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        Tribute to Ballet in Poems

      London: Collins, 1938.. Illustrated by Edward Seago. First Edition. Good. 4to Edition limited to 100 copies signed by author and artist,. Greem morocco spine over white cloth boards, tissue guarded mounted colour plates, bw illustrations, 71pp + xiii. Spine is faded and endpapers parted but binding is tight and contents crisp and clean.

      [Bookseller: Jackdaw Books]
 13.   Check availability:     UKBookworld     Link/Print  


        Tribute to Ballet, in poems by... and pictures by Edward Seago.

      London (1938).. Limited edition, no. 43 of 100 copies signed by both Masefield and Seago, 4to, 72 pp, 12 coloured plates tipped in with captioned tissues plus 4 drawings and 14 black and white illustrations, small label to foot of paste down, original green quarter morocco, t.e.g., white buckram sides, some slight discolouration to spine else a fine copy in the original slipcase. Handley-Taylor p62.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
 14.   Check availability:     UKBookworld     Link/Print  


        T.E.Lawrence to his Biographer Robert Graves [and] Liddell Hart. Information about himself, in the form of letters, notes, answers to questions and conversations. Edited with notes and critical commentaries by Robert Graves and B.H.Liddell Hart

      Faber & Faber Limited, London, 1938. First Edition, presented in two volumes and limited to 1000 numbered and signed copies (by Graves and Hart respectively), these two being #382 (half of the print run was for distribution in the UK and the remainder for the US). 187pp & 233pp. Full buckram, lettered and ruled in gold at spines and upper boards. Top edges gilt, others untrimmed. Each volume with a different portrait frontispiece. A little light browning to the recto of each colophon page and spines just a fraction sunned as is common, else both volumes in fine state, missing the unprinted acetate protectors but with the original cloth covered slipcase, just a little marked and fingered.. Signed by Author(s). 1st Edition. Hardcover. Near Fine.

      [Bookseller: Clearwater Books]
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        THE LONG VALLEY. Signed

      New York: The Viking Press, 1938 First edition, first issue. [His first book published by Viking]. An excellent near fine example neatly signed by the author in black ink on the front free endpaper: "John Steinbeck / 1945" 8vo., 303pp., terra cotta & beige buckram boards. A very nice copy of this important Steinbeck short story collection [13] which includes the classic 'Saint Katy the Virgin', 'Flight', 'Johnny Bear', the 4 stories comprising 'The Red Pony'. The binding is bright, the endpapers clean & free of the endemic darkening & spotting found in most copies, the brown topstain is unfaded. In a very good or better first issue correctly priced, corners unclipped dust jacket showing light use with one small chip at the crown professionally restored. The jacket features the Elmer Hader illustration of the red pony overlooking the Salinas Valley, 'The Long Valley' of the title. Goldstone & Payne A11a, Morrow 90A. Only 8000 copies printed - much fewer than Grapes at 50000 or East at 100000. A title seldom found signed.. Signed by Author. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        The Lovers of Teruel. A Drama in Four Acts in Prose and Verse (Gregynog)

      Newtown, Montgomeryshire: The Gregynog Press, 1938 Bound in full red niger goatskin, covers decorated with a blind stamped Moorish design of interlaced strapwork, 3 imitation spine bands outlined in blind. Gilt spine tooling, top edge gilt, fore edge and tail uncut, signed on paste down of lower cover Gregynog Press Bindery, (iv), v-x, (2), 112, (2) pp. An edition limited to just 155 copies of which this is one then there were 20 specials. Completed on 14th September 1938 and then published 2nd November, 1938. Some offsetting to turnins to first and last few blanks. A very attractive production. (Harrop 38, p205)

      [Bookseller: Madoc Books]
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        The Praise and Happinesse of the countrie-Life

      Newtown, Montgomeryshire: Gregynog Press, 1938 Written originally in Spanish by Don Antonio De Guevara & Put into English by H Vaughn, Silurist. In a fine binding by Paul C Delrue - Full fine polished Harmatan leather binding, sewing on 4 Irish lining tapes, endpapers sewn on silk thread, blind decoration on the boards with title hand lettered in 8 pt along the spine, long title, silk sewn headbands rounding and backing, leather label. The original sheets had never been take from their delivery box prior to Delrue's binding. Printed by James Wardrop of the Gregynog press in an edition limited to 400 copies. This copy is un-numbered. (xv), 37 pp, reprinted from the edition of 1651, with an introduction by Henry Thomas, and wood engravings by Reynolds Stone. Magnificent to say the least!

      [Bookseller: Madoc Books]
 18.   Check availability:     IOBABooks     Link/Print  


        LA NAUSÉE [Nausea]. Presentation Copy

      Paris: Gallimard, 1938 " L a n a u s é e . . . c ' e s t m o i . " Sartre, Jean-Paul. LA NAUSÉE [Nausea]. Paris: Gallimard, [1938]. 8vo., original publishers wrappers, 223pp. First Edition Advance Review Copy with "S.P." on the lower front cover. A near fine splendid example especially for a "Service de Presse" copy. Sartre's much sought after First Book. His Presentation Copy, inscribed in dark blue fountain pen on the second blank page; "A Monsieurs Rivière / en homage de l'auteur / JP Sartre". An exceptional copy of this cornerstone work of existentialism. Connolly, The Modern Movement, #84. With, Sartre, Jean-Paul. NAUSEA. London: Hamish Hamilton, 1962. hardbound. 8vo., 238pp. A near fine copy in dustwrapper designed by Patricia Davey. First Edition Thus translated by Lloyd Alexander, originally published in 1949 under the title "The Diary of Antoine Roquentin". Custom TBCL collector's clamshell case with compartments for both books in fine condition. "Nobody is better qualified than the commercial traveller over there to sell Swan toothpaste. Nobody is better qualified than that interesting young man to fumble about under his neighbour's skirts. And I am among them and if they look at me they must think that nobody is better qualified than I to do what I do. But I know. I don't look very important but I know that I exist and that they exist. And if I knew the art of convincing people, I should go and sit down next to that handsome white-haired gentleman and I should explain to him what existence is. The thought of the look which would come on to his face if I did makes me burst out laughing." The rationality & solidity of this world, Roquentin thinks, is a veneer. "Nausea (orig. French La Nausée) is an epistolary novel by the existentialist philosopher Jean-Paul Sartre, published in 1938 and written while he was teaching at the lycée of Le Havre. This is Sartre's first novel and one of his best-known. The novel concerns a dejected historian in a town similar to Le Havre, who becomes convinced that inanimate objects and situations encroach on his ability to define himself, on his intellectual and spiritual freedom, evoking in the protagonist a sense of nausea. It is widely considered one of the canonical works of existentialism. Sartre was awarded (but declined) the Nobel Prize for literature in 1964. They recognized him "for his work which, rich in ideas and filled with the spirit of freedom and the quest for truth, has exerted a far-reaching influence on our age." He was one of the few people ever to have declined the award, referring to it as merely a function of a bourgeois institution. In her La Force de l'âge (The Prime of Life - 1960), French writer Simone de Beauvoir claims that La Nausée grants consciousness a remarkable independence and gives reality the full weight of its sense. It has been translated into English at least twice; by Lloyd Alexander as "The Diary of Antoine Roquentin" (John Lehmann, 1949) and by Robert Baldick as "Nausea" (Penguin Books, 1965)". - Wikipedia. Signed by Author. First Edition.

      [Bookseller: TBCL The Book Collector's Library]
 19.   Check availability:     IOBABooks     Link/Print  


        JEAN DUFY. Othon Friesz. als

      New York: Plaza Hotel / Perls Galleries, n.d. 1938., 1938 4 page, 5" x 8 3/4" folded exhibition promotional catalogue printed in black & white on stiff semi-gloss paper stock. With the original Othon Friesz autograph manuscript used as text for the introduction of the catalogue of the Jean Dufy exhibition held at the Perls Galleries. Written in French on The Plaza Hotel, New York, stationery, 1938, 1 page, about 6 by 8 inches, in very good plus condition. The manuscript in Friesz's hand is not signed but credited in the catalogue in which the introduction by Friesz has been translated into English. Friesz writes: "An Exhibition of Jean Dufy's works coincides with my sojourn in New York. I am happy to see the sparkling and witty canvases of our "little" Jean so fortunately placed here. It has been said too often, and erroneously, that he imitates his big brother Raoul. Surely, he directly stems from him. He absorbed the color technique of his elder brother, as well as the expressive and spontaneous form of statement which he uses with savor to express his very personal emotions. But to see him as any servile imitation of Raoul Dufy would be a serious blunder. In the case of brothers so closely united within their family and their lives - was not Jean the best draftsman in his brother' s atelier? - it would be almost strange that they should not resemble each other. Instead of deploring the resemblances, one should rather see in the case of the brothers Dufy a situation paralleling that of the brothers Le Nain". Othon Friesz was one the most important painters at the start of the twentieth century; one of the founders & leading painters of Fauvism from Le Havre, along with George Braque & Raoul Dufy. During his early years of painting before & in the Fauve style, he often painted & exhibited with Henri Matisse, Albert Marquet, Henri Manguin, Jean Puy, Andre Derain, Maurice Vlaminck and others. He remained a life long friend of Raoul Dufy, both of whom were born & learned art in Le Havre. A lovely item. Original artist autograph manuscripts like Friesz are extremely scarce & seldom come on the market. This one is enhanced because it discusses one great artist's impressions of another. [Some glue mounting remains on the verso of the catalogue otherwise fine]. Signed by Author. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
 20.   Check availability:     IOBABooks     Link/Print  


        NINE CHAINS TO THE MOON. Inscribed

      Philadelphia: J.B. Lippincott, 1938 First Edition of Buckminster Fuller's first book. Excellent Presentation Copy, inscribed by the author on the front pastedown. 'To ...with confidence in his ability to demonstrate creative responsibility in his day for other men'. 8vo. 406 pp. A better than very good copy, (dedicatees discreet name lightly stamped on the eps.), in copper-coloured cloth, black titles to the spine and front board in a bright, fresh dustwrapper with light overall general use. All fold-out charts and appendices present. Fuller introduces his concept of the "phantom captain" and many ideas seminal to his remarkable lifelong experiment of 'thinking out loud'.. Signed by Author. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Prager Presse 15.. September 1938-31. Dezember 1938.

      Complete run of the Prague daily newspaper, no. 230 - no. 321 (82 issues), Praha/Prag/Prague 1938. Folio (45,5x31 cm). Some illustrations. Contemporary black half-calf binding. Generally well-preserved.. Important documentation of the Munich Agreement of September 1938 and the events before and after seen from a Czech perspective. The Czechoslovakian republic was forced to cede the socalled Sudetenland to Nazi Germany on the altar of European peace, caused by the controversial Anglo-French top-level diplomacy at the Munich conference between Neville Chamberlain, French prime minister Daladier and Mussolini and Hitler. ** The German language newspaper Prager Presse was founded in 1920 by the first Czech president Tomas Masaryk as an official newspaper (expressing the views of the new republic) for the German minority in Czechoslovakia. It was closed in 1939

      [Bookseller: Vangsgaards Antikvariat]
 22.   Check availability:     Antikvariat     Link/Print  


        Cecil Beaton's New York (SIGNED 1ST EDITION)

      Philadelphia & New York: J. B. Lippincott Company. Good+ in Fair Dust Jacket. 1938. First Edition, First Printing. Hardcover. Bright yellow cloth hardcover with title stamped in black onto spine and top board, small quarto, 8-3/4" x 5-7/8" [22.2 cm x 14.9 cm], all edges trimmed, top edge stained purple, pp. viii, 261. With 117 B&W photographs and two additional photographic collages, one consisting of 13 photos and one consisting of 29 photos, 60 line drawings (inc. one set of 8 illustrations drawn in the outer margins of 2 pages), one line of sheet music and a color illustrated frontispiece. "First Published October 1938" on copyright page. Book with stains and fading to cloth, top-edge stain of text block faded and an 3/4" closed tear at the bottom corner of p. 101, contents Near Fine. Dust jacket darkened at edges, having small chips to corners and edges with chips to spine ends, affecting top corner of front panel and foot of spine with one 1-1/4" x 1-1/4" piece detached, but still present. DJ spine is sunned, worn and cracked at foot of spine/panel folds, rear panel now detached at spine. Front and back panels still bright and colorful; not price-clipped, with $4.00 price at bottom of front flap. Inscribed and signed on ffep "Best Wishes/ Cecil Beaton (underline flourish)". Signed by Author .

      [Bookseller: Harropian Books, IOBA]
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        [Autographes d'exception & Les Introuvables (ou presque)] Les vanilliers

      Paris: Gallimard, 1938. Broché. 12x19cm. Edition originale dont il n'a pas été tiré de grands papiers, un des ex du service de presse. Rare et précieux envoi autographe signé de l'auteur à Germaine Krull. - Gallimard, Paris _1938, 12x19cm, broché. - Autographes d'exception & Les Introuvables (ou presque) broché

      [Bookseller: Librairie Le Feu Follet]
 24.   Check availability:     Biblio     Link/Print  


        THE LONG VALLEY. Signed

      New York: The Viking Press, 1938 First edition, first issue. [His first book published by Viking]. An excellent near fine example neatly signed by the author in black ink on the front free endpaper: "John Steinbeck / 1945" 8vo., 303pp., terra cotta & beige buckram boards. A very nice copy of this important Steinbeck short story collection [13] which includes the classic 'Saint Katy the Virgin', 'Flight', 'Johnny Bear', the 4 stories comprising 'The Red Pony'. The binding is bright, the endpapers clean & free of the endemic darkening & spotting found in most copies, the brown topstain is unfaded. In a very good or better first issue correctly priced, corners unclipped dust jacket showing light use with one small chip at the crown professionally restored. The jacket features the Elmer Hader illustration of the red pony overlooking the Salinas Valley, 'The Long Valley' of the title. Goldstone & Payne A11a, Morrow 90A. Only 8000 copies printed - much fewer than Grapes at 50000 or East at 100000. A title seldom found signed.. Signed by Author. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
 25.   Check availability:     Biblio     Link/Print  


        Murphy

      London: George Routledge & Sons Ltd,, 1938. Octavo. Original green cloth, titles to spine gilt. With the dust jacket. Housed in a black quarter morocco solander box made by The Chelsea Bindery. Top edge very slightly dusty but an exceptional copy in the dust jacket. First edition, first impression, first issue binding with the smooth green cloth and gilt titles, one of no more than 718 copies thus. Beckett's first novel is recognized now as one of the greatest comic novels in the language, but most of the established UK publishing houses refused the book until George Reavey approached Herbert Read, chief reader of literature for Routledge, who published the book in their short-lived series of international fiction. A rarity in dust jacket - we know only of a handful of examples. The book was bound by Webb Son and Co. in three batches: Feb 1938, Nov 1941, and April 1942. The first binding was smooth cloth, as here: according to Federman and Fletcher, wartime shortages may have resulted in later bindings in a coarser cloth. Of the total first printing of 1,500 copies, 782 were reissued as a cheap edition in 1942 in a coarser cloth, with the jacket overstamped.

      [Bookseller: Peter Harrington]
 26.   Check availability:     Biblio     Link/Print  


        LES MISERABLES. In the Translation by Lascelles Wraxall authorized by the Author. Printed with a new introduction by Andre Maurois and with illustrations by Lynd Ward

      The Heritage Press. New York.,1938. Five volumes bound into 2. 8vo. (9.1 x 6.2 inches). Fully illustrated with well over a hundred of Lynd Ward's fine woodcuts throughout the text. A fine, clean copy in beautiful mid twentieth century fine bindings by Frost & Co. of Bath. Half red calf, spines with five raised bands each with gilt piping. The compartments ruled, decorated and lettered in gilt. Burgundy and green labels, gilt. Red cloth on boards. Marbled endpapers. Top edges gilt. Small (about half an inch) area of loss to the top headband of the second volume but still overall a lovely, highly decorative binding on this classic book.:

      [Bookseller: Paul Foster Books]
 27.   Check availability:     Biblio     Link/Print  


        SALOME

      London: Limited Editions Club, 1938. Hardcover. Minor wrinkling to the covers of the wrappers volume, as with nearly all copies we have seen, but with none of the internal foxing so typical to this volume which, in this case, still has its glassine present. Fine in solid slipcase with rubbed edges and sunned spine. Andre Derain and Aubrey Beardsley. Two quarto volumes (8" x 11"), copy #544 of 1500 numbered copies. The first volume in black wrappers is the French original illustrated by Andre Derain with gouache drawings on black paper reproduced through the pochoir process and SIGNED by him on the colophon page. The other volume in gilt-decorated cloth is the English translation by Lord Alfred Douglas with illustrations from the first edition by Aubrey Beardsley including four omitted from the original. Name of William S. Paley stamped in red ink in small type on the front free endpaper of each volume. Paley was the chief executive who built Columbia Broadcasting System (CBS) from a small radio network into one of the foremost radio and television network operations in the United States.

      [Bookseller: Charles Agvent]
 28.   Check availability:     Biblio     Link/Print  


        (Sketchbook and photograph)

      (Before 1938). Octavo. (30)ff. Contains two full-page charcoal drawings, one of the interior of a railway carriage and the other of a landscape. Together with a laid-in photograph of Huxley holding a small dog, signed in full on the mat and housed in a paper folder. Huxley’s bookplate, with his facsimile signature, is affixed to the inside cover of the sketchbook, above which is the label of the art shop where Huxley purchased the notebook. A 1938 catalogue description is also laid-in. Photograph’s wallet-style enclosure is split along the sides and mat has a tear, not affecting signature; photograph fine.

      [Bookseller: Bromer Booksellers]
 29.   Check availability:     Biblio     Link/Print  


        JEAN DUFY. Othon Friesz. als

      New York: Plaza Hotel / Perls Galleries, n.d. 1938., 1938 4 page, 5" x 8 3/4" folded exhibition promotional catalogue printed in black & white on stiff semi-gloss paper stock. With the original Othon Friesz autograph manuscript used as text for the introduction of the catalogue of the Jean Dufy exhibition held at the Perls Galleries. Written in French on The Plaza Hotel, New York, stationery, 1938, 1 page, about 6 by 8 inches, in very good plus condition. The manuscript in Friesz's hand is not signed but credited in the catalogue in which the introduction by Friesz has been translated into English. Friesz writes: "An Exhibition of Jean Dufy's works coincides with my sojourn in New York. I am happy to see the sparkling and witty canvases of our "little" Jean so fortunately placed here. It has been said too often, and erroneously, that he imitates his big brother Raoul. Surely, he directly stems from him. He absorbed the color technique of his elder brother, as well as the expressive and spontaneous form of statement which he uses with savor to express his very personal emotions. But to see him as any servile imitation of Raoul Dufy would be a serious blunder. In the case of brothers so closely united within their family and their lives - was not Jean the best draftsman in his brother' s atelier? - it would be almost strange that they should not resemble each other. Instead of deploring the resemblances, one should rather see in the case of the brothers Dufy a situation paralleling that of the brothers Le Nain". Othon Friesz was one the most important painters at the start of the twentieth century; one of the founders & leading painters of Fauvism from Le Havre, along with George Braque & Raoul Dufy. During his early years of painting before & in the Fauve style, he often painted & exhibited with Henri Matisse, Albert Marquet, Henri Manguin, Jean Puy, Andre Derain, Maurice Vlaminck and others. He remained a life long friend of Raoul Dufy, both of whom were born & learned art in Le Havre. A lovely item. Original artist autograph manuscripts like Friesz are extremely scarce & seldom come on the market. This one is enhanced because it discusses one great artist's impressions of another. [Some glue mounting remains on the verso of the catalogue otherwise fine]. Signed by Author. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
 30.   Check availability:     Biblio     Link/Print  


        Everybody's Shakespeare. Three Plays

      Woodstock, IL: The Todd Press,, 1938. Edited for Reading and Arranged for Staging [by] Orson Welles and Roger Hill. Octavo. Original tan cloth, pictorial endpapers. Illustrations throughout. Binding tanned, spotted, and a little rubbed, spotting to edges of text block. A very good copy. Second edition, revised. Originally published in 1934. Signed by editors Orson Welles and Roger Hill on the front blank.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  


        High Street

      London, Country Life, Printed at the Curwen Press 1938, 1938. First Edition, First Impression. 8vo. Original lithographic boards printed in brown, blue and black. 24 full page colour lithographs by Ravilious. Neat ink inscription to flyleaf, some minor chipping to head of spine, rubbed to extremities of backstrip, otherwise a most presentable example of one of the most famous illustrated books of the century. Ravilious was both Captain in the Royal Marines and an official war artist when he was killed in action, aged 39, during a air-sea rescue in Iceland, September 1942.

      [Bookseller: Adrian Harrington Rare Books]
 32.   Check availability:     Biblio     Link/Print  


        The Flying Dutchman

      (London: Corvinus Press, 1938). Quarto. (105)pp. One of 130 copies. The text of this opera is rendered in both German and English on facing pages and is printed in red and black. In a unique binding of full black morocco by British artist Denise Lubett. Lubett was born in Paris in 1922 and studied bookbinding in England. She received the prize for the best binding by a woman binder in the Thomas Harrison Memorial Competition in 1968 and was elected to be a member of the Designer Bookbinders in 1971. Of her approach to binding, Lubett wrote: "The bindings can only hope to catch one element of the book it adorns, but its allusion should be positive in its abstraction." This philosophy is apparent in the binding of The Flying Dutchman, where she has applied onlays of bluish green morocco, puckered and highlighted with white to give the impression of a stormy sea. The technique of puckering leather for visual effect was innovated by Lubett. The doublures are also covered in a matching bluish green morocco showing a design of sails in gilt and blind fillets. Fine in a gilt-stamped quarter-morocco chemise and morocco-edged slipcase, both lined with teal felt.

      [Bookseller: Bromer Booksellers]
 33.   Check availability:     Biblio     Link/Print  


        We Are Not Alone [radio play]

      Santa Monica, Ca, [ca. 1938]. 4to. A heavily worked over typescript (incorporating elements of several drafts, it would appear) of Hilton's own distillation/adaptation to radio of his 1937 novel. 28 numbered leaves plus lettered inserts, and duplicate leaves bearing revised or earlier texts. 28 numbered leaves plus lettered inserts, and duplicate leaves bearing revised or earlier texts. Last seven leaves torn in from fore-edge, and two rather creased, but without loss of text. Generally good to very good. In grey cloth slipcase, with leather label and chemise . The first leaf of the typescript is titled, signed and captioned by him, including his Santa Monica address. Accompanied by a mimeographed typescript, [2],35 leaves (33x20.2 cm), punched and ribbon bound at corner, printing the final text for broadcast on 6 April 1938. The broadcast was produced by Barbara Burnham, who also is credited as co-writer on the final script. The text in Hilton's manuscript is at wide variance from the text of the final broadcast script

      [Bookseller: James Cummins Bookseller]
 34.   Check availability:     Biblio     Link/Print  


        The Hobbit, or There and Back Again, 1st US Edition, 1st State, with Original Dustjacket

      Boston and New York: Houghton Mifflin, 1938. 1st Edition. Hard Cover. J.R.R. Tolkien. 8vo - over 7¾" - 9¾" tall. The Hobbit or There and Back Again, by J.R.R. Tolkien. The 1st US Edition, 1st Impression in its original Dustjacket. A wonderful copy of an extremely collectable book, housed in it's very rare and newly professionally restored original dustjacket. This is the 1st Edition, 1st Impression, 1st State, with the Bowing Hobbit on the title page. The maps are bound opposite to the order of the List of Illustrations, as per Hammond and Anderson. Chapter VII header is uncorrected and reads as 'Chapter VI' This book features the 4 color and 9 black and white illustrations by Tolkien, all of which are present and in extremely clean and bright condition. There is a previous owners name to the front endpaper. The text block and maps are very clean and bright, without any foxing or offsetting whatsoever. There is a minor moisture mark at the bottom of the gutter on both the front and back map, no other pages show the moisture mark. The blank side of the rear (map) free endpaper also shows a drip line on the outer edge of the page that does show thru on the map side, and there is what appears to be a bookstores price stamp, and another number stamped at the bottom of the page. Very minor but noted for accuracy. The text block is tight with no loose pages or any separation from the binding. The original cloth shows only the most minor shelf wear on the tips of the bottom edges, very clean and unmarked. The very rare 1st Dustjacket, is original and newly restored, mainly to fix a couple of closed tears and some minor loss to the edges and spine tips. A beautiful professional restoration which presents this quite scarce dustjacket exquisitely. I have provided a custom clamshell case, Fully Bound in Black Leather with the Title, Author, Dwarve's Hat, and Publisher gilt stamped to the spine, along with the Bowing Hobbit and Title to the front. The inside of the case is lined with Black Silk Moire to protect and house this classic of modern fiction. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Near Fine / Near Fine.

      [Bookseller: The Tolkien Bookshelf]
 35.   Check availability:     IOBABooks     Link/Print  


        The Hobbit, 1st US Edition, 1st Impression, 3rd State, with Custom Slipcase

      Boston and New York: Houghton Mifflin, 1938. 1st Edition. Hard Cover. J.R.R. Tolkien. 8vo - over 7¾" - 9¾" tall. A Very Good copy of an extremely collectable book. This is the 1st Edition, 1st Impression, 3rd State, with the publishers device on the title page. The maps are in the proper order as per the List of Illustrations. This book also has the half title page as called for, and has the corrected 'Chapter VII' on page 118. It features the 4 color and 9 black and white illustrations by Tolkien, all of which are present and in extremely clean and bright condition. The text block and maps are also very clean and bright. No names or inscriptions. One minor bump to the front edge of the boards, has parted the cloth. The textblock edges are dusty, with a couple of spatter marks on the bottom edge. The original cloth shows a little soiling to the boards, and some light wear on the tips of the spine, where the cloth has split, but there is no loss. The only fault with this book, the front boards have an ink spill and a few spatter dots on it. Other than the spill marks, the boards are very clean and only lightly soiled. I have provided a one piece facsimile of the very rare 1st Dustjacket, as well as a custom slipcase to help protect and show this lovely classic of modern fiction. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Very Good / Facsimile Only.

      [Bookseller: The Tolkien Bookshelf]
 36.   Check availability:     IOBABooks     Link/Print  


        THE HOBBIT OR THERE AND BACK AGAIN ... ILLUSTRATIONS BY THE AUTHOR

      Boston: Houghton Mifflin, 1938.. Cloth. Frontis, plates and endsheet maps. Near fine, tight and bright, in near very good dust jacket, with a few short tears and creases at edges and flap folds, shallow loss at head and toe of spine, and old tape repairs to a longer (5 cm) tear in the bottom edge of the lower panel and around the crown of the spine First American edition, first printing (or 'state'), with the bowing Hobbit device on the title, the endsheet maps reversed from their designation in the table of illustrations, no half- title, etc. The bibliographers report that the first American edition (by implication, including both states or printings) consisted of five thousand copies. Tolkien contributed his own four color plates to this American edition due to his concerns that work by American artists might not be compatible with his line drawings. Uncommon in any original form of the dust jacket. HAMMOND & ANDERSON A3B1. BLEILER, p.194.

      [Bookseller: William Reese Company - Literature ABAA-]
 37.   Check availability:     Biblio     Link/Print  


        The Hobbit, or There and Back Again, 1st US Edition, 1st State, with Original Dustjacket

      Boston and New York: Houghton Mifflin, 1938. 1st Edition. Hard Cover. J.R.R. Tolkien. 8vo - over 7¾" - 9¾" tall. The Hobbit or There and Back Again, by J.R.R. Tolkien. The 1st US Edition, 1st Impression in its original Dustjacket. A wonderful copy of an extremely collectable book, housed in it's very rare and newly professionally restored original dustjacket. This is the 1st Edition, 1st Impression, 1st State, with the Bowing Hobbit on the title page. The maps are bound opposite to the order of the List of Illustrations, as per Hammond and Anderson. Chapter VII header is uncorrected and reads as 'Chapter VI' This book features the 4 color and 9 black and white illustrations by Tolkien, all of which are present and in extremely clean and bright condition. There is a previous owners name to the front endpaper. The text block and maps are very clean and bright, without any foxing or offsetting whatsoever. There is a minor moisture mark at the bottom of the gutter on both the front and back map, no other pages show the moisture mark. The blank side of the rear (map) free endpaper also shows a drip line on the outer edge of the page that does show thru on the map side, and there is what appears to be a bookstores price stamp, and another number stamped at the bottom of the page. Very minor but noted for accuracy. The text block is tight with no loose pages or any separation from the binding. The original cloth shows only the most minor shelf wear on the tips of the bottom edges, very clean and unmarked. The very rare 1st Dustjacket, is original and newly restored, mainly to fix a couple of closed tears and some minor loss to the edges and spine tips. A beautiful professional restoration which presents this quite scarce dustjacket exquisitely. I have provided a custom clamshell case, Fully Bound in Black Leather with the Title, Author, Dwarve's Hat, and Publisher gilt stamped to the spine, along with the Bowing Hobbit and Title to the front. The inside of the case is lined with Black Silk Moire to protect and house this classic of modern fiction. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Near Fine / Near Fine.

      [Bookseller: The Tolkien Bookshelf]
 38.   Check availability:     Biblio     Link/Print  


        The Hobbit, 1st US Edition, 1st Impression, 3rd State, with Custom Slipcase

      Boston and New York: Houghton Mifflin, 1938. 1st Edition. Hard Cover. J.R.R. Tolkien. 8vo - over 7¾" - 9¾" tall. A Very Good copy of an extremely collectable book. This is the 1st Edition, 1st Impression, 3rd State, with the publishers device on the title page. The maps are in the proper order as per the List of Illustrations. This book also has the half title page as called for, and has the corrected 'Chapter VII' on page 118. It features the 4 color and 9 black and white illustrations by Tolkien, all of which are present and in extremely clean and bright condition. The text block and maps are also very clean and bright. No names or inscriptions. One minor bump to the front edge of the boards, has parted the cloth. The textblock edges are dusty, with a couple of spatter marks on the bottom edge. The original cloth shows a little soiling to the boards, and some light wear on the tips of the spine, where the cloth has split, but there is no loss. The only fault with this book, the front boards have an ink spill and a few spatter dots on it. Other than the spill marks, the boards are very clean and only lightly soiled. I have provided a one piece facsimile of the very rare 1st Dustjacket, as well as a custom slipcase to help protect and show this lovely classic of modern fiction. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Very Good / Facsimile Only.

      [Bookseller: The Tolkien Bookshelf]
 39.   Check availability:     Biblio     Link/Print  


        Marlborough: His Life and Times, full set of jacketed six U.S. first editions in the publisher's slipcase

      Winston Churchill's monumental biography of his great ancestor, John Churchill, the first Duke of Marlborough, took years of research. The final volume was published on the eve of the Second World War. Churchill expert Richard Langworth says "To understand the Churchill of the Second World War, the majestic blending of his commanding English with historical precedent, one has to read Marlborough." The British first edition was issued in four volumes. The U.S. publisher chose to split the first two volumes into two books each, resulting in a six volume set that is otherwise identical in content to the British. Upon publication of the sixth and final volume in 1938, the publisher sold the full, uniform jacketed set boxed in a dark green publisher's slipcase for $16.50. Today such slipcased sets are quite rare indeed. Here is one - a full set of jacketed U.S. first edition, first printings in the original publisher's slipcase. The slipcase has done its job, and all six books within are pristine. The green cloth bindings are immaculate, square, and tight. The contents of all six volumes are pristine - crisp, clean, bright, and tight. No spotting. No inscriptions. Even the text block edges are unusually clean. All six are first edition, first printings, with the Scribner's "A" on the copyright page. The dust jackets are bright and clean with only light wear to extremities, including some scuffing to the spines. The only loss of note is minor chipping at the head of the Volume I spine to a depth of 1/8 inch. All six jackets are neatly price-clipped. The green publisher's slipcase is significantly edge worn and split along two of the back seams. Nonetheless, it is complete and notable for its scarcity in any condition. Bibliographic reference: A97.4(I-VI).a, Woods/ICS A49(ba), Langworth p.169.

      [Bookseller: Churchill Book Collector]
 40.   Check availability:     Biblio     Link/Print  


        The Evolution of Physics:The Growth of Ideas from Early Concepts to Relativity and Quanta

      New York: Simon & Schuster, 1938.. First edition. Octavo, original blue cloth. Inscribed by Albert Einstein and dated in 1939. Contemporary name on the front endpaper (the recipient of the inscription from Einstein), else near fine in a very good later issue dust jacket.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 41.   Check availability:     Biblio     Link/Print  


        Londres de nuit. Soixante-quatre photographies de Bill Brandt. Préface par André Lejard

      Paris: Art et Métiers Graphiques, 1938. 8° (25 x 19 cm) . Original photoillustrated wrappers. With 64 fine photogravure reproductions, captions in English and French. Light wear to edges of cover and rear cover with some minor soiling. Rebacked professionally. Contemporary name (neat) in ink to half title (dated 1938) otherwise contents clean and bright. Please inquire for more pictures of this item.. The rare first French edition. Parr & Badger 138. Hasselblad 126-127 ; Auer 264

      [Bookseller: Kirkegaards Antikvariat]
 42.   Check availability:     Antikvariat     Link/Print  


        The Nonesuch Dickens

      London: The Nonesuch Press,, 1938–9. Published under the editorial direction of Arthur Waugh, Hugh Walpole, Walter Dexter and Thomas Hatton. 24 volumes, large octavo. Original buckram in various colours, black morocco label to each spine, top edges rough gilt, others untrimmed. Includes the matching plate box. Illustrated after the original plates. With an original woodblock designed by John Leech. With usual slight fading to spines of five or six volumes, very small chip or bump to lower right-hand corner of the label of Pickwick Papers, the labels otherwise fresh and bright, an excellent set. First Nonesuch edition, one of only 877 sets. This peculiar limitation is due to the inclusion with each set of one of the original plates used in Chapman and Hall's first printings of each title. Since they held in their archive 877 such plates - the majority steel but with a number of wood blocks - the limitation was enforced. This set includes the woodblock for "Mrs. Fielding's Lecture", designed by John Leech for The Cricket on the Hearth.

      [Bookseller: Peter Harrington]
 43.   Check availability:     Biblio     Link/Print  


        The Inland Voyage. Along the Escaut River, the Willebroek, the Sambre and the Oise

      Stamford: Overbrook Press, 1938. Quarto. 138pp. One of 150 copies. Jean Hugo's brilliantly colored gouaches, which begin each chapter, are here reproduced by pochoir by Jean Saude in Paris. The Inland Voyage was considered by Frank Altschul, the printer, to be one of the most ambitious projects of his Press. Among the finest of American pochoir books, it was selected by the American Institute of Graphic Arts as one of the Fifty Books of the Year. A very fine, bright copy in a leather-backed turquoise cloth binding, showing just a trace of toning to the spine. Housed in publisher's cloth-covered slipcase with leather lettering piece.

      [Bookseller: Bromer Booksellers]
 44.   Check availability:     Biblio     Link/Print  


        An Inland Voyage

      The Overbrook Press, 1938 Tourqoise blue cloth boards in good plus condition, yellow spine and paste down in very good plus condition . Slip case fair, lots of edgewear and one broken corners. One hundred and fifty copies have been printed at the Overbrook Press in Stanford, Connecticut. The gouaches by Jean Hugo have been re produced in pochoir by the firm of Jean Saude in Paris; design and composition by Margaret B. Evans; presswork by John F. MacNamara. Inside pages clean and unmarked. ; 8vo 8" - 9" tall

      [Bookseller: Jans Collectables]
 45.   Check availability:     Biblio     Link/Print  

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