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Displayed below are some selected recent viaLibri matches for books published in 1936

        Los Institutos para obreros. Abren las puertas de la Eseñanza superior a los Trabajadores españoles. Offset.

      Valencia, Lit. S. Dura Soclialzada U.G.T., C.N.T., 1936 114 x 82 cm, Zustand B Miisterio de Instruccion publica. Versand D: 20,00 EUR Plakate - Spanischer Bürgerkrieg Soziale Bewegung - Spanischer Bürgerkrieg

      [Bookseller: Antiquariat Peter Petrej]
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      PANORAMA, 1936. Vol. in 16°, pp. 226. Brossura editoriale illustrata. Firma di possesso nel frontespizio, lievi aloni ai piatti, piicolo strappo alla base del dorso. Prima edizione del marzo 1936. Copia buona.

      [Bookseller: Hobbylibri]
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        Meixian Xue Xiao Nian Jian, 1936 [Meixian County School Yearbook, Canton, China 1936]

      Meixian County Education Bureau, Canton, China, 1936 - First edition, first printing. Folio, 26.8*19.3*4cm, wt:1.2kg, 750p. Cover wear and staining, pages age-toned with occasional soiling, some edge tears at margins. The book is paginated within each section: pages 1-2 FFEP, page 3: title page, page 4: frontispiece of schoolmaster, pages 5-10: panoramic photos of each class, pages 11-114 more photos. Total page count=750. The first section is photographic images, the subsequent sections are text only. Text in CHINESE. [Attributes: First Edition; Hard Cover]

      [Bookseller: Chinese Art Books]
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        Sandbar Sinister. An Asey Mayo Detective Story.

      London: Victor Gollancz Ltd, 1936 - Octavo. Original black cloth, spine lettered in red. With the dust jacket. Some foxing to edges; an excellent copy in the jacket with a sunned spine. First UK edition, first impression of the fifth Asey Mayo mystery. It was first published in the US in 1934. The publisher's retained copy with their stamp to the title page. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Portrait of My Wife

      A figurative painting of Rexroth's second wife, Marie (Kass) Rexroth. Rexroth's notes indicate the date and title of the painting, and include: "hair - orange, dress - green." Reminiscent of Matisse, the piece is not entirely representational, as the portrait shows distortions in the disposition of Marie's body (the angles of her legs and arms, the relation of Marie to the chair, and the chair to the room), and includes an abstract painting in the upper left corner, which carries a typical motif of Rexroth's work, a magnet turned on its side with two circles set in opposition Wax, silica, and pure decorator colors on wooden board, 15 5/8" wide x 17 3/4" high, ca. 1936, with notes on the back in white chalk: "Marie Rexroth", and the date "1935" or "1936", framed by Rexroth. Cracks in the paint in a few places, few flecks out of the red paint of the hair, a couple of tiny chips in the black of the dress, otherwise in fine condition.

      [Bookseller: James S. Jaffe Rare Books LLC]
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        White Velvet

      Doubleday Doran, Garden City 1936 - A novel by the prolific British author of the classic Fu Manchu series of fantasy novels, which were immortalized in a series of films, first in the 1930s and then again in the 1960s. Inscribed by Rohmer, "with love," and signed with his trademark "$ax." Bookplate front pastedown; spine-sunned; handling to boards; very good in a very good, modestly edgeworn dust jacket with a dusty rear panel. Books signed by Rohmer are uncommon these days, especially in collectible condition and in dust jacket. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
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        Trois Odalisques.

      Tadellos 100 EXEMPLARE, HIER NUMMER 88. Ein marmoriertes Portfolio enthaltend 3 originale Lithographien ( Odalisken, jeweils 29 x 46 cm mit Fotocollagenen), alle EIGENHÄNDIG VOM KÜNSTLER SIGNIERT UND NUMMERIERT. TADELLOS! +++ Un portfolio issu en 100 exemplaires ici numéro 88) contenant trois lithographies (29 x 46 cm) avec collages de photographies,( SIGNÈES ET NUMEROTÈES PAR L'ARTISTE, chacune avec petit texte: L'odalisque... pardon! la peinture... est une bien belle putain, pensa-t-il /- Art, assez!me dit l'odalisque languissante/ Alors comment ca va la mort de l'Art? me dit l'odalisque. IMPECCABLE!.+++ Jean Le Gac, né en 1936 à Alès, est un artiste-peintre français. Il est l'un des représentants de la Nouvelle figuration. +++ 100 copies, here number 88. A portfolio with 3 original lithographs (odalisques), EACH ONE (29 x 46 cm) SIGNED AND NUMBERED BY THE ARTIST HIMSELF, MINT CONDITION! +++ Jean Le Gac (born in 1936) french painter. +++ 32, 5 x 49,5 Cm, 0,9 kg. +++ Stichwörter/Keywords/Mots-clés: Grafik Collector's Edition graphische Kunst Kollagen

      [Bookseller: Antiquariat Clement]
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        THE AMAZING DR. CLITTERHOUSE [Inscribed Association Copy]

      London: Hamish Hamilton, 1936. First Edition. Hard Cover with Dust Jacket. Fine/Fine. Octavo. SIGNED AND INSCRIBED TO W. H. LEVERTON BY BARRE LYNDON ON FFEP. W. H. Leverton was a fellow author and a key figure in the Haymarket Theatre in London. Lyndon's first play. MOVIE SOURCE; the 1938 film version (with script from a treatment by William Faulkner) starred Humphrey Bogart and Edward G. Robinson. 206pp., bound in green cloth, spine lettering black. Fine in a fine unclipped dust jacket. Very nice copy.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        The General Theory of Employment Interest and Money.

      London: Macmillan and Co, Limited,, 1936. Octavo. Original blue cloth, spine lettered and ruled in gilt, two line border to head and foot of covers in blind. Cloth lightly soiled, extremities a little worn, two tiny dampstains to fore edge of text block, closed tears and slight creasing to top corners of pp. 153?6. A very good copy with bright contents. First edition, first impression. "The world-wide slump after 1929 prompted Keynes to attempt an explanation of, and new methods for controlling, the vagaries of the trade-cycle ? in his General Theory, he subjected the definitions and theories of the classical school of economics to a penetrating scrutiny and found them seriously inadequate and inaccurate" (PMM). His conclusion, namely that "the regulation of the trade-cycle - that is to say the control of booms and slumps, the level of employment, the wage-scale and the flow of investment - must be the responsibility of governments", permanently altered the terms of economic debate and considerations of the role of government in managing the economy (or not).

      [Bookseller: Peter Harrington]
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      London: Faber and Faber Ltd, (1936) First edition of Barnes'; celebrated roman à clef set in Paris in the 1920s. Presentation copy, inscribed on the front free endpaper "To John Hayward, with love, Djuna Barnes." Laid into this copy is a brief autographed card signed by Barnes to Hayward, reading "A Very Merry Christmas & a Good New Year - Would write Tom but he';s away, Always, Djuna." John Hayward, (1905-1965) literary editor and critic, bibliophile and bibliographer, the editor of The Book Collector, and cataloguer of The Rothschild Library, Lord Rothschild';s great collection of Eighteenth Century English Literature, was for many years T. S. Eliot';s closest friend, the poet';s archivist, editor, and literary executor. Hayward and Eliot shared a flat at Carlyle Mansions in Chelsea for eleven years from 1946 until 1957, and it is to "Tom" Eliot that Barnes refers in her note. In 1957, Eliot suddenly married Esmé Valerie Fletcher, his young secretary, and abruptly left Hayward, his long-time companion. The news that Eliot was leaving came as a "stunning surprise" to Hayward. In a letter to Helen Gardner, Hayward wrote: "I knew nothing and suspected nothing until he handed me a letter to read as he was leaving - literally leaving - the flat, to spend the night with his lawyer before the 6:15 am 25 guineas ceremony." On the day of Eliot';s wedding, Hayward told his sister Diana, "You will never guess what has happened! Mr Eliot has eloped with his secretary." Eliot and Hayward remained estranged for many years afterwards. Referring to his second marriage, Eliot told Djuna Barnes "I';m the luckiest, the very luckiest man on earth." - John Smart, Tarantula';s Web: John Hayward, T. S. Eliot and Their Circle (London: Michael Russell, 2013), pp. 264-272. A classic of lesbian literature, Nightwood was rejected by American publishers, and at the instigation of T. S. Eliot, a director of the firm, was first published in England by Faber and Faber. Harcourt, Brace published the first American edition, with an introduction by Eliot, in 1937. Both editions were slightly bowdlerized, and the original text was not published until Dalkey Archive Press brought out an unexpurgated edition in 1995. William Burroughs called Nightwood "one of the great books of the twentieth century." Although undated, Barnes';s presentation inscription and certainly her inserted note presumably date from the period during which Hayward and Eliot lived together in Chelsea 8vo, original purple cloth, dust jacket. A few small chips at lower fore-corner of the dust jacket, a tiny bit of edge-wear elsewhere, otherwise a fine copy of a rare book, an exceptional association copy, and the only inscribed copy we have handled.

      [Bookseller: James S. Jaffe Rare Books LLC]
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        12 mesi nel ticino

      Servizio di pubblicita delle ferrovie federali svizzere, Lugano, 1936. 2 Blatt/12 Tafeln im Holzschnitt sowie ein Vorwort von Giuseppe Foglia - Mit einer original Widmung von Aldo Patocchi an Ugo Ojetti (19)36/gutes Exemplar/Aldo Patocchi, *22.07.1907 Basilea - 4.9.1989, Lugano. SIKART, Lexikon zur Kunst in der Schweiz/E un edizione darte ap, stampata coi torchi della tipografia luganese, lugano nella primavera del 1936 per inziativa delle ferrovie federali svizzere in berna e limitata a seicento esemplari numerati e firmati a mano dallautore esemplare No. 24/von A.Patocchi signiert -

      [Bookseller: Celler Versandantiquariat]
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      - BROOKS,WALTER. STORY OF FREGINALD. NY: Knopf 1936 (1936). Large 8vo, pictorial cloth, 249p., slight cover soil, VG+ in dust wrapper (dw chipped, 2 pieces restored). Stated 1st edition, first printing. The story of a bear named Freginald and his adventures when he joins the circus. Illustrated by KURT WIESE in 2-color and line throughout. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Estampas de la Revolución Española. 19 Julio de 1936.

      Quer-Gr.8, 32 Bl., 32 farb. Taf., Spiralheftung, Name auf Vors., Seiten wenig gebräunt Seltenes und eindruckvolles Album aus den erste Tagen des Spanischen Bürgerkrieges. Vom Propagandabüro der anarchistischen Gewerkschaft C.N.T. und der F.A.I. herausgegeben. Text in span. franz., engl.

      [Bookseller: antiquariat peter petrej]
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        Collected Poems of James Joyce

      N.Y.: Black Sun Press, 1936 First edition, deluxe issue, one of 50 copies printed on Japan vellum and signed by Joyce. Slocum & Cahoon A44. Collected Poems includes poems previously published in Chamber Music and Pomes Penyeach, but its primary distinction is in being the first appearance of Joyce's finest and most moving poem, "Ecce Puer", which Joyce wrote on February 15, 1932, the day his grandson, Stephen James Joyce, was born. In "Ecce Puer", however, Joyce's joy at his grandson's birth is subdued by grief over the recent death of his father, John Joyce, who had died on December 29, 1931, and the poem ends: "A child is sleeping; / An old man gone. / O, father forsaken, / Forgive your son!" As Joyce wrote to T. S. Eliot, "He had an intense love for me and it adds anew to my grief and remorse that I did not go to Dublin to see him for so many years." Joyce had not seen his father in eleven years, and confided to Harriet Weaver that "It is not his death that crushed me so much as self-accusation." - Richard Ellmann, James Joyce (N. Y.: Oxford University Press, 1959), pp. 656-659 Small 8vo, frontispiece portrait by Augustus John, original decorated parchment boards, t.e.g., glassine dust jacket, publisher's gold foil slipcase. Very slight wear to glassine dust jacket and slipcase, otherwise a very fine copy, preserved in a half-morocco slipcase.

      [Bookseller: James S. Jaffe Rare Books LLC]
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        BIBLICA: Commentarii editi a Pontificio Instituto Biblico (KONVOLUT aus 17 Bänden) - Vol. 1 (1920) - Vol. 17 (1936).

      je Band ca. 600 Seiten Gebundene Ausgabe Die hier angebotenen Bände stammen aus einer teilaufgelösten wissenschaftlichen Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Schnitt und Einband sind staubschmutzig Papier altersbedingt leicht angebräu17 Bände in verschiedenen Sprachen u.a. DEUTSCH, FRANZÖSISCH, ENGLISCH, LATEIN etc. DAS BILD ZEIGT NUR EINEN TEIL, DER HIER ANGEBOTENEN BÄNDE!!

      [Bookseller: Petra Gros]
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        Die Blendung.

      8, 560 S., Deckelillustration von Alfred Kubin, Etwas berieben u. gebräunt. Rückendeckel u. Schnitt etwas fleckig. Gutes Exemplar, (W/G2 4) Auf dem Titelblatt ist das Erscheinnungsjahr mit 1936, das Copyright mit 1935 angegeben. Mit einer Einbandillustration von Alfred Kubin.

      [Bookseller: antiquariat peter petrej]
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        Aide-bourreau portant un des bois de la Croix

      1936 - ESTAMPES Aquatinte. Monogrammé et daté dans la planche; le chiffre 6 est à l'envers. Planche XVI du livre Passion de André Suarès paru en 1939 chez Ambroise Vollard. L'ouvrage comporte 17 eaux-fortes en couleurs. Cette épreuve fait partie de la suite en noir jointe à 40 exemplaires. 30,5 x 21,3 cm. 46 x 36 cm avec le cadre.

      [Bookseller: Librairie Seigneur]
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        Two Signed Photographs in La Créole

      Used; Like New/Used; Like New. Pair of vintage glossy 3.5 x 5.5 postcard photos of Baker in 'La Creole,' each signed in fountain pen, "Josephine Baker, 1936." Both are individually mounted and matted to overall sizes of 14 x 17. In overall fine condition. <br style=""><br><br><br />"Baker's most significant break with the old music-hall genre occurred with her 1934 appearance as the lead in a revival of Offenbach's operetta La Créole. To play this role, she expanded her vocal range and modified her dance styles. Hammond and O'Connor call the production 'Josephine's greatest artistic triumph in Paris in the 1930s.' Baker played Dora, a Creole Jamaican who falls in love with a French sailor and travels to France in pursuit of him. This comic operatic role firmly placed her in the 'Boulevard tradition' of legitimate musical theater and moved her beyond the tableaux, erotic displays, and medleys of the music hall. Two recorded arias and a brief film clip of her acrobatic dance survive from the operetta, documenting her transformation as a comic-opera star." (Bennetta Jules-Rosette, Josephine Baker in Art and Life: The Icon and the Image," p. 179-180)

      [Bookseller: Schubertiade Music & Arts]
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        Moby Dick in Collection complète des "Cahiers du Contadour"

      Les cahiers du Contadour, Saint-Paul 1936-1939, 16,5x22cm, 8 fascicules brochés en 7 volumes. Les cahiers du Contadour, Saint-Paul 1936-1939, 16,5x22cm, 8 fascicules brochés en 7 volumes. - First edition. Contributions from J. Giono, L. Jacques, C. Vildrac, R. Rolland, Alain, and the French translation of Moby dick by H. Melville published here before its first edition. Illustrations by L. Jacques, A. Noll, H. Chenet, Kardas, E. Jos, Joset, and others. Very occasional wormholes affecting mostly the endpapers of some volumes, spine and covers of first volume lightly and uniformly faded, a small inkspot to upper cover of second volume, but otherwise a good set. A rare complete set. - [FRENCH VERSION FOLLOWS] Edition originale de la revue et pré-originale de la célèbre traduction française de Moby Dick d'Herman Melville par Jean Giono. Contributions de J. Giono, L. Jacques, C. Vildrac, R. Rolland, Alain... Illustrations de L. Jacques, A. Noll, H. Chenet, Kardas, E. Jos, Joset... Rares piqûres affectant essentiellement les gardes de certains volumes, dos et plats du premier volume légèrement et uniformément passés, une petite tache d'encre sur le premier plat du second volume, sinon agréable ensemble. Précieuse collection complète.

      [Bookseller: Librairie Le Feu Follet]
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        Zeitschrift der Akademie für Deutsches Recht: 3. - 9.Jahrgang 1936 - 1942 * 7 Bände

      Original-Ausgabe in Ganzleinen-Bibliothekseinband (Jahrgang 1936) und Halbleinenein-Bänden mit Marmorpapierbezug (Jahrgänge 1937 - 1942) im Format gr.4to 24 x 29,5 cm mit Rückentitel. Schrift: Fraktur und Antiqua, Hauptschriftleiter Dr.Karl Lasch. 1102 / 768 / 864 / 696 / 396 / 403 / 368 Seiten, die Umschläge sowie z.T. miterschienene Bild-Beilagen nicht mit eingeheftet. - Enthält sehr viele Aufsätze und Buchbesprechungen zu den verschiedensten Rechtsgebiete aus den Federn prominenter Nationalsozialisten und berühmter Rechtswissenschaftler der Zeit (u.a. Reichsminister Darre, Reichspressechef der NSDAP Dietrich, Generaldirektor der Deutschen Reichsbahngesellschaft Dorpmüller, Reichsminister von Elz-Rübenach, Staatssekretär Roland Freisler, Reichsminister Dr. Goebbels, Oberbürgermeister Dr. Goerdeler, Reichsminister General Göring, Generalmajor Universitätsprof. Haushofer, Universitätsprofessor Hedemann, Hauptamtsleiter Hilgenfeldt, Reichsführer SS Himmler, Korpsführer des NSKK Hühnlein, Reichsminister Kerrl, Reichsorganisationsleiter Dr. Robert Ley, Stabschef der SA Viktor Lutze, Reichsführer des NS.-Beamtenbundes Neef, Reichsminister Freiherr von Neurath, Reichsleiter Rosenberg, Universitätsprofessor Carl Schmitt, Reichsschatzmeister der NSDAP Schwarz, Reichsminister Graf Schwerin von Krosigk, Präsident des Volksgerichtshofes Thierack. - Exemplar in guter Erhaltung. - Deutsches / Drittes / Großdeutsches Reich, nationalsozialistische Gesetzgebung und Rechtsprechung, Rechtswissenschaft im nationalsozialistischen deutschen Staat, deutsche Gesetze im Nationalsozialismus / im völkischen Führerstaat / im deutschen Volksreich, Haus des Deutschen Rechts in München, Entjudung, Judengesetzgebung im 3.Reich, Antisemitismus, Juden-Mischlinge, Judenmission, jüdische Unternehmen, Grundsätze der Kriegsernährungswirtschaft, Staatsrat Carl Schmitt, Roland Freisler, Justus Wilhelm Hedemann, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut Bitte beachten Sie: Auf Grund der besonderen Versandkostenvorgaben vom ZVAB und Abebooks, kann es bei schwereren oder mehrbändigen Werken zu höheren Portokosten kommen, da der Preis sich nicht am Gewicht, sondern nach der Anzahl der Artikel richtet.

      [Bookseller: Galerie für gegenständliche Kunst]
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        Calls, Sounds and Merchandise of the Peking Street Peddlers

      - The Camel Bell. 1936. Peking. Hardcover. Quarto (large format - book's length is horizontal). Condition: Good. The beautifully decorated covers are made of red, blue, and green embroidered silk brocade, embraced on the spine by an orange silk cord. The covers do not show much evidence of use. The red paste-on title to cover rests atop a white paste-on paper underneath, which has the effect of producing a one-eighth inch white border to surround the plate. The endpapers, front and back, are of a mottled orange and white design. The sewn binding is secure, and all pages are firmly attached. There is, however, one small spot, between the front two endpapers, that is worn, and reveals a glimpse of the green-threaded binding underneath. Approximately half of the pages are accordion-fold. The pages do show use, primarily surface waviness, which is most prominent in the first third of the book, and there are spots of subtle creasing, likely partially incurred from the action of page-turning and simply the passage of time. This issue is slightly more pronounced on the title page and the succeeding five pages. There are 60 colored lithograph plates depicting some of the most distinctive Peking street peddlers of times past. Each lithograph is comprised of two sections, one showing the peddler plying his trade and the other bearing a close-up of his product, or the tool or instrument which he uses in his trade (i.e. in the blind fortune teller lithograph there is a close-up of the object he uses to tell fortunes). Some of the street peddlers are 'Sugar Figure Blower', 'Clay Utensil Peddler', 'Braid Peddler', 'Reed Horn Seller', 'Almond Tea Peddler', 'Trained Monkey Man', and 'Candied Fruit Peddler'. Women in this period of China's past seldom ventured form their homes, so buying the needed items from the street peddlers was the way they were able to supply their daily needs. There are also 16 tipped-in photographs, depicting various activities of Peking's citizens, including, for example, a puppet show, and a Peking barber. There is one framed and tipped-in paper floral pattern. One page depicts the Asian symbol for peace and is labeled 'Pa Kua', or eight diagrams. The author, born in 1894, came to Beijing in 1923 as an assistant military attache of the American Legation. While working for the Legation he also attended the College of Chinese Studies in Peking, where, as partial requirement for the degree of Master of Arts, he produced this remarkable book. Includes a short bibliography. The book is enclosed in its original cardboard slipcase, which is completely enclosed in paper decoration of the same colored pattern as that of the book. It also has the identical paste-on colored label as the book. The case has four tears at the bottom, along the ridges (two at each end) and two tears at the top, also at the ridges, at the right foredge. The decorative paper is worn in several places along the ridges at the top and bottom of the slipcase. The book still fits rather snugly inside. [Attributes: Hard Cover]

      [Bookseller: Star Canyon Books]
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        Vive LeRoy

      Philadelphia: Lippincott, 1936. Blue cloth, lettered in white on front and spine, top edges vibrantly stained red, gray endpapers. 8vo. 341pp +1 (last page unopened). Tiny nick to cloth at bottom edge of front cover, lightly toned contents, else a near fine, clean copy, tightly bound, with pointy corners, in very good dust jacket, lightly chipped along top edge, a few tiny scuff marks along front spine fold, sunning to spine, which is slightly rippled.. First Edition. Hardcover.

      [Bookseller: Albert Books]
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        Collection of four signed catalogues and monographs. From the artists personal library. The collection includes: 1. Jonathan Benington - Kingerlee / 2. John Kingerlee - A Painter's Passage / 3. Kingerlee - Pneuma in Time - Namoc, Beijing '08/ 4. Kingerlee - New Works on Paper - The Kenny Gallery - Galway 2007 //. All signed by John Kingerlee.

      4. 280 pages. Original Hardcover with dustjacket. Collection of 4 signed volumes from John Kingerlee's library ! 3 of the 4 volumes are in original softcover/ Excellent condition with only minor external wear. A non-conformist at heart, John has turned his back on the traditional way of seeing and depicting landscape - as a series of parallel planes that are made to appear to recede from foreground to background by the artist's manipulation of linear and aerial perspective. Recognising that perspective itself is a mathematical construct, John takes a different approach that is as radical as it is original. He states that he wants his art to recreate the experience of being in and moving through the landscape. In the studio, using his own made-up pigments, he mimics the cycle of growth and decay by working with matter in a very direct and hands-on way. He applies colours, deep pools of it, red brick, reds, molten silver and zinc, platinum and titanium, sulphuric yellows and so much more to dozens of paintings in various states of becoming. He paints standing up, applying a new layer of paint (finished paintings will comprise fifty to one hundred or more layers of paint applied over a period of several years and when completed can take up to five months to dry out). His preferred tools are palette knives (one in each hand is the norm), and a decorator's brush which he holds vertically using a stippling technique. John Kingerlee (born 14 February 1936) is an Irish painter currently living in West Cork. He is a convert to Islam and has a second family in Fez, Morocco. John Kingerlee was born in Birmingham, England in 1936. His Mother was related to Hogan's from County Cork and he was educated in a school run by the Marist Fathers. After living for twenty years in Cornwall in the far southwest of Britain, he moved in 1982 to an isolated farmhouse on the Beara Peninsula in West Cork, Ireland. Kingerlee has exhibited works in Ireland, England and The United States of America. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        Téli Olimpiász 1936. Gármisch-Pártenkirchen. Speciál ugró verseny (Winter Olympics 1936. Garmisch-Partenkirchen. Special Ski Jumping Competition)

      NP, [Budapest] 1936 - Oblong quarto (10 x 13"). [12] leaves. Original spiral bound bakelite panels, with white lettering to front cover. Unique photo album containing twenty original silver gelatin prints taken during the Ski jumping competition held at the 1936 Garmish-Partenkirchen Winter Olympics.The first three leaves contain a 5 x 7" photograph depicting the mountains and nature surrounding Garmish-Partenkirchen. The fourth leaf contains a 5 x 7" photograph showing the impressive Olympic Ice Stadium which has a capacity of 200,000 persons.The remaining sixteen photographs pasted onto eight leaves (2 per page) show 15 ski jumpers in action. Each print measures 3 1/2 x 5" and is hand-captioned on the leaf indicating the skier's name, nation and the distance reached by the athlete during the competition. In order of appearance, the fifteen skiers are: Johansson (SWE); Iwao Miyajima (JPN); Kaare Wahlberg (NOR); Paul Kraus (GER); Väinö Tiihonen (FIN); Richard Bühler (SUI); Hans Marr (GER); Nils Hjelmström (SWE); Arnholdt Kongsgaard (NOR) (two photographs); Birger Ruud (NOR); Sverre Fredheim (USA); Sven Eriksson (SWE); Masaji Iguro (JPN); Stanislaw Marusarz (POL); Reidar Andersen (NOR).The competition was held on Sunday, February 16, 1936. It saw Birger Ruud (NOR) winning the Gold medal, Sven Eriksson (SWE), Silver, and Reidar Andersen (NOR), Bronze.Minor and sporadic tiny white spots to front panel. Moderate scratches to back cover. First leaf detached, but present. Captions in Hungarian. Binding and interior in overall good+ to very good, photographs in fine condition. [Attributes: Hard Cover]

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        Der Tod des Vergil. [Erstausgabe mit Schutzumschlag].

      Halbleinen, Schutzumschlag, gr-8, [1] 522 [2] S., roter Kopffarbschnitt, roter Titeldruck -gut erhaltene Erstausgabe mit dem originalen Schutzumschlag, Umschlag leicht berieben und mit kleineren Randeinrissen, hintere Deckel etwas stärker berieben, Papier leicht gebräunt, handschriftlicher Namenseintrag [Alfred Meyer?] auf dem Vorsatzblatt. Hermann Brochs *Tod des Vergil* entstand seit 1936 im US amerikanischen Exil und erschien 1945 gleichzeitig auf deutsch und englisch im New Yorker Pantheon Verlag. Die Umschlagsillustration schuf Edward McKnight Kauffer. Buchhandelsmarke vom *Brown Book Shop, Houston, Tx* im hinteren Innendeckel.

      [Bookseller: Antiquariat Atlas]
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        Almost Forgotten Germany.

      Deyá: The Seizin Press, and London: Constable & Co., Ltd.,, 1936. Translate by Laura Riding and Robert Graves. Octavo. Original orange cloth, spine lettered in black. With the dust jacket. Photographic frontispiece. Spine-ends very lightly bumped, small marking to upper outer corner of pp. 267-74. An excellent, tight copy copy in the dust jacket with a slightly toned spine and rear panel, and tape repaired verso at head and foot of spine, and at head of both joints. First edition, first impression of this memoir by a German art-dealer who fled Nazi Germany and became Graves's neighbour in Majorca, "a charming, individual and informative book which never received its due" (Seymour-Smith, Robert Graves: His Life and Works, p. 245). Graves and Riding actually worked from a literary rendering prepared by Kenneth Gay (born Karl Goldschmidt), Graves's personal secretary, companion and editor on Majorca.

      [Bookseller: Peter Harrington]
 26.   Check availability:     Biblio     Link/Print  


      New York: Harcourt, Brace and Company, 1936. First edition. Hardcover. Very Good/Very Good. 469 p. First American edition. The third mystery to feature Harriet Vane, companion sleuth to the dashing, perennially popular private investigator Lord Peter Wimsey. Regarded as one of Sayers' finest novels. Octavo. Original black cloth binding, with blue titles. Period bookplate to the front pastedown, with a small bookseller's label (Hudson's Book Shop, Detroit) to the rear pastedown. The dust jacket is a bit faded, more so along the spine, with some mild edgewear. A very good copy.

      [Bookseller: The Book Shop, LLC]
 27.   Check availability:     Biblio     Link/Print  

        Thomas Cranmer of Canterbury

      London: Oxford University Press, 1936 - First Edition. Very light foxing; about fine in a very good dust jacket. Signed by the author on the title page. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 28.   Check availability:     AbeBooks     Link/Print  

        Le Bouclier d'Or. Sonnets et Poèmes.

      Chez l'Auteur 1936. In-12 broché non paginé ( 34 pages ) au format 12,5 x 19 cm. Couverture typographique. Dos muet bien carré. Mors et dos très légèrement insolés. Intérieur parfait. Edition originale du premier livre de l'auteur, publié à compte d'auteur, à Narbonne et à tout petit nombre d'exemplaires. Rarissime, surtout dans un tel état de fraicheur, proche du parfait. Exemplaire de surcroit enrichi d'une dédicace autographe, signée, non nominative, de l'auteur.Port gratuit pour la France ( En raison des nouvelles normes postales, les livres dont l'épaisseur dépasse les 3 cm seront expédiés obligatoirement en Colissimo avec un forfait ajouté de 5 € ) Port à la charge de l'Acheteur pour le reste du monde. Pour destinations extra-planétaire s'adresser à la NASA. Membre du Syndicat Lusitanien Amateurs Morues - Vente exclusivement par correspondance ! Le libraire ne reçoit que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.

      [Bookseller: Librairie Victor Sevilla]
 29.   Check availability:     Livre-rare-book     Link/Print  

        John Wisden's Cricketers' Almanack for 1936 - 1936 Wisden Original Hardback

      1936. Hi, This lot is a 1936 Original Hardback Wisden in Very Good Condition, excellent for the year. It also had the added bonus of being a presentation copy, signed by WH Brookes (Editor) to future editor Norman Preston which makes the book very unique. Wisden chaaged materials in 1933 and the quality of the books suffered as a result, hence why 1933-1936 seem a lot more faded than the early 1920s Hardbacks. The gilt to the front and spine is ever so slightly fading as per the year and the boards are dulled, this book however is a lot better than an average 1936. Odd mark to the boards. Internally it is a nice and bright book, very yellow pastedowns and titlepage and clean inside. The hinges are strong. Old address sticker to the first page and removable post-it-note stating the endorsement. The previous owner had a bat bookmark inserted loosly froma paperback. Internally very good without restoration with an excellent photoplate.

 30.   Check availability:     IOBABooks     Link/Print  

        Hegenbarth, Josef. - Ritterliches Turnier.

      - Zeichnung / Pinselzeichnung, in schwarzer Tusche, um 1936. Von Josef Hegenbarth. 16,0 x 14,5 cm (Darstellung) / 18,5 x 17,0 cm (Blatt) / 50 x 60 cm (Passepartout). Rechts unten in Bleistift signiert. Verso Nachlaßstempel. - Verso zwei Skizzen. - Papier etwas gebräunt. Am oberen Blattrand links geringfügige Papierschädigung. Im Passepartout montiert. Insgesamt guter Zustand. Josef Hegenbarth (1884 Böhmisch-Kamnitz - 1962 Dresden). Deutscher Maler und Grafiker. 1908?15 Studium an der Kunstakademie Dresden bei Carl Bantzer, Oskar Zwintscher und Meisterschüler von Gotthardt Kühl. 1915-39 Mitglied der Dresdener Künstlervereinigung, später in deren Jury und Teilnahme an Ausstellungen. 1917?19 Aufenthalt in Prag. 1919 Rückkehr nach Dresden, Atelier im Künstlerhaus in Loschwitz. 1924?36 Mitarbeit bei der Münchener ?Jugend? 1925?44 Mitarbeit beim Münchener ?Simplicissimus? 1926 Mitglied der Wiener Secession, 1914-38 Teilnahme an deren Ausstellungen, erneute Mitgliedschaft ab 1960. 1929 Mitglied der Prager Secession und Teilnahme an deren Ausstellungen bis 1936. 1943-45 Vertreibung und Verlust wesentlicher Teile seines Lebenswerkes. 1946 Anstellung an der Hochschule für Werkkunst in Dresden. 1947 Professur an der Hochschule für Bildende Künste Dresden. 1949 Aufgabe des Lehramtes. 1954 Nationalpreis der DDR. 1955 Korrespondierendes Mitglied der Deutschen Akademie der Künste. 1956 Außerordentliches Mitglied der Akademie der Künste Berlin. 1959 Ausstellung zum 75. Geburtstag in der Nationalgalerie Berlin und in München. 1960 Mitglied der Bayerischen Akademie der Schönen Künste in München. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 31.   Check availability:     ZVAB     Link/Print  

        Blick auf Schloss Augustusburg in Sachsen (Hirte mit weidenden Kühen)

      0 - Bleistift/Kohle auf dünnem Karton. 10,7 x 24,5 cm. Unten mittig undeutlich bezeichnet und signiert "Augustusburg 1936 (?) Rich. Müller." - Im Himmel gering fleckig, Rückseite leicht fleckig, mit Bleistift Notizen zur Rahmung. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Antiquariat Hardner]
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        Mensch Schwein Maschine. Original Tusch-Zeichnung.

      - Bildgrösse: 23x24 cm. Unten rechts signiert und datiert. In Glasrahmen 46x40 cm. Luis Murschetz, geboren 1936 in Velenje (Wöllan), wuchs in Frohnleiten, Steiermark, auf. Nach dem Grafik- und Designstudium in Graz folgten Lehrjahre in Rotterdam. 1967 erschienen seine ersten politischen Karikaturen in der Süddeutschen Zeitung und seit 1971 in der ZEIT, wo er das Amt des Zeichners von Paul Flora übernahm. Murschetz leitete zwischen 1983 und 1995 wiederholt die Klasse Illustration an der Internationalen Sommerakademie für bildende Kunst in Salzburg. Er wurde mehrfach ausgezeichnet, zuletzt 1997 mit dem Olaf Gulbransson Preis. Murschetz lebt in München. Seine Bücher sind unter anderem bei Haffmans erschienen. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
 33.   Check availability:     ZVAB     Link/Print  

        12 mesi nel ticino

      Servizio di pubblicita 1936 - - Mit einer original Widmung von Aldo Patocchi an Ugo Ojetti (19)36/gutes Exemplar/Aldo Patocchi, *22.07.1907 Basilea - 4.9.1989, Lugano. SIKART, Lexikon zur Kunst in der Schweiz/E un edizione d`arte ap, stampata coi torchi della tipografia luganese, lugano nella primavera del 1936 per inziativa delle ferrovie federali svizzere in berna e limitata a seicento esemplari numerati e firmati a mano dall`autore esemplare No. 24/von A.Patocchi signiert - Gewicht in Gramm: 664 Servizio di pubblicita delle ferrovie federali svizzere, Lugano, 1936. 2 Blatt/12 Tafeln im Holzschnitt sowie ein Vorwort von Giuseppe Foglia [Attributes: Signed Copy]

      [Bookseller: Celler Versandantiquariat]
 34.   Check availability:     ZVAB     Link/Print  


      1936. WOLFF, KATE. PERE CASTOR. SUISSE EN IMAGES LUMINIEUSES designed by Lalouve. Paris: Flammarion (1936). Square 4to (8 1/2"), flexible pictorial card coverss, Fine and unused. 1st edition. There are 12 lovely full page silhouette illustrations. Each illustration represents a different historical figure or event in Swiss history including William Tell, Nicolas de Flue, Major Davel and more. The child is to cut out the marked sections of the illustration. Then by cutting out pieces of various colored papers provided in the book, and pasting them into open sections of the full page illustration, the child can make their own illuminated pictures. The effect is most effective when held to the light. Designed by LALOUVE whose real name was Kate Wolff. Wolff was a Jewish artist forced to leave Germany in 1933. She came to Paris and began to work for Pere Castor, hiding her Jewish origins and changing her name to Lalouve, This is one of the more unusual and rare Pere Castor titles.

      [Bookseller: Aleph-Bet Books, Inc. ]
 35.   Check availability:     ABAA     Link/Print  

        Freundschaftsalbum ( Gästealbum ): Denkmahl der Freundschaft

      Album mit ca. 200 eingelegten Blättern auf Büttenpapier mit Goldrand, davon 18 beschrieben bzw. mit Illustrationen versehen aus dem Jahre 1936. 4 Blätter nur mit Illustrationen, 2 hiervon signiert mit F. Rumpf ( möglicherweise: RUMPF, Fritz Carl Georg (1888-1949): 1 Blatt mit vielen kleinen, detailreichen, farbigen Figuren aus der Soldateska, 1 gekonnt ausgeführtes farbiges Blatt mit einer soldatischen Trinkszene sowie der Unterschrift: " So ein Krieg ist eigentlich gar nicht so schlimm. Erstens braucht man sich überhaupt nicht mehr zu rasieren und zweitens hat man, wenn man mit dem Leben davon kommt einen Gesprächsstoff für das ganze Leben ". ( Zur Erinnerung an manche Suffkoppsitzung, F. Rumpf, 19. V. 1936 ). Weitere Blätter mit farbigen Anfangsillustrationen. Die weit überwiegende Zahl der Blätter unbeschrieben. Zusammen lose in einer Original-Lederkassette inliegend mit 2 farbigen Rückenschildchen " Denkmahl der Freundschaft " sowie " O. Grossman ",Quer 8 ( 18,5 x 19,5 cm ). Ecken und Kanten bestoßen, etwas berieben, ansonsten guter Zustand. ( Gewicht 1050 Gramm ) ( Pic erhältlich / webimage available )

      [Bookseller: Antiquariat Friederichsen]
 36.   Check availability:     Link/Print  

        Storia della chiesa dalle origini ai giorni nostri.

      Berruti - S.A.I.E. - San Paolo, Torino, 1936. XXV volumi distribuiti in 36 tomi di ca. 500/600 p. ma alcuni volumi anche 900 p. a volte sono presenti tavole f.t. su carta patinata 25 cm similpelle rossa con titoli in oro e nero al dorso (i primi 7 volumi) - tela editoriale rossa con titoli oro alcuni in custodia i volumi dal VI al XXIV cart. e sovr. il voumi XXV in due tomi. I primi 7 volumi in prima edizione italiana sono editi della casa editrice Berruti di Torino dal 1937 al 1953 e in dettagli trattasi di: I. La Chiesa primitiva; II. Dalla metà del II° secolo all'editto di Milano; III. Dalla pace costantiniana alla morte di Teodisio [313-395]; IV. Dalla morte di Teodosio all'avvento di San Gregorio Magno [395-590]; V. San Gregorio Magno gli Stati barbarici e la conquista araba [590-757]; VI. L'epoca carolingia [757-888]; VII. L'epoca feudale [888-1057] pg. 608. IL SESTO E IL SETTIMO VOLUME SONO PRESENTI ANCHE NELLA SECONDA EDIZIONE DELLA CASA EDITRICE S.A.I.E. che si sviluppa perciò nel seguente modo con la maggior parte dei volumi in prima edizione: VI. L'epoca carolingia [757-888]; VII. L'epoca feudale La chiesa del particolarismo [888-1057]; VIII. La riforma gregoriana e la riconquista cristiana [1057-1123]; IX. Dal Primo Concilio Lateranense all'avvento di Innocenzo III [1123-1198]; X. La cristianità romana [1198-1274]; XI. La crisi del Trecento e il papato avignonese [1274-1378]; XII. Le istituzioni ecclesiastiche della Cristianità medievale.; XIII. Il movimento dottrinale nei secoli IX-XIV; XIV. La Chiesa al tempo del Grande Scisma e della crisi conciliare [1378-1449]; XV. La Chiesa e il Rinascimento [1449-1517]; XVI. La crisi religiosa del secolo XVI; XVII. La Chiesa al tempo del Concilio di Trento (1545-1563); XVIII. La restaurazione cattolica dopo il Concilio di Trento/La chiesa nell'età dell'assolutismo confessionale: dal Concilio di Trento alla pace di Westfalia [1563-1648]; XIX. Le lotte politiche e dottrinali nei secoli XVII e XVIII [1648-1789]; XX. Crisi rivoluzionaria e liberale [1789-1846] - UsatoBuono Anno pubblicazione: 1936-1994. Buono ordinari segni d'uso e del tempo firma di possesso ad alcuni tomi qualche annotazione a matita al primo volume. ...

      [Bookseller: Studio Bibliografico Adige]
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        CÁNTICO Al Aire de tu vuelo * Las horas situadas * El pájaro en la mano Aquí mismo * Pleno Ser.

      Madrid, Cruz y Raya. 1936. - 4º, plena piel. Con extensa dedicatoria autógrafa. Primera edición. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Elena Gallego - Rare Books]
 38.   Check availability:     IberLibro     Link/Print  

        Memoirs of the Hawaiin Revolution (3 Volume Set in Original slipcase)

      Honolulu: Advertiser Publishing Co., Ltd, 1936. Limited Edition. Octavo. Limited to 600 sets published for subscribers. A set of the memoirs of Sanford B. Dole and Lorrin A. Thurston published by the Advertising Publishing Company. This set is numbered 187 with the limitation slip mounted on the lining papers of each volume. Originally written for joint serial publication with Lorrin A. Thurston's memoirs in the Honolulu Advertiser. Thurston's chapter begins with Jack London's arrival on his yacht Snark in 1907. Thurston provides interesting details about London's fixed writing routine, his despising of what today would be called "political correctness" on the racial issues inherent in Hawaii, followed by Thurston's defense. The set is comprised of: Vol. I, Writings of Lorrin A. Thurston, 166p. index; Vol. II. Lorrina A. Thurston, Memoirs of the Hawaiian Revolution, 664p.; Vol. III Sanford Dole, Memoirs of the Hawaiian Revolution, 188p. index. From the controversy of Queen Lili'uokalani's authorship of Hawaii's Story by Hawaii's Queen to the issue on the annexation of Hawaii (and even statehood [as Mahan advocated as an early proponent of geopolitical issues], this is an essential set for understanding the History of Hawaii from President Harrison to the period just before the Second World War. Although the three volumes has nearly 1,000 pages of text, the margins are wide and the print is large so that it is eminently readable. Bound in red patterned cloth letrtered in gilt, within blind stamped frame. A very good set with rubbing to joints and gilt fading. Housed in original three decker slipcase.

      [Bookseller: Alcuin Books, ABAA-ILAB]
 39.   Check availability:     Biblio     Link/Print  

        ART [Publicació de la Junta Municipal d&#146;Exposicions d&#146;Art. Revista 1933-1936]

      Barcelona, Nagsa, 1933-1936 - 32x24 cm. Año I: 10 fascículos (faltan el 7 y 10 y las cubiertas del núm. 3, con recorte en la cubierta del núm. 5); año II: 10 fascículos (faltan el 9 y el 10); año III: 1 único fascículo y último de la publicación. Art publicaba 10 números cada año, de octubre a julio. Preciosa y muy importante revista sobre el arte moderno que principalmente se creaba en Cataluña dirigida durante casi toda su etapa por Joan Merli i Pahissa y a partir de 1936 (número único) por Josep Mª Junoy. Todos los amantes y estudiosos del arte catalán del primer tercio del siglo XX, consultan y agradecen la existencia de esta publicación.

      [Bookseller: Arteclío S. L.]
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        Verwaltungsgebäude Frankfurt/Main.

      (Frankfurt ) 1936 - (33 x 38 cm). 3 Bll. Mit 15 Tafeln, jeweils mit einer montierten Original-Fotografie in Silbergelatine (17 x 23 cm). Original-Halbleinwandband mit Kordelheftung. Seltene Festschrift zur Errichtung des Verwaltungsgebäudes der Deutschen Vereinigten Schuhmaschinen Gesellschaft in Frankfurt. Die Fotos zeigen Innen- und Außenansichten des Gebäudes. - Ein Foto mit geschwärztem Hakenkreuz. Einband leicht bestoßen, sonst gut erhalten

      [Bookseller: Antiquariat Gerhard Gruber]
 41.   Check availability:     ZVAB     Link/Print  

        Angebotschreiben Georg Kolbe an Walter Wellenstein und 9 Original-Photographien v. Plastiken. Berlin, 1936.

      Maschinenschriftliches Angebotschreiben vom 6.6.1936 (1 Bl. 28,5 x 22,5 cm, mit Briefkopf Georg Kolbes) an Walter Wellenstein (1898-1972), unterzeichnet "i. A. Margrit Schwartzkopff" aufgelistet sind 9 Kolbe Plastiken mit Preisangaben in RMK und Hinweis auf beiliegende 9 Orig.-Photographien diese je verso mit Atelierstempel M. Schwartzkopffs und Stempel Georg Kolbes sowie handschriftlicher (Bleistift-) Bezeichnung und Maßangabe der Plastiken, wohl von M. Schwartzkopff. 1 Wolkenfahrt 1925 (20,5 x 14,5 cm) 2 Kniende 26 (23 x 17 cm) 3 Fliegende 1927, Aufnahme nach Gipsmodell (17 x 12,5 cm) 4 Kniende 28, Aufnahme nach Gipsmodell (24 x 17 cm) 5 Hockende 1931 (19,5 x 15 cm) 6 Jungmädchen 1934 (23 x 10 cm) 7 Kl. Stehende 1935 (23 x 16 cm) 8 Gr. Verkündung 1935 (21,5 x 17 cm) 9 Kopf vom Ehrenmal Stralsund 1935 (21,7 x 15 cm) Brief gefaltet etwas knittrig mit Knickspur, ein Photo mit Eckknick, eines leicht fingerfleckig, zwei mit Aussilberungen im Rand, eines verso mit Montagespuren, sonst wohlerhaltenes Konvolut mit teils sehr seltenen Original-Aufnahmen.

      [Bookseller: artestat]
 42.   Check availability:     Link/Print  

        Jigokuhen [trans.: Hell Screen]

      88, [4] pp. Small 4to, orig. blue cloth, uncut & unopened. Tokyo: Noda Shobo, 1936. First separate edition, limited to 170 copies, originally published in 1918 in two newspapers. Akutagawa (1892-1927), is today most famous for having written the story "In the Grove" which was the basis for the classic film Rashomon by Kurosawa. The theme of the present story is concerned with artistic obsession. It was dramatized by Mishima in 1953 and made into a movie - Portrait of Hell - in 1969. Fine copy in the original slipcase. This limited edition is printed on fine handmade paper with a watermark reproducing the author's signature. The binding and original Japanese style box of dark blue rough cloth are in the mingei style.

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
 43.   Check availability:     Biblio     Link/Print  

        Ihr werdet uns nicht niederzwingen! Rede vom 11. Oktober 1936

      Rede des Stellvertreters des Führers am 11. Oktober 1936 anlässlich der Einweihung der Adolf-Hitler-Halle in Hof Sehr selten. Guter Zustand

      [Bookseller: brandenburgpaule]
 44.   Check availability:     Link/Print  


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