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Displayed below are some selected recent viaLibri matches for books published in 1938


      Paris: Obelisk Press, 1938.. Large octavo. Decorated wrappers. First edition of Miller's first collection of short pieces. Wrappers a bit darkened and marked, spine a bit creased, small nick in rear wrapper, short snag at crown of upper joint, otherwise a very good copy. Folding cloth case.

      [Bookseller: William Reese Company - Literature ABAA-]
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      1938. Art. Watercolor size: 12" x 15.5". Frame size: 20.5" x 25.5". Watercolor is signed and dated in lower right. It is in excellent condition in original frame. .

      [Bookseller: New Boston Fine and Rare Books]
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        Original pen-and-ink drawing, "Fascism"

      1938. Grunbaum (1909-2009) was born in Seattle and graduated with a degree in fine arts from the University of Washington. After a brief engagement as a WPA art instructor, he moved to New York City, where he participated in numerous exhibitions of politically-engaged art throughout the Thirties and Forties, as well as serving on the editorial board of the left-wing art journal Art Front. His later career was spent as an art director for various mainstream publications, including The New Republic and Scientific American, but he continued to exhibit work at least through the 1960's. He experimented with both social-realist and surrealist techniques, and the current work clearly draws inspiration from both. A few of the highlights have been touched up with white ink, as if for publication, but we have not discovered a published example of this drawing. Pen-and-ink on heavy composition paper, sheet size 17-1/2" x 22" (ca 45cm x 56cm), with ca. 2" margins on all sides. Slight mat burn; small tear into lower edge (far from image); light soil, still fine and bright. Titled and signed in pencil below image area; also signed and dated in ink, lower right. A large, expertly-rendered composition.

      [Bookseller: Lorne Bair Rare Books]
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        Le bruit et la fureur [The Sound and the Fury]

      Gallimard, Paris 1938 - First French edition. Translated by Maurice E. Coindreau. Original pale blue printed wrappers in French-folded tissue dustwrapper. Spine very slightly tanned, else fine. One of 20 hors commerce copies, this copy Inscribed by the translator to Mlle. Gabrielle Yras. Faulkner's early and staunch appreciation by, and influence upon, French intellectuals prior to his "rediscovery" in America, is well documented. See this book in 3D on our site. [Attributes: First Edition; Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Atlantic Reporter [1st]. Vols. 1-200 (1885-1938)

      1938. Atlantic Reporter [1st]. St. Paul, MN: West Group. Vols 1 to 200, (1885-1938). Volume 1 to 105 leatherbound, volumes 106 to 200 Cloth. Ex-library. Interiors clean. See digital image. Publisher's cloth. * Coverage includes synopses and headnotes for state court appellate cases from nine eastern states, Connecticut, Delaware, Maine, Maryland, New Hampshire, New Jersey, Pennsylvania, Rhode Island, Vermont and the District of Columbia Municipal Court of Appeals.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Wait Until Spring

      Stacpole, 1938. 1st. Hardcover. A VG+ bright tight copy in a VG to VG+ dj litely chipped at spine ends.

      [Bookseller: CANFORD BOOK CORRAL]
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      Angus and Robertson 1938 - First edition;first book by Ion Idriess orange cloth with black titles to spine and front cover.Spine faded with edge wear to hinge edge at rear,slight creases,slight slant to book,cover bright and clean.Block is sound and tight,maps to prelims,Frontis of photographic plate of the log of the wrecked cutter Sea Foam.Neat name on half title page.Rear and front internal hinges have paper cracks only,cloth holding well.Black sketches throughout text.2 pages of publishers advertising at rear.No dust wrapper.RARE first edition. [Attributes: First Edition; Hard Cover]

      [Bookseller: THE BOOK SHOP]
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        Figure Away.

      London: The Crime Club, 1938 - Octavo. Original orange cloth, spine lettered in black, top edge black. With the dust jacket. Contents somewhat foxed; a very good copy in the bright jacket that has some nicks to the extremities. First Colonial issue of the first UK edition. Originally published in the US the preceding year. The tenth Asey Mayo mystery.

      [Bookseller: Peter Harrington. ABA member]
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      Angus and Robertson 1938 - Orange cloth with black titles to spine and front cover.The spine is faded and split down rear hinge,bottom front corner has colour loss.Block is sound and tight,frontis present,prelim map.Pages clean,no names or stamps etc.Rare first book,first edition. [Attributes: First Edition; Hard Cover]

      [Bookseller: THE BOOK SHOP]
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        Calendar of Annual Events in Oklahoma

      Oklahoma: Works Progress Administration, Federal Writers' Project. 1938. First. First edition. Stapled orange wrappers. Illustrated by cowboy artist Wallace Simpson and Oneida Indian artist Walker Boone. WPA Assistant Director Clair Laning's copy, with her ownership signature on the inside front cover. Tiny chips to the front wrap else very near fine. An attractively printed pamphlet, and Jim Thompson's first appearance in print, as Director, prominently noted at the top of the title page. It is likely that Thompson provided the introductions to the various sections of the calendar, and possibly some of the thumbnail descriptions of the various activities in Oklahoma. A rare Thompson item, preceding both Now and On Earth and his first short story appearance. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Le bruit et la fureur [The Sound and the Fury]

      Paris: Gallimard. (1938). First. First French edition. Translated by Maurice E. Coindreau. Original pale blue printed wrappers in French-folded tissue dustwrapper. Spine very slightly tanned, else fine. One of 20 hors commerce copies, this copy Inscribed by the translator to Mlle. Gabrielle Yras. Faulkner's early and staunch appreciation by, and influence upon, French intellectuals prior to his "rediscovery" in America, is well documented. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        T.E. Lawrence to His Biographer, Robert Graves [&] Liddell Hart [2 Vols.]

      Faber & Faber, London 1938 - Limited to an edition of 1,000 numbered copies of which these are both 495, signed by Robert Graves and Liddell Hart in relevant volumes. Bound in red and grey cloth respectively, with gilt title to constrasting title labels, gilt to top, in a special grey cloth covered slipcase. Size: 8vo [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        T.E. Lawrence to his Biographers Robert Graves & Liddell Hart. Two Volumes

      New York:: Doubleday Doran,, 1938. . This two volume set of Lawrence's letters to his two biographers is limited to 500 sets. Originial slipcase is present with some signs of wear toning. The Robert Graves volume is signed by Graves; The Liddell Hart volume is signed by Hart. Both volumes are Near Fine, top edges gilt, with a previous owner's name penciled on the front pastedown in Very Good plus dust jackets with age darkening to the spines; offsetting to the front panel of the Hart volume and to the rear panel of the Graves volume. .

      [Bookseller: Gregor Rare Books]
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      Edition : BORDEAUX, DELMAS, 1938 - Edition originale, un des 15 exemplaires sur Japon d'orient ( numeroté I ) - Images de Maurice Albe, photographies n*ir et blanc - Couverture rempliée - Légères rousseurs au premier plat - Très bel exemplaire (3), 423 pages, broché, 28 cm. Très bon état [Attributes: First Edition; Soft Cover]

      [Bookseller: Livres 113]
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        JEAN DUFY. Othon Friesz. als.

      Plaza Hotel / Perls Galleries, n.d. 1938., New York - 4 page, 5" x 8 3/4" folded exhibition promotional catalogue printed in black & white on stiff semi-gloss paper stock. With the original Othon Friesz autograph manuscript used as text for the introduction of the catalogue of the Jean Dufy exhibition held at the Perls Galleries. Written in French on The Plaza Hotel, New York, stationery, 1938, 1 page, about 6 by 8 inches, in very good plus condition. The manuscript in Friesz's hand is not signed but credited in the catalogue in which the introduction by Friesz has been translated into English. Friesz writes: "An Exhibition of Jean Dufy's works coincides with my sojourn in New York. I am happy to see the sparkling and witty canvases of our "little" Jean so fortunately placed here. It has been said too often, and erroneously, that he imitates his big brother Raoul. Surely, he directly stems from him. He absorbed the color technique of his elder brother, as well as the expressive and spontaneous form of statement which he uses with savor to express his very personal emotions. But to see him as any servile imitation of Raoul Dufy would be a serious blunder. In the case of brothers so closely united within their family and their lives - was not Jean the best draftsman in his brother' s atelier? - it would be almost strange that they should not resemble each other. Instead of deploring the resemblances, one should rather see in the case of the brothers Dufy a situation paralleling that of the brothers Le Nain". Othon Friesz was one the most important painters at the start of the twentieth century; one of the founders & leading painters of Fauvism from Le Havre, along with George Braque & Raoul Dufy. During his early years of painting before & in the Fauve style, he often painted & exhibited with Henri Matisse, Albert Marquet, Henri Manguin, Jean Puy, Andre Derain, Maurice Vlaminck and others. He remained a life long friend of Raoul Dufy, both of whom were born & learned art in Le Havre. A lovely item. Original artist autograph manuscripts like Friesz are extremely scarce & seldom come on the market. This one is enhanced because it discusses one great artist's impressions of another. [Some glue mounting remains on the verso of the catalogue otherwise fine] [Attributes: First Edition; Signed Copy]

      [Bookseller: TBCL The Book Collector's Library]
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        Mein Ausflug in die Politik. Seltsame Erlebnisse eines Sekretarius aus der Zeit Marco Polo's. Zum ersten Male hrsg. von Vincenz Hundhausen.

      Pappelinsel-Werkstatt,, Peking, 1938 - Peking, Pappelinsel-Werkstatt, 1938. 8°. (1) Bl., 294 (6) S. Mit zahlr. Textillustr. nach Holzschnitten und Kupferstichen. Orig.-Pappband mit goldgepr. Rückenschild (leicht berieben und bestossen). Nr. 93 von 300 Ex. - Anonymes Handbuch mit Erlebnisberichten aus der Zeit Marco Polos. Hundhausen der eine spanische Übersetzung des Werkes bei einem Trödler in China erstand übersetzte dieses zurück in die deutsche Originalsprache. Der Jurist, Schriftsteller, Verleger und Sinologe Vincenz Hundhausen (1878-1955) lebte ab 1923 in China, war Professor für vergleichende Literaturgeschichte an der Pekinger Regierungsuniversität und verfasste zahlreiche deutsche Nachdichtungen chinesischer Gedichte und Dramen. Im Rahmen der Kulturrevolution ist er im Frühjahr 1954 aus China ausgewiesen worden. (leicht berieben und bestossen). Orig.-Pappband mit goldgepr. Rückenschild [Attributes: Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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      New York and London: Harper & Brothers Publishers,. 1938. Octavo,. cloth.. A fine copy in nearly fine dust jacket with light wear at edges,. mainly spine ends and corner tips. (#113685). First U.S. edition. Ethel Lina White was a well-known mystery writer of the 1930s and 1940s who published three mainstream novels before her first crime novel, PUT OUT THE LIGHT. Her fourteen crime novels, the last published in 1944, included THE WHEEL SPINS (1936) from which Alfred Hitchcock made the classic film "The Lady Vanishes." Hubin (1994), p. 857.

      [Bookseller: L. W. Currey, Inc.]
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        7 MUST DIE

      Appleton-century, New York 1938 - A superb fine bright copy in like pictorial dustwrapper, neatly price-clipped, of this very uncommon hardboiled nautical & Hawiian murder mystery. Bellah was a war hero in both world wars & he is linked to John Ford who filmed his Novels including: Fort Apache, She Wore a Yellow Ribbon & Rio Grande. Bellah also wrote the screenplays: The Man Who Shot Liberty Valance & Sergeant Rutledge. An excellent copy in swagger condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Die Jugend des Königs Henri Quatre. Roman. / Die Vollendung des Königs Henri Quatre. Roman.

      Amsterdam, Querido Verlag (N.V.), 1938.. [2 Bände] 624 u. 823 S. OLeineneinbandwd.. 1935 u. 1938. EA W/G² 73 und 80 (dort nur Staatsverlag Kiew angegeben) Die beiden Romane erschienen zuerst im Exil in Amsterdam bei Querido und Kiew im Staatsverlag der nationalen Minderheiten 1935 und 1938. (Name auf Vorsatz, Einbände leicht fleckig, Schnitt fleckig) -Wa- Ich versende mit der Deutschen Post (Büchersendung) und der DHL (Pakete). Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 14 Tage.

      [Bookseller: St. Jürgen Antiquariat]
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      Ediciones Letras de México, México 1938 - Homenaje a los poetas españoles en el segundo aniversario de su heroica lucha. Poemas de Antonio Machado; Juan Ramón Jiménez; Leon Felipe; Rafael Alberti; Manuel Altolaguirre; Luis Cernuda; Juan Gil Albert; Miguel Hernández; José Moreno Villa; Emilio Prados; Arturo Serrano Plaja; Antonio Aparicio. Encuadernación en rústica de editorial. Cubiertas originales en óptimas condiciones 55 págs.

      [Bookseller: Valentin Peremiansky]
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      Paris: Obelisk Press, 1938 Volume 1 in the Villa Seurat Series, edited by Henry Miller. First edition. First Issue. Original printed wraps. Octavo. 260pp. A cornerstone of prose fiction & long denied publication in the US until Lawrence gained recognition for his masterwork " .Quartet ." This is a fine copy showing very light use of what has become a Durrell rarity. According to Alan Thomas's Illustrated Checklist/Bibliography, 1983, the first issue did not contain the erratum slip which was added later owing to a mistake in the pagination & only after "a number of copies had been dispatched". Stiff clear Mylar protective outer wrapper. Neat collector's bookplate of editor, [collector], Morley Kennerley. "The books I own are impeccable. The fine binding lie along the wall in the firelight, snoozing softly in richness." - Lawrence Durrell, The Black Book. Collectible copies of this title are few & far between. [From a comprehensive TBCL Durrell collection of first editions in superb condition]. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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      Abilene: The Abilene Daily Chronicle, 1938., 1938. Quarto. Edited and published by C.W. Wheeler, printed in the Abilene Chronicle 1896, reprinted in the Abilene Daily Chronicle 1938, with added material from the papers of J. B. Edwards. Pictorial wrappers. 16 pp., foreward, illustrated. plates, portraits, triple column. Six Guns 662 says "Rare." "The author relates some events of early Abilene and writes of Wild Bill Hickok and Jack McCall. He lived in Abilene from its founding and knew its history first-hand. The last letter I received from him was at the time he autographed a copy of this book for me. He was 102 years old then and died shortly afterward." Near fine copy of a scarce item. HERD 746. SIX GUNS 662.

      [Bookseller: BUCKINGHAM BOOKS]
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        Nine Chains to the Moon

      Philadelphia and New York: J.B. Lippincott. (1938). First. First edition. Boards a bit worn, a very good copy in a price-clipped, near very good dustwrapper with shallow chipping at the extremities, some internal repairs, and considerable rubbing. Signed by the author at a later date. The first book by the designer, inventor, and polymath whose influence has increased with time. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      Lippincott, Philadelphia 1938 - Book: Minor dust along top edge, owner's name; Dust Jacket: Tiny chips at spine ends; Drawings plus two fold-outs in rear [Attributes: First Edition; Hard Cover]

      [Bookseller: Gravelly Run Antiquarians]
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        Our Town

      Coward-McCann, New York 1938 - 128 pages. First edition, first printing. Dust jacket art by A. E. Fisher. Winner of the Pulitzer Prize for Drama. Fine book with the spine a touch faded in a near fine dust jacket with the spine very slightly faded and a tiny bit of wear to the corners. A beautiful copy! [Attributes: First Edition; Hard Cover]

      [Bookseller: Fireproof Books]
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        My Ears Are Bent

      New York: Sheridan House. (1938). First. First edition. Previous owner's neat gift inscription, rear endpaper wrinkled, a very good or better copy in a very good example of the rare dustwrapper with small chips at the crown and rear panel, some rubbing, tears, and other light wear. The author's exceptionally rare first book, a collection of short pieces from his days as a reporter for the New York World-Telegram, the New York Herald Tribune and The New Yorker. Anecdotally it has been said that Mitchell would not allow this book to be reprinted in his lifetime because of some racial characterizations that are now considered inappropriate. This may be the case but Mitchell's writing, while never precious, could hardly be considered insensitive. We have seen only a handful of jacketed copies in thirty years of searching. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Double Jeopardy

      New York: Macaulay Company. (1938). First. First edition. Near fine with light wear to the boards, some darkening to the pastedown gutters from the binder's glue, and a small owner stamp on the front fly, in near fine dustwrapper with mild rubbing and a little offsetting to the front flap from the same owner stamp. The first of Goldsmith's three mysteries, predating his classic Detour by one year. The jacket publicity makes some comparisons of this novel to The Postman Always Rings Twice. Very scarce, particularly in this condition. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Self Portrait

      New York: 1938. Woodcut. 35 x 26 cm. 13-7/8 x 10-/14 inches. One of 10 signed, titled, dated and numbered impressions in pencil on old Japanese paper. Reproduced as the frontispiece in Emory Ladányi Woodcuts, Kövesdy Gallery, New York, 1986.

      [Bookseller: Alan Wofsy Fine Arts]
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        Porträtfoto mit eighd. Widmung, dat. Salzburg 1938. [12,8 x 7,7cm].

      o. O. [Rom ?], 1938 - o. O. [Rom ?], o. J. [um 1938]. Auf dem Blatt mit der Widmung montiert [ca. 31 x 23,5 cm]. - Leicht stockfleckig. - Gui (Rom 1885 - 1975 Florenz) war Dirigent und Komponist. Deutsch

      [Bookseller: Antiquariat Weinek]
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      - Date : 1938 Dimensions : 61 5x100cm Imp : Editions Paul Martial PARIS Condition : entoilée A Affiche originale entoilée en parfait état.

      [Bookseller: Philippe Beguin Affiches et livres ancie]
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      New Haven: Limited Editions Club, 1938. Hardcover. Spines a little sunned, as usual. Close to Fine in a Fine slipcase especially made by the publisher for this copy and differing slightly from the original. John Sloan. Two octavo volumes (6" x 9") bound in the original imported speckled linen with leather labels. Introduction by Theodore Dreiser. Illustrated with 16 ORIGINAL ETCHINGS by John Sloan. Of a total of 1500 copies SIGNED by the artist on the colophon page, this copy is not numbered (in place of the number is written in ink "Office Copy") and bears the Club's blindstamp stating it is one of 25 presentation copies.

      [Bookseller: Charles Agvent]
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        The Friend of the Blackbird

      Flansham, Sussex: at the Pear Tree Press,, 1938. Quarto. Original beige boards, decorated intaglio title label to front board. With the unprinted dust jacket. 18 intaglio impressions printed in black and gold. Slight dust darkening just along board edges, mild partial toning to end leaves, otherwise a superb copy in excellent condition, with the dust jacket spine tanned and somewhat torn at the edges with a little tape repair to front panel top fore-corner. First Pear Tree Press edition of Thomas's short story (first published in The Nation October 14th 1911, and reprinted here from the author's corrected copy with the permission of Helen Thomas), number 12 from a limited edition of 100 copies created by Thomas's friend James Guthrie at the Pear Tree Press, with calligraphy by Helen Hinkley and the decorations and plate printing by Guthrie himself. The colophon is signed by Guthrie. This copy includes a Pear Tree "Programme of Books Finished, In the Making and To Be Made" laid in, itself a model of printing design. This copy bears the contemporary bookplate of Geoffrey Woolley (1915-2010), member of the Edward Thomas Fellowship and Letters Editor of The Times. He served in the Royal Artillery in the Second World War and was mentioned in dispatches.

      [Bookseller: Peter Harrington]
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        Three Guineas

      London: Hogarth Press. 1938. First. First edition. A bookplate, contemporary gift inscription, and some foxing, very good in very good, Vanessa Bell-illustrated dustwrapper with small chips and tears. A handsome copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        VOCES DE ESPAÑA (Breve antología de poetas españoles contemporáneos)

      Ediciones Letras de México, México 1938. - 1a Edición//////Muy buen estado. //19,5x14. 55 págs./(Machado, Juan Ramón Jiménez, Alberti, Altolaguirre, Cernuda, Miguel Hernández, Moreno Villa, Emilio Prados.). Raro. Muy buen ejemplar./Poesía, Vanguardias

      [Bookseller: Libreria El Astillero]
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        THE DRAWINGS OF THE FLORENTINE PAINTERS (Complete in Three Volumes) Amplified Edition

      Chicago: The University of Chicago Press. Near Fine in Very Good dust jacket. 1938. First Edition Thus. 1. Hard Cover. The Amplified Edition, complete in three volumes. Publisher's full, bright blue cloth with gilt lettering on spine. Copiously illustrated with hundreds of B&W reproductions. Volume 1: Text. xiv, 367 pp. Volume 2: Catalogue. Xii, 388 pp. Volume 3: Illustrations. Approximately 400+ pp. Bernard Berenson (1865 - 1959) was an American art historian specializing in the Renaissance. He was a major figure in establishing the market for paintings by the Old Masters. This work, The Drawings of the Florentine Painters, is considered his masterpiece. Among U. S. Collectors of the early 1900s, Berenson was regarded as the pre-eminent authority on Renaissance art. His verdict of authenticity increased a painting's value. While his approach remained controversial among European art historians and connoisseurs, he played a pivotal role as an advisor to several important American art collectors, such as Isabella Stewart Gardner, who needed help in navigating the complex and treacherous market of newly fashionable Renaissance art. In this respect Berenson's influence was enormous, while his 5% commission made him a wealthy man. Starting with his The Venetian Painters of the Renaissance with an Index to their Works (1894) his mix of connoisseurship and systematic approach proved immensely successful. In 1895 his Lorenzo Lotto, an Essay on Constructive Art Criticism won wide critical acclaim. It was quickly followed by The Florentine Painters of the Renaissance (1896) that was lauded by William James for its innovative application of "elementary psychological categories to the interpretation of higher art". In 1897 Berenson added another work to his series of scholarly yet handy guides publishing The Central Italian Painters of the Renaissance. After that he devoted six years of pioneering work to what is widely regarded as his deepest and most substantial book, The Drawings of the Florentine Painters, which was published in 1903. In 1907 he published his The North Italian Painters of the Renaissance, where he expressed a devastating and still controversial judgment of Mannerist art, which may be related to his love for Classicism and his professed distaste for Modern Art. His early works were later integrated in his most famous book, The Italian Painters of the Renaissance (1930) which was widely translated and reprinted. He also published two volumes of journals, Rumor and Reflection and Sunset and Twilight. He is also the author of Aesthetics and History and Sketch for a Self-portrait. His beautiful residence in Fiesole near Florence, which he named I Tatti, is now the Harvard Center for Renaissance Studies. It houses his art collection and his personal library of books on art history and humanism, which Berenson regarded as his most enduring legacy. Berenson's works include: * Venetian Painters of the Renaissance (1894) * Lorenzo Lotto: An Essay in Constructive Art Criticism (1895) * Florentine Painters of the Renaissance (1896) * Central Italian Painters of the Renaissance (1897) * The Sense of Quality: Study and Criticism of Italian Art (1901; second series, 1902) * The Drawings of the Florentine Painters (1903) his masterpiece* North Italian Painters of the Renaissance (1907) * A Sienese Painter of the Franciscan Legend (1910) * Venetian Painting in America: The Fifteenth Century (New York, 1916) * Essays in the Study of Sienese Painting (New York, 1918) * The Italian Painters of the Renaissance (1930) * Sketch for a Self-Portrait (1949) * Rumor and Reflection (1952) * The Passionate Sightseer (1960) * Sunset and Twilight: Diaries 1947-1958 (1963) . Spines of books are very slightly faded, else pristine, unmarked, tight, square and clean. NO ownership markings or bookplates. Clipped dust jackets are sun-faded on the spine and have slight dust soiling, light rubbing to edges, some minor creases and small chips at spine ends and tips. Volume III has a 1" chip at the bottom of the front panel, and one short gouge in the middle. All volumes are now protected by mylar. NEAR FINE/ VERY GOOD. . Folio - over 12" - 15" tall. xiv, 367; xii, 388 pp .

      [Bookseller: Round Table Books]
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        L' ESPAGNE au COEUR., Hymne a la gloire du peuple en guerre. Collection de L'Association internationale des ecrivans pour la defense de la culture / publiee sous la direction litteraire d'Aragon

      Paris, Les Editions Denoel, 1938 - 61 S. Sprache : fr Kartoniert. Einband minimale Flecken, leicht angestaubt & berieben. Vorsatzblatt leicht gebräunt, Schnitt mit braunen Flecken. Teilweise nicht aufgeschnitten. Ein gutes Exemplar. Bon état. Sprache: fr Gewicht in Gramm: 100 EA. 1 /25 Ex.- Eines von 25 Exemplaren, nichtnummeriert

      [Bookseller: Hadler Antiquariat]
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