The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1935

        Position politique du surréalisme

      Edition partly original, review copy. Binding half box taupe, smooth back, marbled paper boards moiré, guards and contreplats taupe paper, covers and backs (faded) preserved, elegant binding signed Goy & Vilaine. autograph dedication of the author autograph signed by André Breton to Louis Martin-Chauffier. Complete copy of his please insert mounted tab. Pleasant beautifully drawn copy. Editions du Sagittaire Paris 1935 12x19cm relié

      [Bookseller: Librairie Le Feu Follet]
 1.   Check availability:     Direct From Bookseller     Link/Print  


        Scouts in Bondage A Story of Boy Scouts in Strange Adventure

      London: The Aldine Publishing Co., n.d. (c.1935)., 1935. First Edition. Publisher's black pictorial red cloth in its original, rare dust jacket. Coloured frontispiece repeating the illustration to dust jacket and to upper cloth. Book sound and internally clean; edges cloth bright with spine faded in two places where the dustwrapper is chipped. Bright, fragile dustwrapper, a little rubbed and creased, some minor chips along extremities, spine with words 'Scouts' missing at head and publisher's name missing at foot. Neat owner's inscription.

      [Bookseller: Adrian Harrington Rare Books]
 2.   Check availability:     IOBABooks     Link/Print  


        Sammlung von 23 Portraitzeichnungen bzw. -karikaturen, alle "nach der Natur" gezeichnet und von Geyling eigenh. signiert, datiert und bezeichnet (oftmals auch unter Nennung des Ortes der Portraitsitzung). Beiliegend zwei eigenh. Schreiben Arthur Schnitzlers.

      Wien, 1897-1935. - In späteren Jahren vom Künstler selbst auf Untersatzkartons einheitlichen Formats montiert und in zwei einfache Mappen eingelegt, die er jeweils mit den Namen der Dargestellten eigenhändig beschriftete. Die Blätter selbst von der Hand des Künstlers durchlaufend numeriert (1-24, die auf ein Kartonblatt montierten Schreiben Schnitzlers als Nr. 23) und mit der Bezeichnung der Portraitierten unter Hinzufügung ihrer Lebens- bzw. Sterbedaten versehen. Imp.-Folio. Das früheste Blatt datiert aus dem Jahr 1897, dem Gründungsjahr der Wiener Secession und der Kunstzeitschrift "Ver Sacrum". Für letztere hatte Geyling laut seiner eigenh. Beschriftung das vorliegende Portrait des secessionistischen Bildhauers Rudolf Bacher geschaffen. Ein Großteil der von ihm in den beiden Mappen versammelten Bilder entstand dann 1905, im Jahr nach der Schließung des von ihm gemeinsam mit Otto Prutscher betriebenen Ateliers für Einrichtungs- und Ausstattungsbedarf und zur Blütezeit der Wiener Werkstätte, für die Geyling u. a. Postkarten entwarf. "Obwohl Mitglied des konservativen Künstlerhauses, stand er trotzdem der Wiener Secession nahe" (AKL LII, 462). Für Geyling waren "Klimt, Hoffmann, Roller, Olbrich nicht nur meine Kollegen, sondern auch meine Freunde und wir haben viele, viele Nächte über die 'neue und reine Kunst' debattiert" (Remigius Geyling erzählt, aufgezeichnet von Gerald Szyszkowitz. In: Nebehay/Krug, SS. 5-8, hier 7). Diese Nächte boten offenbar zahlreiche Gelegenheiten für Geylings Portraitstudien: die vorliegende Sammlung enthält neben den Portraits der obengenannten auch ein Bild des oftmaligen Tivoli-Gastes Egon Schiele aus dessen Todesjahr sowie eine im Cafe Museum entstandene Portraitzeichnung von Adolf Loos. Am selben Ort wird Geyling wohl auch der von ihm so bezeichnete "Fackl-Kraus" Portrait gesessen haben. Ein besonders enges Verhältnis pflegte Geyling zu Gustav Klimt: er "gehörte viele Jahre lang zum Kreis derjenigen, die mit Klimt am Tivoli frühstückten" (Nebehay/Krug, S. 3). In dem legendären Restaurationsbetrieb am Grünen Berg in Meidling entstand im Mai 1905 dann auch das Blatt mit den beiden Portraits Klimts. Gemeinsam mit Peter Altenberg und Otto Wagner gehört Klimt zu den wenigen, die in den vorliegenden Mappen mit mehr als einer Portraitstudie (jeweils auf einem Blatt) vertreten sind. Es war die Empfehlung seines Freundes Klimt, die Geyling 1910 zur Anstellung als Ausstattungschef der "Neuen Wiener Bühnen" verhalf; die erste von ihm ausgestattete Inszenierung am Burgtheater war die Premiere von Schnitzlers "Das weite Land". Bei den Proben zu ebendieser Inszenierung, am 14. X. 1911, entstand auch die in vorliegender Sammlung überlieferte Portraitzeichnung des Dichters. Die zwei beiliegenden Schreiben Schnitzlers an Geyling betreffen u. a. das gemeinsame Projekt des "Medardusfilm", hatte sich Geyling doch um die Austattung der bedeutendsten österreichischen Filmproduktionen verdient gemacht. Seine Übertragung der "Stilmittel der Wiener Werkstätte in das historische Trauerspiel [war] so wirkungsvoll, daß 1924 Fritz Lang Geylings Entwürfe für den Stummfilm 'Nibelungen' verwendete" (AKL LII, 462). - Provenienz: Wiener Privatsammlung, in die der Künstler die beiden Mappen noch zu Lebzeiten verkaufte. Die Nrn. 6-8 sowie 18, 21 und 22 der unten verlisteten Zeichnungen jeweils ganzseitig abgebildet in: Ch. M. Nebehay u. H. Krug (Hrsg.). Remigius Geyling. Künstler und Literaten. Gezeichnet in Wien um 1900. Wien 1974. (= Jahresgabe der Wiener Bibliophilengesellschaft). Die vorliegende Sammlung dort nicht beschrieben; alle übrigen Zeichnungen unveröffentlicht.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 3.   Check availability:     ZVAB     Link/Print  


        Konvolut von VIELEN HANDGESCHRIEBENEN NOTENBLÄTTERN IM ORIGINAL UND IN FORM VON ZAHLREICHEN ORIGINAL-LICHTPAUSEN SOWIE MIT VIELEN AUTOGRAPHEN UND EINIGEN VERLAGSSCHREIBEN AUS DEM BESITZ DES VERLEGERS, KAPELLMEISTERS UND KOMPONISTEN HERMANN STRÜBI AUS BASEL (siehe Kommentar).

      Um -42 1935 - Verschiedene Formate. Diese Sammlung setzt sich zusammen aus 32 Sammelmappen und zahlreichen lose beiliegenden Einzelblättern. Aufgrund des großen Umfangs werden die einzelnen Lieder nicht einzeln hier aufgeführt. Aufgelistet sind hier nur grob umschrieben die einzelnen Mappen mit den Mappennummern und Titeln (so weit jene vorhanden sind): - I. MAPPENNR. 109. Hollywood Slow-Fox von Istvan von Varady. - II. MAPPENNNR. 551. Nationale Lieder. Komponiert von Hermann Strübi anlässlich des Preisausschreibens der Schweizer Illustrierten Zeitung. - III. MAPPENNR. 394. Jealousy Isle. - IV. MAPPENNR. 742. Circus Knie-Marsch. - V. MAPPENNR. 64. Ohne Titel. Mit vielen Notenblättern zum Lied "Schützefest". - VI. MAPPE OHNE NUMMER UND TITEL. Mit vielen Notenblättern zum Lied "Schnellzugsmarsch". - VII. MAPPENNR. 754. Ohne Titel. Mit Notenblättern zum Lied "Melancholie" u. a. - VIII. MAPPE OHNE NR. mit mehreren Notenblättern zum "Basler Vieri-Morgestreich". - IX. MAPPE OHNE NR. UND TITEL. Mit mehreren Notenblättern zum Lied "Dort auf der Rheinschanze". - X. MAPPENNR. 44 ohne Titel. Mit mehreren diversen Notenblättern, Schreiben, Notizblättern u. a. - XI. MAPPENNR. 20. In der Schwiz. V. M. V. 125. Mit Notenbeilage. - XII. MAPPENNR. V. M. V. 130. Mit wenigen Notenblättern zum Lied "D'r Fährima". - XIII. MAPPENNR. V. M. V. 119. Benets-Lied. Mit mehreren Notenblättern. - XIV. MAPPENNR. 735 V. M. V. 35. Schweizerliederpotpourri. Mit vielen Notenblättern für verschiedene Instrumente. - XV. MAPPE ohne Nummer. Wintersport in Adelbaden. Mit vielen Notenblättern und einigen gedruckten Notenheften. - XVI. MAPPENNR. 121. Kleine Eugenie. Mit vielen Notenblättern. - XVII. MAPPENNR. V. M. V. 56. Frühlingsgruss ans Vaterland. Mit wenigen Notenblättern. - XVIII. MAPPEN ohne Nummer. Skie-Slalom. Mit mehreren Notenblätter. - XIX. MAPPE ohne Nummer mit zahlreichen Original-Transparenznotenblättern des Verlags aus dem Jahr 1935. - XX. MAPPENNR. V. M. V. 22. Direkt der Jungfrau vis-a-vis. Mit zahlreichen Notenblättern. - XXI. 745 MAPPENNR. V. M. V. 60. Abschiedslied. Mit einigen Notenblättern. - XXII. MAPPENNR. 32. V. M. V. 22. Direkt der Jungfrau vis-a-vis. Text und Musik von Jacques Edwards. Mit zahlreichen Notenblättern. - XXIII. MAPPENNR. 738 Helvetia V. M. V. 40. Helvetia. Mit vielen Notenblättern. - XXIV. MAPPENNR. 731 V. M. V. 34. Schweizerliederpotpourri. No. 34 Piano und Gesang. Mit wenigen Notenblättern. - XXV. MAPPENNR. 73. Bienenkönigin's Geburtstagsfest. Mit 3 Notenblättern. - XXVI. MAPPENNR. 18. Der Tanzteufel. Mit einigen Notenblättern und sonstigen sowie mitunter auch von Strübi eigenhändig illustrierten Beilagen. - XXVII. MAPPENNR. 346 V. M. V. 44. Bergheimat. Mit mehreren Notenblättern. - XXVIII. MAPPENNR. 20 V. M. V. Schweizer-Walzer. Mit wenigen Notenbeilagen. - XXIX. MAPPENNR. 16. Schweizer Turner-Marsch von Ernst Schwarz für Blasmusik von Martin Herrmann. Mit vielen Notenblättern für verschiedene Instrumente. - XXX. MAPPENNR. 83 V. M. V. 59. Tralala die Morgenpost ist da. Mit zahlreichen Notenblättern. - XXXI. MAPPENNR. 23. Avec les pompiers. Mit wenigen Notenblättern. - MAPPENNR. 05. Mit einigen Notenblättern zum Lied "Linda Rosita". - Unter den zahlreichen Beilagen sind u. a. noch erwähnswert zahlreiche Notenblätter zum Basel - Zürich Schnellzugsmarsch, zahlreiche Lichtpausen für verschiedene Instrumente zum Schweizer Turner-Marsch von Ernst für Blasmusik von Martin Hermann lose eingelegt in einem Orginal-Umschlag des Strübi-Verlags, zahlreiche "Notenlinien-Originale", zahlreiche Textblätter zum Basler Vier-Morgestreich. 3950 g Schlagworte: Notenhefte - Noten; Autograf; Autografen; Autographen; Autograph; Musiknoten; Music; Musikwissenschaften; Volksmusik; Schweiz; Helvetica; Verlagswesen; Verlage; Handschrift; Handschriften; Handschriftliche Handgeschriebene Eigenhändig geschriebene Notenblätter [Attributes: Hard Cover]

      [Bookseller: Antiquariat Wolfgang Mertens]
 4.   Check availability:     ZVAB     Link/Print  


        Crew-Buch der Marine-Offiziers-Crew 1933.

      Flensburg-Mürwik 1935 - 103 Seiten mit zahlreichen schwarz-weißen Abbildungen, sowie einigen montierten Abbildungen, goldgeprägter Oln, 4° ( 30,5 x 21,5 cm ). Aus dem Vorwort: " Was ist dieses Buch? Es ist die Geschichte Deiner Crew. Die Geschichte einer großen Gemeinschaft, die ein Wesen ist wie Du, die einen Charakter hat, wie Du, die lebt, wie Du lebst. Wir alle sind ein Teil dieser lebendigen Einheit.In laufender Vervollständigung soll es Rechenschaft geben über Werdegang und Lebensgeschichte der Crew 33, Rechenschaft vor uns selbst und vor denen, die als unsere Vorgesetzten und Erzieher ans uns formten." Die Crew 33 bestand aus 112 Seeoffizieren, 20 Marineingenieuroffizieren, 9 Marinesanitätsoffizieren, 5 Marinezahlmeistern und 5 Marinebaubeamten - diese meist in diesem Buch mit Bild und biographischen Daten vorgestellt, einige Abbildungen wurden später montiert. Vorsatzblatt mit altem Besitzvermerk *Oesten* ( = U-Boot-Kommandant Jürgen Oesten )einige Ergänzungen sind handschriftlich von alter Hand vorgenommen worden bzw. sind kleine Zettelmontagen angebracht worden, möglicherweise auch durch Jürgen Oesten. Einband stark berieben, fleckig, angestaubt, Ecken und Kanten teils stark bestoßen, der schmale Einbandrücken stark angeplatzt, Bindung stärker gelockert. Innen einige Seiten gering fleckig, 1 Seite mit Beschädigungen und Randläsion zum Oberrand hin, wenige Seiten etwas angeknickt. - außerordentlich selten - ( Gewicht 800 Gramm ) ( Pic erhältlich // webimage available ) [Attributes: Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
 5.   Check availability:     ZVAB     Link/Print  


        Enter Psmith.

      New York: The Macmillan Company,, 1935. Octavo. Original orange cloth, titles to spine black. With the dust jacket. Light mark to front board; an excellent copy in the jacket with mildly toned spine and some tears and shallow chips to extremities. First US edition, first printing. The story originally appeared in two parts in the magazine The Captain and then as the second half of the novel Mike (1909).

      [Bookseller: Peter Harrington]
 6.   Check availability:     Biblio     Link/Print  


        La barca. Canti

      Guanda, Modena 1935 - Copertina stanca fascicolazione lenta poche sottolineature a matita rossa d\'epoca vecchia nota a penna alla pagina di indice Edizione di 300 copie numerate. Ns. n. 212 48 + (4) p. - in-16

      [Bookseller: Libreria Antiquaria Giulio Cesare]
 7.   Check availability:     ZVAB     Link/Print  


        Residencia en la Tierra I: 1925-1931; II: 1931-1935 (Dos tomos en uno)

      Ediciones del Arbol -Cruz y Raya., Madrid, España. 1935 - Autor: (Chile, 1904-1973) Sin paginar 180 + 166 págs. 20.2 x 15.2 cm. Castellano Edición de 1100 ejemplares. Holandesa, los dos tomos encuadernados juntos. Nombre, con tinta, en la anteportada del Tomo I. Residencia en la tierra es, sin dudas, el libro más importante de la amplia producción de Neruda. Chile - Poesía - Premio Nobel - Raro 750 gramos Exterior: aceptable. Interior bien [Attributes: First Edition]

      [Bookseller: FACTORIA EDICIONES S de RL de CV]
 8.   Check availability:     IberLibro     Link/Print  


        TARZAN AND THE LEOPARD MEN .

      Tarzana, California: Edgar Rice Burroughs, Inc. Publishers, [1935] - Octavo, pp. [1-4] 5-6 [7-8] 9-332 [333: ads] [334-336: blank] [note: last leaf is a blank], four inserted plates with illustrations by J. Allen St. John, original pebbled blue cloth, front and spine panels stamped in orange, top edge stained orange. First edition. Bleiler (1978), p. 36. Reginald 02323. Heins LeM-1. A few tiny spots to spine panel, a nearly fine copy in nearly fine first state (laminated) four-color pictorial dust jacket (reproducing wraparound painting by J. Allen St. John) with some wrinkling to the lamination (due to the application of the lamination, not abuse), a partial vertical crease to each flap, and some fading to spine panel. A nice example of a jacket more often found in lesser condition. (#151482) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
 9.   Check availability:     AbeBooks     Link/Print  


        Black and white photograph of Eleanor Roosevelt, turned slightly and looking over her left shoulder, dressed in a sleeveless white full length Jacquard gown, standing at the foot of a White House staircase, seen through an arched doorway and iron gates; signed by her across the lower right corner

      [Washington, D.C.]: Underwood & Underwood, (ca. 1935). Photograph, 10 x 8 inches. The photograph was most likely taken prior to one of the Birthday Ball benefits for the March of Dimes, based on similar gowns Mrs. Roosevelt wore to the 1934 and 1936 Birthday Balls. Very good. (7180)

      [Bookseller: Bartlebys Books]
 10.   Check availability:     Biblio     Link/Print  


        Op. 95]. Le Petit Chaperon Rouge Double choeur pour voix de femmes et d'enfants. Avec acct de piano ou d'orchestre Pour le chorale des lycées de jeunes filles de Paris Poème de Guy de Teramond. op. 95. Chez Alphonse Leduc: Paris. Autograph musical manuscript signed

      - A piano-vocal edition of Le Petit Chaperon, with plate number A.L. 19,198, was published by Alphonse Leduc in 1935. The work is not cited in Grove online."Firmly rooted in the French 19th-century tradition, Büsser’s symphonic and choral writing is indebted to Gounod and Saint-Saëns. He is best known, however, for his dramatic works, which betray Wagner's impact in both their form and their use of the orchestra. The influence of Debussy, whose advice Büsser sought over the opera that became his most successful, Colomba (c1902–10), is also evident in certain harmonic procedures and in an acute sensitivity to orchestral colour. The ballets, such as the light-hearted La ronde des saisons (1905) with its amusing descriptive touches, provide further evidence of his keen dramatic sense." Barbara L. Kelly in Grove Music Online. Folio (ca. 360 x 273 mm). [i] (title), 20, [i] (blank) pp. Notated in black ink on music paper with 20 printed staves per page. Scored for double choir and piano. The work begins in A minor, in 3/4, Très Allant (quasi Allo). Textual incipit: "Dans la forêt où rien ne bouge."The engraver's copy, prepared for the publishing house Alphonse Leduc et Cie.With the composer's autograph signature ("Henri Busser") and date ("Paris, Août 15") to p. 20. Occasional erasures and corrections in black ink in the composer's hand.Lower edge of title with publisher's handstamps and manuscript date ("[19]35") and plate number ("A.L. 19,198") in an early hand. Numerous editorial markings, minor annotations, and occasional corrections in one or more early hands in pencil and red crayon.Slightly worn and soiled; minor ink smudges to 3 pages slightly affecting notation.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
 11.   Check availability:     ZVAB     Link/Print  


        Sciences occultes Initiation. Collection dactylographiée de divers textes occultes en allemand et en français.

      env. 1935, - gr. in-8vo, 154 p. dactylographiée (env. 44 lignes/p.), une partie des feuilles montées dans le volume, notes et corrections manuscrites au crayon. Timbré sur feuille de garde ?René Matthey Pont-Neuf Bex? (VD), écriture inconnue avec date ?1935? sur ff. de garde arrière, reliure en demi-toile avec plats noirs orné avec titre et dessin d?un livre avec tête de mort et tibias, le plat arrière montre une bougie, quelques rayures et bords légèrement usés, généralement en bon état. Oeuvre manuscrite très particulière réunissant des extraits de différentes publications suisses, allemandes et françaises sur le sujet de l?occultisme et spiritisme autour de 1900. Au lieu de simplement citer les textes, l?auteur sélectionne des passages intéressants et y ajoute ses remarques et questions (souvent au crayon). Il s?intéresse surtout aux pensées du juriste et spécialiste de la spiritualité chrétienne Georg Sulzer (1844-1929). Ce président d?un tribunal à Zurich était un des grands spiritistes de son temps et relate un grand nombre de rencontres et de discussions avec les esprits des morts comme par exemple avec l?esprit Hilmanuel, de son vivant prêtre à Dresden, mort en 1818, par là-même quasiment spécialiste pour l?au-delà. Ces défunts, parlant à travers des médiums, donnent des conseils et demandent de l?aide aux vivants. Les sources des textes utilisés sont les suivantes: Aus Licht und Schatten der spiritistischen Praxis, von Georg Sulzer, Kassationsgerichtspräsident a.D. in Zürich / Die Bedeutung der Wissenschaft vom Uebersinnlichen für Bibel und Christentum, von Georg Sulzer, Verlag von Oswald Mutze, Leipzig, 1907 / Briefe von Julia, von William T. Stead, herausgegeben von Georg Sulzer, im Verlag von Karl Rohm, Lorch, Württemberg / Extraits de Le prophète du nord, par Charles Byse, Paris. (avec e.a. Le système de Swedenborg). Aussergewöhnliches Werk, welches Auszüge verschiedener Publikationen aus der Schweiz bzw. Deutschland und aus Frankreich zum Thema Okkultismus und Spritismus um 1900 vereint. Statt einfacher Abschriften der Texte, trägt der Autor interessante Passagen zusammen und ergänzt seine Kommentare und Fragen (z.T. in Form von Bleistiftnotizen). Er interessiert sich vor allem für das Werk des Juristen Georg Sulzer (1844-1929), der über Jahrzehnte eine führende Persönlichkeit im christlichen Spiritualismus war. Sulzer war u.a. Gerichtspräsident in Zürich, was ihn aber nicht daran hinderte, nebenbei die Geister der Verstorbenen zu kontaktieren. Er berichtet von vielen Sitzungen bei denen verschiedene Geister zu Wort kommen, so z.B. der Kontrollgeist Hilmanuel, einen Pfarrers aus Dresden, gestorben 1818, der sozusagen als Spezialist vom Jenseits berichtet. Für die zitierten Werke siehe franz. Beschreibung.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. [Attributes: Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
 12.   Check availability:     ZVAB     Link/Print  


        Sade et Restif de la Bretonne. Tapuscrit avec de nombreux ajouts autographes [Ensemble] Un livre vivant. Manuscrit préparatoire [ensemble] Les plaisirs et les jours, tapuscrit final.

      First new version of the autograph manuscript of 17 pages, written in 1935. Manuscript writing very dense, full excluding the last 13 lines of printed text, with many erasures, corrections and additions. Complete typescript with a few variations from the manuscript and a copy of the first edition published in 1947 and finally published in 1950 is attached. In 1935, Blanchot has been working for 3 years on Thomas the Obscure (he completed in 1940) when interrupts his writing "that would not stop" to write the last word, a short story he describes as "an attempt to bypass another book underway to overcome the interminable and get a more linear narrative, yet painfully complex, a silent decision ... ". In 1983, Blanchot, referring to the motivations of this "innocent text where murderers omens of future time resounded," can not say "how it is written and how unknown requirement, it has the answer." "It was not a text for publication," he says in the afterword of hindsight. The last word will indeed published 12 years later in 550 copies in the collection golden age (although it went bankrupt at the same time, the book will be on sale in 1950) . So the first story is meant at once the last word and the refusal of its unveiling. "Surely begin to write immediately to achieve at the end (...), this means at least hope not to make a career and finding the shortest path to finish early." In this "Apocalypse" Blanchot leads his own novel being written: Thomas, the hero, and is ironically called the new power otherwise without express "what happened to him [that] saying nothing happened ". But if, starting with the last word, Blanchot marks the end of writing, it is an end that remains unpublished. And when the book is finally published, it will be more of a work already substantial: Thomas the Obscure, Amminadab, Faux pas, the Most High, Death Sentence and The Share of fire. Therefore, the last word is not "waiver be Master and Judge," but a written waiver of this "itself in vain." It can no longer be "the unusual resolution to deprive [Language] to support (...) that is to say more than language" but, as part of the work, there is a "word to say and do not say. ". A word rewritten by the writer he became transformed by writing and by war. This is the inaugural version, first draft of thirty young Blanchot, we present here and C. Bident his biographer, thought "probably never know." Narrative foundation, basic writing, many scholars have studied the last man, "painfully complicated" as even the author, but who calls a few "prophetic" pages a reflection on language (and, through him, totalitarianism) marking the second part of the century. Now we present the manuscript written in 1935 and until then unknown, differs considerably from the following two versions of 1947 and 1983. Written in the third person (the later will they, homodiégétiques) the story is much longer. It contains descriptions and including many deleted scenes that will be removed in the published versions: "The sun bathed [plaza] a fiery light of huge mirrors, placed at the four corners, be kicked around in a maze of colors . "" A cloud was soon raised to the ceiling, black cloud crossed by small glowing patches. "" I am worried, he said. I was wrong to leave earlier this house when I get home, surrounded by torches are extinguished one by one. What will I find now? How to live without I guideline? Can you tell me anything? "" Some children, head blackened coal, removed the sand in which they were buried, and trying to achieve with small white stones they drew from their pocket, they reviled in their incomprehensible language. "" Taking advantage of the lull, dogs out of their hole, as if they had been secretly excited by a master, they rushed to the sleeper by pulling on their links. They tried to right, left, then discovering it under the covers, they are slipped badly, small first, then the big dog, like a vicious bunch of kids. "" The intoxication of being together having lost younger pushed them into their own home as if she had ceased to be theirs, and they threw screams waking intruders from their homes. "But this manuscript provides the exegete especially demonstrative few passages that provide clarification on the meaning of the story:" Until is not an indifferent manner to the past and the future. If it is intended to extend a veil over what approach, if a link between, by mutual repulsion, separate time moments it appears from something, something else is not shown, however, that such limit. "" They whom nothing was forbidden to speak and who knew, behaved as if their knowledge had been to break with the language. "" The disciple on this admission, redoubled adoration, give themselves shots that change them into what they can be. At first common deception, they ran, one to an animal world, the other to a riveted himself a slave. "" They wanted to laugh again nonsense, is torturing a lie, but, having no other way to stand as the apotheosis, they lost sight of their mutual desire for death and blissfully enjoyed the rest. "A key reading these valuable addition changes that reflect real shifts of the author. If the most important is, of course, the choice of the first person in later versions, some lexical variations are also very significant. Thus: "I offer the spectacle of my vices" in the manuscript and typescript 1935 becomes: "I offer the spectacle of my mistakes" in the published version of the same in 1947. "This is an extract from the speech the third city "becomes" This is an excerpt of the speech on the third on the third State "; "A noise (...) was one stroke the whole town" becomes "was one stroke all the people" and "... on a deck of onomatopoeia" becomes "... a gateway ranting." Finally, it is a lyrical Blanchot that reveals this "abrupt call of language": "She had her hair hanging these broad wings velvet are a promise of transformation." "... When the sun casting its light shining against the mirrors everywhere, stopped above the esplanade and heard this loud voice, private mysteriously vowels and consonants, which announces the sharing of spaces" "Shouts of the crowd came and brought calls for an immense distress. "" He ran on the book and bit his teeth, as if he had made insensitive despite the bitterness of those old pages. ". In hindsight Blanchot hesitate to comment, however, that this text provides for the third time and he took care to revise again, 50 years after its first release. However, it brings some bits of explanations that reveal the importance of this little story in the life and work of one of the most mysterious writers of the twentieth century: "The last word has to tell main line, as having instead, the total wreck, the narrative itself can not therefore be preserved, and impossible or absurd, unless he should claim prophetic, heralding a future in the past already there or saying there always when there is nothing: either there wearing nothing and prevent the annihilation that it can not escape its long-term process which is rehashing and eternity. " S.n. s.l. 1948 50 feuillets (21x27cm); 3 feuillets in-8 (12x22cm), un feuillet 13,5x10,5cm; 17 feuillets in-4 (21x27cm)

      [Bookseller: Librairie Le Feu Follet]
 13.   Check availability:     Direct From Bookseller     Link/Print  


        Autograph Note Signed to Alfred Eisenstaedt in French. 24, November, 1935. [With two further inscriptions]

      [Paris, 1935. Pen and ink on paper. 1 vols. 5 1/2 x 4 1/2 inches. Fine. Pen and ink on paper. 1 vols. 5 1/2 x 4 1/2 inches. Lucien Vogel to Eisenstaedt. From the influential French publisher and photographer Lucien Vogel, "En toute jalousie un confrère admiratif Lucien Vogel. 24 Novembre 1935 La Faisanderie [Acheis?]" Vogel (1886-1954) is renowned as founder of the Gazette du Bon Ton (in 1912) and the pioneering large-format weekly photojournal Vu (in 1928), as well as countless art and illustrated books. It was Vogel who discovered Robert Capa (André Friedmann) and sent him on assignment to Spain, where Capa earned his reputation as a war photographer. And it was, of course, the American counterpart to Vu, LIFE magazine, where Eisenstaedt was to make his name not long after this meeting. An important association in the history of photojournalism. With the signature of "Robert Pisuet(?), Paris, 26 novembre 1935," and, on verso, an inscription, "Toute mon admiration pour les si belles photos Agnès 1935 Paris novembre"

      [Bookseller: James Cummins Bookseller]
 14.   Check availability:     Biblio     Link/Print  


        A TREATISE ON MONEY

      Macmillan and Co. Limited. London. 1935. TWO VOLUMES. Early reprints. Both are third impression reprints of the original 1930 edition. Previous owners name written neatly on the front free endpapers. A fine, bright pair, the pages crisp and clean. Original publishers blue cloth with gilt lettering and ruling to spines. The boards and spines are beautifully bright and clean having been protected by the publishers original brown paper, black printed dustwrappers. The wrappers are in near fine condition without any significant loss to edges but one crease to the front panel of volume two and a tiny hole (about 0.2 x 0.1 inch) to the spine of volume one, not affecting the lettering. Minor uniform darkening to both wrapper spines but overall a very near fine early set of this important work.

      [Bookseller: Paul Foster Books]
 15.   Check availability:     Biblio     Link/Print  


        Butterfield 8

      Harcourt, Brace, New York 1935 - First Edition, First Printing. This ORIGINAL First Issue dustjacket has light wear and minor staining to the back panel with some repair. The book is in nice shape. The binding is tight with with minor wear to the boards. The pages are clean with NO writing, marks or bookplates in the book. A lovely copy of this TRUE FIRST EDITION in collector's condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
 16.   Check availability:     AbeBooks     Link/Print  


        Tortilla Flat

      Covici Friede, New York 1935 - 6th printing, November, 1935---just months after the May, 1935 1st printing. IN THE UNCOMMON DUSTJACKET. VG- with light soiling along the panels and spine. In a bright, price-intact, VG- dustjacket, with light chipping to the spine extremities, light soiling to the front and back panels and darkening to the spine. Several small closed tears as well and rather acute foxing to the gutters. Also, small, neat former owner inscription to flyleaf. In spite of all this, a presentable copy of an elusive title in condition. 12mo, 317 pgs. [Attributes: First Edition; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
 17.   Check availability:     AbeBooks     Link/Print  


        THE CURSE IN THE COLOPHON.

      Willett, Clark & Company, 1935. - First edition. Lightly sunned on spine and edge perimeters else very good in dust jacket with light professional restoration to the spine ends and corners. A curse in the colophon of an ancient manuscript is discovered by a scholar. Then people that come in contact with the manuscript begin to die. An American scholar and his young female assistant defy the curse, decipher the book's hidden message, and race to find the lost library of Constantinople. [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
 18.   Check availability:     AbeBooks     Link/Print  


        Death In The Clouds.SIGNED COPY

      London.: Collins Crime Club., 1935. 1st Edition 1st Printing. Hardcover. Very Good/Facsimile. A very good copy dedicated and signed as follows "To Captain & Mrs Carson, From Agatha Christie" on the ffep. Previous owners name, said Marjorie Carson and address neatly written underneath. No other inscriptions, tears or loss. 252 pages+4 pages ads all tightly bound with very light scattered foxing. Publishers orange cloth with black lettering to the spine.Slight spine lean. Comes with a new original first edition facsimile dust-wrapper completing this rare and sought after title. The signature of Agatha Christie makes this a real collectors item.

      [Bookseller: baggins books & collectables]
 19.   Check availability:     Biblio     Link/Print  


        Packaging for Inventum-Bilthoven

      1935. COHEN, Fré. [Packaging for Inventum-Bilthoven]. Original cardboard box / packaging printed in blue, black, gold, and red, marked "frécohen" on rear side panel, and "N.V. Inventum-Bildhoven" on two sides, original stapled panels. [Netherlands, ca. 1935]. |~||~||~||~| Original package design by Jewish female graphic artist Fré Cohen for Inventum, a Dutch company founded in 1908 and still in operation today. The motif playfully incorporates tubes, wires, and a hanging lighting device with a bold modern colour palette. Also apparent in the design are the influences of the DeStijl and Constructivism movements. Starting her career in illustration and advertising for the cable company Draka, Cohen soon turned to design and layout work for publications by the Social Democratic Workers Party. Throughout the war years, Cohen kept working illicitly and was forced into hiding in various cities, from Amsterdam to Rotterdam, Diemen, and finally Borne. It was in Borne, 1943, that she was captured by the Germans and subsequently ended her own life at the age of 39. Much of her work was saved by her sister, Fietje Cohen whose son then placed these items in the Amsterdam Historical Society. Other items are held in Amsterdam in the collections of the Stedelijk Museum and the International Institute of Social History. The box with dampstains, toning and edgewear (more apparent on plain bottom portion of box). Some attempts at colour restoration primarily along edges. Van Dam, Fre Cohen Leven en Werk 812.

      [Bookseller: Ursus Rare Books]
 20.   Check availability:     Biblio     Link/Print  


        Athletic Sports, Tennis, Rackets and other Ball Games.

      London: Sports and Sportsmen Ltd. c 1935 - LIMITED EDITION 463/1000. Folio. (37 x 27 cm.) pp.xiii+419. Original publisher's full red morocco gilt, a.e.g. An excellent copy. Profuse photographic illustrations throughout. Includes chapters on Athletics, The Olympics, Boxing, Swimming, Fencing, Tennis, Rackets, Fives, Badminton, Bowls and Croquet. [Attributes: Hard Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
 21.   Check availability:     AbeBooks     Link/Print  


        Taille de l'homme EDITION ORIGINALE Service de presse ENVOI AUTOGRAPHE

      Paris: Grasset, 1935. Fine. Grasset, Paris 1935, 12x19cm, broché. - First edition, review copy. Signed autograph of Charles-Ferdinand Ramuz to Robert Garric. Catholic reformist, he was the   founder of "social Teams" in 1920, which aimed to establish a social elite and bring the good word about the brotherhood born of the trenches to the workers, in the tradition of patronage. Simone de Beauvoir, then student of Robert Garric in philosophy at Sainte-Marie Institute of Neuilly, remembers him   in his "Memoirs of a Tidy Wench"   "Garric appeared; I forgot everything else and myself; the authority of his voice subdued me. In twenty years we he explained, he had discovered in the trenches the joys of camaraderie that removed social barriers. [...] To deny all limits and all separations, get out of my class, out of my skin: this slogan electrified me. [...] Must serve my life! Must serve all my life! " Back passed, small light spots on the boards, reading a few marks in pencil by the dedicatee in margins of some leaves. - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Envoi autographe signé de Charles-Ferdinand Ramuz à Robert Garric. Catholique réformiste, il fut le fondateur des « Équipes sociales » en 1920, qui visaient à constituer une élite sociale et à apporter la bonne parole sur la confraternité née des tranchées aux ouvriers, dans la tradition des patronages. Simone de Beauvoir, alors élève de Robert Garric en philosophie à l'Institut Sainte-Marie de Neuilly, se souvient de lui dans ses "Mémoires d'une jeune fille rangée" : « Garric parut ; j'oubliai tout le reste et moi-même ; l'autorité de sa voix me subjugua. À vingt ans, nous expliqua-t-il, il avait découvert dans les tranchées les joies d'une camaraderie qui supprimait les barrières sociales. [...] Nier toutes les limites et toutes les séparations, sortir de ma classe, sortir de ma peau : ce mot d'ordre m'électrisa. [...] Il faut que ma vie serve ! Il faut que dans ma vie tout serve ! » Dos passé, petites taches claires sur les plats, quelques repères de lecture au crayon de papier par le dédicataire en marges de certains feuillets.

      [Bookseller: Librairie Le Feu Follet]
 22.   Check availability:     Biblio     Link/Print  


        Omnibus

      New York: Grosset & Dunlap,, 1935. Red Harvest; The Dain Curse; The Maltese Falcon. Octavo. Original orange cloth, titles to spine and front board black. With the dust jacket. Spine faded and a little spotted, contents lightly toned; an excellent copy in the jacket with slightly worn extremities, lightly sunned spine and some shallow chips and tape remnants to spine. First Omnibus edition, first printing.

      [Bookseller: Peter Harrington]
 23.   Check availability:     Biblio     Link/Print  


        A packet of nine inscribed offprints:

      London/Athens/Thessalonika/Florence/Graz/Toronto/Paris: English Historical Review/Panepistemion Thessanlonike/Demosieumata Etaireias Makedonikön Spoudön/G. C. Sansoni - Editore/Tupograpseion Murtidë/Akademische Druck - U. Verlagsanstalt/, 1935-89. Charlemagne and Palestine; Byzantine and Hellene in the Fourteenth Century; Byzantine Linguists; The Byzantine Provincial Peoples and the Crusade; The Decline of the Crusading Idea; The Greeks in Antioch at the time of the Crusades; "The Popular Bronze Reliquary Crosses of Byzantium" (within Festschrift W. Sas - Zaloziecky, Zum 60. Geburtstag); "Pope Nicholas III and Byzantine Gold" (within Mélanges offerts a Étienne Gilson de L'Académie Française); Patmos as seen by British Travellers. Nine octavo offprints, all in original printed wrappers. Contained within an envelope addressed in Runciman's hand to Anthony Hobson, 9 Chester Place, N.W.1. Envelope somewhat creased with a few minor tears. Staples in the first work slightly rusted, occasional mild creasing to the edges of wrappers, but on the whole in excellent condition. A selection of nine inscribed offprints of historical essays and articles by Steven Runciman for English, Greek, Italian, French and German scholarly papers (well representing Runciman's wide-ranging influence as a European historian). Each offprint is inscribed by Runciman, the first extensively, "Anthony - a selection of off-prints - all that I can find - dusty and dirty - and the misprints uncorrected, (even the arch rendering of my name by the Italians) - from Steven, April 1959" (the Italians designate him "Steve Runciman"), and the rest more simply inscribed, "with best wishes SR", "Anthony Hobson from Steven Runciman", and "for Anthony from Steven". Anthony Hobson (1921-2014) was the director of Sotheby's and noted bibliophile. The nine offprints were sent together in a single envelope, preserved and included here. This is a valuable trove of Runciman pieces, acknowledged as already rare at the time by Runciman himself (they being "all that I can find").

      [Bookseller: Peter Harrington]
 24.   Check availability:     Biblio     Link/Print  


        Poe's Tales of Mystery and Imagination

      London: George G. Harrap & Co. Ltd,, 1935. Quarto. Original dark blue morocco, titles to spine and front board gilt, vignette of feeding carrion to front board gilt, pictorial endpapers depicting skeletons, top edge gilt. Frontispiece and 11 colour plates, 17 full page black and white illustrations, 11 smaller line drawings. Gift inscription to front free endpaper. Boards slightly bowed, spine lightly faded, extremities rubbed. An excellent copy. First Rackham edition in the publisher's special binding. Rackham described his images for these stories as "so horrible I was beginning to frighten myself."

      [Bookseller: Peter Harrington]
 25.   Check availability:     Biblio     Link/Print  


        The African Queen

      Boston: Little, Brown and Company, 1935. First Edition. Hardcover. Very Good. First edition, first printing. Good, lacking the dust jacket. Foxing to spine, edge of page block and pages. Lean to spine. Fraying to head of spine, and lightly to corners. This book was the basis for the movie bearing the same name, starring Humphrey Bogart and Katherine Hepburn.

      [Bookseller: Burnside Rare Books]
 26.   Check availability:     IOBABooks     Link/Print  


        Gone To Ground, or the Sporting Decameron

      UK: Collins. London, Collins, 1935. Hardback first edition and first impression, first issue jacket priced 7/6. Very good condition with some toning to the jacket and a little edge wear, some offsetting and spotting to the occasional leaf. . Very Good. Hardback. 1st Edition. 1935.

      [Bookseller: Hyraxia]
 27.   Check availability:     Biblio     Link/Print  


        DOCUMENTACION, CONSTRUCCION DE LA HISTORICA CLINICA BARRAQUER DE BARCELONA 1935

      1935 - Barcelona. 1935. Cartas, documentos, presupuestos, etc, etc, de la construcción e instalación de la historica Clinica Oftalmologica Barraquer de Barcelona, por parte del gran medico oculista Ignacio Barrquer Barraquer, sin olvidar a su familia. Gran profusión de información. Original & único. Raro. Ref A-50 Biblioteca PMI. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
 28.   Check availability:     IberLibro     Link/Print  


        22 Black-and-White Press Photographs of (Or About) the U S Supreme

      1935. [Supreme Court, United States]. [A Collection of twenty-two (22) Black-and-White Press Photographs of (or About) the U.S. Supreme Court, 1935-1987]. Sizes ranging from 7" x 9" to 8-1/2" x 11." Light edgewear, annotations, tipped-in captions and stamps to versos, some have minor creases, one is lacking a corner with no damage to image. * Nine of these are formal group portraits of the Court taken in 1935, 1937, 1946, 1952, 1955, 1957, 1965, 1970 and 1976, two record the Court's annual White House visits in 1935 and 1939, the others are images of individual justices (William Brennan, Tom Clark, Felix Frankfurter, Thurgood Marshall, Lewis Powell, Stanley Reed and Earl Warren). There is also a photo of the U.S. Supreme Court building flying the flag at half-mast in honor of Justice Frank Murphy.

      [Bookseller: The Lawbook Exchange, Ltd.]
 29.   Check availability:     Biblio     Link/Print  


        NOSTRADAM, A SEQUENCE OF POEMS

      1935. Paperback. REAVEY, GEORGE. NOSTRADAM, A SEQUENCE OF POEMS. Paris: Europa Press, 1935. #19/25 copies on Japon Imperial paper. Signed by George Reavey and Stanley Hayter. Black paper wrappers stamped in grey lettering with Hayter illustration on front. Also signed Hayter engraving. Laid-in is a snapshot taken by Peggy Guggenheim at her country place, Yew Tree Cottage, in Sussex, 1938, of George Reavey with Peggy's daughter, Pegeen, Geer van Velde, Gwynned Reavey, Samuel Beckett, and Lisl van Velde. The paper spine is just about gone and there are shallow chips along the top edges rear and front. Uncommon.

      [Bookseller: Boston Book Company]
 30.   Check availability:     Biblio     Link/Print  


        Rhéa

      London: William Heinemann Ltd,, 1935. Octavo. Original green cloth, titles to spine gilt. With the dust jacket. Spine gently rolled, some spotting to edges of text block. An excellent copy in a slightly rubbed and chipped jacket. First edition, first impression. Hoff's first four books appeared under the signature H. S. Hoff; his fifth, and greatest success, Scenes from Provincial Life (1950), was published pseudonymously as William Cooper.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  


        Vom Werden Der Wanderer-Werke: 50 Jahre Wertarbeit, 1885 bis 1935

      Berlin: VDI-Verlag GmbH, 1935. Tiny bump at the heel of the spine, else a particularly fresh copy in stamped off-white wrappers with elongated attached integral flaps, original chipped, worn, and partially split tissue jacket, housed in the publisher's stamped card slipcase, very lightly discolored, with a faint bump at the head of the spine. Excellent copy.. First Edition. Quarto in card slipcase. Company book for German manufacturer Wanderer-Werke, with 46 exceptional black and white photographs of machinery by Dr. Paul Wolff featured in the rear of the book. Images in the front of the book document evolution of the company's bicycles, sewing machines, cars, etc.

      [Bookseller: Harper's Books, Inc.]
 32.   Check availability:     Biblio     Link/Print  


        Ernest Hemingway signs and inscribes a copy of Green Hills of Africa to one of his sparring partners

      n.p., 1935. 8.5" x 6". "His signature and inscription, ""For Rita and Harry with much affection and wishing them all good fortune Ernest Hemingway Key West 1936"" on the half-title page of his second book of non-fiction, Green Hills of Africa (New York: Charles Scribner's Sons, 1935), [295 pp.], 8vo. Bound in green publisher's cloth and housed in a first edition dust jacket (with the original price of $2.75). Boards and spine toned at edges, some scattered foxing, pages slightly browned, marginal wear to dust jacket with some losses at top and spine.The recipient, Harry Ambrose Sylvester (1908-1993) was a short-story writer and novelist writing for Collier's, Esquire, and Commonweal. Sylvester met Hemingway in Key West in 1936 while on his honeymoon with his bride Rita Ryall Davis and the two quickly developed a close friendship, part of which revolved around their mutual love for boxing. Sylvester remarked in an interview that he had been a boxer at Notre Dame and the two had become sparring partners. When asked if he had ever been on the receiving end of the author's ""deadly punch,"" Sylvester replied, ""No, never came close. He was just too slow with his hands and feet... If you stayed close enough to him, he probably did [have a deadly punch]. Anyone who knew anything about boxing would not get that close to him. He was immensely strong, though not well coordinated. Just horsing around, you were aware how powerful he was."" (Denis Brian, The True Gen, 1988, 104). Green Hills of Africa was Hemingway's second non-fiction work which chronicles a month-long hunting trip in East Africa with his wife Pauline in December 1933, interspersed with musings on literature. "

      [Bookseller: University Archives ]
 33.   Check availability:     ABAA     Link/Print  


        Mediterranean and Near Eastern Embroideries from the collection of Mrs. F. H. Cook

      London: Halton and Company. Very Good; 10 x 12.5 Two volume Hardback boxed set in Very Good condition. . Minor foxing. Wear to edges of slipcase.. 1935. Hardcover. Illustrated by 56 color plates, 78 black and white; GWO 2341. Uncommon. Number 68 of 250. An excellent book on the embroideries of Algeria, Morocco, Greek islands, Turkey, the Caucasus, Persia, Turkestan and India. Volume 1: Text. Volume 2: Plates. Publishers original green buckram binding in matching slipcase, gilt titling to spine and front covers and case. Embossed gilt bird on front covers. [CRES1216] ; 9.5; 87 pp. of text .

      [Bookseller: RugBooks, IOBA]
 34.   Check availability:     Biblio     Link/Print  


        Flora Agaricina Danica. 5 vols. bound in 2 vols.

      Copenhagen, Recato AS 1935 - Original, kein Reprint. Vol. 1 (1935): 90 + VI Seiten + 40 Farbtafeln. Vol. 2 (1936): 105 + VI Seiten + 40 Farbtafeln. Vol. 3 (1938): 96 + VI Seiten + 1 weißes Blatt + 40 Farbtafeln. Vol. 4 (1939): 119 + VII Seiten + 40 Farbtafeln. Vol. 5 (1940): 106 + VI Seiten + 40 Farbtafeln + 2 Titelblätter + XXIV Seiten. Zusammen ca. 575 Seiten + 200 Farbtafeln, vollständig. Vol. 1 - 3 und Vol. 4 - 5 in je einem Band gebunden. Ca. 31,5 cm x ca. 24,5 cm, zusammen ca. 8,5 cm stark, ca. 5,5 kg schwer. Braune Halbledereinbände mit geprägten Verzierungen des Leders auf den Deckeln. Die Rücken mit 5 Bünden und grünen Rückenschildern mit goldgeprägten Rückentiteln. Die Deckelpapiere sehr schön marmoriert. - Published under the auspices of the Society for the andvancement of mycology in Denmark and the Danish botanical society. Collaborators: N. F. Buchwald, M. P. Christiansen, C. Ferdinandsen, Poul Larsen, F. H. Möller, Ö. Winge et al. In English. - Stafleu and Cowan, Taxonomic Literature 4.178 - Es werden 1.184 Taxa dargestellt. - Sehr schöne Exemplare. Nur sehr wenig berieben oder bestoßen. Keine Einträge. Papier nicht gebräunt, nicht fleckig. Vorders Innengelenk des 2. Bandes angebrochen; dennoch ist die Bindung sehr gut und fest. Zustand I - II (deutsche Schulnotenskala). Auf Wunsch senden wir Ihnen gern per E-Mail Fotos des Werkes zu. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Lycaste]
 35.   Check availability:     AbeBooks     Link/Print  


        GROUP OF 10 CHRISTMAS CARDS FROM ROCKWELL KENT TO OGDEN W. HEATH

      Ausable Forks, NY: S.i., 1935-1965. 10 cards and postcards, lithographed and letterpress printed on variously-colored stock, most in their original mailing envelopes, with all but one fashioned after original illustrations by Kent; most measure ca.4.5 x 5.5", with the largest being 5.75 x 10.25"; each card inscribed to the recipient by Rockwell Kent. Envelopes roughly opened, with a few cards showing some trivial wear and creasing; Near Fine or better. Group of Christmas cards written over a 30-year period from Rockwell Kent to Ogden W. Heath, an enthusiast and collector of Kent's artwork who divided his time between Bradenton, FL and Santa Barbara, CA. Heath's responses to several of the Christmas cards, as well as more extensive correspondence between the two men, are held in the Rockwell Kent papers at the Archives of American Art, Smithsonian Institution.

      [Bookseller: Captain Ahab's Rare Books]
 36.   Check availability:     Biblio     Link/Print  


        The Odyssey of. Translated by T.E. Shaw (Colonel T.E. Lawrence).

      Oxford University Press London: Humphrey Milford 1935 - Second English edition, first trade edition. 8vo. (xii), 327, (1) pp. Publisher's brown full morocco, spine with raised bands, gilt lettered to one panel and with Lawrence' signature (as Shaw) the upper board, marbled endpapers, top edge gilt, the others untrimmed. Some very mild rubbing to the extremities, a very attractive copy. O'Brien, A144. Preceded by limited editions on both sides of the Atlantic and an American trade edition, all in 1932, plus a "popular" edition in 1934. This edition was compiled from the sheets of the American trade edition, bound here in what O'Brien suggests is a publisher's trial binding, of which he notes having seen copies in both brown and blue.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
 37.   Check availability:     AbeBooks     Link/Print  


        The Odyssey of... Translated by T.E. Shaw (Colonel T.E. Lawrence)

      Oxford University Press, London: Humphrey Milford, (1935).. Second English edition, first trade edition. 8vo. (xii), 327, (1) pp. Publisher's brown full morocco, spine with raised bands, gilt lettered to one panel and with Lawrence' signature (as Shaw) the upper board, marbled endpapers, top edge gilt, the others untrimmed. Some very mild rubbing to the extremities, a very attractive copy. O'Brien, A144. Preceded by limited editions on both sides of the Atlantic and an American trade edition, all in 1932, plus a "popular" edition in 1934. This edition was compiled from the sheets of the American trade edition, bound here in what O'Brien suggests is a publisher's trial binding, of which he notes having seen copies in both brown and blue.

      [Bookseller: Bow Windows Bookshop]
 38.   Check availability:     Biblio     Link/Print  


        Quartier nègre EDITION ORIGINALE Tirage de tête

      Paris: Gallimard, 1935. Fine. Gallimard, Paris 1935, 12x19cm, broché. - First edition, one of 30 ex numbered on Alfa paper, only slightly larger papiers.spine past two minute minor spots at the top of the first garde.De any rarity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 30 exemplaires numérotés sur alfa, seuls grands papiers. Dos légèrement passé, deux infimes taches sans gravité en tête de la première garde. De toute rareté.

      [Bookseller: Librairie Le Feu Follet]
 39.   Check availability:     Biblio     Link/Print  


        THREE POEMS

      Hanover: Baker Library Press (Dartmouth), 1935. 1st edition, limited (1/125) numbered, hand tied heavy paper wraps, with printed label (as issued). Specially signed and inscribed by Frost on the title page. Published by The Daniel Oliver Associates of Dartmouth College, a group of Dartmouth undergraduate students interested in books and book collecting. The three poems had "never before been published in book form" (from the colophon). Among the most scarce of Frost's "A" titles, (Crane A18), copies are seldom seen in the market. Issued unsigned, and without a trade issue, the present copy is signed and inscribed by Frost "For Frank Stockman" who was a member of The Daniel Oliver Associates in 1935. Stockman likely played more than a minor role in the production and publication of the oversized chapbook, as this is the only copy we have been able to locate with an inscription by Frost to a Daniel Oliver member. Likewise, the present copy is housed in a special gold colored paper box, with Stockman's bibliographic notes written in his hand on the back cover of the box. Additionally, the box is enclosed in a large brown envelope (10 inches x 13 inches) with additional bibliographic notes in Stockman's hand. Laid in is a letter from the Chiswick Book Shop (dated September 27, 1951) addressed to Frank Stockman, offering to buy this book. Also laid in is a copy of "Fifty Years of Robert Frost: A Catalogue of the Exhibition held in Baker Library in the Autumn of 1943" (Dartmouth College Library, pp. 14). While OCLC locates several copies in institutional holdings, this is the first copy in our experience to surface on the market. Beautifully preserved, the present offering is in fine condition.

      [Bookseller: Jett W. Whitehead Rare Books (ABAA)]
 40.   Check availability:     Biblio     Link/Print  


        La route du bagne EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Ferenczi., 1935. Fine. Ferenczi., Paris 1935, 12x19cm, broché. - Edition on current paper, it has been printed only 5 Holland paper and 20 in large vellum paper. Precious autograph dedication signed by the author to his friend the painter of Montmartre (Andre) Dignimont "my old friend André Dignimont remember the song Bat 'd'Af' / affectionately / Francis Carco." Spine slightly lightened by sun light without gravity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant, il n'a été tiré que 5 Hollande et 20 vélin en grands papiers. Précieux envoi autographe signé de Francis Carco à son ami le peintre montmartrois (André) Dignimont : " à mon vieil ami André Dignimont en souvenir de la chanson des Bat' d'Af' / très affectueusement / Francis Carco." Dos légèrement insolé sans gravité.

      [Bookseller: Librairie Le Feu Follet]
 41.   Check availability:     Biblio     Link/Print  


        Blandings Castle

      Herbert Jenkins, UK 1935 - Blandings Castle by PG Wodehouse First Edition Herbert Jenkins 1935. No inscriptions, no browning. Lightly foxed edges, grey boards. VG+ in original, fine, bright pictorial dust jacket correctly priced 7/6 with an imperceptible repair to front panel (further images on request). An excellent copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Brought to Book Ltd]
 42.   Check availability:     AbeBooks     Link/Print  

______________________________________________________________________________


      Home     Wants Manager     Library Search     562 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2018 viaLibri™ Limited. All rights reserved.