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Displayed below are some selected recent viaLibri matches for books published in 1936

        Reed and Allied Families: Genealogical and Biographical Studies, Illustrated with Engravings of Portraits and Armorial Bearings

      New York: The American Historical Society, Inc, 1936. Full leather. Near Fine. Very impresive 1936 Reed (or Reid) family genealogy, privately printed for Mary Dean Reed and sumptuously bound in a highly-decorative, full morocco. A remarkably clean, Near Fine folio, with raised bands and finely-tooled devices and lettering at the compartments. Additional gilt coat-of-arms to the panels and large sprigs of roses adorning the full-morocco pastedowns. All edges gilt, all original tissue-guards (protecting the brightly-colored "coat of-arms" plates) intact. Also includes several interesting pieces of Reed family ephemera laid-in. (From the library of Joseph Verner Reed {1937-2016}, prominent Greenwich, CT scion and former Ambassador to Morocco and Under Secretary-General of the United Nations).

      [Bookseller: Appledore Books, ABAA ]
 1.   Check availability:     ABAA     Link/Print  

        Liste des Grands Vins Fins (14 Annual Catalogues)

      1936. First Edition . MAISON NICOLAS. Liste des Grands Vins Fins. [Paris]: (Draeger Frères), 1936-1971. WITH: DERAIN, André. Le Génie du Vin. (Paris: Draeger Frères, 1972). Altogether, fifteen volumes. Quarto (varying sizes), original flexible paper covers (some spiral-bound, some in original glassines). Housed in a pair of matching green clamshell boxes. $4000.First editions of these wonderfully illustrated annual wine lists from Maison Nicolas, with cover designs and illustrations by such leading French painters as Latour and Buffet, together with Derain’s illustrated publication commemorating the sesquicentennial of Maison Nicolas— one of only 300 copies.“From 1928 to 1973, Nicolas has recognized the synergy between wine and art by commissioning such great painters as Derain, Van Dongen and Buffet to illustrate its catalogues of fine vintages.” “Now we start getting closer to the basis of Nicolas’ success. Prime vineyard sites, only old vines— 35 years minimum but typically much older— and growers who work in an organic or even biodynamic way… Of course, there is no fining and (unless absolutely necessary) no filtration and even the bottling is done at the wane of the moon” (Burgundy Report). This collection of 14 Maison Nicolas wine catalogues between the years 1936 and 1971, with their commissioned artistic covers and text illustrations, not only records the vinyard’s annual offerings, but represents a contemporary French popular taste in art— Latour, Galanis, Saint-André, Gischia, Limouse, Caillard, Humblot, Buffet, Midy, Guiramand, Lorjou, Derain, and Favier. Fine condition.

      [Bookseller: Bauman Rare Books]
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        Sic Transit Gloria.

      London: Victor Gollancz Ltd, 1936 - Octavo. Original black cloth, spine lettered in red. With the dust jacket. A superb copy in the bright jacket with sunned spine and edges. First edition, first impression. A detective story: James Southern investigates the apparent suicide of Gloria Day. It was published later the same year in the US under the title The Scornful Corpse. The publisher's retained copy with their stamp to the title page. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Fine large photo boldly signed in lower margin, "Wallis Windsor" and "Edward" (1894-1972, King of Great Britain, Later the Duke of Windsor) & the Duchess of WINDSOR (Wallis Simpson, 1896-1986, his wife)

      - showing the Duke saluting the pressmen who are gathered to photograph him as he leaves his hotel to go to the waiting car, the Duchess is not visible, 10" x 8" in mount 11

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Parker Pyne Investigates. SIGNED COPY.

      Collins., London. 1936 - A near fine copy and SIGNED in full by the great Agatha Christie directly onto the title page. No inscriptions. No tears or loss. 248 plus 6 immaculate pages. Book seems unread. Outer maroon boards with silver lettering to the spine is unmarked and colour is uniform from front panel to back. Dated as 1936 (fourth Edition) on the copyright page. Housed in a new facsimile dust-wrapper of the 3/6 edition. Published by Collins and not The Crime Club and as such limited numbers were printed. This is a truly amazing copy for its age and even more so as it has the signature of the author included. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Baggins Books and Collectables]
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        Collected Poems 1909-1935

      London: Faber and Faber,, 1936. Octavo. Original blue cloth, titles to spine gilt, top edge red, other edges untrimmed. With the dust jacket. Some faint marks to cloth, very slight rubbing to ends and corners, some spotting to edges and endpapers, but an excellent copy in the jacket which is a little sunned to spine, very gently rubbed along the extremities, and with very small chips to ends and corners. First edition, first impression, of this collection which "contains all Mr Eliot's poetry that he wishes to preserve", including the first appearance in print of Burnt Norton. The first impression is scarce in any jacket approaching collectable condition.

      [Bookseller: Peter Harrington]
 6.   Check availability:     Biblio     Link/Print  

        A Further Range

      New York: Henry Hold and Company,, 1936. Octavo. Original red buckram, titles gilt to spine and front. With the dust jacket. Mild partial toning to front endpapers, an excellent copy in the jacket with light tanning to spine, small chipping to ends and corners and a creased tear to bottom edge of rear panel. First edition, first printing, a nice copy with a scarce personal inscription "To Cornelius Greenway, with my best wishes, Robert Frost". Rev. Cornelius Greenway was a prodigious collector of autographs. Dutch-born, he had immigrated to the United States from Holland in 1914, served with the U.S. Army in France (receiving the Purple Heart and the Service Medal), and from 1926 acted as a Universalist minister, first in Taunton and Boston, and from 1929 until 1965 as pastor of All Souls Church in Brooklyn New York. All this while he was an avid collector of autographs, mainly through highly persistent correspondence. He wrote as many as thirty letters to King Alfonso of Spain before receiving his autographed photograph - Kaiser Wilhem was a relative pushover at 17. Greenway was interviewed in the 14 May 1941 issue of Life Magazine about his autograph collection, and even wrote a book on the subject, Big Game Hunting With a Fountain Pen. His collection was sold by auction in 1970.

      [Bookseller: Peter Harrington]
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        Six Against the Yard - First UK Edition in first issue dust wrapper

      Selwyn and Blount, 1936 A first edition, first printing published by Selwyn and Blount in 1936. A very good+ book without inscriptions, with a little off-setting to the endpapers. In a very good unclipped wrapper showing the correct price of 7/6 on the spine. Some chipping to the head of the spine, a little to the tail and some small chips. A little darkening to the spine. Some light internal tape repairs. A very rare book using work by the six Golden Age detective authors including Allingham, Berkeley and Sayers.[removed][removed]

      [Bookseller: John Atkinson Books]
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        Autograph Letter Signed with initials to 'Dear Alderson' (A. A., 1882-1956, Writer, Creator of 'Winnie the Pooh')

      1936 - saying that here "is Sarah Simple. Perhaps I ought to say that I send it 'without prejudice', by which I mean that my agent (Curtis Brown is possibly showing another copy to some other manager, actor or actress at this moment, and may think he has committed me to something, morally, I mean. But we can settle all that later - if you like the play. Talking to you, I said that Kay Hammond (who is terribly keen to play it ) and Laura Couric would make a good pair of women .", 1 side 8vo., 13 Mallord Street, Chelsea headed paper, 26th May

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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      Daily Express 1936 - 1936. Very good condition in a very good dustwrapper. The very first Rupert annual and the first Rupert book to be illustrated by Alfred Bestall. Red cloth with illustration of Rupert sitting reading on front cover. Black, red and white illustrations. The first time Rupert appeared wearing his now famous red jumper. (Tourtel's Rupert was dressed in blue). 124 pages. First story is Rupert and the Wonderful Kite. Uneven fading to covers. Wear to corners. Foxing throughout. Pages 58/59 have a black ink mark smudged across. Last page (painting page) has been completed with paints! Wrapper is a bit foxed, has some edge-chipping/creasing, but just a little loss to corners. [S] [Attributes: Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        Idiot's Delight

      New York: Scribner's, 1936 - First Edition. Very good in dust jacket. Presentation copy, inscribed by the author, "For Percy Hammond, and I hope you'll still vote for this after inspecting it without benefit of Lunts or blondes. Gratefully, Robert E. Sherwood. April 1936." Hammond's review in the Herald Tribune is quoted on the back panel. The recipient died later that month. Basis for the 1939 film, which was written by Sherwood. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        Horror on the Asteroid.

      London: Philip Allan, 1936. First edition. 8vo. Bound in publisher's red cloth titled and ruled in black to spine. Minor rubbing and shelfwear, some sunning to extremities. Very good indeed. In a very good, clean example of the extremely scarce dustwrapper, with chipping and loss to spine ends affecting the title and publisher. Minor loss to corners, some soiling and creasing to white rear panel. Perhaps doesn't sound particularly delicious, but it's rarity in any form of dustwrapper makes up somewhat for the wear and tear. One of the highly collectable "Creeps" series.

      [Bookseller: Adrian Harrington]
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        Conference on Jewish Relations NEWS LETTER The Situation of the Jews in Poland. April, 1936

      American Jewish Congress, 221 West 57th Street, New York, N.Y. 1936 - This is NOT the 1936 reprint. It is the true original news letter of April 1936. Includes bibliographical references (page 2). An important mid-1930¿s report from Abraham G Duker on the oppression of Polish Jews in the inter-war period (following Hitler¿s rise to power but before the German invasion of Poland) , with detailed sociological and statistical materials on educational, economic and political facets to the Jewish community, and the changes undergone in an increasingly anti-semitic Polish state; with introductory statement from Salo W. Baron and Morris R. Cohen concerning pogroms in Poland and comparison of the viciousness of Polish Antisemitic parties to that of Nazi Germany. The author of the report Abraham Gordon Duker (1907¿1987) , "was born in Rypin, Poland, went to the U. S. In 1923. He served on the library staff at the Jewish Theological Seminary (1927¿33) and was research librarian at the Graduate School of Jewish Social Work (1934¿38) . From 1938 to 1943 he was on the staff of the American Jewish Committee, serving inter alia as the editor of the Contemporary Jewish Record (1938¿41) . He was also an editor of the Universal Jewish Encyclopedia (1939¿43) , Reconstructionist, and Jewish Social Studies, a quarterly. Duker was president of the Chicago Spertus College of Judaica (1956¿62) and from 1963 director of libraries and professor of history and social institutions at Yeshiva University. His works include education surveys, books, and articles in his main fields of interest, Polish-Jewish relations and American Jewish sociology. " (EJ) [Attributes: Soft Cover]

      [Bookseller: Meir Turner]
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        Album du Moyen-Age. Galerie. Compositions avec écritures anciennes et modernes. Ecritures anciennes d'après des manuscrits & les meilleurs ouvrages. - Spécimen des écritures modernes comprenant les romaines fleuronnées, gotiques nouvelles, fractures. Exécutées à la plume.

      Strasbourg, gravé et publié par E. Simon fils lithographe. 1936 - 3 Werke in 1 Band. 40,5x28 cm. Gestoch. Haupt-Titel, 40 gestoch. Tafeln (inkl. Titel); 40 gestoch. Tafeln (inkl. Titel); 40 gestoch. Tafeln (inkl. Titel). Schlichter HLdr.-Bd. der Zeit. (Einband berieben. Rückenkanten etwas eingerissen. Durchgehend fleckig). [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        Notes sur la poésie

      - Glm, Paris 1936, 12,5x17cm, broché. - Prima edizione, una delle 100 copie numerate su pergamena, non la nostra giustificata solo grandi giornali dopo 15 Giappone. autografo prezioso firmato da Paul Eluard René Char: "Copia del mio amico René Char Paul Eluard .." Libro illustrato, frontespizio, un disegno di Salvador Dali. Bella copia di una sorgente in movimento. - [FRENCH VERSION FOLLOWS] Edition originale, un des 100 exemplaires numérotés sur vélin, le nôtre non justifié, seuls grands papiers après 15 Japon. Précieux envoi autographe signé de Paul Eluard à René Char : "Exemplaire de mon ami René Char. Paul Eluard." Ouvrage illustré, en frontispice, d'un dessin de Salvador Dali. Bel exemplaire d'une émouvante provenance.

      [Bookseller: Librairie Le Feu Follet]
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        The Philosophy of Physics.

      London: George Allen & Unwin Ltd,, 1936. Translated by W. H. Johnston. Small octavo. Original red cloth, spine and front board lettered in black. With the dust jacket. Contemporary gift inscription by J. W. A. Hickson to front free endpaper dated September 1936, ownership stamp to rear pastedown. Spine rolled, pastedowns a little cockled, a few light pencil annotations throughout, wear and tanning to dust jacket spine and joints, some small nicks to jacket extremities, an excellent copy in a very good dust jacket. First edition in English, first impression, the US edition published the same year. This volume of essays on causality was written by the German theoretical physicist who originated quantum theory and for which Planck was awarded the Nobel Prize for Physics in 1918. At the time of publication he was president of the Kaiser Wilhem Society (now the Max Planck Society) and the permanent secretary of the mathematics and physics section of the Prussian Academy of Sciences. In 1935, just one year before he inscribed this copy to "C.M.H.", Canadian psychologist and mountaineer Hickson published a paper called "Causality and Recent Physics" in the Philosophical Review. He was a member of the faculty at McGill University from 1901 to 1924 and would continue to defend causality throughout his writings ("Recent Attacks on Causal Knowledge", Philosophical Review [1938]) until his death in 1956.

      [Bookseller: Peter Harrington]
 16.   Check availability:     Biblio     Link/Print  

        Christmas And Other Feasts And Festivals (45 linocuts Printed in Colour)

      The First UK Printing published by George Routledge & Sons Ltd. in 1936. The BOOK is in near Fine condition. free from erasures, markings and inscriptions. Mild ghosting to the covers in places. Light spotting to the prelims and end papers but all the linocuts remain clean. The scarce original WRAPPER is in Very Good condition. Edge-wear with large chips to the rear cover and lesser ones to the spine ends and front cover edges. Rubbing with loss along the folds. The wrapper retains the original price of 5s. net. Some staining to the wrapper in places. Despite the faults, the wrapper remains attractive in the removable Brodart archival cover. A scarce publication being 'A picture commentary for grown-ups by Claude Flight'. Printed from linocut blocks cut by Claude Flight and Edith Lawrence. Flight was a member of the 'Seven and Five Society' in 1923 whose members included Henry Moore, Ben Nicholson and Barbara Hepworth. He was a member of the Grubb Group in 1928. He collaborated with Edith Lawrence with whom he had an interior design business, taught at the Grosvenor School of Modern Art from 1926 and wrote and organised exhibitions on linocuts. His pupils included various now-famous print artists such as Lill Tschudi, Cyril Power, Eileen Mayo and Sybil Andrews. Influenced by Cubism, Futurism and Vorticism, his work expressed dynamic rhythm through bold, simple forms. His linocut prints show his interest in depicting speed and movement. A wonderful publication and very scarce with the original wrapper.

      [Bookseller: Ashtonrarebooks]
 17.   Check availability:     PBFA     Link/Print  

        Das Haus der Träume , ERSTAUSGABE

      Extrem seltene und gesuchte Hesse - Erstausgabe als Jahresgabe 1936 /37 der Vereinigung Oltener Bücherfreunde ( No . 1 ) auf auf echt Bütten - Kupferdruckpapier . Gesamtauflage nur 150 , davon 100 von Hesse signierte Ausgaben , 40 Exemplare für den Verfasser und 10 für die VOB . Dieses Buch ist offenbar eins von den letzteren Broschurausgaben , in roten Leinen nachgebunden und unsigniert . Sehr guter Zustand , derzeit nicht im Netz .

      [Bookseller: Lesezeichen 43]
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      First edition, an advance (service de presse) copy.Autograph inscription from Irène Némirovsky to Monsieur Guitet-Vauquelin.A good copy retaining its roneographed advertising slip.  Albin Michel Paris 1936 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Vie de Jésus

      Original, one of 60 numbered copies on Japan Edition, leading copy. Bound in full black morocco, spine with four nerves, golden tail date on casters golden headdresses, gilt frame sevenfold on contreplats silk moiré lined with black morocco mint, mint silk guards, guards following paper effect moiré, gilt on cups, covers and spine preserved, gilt-head witnesses; bordered the same morocco felt inside rust, superb set of signed Semet & Plumelle case. Autograph signed by the author to the Countess Du Bourg Bozas. Bookplate pasted it on a guard. Very nice copy well established. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Flammarion Paris 1936 13x19cm relié sous étui

      [Bookseller: Librairie Le Feu Follet]
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        Hefte 1 - 14 Januar - Dezember 1936 (vollständiger 1. Jahrgang) * mit Original-Anschreiben des Verlags zum ersten erschienenen Heft im Juli 1936

      Berlin, Reichsnäherstand Verlags-GmbH, 1936 - Vollständige Ausgabe in solidem altem Bibliothekseinband der Zeit (Halbleinen im Format 21,5 x 30 cm) mit Rückentitel in Goldprägung und Gewebeecken. 14 Hefte, jeweils mit dem Umschlag (dieser jeweils mit 1 Foto-Abbildung auf der vorderen Umschlagseite) eingebunden. 162 Seiten, mit sehr vielen zum Teil ganzseitigen / eindrucksvollen Fotoabbildungen auf Kunstdruckpapier. - Aus dem Inhalt: Geleitwort des Reichsbauernführers - Warum ländliche Reitervereine?, von Graf Metternich (Chefreiterführer der ländlichen Reitervereine) - "Olympisches" für den Reiter - 10 Jahre Westfalens Provinzial-Turnier - Der Sohn auf Vaters Pferd - Reichspost fördert den Pferdesport - Das deutsche Reiter bzw. Fahrer-Abzeichen - Der "alte Haeseler", von Graf Baudissin / Berlin-Charlottenburg - Rund um die deutsche Landespferdezucht: Ostpreußen - Fußpflege des Pferdes - Greven gewinnt Provinzial-Standarte - Sowjetpresse berichtet: "Kosaken lernen bei Juden reiten" - Alltägliche Frage: Warum Turniersport? - Ein Turnier der Bauern - Der Kamerad des Jungbauern - Fotoabbildung "Ein vom ostpreußischen Gauleiter und Oberpräsidenten für die finnländischen Reitervereine gestifteter Wanderpreis" (Silber und Bernstein) - Der Zieten-Ritt - Mustersatzungen für Reitervereine - Deutschlands größter Pferdemarken in Wehlau - Wieder Schimmel im Heere - Die Wunderstute "Nereide" - noch ein Reiterkampf beim Olympia - 21 SS-Reiter-Standarten im Kampf - Reitlehrer-Nachwuchs für die Vereine - Das deutsche Reiter-Abzeichen - Finnlands Pferdezucht - Graf Metternich beim Reichsbauernführer - Westfälische Reit- und Fahrschule Münster - Pferdezucht und Körgesetz - Ein inländischer Volkssport: Trabrennen - Hessens SA auf der Reichsnährstandsschau (" die Aufgabe der SA-Reiterei ist nicht die Heranbildung von Spitzenreitern, sondern sie soll aus den jungen Reitern Nationalsozialisten mit reiterlichen Geist machen") - Als wann der Lehrer in Pommern-16 Nationen beim Aachener Turnier-Landjugend muss reiten!-Ländliche Reiter beim Film - Sieg auf selbstgezüchteten Pferden. Bemerkungen zur Insterburger Turnierwoche 1936 - Soldaten Pferde in der Schule - Die Römer und das germanische Pferd. Zur Geschichte des Reitersportes - Ziele der ländlichen Reiterei - Reitersport am Reichsparteitag in Nürnberg - Reiter starten im Reichssportfeld - Berliner Reiterstadion eingeweiht - Hengstparade in Osnabrück - Hannover siegt im SA-Reichskampf - Nachruf auf Benno von Achenbach - Ostpreußischer Hengstmarkt-Kriegskamerad Pferd - Pferde als Rekruten - Das Pferd im Kriege - Deutsche Pferde auf deutsche Schul - Ehrung des Reichsbauernführers - Wer will zur Kavallerie?, von Major von Singer - Turnier-Ausklang 1936: 1. Ostpreußisches Hallenturnier in Königsberg, mit Fotos wie: "SS.-Obersturmführer Temme siegte in Königsberg in vier Jagdspringen mit Nordland / SA.-Rottenführer Lehmann auf Anker gewann beim ersten ostpreußischen Hallenturnier drei Prüfungen", usw. - Deutsches / Drittes Reich, deutsche Kavallerie, deutsches Militär, Reitertruppe, deutsche Reitergemeinde, deutscher Reitergeist, Rennsport, Reiterkämpfe, Reitturnier, elegante Reitmode, Reitkleidung für Damen und Herren, deutsche Reitkunst im Nationalsozialismus, Pferdezucht in Ostpreussen, Förderung der deutschen Warmblutzucht und Reiterei, reiterliche Gedanken im Landvolk, der deutsche Bauer auf dem selbstgezogenen Pferd, Wehrhaftmachung unseres Volkes, Gauleiter Koch Ostpreußen, Antisemitismus, SS-Reiter-Standarte, SS-Reiter, Turniersport im Nationalsozialismus, SA-Reiter, berittene SA, SA.-Reiter-Quadrille, Nationalsozialisten mit reiterlichem Geist, illustrierte Bücher, nationalsozialistisches / völkisches Gedankengut. - Erstausgabe, EA, erste Auflage in sehr guter Erhaltung, mit Anschreiben der Verlagsleitung von Reichsnäherstands Verlags-GmbH; weitere Bilder s.Nr.24375 ! Sprache: Deutsch Gewicht in Gramm: 2000 [Attributes: First Edition; Hard Cover]

      [Bookseller: Galerie für gegenständliche Kunst]
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        Das Erlebnis der XI. Olympischen Spiele in Wort, Bild und Ton - (Olympia-Tonbuch)

      1936 - Berlin, Verlag Bernhard & Graefe, 1936, Sondereinband, Ganzleinenmappe mit Textband mit 195 Seiten, fast Bildband, 3 Schallplatten mit je zwei Seiten, Mappe etwas berieben, Zustand 2- (FG7) (FG7) Sprache: Deutsch Gewicht in Gramm: 1500

      [Bookseller: Antiquariat Ehbrecht - Preise inkl. MwSt]
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        Lavori di allacciamento della linea di circonvallazione di Bologna con le linee per Milano, Verona, Venezia e col Parco Arcoveggio. Visita ai lavori del Ministro dei Lavori Pubblici, (Giuseppe) Cobolli Gigli

      Bologna, Impresa Mauro Toschi fu Ulisse, 1936, due album fotografici originali dell'Impresa, di cm. 34 x 24 cad. con 37 (dodici + ventuno) foto di cm. 22 x 17 cadauna.

      [Bookseller: Libreria Piani già  Naturalistica]
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        Deutsche Reiterhefte. Illustrierte Zeitschrift für das deutsche Reit- und Fahrwesen / (ab 1937:) Mitteilungsblatt des Reichsinspekteurs für Reit- und Fahrausbildung). 1. Jahrgang 1936 - 6.Jahrgang 1941 * 6 vollständige Jahrgänge

      Dresden, ELBE-Verlag Werner Lehmann / Berlin, Ernst Steiniger Verlag, 1936 - 1941. - Vollständige Ausgabe der Jahrgangsbände in solidem Bibliothekseinbänden der Zeit: 6 Bände, gebunden in rotes Halbleinen im Format 23,5 x 30 cm mit Gewebeecken und gedrucktem Rückentitel, die Umschlagseiten der einzelnen Hefte (jeweils mit fotoillustrierten Vorder- und Rückseite, dh. mit ganzseitigen Fotoabbildungen) mit eingebunden. Je Heft 14 - 24 Seiten, mit unzähligen und oftmals sehr eindrucksvollen Fotoabbildungen und Textzeichnungen, Schrift: Fraktur. Reichsinspekteur für Reit- und Fahrausbildung war SA-Obergruppenführer und Reichsreiterführer Karl-Siegmund Litzmann (1893-1945), Hauptschriftleiter Alfred Wichmann. - Deutsches, Drittes / Großdeutsches Reich, Großdeutschland im 2.Weltkrieg, illustrierte Bücher, deutsche Kavallerie- / Pferde-Zeitschrift, Hoppegarten, deutsches berittenes Militär im Nationalsozialismus, Wehrmacht-Reitertruppe, Soldatenpferde, deutsche Reitergemeinde, Reiter-SA, SS-Reiter, SA-Reiterei, deutscher Reiterführer, Ausbildung im Fahren, Fahrlehrgerät, Pferdezucht in Polen, Berliner Hubertusjagden, Führer der Reichsreiterführerschule SA.-Brigadeführer Lehmann im Jagdfeld, Rolf Roeingh, deutsche Vollblutzucht, Fünfkampf der Berliner Hitler-Jugend in der Reichsreiterführerschule in Berlin-Zehlendorf, Reichsreiterwettkämpfe 1939 in Berlin, Bildanzeige der Reichszeugmeisterei der NSDAP in München 9, vorschriftsmäßige Ausrüstung der Reiter-SA, Reiter-SA.-Bekleidung und Ausrüstung entsprechend den Vorschriften der Obersten SA-Führung, Remonteschule Oschatz, Ausbildung junger Reiter an der Leine, Winke für Reitlehrer, Kappzaum-Handhabung, Ranglisten der Turnierjahres, Jagdspringen, Dressur, Geländeritte und Vielseitigkeitsprüfungen, Eignungsspringen, SS-Hauptsturmführer Temme, SS-Reitschule München, SA-Sturmhauptführer Frick, SA-Obersturmführer Fangmann, Major Momm, Hannoverischer Springstall, Grüne Woche" Berlin 1939, SA-Reiterführer bei den Reiterkämpfen in Rom, Reiterkämpfe der Faschistischen Miliz, Amateurreiter, Oberleutnant Sven von Mitzlaff auf "Mahadöh", Oberst a.D. Vladimir Seunig, Leichttraben und Tunierordnung, Reittheorie, Turnierpferde, Trabersport, Landgestüt Janow Podlaski, Preis der Regimenter und Standarten in Hamburg-Flottbek, Winterturnier des Flottbekker Reitervereins, Mannschaften des Heeres, der Polizei, der SA und SS, Turnier der "Deutschen Reitschule" in Düppel, Jagdspringen für Angehörige von Wehrmacht, Polizei, SA und SS, SS-Sturmführer von Zastrow, SA-Scharführer Spies, Reiterschein und seine Bedeutung für die Infanterie, Remonten-Dressur, Vollbluthengste im Heeresgestüt Altefeld, Reitausbildung bei der Wehrmacht vor 1945, Adolf Hitler als Zuschauer beim Pferdesport, 56 % aller Pferde des Heeres bei der Infanterie, Infanterieregiment samt Infanterie-Reiterzug, bespannte Infanterie-Geschützkompanie, bespannte Maschinengewehrkompanien, Bespannungen des Regiments-Nachrichtenzuges und des Gefechts- und Gepäcktrosses der Schützenkompanien, vormilitärische Reit- und Fahrausbildung der Sturmabteilung, Husarenstück eines deutschen Kavallerie-Offiziers 1940, Ehrendolch des Heeres für Viktor Lutze von Generalfeldmarschall v.Brauchitsch, Nachruf auf Otto Suermondt, Kamerad Pferd, Operation eines Pferdes, Kriegsreitturnier der Wehrmacht in Frankreich, Ritterkreuzträger, Ritterkreuz, Berliner Galopprennen in Karlshorst, Heeresrennstall Berlin in Hoppegarten, 2. Kriegsgeburtstag des Führers, Generaloberst Fromm, Gymnastik des Reitpferdes, Winterhilfswerk-Turnier in Potsdam-Nedlitz, Pferdeeinsatz an der Ostfront, Otto Suermondt Hermann-Göring-Fuchsjagd zu Süchteln, Obergruppenführer v. Jagow auf Horst Wessel-Platz vor der Front der SA.-Reiterstandarte, Reiter-Hitlerjugend aus Cottbus, Stabschef der SA Viktor Lotze auf Rappwallach Herkules v. Helgoland, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut. - Exemplar / Erstausgabe in sehr guter Erhaltung, in dieser Vollständigkeit äußerst selten; weitere Fotos s.Nr.24343 ! Sprache: Deutsch Gewicht in Gramm: 2000 [Attributes: First Edition; Soft Cover]

      [Bookseller: Galerie für gegenständliche Kunst]
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        Sehr Selten 1936 EA Ein Bilderbuch für Groß und Klein. Trau keinem Fuchs auf grüner Heid und keinem Jud bei seinem Eid.

      Nürnberg: Stürmer Verlag 1936. Ohne Seitenzahlangabe mit 21 Farbtafeln. 20 x 25 cm. Halbleinen-Einband mit 2 farbigen Deckelbildern. 44 Seiten ohne Nummerierung. Erste Sehr Seltene Ausgabe Nürnberg Stürmer Verlag 1936

      [Bookseller: booksnmagazines]
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        In Dubious Battle

      Chicago Covici Friede 1936 First printing. Octavo (8" x 5 3/8"); 349pp. Publisher's tangerine-colored cloth, the spine ruled in red and titled in black, the top edge stained red; in the original, completely unrestored pictorial dust jacket, priced at $2.50 [Goldstone & Payne A5b]. Fine (contents very clean and tightly bound; upper corners of covers and text block lightly bumped); the jacket just about Fine, with several miniscule closed tears but no nicks or chips, the spine unfaded, and light quarter-sized stain to the front panel). A truly superb example of Steinbeck's seventh book, and rare thus. Fine Note: With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        The General Theory of Employment, Interest and Money

      London: Macmillan and Co, 1936. First edition. 403pp. 8vo. Original blue-green publisher's cloth, spine gilt The printed jacket is unclipped and in very good condition with the usual sunning to the spine. First edition. 403pp. 8vo. From the moment of publication to the current day, it's difficult to overstate the impact Keynes and his General Theory has had on the field of macroeconomics. "The world-wide slump after 1929 prompted Keynes to attempt an explanation of, and new methods for controlling, the vagaries of the trade cycle… [h]e subjected the definitions and theories of the classical school of economists to a penetrating scrutiny and found them seriously inadequate and inaccurate" (PMM). Controversial and divisive, it was received with enthusiasm by some and dismissed as a recipe for inflation by others. Put briefly, his analysis demonstrated that "[e]conomic policy should [ultimately] provide for the management of demand as a means of controlling the level of output and seek to ensure the fullest possible use of available resources" (ODNB). Keynes's General Theory provides an invaluable critique and thus is a sort of companion volume of the likes of Adam Smith. Indeed, this and The Wealth of Nations should be considered the two pillars of any serious collection of books on economics. PMM 423

      [Bookseller: James Cummins Bookseller]
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        Erste Fahrt des Luftschiffs Hindenburg nach Nordamerika und zurück vom 6.-14.5.1936.

      Goslar: Greif-Werke, 1936. - 13 Seiten Text, 25 Fotos (der Reise) auf 12 zusätzlichen Tafeln, 1 Zeichnung Lakehurst, kartogr. Vorsatz, 4, OKart. - Rücken angeplatzt, minimal stockfleckig, guter Zustand. Erlebnisbericht. Naturwissenschaften / Technik , Technik, Luftfahrt, Zeppelin, Hindenburg, DLZ 129, Reisebericht, Erste Fahrt, Luftschiffes, Luftschiff

      [Bookseller: Antiquariat Labyrinth]
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      The Alcestis Press, New York 1936 - Octavo, 57 pages, this being number 25 of 165 copies, signed by Tate on the colophon. In addition, this copy is inscribed to poet/writer Mark (Van Doren) on the blank leaf preceding the title page: "To Mark (with the usual misgivings) from Allen July 1, 1936". Allen Tate and Mark Van Doren corresponded for many years; collections of their letters are at Vanderbilt and Columbia. Narrow inner margin stain from the glue used in binding, oherwise a verygood copy in green wrappers, spine and some page edges somewhat darkened. The broken remains of the original slipcase are included. This was Tate's second book. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Barbara Farnsworth, Bookseller, A.B.A.A.]
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        Gone With the Wind

      A First Edition, First Issue of "Gone with the Wind"In Dust JacketMITCHELL, Margaret. Gone with the Wind. New York: The MacMillan Company, 1936.First edition, first issue of book and jacket (with ìPublished, May 1936î instead of ìPublished, June 1936î on copyright page, and Gone with the Wind listed in the second column of the list of publisherís books on the rear of the jacket, instead of the first column as found in the second issue). Octavo (8 1/2 x 5 3/4 inches; 216 x 148 mm). [vi], [1]-1037, [5, blank] pp.Original grey cloth, blue-stamped front board and spine. Top edge dyed orange. In bright publisher's dust jacket. Jacket flap clipped at upper corner on front, but with $3.00 price intact. Some light rubbing to the edge of the front flap of jacket. A very minor chip to top front corner of the jacket and a few tiny closed tears and creases along top and bottom of jacket spine. Back panel of jacket with 2-inch closed tear to bottom edge, but with no loss. Overall a bright very good jacket and a fine book.This novel won the Pulitzer Prize for Literature in 1937, and was the basis of the legendary film starring Clark Gable and Vivian Leigh.HBS 67811.$6,500

      [Bookseller: Heritage Book Shop, LLC ]
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        Scar 77.

      London: Rich and Cowan, 1936. Association Copy First Edition. Octavo, pp. 311. Blue cloth with yellow titles to spine, in striking pictorial dustwrapper. With a pencil and ink drawing of the protagonist Colonel Grant and an inscription to the front flyleaf.Some spotting to edges, very slight wear to the board edges. Dustjacket show well with a small closed tear to the top of the rear panel, some minor creasing along the top and bottom edges, some marking to the lighter areas. The Inscription reads "Colonel Grant takes Dennis Wheatley to another tough corner. He did not 'find Atlantis' nor 'ride with the devil'. But he probed pretty deep and rode roughshod over the herd, now he footslogs on. And to thank Dennis Wheatley from Graham Seton Hutchinson May 1936". Denis Wheatley's book plate to front pastedown. A near fine copy with a cracking association.

      [Bookseller: Adrian Harrington]
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        Schulungsunterlagen zum Thema Decodierung, Dechiffrierung, Kryptologie aus den Jahren 1936-1937. In 12 Bänden.

      Wien, Eigenverlag (verm.Staatspolizei, diplomatischer oder militärischer Nachrichtendienst) 1936-1937. - ca. 40-100 Seiten pro Band, maschinengeschriebene Manuskripte mit handschriftlichen Ergänzungen, neue Einbände, teils etwas fleckig, handschriftliche Anstreichungen, Berechnungen der Aufgaben, usw., sonst guter und sauberer Zustand. Die Unterlagen gehörten zu einer Schulungs- und Vortragsreihe die in den Jahren 1936-37 in Wien abgehalten wurde (lt.Datierung einiger Vorträge). Vollständigkeit kann nicht garantiert werden. ---------------------------------------------- Überschriften der einzelnen Bände: Die mathematischen Grundlagen der Enträtselung alter Inschriften. Chiffren-Telegramme. Non Valeurs. - Chiffriermaschinen: Patentschriften. Kryha-Maschine. Enigma-Maschine. - Geheimschriften-Methoden, eineindeutige Buchstaben-Quadrat. - Geheimschriften-Methoden, System Bazeries und Schneider. - Teilungsregeln bei unregelmässigen Zahlenchiffren. - Codes und Dondensers. Chiffriervorschriften und Enträtselung. - Versatzsysteme. - Enträtselung einer Geheimschrift, die mit einer allgemeinen Zirkularscheibe. - Aufgabensammlung für Schularbeiten. - Schulbeispiele und Aufgaben (in drei Bänden). Sprache: Deutsch Gewicht in Gramm: 15000 4°, neue Leinen- Hardcover/Pappeinband, [Attributes: First Edition]

      [Bookseller: Antiquariat Deinbacher]
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        NONESUCH CENTURY: AN APPRAISAL, A PERSONAL NOTE AND A BIBLIOGRAPHY OF THE FIRST HUNDRED BOOKS ISSUED BY THE PRESS, 1923-1934 [With, the Original Bound Sales Prospectus and a Copy of the Nonesuch News announcing publication of the book]

      London The Nonesuch Press 1936 - First edition, LIMITED, one of only 750 copies for sale, this copy being number 155. Included with this copy is the publisher's original sales prospectus which features two tipped in leaf reprints. Also included is a copy of the Autumn 1935 Nonesuch News letter which also announces this work along with other famous Nonesuch printings such as the Nonesuch Herodotus. Wonderfully illustrated, with an engraved portrait of Francis Meynell by Eric Gill, three pages of printer's devices, six photogravure plates of bindings, 52 pages reproducing text and title pages, and 45 inserts of flawlessly reprinted leaves from the original works tipped on sturdy gray stock, many of which are bifolia. Folio, in the publisher's original polished green buckram with a black morocco spine label gilt lettered and tooled, and in the rare original dust jacket. xi, 80, [20], [54], [45] pp. A very fine copy, the jacket has done its job properly and the green cloth which is almost always found faded is bright and fresh with only the slightest touch of mellowing only just at the very tips of the spine, very unusual thus, internally very fine, the prospectus and news letter fine as well, the jacket handsome and well preserved with some very minor rubbing or shelf-wear at the edges and folds. FIRST EDITION AND AN UNCOMMONLY BRIGHT AND APPEALING COPY OF THIS IMPORTANT WORK ON THE NONESUCH PRESS. The appraisal is by A. J. A. Symons, publisher, biographer and bibliogapher. The Personal note is byFrance Meynell who co-founded and was the primary printer for the Nonesuch Press. The Bibliography is by Desmond Flower, noted publisher, book-collector, scholar and writer. The inserted printed leaves from the various publications are of highest interest in the work and are perfect in their execution. The Nonesuch Press was founded in 1922 by Francis Meynell, his second wife Vera Mendel, and their mutual friend David Garnett. Their first book, a volume of John Donne's Love Poems was issued in May 1923. The press was at its peak throughout the 1920s and 1930s, but would remain operating through the mid-1960s and eventually produced over 140 books. But their finest and now most prized works are within the first 100 covered in this work. [Attributes: Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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      - (SEUSS,DR.)illus. SECRETS OF THE DEEP VOL. II by Old Captain Taylor. (Standard Oil): Essomarine 1936. 8vo (6 x 9"), pictorial wraps, 34p., Fine. This is the deposit copy to the Library of Congress with no markings other than the acquisition date of May 8 1936. This is a sequel to the previous year's successful Secrets of the Deep, yet considerably rarer, continuing the humorous look at yachting. Illustrated by Seuss with many large aquatints (red, white and blue). Quite rare. See Dr. Seuss From Then To Now 41b., Younger/Hirsch 70. [Attributes: Soft Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Crusader Castles

      (London): The Golden Cockerel Press, 1936. Limited edition, no. 225 of 1,000 copies. Two volumes. 4to. Bound by Sangorski and Sutcliffe in russet niger half morocco, over cream cloth boards, top edges gilt, the neat contemporary ownership inscription of an Evelyn Hill to the front free endpaper of each volume. Plans, drawings and illustrations from photographs plus two folding maps in a loosely inserted envelope. A little marking to the cloth boards, a very good set. Chanticleer, 112. O'Brien, A188 & A189.

      [Bookseller: Bow Windows Bookshop]
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        Kapitan Fedotov

      Sovetskii Pisatel' 1936 - Rare First edition. Moscow. 1936. Original publisher's green card boards. (embossed design). 17,5cm. 142 pages + numerous B/W illustrations. Very good condition.10.200 copies.More pictures on request. Please, do not hesitate to contact us if you have any questions. [Attributes: First Edition; Hard Cover]

      [Bookseller: SEFIREL RARE BOOKS]
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        Reichsparteitag der Ehre

      Diessen, Raumbild Verlag Schönstein, 1936, Ganzleineneinband, 61 Seiten, 100 Raumbilder, mit Brille, Seiten teils leicht stockfleckig, sonst Zustand 2 (P126) (P126)

      [Bookseller: Antiquariat Ehbrecht - Preis inkl. MwSt.]
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        Reichsparteitag der Ehre,

      1936 - Diessen, Raumbild Verlag Schönstein, 1936, Ganzleineneinband, 61 Seiten, 100 Raumbilder, mit Brille, Einband berieben, Zustand 2- (P98) (P98) Sprache: Deutsch Gewicht in Gramm: 1000

      [Bookseller: Antiquariat Ehbrecht - Preise inkl. MwSt]
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        Reichsparteitag der Ehre

      Diessen, Raumbild Verlag Schönstein, 1936, Ganzleineneinband, 61 Seiten, 100 Raumbilder, mit Brille, Einband berieben und mit kleinen Fehlstellen, Seite 47 mit Anstreichungen, Zustand 2-3 (P119A) (P119A)

      [Bookseller: Antiquariat Ehbrecht - Preis inkl. MwSt.]
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        Reichsparteitag der Ehre,

      1936 - Diessen, Raumbild-Verlag Schönstein, 1936, Ganzleineneinband, Großformat, 61 Seiten, 100 Bilder, mit Brille, Einband berieben und fingerfleckig, Zustand 2-3 (P72) (P72) Sprache: Deutsch Gewicht in Gramm: 1000

      [Bookseller: Antiquariat Ehbrecht - Preise inkl. MwSt]
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        L'idylle. Première version inédite. Manuscrit autographe complet

      - S.n., s.l. S.d (1936), 20 pages in-8 (13,5x21cm). - Prima versione originale e completo del manoscritto, scritta nel 1936. Manoscritto di scrittura molto denso, con molte cancellature, correzioni e aggiunte. "L'idillio, testo giovanile Maurice Blanchot pubblicato nel 1947 e ristampato nel 1951 a fianco l'Ultima Parola in un piccolo volume intitolato il rimaneggiamento eterna è stata spesso descritta come" enigma insolubile "[...] le circostanze di scrittura e pubblicazione aggiunge al mistero: non solo i primi manoscritti sono stati persi, ma le esperienze che testimonia e lo spirito che ha ispirato il suo design rimane inafferrabile. » Questi risultati Vivian Liska (in Blanchot, Herne Cahiers 107) dopo quelli di Christophe Bident (Maurice Blanchot, socio invisibile), dare a questi primi due racconti, le opere più ristampate di Blanchot, uno status unico nel suo lavoro. Se l'ultima parola è logicamente parte del Thomas del lavoro di scrittura Obscure (Sia maturazione o di decostruzione), Idyll sembra avere "alcuna relazione con le altre finzioni Blanchot, passato e futuro ", secondo Michael Holland, ricercatore e docente di letteratura francese a St Hugh College di Oxford, autore di numerosi articoli su Maurice Blanchot Prima che dicono: Essays on Blanchot apparso nel 2015 a Hermann. Oggetto letterario Enigmatico, anche alla luce di un lavoro per sé complessa, Idillio, più di una nuova giovinezza sembra subito un "esperimento non correlati o incompatibile con la poetica" di lavorare a venire (V. Liska) e la nascita di una scrittura di silenzio. E durante le sue pubblicazioni, domande Idyll al suo autore stesso che in Aftermath vede cacciata di sua creazione e alla fine segni di riconoscimento, avvertendo dall'introduzione della futilità di il tentativo. Il primo è la questione del titolo della notizia. Title "Idyll" adottato per la pubblicazione rivisto nel 1947, si vede dalla prima edizione del volume nel 1951, dominata da un altro titolo con due novità: il rimaneggiamento eterna. Nel 1983, si è a sua volta preceduto dal titolo della postfazione: Aftermath. La domanda è posta da Blanchot stesso nella postfazione attraverso la designazione le distanze (e improvvisamente arricchito con un sottotitolo) di questa "storia che sembra essere stato chiamato - è ironicamente? - L '"Idillio" e il tormento della felice idea. » Ma questo titolo è solo manca il manoscritto (che non era il caso di Last Word - vedi catalogo Grand Palais 2014), che colpisce senza dubbio lo stato della storia e l'intento editoriale dell'autore. Naturalmente, al di là del titolo, è la stessa storia che resiste analisi, i critici, che di Blanchot anche: "E 'impossibile per me sapere [...] come sono scritti e come Requisiti sconosciuti hanno dovuto incontrare. " Il manoscritto originale si presenta come una fonte cruciale di informazioni per cercare di risolvere alcuni dei puzzle del testo. Dice lo sviluppo di nomi dei personaggi, le varie fasi di scrittura: frasi strisce indicate tra virgolette singole, varianti sovrapposti ... scopriamo brani inediti lungo eliminati direttamente sul manoscritto o intatta fino pubblicazione. Possiamo analizzare cambiando pensiero autoriale, aumentando la precisione del manoscritto con correzioni stanno diminuendo nelle pagine di diventare sempre più vicino alla versione pubblicata. Ma ciò che colpisce, come il manoscritto di The Last Word è la presenza nella versione originale di elementi profondamente significativi la cui rimozione contribuirà alla creazione di un lavoro aporetico volontariato. Di Blanchot scrittura procede per la potatura. Sappiamo quanti programma di perdita di peso è stato Thomas il Obscure per raggiungere la sua forma finale. Nel caso di The Idyll, ridimensionamento è più senso dal momento che, come osserva Blanchot, "come narrazione, che ha detto, indicando quello che ha da dire [...] è colui che è il idillio ". Pertanto, la sua sostanza dovrebbe diminuire per compare la sua struttura essenziale, dice Michael Holland. I numerosi passaggi del manoscritto rimosse nel 1947 non sono prive di tracce di adempimento di una versione, ma la rivelazione di un campo di lavoro finale. Il campo esterno è in gran parte costituito dal rapporto tra il direttore e sua moglie, Louise, che è appunto il centro del lavoro. La coppia passato abbiamo così rivelato e interpretato dai vari protagonisti. Il regista: "30 anni ho sperimentato la più gioia che può essere riservata per un uomo (?). Sono quasi morto di asfissia ... " Louise: "[molto cancellato] il giovane chiamato ogni sera dal giardino, si è rifiutata di andare giù ..." Piotl: "Loro stessi non avevano figli. La vendetta del destino che li ha privati di origine se la prendono privando alcun risultato. Essi trionfo del male che non meritano di essere una nuova disgrazia schiacciante cui sono responsabili ... "(p. 7) I personaggi sono anche più vocale circa la situazione attuale della coppia: Pagina 5: "Un partito strano, Alexander Akim, abbiamo litigato. [Long Reach barrato] litigi, Hai sentito? È vero? "Disse lo sconosciuto, rivolgendosi al direttore. - "Sì, ha detto quest'ultimo, naturalmente. C'è qualcosa di inspiegabile rabbia; si sta cercando per la causa ed è invisibile; vogliamo vedere le suites e sono senza numero. Per fortuna, lei può fare nulla contro la vera amicizia. » Questa confessione di "amicizia" invece di amore atteso dallo stesso regista, è una prima risposta alle domande di Akim, risposta in contrasto con il mistero che domina le versioni stampate. Ma il più significativo brano manoscritto è probabilmente quello, guardiano centrale che descrive la sua scoperta della coppia, subito dopo il loro matrimonio, sia morto e vivo. Più ampia rispetto alla versione stampata, si è particolarmente arricchita da una rivelazione di capitale, ridefinendo il titolo stesso del lavoro. Pagina 11: "Sapevo che qualcosa di terribile era accaduto. [...]. Ho pensato che fossero morti, entrambi. [...]. Erano seduti l'uno dall'altro in cattivi sedie (?), Silenzioso e stranieri, al punto che chiunque avrebbe preso per vagabondi. [...] Erano assolutamente fuori strada, non hanno cura di non cadere [...]. - È proprio così? Chiese Akim. Ma ciò che si descrive qui è [...] la sensazione che è il cuore di ogni romanticismo, la vera felicità senza parole. - Oh Davvero? ha detto il supervisore, e si chiamano? Io lo chiamo disperazione [aggettivo segue tra virgolette sembra essere "felice", ma è stato graffiato da Blanchot]. » La "disperazione felice": il paradosso è stata una risposta nel racconto, la questione del vero significato del idillio. Questo è a costo della rimozione di questa "interpretazione" e tutti gli elementi narrativi che portano ad esso, Blanchot può trasformare la domanda posta nel storia in questione dalla narrazione. Poiché il manoscritto rivela è che la storia di Blanchot non è ellittica, strutturato per l'assenza di significato, ma volentieri incomplete, preparato da ritiri successivi del significante. In questo evidente deterioramento del senso interno alla storia, si scopre anche che il collegamento simbolico tra gli elementi della storia. Così, la valvola a farfalla Akim da un altro detenuto, ha avuto nella storia originale un'eco inquietante nel rapporto del direttore e la moglie: "Lei vuole che lui a vivere con questa mano alla gola che il morsetto sufficiente per a morte. "(P. 7) Altri elementi di pathos, pubblicazione cancellato rafforzano il parallelo tra la tragedia silenziosa della coppia e dei prigionieri: "io sputo in faccia"; "La frusta era strumento morbida e tagliente acciaio sotto che penetrava nella carne e ritirando lo strappo. . "A differenza la complicità della coppia al di là di equivoco risuona molto Blanchot in una informazione totalmente cancellato. Si rivela una complicità letteraria tra all'estero e un supervisore "totalmente inconsapevole" che "sorpreso Akim occupato a leggere un piccolo libro che si è sempre svolto ed è stato scritto nella lingua del suo paese." Tra le più gravi questioni a cui è confrontata in Aftermath, Blanchot particolare enfasi sulla relazione del Idyll profetica alla storia. "Lavare te; Qui ci concentriamo su di igiene. [...] Si sedette e, mentre l'acqua ha cominciato a cadere nel fumo e rumore, fu colto da nausea e la coscienza perduta. "L'episodio della doccia, che apre la storia quasi induce una concentrazione post-rotonda lettura a sua volta assunta e rifiutato da Blanchot. Leggendo il manoscritto e la sua variazione con il testo stampato, se non risolve il problema, il redirect ancora: «Qui ci occupiamo di igiene" dimostra di essere in origine, "tutti qui è pulito"; "E 'stato colto da nausea e la coscienza perduta" era "è stato stordito che ha sollevato il suo cuore e lo fece perdere i sensi." Non vi è nessuna correzione nel manoscritto, la variazione è contemporanea alla pubblicazione e non la scrittura. In termini puramente letterari, la figura dello straniero ritorna, sempre in attesa di quel famoso Camus (che Blanchot anche essere il primo difensore): "Il tema che mi riconosco in primo luogo perché Camus rendono il familiare è designato le prime parole:. 'straniero' " Il manoscritto qui che confermare l'importanza immediato della designazione del personaggio. Michael Holland sottolinea in particolare questi elementi che sconvolgono la datazione del testo originale: "L'idillio, mentre cenno verso un passato (1936) si sta separando e quindi disorientati in relazione ad esso, segna la nascita di una narrazione in spazio Blanchot molto originale in cui disastro incombente nel 1936 per diventare definitiva nel 1940 nel racconto di finzione, non uno specchio, ma un discorso che per la sua stessa impossibilità, è la misura di ciò che il mezzo disastro. » Insistenza di Blanchot a respingere la nuova in un lontano passato, pre-apocalittico, con la prima edizione nel 1947, lascia una sorpresa. Ha fatto lo stesso nelle sue dediche, specificando l'intempestività di queste storie: "Purtroppo queste pagine antiche", ha scritto sui due esemplari del rimaneggiamento eterna ha rivolto al fratello e la sorella, così come sua sorella e sua madre (vedi catalogo marzo 2015) - anche nota il molto misterioso "alas". Ma fu nel 1983 in Aftermath, qu'insistant ancora a lungo su questo anzianità "queste vecchie storie, così vecchio (50 anni)"; Blanchot offre una put inquietante in prospettiva questa enfasi: "prima storia di Auschwitz. Ad un certo momento si può scrivere una storia ora sarà prima di Auschwitz. » Così, l'evocazione dei campi in un nuovo non può che essere profetica, perché "non ci può essere la storia di Auschwitz-fiction." Quindi, quale modo migliore per sfuggire l'impossibilità di scrivere prima della storia? Che non si può dire può anche essere previsto. Si è tentati di guardare nella stessa storia della pista Idyll di questo approccio in passato di questo impossibile. La transizione verso il libraio è preoccupante in questo senso; offre Akim, "un antico libro che tracciato la storia di tutta la regione." Akim, che avrebbe preferito un lavoro "più recente", tuttavia, deriva "dalla lettura più profitto che aveva sperato." Se i "Libri" nella versione finale a questo si aggiunge che la prima visita è stata nel manoscritto, "un vecchio negozio di libri" e che nel passaggio del prestito dal libro raro, Blanchot cancellato versione pubblicato "perché [il libro] sembrava interessato a un lungo passato di tempo," l'ipotesi di una datazione fittizia dall'autore senso. Se fosse vero, questo inganno naturalmente portare una nuova luce su questo nuovo e l'intera opera di Blanchot. Tuttavia, non sembra che il manoscritto potrebbe, se non per i piccoli dettagli, databile dopo la guerra. Il manoscritto è in gran parte per le sue dimensioni, la qualità della carta e la densità di scrittura Blanchot, il manoscritto di The Last Word abbiamo proposto in un catalogo precedente (o l'ultima parola sembra essere datato con certezza). D'altra parte, non è datato, o se la data - 1936 - era un elemento finzione, è probabile che il Maurice Blanchot stata apposta alla manoscritto. Uno studio approfondito di questi documenti, Blanchot della scrittura e della carta, ma sarebbe sicuramente rispondere a questa domanda partecipando al mistero della scrittura più enigmatico di Maurice Blanchot. - [FRENCH VERSION FOLLOWS] Première version inédite et complète du manuscrit autographe, rédigé en 1936. Manuscrit à l'écriture très dense, comportant de nombreuses ratures, corrections et ajouts. « L'Idylle, texte de jeunesse de Maurice Blanchot publié pour la première fois en 1947 et réédité en 1951 aux côtés du Dernier Mot dans un petit volume intitulé le Ressassement éternel a souvent été qualifié d'"énigme insoluble" [...] les circonstances de sa rédaction et de sa publication ajoutent à son mystère : non seulement les premiers manuscrits ont été égarés, mais les expériences dont il témoigne et l'esprit qui a présidé à sa conception restent difficiles à cerner. » Ces constatations de Vivian Liska (in Blanchot, Cahiers de l'Herne 107) à la suite de celles de Christophe Bident (Maurice Blanchot, partenaire invisible), confèrent à ces deux premiers récits, les plus réédités des

      [Bookseller: Librairie Le Feu Follet]
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        Die Olympischen Spiele 1936 in Berlin und Garmisch-Partenkirchen.

      4to. 2 vols.; original blue quarter cloth binding with paper covered sides, blocked in black and gold, dust-jackets; pp. 128 and 165 [+ 3]; folding coloured map at the end of Vol. 1, many mounted photo-cards, some of which are coloured, and numerous other plans and illustrations; a very nice copy, with the scarce photographic dust-jackets (restored internally). A report of the Eleventh Olympiad, celebrated in Berlin in 1936.

      [Bookseller: Henry Sotheran Ltd.]
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        Gutenberg and the Catholicon of 1460. A Bibliographical Essay. Together with An Original Leaf of the Catholicon

      NY: Brick Row Book Shop, 1936. Folio. (6), 28pp. Library Edition. Contains an original leaf from the Catholicon of 1460, whose production, as Stillwell argues in the essay within, should be credited to Johannes Gutenberg (some have argued that the second printing was achieved by Peter Schoeffer in 1469, after Gutenberg's death). Stillwell's work is divided into four parts and includes a registry of extant copies of the Catholicon of 1460. The single folio leaf measures 14 3/8 by 11 3/16 inches (365 x 284mm) and is printed on both sides with 66 lines in double columns, with red one-line rubricated initial capitals. The leaf is laid into a recessed panel in the inner rear cover, framed and held in place with silver clasps. The provenance of this copy, from which the leaves come, includes: "...the possession of Sir Hans Sloane prior to 1753 when it was acquired by Trustees of the newly founded British Museum...It next appeared in the library of Henry W. Poor at whose sale in November 1908 it was bought by Alvin W. Krech, the distinguised banker and bibliophile, the kind co-operation of whose family makes this re-publication possible..." Bound in full crimson buckram by Krumin of Boston, and stamped in blind and gilt on both covers. The leaf shows a few small marginal chips, else fine. Housed in a maroon wrapper and the original slipcase, both of which show some edgewear. (BCC #6; Chalmers 70).

      [Bookseller: Bromer Booksellers]
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        Gone With the Wind

      New York The Macmillan Company 1936 - A First Edition, First Issue of "Gone with the Wind"In Dust Jacket MITCHELL, Margaret. Gone with the Wind. New York: The MacMillan Company, 1936. First edition, first issue of book and jacket (with "Published, May 1936" instead of "Published, June 1936" on copyright page, and Gone with the Wind listed in the second column of the list of publisher’s books on the rear of the jacket, instead of the first column as found in the second issue). Octavo (8 1/2 x 5 3/4 inches; 216 x 148 mm). [vi], [1]-1037, [5, blank] pp. Original grey cloth, blue-stamped front board and spine. Top edge dyed orange. In bright publisher's dust jacket. Jacket flap clipped at upper corner on front, but with $3.00 price intact. Some light rubbing to the edge of the front flap of jacket. A very minor chip to top front corner of the jacket and a few tiny closed tears and creases along top and bottom of jacket spine. Back panel of jacket with 2-inch closed tear to bottom edge, but with no loss. Overall a bright very good jacket and a fine book. This novel won the Pulitzer Prize for Literature in 1937, and was the basis of the legendary film starring Clark Gable and Vivian Leigh. HBS 67811. $6,500 [Attributes: First Edition; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        The Chinese Exhibition - A Commemorative Catalogue of the International Exhibition of Chinese Art November 1935 - March 1936. With a Frontispiece in colour and about 350 illustrations reproduced in monochrome

      Faber & Faber, London 1936 - First edition. Octavo. Hardcover cloth binding. Very good: light ware to the cover. No dustjacket. XXVIII + 160 Pages, followed by 160 plates showing over 350 illustrations. The 1935-6 exhibition of Chinese Art was organized by Sir Percival David, who was determined to organise an exhibition in London of some of the pieces he had helped to put on display in the Forbidden City, as well as important Chinese treasures from other country’s collections. He enlisted the help of three renowned English experts of the subject, R. L. Hobson of the British Museum, George Eumorfopoulos and Oscar Raphael. The exhibition is without a doubt the most important of its kind during the 20th century. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meijering Art Books]
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