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Displayed below are some selected recent viaLibri matches for books published in 1938

        [African-American woman playing a guitar, sitting with a child beside her on the porch of a weathered farm shack.]

      1938. Black and white lithograph, 12 x 8 3/4 inches on linen-weave unwatermarked paper, approximately 14 x 11 inches. Signed in the stone ?"J.V.?" and in pencil along the lower edge of the image ?"Joseph P. Vorst 1938?" where it is also numbered in pencil ?"23?-28?". Joseph Vorst was born in Essen, Germany, and studied art there before coming to the United States in 1930. Settling in the St. Louis area, he studied with, became a friend of, and was much influenced by Thomas Hart Benton. This very strong image decidedly shares the character of Benton?'s expressionist style and Depression-Era subject matter. Besides producing a small body of print work, Vorst painted murals in the WPA program, did portraits and other painting, published illustrations in Esquire, and taught art at Jefferson College in St. Louis. Glazed and framed. A very good copy of the print.

      [Bookseller: Bartlebys Books]
 1.   Check availability:     Biblio     Link/Print  

        [Photograph]: Original Portrait Photograph of Lotte Lenya

      Sepia-toned photograph of Lotte Lenya laying on a floor face up wearing a sweater and partially covered with a white sheet. Image matted to 7" x 8.75", in glazed and silvered 11.75" x 13.5" wood frame. The back of the frame is cut away to reveal the rear of the photo which has the stamp of fashion photographer George Platt Lynes along with a "Harper's Bazaar" stamp dated in pencil for the article "Visitors" in the May, 1938 issue, as well as an unsigned caption handwritten by Glenway Wescott: "Lotte Lenya told us that her worst worry & vexation had always been her NOT looking like Joan Crawford; and in this photograph George did his best for her. I remember his finding that this device of recumbency often helped to relax very self-conscious subjects. He talked Gide into it, on the seventeenth-century parquet of Baba's house in the rue de Vaugirard - who afterward complained of the discomfort and the result, the congested expression." Near fine. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        XX SIECLE (VINGTIEME SIECLE) N. 4 - NOEL. Cahiers d?art. Directeur: G. di San Lazzaro.

      In - 4, bross. edit., pp. 37,(3) + (4) di ?Chroniques du jour?, con 8 xilografie originali a colori di: Henri - Matisse, Henri Laurens, Miro, (Hans) Arp, (Alberto) Magnelli, Giorgio de Chirico, (Ossip) Zadkine, (Jean) Hélion e 2 litografie a colori di: Marcel Duchamp ?Obligation Montecarlo? e Max Bill ?variation 13?. Celebre e importante rivista dedicata all'arte moderna con testi dei maggiori critici internazionali. Questo raro N. 4 - Natale 1938, Anno I - contiene fra l?altro articoli di P. Gueguen (La sculpture d?un grand peintre, Henri - Matisse - La dernière oeuvre d?Henri Laurens) e di P. Courthion e H. Read su Paul Klee. Tracce d?uso alla copertina e prime 3 carte di testo, dorso ben restaurato; solo le 2 litografie con piccole mancanze al bordo inferiore (su una larghezza di mm. 45) mentre le 8 xilografie sono ben conservate.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Mieux vivre n°11 : DORMIR

      - Mieux vivre, 1938. Plaquette in/12 couverture illustrée et agrafée, illustrations en noir : photographies de Brassaï, Nora Dumas, René Zuber, D. Bellon, Dr Wolff, Papillon, Sougez, 24 p. Couverture tachée "Mieux vivre" souhaitait rassembler chaque mois les plus jolis documents photographiques parus sur un sujet : ici le sommeil spontanée (sieste) ou mis en scène.

      [Bookseller: Philippe Lucas Livres Anciens]
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        Typed letter signed.

      Princeton, New Jersey, 30. X. 1938.. 4to. 1 p.. In German, to Mr. Silverman: "An unusually intimate knowledge of my writings speaks from the lines of your letter, and I believe I can assume that it is based not only on purely artistic, but also on human and spiritual, not to mention moral grounds. Empathy and spiritual friendship have become rare commodities in these times, and so I shake your hand as an ally in the struggle for Good in the world".

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Death Under Gibraltar

      London: Victor Gollancz Ltd,, 1938. Octavo. Original blue cloth, spine lettered in dark blue. With the dust jacket. A superb copy in the jacket that has a sunned spine. First edition, first impression. A thriller. The publisher's retained copy with their stamp to the half-title.

      [Bookseller: Peter Harrington]
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        Kraftfahrschul-Buch. Mit 97 Bildern und Zeichnungen im Text nebst farbigen Tafeln über Druckluftbremse, Verkehrszeichen und Schmieranweisung

      Berlin Verlag "Offene Worte", um 1938.. . Vollständige Ausgabe im original Verlagseinband (Steifumschlag / Broschur / Kartoneinband 8vo im Format 13,2 x 19 cm) mit Deckeltitel. 174 Seiten, mit Abbildungen, Schrift. Fraktur. - Kriegsdruck, 9.Auflage in guterr Erhaltung, beiliegend sechsseitiges Faltblatt: "Willst du ein guter Fahrer sein, überreicht von Friedrich Krupp Aktiengesellschaft, Abteilung Kraftwagenfabrik Essen"

      [Bookseller: Galerie für gegenständliche Kunst]
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      Hodder and Stoughton, [1938]. - First edition. Some minor foxing to page fore-edges and to the half-title page, else very good in dust jacket with light professional restoration to the spine ends and flap folds. Two entirely seemingly unrelated murder cases are the basis for this mystery. "Dr. Thorndyke reasoning from certain peculiarities in the stoneware figure of a monkey, finds in it a factor common to the two crimes; and he is thus able to infer that the perpetrator of both is a person not hitherto suspected of either." A nice copy of a difficult title. [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
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        Tarzan and the Forbidden City

      California: Edgar Rice Burroughs Inc., 1938. Copyright date 1938, 1st edition, 1st printing. Presentation Copy Signed by Edgar Rice Burroughs the Author on the inside Fly Leaf. Illustrated by John Coleman Burroughs. Blue pebble cloth over boards with red lettering and design on the front and on the spine. Top page edges are tinted, foredge pages are not cut. 1st page of the text [7] has a tear from bottom page edge up 3 inches in the middle of the page. Fly leaf page torn off lower right corner, around out line of a piece of tape lower right, post flyleaf, bent corner on the frontspiece lower left. Illustrated with 5 color and black and white illustration. Exterior boards, front board has a line across the lower front edge light soiling to the head and toe of the spine, 3 very small white spots on the back board. A crack in the back inside gutter. Light Browning and some foxing to the interior pages from age. Dust Jacket, is not price clipped ($2.00) back inside flap has been bent. Jacket has much loss along the top and the front of the front and back of the dust jacket. Dust jacket is now in a clear protective cover after many years of protecting the book. Text and illustrations are still bright and clean, binding is secure, a very rare and collectible signed edition by Edgar Rice Burroughs.. Signed by Author. 1st Edition. Hardcover. good Plus/Fair. Illus. by John Coleman Burroughs. 7¾" - 9¾" Tall. Collectible & Signed.

      [Bookseller: Mclin Haven]
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        The Fifth Column and the First Forty-Nine Stories

      Charles Scribner's Sons, New York 1938 - First Edition, First Printing with the Scribner's "A" and Seal printed on the copyright page. A spectacular copy. This ORIGINAL sophisticated dustjacket is vibrant in color with NO fading or pieces missing. This First Issue dustjacket has the $2.75 printed price present. The book is in fantastic shape and appears unread. The binding is tight, and the boards are crisp. The pages are exceptionally clean, with NO writing, marks or bookplates in the book. Overall, a magnificent copy of this TRUE FIRST EDITION in collector's condition. We buy Hemingway First Editions. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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      Daily Express 1938 - 1938. Very good condition with no wrapper. The third Rupert annual. 1st story Rupert and the Daffodils. Colour pictorial boards. Red cloth spine. 126 pages. 10x7.5". Spine very slightly bumped, corners bumped and slightly worn. Name in ink in belongs to box. Foxing to contents else clean. [R] [Attributes: Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        Cours naturel

      Editions du Sagittaire 1938 - - Editions du Sagittaire, Paris 1938, 16x20cm, broché. - Edition originale, un des exemplaires numérotés sur vélin, le nôtre un des hors commerce. Précieux envoi autographe signé de Paul Eluard à Edouard Dujardin : ". en témoignage d'attachement fidèle." [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of the numbered copies on vellum, ours a trade off. Precious autograph signed by the author Edouard Dujardin: ". in faithful attachment testimony ." [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Wild Chorus

      London; Country Life Limited, 1938 - Hardcover, blue cloth boards with gilt titles, patterned / illustrated wrapper and plain card slipcase, 12½ by 10 inches, xii, 119pp, illustrated endpapers, top edge gilt, others untrimmed, 24 tissue guarded colour plates, 64 black and white plates, plus line sketches throughout. Numbered limited edition, number 1036 of 1200 signed copies. A very clean and bright copy in a jacket with a two inch wide, one inch deep area of loss at the top rear return fold, and a very faded spine. The jacket is now in a loose protector and a colour matched replacement spine is laid in loose in this protector to restore the look of the jacket. The slipcase has nobly sacrificed itself over the years to protect its occupant, and as a result is a bit scruffy. A Very Good+ book in a near VG jacket in a scruffy slipcase [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Pedlars Pack Books]
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      New York: Macaulay, 1938. First Edition. First Printing. Octavo; variant bound in smooth light blue cloth, with titles stamped in orange on spine; 249pp. Some mottling to cloth at spine and along joints, else very Near Fine. Dustjacket is unclipped, lightly rubbed, with a few shallow chips at the crown, a patch of soil and two long tears to rear panel, with corresponding clear tape mends on verso; still a bright, presentable Very Good+ example. An attractive copy of the author's first book.

      [Bookseller: Captain Ahab's Rare Books]
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        Der Giftpilz. Ein Stürmerbuch für Jung und Alt. Erzählungen von Ernst Hiemer, Bilder von Fips [d.i. Philipp Rupprecht]:

      Vlg. Der Stürmer, Nürnberg um 1938.. 31.-60.Tsd., kl.4°, Halbleineneinband, 64 Seiten, farbige Abb.. Einband berieben, Block minimal stock- und fingerfleckig, Bindung etwas gelockert; sonst schöner Zustand. Eine der bösartigsten NS-Quellen zum Thema Antisemitismus

      [Bookseller: Cassiodor Antiquariat]
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        FAIRCHILDS-EVANSVILLE-E. KY. 1938-1941 [Cover Title] [Original Photo Album]

      Fairchilds, KY and Evansville, [IN], [ca. 1938-1941]. Hardcover. Near fine. Oblong folio album. Original (likely homemade) wooden covers with screw binding and brass hinges - measuring approximately 15.25" x 12". Containing 29 black paper leaves with 252 black and white, primarily snapshot photographs glue-mounted both recto and verso. Small title photograph to front cover torn, light handling wear to album exterior. A handful of images apparently perished. Otherwise about near fine throughout. A classic album of Americana with clear and sharp domestic, community, occupational and railroad themed images. Compiled by the Fairchilds family of Evansville, IN between 1938 and 1941, the patriarch appears to have worked in gas and oil exploration in and around the western Kentucky / southern Indiana / southern Illinois regions. Many named images of the men Fairchilds worked alongside as well as facilities located in Keensburg, IL, Centralia, IL, Cloverport, KY, and Edgar County, IL. A wonderful series includes approximately 20 interior and exterior views of a new family home located on Plaza Dr. in Evansville, and dozens of shots show downtown Evansville, its storefronts, signage, holiday festivities, and decorations. Several railroad photos and a handful from a trip to Washington, D.C. are also included. All images carefully framed with a strong aesthetic eye. Particularly striking are the many close-up portraits throughout rendered with an intimacy not typically seen in similar albums. An uncommonly well-composed and -constructed album of middle class life in the southern midwest at the tail-end of The Depression, just before the beginning of U.S. involvement in WWII.

      [Bookseller: Brian Cassidy, Bookseller]
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        GRENZGAU SAARPLFAZ. ARBEIT UND FROHSINN. Saar-Palatinate- Work and Happiness.

      Raumbild, Südwestdeutsche Verlagsansatalt, Neustadt an der W 1938 - Quarto. Original Paper Covered Boards with Gilt Tiltes. Presentation Label Pasted to FEP. 64pp. Text. 100 Original Stereoview Photographs by Heinrich Hoffmann with Stereoviewer. A Fine Copy. Produced as propaganda to celebrate the return of The SAARLAND. "In 1920 the Saargebiet was occupied by Britain and France under the provisions of the Treaty of Versailles. The occupied area included portions of the Prussian Rhine Province and the Bavarian Rhenish Palatinate. In practice the region was administered by France. In 1920 this was formalized by a 15-year League of Nations mandate. A postage stamp from the French occupation of Saarland (Sarre in French) In 1933, a considerable number of communists and other political opponents of National Socialism fled to the Saar, as it was the only part of Germany that remained outside national administration following the First World War. As a result, anti-Nazi groups agitated for the Saarland to remain under French administration. However, with most of the population being ethnically German, such views were considered suspect or even treasonable, and therefore found little support. When the original 15-year term was over, a plebiscite was held in the territory on 13 January 1935: 90.8% of those voting favored rejoining Germany." [Attributes: First Edition]

      [Bookseller: CATHAY BOOKSHOP]
 17.   Check availability:     IberLibro     Link/Print  

        Exposition WOLFGANG PAALEN - Préface d'André Breton du 21 Juin au 5 Juillet - Galerie Renou et Colle, Paris 1938

      Paris: Galerie Renou et Colle, 1938 - 16° - 3 B/w Plates and 2 Fumages on covers. Exhibition Catalo: Wolfgang Paalen (1905-1959) Austrian-Mexican surrealist artist. First edition, preface by André Breton. Original boards (Fumages) and original glassine. In Fine condition [Attributes: First Edition; Soft Cover]

      [Bookseller: °ART...on paper - 20th Century Art Books]
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        Verve: An Artistic and Literary Quarterly Spring 1938 - March-June

      Paris: Verve, 1938. First edition. Softcover. Volume One Number Two. Text in English with contributions by Georges Braque, Andre Gide, Andre Malraux, James Joyce, Ernest Hemingay, Georges Bataille, and several others. Includes color illustration after works by Braque (the cover too), as well as numerous black and white photographs after works by Herbert Blumenfeld, Herbert List, Bill Brandt, Brassai and numerous others. Also includes the "Heavenly Bodies" series with 4 color lithographs, two by Kandinsky and two by Andre Masson. A very near fine copy in wrappers with only the most minute wear and internally a fresh and clean copy. Includes the gold distribution label on the title page as issued. A much nicer than usual copy.

      [Bookseller: Jeff Hirsch Books, ABAA]
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        Brighton Rock An Entertainment

      Viking Press, New York 1938 - Salmon and black cloth with very slightly rubbed silver gilt, black topstain. Spine ends/corners a tiny bit softened. Tiny cigarette burn darkens about 6 pages following title page. Darkened glue at eps. Small spot on text block edge. The original unclipped jacket has large chip at spine end, scraping at spine edges and rubbing at folds. A tight square unmarked copy in unclipped jacket. ; 8vo 8" - 9" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: curtis paul books, inc.]
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        Numismatic History of Rayy

      American Numismatic Society, New York 1938 - xii, 240 pages plus 6 collotype plates, rebound in reddish brown cloth with original card covers bound in, number 2 in the Numismatic Studies series published by the American Numismatic Society and never reprinted, this is an ex-Brooklyn Public Library edition with library's bookplate stamped in ink on frontispage and with library's perforation stamp on title page but otherwise the interior is very clean. [Attributes: Hard Cover]

      [Bookseller: Charles Davis]
 21.   Check availability:     IberLibro     Link/Print  

        Chantecler Illustrations de Mariette Lydis, bandeaux et culs-de-lampe decoratifs de Sylvain Sauvage, graves sur bois par Gilbert Poilliot

      Paris: Edins Pierre Lafitte, 1938. One of 1800 copies on velin from a total edition of 2575. 8vo. Bound by LePretre: 3/4 red morocco and paste-paper boards with gilt and blind-stamped sunburst radiating over upper and lower covers, spine smooth, title gilt, top edge gilt (stamped on front blank Lepretre). Original covers bound in, near fine. Illustrated with fourteen plates hors-texte by Mariette Lydis (1890-1970), with bandeaux and culs-de-lampe by Sylvain Sauvage(1888-1948), who in the mid-twenties became his own publisher and made a name for himself as an illustrator and decorator of considerable style. Chantecler, Rostand's play in four acts in verse, was performed for the first time in the Theatre de la Port Saint-Martin on February 7, 1910.

      [Bookseller: Priscilla Juvelis, Inc.]
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        Pervaya Konnaya

      1938. |~|IN FAVOR TODAY…OUT OF FAVOR TOMORROW RODCHENKO, Alexander and Varvara STEPANOVA. Pervaya Konnaya. Russian text by O. L. Leonidov, printed in red and black throughout. [284] pp. Illustrated throughout with photographs, reproductions of Russian drawings and paintings, caricatures, maps, newspaper clippings, etc. Folio, 350 x 305 mm, bound in original publisher's illustrated green cloth with red lettering. Moscow: Ogiz Izogiz, 1938. |~||~||~||~||~| Second Edition of this important propaganda photobook about the First Cavalry. Designed by Rodchenko and Stepanova, their fascinating book provides unique insight into Soviet history shortly after the October Revolution. "One of the most sumptuous of Soviet propaganda books, Pervaya Konnaya, like so many, uses not only photographs (some of them by Rodchenko himself), but also paintings, drawings and various kinds of ephemera to tell the story of the brave Cossack cavalry brigades who helped turn the tide in the vicious war. The book is large in scale and Rodchenko and Stepanova have resisted the temptation to complicate matters. They have generally used the pictures one to a page to gain maximum impact" (Parr and Badger p. 170). Heavily censored with blacked-out images of officers fallen out of favor with Moscow; no two copies survive alike. This copy has four more pages than the copies in the British Library and The New York Public Library, and 49 more pages than the Getty copy. Slight soiling to covers, and wear to head and foot of spine. PROVENANCE: Carl Kempf, the publisher of Soviet Russia Pictorial, with his ownership stamp (twice). Parr and Badger, The Photobook I, 170-171.

      [Bookseller: Ursus Rare Books]
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        The New Vision: Fundamentals of Design Painting Sculpture Architecture

      New York: W.W. Norton & Co, 1938. Cloth. Collectible; Fine. INSCRIBED (TWICE) BY L. MOHOLY-NAGY on the front free endpaper. Both ink inscriptions are clear and bright, the first handwritten on the page, the second on a clean piece of white paper and tipped-onto the page. A bright, very sharp copy to boot of the 1938 revised and enlarged edition of "The New Bauhaus Books", issue #1, edited by both Moholy-Nagy and the great Walter Gropius. Tight and Near Fine in its oatmeal cloth. Quarto, 207 pgs., including crisp black-and-white photographs thruout. Very uncommon signed by the redoubtable L. Moholy-Nagy. Signed by Author.

      [Bookseller: Appledore Books, ABAA]
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        Death from a Top Hat

      G P Putnam's Sons, New York 1938 - First edition. Book in excellent condition with pages slightly but evenly yellowed. Front fixed end paper is yellowed from glue where bookplate has been removed. Jacket is chipped and rubbed and a little creased with some very small areas of missing paper and with open tears. Jacket basically looks good. The first great Merlini mystery. Hard to find in any condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Hinch Breese Books]
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        Bagattelle per un massacro

      Milano , CORBACCIO, 1938 - Traduzione dal francese di Alex Alexis. 16mo. pp. 334. . Molto buono (Very Good). . Prima edizione italiana (First Italian Edition). [Galati, 1980]. Brossura illustrata (original pictorial wrappers) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Three Original Promotionals for the Canadian Premier of Sergei Eisenstein's Alexander Nevsky

      Sydney Cecil Newman, Canada 1938 - Canada: Sydney Cecil Newman, 1938. First Edition. Poster. Sydney Cecil Newman. Three color promotionals/posters by Newman, two measuring 13 ½ inches by 5 ½ inches, and one measuring 33 ½ inches by 13 inches. Several seam splits to larger poster. Sydney Cecil Newman (1917-1997) was a Canadian film and television producer who started as a stills photographer and film poster artist. Among the television programs for which he was responsible was the time-travelling, character-morphing Dr. Who. These three original promotionals were issued for the Canadian Premier of Eisenstein's Alexander Nevsky. Uncommon. (posters). [Attributes: First Edition]

      [Bookseller: Anderson Butler Rare Books, ABAA]
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      TUDOR, TASHA. TUDOR,TASHA. ORIGINAL ART: PUMPKIN MOONSHINE. Offered here is the original watercolor used in Tudor's first book, Pumpkin Moonshine published in 1938 by Oxford University Press. It accompanies the text "When they reached the field, Sylvie looked among the shucks of corn for the very fattest pumpkin". Sylvie is standing in a field, shielding her eyes from the sun, corn shuck and pumpkin on her left, Wiggie the dog on her right. The verso of the watercolor contains Tudor's hand-lettered text for the page preceding the illustration in the book. The capital letter T is is in red and decorated with reeds. The text begins: The cornfield was on top of the hill, quite a ways from the house, so Sylvie took Wiggy for company..." The art measures 4 1/4 x 3 3/8", not signed, two barely visible pin holes in margin else Fine. It is matted so that both sides of the piece, both the illustration and the text can be seen. Original art from Tudor's first book is rare, especially sought after and lovely.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Artists in Crime

      London, Geoffrey Bles. 1938, 1938. First edition text in second state cloth (black lettering), effectively the First cheap Edition. 8vo. Fine in publisher's bright red cloth. 310pp. Internally fresh and clean. Clad in either a cheap edition or colonial variation of the dustwrapper bearing a Reginald Saunders [Toronto] publishing label applied to the spine. Wrapper chipped to extremities with some loss to head and tail of spine, with an additional small triangle of loss to the lower edge of the back panel. Wrapper nevertheless clean and fresh. Dame Ngaio Marsh is best known for her 32 detective novels published between 1934 and 1982, all featuring Inspector Alleyn. Along with Agatha Christie, Margery Allingham and Dorothy L. Sayers, she was classed as one of the four original 'Queens of Crime' - female British crime writers who dominated the crime fiction genre of the 1930s and 1940s. Of the four, her work shows the greatest depth of characterisation, and often carries a vein of humour.

      [Bookseller: Adrian Harrington Rare Books]
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        Cesko-slovenská armáda

      Ministerstvo národní obrany v nakladatelství Svazu cs. dustojnictva "VOK" (1938), V Praze - 4to. Unpaginated (1,80,1,pp). Original pictorial wrappers protected by modern mylar. Published just weeks before Czechoslovakia was annexed into Hitler's Third Reich in 1938. During World War II, Czechoslovakia ceased to exist and was divided into the Protectorate Bohemia and Moravia, and the newly declared Slovak Republic. Profusely illustrated with b/w reproductions in photogravure of various units of the Czech army at play, in training and in action. Photographs by Karel Hájek, Jirí Jenicek, Ján Kalvach, Jozef Trávnicek, Jan Smrt, and others. Minor creasing scuffing and staining on wraps. Text in Czech, captions in Czech, English, French, and Russian (in pre-Revolutionary spelling). Overall very good condition. Rare pictorial work looking at the Czech army before the German 'occupation'. [Attributes: Soft Cover]

 30.   Check availability:     AbeBooks     Link/Print  

        Solitude A Poem

      London: The Hogarth Press,, 1938. Octavo. Original japon vellum-backed orange cloth, spine lettered gilt. Cloth a little cockled, some soiling to spine, contents slightly toned. An excellent copy. Signed limited edition, number 45 of 100 copies signed by the author. This limited issue was published on 22 October 1938 simultaneously with the regular trade edition.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  

        XX SIECLE (VINGTIEME SIECLE) N. 4 - NOEL Cahiers d’art. Directeur: G. di San Lazzaro.

      Paris,, 1938.. In-4, bross. edit., pp. 37,(3) + (4) di ?"Chroniques du jour?", con 8 xilografie originali a colori di: Henri-Matisse, Henri Laurens, Miro, (Hans) Arp, (Alberto) Magnelli, Giorgio de Chirico, (Ossip) Zadkine, (Jean) Hélion e 2 litografie a colori di: Marcel Duchamp ?"Obligation Montecarlo?" e Max Bill ?"variation 13?". Celebre e importante rivista dedicata all'arte moderna con testi dei maggiori critici internazionali. Questo raro N. 4 - Natale 1938, Anno I - contiene fra l?'altro articoli di P. Gueguen (La sculpture d?'un grand peintre, Henri-Matisse - La dernière oeuvre d?'Henri Laurens) e di P. Courthion e H. Read su Paul Klee. Tracce d?'uso alla copertina e prime 3 carte di testo, dorso ben restaurato; solo le 2 litografie con piccole mancanze al bordo inferiore (su una larghezza di mm. 45) mentre le 8 xilografie sono ben conservate.

      [Bookseller: Libreria Malavasi sas]
 32.   Check availability:     Biblio     Link/Print  

        AMERICAN PHOTOGRAPHS. Afterwords by Lincoln Kirstein.

      Museum of Modern Art, NY 1938 - Small 4to., 200 pp., 87 photographic plates, errata slip. Original cloth with printed spine label. There is moderate wear at the spine ends and three of the leading tips, with a tiny chip to the cloth covering the spine. Still a handsome, and internally, very good and bright copy, lacking the printed dw. Signed on the first free endpaper in pencil in Evan's, small, but precise hand. [Attributes: First Edition]

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
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        Signed Portrait Photograph

      Signed portrait Photograph in tuxedo with trombone. Image matted to 7" x 8.5", in a frame measuring 11.75" x 13.75". Unexamined out of the frame. Photo has a couple of smudges on the right side not affecting the image and is slightly oxidized. Chip on the frame. Undated, but probably circa 1938-9. Signed: "Sincerely, Glenn Miller." Miller was lost over the English Channel at age 40 while on tour to entertain the troops during the War. Signed photographs are uncommon. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Brighton Rock - Margery Allingham's copy with a SIGNED letter from Greene to the Mayor of Brighton

      Heinemann, 1938. 1st Edition . Hardcover. Very Good/No Jacket. A first edition, first printing published by Heinemann in 1938. A very good+ copy and very good internally with some light foxing to the preliminaries with some slight spotting to the text block. This is Margery Allingham's copy, who reviewed the novel for 'Time and Tide' magazine. This copy came from her private library at Tolleshunt D'Arcy, and her bookplate on the front pastedown (designed by pip Youngman Carter - who created the iconic Heinemann wrappers for 'Stamboul Train' and 'It's A Battlefield' for Graham Greene). Accompanying the book is signed letter from Graham Greene, written on his birthday in 1984. The letter states, Dear Mr Mayor/Thank you very much for your telegram of congratulations which I particularly appreciate coming from a town with which I have had such long associations and of which I have been very fond, yours sincerely, Graham Greene. A superb book and lovely signed letter.

      [Bookseller: John Atkinson Books]
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      Penn Publishing Company, Philadelphia 1938 - In Dust Jacket Bruns B-134; Wetzel, p. 104 ("A monumental work on the subject") Original brown cloth. Fine in rare pictorial unclippewd dust jacket by Edgar Burke (some wear, overall very good) With fly plates in color by Dr. Edgar Burke, photographs and diagrams by Charles S. Krug and Ivin Sickles. 451 pp. 1 vols. Thick 8vo [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Mapa de Los Estados Unidos Mexicanos.

      J. C. Eno (Mexico) Ltd. 1938. - Color pictographic / pictorial map, 26 x 36 inches. Paper loss to lower right corner, tears along edges (some up to a couple of inches) have been repaired on verso with paper tape, light staining at lower right edge but not very noticeable, map was at one state folded in two. The image is clean and bright. An uncommon and very colorful comic map of Mexico by R. Hesketh highlighting activities, natural resources, wildlife etc, with many witty comments. The coats of arms of the states are featured in the border. Population and geography statistics are printed at lower left. Includes a calendar for 1938 across the lower margin of map. Text in Spanish. This poster was one of the many advertising posters that Eno Fruit Salts published, the compass rose containing an image of that sparkling drink.

      [Bookseller: old imprints ABAA/ILAB]
 37.   Check availability:     IberLibro     Link/Print  

        Young Woman's Photo Albums -- Two Volumes -- Japanese Schools, and School for Girls

      Japan, 1938. Hardcover. Very Good+. Cloth over boards (10.6in x 7.2in), contains 24 black cardstock leaves (48 pp.) with 65 photographs and a newspaper clipping. Photographs (mostly silver gelatins, ranging in size from 1.5in x 2.25in to 4.25in x 6in) are affixed by photo corners (as such, removable) and in excellent condition overall, only a few are a bit faded or blurry. Images of girls, boys, women, and men, in class portraits, individual portraits, and more candid shots taken outdoors. A variety of clothing is on display, including school and military uniforms, traditional Japanese dress, and somewhat more casual coats and dresses. Every page is enhanced by careful, adept penmanship and decoration, including drawings and pressed flowers. SOLD WITH: [photo album; hand-painted]. Schoolgirl's Hand-Decorated Photo Album, Japan, c. 1930-1940. . Decorative cloth over boards (10.6in x 7.2in), stab binding; contains 24 black cardstock leaves (48 pp.), with 83 silver gelatin photographs (ranging in size from 1.5in x 2.25in to 4.25in x 6in) attached by photo-corners (an interesting variety here also, as some are made of wood, silver, and different papers, ornate or plain). Photographs are in excellent condition, showing only the slightest silver mirroring, which in many cases makes them even more lovely. They range from the serious to the silly, and include class portraits, individual portraits of her friends and family, and photographs from school events and travels. A variety of clothing is on display, such as school uniforms, military uniforms, and traditional Japanese dress. Every page showcases the girl's careful, adept, hand-painted illustrations and decorations -- with ornate borders, floral motifs, butterflies, airplanes, Japanese calligraphy, and more, usually with white paint, but also in color. Pretty and sweet.

      [Bookseller: Sanctuary Books]
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        Great Contemporaries

      London: Thornton Butterworth Ltd., 1938., 1938. 'Similar in every respect to the original edition, save for the fact that the Author has written four additional biographies'. First Edition thus. 8vo; pp. viii, 387. Publisher's blue cloth with gilt titles to spine and upper; in its original dustwrapper with titles in black and blue on white spine and back, blue upper with picture of Churchill and titles in white. Illustrated with portraits. F. Elliot Trigg's bookplate to f.f.e.p.; small bookseller label to paste down; foxing to edges, occasional to text. DJ rubbed to extremities, price-clipped and a little dusty; traces of label - probably new publisher's price - removed from printed price at spine and at lower corner of upper. A very presentable copy of this edition which now includes the biography of F.D. Roosevelt. Woods, Langworth, Cohen.

      [Bookseller: Adrian Harrington Rare Books]
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        Paul Nash. A hand-written letter to Cecily Grey dated 1938.

      Self-published., Hampstead. 1938 - A hand written letter in black ink on unheaded folded grey notepaper addressed: 3 Eldon Road, Hampstead, NW35 to Cicely Grey: February 1938 My dear Cicely, please come and see us, we'd love to see you again and it will reassure us both. We thought you had abandoned us as we never heard from you again. I was staying with Tom and Gillian in October and we used to talk of you. They are steadily making a nice fat living out of The Blue Pool. I made a drawing of it and we are planning to produce a sort of guide to the Pool. Of course we should love to come and sample your cook and sniff the tulips from the country. With our best greetings Paul. With an envelope in adifferent hand. Nash stayed with the Barnards, the owners of the Blue Pool, at Furzebrook House in 1937 and talked of producing a guide for the Blue Pool for which he would supply illustrations. Provenance: the Barnard family. Pennie Denton. Paul Nash and the Blue Pool. Dorset Life, May 2013. "The visitors’ book from Furzebrook House, near Wareham, records that Paul Nash stayed there from 17 to 24 September 1937. Seven-year-old Tom Barnard junior was told that the famous artist needed to sleep with seven pillows, because of his asthma. In the morning he crept to the door dividing the nursery wing from his parents’ quarters and peeped through, hoping, in vain as it turned out, that the visitor’s bedroom door might be open and he might catch a glimpse of Mr Nash on his seven pillows.Tom does not know how Paul Nash first got to know his parents, Tom and Gillian Barnard, but on 9 March 1935, a few days after the Barnards had moved into Furzebrook House, Paul and his wife, Margaret, were brought to tea by a Mr West, who may have had a part in the negotiations to buy the house. Just why these visitors were invited when the family were in the process of moving in is unclear but perhaps Nash, who was then living in Swanage and busy researching his Shell Guide to Dorset, was anxious to see the Blue Pool, a beauty spot on the Furzebrook estate often sought out by artists.The Barnards had lived for many years in South Africa where Tom Barnard was Director of the School of African Life and Languages at Cape Town University. In 1934 the family returned to England and began to look for somewhere to live. Furzebrook House seemed attractive, with its 200 acres of land including a large garden, heathland, woodland, eight cottages and a small farm. They decided to buy it but as the house had not been lived in for some time, it needed a good deal of work before they could move in.The Furzebrook estate had been owned and managed by Leonard Gaskell Pike, the last of the generations of Pikes who had mined the land for ball clay. Joseph Pike, a clay merchant from Devon, had started mining in the area in 1760 and in 1762 his son, William, drew up a contract with Josiah Wedgwood for 1100 tons of clay a year. In 1866 the Pikes opened a railway line from Furzebrook to Ridge Wharf and a steam train replaced the donkeys and carts that had transported the clay across the heath. From Ridge, barges took the clay to Poole for onward shipment to the Mersey ports, to Bristol and, by canal, to Staffordshire.When the Barnards bought the estate, some of the clay workings had been filled in but several large ponds, including the famous Blue Pool, remained. The Blue Pool had originally been dug in the mid-19th century but was already disused when Augustus John and his friends came to paint there in 1910. The pool’s main attraction was its startling turquoise water, which was caused by the diffraction of light from minute clay particles in the lake. People were turning up at all times and without permission to gaze in wonder at the pool and Tom Barnard hit on the idea of turning the lake and its surroundings into a visitor attraction. He fenced in about 25 acres around the pool, turned one of his fields into a car park, built an attractive teahouse and charged an entrance fee. Gillian Barnard laid the first bri [Attributes: First Edition; Signed Copy]

      [Bookseller: Roe and Moore]
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      Washington. Dec. 6, 1938. - [1]p. Folio. Old folds. Minor soiling. Near fine. President Franklin Delano Roosevelt writes to Harold L. Ickes, Administrator of Public Works, regarding a transfer of four employees to that agency, with their former and future positions and salaries listed. The four men in question, transferred from various departments and agencies, were all to become Engineer Inspectors for the Public Works Administration. The Public Works Administration was a New Deal agency created in 1933, in an attempt to stimulate the economy with the construction of large-scale public infrastructure projects, such as dams and bridges. It was closed in 1939, with the advent of World War II.

      [Bookseller: William Reese Company - Americana]
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        Homage to Catalonia

      London: Secker and Warburg,, 1938. Octavo. Original green cloth, gilt lettered spine. With the dust jacket. Price-clipped jacket with purchase inscription at head of back panel, some loss at extremities of spine and front flap. First edition, first impression, 1,500 copies were printed, those surviving in the dust jacket are very scarce. "When he finished his book [The Road to Wigan Pier] in December, Orwell went to Spain to fight for the republic. 'Someone has to kill fascists,' he is alleged to have said. Impatient to be there, he made his own way to Barcelona and joined the POUM militia ('Partido Obrero de Unificación Marxista') on the Aragon front. The POUM was an independent Marxist movement, hated by the Stalinists and in dispute with the Trotskyites. Because he was on a quiet section of the front he tried to transfer to the communist-dominated International Brigades around Madrid, but he became involved in the May troubles in Barcelona. This attempt by the communists to purge the POUM and the Catalan anarchists made him bitterly anti-communist. Upon returning to the front, he was badly wounded in the neck, and was then hunted by the communists while still convalescent. With the help of his wife, Eileen, who had come to Barcelona to work for the Independent Labour Party (ILP), he escaped from Spain at the end of June 1937. Orwell went back to Wallington and wrote Homage to Catalonia, a supreme description of trench life (lice and boredom), but also a trenchant and detailed exposure of how the communists risked the whole republican cause in their lust for power and in their zeal to suppress all other socialists. Gollancz refused to publish it, so Frederick Warburg, who was known as the Trotskyite publisher simply because he took left-wing books that were critical of Stalin, brought out the book in April 1938. Orwell now saw himself as an anti-communist revolutionary socialist; he joined the ILP, and he attended and spoke at their summer schools. Homage to Catalonia was much abused and much defended. Its literary merits were hardly noticed, and it sold few copies. Some now think of it as Orwell's finest achievement, and nearly all critics see it as his great stylistic breakthrough: he became the serious writer with the terse, easy, vivid colloquial style" (Bernard Crick in ODNB).

      [Bookseller: Peter Harrington]
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      New York: Stackpole Sons, 1938. First Edition. First Printing. Octavo; teal cloth, with titles stamped in orange on spine and in blind on front panel; 266pp. Slight forward lean, base of spine gently nudged, with a few faint strips of offset to endpapers and brief trace of residue from old style jacket protector to lower edge of same; clean, unrubbed copy - Very Good+ to Near Fine. Dustjacket is unclipped, paper toned at rear panel, with chipping along spine ends and corners (not affecting titles); several edge tears, with neat, partial splits along front joint and rear flap fold invisibly and archivally mended on verso; Very Good. The Italian-American author's first book, a novel ripe with the conflicts of family life and Catholic guilt. Basis for Dominique Deruddere's 1989 film adaptation, starring Joe Mantegna and Faye Dunaway.

      [Bookseller: Captain Ahab's Rare Books]
 43.   Check availability:     Biblio     Link/Print  


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