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Displayed below are some selected recent viaLibri matches for books published in 1938

        City of London from Waterloo Bridge

      London, 1938. Very Good. C.R.W.Nevinson. A photogravure after C.R.W.Nevinson, signed in pencil to lower margin and within the print. Printed on heavy wove paper. A fox mark in middle of top plate mark, margins a little discoloured with handling folds and marginal creases, else very good and clean. Plate mark size 185 x 225mm (7.25 x 8.75 inches approx) Sheet size 275 x 360mm (10.75 x 14.75 inches approx) I have tried to do some research on this series by Nevinson with little success. However, The Museum of London Website does have these photogravures and their originals. The image for sale on their website is titled ?Waterloo Bridge from the West with St.Paul?s in Background? and is taken after a drawing from the late 1930?s. Quote: ?Nevinson?s use of brown wash in this drawing evokes the hazy, industrial atmosphere of London during the mid-1930s. This impression of industrialisation, together with the demolition of Rennie?s old Waterloo Bridge, suggests a city undergoing immense change. Nevinson may have taken this view from Hungerford Bridge or the north bank of the Thames in the City of Westminster.? Dated 1938. Sotheby?s did have one with an original envelope. It must be from a fairly limited edition as they were all signed. But unable to find out who the publisher is, the date, which now appears to be 1938. London Museum also have ?The Thames at Southwark? oil painting and the photogravure ? The Southwark riverfront at Blackfriars Bridge? both dated 1938; ?The Thames at Deptford? painting dated 1939, there was also a photogravure made after this oil; ?The Temporary Waterloo Bridge? painted in 1939 and the photogravure which they have titled ?The Temporary Waterloo Bridge with part of Southbank?, again dated 1938.

      [Bookseller: Roe and Moore]
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        Esquisses de l'homme

      1938. Gallimard, Paris 1938, 12x19cm, broché. - Gallimard, Paris 1938, 12x19cm, broché. - Edition en partie originale, un des 80 exemplaires numérotés sur alfa, seuls grands papiers après 30 pur fil. Envoi autographe daté et signé d'Alain à son amie madame Aline Texcier : "... En souvenir du bon génie, de l'U.P. de Rouen etc. Ces propos de physiologie, qui voudraient remplacer la psychologie... Très affectueusement."  Agréable exemplaire.   [FRENCH VERSION FOLLOWS] Edition en partie originale, un des 80 exemplaires numérotés sur alfa, seuls grands papiers après 30 pur fil. Envoi autographe daté et signé d'Alain à son amie madame Aline Texcier : "... En souvenir du bon génie, de l'U.P. de Rouen etc. Ces propos de physiologie, qui voudraient remplacer la psychologie... Très affectueusement."  Dos très légèrement insolé sans gravité, agréable exemplaire.  

      [Bookseller: Librairie Le Feu Follet]
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        [RODCHENKO AND STEPANOVA] Podvig, dostoinyi stalinskoi epokhi: Fotoseriya / Sost. V. Kazulin [i.e. Feat Worthy of Stalin Era: Photo Series / Compiled by V. Kazulin]

      Moscow: Soyuzfoto; Fotokhudozhnik, 1938. [1], 41 pp.: ill. 28x20 cm. 1 of 3000 copies. In original cardboard folder. Folder is restored. One flap of the folder is replaced by new, two other flaps have been reattached. The spine is backed and the case has been cleaned up. Pages have few minor tears, otherwise near fine. First edition. Design by Alexander Rodchenko and Varvara Stepanova. Photographs by I. Papanin, E. Krenkel, P. Shirshov, E. Fyodorova & others. One of the rarest Rodchenko/Stepanova albums due to the small run of copies. First ever constructivist album on Arctic. This edition is dedicated to the famous expedition North Pole-1 on the first Soviet manned drifting station in the Arctic ocean. For 234 days, Papanin's team carried out a wide range of scientific observations in the near-polar zone, until taken back by the two icebreakers. It was the first expedition of its kind in the world. WorldCat locates no copies.

      [Bookseller: Bookvica]
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        Corpus Nummorum Italicorum Primo tentativo di un catalogo generale delle monete medievali e moderne. Volume XV. Roma Parte I (dalla caduta dell'Impero d'Occidente al 1572). SEGUE: Volume XVI (Roma Parte II dal 1572 al 1700). SEGUE: Volume XVII (Roma Parte III dal 1700 al 1870).

      Tip. R. Accademia dei Lincei, Roma 1938 - 3 volumi in 4, cm. 24,5 x 33, pp. (8) + 552 con 28 tavole fuori testo in fotocalcografia; (4) + 553 con 40 tavole fuori testo in fotocalcografia; (6) + 319 con 36 tavole fuori testo in fotocalcografia; Tutta tela editoriale. Il Corpus Nummorum Italicorum noto anche come CNI, e' stato scritto da Vittorio Emanuele III di Savoia coadiuvato dai piu' esperti numismatici dell'epoca. Primo tentativo di un catalogo generale delle monete medievali e moderne coniate in Italia o da Italiani in altri Paesi. È ancora oggi fondamentale per lo studio e la classificazione delle emissioni delle diverse Zecche italiane a partire dal Medioevo. ITA

      [Bookseller: coenobium libreria antiquaria]
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        Max and the White Phagocytes

      The Obelix Press, Paris 1938 - First edition of this collection of short pieces, published in September 1938, at 75 francs, in an edition of 1000 copies, octavo, in self wrappers, 324 pages, a very good copy. Language: eng Language: eng [Attributes: First Edition; Soft Cover]

      [Bookseller: alain marchet]
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        The Sword in the Stone

      London: Collins,, 1938. Octavo. Original black cloth, titles to spine in white. With the original pictorial dust jacket printed in black. Line-drawing chapter head and tailpieces. Occasional spotting to pages, spine gently rolled, in the price clipped dust jacket with chipping to ends of spine, light chipping to front top edge. A very good copy. First edition, first impression. The first instalment of what was to become the Arthurian tetralogy entitled The Once and Future King (1958).

      [Bookseller: Peter Harrington]
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        SPICY DETECTIVE STORIES

      Culture Publications, Inc., Wilmington, DE 1938 - Octavo, single issue, cover by Ward, pictorial wrappers. Pulp magazine. A nearly fine to fine copy. (19428) [Attributes: Soft Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
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        L'Art des Iles Marquises

      1 vol. in-4 br., Les Editions d'Art et d'Histoire, Paris, 1938, 55 pp. et XX planches hors texte Bel exemplaire de ce titre rare et très recherché.

      [Bookseller: SARL Librairie du Cardinal]
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        Le Centaure de Dieu.

      Editions Bernard Grasset, 1938, 1 volume de 170x260 mm environ, 328 pages, en feuillets sous chemise papier en 2 parties et emboîtage noir et or. Exemplaire N° 17, tirage spécial à 20 exemplaires réimposés in-8 sur papier vélin de cuve des Usines d'Arches réservés pour les XX, signé par La Varende. Edition originale. Des rousseurs, chemise-étui en partie fendue sur le dos, bon état pour le reste.Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.

      [Bookseller: Librairie Diogène]
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        Sketches on the Nile: An Album of 43 Original Watercolors and Doggerel Verse Documenting a Nile Cruise in 1938

      Black leather album containing 54 tissue-guarded leaves of watercolor paper, of which 43 have been used. 10 x 12 inches, stamped in gilt on the front "Sketches on the Nile / Alan Hinch / 1938." Leather scuffed, cloth tape reinforcement to inner hinges, all else very good. Alan Hinch was born in England c. 1881, but was living in the United States by 1920, when the federal census documents him working in Miami as pilot of a private yacht owned by socialite James Deering, an executive in International Harvester Company. He apparently embarked on this Nile cruise as companion to his next employer, Richard Flint Howe (1863-1943), another International Harvester executive who had married James Deering's sister, Abby. Passenger manifests show Hinch as traveling in the company of a "Mr. R. Howe," and the census of 1940 lists him as butler on Howe's estate. He was clearly more than a simple servant, however, as this charming and humorous album reveals. The album documents the journey from departure on the Italian Line passenger ship Conte de Savoia on January 15, 1938 to arrival home at Banksia, Howe's custom-built mansion in Aiken, South Carolina, on March 26, 1938. Each page includes an original watercolor (most measuring about 4.5 x 8 inches, but some larger), with a related original doggerel poem. Hinch's paintings are skillful. His poetry is markedly less so, but it is clever, observant, and skillfully captures the traveler's experiences. On a visit to Asyut, Hinch writes: Assuit the place they said would be warm/ Was 42 degrees at early morn/ If the like keeps on we will have to don /Earlaps, coonskins, as at a football game./ Rode through the quarters where the natives were/ Couldn't say lived, for it looked so bare/ They called out for bakscheesh/ Both old, and young/ They thought we came only to give to them./ Oh, what a place to be born and live./ Then through the bazaar narrow and crowded/ Maybe bargains galore/ But we passed through as quick as we could./ Oddments, and rubbish in hovels so poor./ Then to the tombs too high to climb/ And round the modern town we drove/ Back on board the "Memnon" to dine. A visit to the ancient cemetery at Beni Hasan is described from the perspective of the donkeys who labor under the weight of well-fed tourists. Other subjects include the ocean liners and streamers they traveled in, local people they encountered (a dragoman, a water carrier, a little girl in a red scarf), boats on the Nile, camels and water buffalo, the Pyramids, Sphinx, Panopolis, El-Balyyana, Abydos, Karnak, Kom Ombo, Wadi Haifa, Abu Simbel, and Luxor. There are also several views of the Mediterranean coast and one of Banksia in South Carolina. In all, a charming and lovely representation of the places and time.

      [Bookseller: Walkabout Books, ABAA]
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        Collection " Un Divertissement ".

      Librairie G.L.M. 1938. Ensemble des 10 premiers titres réunis par l'éditeur en un volume in-12 broché. Collection dirigée par Henri Parisot. G. Prassinos-La Lutte Double. B. Péret-Au paradis des fantômes. A. Savinio-Les chants de la mi-mort. L. Carrington-La maison de la peur, préface et illustrations de Max Ernst. G. de Chirico-Deux fragments inédits. G. Prassinos-Une belle famille. H. Arp-Sciure de gamme. F. Kafka-La Chevauchée du Seau. A. Bay-Histoires racontées par des enfants, préface et dessin par G. Prassinos. J. Scutenaire-Les secours de l'oiseau. E.O.

      [Bookseller: la Librairie Les Autodidactes]
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        The Lad and the Lion

      Edgar Rice Burroughs, Inc., 1938 The Lad and the Lion, First Edition, Grosset & Dunlap file copy; office File Copy stamped on top page edge. In fine condition. First Edition stated on the copyright page. Laid in is a copy of a short description about the Grosset & Dunlap stock and archives. Housed in a custom-made slipcase.. 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
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        Zeppelin - Kalender 1938

      Verlag von W. Spesemannin Stuttgart 1938 54 S., seltener Zeppelin-Kalender, Titelbild: Der Schatten des Luftschiffes auf dem Wasser, 23 x 16 cm gut erhalten (Titelseite gering fleckig und mit kleiner Randläsur, Kartonrückseite stärker fleckig, 2 Seiten haften an einer kleinen Stelle zusammen) Versand D: 7,00 EUR

      [Bookseller: Versandhandel für Sammler]
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        British Government Group of Palestine Mandate. (Set of three works).

      London H.M.S.O. -1939 1938 - A set of three works comprising: 1) PALESTINE PARTITION COMMISSION REPORT, Presented by the Secretary of State for the Colonies to Parliament by Command of His Majesty, October 1938: 15.2 x 24.5 cm, 310 pp., 1 printed map, 12 large folding maps at rear including 2 in the rear pocket. 2) PALESTINE STATEMENT BY HIS MAJESTY'S GOVERNMENT IN THE UNITED KINGDOM, Presented by the Secretary of State for the Colonies to Parliament by Command of His Majesty, 1938: (15.2 x 24.3 cm), 4 pp. 3)PALESTINE STATEMENT OF POLICY, Presented by the Secretary of State for the Colonies to Parliament by Command of His Majesty, 1939: (15.2 x 24.3 cm), 12 pp. In the middle of the 1930s, at the edge of the darkest times in Jewish history, the British Mandate for Palestine was receiving waves of Jewish immigrants fleeing the rise of Hitler. In 1936 the large number of immigrants ensued a six month-long strike by the Arab population of Palestine. A Royal Commission was organised the same year (also known as the "Peel Commission"), of which an official report was published on July 1937. It stated that, as the recent events had shown, the Mandate was not working anymore and should lead to a partition of Palestine. The Palestine Partition Commission (or "Woodhead Commission") thus took place in February 1938, and its report was published in November the same year (work no. 1). After a presentation of the geographical, economical and financial aspects of the partition, including three different plans of separation of the territories, the conclusion drawn was that it was not feasible. A statement of the government (work no. 2) published right after this report announced a Conference to come in London, that would gather both a Jewish and an Arab delegations from Palestine. The "London Conference" thus started in February 1939, in order to come to an agreement. After more than five weeks of negotiations, no settlement had been made between the two nations, leading the British Government to make the decisions. Published in the "White Paper of 1939" ("Palestine Settlement of Policy", work no. 3), they were: that an independent state would be established within ten years, before which Palestine would be neither a Jewish nor an Arab state; that a limit of 75,000 Jewish immigrants would be set for the five years to come, and that the rights of Jews to buy land from Arabs would be restricted. Less than ten years later, the Declaration of Independence would be signed on 14 May 1948, establishing the State of Israel. These three original copies attest to the evolution of the status of the British Mandate of Palestine in the last decade before Israel's independence. The two statements are the last two White Papers to be published during the Mandate. After the declaration of independence all the White Papers were declared invalid by the Israeli government. [Attributes: Signed Copy]

      [Bookseller: Shapero Rare Books]
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        Focus. Nos. 1-4 (all published)

      1938. Four vols., 61, 96, IX, 112, X, 101, XVIII, pp. periodical with papers on architecture, design, and some developments in art, by and about some of the most important figures of the time, profusely illustrated throughout including some illustrated advertisements. Large 8vo. Orig. stiff wrpps., plastic ring-bound as issued. Some minor soiling to covers. London (Percy Lund Humphries) 1938-1939. A complete run of a very rare and interesting short-lived serial, whose contributors included Naum Gabo, Sigfried Giedion, Le Corbusier, Gropius, Moholy Nagy, Aalto, and other distinguished architects, artists, and critics. Among the many diverse topics discussed are the Bauhaus, CIAM, Frank Lloyd Wright, the Finnish housing development Sunila, modern training methods for architects, and the art of Ben Nicholson.

      [Bookseller: F.A. Bernett Books]
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        SKETCHBOOK. Of Snow White and the Seven Dwarves.

      FIRST EDITION. 4to.(11.8 x 9.6 inches). Beautifully illustrated with 12 full colour plates, each mounted onto thick brown paper and each with a printed tissue paper guard. The plates show all the major characters in fully finished state including The Queen, The Witch, Snow White and, of course, the seven Dwarves- Doc, Grumpy, Happy, Bashful, Sneezy, Sleepy & Dopey. All other pages are illustrated with reproductions of the artists pencil sketches showing the development of the various characters, with notes beside the drawings. Decorative endpapers showing sketches of classic Disney style Rabbits, Birds and Deer, presumably Bambi was in the mind of the artists at this stage. Original beige coarse grain cloth with black lettering to the front panel. Aside from some light marks to the outer edge of the cloth boards and endpapers this is a very good, bright copy in the original colour illustrated, price clipped dustwrapper showing Snow white and the Seven Dwarves on the front and two Fawns on the rear panel. Closed tears to the top and bottom of the dustwrapper spine have been strengthened to the rear of the paper with archive tape but overall a very good example of this fantastic book. Surprisingly, no American edition of this book was published.

      [Bookseller: Paul Foster Books]
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        Rare photo dédicacée

      Photo dédicacée, Paris, 21 mars 1938, 26*19.5cm. Photo dédicacée à Jean ? (le nom a été gratté) : « Pour M. Jean . toute ma sympathie. Joseph Schmidt. Paris 21 3 38 ». Petites déchirures en marge, 2 petits papiers collés aux coins, un petit papier collé à la place du nom du dédicataire qui a été gratté. Les autographes de Schmidt sont particulièrement rares

      [Bookseller: Librairie Trois Plumes]
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        Vertrag mit eigenh. U. O. O., 9. VI. 1938.

      1938. 2 SS. auf 2 Bll. Folio. Interessantes Dokument zu der von Churchill letztlich nicht verfaßten "Geschichte Europas seit der Russischen Revolution" ("Europe Since the Russian Revolution"), eines der wenigen literarischen Vorhaben, die Churchill aufgegeben hatte. Wie aus dem Vertrag mit dem Verleger George Harrap hervorgeht, hätte Churchill für das Werk insgesamt eine Summe von £13,500 erhalten sollen, davon £1,500 bei Vertragsunterzeichnung, £2,000 bei Abgabe von Teil I, weitere £3,000 bei Abgabe von Teil II und £7,000 nach Abschluß des dritten Teils. Absatz 10 regelt, daß im Falle von Streitigkeiten oder Meinungsverschiedenheiten diese vor dem Schiedsgericht auszutragen wären - wo die Kontrahenten schließlich um 1943 auch landen sollten: Churchill, der durch den Ausbruch des Weltkrieges anderes zu tun gehabt hatte, als sich historischer Forschung zu widmen - "I suppose I have not read a dozen books in the last five years" -, argumentierte auch ganz in diesem Sinne, daß er jegliches Interesse an Europa nach der Russischen Revolution verloren hätte und daß überdies durch eine Geschichte Rußlands aus seiner Feder eine Gefährdung der kriegsbedingt notwendig gewordenen Allianz mit Stalin nicht von der Hand zu weisen sei. Auch neuerliche Anläufe Harraps zu noch großzügigeren Konditionen führten zu keinem Ergebnis, so daß Harrap schließlich im September 1944 sich eingestehen mußte, daß es, gleich ob sein Verlag nun im Recht sei oder nicht, unangenehm sei, einen Prozeß mit einem Mann zu führen, dem jeder von ihnen so viel schulde ("it is distasteful to us, whether we are right or not, to litigate this matter with a man to whom every one of us is so much indebted", zit. in: Reynolds, In Command of History, SS. 19-20). Die erste Rate seines Honorars zahlte Churchill freilich zurück; mit Harrap sollte er keinerlei Geschätsbeziehung mehr eingehen, seine Kriegserinnerungen "The Second World War" erschienen bei Macmillan und Cassells. - Bl. 1 von Churchill eh. paraphiert, Bl. 2 mit den Unterschriften von Churchill und seinem Verleger sowie von dessen Sekretärin; etwas angestaubt und eingerissen.

      [Bookseller: Antiquariat Inlibris]
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        La femme barbe. Autograph musical manuscript excerpt from the incidental music to the comedy first performed in 1938

      - 2 pp. Folio (ca. 348 x 268 mm.). 56 measures scored for both spoken and sung voices, including sections for chorus with instrumental accompaniment. Apparently complete. Marked "Scène IX les mêmes: puis les trois emissaires du Sultan - puis Croquendot." Notated in black and red ink with some markings in blue crayon. Unsigned. Slightly worn; creased at central fold. Delvincourt, a French composer, was appointed director of the Versailles Conservatory in 1931 and of the Paris Conservatoire in 1941. "His most important decisions were the founding of the Orchestre des Cadets and a chorus (so avoiding the evacuation of his pupils to Germany), and his invitation to Messiaen, despite much comment, to teach the philosophy of music. After Debussy and Ravel, he was one of the most ardent of French composers in trying to recapture the spirit of the Middle ages and the Renaissance, as in the Danceries." Alain Louvier in Grove Music Online.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Das politische Plakat. Eine psychologische Betrachtung. (= Schriftenreihe der Reichspropagandaleitung der NSDAP., Bd. 1).

      München, Zentralverlag der NSDAP, Franz Eher Nachf., 1938. 8°. Mit zahlr. tlw. ganzs., meist farb. Abbildungen. 247 (1) S., OLwd. m. Kopffarbschnitt. Erstausgabe. - Innendeckel mit einem mont. gedruckten gelben Zettel: „Mitarbeiterexemplar. Inhaber war an der typo- und lithographischen bzw. drucktechnischen Fertigstellung des Werkes beteiligt. Für ihn ist der Besitz des Buches ein Arbeitsmuster“. - Einband vereinzelt min. berieben bzw. bestoßen, sonst schönes Exemplar. - Versand D: 12,00 EUR Schockel, Das politische Plakat. Eine psychologische Betrachtung. (= Schriftenreihe der Reichspropagandaleitung der NSDAP., Bd. 1), Plakate, Plakatkunst, Propaganda, Propagandaplakate, Werbung, Graphik, Grafik

      [Bookseller: Antiquariat Wolfgang Friebes]
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        WILD CHORUS

      COUNTRY LIFE BOOKS. LONDON. 1938. LIMITED EDITION (1250 COPIES) IN HANDSOME HALF BLUE LEATHER AND CLOTH, RAISED BANDS, GILT TITLES, SIGNED BY PETER SCOTT, THIS BOOK No. 176, ILLUSTRATIONS IN COLOUR AND BLACK AND WHITE WITH TISSUE COVERINGS. EXTRA POSTAGE REQUIRED FOR OVERSEAS.

      [Bookseller: Hawkridge Books]
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        PRESENTATION COPY,SIGNED WITH A DRAWING - QUITO EXPRESS ( MADELINE)

      - QUITO EXPRESS A STUNNING PRESENTATION COPY SIGNED WITH AN ORIGINAL DRAWING BY BEMELMANS The Viking Press, New York 1938 First Edition, First Printing Boldly inscribed with a drawing in felt tip by Bemelmans to Harold Gould, founder of Gould paper. Ludwig Bemelmans and Harold Gould both resided in New York at the time and had a connection via the publisher/printer. In addition to inscribing the book to Harold, Bemelmans including a charming large drawing on the half title page of a Pedro (the main character in the book) as depicted on the last page of the book. The book has paper boards with an image of Pedro and the chickens in the front. The boards are in nice condition with light overall toning, but with some corner wear to the board tips. Internally the book is clean with crisp pages with no writing, no bent pages, and no stains. Stunning signed and dated drawing, rendered in black felt tip to Harold Gould. Beautiful book with many illustrations by Bemelmans. Without scarce original jacket. A rare signed, presentation copy of a early title with an original drawing by Ludwig Bemelmans. A wonderful piece offering a bit of history from that time period. Presents very well. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meier And Sons Rare Books]
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        The Hobbit

      Houghton Mifflin Company, Boston New York 1938 - First Edition, First Printing. A magnificent copy. This ORIGINAL dustjacket is rich in color with NO chips or tears and minor repair. This First Issue dustjacket has the publisher's $2.50 printed price present on the front flap. The book is in great shape and is bound in the publisher's tan cloth. The binding is tight with NO cocking or leaning and the boards are crisp. The pages are clean with NO writing, marks or bookplates in the book. A superb copy in collector's condition. We buy Tolkien First Editions. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Ballet Panorama: An illustrated chronicle of three centuries.

      First edition; 8vo; bound in blue full leather, with pale orange endpapers, gilt edges and tooled and lettered in gold to spine. Binding by Sangorski & Sutcliffe, showing stylised dancer to front and rear panels. Signed on the reverse of the colour frontispiece by Margot Fonteyn and Robert Helpman. Fine in a custom made slipcase.

      [Bookseller: York Modern Books]
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        ARMS AND THE COVENANT. Speeches by The Right Hon. Winston S. Churchill C.H. M.P.

      First edition, first printing. Inscribed by Winston S. Churchill and Randolph S. Churchill. Original dark blue cloth with gilt titles to the spine, in dustwrapper. Photographic portrait frontispiece. An excellent near fine copy, the binding spotlessly clean and square, the contents with a few foxing spots to the page edge of half title which also has some offsetting of the inscription from the front free endpaper. Complete with the original first issue dustwrapper which is rubbed and spotted with several short closed tears at the folds but is essentially complete. Not price-clipped (18/- net to the front flap). Inscribed by Winston Churchill in black ink on the front free endpaper "Inscribed by Winston S. Churchill / June 1938." Also signed by Randolph S. Churchill in blue ink underneath his father's name. Rare in this double signed state.

      [Bookseller: Lucius Books Ltd]
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        Aeronautica Italiana nell'immagine: 1487-1875. Bibliografia di Giuseppe Boffito con aggiunte di Paolo Arrigoni

      Museo Caproni; Edizioni D'Arte Emilio Bestetti, Milano 1938, Milano - In-folio (mm.405x320), pp. 184, con 174 tavole numerate in nero e colori. Legatura editoriale in mezza pergamena con illustrazione di aerostato sul piatto, titoli e fregi oro al dorso e al piatto, taglio superiore in oro. Conservata anche la scatola contenitiva in cartone con etichetta editoriale applicata e, inoltre, una lettera della Reale Accademia d'Italia a Donna Timina Caproni Guasti, datata 1938 e sottoscritta da Lugi Federzoni. Perfetto esemplare in barbe. Edizione originale fatta in sole 500 copie non destinate al commercio (ne furono tirate anche 100 copie venali) di questa monografia iconografica e bibliografica sull'aeronautica italiana dai tempi più remoti fino al 1875, corredata (da p. 87 a p. 167) dalla "Bibliografia cronologica dell'aeronautica italiana da Leonardo al 1875", compilata da Giuseppe Boffito con la collaborazione di Paolo Arrigoni. [Attributes: Hard Cover]

      [Bookseller: AU SOLEIL D'OR Studio Bibliografico]
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        Culture of Organs

      Paul B. Hoeber, New York 1938 - 8vo. [xix], 221 pp. Illustrations. Cloth, surface wear, ex-library, internally good. (43951). [Attributes: First Edition; Hard Cover]

      [Bookseller: Bauer Rare Books]
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        Scoop (With The Correct First Issue Dustjacket)

      The First UK printing published by Chapman and Hall in 1938.The BOOK is in near fine condition.Light toning to the text block.Small previous owner's attractive period bookplate to the front pastedown (Frederick Baldwin Adams Jr.).First State of the text, with "8" in publication date indistinct and slightly raised.Very light offsetting to the end papers.A sharp copy.The WRAPPER is complete and is in Very Good+ condition.It is the scarce correct first issue state.Some edge wear with small,closed tears, creasing and a little loss and rubbing more-so at the spine ends.Some mild rubbing along the folds. Spine colouring is a little faded as expected.White panels remarkably clean. Some tape remnant marks to the edges of the spine and corners on the verso which have come through to the front but these are not too obtrusive.The wrapper has NOT undergone any restoration or repairs.The wrapper looks very attractive in the removable Brodart archival cover.A wonderful comic novel of Fleet Street, the trompe l'

      [Bookseller: Ashtonrarebooks]
 28.   Check availability:     PBFA     Link/Print  


        Rebecca

      London: Victor Gollancz Limited,, 1938. Octavo. Original black cloth, calligraphic title to spine and front board gilt. With the dust jacket. Faint crease to spine, a few spots to edges and to margins of prelims first and last few text leaves. A very good copy in the entirely unrestored, slightly sunned jacket with a few insignificant nicks, a toned spine panel with a small faint splash-mark not affecting text, and a slightly rubbed and marked rear panel with a short closed tear to the foot of the rear flap. First edition, first impression. Du Maurier's staggeringly popular second novel is today of considerable scarcity in the dust jacket. Written during the author's unhappy sojourn in Egypt as an army wife, Rebecca "was meant to be a psychological study of jealousy and was based on her own feelings of jealousy towards a former fiancée of her husband's, Jan Ricardo, but it was hailed as a romantic novel in the tradition of Jane Eyre. [Du Maurier] was astonished by the success of Rebecca?hardback copies in Britain alone passed the million mark in 1992?and mystified by the readers' interpretation of the novel" (ODNB).

      [Bookseller: Peter Harrington]
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        The War the Infantry Knew 1914-1919.A Chronicle of Service in France and Belgium with The Second Battalion His Majesty's Twenty-Third Foot, The Royal Welch Fusiliers: founded on personal records, recollections and reflections, assembled, edited and partly written by One of their Medical Officers.

      The First UK Printing published by P.S.King and Son Ltd in 1938.The BOOK is in near FINE condition. Original red cloth with gilt titling to the spine and the initials of the regiment gilt to the upper board.Covers are clean apart from a tiny black dot to the spine.Light pushing to the spine ends with a little fading and tiny splitting at the spine tips.A hint of toning to the text block.Free from inscriptions,erasures and markings. The endpapers are only very slightly tanned.27 leaves of sketch-maps bound in at the rear.The very scarce First edition,being one of just 500 copies privately produced by the author.As such this remains an extremely elusive title. The battalion included the authors of two of the most famous literary accounts of the Great War, Graves and Sassoon, with the latter contributing a chapter to the present work entitled "A Subaltern's Service in Camp and in Action," covering the period from March 12th to April 16th, 1917, which is described as, "An early draft of pages of Memoirs of an Infantry Officer." Graves offered to contribute, but Dunn was not an admirer of Goodbye to all that, and declined his offer. Graves is mentioned, disparagingly, a handful of times in the text. Dunn's is an extraordinary book, in the Face of Battle John Keegan described it as "one of the most interesting and revealing books of its type a genuinely truthful and fascinating picture of the war as it was for the infantry." Compiled in diary form from the reminiscences of around 50 members of the Battalion, it is without doubt the most authentic account of the experience of the Western Front at Battalion level. Collectible

      [Bookseller: Ashtonrarebooks]
 30.   Check availability:     PBFA     Link/Print  


        Great Contemporaries

      London: Thornton Butterworth Ltd., 1938. First revised and expanded edition. Hardcover. This is a superior copy of the British first revised and expanded edition, first printing, in dust jacket. This edition, published in 1938 soon after the first edition of 1937, added four new essays (Fisher, Parnell, Baden-Powell, and - of great interest - Roosevelt). As is the case with the first edition, first printing, the dust jacket for the 1938 revised edition is both elusive and desirable, and the binding quite prone to sunning and dulling in its absence. Great Contemporaries is Churchill's much-praised collection of insightful essays about leading personalities of the day - including the likes of Lawrence, Shaw, and, most famously, Hitler. Churchill's piece about Hitler can be a shock to the modern ear, as it underscores his ability to write a balanced appraisal of his subject while expressing his earnest desire to avoid the war that he would fight with such ferocious resolve only a few years later. Neville Chamberlain, perhaps Churchill?s most vexing political opponent at the time, wrote to Churchill on 4 October 1937 to say: ?How you can go on throwing off these sparkling sketches with such apparent ease & such sustained brilliance? is a constant source of wonder to me. But the result is to give great pleasure and entertainment?? There is a reason this book is still in print today. It was written with what has been called "penetrating evaluation, humor, and understanding." Churchill's balanced and nuanced perspectives favorably contrast with many of today's more polemic writers. In the course of sketching the character of his contemporaries Churchill necessarily reveals much of his own character and perspective. Churchill's portrait of T.E. Lawrence, published here just a few years before the Second World War, might well have been written about the author rather than by him: "The impression of the personality of Lawrence remains living and vivid upon the minds of his friends, and the sense of his loss is in no way dimmed among his countrymen. All feel the poorer that he has gone from us. In these days dangers and difficulties gather upon Britain and her Empire, and we are also conscious of a lack of outstanding figures with which to overcome them. Here was a man in whom there existed not only an immense capacity for service, but that touch of genius which everyone recognizes and no one can define." (Great Contemporaries, p.164) While some of the subjects of Churchill's sketches have receded into history, many remain well-known and all remain compellingly drawn. This first printing of the first revised and expanded edition is near fine in a very good dust jacket. The blue cloth binding proved particularly susceptible to dulling, affecting even some jacketed copies. This copy retains a bright and clean binding, with particularly strong blue color and vivid gilt. The binding is square and tight with only trivial wear confined to spine ends and corners. The contents remain bright with no previous ownership marks. Differential toning to the endpapers corresponding to the dust jacket flaps confirms what the binding already testifies ? that this copy has always been jacketed. We note modest spotting confined to the page edges and light dust soiling to the top edge. The unclipped dust jacket features a bright and complete illustrated front face ? the hallmark feature of the jacket ? showing only minor wear to extremities and light surface scuffing. We note shallow chipping and short closed tears to the spine ends and upper rear face, the largest being a one inch by .5 inch deep triangular loss from the top edge of the rear face. Shelf presentation is quite good, with unfaded blue print and only light overall soiling. The dust jacket is protected with a removable, archival quality clear cover. Bibliographic reference: Cohen A105.3.a, Woods/ICS A43(b.1), Langworth p.182.

      [Bookseller: Churchill Book Collector]
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        Mangeclous surnommé aussi longues dents et oeil de Satan et lord High Life et sultan des tousseurs.

      Gallimard 1938 - - Gallimard, Paris 1938, 15x21cm, broché. - Edition originale, un des exemplaires du service de presse. Rare envoi autographe signé de Albert Cohen à Georges Cattaui. Petits manques habilement comblés en tête et en pied du dos, un petit accroc restauré en tête du premier plat. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, review copy. Binding half morocco old red, back with five nerves, date tail, boards of marbled paper, preserved covers, gilded head, signed binding Goy P. & C. Vilaine. Rare autograph signed by Albert Cohen Georges Cattaui. Beautiful copy fully established. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The evolution of finance capitalism

      London, New York : Longmans, Green and Co., 1938, Hardcover, First Edition. Very good copy in the original gilt-blocked cloth. Remains quite well-preserved overall; tight, bright, clean and strong. Edition; Stated first edition. Physical description; xvi, 429 p. : incl. tables. ; 24 cm. Notes; Bibliographical references in "Notes" (p. 339-386) and in "Appendices" (p. 387-422). Subjects; Capitalism. Finance - History. Finance - United States - History. Finance, Public - History. 429 pages. Inventory No: 229908.

      [Bookseller: MW Books Ltd.]
 33.   Check availability:     Bookzangle     Link/Print  


        Homage to Catalonia

      The First UK printing published by Secker and Warburg in 1938. The BOOK is in near Fine condition. The lime green boards are very lightly soiled. Mild rubbing to the corners and lower edges. The spine is only very slightly toned and the gilt titling remains very bright. Light pushing at the spine ends. Small bump to lower front corner. The text block is toned and there is the usual moderate offsetting to the end papers. Mild toning to the page edges. Free from inscriptions, erasures and markings. NO wrapper. A very presentable copy and in much better condition than usually encountered. In 'Homage to Catalonia', Orwell recounts his experiences as a soldier and disillusionment with totalitarian regimes. Notably, Victor Gollancz, who had published the English editions of Orwell's earlier works, refused to publish Homage to Catalonia because of its radical political stance. Instead, it was published by Secker and Warburg, the firm that would go on to publish Orwell's best known works - Animal Farm (1945) and Nineteen Eighty-Four (1949). Ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashtonrarebooks ABA PBFA]
 34.   Check availability:     Biblio     Link/Print  


        To Beg I am Ashamed (First UK Edition)

      Routledge, London 1938 - First Edition. A fictitious "autobiography" of a London prostitute, written by Greene and Matthews under a pseudonym to avoid political scandal. The book was withdrawn from the market by the publisher after warnings were issued by various moralistic institutions in England, and the first edition remains very scarce. The extent of Greene's involvement in the authorship has never been fully ascertained.Near Fine lacking dust jacket. Slightest vertical crease to spine, else a superb copy, tight and clean. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 35.   Check availability:     AbeBooks     Link/Print  


        L'Art des Iles Marquises

      Les Editions d'Art et d'Histoire 1938 - 1 vol. in-4 br., Les Editions d'Art et d'Histoire, Paris, 1938, 55 pp. et XX planches hors texte Bel exemplaire de ce titre rare et très recherché. Langue: Français [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie du Cardinal]
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        Oeuvres poétiques. Sonnets de L'Olive.

      Pointes sèches originales de Jean Berque. 20 en pleine page et seize in-texte.(Complet & Contrôlé) Édition tirée à 200 exemplaires. Celui-ci N°39, un des 100 premiers sur vélin antique, signature de Berque et Gonin sur la justification.Paris, Berque & Gonin - 1938 - 123 pages. Exemplaire enrichi du calque ayant servi au doreur pour le décor des plats. Superbe reliure plein maroquin bleu vert signée L.R. Houades. Dos lisse au titre doré. Les 2 plats sont illustrés d'un fin décor floral à papillons, cigale et escargot dorés. Tête dorée sur témoins, non rogné. Retour de maroquin sur les chasses avec filet doré. Couverture et dos conservés. Triple feuillet d'habillage. Chemise à rabats demi maroquin à bandes avec titre au dos et étui cartonné à liseré assortis. Pas de rousseur. Très bon état. Format in-4°(33x25).

      [Bookseller: Livres et Collections P. Commerot]
 37.   Check availability:     Livre-rare-book     Link/Print  


        Roland Clark's Etchings

      New York: The Derrydale Press, 1938. First edition, one of 50 copies of the deluxe issue, this copy no. 23. With two original signed etchings with tissue-guards, title-page vignette, and 69 plates by Clark. 1 vols. Folio. Original publisher's deluxe binding of three quarter brown morocco gilt and marbled boards, t.e.g., marbled endpapers, by James MacDonald. Slightest trace of foxing to etchings. Fine copy in original numbered box (some wear to box). Custom half brown morocco slipcase and chemise. Clark, Roland. First edition, one of 50 copies of the deluxe issue, this copy no. 23. With two original signed etchings with tissue-guards, title-page vignette, and 69 plates by Clark. 1 vols. Folio. Fine copy of the largest Derrydale production, a beautiful collection of Clark's sporting etchings. Siegel 139; Frazier C-7-D

      [Bookseller: James Cummins Bookseller]
 38.   Check availability:     Biblio     Link/Print  


        Asmodée

      1938. Grasset, Paris 1938, 14x19cm, broché. - Grasset, Paris 1938, 14x19cm, broché. - Prima edizione, una delle 28 copie numerate sul Giappone, edizione deluxe. Firmato autografo di François Mauriac a Louis Brun Direttore di edizioni Grasset, "... la mia pemier prova il teatro ..." Bookplate Louis Brun stampato accanto alla pagina occhietto. Bellissimo esemplare con tutti i margini. [FRENCH VERSION FOLLOWS] Edition originale, un des 28 exemplaires numérotés sur Japon, tirage de tête. Envoi autographe signé de François Mauriac à Louis Brun directeur des éditions Grasset : "... mon pemier essai au théâtre..." Ex-libris de Louis Brun imprimé en regard de la page de faux-titre. Bel exemplaire à toutes marges.  

      [Bookseller: Librairie Le Feu Follet]
 39.   Check availability:     maremagnum.com     Link/Print  


        Marlborough: His Life and Times (4 Volumes)

      London Harrap 1933-1938 - Four volumes, ALL FIRST EDITIONS. Large 8vo. hardbacks bound in maroon cloth, gilt, with dust jackets. Churchill's monumental biography of his great ancestor, John Churchill, first Duke of Marlborough. Thoroughly researched in the family archives at Blenheim Palace, and assisted by several research assistants, this work was published in 4 volumes in 1933, 34, 36, 38 respectively. Illustrated with plates, facsimiles of documents and numerous maps and plans. A clean set with no previous owners' markings or inscriptions. Dust jackets not price-clipped. Occasional light foxing. Volumes I, II and III have slight fading to tops of spines. Dust jackets all rather worn with small chips, tears, creases and small areas of loss. All dust jackets have been covered with clear sticky plastic at some point in the past and have since discoloured unifomly. Overall a Very Good set in Sound dust jackets. (SHELF 130) NOTE: Very Heavy Set (5 kg+) might require special shipping arrangements. ** Pictures available upon request, if not already displayed here.** The shop is open 7 days a week. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. [Attributes: Hard Cover]

      [Bookseller: Chaucer Bookshop ABA ILAB]
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        Buddenbrooks

      Alfred A. Knopf, 1938 A near fine copy in a very good dust jacket. SIGNED by Mann on the front free endpaper and dated February 1941. An Early U.S. Edition. Copyright page states: "First Published February 20, 1924 in Two Volumes; Reset and printed from New Plates, October 1938." Very slight soiling on the bottom page edges; else fine. The dust jacket has the original printed price of $3.50 on the front flap. Slight chipping at the corners and spine ends. A small piece missing from the top of the back panel. Very light soiling indicative of age on the back panel. We will provide a certificate of authenticity for this item.. Signed by Author(s). Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
 41.   Check availability:     Biblio     Link/Print  


        "Civilisations". Autograph manuscript. N. p., c. 1938/39.

      1938. 4to. 1 p. (24 lines). An important sociopolitical text (notes for "Terre des Hommes", presumably for an article), in which Saint-Exupéry examines different ways of perceiving civilization: "Ah! Hitler tu as fait une belle decouverte en verite quand tu as decouvert que la civilisation ce n'etait pas [...], quand tu as decouvert [...] que l'on avait pas à qui ca mature [...] et que nous etions le loup et le tigre. Le [...] [...] [...], nous le [...] depuis cent mille ans - Tu confonds la decouverte du persecuteur avec la decouverte du [...] et tu decouvriras demain que [...] de l'homme si les pouvoir ne [...] sa proie, mais, [...] [...] de la manger - Et tu diras, j'ai trouvé le vrai dens de l'honneur? [...]".

      [Bookseller: Antiquariat Inlibris]
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        Typed letter signed. Princeton, New Jersey, 30. X. 1938.

      1938. 4to. 1 p. In German, to Mr. Silverman: "An unusually intimate knowledge of my writings speaks from the lines of your letter, and I believe I can assume that it is based not only on purely artistic, but also on human and spiritual, not to mention moral grounds. Empathy and spiritual friendship have become rare commodities in these times, and so I shake your hand as an ally in the struggle for Good in the world".

      [Bookseller: Antiquariat Inlibris]
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        Showa 23-nen Shina Jihen shussei kinen shashincho :Hokushi sensen hen [in Japanese: A photograph album in memory of soldiers at the front lines during the China-Japan Conflict of 1937-1938].

      Tokyo: Nakatogawa Hiroyuki, March 20, , 1938. Landscape quarto. Original dark red textured paper-covered boards, green silk ties, die-cut image of the Great Wall to the front board, together with title gilt to the upper board. Illustrated title on yellow-tinted paper, 7 colour plates, numerous illustrations from photographs, some on tinted paper stock, all leaves with tissue guards, folding colour map, pictorial endpapers. Minor edge-wear, spotting to the tissue-guards, overall very good indeed. First edition of this uncommon Japanese propaganda piece recording the opening campaigns of the Japanese in the Second Sino-Japanese War. Just three copies on OCLC, Manchukuo collection in the Harvard-Yenching Library, Stanford, and Princeton. Following Japan's successes in the First Sino-Japanese War (1894-5) tensions had intensified, seeming to peak with the conquest of Manchuria in 1931 and the creation of the puppet state of Manchukuo, but continuing to rise steadily through the 30s. After a number of provocations in the summer of 1937. Chiang Kai-shek's nationalist forces joined with the warlords of Hunan and Szechwan provinces to fight the Japanese. Chiang believed that by attacking Japanese naval installations and troops in and around Shanghai, he would force the foreign powers to ally with China to fight against Japan to protect their considerable investments in southern China. For three months, the Nationalist Chinese armies held out in the face of an intense bombardment by Japan's Taiwan-based 'planes and ships on the Huangpu River, but were eventually forced to retreat to Nanking, under constant harrying attacks from Japanese reinforcements. The images in this "souvenir" album show the Japanese advance through Eastern and Coastal China; the build up of materiel; the destruction of Nanking; Japanese troops on the march, celebrating victories; the aftermath of the destructive bombardments.

      [Bookseller: Peter Harrington]
 44.   Check availability:     Biblio     Link/Print  


        "Une étudiante de Harvard".

      Lithographie en médaillon tirée en couleurs sur vélin d'Arches, signée au crayon, avec un texte satyrique imprimé accompagné d'une photo miniature en noir dans la partie supérieure gauche. Dimensions de la feuille : 49 x 57,5 cm Dimensions de la lithographie en médaillon : 30 x 23 cm. Rare épreuve sur Arches, non numérotée, signée. Roland Topor (né à Paris, le 7 janvier 1938 - mort dans la même ville, le 16 avril 1997) est un illustrateur, dessinateur, peintre, écrivain, poète, metteur en scène, chansonnier, acteur et cinéaste français. Fils du peintre et sculpteur Abram Topor, le jeune Roland passe ses premières années à Paris, dans le 10e arrondissement, rue Corbeau (aujourd'hui rue Jacques-Louvel-Tessier), puis en Savoie où ses parents, immigrés juifs polonais, se cachent de l'occupant nazi. Étudiant aux Beaux-Arts de Paris, Topor collabore au journal Hara-Kiri dont il partage le culte de l'humour noir, décapant et cynique mais aussi, dans une veine plus rose, au magazine Elle. En 1962, avec Fernando Arrabal et Alexandro Jodorowsky, il est l'un des créateurs du mouvement Panique. « Je veux que mon existence Soit une suprême offense Aux vautours qui s'impatientent Depuis les années quarante En illustrant sans complexe Le sang, la merde et le sexe. » Pense-bêtes

      [Bookseller: Librairie L'amour qui bouquine]
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        Autograph letter signed ("Freud"). "39 Elsworthy Road NW 3" (i. e. London), 24. VI. 1938.

      1938. 4to. 1½ pp. To the unnamed psychoanalyst and neurologist Hermann Nunberg and his wife, about his reception in England after leaving Vienna: "We are doing very well here, much better than so many others are, unfortunately, for whom one wants to do something and yet seldom can. Our reception in London was decidedly friendly, surprisingly not only from followers and old friends [...] but also from total strangers who wanted to express their joy that we are safe and in England [...]". - "Freud arrived in London by train on 6 June 1938. His reputation had preceded him to the extent that the train had to be re-routed to another platform at Victoria, so as to avoid the enthusiastic attentions of the press. Freud was greatly heartened by the cordial welcome he received, although he wrote to friends of his sense of alienation resulting from the move and his concern over the worsening state of affairs in Europe. He was particularly anxious about four of his elderly sisters who remained in Vienna, for whom visas were being sought without success. Freud did not live long enough to know that they all perished in the camps" (Oxford DNB). - Slightly spotty; folds.

      [Bookseller: Antiquariat Inlibris]
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        DRAWINGS OF FLORENTINE PAINTERS (3 VOLUMES) 1: Texte 2: CATALOGUE 3: ILLUSTRATIONS

      Chicago, the university of chicago press 1938. Trois volumes grands in-4°(34x25cm). Reliure demi toile écrue. Pièces de titre cuir grenat. Tome 1: XIV+367p Tome 2: 388p Tome 3:ce volume contient 1009 illustrations . Dos légèrement insolés sinon bon et solide exemplaire. 1/Beato Angelico and Benozzo Gozzoli. 2/ Ucello,the Pollajuolo and Signorelli. 3/ Verrochio the young Leonardo and Leonardo di Credi. 4/ Fra Filippo Pesellino and Botticelli. 5/Filippino lippi, Garbo,Carli and Alunno di Domenico. 6/ The ghirlandajo, Granacci,Rosselli, and Piero di Cosimo. 7/ Fra Bartolommeo and his following. 8/ Leonardo da Vinci. 9/ Michelangelo. 10/Michelangelo's immediate followers and sundry Forgers 11/ Andrea del Sarto and others. 12/Pontormo and Rosso 13/Further drawings of the trecento.

      [Bookseller: Librairie Merolle]
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