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Displayed below are some selected recent viaLibri matches for books published in 1935

        Design for League of Nations Sculpture - 'In the Image of God created he him'

      1935 - Pencil and red ink. 5.5 x 18.5 cms, framed and glazed. In 1935 Eric Gill was commissioned by the British Government to provide a huge relief sculpture for the League of Nations Bukliding in Geneva. His first idea was to depict Christ driving the money changers from the Temple but this was rejected so in June 1935 Gill wrote to Anthony Eden with a new idea: The Creation of Man. This drawing shows the design almost exactly as it was executed - there is an additional Latin phrase in the final carving. The Latin here is Genesis Chapter I "In the Image of God created he him" and the English lettering is the beginning of 'The Wreck of the Deutschland' by Gerard Manley Hopkins. The sculpture was carved in 1937 and installed in 1938. With the drawing is a relief engraving of the finished sculpture and a postcard of it in situ.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB]
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        CATALOGUE OF DRAWINGS IN THE COLLECTION FORMED BY SIR THOMAS PHILLIPPS, BART., F. R. S., NOW IN THE POSSESSION OF HIS GRANDSON T. FITZROY PHILLIPPS FENWICK OF THIRLESTAINE HOUSE, CHELTENHAM

      N.P.: Privately Printed for T. Fitzroy Fenwick, 1935. polished brown buckram stamped in gilt. small 4to. polished brown buckram stamped in gilt. ix, 248 pages. Limited to 150 numbered copies. Includes two collotype portraits of Phillipps and 100 separate plates throughout the text. Signed and dated in lower corner of front free endpaper by Agnes Mongan. Covers show light rubbing. The book is cocked.

      [Bookseller: Oak Knoll Books/Oak Knoll Press]
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        Cartas de Affonso de Albuquerque, seguidas de documentos que as elucidam [.] sob a direcção de Raymundo António de Bulhão Pato [.].

      Lisbon, Typographia da Academia Real das Sciencias, 1884-1935. - Small folio (235 x 295 mm). 7 vols. XXIII, (1), 448 pp. LVIII, 454, (2) pp. XV, (1), 406, (2) pp. XXXVI, 332 pp. CXLVII, (1), 514 pp. CVIII, 498, (2) pp. 313 pp. Splendidly gilt mottled full calf bindings with red spine labels and gilt arms to covers. Marbled endpapers. The letters of Afonso d'Albuquerque (1453-1515), the Great, published from 1884 onwards under the direction of the Academia Real das Sciencias de Lisboa, and edited by Raymundo Antonio de Bulhão Pato. While Albuquerque's famous "Commentaries", which ran to a large number of editions, were collected from his papers by his son Afonso (d. 1580), who published them posthumously in 1557, "the only documents actually originating from the father are in the form of letters" (Howgego). This definitive collection includes a large number of despatches to the King. Albuquerque was one of the most striking personalities in the history of Portuguese discovery and colonialism and is the founder of the Portuguese Empire in the East Indies. He advanced the three-fold Portuguese grand scheme of combatting Islam and securing the trade of spices and the establishment of a vast Portuguese Asian empire. He was the first European to enter the Gulf, led the first voyage by a European fleet into the Red Sea, and was also the first westerner to reach the coast of South-Eastern Arabia: "In 1506 Albuquerque was despatched from Lisbon on an expedition, intended to consolidate Portuguese supremacy in the Indian Ocean. His instructions were to monopolize trade with East India for Portugal, and to exclude both Venetians and Saracens from Indian waters [.] Attacks were made on the Arab ports at Malindi, Hoja, Lamu and Brava, before continuing to Socotra [.] Sailing from Socotra with six ships, Albuquerque coasted the Arabian peninsula, sacked Muscat and Sohar, and then launched an attack on Hormuz during the months of September and October 1507. In spite of the overwhelming forces assembled against him by the island's twelve-year-old ruler, Albuquerque mounted a successful siege, with the result that the ruler become a vassal of the Portuguese crown [.]" (Howgego I, 19-21). - Occasional foxing and browning as common, due to paper; but on the whole a very clean, wide-margined copy, splendidly bound for Dom Diogo de Bragança, Marquês de Marialva (1930-2012), with his arms on the upper covers. Howgego I, 21. Henze I, 36. OCLC 3133888. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Stars Look Down

      Victor Gollancz Ltd. Hardcover. Boards have light marks with lightly rubbed edges and little tears to spine ends. Content bright with small pencil inscriptions to blank pages and to pastedowns. Small book seller's sticker to rear pastedown. DJ has smoe loss and tears to edges and light toning /soiling. First edition, first printing. . Good. 1935. First Edition.

      [Bookseller: Infinitebooks]
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        Monetary Theory and the Trade Cycle

      New York: Harcourt, Brace & Co.,, [1935]. Translated from the German by N. Kaldor and H. M. Croome. Octavo. Original blue cloth, titles to spine gilt. With the dust jacket. A fine copy in the bright jacket with small chip to foot of front panel and tape repair to verso. First US edition, first printing. It was first published in English in 1933, and originally published in German in 1929. Monetary Theory and the Trade Cycle is the first major work written by Hayek.

      [Bookseller: Peter Harrington]
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        The Saint in New York Signed Leslie Charteris

      Hodder & Stoughton, UK 1935 - The Saint in New York by Leslie Charteris Signed First Edition Hodder & Stoughton 1935. No foxing or browning, neat gift inscription to half title page. Covers fine in original dust jacket, VG. SIGNED BY LESLIE CHARTERIS alongside 'stick man' Saint to bookplate on fep. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Brought to Book Ltd]
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        Wonderful Dempsey inscribed lithographic print of the Dempsey-Willard fight.

      

      [Bookseller: University Archives]
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        GASTANKS": AN ORIGINAL SIGNED PHOTOGRAPH BY THE CELEBRATED CONDUCTOR AND AMATEUR PHOTOGRAPHER.

      1935. 1935 - - sc A soft-hued 5-3/4 inch high by 9 inch wide gelatin-silver photograph depicting a row of 5 cylindrical industrial gas tanks nested on a supporting structure. Mounted by the photographer with glue from the verso onto 16 inch high by 11 inch wide cream mat board. The photograph is titled, signed and dated 1935 in pencil by Fritz Reiner on the mat under the image. A title label with Fritz Reiner's name is mounted onto the verso of the mat. There is some minor brown spotting to the top left of the image. The corners of the mat are creased with a tiny tear to the bottom edge and some minor staining to the mat. A beautiful evocative industrial image. The Hungarian-born conductor Frederick Martin "Fritz" Reiner (1888-1963) was highly regarded for his performances of Opera and symphonic music. Born in Budapest to a secular Jewish family he studied the piano and composition at the Franz Liszt Academy. Among his teachers was the young composer Bela Bartok. For a time, he worked closely with Richard Strauss before moving to the USA in 1922 to take over as condutor of the Cincinnati Symphony Orchestra. Taking citizenship in his new country, he taught at the Curtis Institute in Philadelphia. Both Leonard Bernstein and Lukas Foss where among his students. His appointment as music director of the Chicago Symphony Orchestra in 1953 marked the pinnacle of his career which included landmark recordings.Philip Hart, in his book "Fritz Reiner: A Biography" writes "Reiner's absorbing hobby was photography, which had fascinated him from childhood. The Avondale home contained a well-equiped darkroom in the basement. For many years he was an active member of the Circle of Confusion, an exclusive group of celebrity amateur photographers in New York. Reiner kept abreast of the latest development in cameras, lenses, and film.Original Fritz Reiner photographs are rare. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        Houses in Landscape

      American, 1935. Pencil on paper. 8-1/2 x 11 inches. Framed and glazed. Pencil on paper. 8-1/2 x 11 inches. Provenance: Paul Magriel Collection of American Drawings; Zabriskie Galleries

      [Bookseller: James Cummins Bookseller]
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        THE IRON FLOOD

      1935 - SERAFIMOVICH, A. THE IRON FLOOD. Translated From The Russian. Moscow-Leningrad: Co-operative Publishing Society of Foreign Workers in the U.S.S.R., 1935. 12mo., tan cloth stamped in black. First Edition. Signed presentation from Serafimovich on the front endpaper, mentioning "Revolutionary Struggle." Aleksandr Serafimovich's most famous novel, originally published in Russian in 1924, deals with the breakout of the Red Army from the White encirclement. The depiction of a Communist hero won praise from Soviet critics; but when the prototype of the hero was arrested and shot in connection with the Tukhachevsky affair, sales of the book were temporarily suspended. The novel soon returned to favor and Serafimovich won the Stalin Prize in 1943 for his services to Soviet Literature. Signed copies of this title are scarce. Good (spine cocked, some browning and numerous small abrasions to covers). $750.00. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Antic Hay Books]
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        THRIVING CHOSEN: A SURVEY OF TWENTY-FIVE YEARS' ADMINISTRATION.

      [Darien?] 1935, Government-General Chosen. White silk thread. tied boards, 94p., charts, statistics, large color folding m. map, 257 b.w. photographs, 7 maps & plans, graphs,19 x 26 cm. very clean copy, complete ! FIRST AND ONLY RARE EDITION. A KEEN INSIDGHT TO JAPAN'S ADMINISTRATION IN PRE-WW2 KOREA * "WITH COMPLEMENTS OF THE GOVERNMENT-GENERAL OF CHOSEN" copy, a small card tipped on to the title page at the top. * This is an obscure work, entirely in English, and copious in nature. The large color folding map shows the origin of staple products. Covering the physical features, flora, fauna, population, accomplishments in Chosen, Korean language, currency, land system, tax, local autonomy, historical remains, government, finance, religious belief, social reforms, roads, railways, postal, phone service, agriculture, imports & exports, health, abuse of narcotics, principal cities, places of interest, Koreans in Manchuria &c. * A R A R E major and superb reference and primary resource for the explotation of Korea, loaded with large amounts of useful statistical data and period photographs. * The Japanese took Korea as a colony in 1895, and from that time forward, disposed of the Korean royal family and reduced Korea to a semi-slave state. Japan exploited the natural and human resources, imposing severe rules and laws, including forcing all Koreans to learn Japanese at school. To this day, the modern Koreans still lothe the Japanese and the Japanese have little love for the Koreans. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock today, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        A TRUE DESCRIPTION OF THE MIGHTY KINGDOMS OF JAPAN AND SIAM.

      London 1935, Argonaut. Vellum spine over red cloth,superb. copy, reprinted from the English edition of 1663, clean,very. tight, crisp, uncut, 20 x 26.5 cm., with ribbon book mark.. THIS IS NUMBER 1 OF A NUMBERED LIMITED EDITION OF 475 COPIES. With 12 plates, 7 maps, some fold-outs, bibliography, index, appendix. The above only applies to the reprinted edition. * Originally written in Dutch by Caron & Jooft Schouten. A rare & important account of relations and trade between the Japanese and the Dutch East-India Company in the 17th century. * Caron, a Hugenot whose family fled to Holland, served as cook's mate on an East-Indiaman. On arrival in Japan he became a clerk in the Dutch factory and, learning Japanese became interpreter. He became second-in-command of the Company and, in 1665 joined the French Company in a similar post. . This account first published in English in 1663. The account of Siam was written just by Jooft Schouten & covers 31 pages. . Only the 1935 reprint edition contains C.R. Boxer's 129 page copious introduction, notes and appendixes. *** H. Cordier: BIBLIOTHECA JAPONICA p.342. *** Color scans can be sent by email. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock today, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        The History of Herodotus of Halicarnassus Translation of G. Rawlinson revised & annotated by A.W. Lawrence. With nine wood engravings by V. Le Campion and a series of new maps by T. Poulton. To which is added a life of Herodotus & the Behistun Inscription

      London: Nonesuch Press 1935. xxvi., 778 pp., plus maps. 7cms. thick. Number 553 of 675 copies. Original quarter blue vellum, blue canvas boards, lettering and designs in gilt on the vellum. Uncut edges, top edge gilt on the rough. Boards slightly darkened. Ink owner's inscription to the front pastedown. Some spotting to endpapers and prelims. A tight clean copy, with just a few minor marks and scratches to the binding. A very pleasing copy. . Near Fine. Vellum Spine. Limited Numbered Edition. 1935. Narrow 4to.

      [Bookseller: Fosters' Bookshop]
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        The Artist of the Kamerni Theater, 1914 - XX - 1934. Foreword: Abraham Efros. Compiler and art Editor M. Zelikson.

      Moscow, (Zelikson) 1935. XLVII (1) + 211 (1) Seiten. Mit 203 Abbildungen auf Tafeln, davon 40 in Farbe. Orig.-Leinenband mit blindgeprägtem Theateremblem a. Vorderdeckel, mit farbiger Wiederholtung des Motivs a. Voritel. Einband minimal angestaubt und berieben. Erste Ausgabe. - Bedeutende Veröffentlichung über das berühmte russische Avantgarde-Theater. Mit zahlreichen Illustrationen von Inszenierungen, Bühnenbildern und Kostümentwürfen, sowie Szenenfotos. - Mit einer handschriftlichen Widmung a. Titelblatt, kl. Eintrag am hinteren Innendeckel. Sonst schönes Exemplar. // First edition. - Orig. cloth, theatre emblem on front lid, repeated in red, black and gilt on half-title. XLVIII, 212 pp. 202 plates, b/w and color. - Covers minimally rubbed and dusted. Later inscription on title page, small notes on rear inside lid. Else fine, clean copy. Complete, with all plates (according to plate list, plate n° 36 does not exist). - Richly illustrated album, published on the occasion of the 20th anniversary of the famous Kamerni theatre. With contributions by prominent Russian Avant-Garde artists, such as Natalie Goncharova, Alexandra Exter, V. + G. Stenberg, Pavel Kuznetsov, C. Sudeikin, Lentulov, Arapov, Ferdunandov, G. Yakulov, Alexander Vesnin, Naumov, V. Ryndin. Including set, costume and stage designs as well as performance photos. Versand D: 5,00 EUR Kunst 20. / 21. Jahrhundert, Kunst, Art, Theater, Bühne, darstellende Künste, Avantgarde, Bühnenbild, Bühne, englische Ausgaben / english editions, Kostüme, Kostümkunde / costume, Modezeitschriften, russische Kunst, Künstler, Russland, Russisch Zentralasien, Russia

      [Bookseller: Cassel & Lampe]
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        Originalzeichnungen. Skizzen nach Dr. H. Bs. Folge von 6 Zeichnungen.

      Um 1935. - 21 x 15,5 cm. Auf bräunlichem Zeichenkarton 34 x 25 cm. Farbig aquarellierte Federzeichnungen. Zwei der Blätter mit 'L.' monogrammiert. Es geht um teils gefesselte Frauen, die von einem Mann gepeitscht werden. In sehr dynamischer und künstlerischer Ausführung. Tafeln leicht gedunkelt. Rückseitig mit kleinen Flecken.

      [Bookseller: Antiquariat Ars Amandi]
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        Mission Archéologique en Chine

      Paris, Librairie Orientaliste Paul Geuthner, 1923 (atlas) et 1935 (texte). - Deux albums de planches contenant un choix des photographies archéologiques des missions de 1914 et de 1917. Un volume de texte, avec croquis et dessins consacré à l'Art Funéraire à l'Epoque des Han. Le second volume de texte prévu au projet n'a pas été publié. La publication complète comprend donc les 2 atlas de planches et un volume de texte. Les 2 atlas de planches ont été reliés ainsi que le volume de texte, très bon état. Texte en 1 volume, 304 pp, orné de 121 figures et illustrations, reliure moderne plein cuir bordeaux, couvertures imprimées conservées, excellent état. The 2 volumes of prints and the volume of text have been rebound in modern full lether, excellent condition. Tome I: XI pp., 4 feuillets de table des planches, planches I-LXIII . La sculpture et les monuments funéraires (Provinces du Chan-si et du Sseu-tch'ouan). Tome II: Planches LXIX-CXLIV - Monuments funéraires (Région de Nankin) - Monuments Bouddhiques (Province de Ssou Tch'ouan). [Attributes: Hard Cover]

      [Bookseller: INDOSIAM RARE BOOKS]
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        [Screenplay]: The Man Who Broke the Bank at Monte Carlo

      [No place: no publisher]. August 5, 1935. First. Final Screenplay. Mimeographed sheets bradbound in blue wrappers. Front wrap damaged, thus overall good, internally fine. The 1935 film was directed by Stephen Roberts and featured Ronald Colman, Joan Bennett, Colin Clive, and Nigel Bruce. Very scarce. From the Library of Carter Burden. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Papers Relating to the Family of Wimsey; An Account of Lord Mortimer Wimsey.

      London: Humphrey Milford,, [1935 & 1937]. 2 items, octavo. Original blue wrappers printed in black and original self wrappers. The second title typically a little tanned but excellent copies. First editions, first impressions. Also included is a photograph of a putative drawing of Mortimer Wimsey. Sayers published these two pieces as Christmas greetings in runs of 250 and 500 copies. Sets are very uncommon.

      [Bookseller: Peter Harrington]
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        18 Originalzeichnungen.

      Um 1935. - 23 x 14,5 cm. Auf bräunlichem Karton 34 x 25 cm. Feder, Aqaurell, Deckweiss. Jede Zeichnung mit 'L.' monogrammiert. Im Mittelpunkt stehen teils leicht bekleidete junge Frauen, die von einem Mann gepeitscht werden. Die runden Pos mit deutlichen Striemen. In künstlerischer und dynamischer Ausführung. Tafelränder stärker gedunkelt. Rückseitig winzige Flecken. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Ars Amandi]
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        Honey in the Horn

      Harper & Brothers 1935 - Special Advance Copy of the first edition. Unsophisticated sewn binding with uncovered spine, as issued; with thicker stock cream colored front and rear cover, title label printed in red affixed to front cover, and same patterned endpapers as in the first edition. Very Good. Foxing to rear cover, small stain to bottom corner of page block. An extremely scarce format of this Pulitzer Prize-winning novel, issued in advance of the first trade edition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        SS - Dienstaltersliste der Schutzstaffel der NSDAP - Stand 1. Juli 1935 [Original !!!]

      Gedruckt in der Reichsdruckerei 1935 Großformatiger schwarzer Leinenband mit weißem Prägedruck 154 Extrem selten ! Gestempelt \"\"2. SS-Sturm - I/49. SS-Standarte Zustand: befriedigender Zustand Versand D: 5,00 EUR SS - XX, Reichsführer-SS, Hauptamt, Waffen-SS, Heinrich Himmler, Reinhard Heydrich, Schutzstaffel, Schutzstaffeln, Schwarzes Korps

      [Bookseller: Antiquariat am Hellweg]
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        After the Storm New York from Stevens Institute

      New York: William C. McNulty, 1935. Etching. Full margins. Image measures 10 3/8" x 14 5/8". Beautiful and scarce view of New York City as seen from the Stevens Institute in New Jersey. Depicts ferries, tug boats and ships in the Hudson with the city in the background. The Empire State building is easily identifiable with the iconic Chrysler just to the left. This is possibly the darkest and best impression of this hard-to-find etching as it is marked "Trial Proof" with the original title "After the Storm". Additional dedication in pencil notes "100 imp. For Roger Vernam" my Top Student - Bill McNulty". Signed on lower right by artist Wm C. McNulty.<br><Br>William Charles McNulty (1880 - 1963) was an American artist born in Utah. Known for his realistic etchings of New York City, his works are housed is the permanent collection of the Metropolitan Museum of Art, the New York Public Library, the Whitney Museums and the U.S. Library of Congress. This is an extremely rare signed artist's proof.

      [Bookseller: Argosy Book Store]
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        Ulysses

      NY: Limited Editions Club, 1935. Hardcover. Very good. #1433 of 1500cc signed by Matisse. Small ink name on front free endpaper, spine lettering a bit darkened, otherwise a fine copy in a better than usual example of the publisher's slipcase that has some light soiling and a small split to the bottom, but is otherwise near fine.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
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        Thriving Chosen A Survey of Twenty-Five Years' Administration

      1935. Printed by Taisho Shashin Kogeisho, Original illustrated cloth covered boards, slik tied at spine, Illustrated end papers. Book Illustrated with photographs, charts and a coloured fold-out map showing places of origin of the staple products. Clean and tight copy but colour aged. The boards show some light soiling. . Hardback. Very Good.

      [Bookseller: GOLDSWORTH BOOKS & PRINTS LTD]
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        No Sir Jeremy

      Arthur barker, London 1935. First edition, 8vo. 318pp [2] Very Good a little dustiness and rubbing to the slightly faded spine, edges dusty. Signed and inscribed by the author 'To Mercic, with kind remembrances - Anthony Weymouth October 1935' In Good+ original 7/6 foxed and rubbed dustwrapper. A few small tears, light chipping and some archival tape to rear top of spine. A very pleasing example.Scarce. 9141.

      [Bookseller: Holybourne Rare Books]
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        Le Paradoxe d'Aytré, manuscrit original et tapuscrit

      First new version of the autograph manuscript of 17 pages, written in 1935. Manuscript writing very dense, full excluding the last 13 lines of printed text, with many erasures, corrections and additions. Complete typescript with a few variations from the manuscript and a copy of the first edition published in 1947 and finally published in 1950 is attached. In 1935, Blanchot has been working for 3 years on Thomas the Obscure (he completed in 1940) when interrupts his writing "that would not stop" to write the last word, a short story he describes as "an attempt to bypass another book underway to overcome the interminable and get a more linear narrative, yet painfully complex, a silent decision ... ". In 1983, Blanchot, referring to the motivations of this "innocent text where murderers omens of future time resounded," can not say "how it is written and how unknown requirement, it has the answer." "It was not a text for publication," he says in the afterword of hindsight. The last word will indeed published 12 years later in 550 copies in the collection golden age (although it went bankrupt at the same time, the book will be on sale in 1950) . So the first story is meant at once the last word and the refusal of its unveiling. "Surely begin to write immediately to achieve at the end (...), this means at least hope not to make a career and finding the shortest path to finish early." In this "Apocalypse" Blanchot leads his own novel being written: Thomas, the hero, and is ironically called the new power otherwise without express "what happened to him [that] saying nothing happened ". But if, starting with the last word, Blanchot marks the end of writing, it is an end that remains unpublished. And when the book is finally published, it will be more of a work already substantial: Thomas the Obscure, Amminadab, Faux pas, the Most High, Death Sentence and The Share of fire. Therefore, the last word is not "waiver be Master and Judge," but a written waiver of this "itself in vain." It can no longer be "the unusual resolution to deprive [Language] to support (...) that is to say more than language" but, as part of the work, there is a "word to say and do not say. ". A word rewritten by the writer he became transformed by writing and by war. This is the inaugural version, first draft of thirty young Blanchot, we present here and C. Bident his biographer, thought "probably never know." Narrative foundation, basic writing, many scholars have studied the last man, "painfully complicated" as even the author, but who calls a few "prophetic" pages a reflection on language (and, through him, totalitarianism) marking the second part of the century. Now we present the manuscript written in 1935 and until then unknown, differs considerably from the following two versions of 1947 and 1983. Written in the third person (the later will they, homodiégétiques) the story is much longer. It contains descriptions and including many deleted scenes that will be removed in the published versions: "The sun bathed [plaza] a fiery light of huge mirrors, placed at the four corners, be kicked around in a maze of colors . "" A cloud was soon raised to the ceiling, black cloud crossed by small glowing patches. "" I am worried, he said. I was wrong to leave earlier this house when I get home, surrounded by torches are extinguished one by one. What will I find now? How to live without I guideline? Can you tell me anything? "" Some children, head blackened coal, removed the sand in which they were buried, and trying to achieve with small white stones they drew from their pocket, they reviled in their incomprehensible language. "" Taking advantage of the lull, dogs out of their hole, as if they had been secretly excited by a master, they rushed to the sleeper by pulling on their links. They tried to right, left, then discovering it under the covers, they are slipped badly, small first, then the big dog, like a vicious bunch of kids. "" The intoxication of being together having lost younger pushed them into their own home as if she had ceased to be theirs, and they threw screams waking intruders from their homes. "But this manuscript provides the exegete especially demonstrative few passages that provide clarification on the meaning of the story:" Until is not an indifferent manner to the past and the future. If it is intended to extend a veil over what approach, if a link between, by mutual repulsion, separate time moments it appears from something, something else is not shown, however, that such limit. "" They whom nothing was forbidden to speak and who knew, behaved as if their knowledge had been to break with the language. "" The disciple on this admission, redoubled adoration, give themselves shots that change them into what they can be. At first common deception, they ran, one to an animal world, the other to a riveted himself a slave. "" They wanted to laugh again nonsense, is torturing a lie, but, having no other way to stand as the apotheosis, they lost sight of their mutual desire for death and blissfully enjoyed the rest. "A key reading these valuable addition changes that reflect real shifts of the author. If the most important is, of course, the choice of the first person in later versions, some lexical variations are also very significant. Thus: "I offer the spectacle of my vices" in the manuscript and typescript 1935 becomes: "I offer the spectacle of my mistakes" in the published version of the same in 1947. "This is an extract from the speech the third city "becomes" This is an excerpt of the speech on the third on the third State "; "A noise (...) was one stroke the whole town" becomes "was one stroke all the people" and "... on a deck of onomatopoeia" becomes "... a gateway ranting." Finally, it is a lyrical Blanchot that reveals this "abrupt call of language": "She had her hair hanging these broad wings velvet are a promise of transformation." "... When the sun casting its light shining against the mirrors everywhere, stopped above the esplanade and heard this loud voice, private mysteriously vowels and consonants, which announces the sharing of spaces" "Shouts of the crowd came and brought calls for an immense distress. "" He ran on the book and bit his teeth, as if he had made insensitive despite the bitterness of those old pages. ". In hindsight Blanchot hesitate to comment, however, that this text provides for the third time and he took care to revise again, 50 years after its first release. However, it brings some bits of explanations that reveal the importance of this little story in the life and work of one of the most mysterious writers of the twentieth century: "The last word has to tell main line, as having instead, the total wreck, the narrative itself can not therefore be preserved, and impossible or absurd, unless he should claim prophetic, heralding a future in the past already there or saying there always when there is nothing: either there wearing nothing and prevent the annihilation that it can not escape its long-term process which is rehashing and eternity. " S.n. s.l. 1949 8 feuillets in-8 (13,5x21,5) et 11 feuillets in-4 (21x27cm)

      [Bookseller: Librairie Le Feu Follet]
 26.   Check availability:     Direct From Bookseller     Link/Print  


        Veto message on the Adjusted Compensation Act, 1935: Address of the President of the United States in the House of Representatives, Delivered May 22, 1935.

      

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 27.   Check availability:     Biblio     Link/Print  


        Collection of Paintings by the Late "Artistic Sage" Ko Kei-Fung [Kao Chi-feng]. Painting Series, Vol. 1

      Shanghai: The Overseas-Chinese Publishing Co., Ltd., 1935 - First edition, first printing. Folio, 36.7*25cm. Profusely illustrated with color and b/w paintings. Spine ends chipped, otherwise a fine copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Chinese Art Books]
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        El Aviso De Escarmentados Del Año Que Acaba y Escarmiento De Avisados Para El Que Empieza De 1935.

      Cruz y Raya - Imprenta De Silverio Aguirre, Madrid 1935 - En el colofón: "Han colaborado con José Bergamín en la composición de este almanaque, con sus poesías y prosas originales: Miguel de Unamuno, Juan Larrea, Pablo Neruda, L. E. Palacios, J. A. Muñoz Rojas y Ramón Gómez de la Serna. Con la aportación de textos y traducciones: Luys Santa Marina y Rafael Sánchez Mazas; y con sus fotomontajes y dibujos Benjamín Palencia. " 15 pp. en papel azul - 112 pp. - 2 hojas - 16 pp. en papel rosa - 16 pp. en verde - 16pp. en amarillo - 16pp. en azul y 8 láminas con fotografías artísticas. Edición de 1000 ejemplares. (nº583). Bien encuadernado en la actualidad a media piel. Lomera con nervios. Corte superior dorado. Conserva las cubiertas originales, aunque un poquito cansadas. Resto ejemplar perfecto. Size: 28 x 22 Cm. [Attributes: First Edition; Hard Cover]

      [Bookseller: BALAGUÉ LLIBRERÍA ANTIQUÀRIA]
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        A Trip to Washington with Bobby and Betty.

      Dodge Publishing 1935 - First edition. Octavo, original orange cloth. Inscribed by the author on the front free endpaper, "To Bill from his loving grandmere who is also the author Eleanor Roosevelt Xmas 1935." The recipient was Roosevelt's grandson William Donner Roosevelt, son of Elliot Roosevelt and grandson of the author Eleanor Roosevelt. A Trip to Washington with Bobby and Betty is one of the more uncommon books by Roosevelt, and one that is not often found signed or inscribed, especially with such a nice association. In near fine condition. Eleanor Roosevelt was an American political leader who used her influence as an active First Lady from 1933 to 1945 to promote the New Deal policies of her husband, President Franklin D. Roosevelt, as well as taking a prominent role as an advocate for civil rights. After her husband's death in 1945, she continued to be an internationally prominent author and speaker for the New Deal coalition. She was a suffragist who worked to enhance the status of working women, although she opposed the Equal Rights Amendment because she believed it would adversely affect women. In the 1940s, she was one of the co-founders of Freedom House and supported the formation of the United Nations. Eleanor Roosevelt founded the UN Association of the United States in 1943 to advance support for the formation of the UN. She was a delegate to the UN General Assembly from 1945 and 1952, a job for which she was appointed by President Harry S. Truman and confirmed by the United States Congress. During her time at the United Nations chaired the committee that drafted and approved the Universal Declaration of Human Rights. President Truman called her the "First Lady of the World" in tribute to her human rights achievements. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        [Screenplay]: Thanks a Million

      [No place]: Twentieth Century-Fox Film Corporation. October 25, 1935. First. Final Draft Screenplay. Mimeographed sheets bradbound in blue studio wrappers. Modest wear to the extremities, very good. The 1935 film, based on a Darryl F. Zanuck story, was directed by Roy Del Ruth, and featured Dick Powell, Ann Dvorak, and Fred Allen. Very scarce. Ex-Carter Burden. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        CHINA MAPPED WITH JAPAN AND ADJOINING COUNTRIES. [Essentially a Map of Eastern A

      Sydney nd.[1935-1937],Robinson.Large single-sheet folded map. opens to ca. 101 x 76.5 cm.,folds down to ca. 19.5 x 25.5 cm. color printed, very clean, no tears, bright copy, title is. printed on the verso, bright copy. OBSCURE SUPERB ITEM !. PRE-WORLD II MAP OF ASIA & JAPAN'S POSSESSIONS This map shows the whole of Asia, beginning at the extreme East is the tip of Kamchatka, Sakhalin, Karafuto, Hokkaido, Japan, South to Riukiu Islands [Okinawa Islands], Formosa, and Hainan Island at the extreme South. Manchukuo is outlined in red to note a Japanese possession, Korea, Khabarovsk & Primorsraya just East of this area. All of Outer Mongolia, above which is Siberia [U.S.S.R.] South to China, Central Asia, Oirot, Tibet, Burma, India, Thailand, French Indo-China, the coastal cities of China: Hong Kong, Macao, Canton, Shanghai, Tientsin, Port Arthur. Inset at lower right corner shows Kamchatka, Bering Sea, Bearing Straits, Aleutian Chain, Alaska. * Key scale shows miles, done in the Bonnes projection, with key to international boundaries, railways, other boundaries, proposed railways and roads. There are red lines on the map, showing the shipping lanes with distances to and from individual places. Also the various possessions are so indicated by which Country owns them, such as Hong Kong belonging to the British etc. The city of Kunming is still shown as Yunnan. The map is in great detail, and shows a very large number of smaller cities and villages, The Great Wall is also indicated in red. * The map is a substantial representation of Eastern Asia at a time just prior to World War II. Perhaps this map was done about 1936--1937. There are no possessions belonging to Japan shown yet in China. The Japanese launched their attack on China in 1937. * CONDITION: This map is in superb condition, and has no flaws. In "collector's condition." * The map is folded in half, and then again in half, into quarters twice. * Color scans can be sent by email. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock today, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        Aquarell Ansicht von San Antonio, Ibiza

      Ibiza 1935 - Aquarell auf Bütten. Gemalt 1935. Ansicht von San Antonio, Ibiza. Format 27 x 21 cm. Datiert und signiert "Ibiza 1935, Kohler" (Alfred Kohler, 1916 - 1983). Rückseitig auf dem Passepartout vom Künstler bezeichnet: "S. Antonio auf biza (Balearen)." Das Aquarell ist im Original Passepartout, wohl vom Künstler montiert und kann gegen Aufpreis auch im Rahmen unter Glas geliefert werden. Auszüge aus Wikipedia: "Kohler setzte 1935 sein Studium an der Akademie der bildenden Künste in München fort, wo er mit 18 Jahren der jüngste Kunststudent war. Nach einem Semester wurde er Meisterschüler, 1937 verließ er die Akademie. Ab 1938 stellte er in der Münchner Galerie Franke aus. Seine Bilder wurden von den Nationalsozialisten bald der 'entarteten Kunst' zugeordnet, so dass er Schwierigkeiten hatte, an Malmaterialen zu gelangen. Von 1938 bis 1945 wurde er mit einem absoluten Verkaufsverbot belegt. 1941 wurde sein Atelier bei einem Luftangriff auf Schwabach zerstört. Kohler schuf überwiegend Aquarelle. In den 1950ern malte er auch abstrakte Werke, darunter Entwürfe für Glasfenster und Mosaiken. 1947 wurden seine Werke bei der Ausstellung 'Kunst mit neuen Augen' in der fränkischen Galerie am Marientor in Nürnberg, neben Werken von Barlach, Beckmann, Heckel, Hofer, Marcks und Nolde gezeigt. Im selben Jahr erhielt Kohler eine Förderung als im NS-Deutschland verfolgter Künstler durch die Kunstschutz-Abteilung der US-Besatzungsarmee. 1949 gründet Kohler zusammen mit dem ehemaligen Direktor des Germanischen Nationalmuseums Ernst Günter Troche und A. Kormendy die Künstlerhilfe. In den 1960er Jahren experimentierte er mit monochromen Darstellungen, die von japanischer Malerei inspiriert waren. Bis zu seinem Tod lag sein Schwerpunkt jedoch auf Landschaften, Blumen, Stillleben und Porträts. Seine Werke wurden unter anderem von der Bayerischen Staatsgemäldesammlung und der Städtischen Galerie in München angekauft."; Jahr: 1935; Format: Quart; Anzahl der Seiten: 1; Auflage: Unikat; Zustand: 2 (Das Aquarell gut Erhalten (s. Abb.). Das Passepartout am Rande geringfügig stockfleckig. Eine Ecke bestoßen. Oben mit durchgehender Knickfalte.) 60 gr. 1 pages. Das Aquarell gut Erhalten (s. Abb.). Das Passepartout am Rande geringfügig stockfleckig. Eine Ecke bestoßen. Oben mit durchgehender Knickfalte. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Antiquariat Immanuel, Einzelhandel]
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        Pylon

      1935 - FAULKNER, William. Pylon. New York: Harrison Smith and Robert Haas, 1935. Octavo, original blue cloth, original dust jacket. $2500.First trade edition.Faulknerâ&#128;&#153;s lifelong fascination with aviation found expression in Pylon, â&#128;&#156;his homage to those who rejected the ground for almost inevitable death in the airâ&#128;&#157; (Karl 409). Book with lightly toned spine and upper edge; dust jacket with two long closed tears expertly repaired and light toning to spine, very good. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bauman Rare Books]
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        Small archive of material related to John Hays Hammond Jr. including signed letters and a detailed biographical article by Janet Mabie

      [ self published ], [ Gloucester Massachusetts and others ] 1935 - First Edition. An archive of material related to American Inventory John Hays Hammond, Jr. The archive includes 4 letters to Janet Mabie (of Eaton Centre, New Hampshire) all from 1935. 2 comment on a Mr. Lear "who curiously enough is in the same situation that I am in regard to the Navy and foreign patents. Perhaps we may be able to work together to break up this ridiculous threat upon the part of the Navy Department." The other 2 related to Miss Mabie gathering notes for "magazine use" and Hammond setting up a meeting between Mabie and Herbert Stone of Yachting magazine.In addition to these letters, there is an 8 page carbon typescript (8 1/2 x 11 inches) about Hammond by Mabie that is quite interesting, giving insights into Hammond as a person and inventor. It is a fascinating read, and no doubt would add (if not published, which we have not been able to confirm one way or the other) to the portrait of Hammond known today.Lastly the archive contains 2 black and white photographs of portions of Hammond's Castle in Gloucester Mass, called Abbadia Mare. Hammond built this eclectic mansion, which stands still today as a museum. Unbound. Hammond was an American Inventor with a large number of patents, second only to Edison himself. His work was very eclectic, although he was perhaps best known for his work in radio controlled operation of various kinds. Some have termed him the Father of Radio Control. [Attributes: First Edition]

      [Bookseller: Kuenzig Books ( ABAA / ILAB )]
 35.   Check availability:     AbeBooks     Link/Print  


        Lucy Gayheart

      New York: Alfred A. Knopf, 1935 - First Edition; one of 749 numbered copies signed by the author; about fine in a dust jacket with some chips and a split running down the center of the spine; in a rubbed publisher's slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 36.   Check availability:     AbeBooks     Link/Print  


        Die Auslanddeutschen in überseeischen Siedlungen- Deutsches Siedeln, deutsche Leistung. ( = Deutsche Züge im Antlitz der Erde, Band 2 )

      Bruckmann München 1935 Mit VIII, Seiten 163 - 300 ( der in sich abgeschlossene vorliegende Band ist der zweite Band der Reihe *Deutsche Züge im Antlitz der Erde*, im ersten Band *Die Auslanddeutschen in den europäischen Ländern* beginnt laut Impressum die Seitenzählung ). Mit 393 schwarz-weißen Abbildungen und Illustrationen, Oln, 4° ( 29,5 x 23 cm ). Inhalt. Süd und Ostasien,Ozeanien: mit Indien,Niederländisch Indien, Sumatra, China, Korea, Samoa, Neu-Guinea. / Mittel- und Südafrika: mit Deutsch-Ostafrika, Südafrikanische Union, Kamerun, Deutsch Süd-Westafrika. / Die Angelsächsische Welt: mit-Schottland und Irland, Nordamerika, Kanada, Australien / Der Norden Hispanoamerikas: mit: Mexiko, Mittelamerika, Hispanoamerika, Venezuela, Südamerika, Peru, Guatemala, Panamakanal und Inseln ( Das südliche Iberoamerika mit: Südatlantik, Gran Chaco, Brasilien, Uruquay, Paraguay, Argentinien, Chile. Der Einband gering fleckig, Bindung gelockert. Innen Innendeckel etwas fleckig, einige Seiten gering fleckig, letzte Seiten etwas stärker stockfleckig, Seiten teils zum Falz hin unten etwas angeknickt. - äußerst selten - ( Gewicht 900 Gramm ) ( Pic erhältlich // webimage available ) Versandkostenfreie Lieferung Ausland, Auslandsdeutsche, Siedler, Kolonien, Kolonialbesitz, Deutsche Kolonien, Deutscher Auswanderer, Auswanderung, Auswanderer, Auslandsdeutsche, Übersee, Google

      [Bookseller: Antiquariat Friederichsen]
 37.   Check availability:     buchfreund.de     Link/Print  


        La ville radieuse.

      Editions de l'Architecture D'aujourd'hui,, Boulogne,, 1935 - Original printed boards.First edition. Oblong 4to, 345 pp.Illustrated from photographs, plans, and drawings. Backstrip/joints broken (clumsy repaired). Name of previous owner. Cover discoloured, some wear to covers. Interior bright, clean. Corbusier's treatise on urbanism and plans for redesigned cities. (Le Corbusier et le livre. p. 122,123) [Attributes: First Edition; Hard Cover]

      [Bookseller: adr. van den bemt]
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        La Lauda e i primordi della melodia italiana

      La libreria dello Stato, Roma 1935 - Musica Classica Entertainment Music Classical In 4°, mezza pergamena con angoli, taglio superiore dorato, titoli oro al piatto e al dorso, pp. XX,483,(7), VII,429,(3), piccole abrasioni alla tela dei piatti, lievi erosioni alla tela 3 tavv. fuori testo a colori e una in bianco e nero protette da velina e in bianco e nero nel testo Esemplare n. 255/500 - fuori catalogo [Attributes: Hard Cover]

      [Bookseller: Libreria Tara]
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        The Cave of Altamira at Santillana del Mar, Spain. Foreword by the Duke of Berwick and Alba (Director of the Academia de la Historia). English Text by Mary E. Boyle.

      Madrid, Tipografia de Archivos, 1935 - 223 Seiten. With 52 plates. Good condition. Brownish slip case, and with shows wear. Inner book seperated from cover. Sprache: Englisch Gewicht in Gramm: 3805 39,5 x 30 cm, Paperback, with slip case [Attributes: Soft Cover]

      [Bookseller: Antiquariat Thomas Haker GmbH & Co. KG]
 40.   Check availability:     ZVAB     Link/Print  


        Tales of Mystery and Imagination by Edgar Allan Poe

      1935. first edition. First Trade EditionIn The Original Pictorial Dust Jacket[RACKHAM, Arthur, illustrator]. POE, Edgar Allan. Tales of Mystery and Imagination by Edgar Allan Poe. Illustrated by Arthur Rackham. London: George G. Harrap & Co., Ltd. [1935]. First trade edition. Large Octavo ( 9 3/4 x 7 1/2 inches; 248 x 190 mm.). Twelve color plates with descriptive tissue guards. Seventeen full page black and white illustrations. Eleven head- tailpieces. Publisher's black cloth, front cover and spine pictorially stamped and lettered in gilt, pictorial 'skeleton' endpapers, top edge stained black. Neat ink inscription on front free end-paper. A near fine copy in the original color pictorial dust jacket, very slightly worn at spine extremities but still near fine."According to Rackham, the illustrations he provided for Poe's Tales of Mystery and Imagination, in 1935, frightened even him, and whilst this might only be expected when a fine illustrator meets a fine and frightening textÂ…The best plates areÂ…indicative of a grandeur and vision one might not so far have perceived in RackhamÂ…Perhaps not a book or set of illustrations for a night's reading in bed, alone" (Gettings, Arthur Rackham, pp. 163-164).Latimore and Haskell, pp. 73. Riall, p. 189.

      [Bookseller: David Brass Rare Books, Inc.]
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        Design in Art and Industry

      New York: Charles Scribner's Sons, 1935. First edition. Illustrated. 204 pp. 1 vols. Small 4to. Original blue cloth. Rebacked, preserving original spine. Two preliminary leaves chipped at outer margin. Very scarce. First edition. Illustrated. 204 pp. 1 vols. Small 4to. Presentation Copy to His Wife. Inscribed by the author and famous New York architect (1884-1972) on the flyleaf, to his wife, Beatrice [Sulzberger] Kahn: "To Beatrice - a fine design "Ely Kahn" A unique association copy of an important - and very personal - book on design, by one of New York's City's most influential architects. The origin of Kahn's book is told in the extensive chapter on his career in Steern, Gilmartin, and Mellins' NEW YORK 1930: ARCHITECTURE AND URBANISM BETWEEN THE TWO WORLD WARS (NY, Rizzoli, pp. 550-563): "In 1933, with unemployment among designers so universal that the American Institute of Architects pondered whether to recommend the closing of art and architecture schools, Kahn argued ... for a return to craft as a method for solving unemployment. He obtained a grant from the Carnegie Foundation to travvel around the world investigating the artist's role in society ... much of his time was spent in the Far East in a last fling with exoticism ... "Kahn's report on his trip [was] a book called DESIGN IN ART AND INDUSTRY; its exoticism, its picturesque local color, its concern with the individual craftsman and the handing down of vernacular traditions from father to son - all of these seemed irrelevant in a world that had turned its attention to encouraging the utmost efficiency and standardization in industry." Provenance: From the Estate of Ely Jacques Kahn

      [Bookseller: James Cummins Bookseller]
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        Die Blendung.

      Wien, Herbert Mechner, 1935/1936 8°, 560 S., Deckelillustration von Alfred Kubin, Etwas berieben u. gebräunt. Rückendeckel u. Schnitt etwas fleckig. Gutes Exemplar, (W/G2 4) Auf dem Titelblatt ist das Erscheinnungsjahr mit 1936. das Copyright mit 1935 angegeben. Mit einer Einbandillustration von Alfred Kubin. Versand D: 20,00 EUR Erstausgaben deutscher Literatur

      [Bookseller: Antiquariat Peter Petrej]
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        HALLOWMAS ABBEY.

      London: Hutchinson & Co.,. [1935]. original black cloth, front and spine panels stamped in yellow.. Mild foxing to top and fore edges of text block, small bruise to. cloth at bottom edge of front panel, else a near fine, bright copy.. The first edition of this book is uncommon. (#10126). First edition. "1930s horror potboiler, this prolific author's sixty-third novel. Diabolism, hauntings, human sacrifice, but in the end, as in most of her novels, 'young love and romance triumph.' Graham was a close personal friend of Montague Summers, but may have been inspired to turn her hand to supernatural horror by the success of Dennis Wheatley's The Devil Rides Out, published by Hutchinson earlier that same year." - Robert Knowlton. Locke, A Spectrum of Fantasy, p. 94. Reginald 06210. Hubin (1994), p. 342. Not in Bleiler (1948; 1978).

      [Bookseller: L. W. Currey, Inc.]
 44.   Check availability:     Biblio     Link/Print  


        The Artist of the Kamerni Theater, 1914 - XX - 1934. Foreword: Abraham Efros. Compiler and art Editor M. Zelikson.

      (Zelikson), Moscow, 1935 - Theater - Moscow, (Zelikson) 1935. XLVII (1) + 211 (1) Seiten. Mit 203 Abbildungen auf Tafeln, davon 40 in Farbe. Einband minimal angestaubt und berieben. Erste Ausgabe. - Bedeutende Veröffentlichung über das berühmte russische Avantgarde-Theater. Mit zahlreichen Illustrationen von Inszenierungen, Bühnenbildern und Kostümentwürfen, sowie Szenenfotos. - Mit einer handschriftlichen Widmung a. Titelblatt, kl. Eintrag am hinteren Innendeckel. Sonst schönes Exemplar. // First edition. - Orig. cloth, theatre emblem on front lid, repeated in red, black and gilt on half-title. XLVIII, 212 pp. 202 plates, b/w and color. - Covers minimally rubbed and dusted. Later inscription on title page, small notes on rear inside lid. Else fine, clean copy. Complete, with all plates (according to plate list, plate n° 36 does not exist). - Richly illustrated album, published on the occasion of the 20th anniversary of the famous Kamerni theatre. With contributions by prominent Russian Avant-Garde artists, such as Natalie Goncharova, Alexandra Exter, V. + G. Stenberg, Pavel Kuznetsov, C. Sudeikin, Lentulov, Arapov, Ferdunandov, G. Yakulov, Alexander Vesnin, Naumov, V. Ryndin. Including set, costume and stage designs as well as performance photos. Kunst 20. / 21. Jahrhundert; Kunst, Art; Theater, Bühne, darstellende Künste; Avantgarde; Bühnenbild, Bühne; englische Ausgaben / english editions; Kostüme, Kostümkunde / costume, Modezeitschriften; russische Kunst, Künstler; Russland, Russisch Zentralasien, Russia Sprache: en Einband minimal angestaubt und berieben. Orig.-Leinenband mit blindgeprägtem Theateremblem a. Vorderdeckel, mit farbiger Wiederholtung des Motivs a. Voritel. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Cassel & Lampe Gbr]
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        SEVEN PILLARS OF WISDOM, A TRIUMPH

      Jonathan Cape, London 1935 - First Trade Edition, First Impression (Third English Edition) with illustrations on pages 304-305 listed incorrectly. 672p. Illustrated. 4to. Bound by Zaehnsdorf in quarter red calf with marbled sides and endpapers, t.e.g., the spine with black title labels gilt, the panels with gilt ornamentation. With the bookplate of Robert Orlando Rodolph Kenyon-Slaney (b. 1892) who was High Sheriff of Shropshire in 1935. O'Brien A042. Ink inscription, moderate wear to covers, but still quite sound and attractive First Trade Edition, First Impression (Third English Edition) with illustrations on pages 304-305 listed incorrectly. [Attributes: First Edition; Hard Cover]

      [Bookseller: First Folio A.B.A.A.]
 46.   Check availability:     AbeBooks     Link/Print  

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