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Displayed below are some selected recent viaLibri matches for books published in 1935

        The Story of the The Star Stones [together with], The Story of the Pearl, The Story of the Emerald, The Story of the Diamond and The Story of the Sapphire & The Ruby.

      New York, NY: Marcus and Company, Jewellers, 1935-8.. First (and only) editions. 5 volumes. Slim octavos, each in printed colour card boards. With colour-plate frontispieces and other illustrations within. Designs by Rockwell Kent. A lovely fine set in the fragile original bindings, housed in a fleece-lined collector's clamshell box, titled in gilt to spine. A series of five books about precious stones issued by jewellers Marcus and Company, the Manhattan retailers and manufacturers of luxury goods from 1892 to 1962. The company was sold to Gimbels in 1941 and merged with Black, Starr and Frost in 1962. Included within this collection are four loose invitation cards for various exhibitions of gemstones.

      [Bookseller: Adrian Harrington Rare Books]
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        Dunbar Broadside Containing My Little Dreams. Illustrated by Rockwell Kent

      Baltimore, Maryland: Enoch Pratt Free Library Poetry Broadside, 1935. Broadside, sea-green/blue paper, size: 22 x 16-3/4 inches, designed by Norman T. A. Munder, using Munder Types. Printed in blue ink with triple rules at either side in grey and blue, image by Rockwell Kent of woman dancing in front of the rising sun, tiniest bit of sunning at extremities else fine. There are two other poems -- Dawn and Life -- on the broadside, both by Paul Lawrence Dunbar (1872-1905). This broadside was printed as part of a series of poetry broadsides distributed to the Baltimore City Public Schools, created by Munder and the Enoch Pratt Free Library and funded by the Humphrey Moore Fund. "My Little Dreams" had appeared in only two previous texts: Johnson's own THE HEART OF A WOMAN (1918) and James Weldon Johnson's THE BOOK OF NEGRO AMERICAN POETRY (1922). Georgia Blanche Douglas Camp Johnson (1877-1966) was an African American poet and playwright, and considered part of the Harlem Renaissance. She became the first widely recognized African American female poet since Frances Harper, and like Harper was at the forefront of political and social events of her time. She and her husband opened their home to other writers; their "Saturday Nighter's Club" was attended by writers such as Jean Toomer, Langston Hughes, Angelina Grimke and Alice Dunbar-Nelson. T. A. Munder was a well-known type designer who was awarded the gold medal for excellence in 1920 by the AIGA. Rockwell Kent (1882-1971) noted American artist worked in oils, watercolors, studying with Robert Henri and was closely associated with his Monhegan Island (Maine) group. He worked in graphic arts and design and was well known for his wood engraving and lithography. He designed bookplates as well as illustrating books. Oxford Companion to Women's Writing in the US, pp. 447, 29-30, 640-642.

      [Bookseller: Priscilla Juvelis, Inc.]
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      POP-UP. (BLUE RIBBON / PLEASURE BOOKS) LITTLE ORPHAN ANNIE AND JUMBO THE CIRCUS ELEPHANT by Harold Gray. Chicago: Blue Ribbon / Pleasure Books (1935). 4to (7 3/4 x 9 1/4"), pictorial boards, covers lightly soiled else near Fine. Featuring 3 marvelous double page color pop-ups and many black and whites in-text.

      [Bookseller: Aleph-Bet Books, Inc.]
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      Lyon, Imprimeries réunies (sans date vers 1935). Une affiche originale entoilée. Dimensions: 1,19m x 0,78m (+4cm de marge toilée). Très bon état. LIVRAISON ROULEE SOUS TUBE DE PROTECTION

      [Bookseller: Librairie Merolle]
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        The Egyptian Coffin Texts. Volumes I-VII: Texts of Spells 1-1185; Volume VIII: Middle Kingdom Copies of Pyramid Texts. (Oriental Institute Publications, 34, 49, 64, 67, 73, 81, 87, 132). [EIGHT VOLUMES].

      Chicago, Oriental Institute of the University of Chicago, 1935-61.. Eight volumes. Royal quarto. Pp. xix, 405; ix, 405; xi, 400; xv, 413; xv, 400; xv, 415; xvii, 521, plus 15 fold-out plans bound at end; xv, 456. Hardcover, uniformly bound in the original publisher's duo-colour full cloth, spines gilt; last volume mint in blue full cloth with dust-jacket. In about fine condition. An excellent set. ~ First edition. The Egyptian Coffin Texts Project began by Breasted and Gardiner in 1922 and was edited by De Buck from 1935 until his death in 1959. It encompassed seven volumes with the 7th volume published posthueously. The work was completed in 2006 with the publication of the 8th volume, edited by James P. Allen. The present complete set comprises entirely of rare first edition volumes. ~ Provenance: From the library of renowned Egyptologist Prof. Dr. Heerma van Voss (1923-2015) with his charming bookplate inside cover of each of the first seven volume. The first volume includes also the flap with introductory text from the original dust-jacket, loosely inserted, and the title from the dust-jacket, mounted on paste-down. Oriental Institute Publications, 34, 49, 64, 67, 73, 81, 87, 132. Beinlich-Seeber 4196.

      [Bookseller: Librarium of The Hague]
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        Appointment In Samarra. (In Superb Condition)

      The First UK printing published by Faber and Faber in 1935.The BOOK is tight and in near FINE condition. Light pushing to the spine tips with a hint of fading to the spine.Gilt titling remains very bright.Light spotting to the text block and end papers.Occasional spot in places otherwise a very clean copy free from inscriptions.The fragile paper WRAPPER is complete and is in near FINE condition.Small closed tear to lower rear spine fold and also to upper rear edge. Colouring remains very bright.Minor edge wear in places.The iconic deco wrapper design of Alfred Maurer looks superb in the removable Brodart archival protector.This title is accompanied by the Faber review slip which is in near FINE condition which has some pencilled comments on the verso in an unknown hand.A very presentable copy of a scarce and fragile item.The authors first novel and No. 22 on the Modern Library's list of the best 100 novels of the 20th century.The story describes how, over the course of three days, Julian English destroys himself with a series of impulsive acts, culminating in suicide. Preceded by only a small shipboard newsletter that O'Hara edited.Ref. Bruccoli, A2.1.a; Ahearn 002b.Very scarce as a UK first edition with such attributes.

      [Bookseller: Ashtonrarebooks]
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        The Theory of Money and Credit

      Harcourt, Brace and Company 1935 - First American edition. 445 p. Brown cloth with gilt lettering on spine. Translated by H.E. Batson. About Very Good. No jacket. Late IMF economist and conservative political consultant Edward D.W. Spingarn's copy with his occasional small checkmarks in margins, a few underlines, and name at front paste down. Lettering a bit rubbed. Cloth has light wear and rubbing spots. A rare US first of an important work by the famous libertarian economist. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        ACTUATION POETIQUE suivie d'exemples

      René Debresse, Paris 1935 - EDITION ORIGINALE. Préface à quatre mains et deux textes de Bryen et Michelet. Le premier est illustré de la reproduction d'un dessin automatique de Bryen, le second de 5 photographies de Raoul Michelet. [Attributes: Soft Cover]

      [Bookseller: Librairie-Galerie Emmanuel Hutin]
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        Le repos de l'équipage.

      NRF. Paris 1935 (9 avril) in-12 relié en demi maroquin marron à coins. Dos à cinq nerfs, titre et nom d'auteur dorés. Couverture et dos conservés. Reliure signée J. Rabaud. Edition originale, exemplaire sur papier bleu spécialement imprimé pour le Dr Léon Michaux. Petit envoi autographe signé "Jef". Ce qui signifie que Léon Michaux était un proche de Jef Kessel.

      [Bookseller: Librairie La Rose de Java]
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        'Mr Norris Changes Trains' First UK Edition 1935

      A first edition, first printing published by The Hogarth Press in 1935. A near fine book without inscriptions with the usual browning to the spine (one thin stain therein), in a remarkably fresh and fine unclipped wrapper with some light spotting to the back panel and internally. An exceptional copy - comes with custom-made solander box.

      [Bookseller: John Atkinson Fine & Rare Books]
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        "N'ai pas peur petite...".

      1935 1Encre de Chine et aquarelle signée en bas à gauche et titrée, (1900), 40 x 18.5 cm.pour un calendrier pour l'année 1935, gouache Maquette originale de presse (vraisemblablement pour "Le Petit Illustré Amusant") réalisée à l'encre de Chine aquarellée de bleu sur deux papiers dont l'un contrecollé représente une jeune gardienne d'oies à moitié dépoitraillée saisie par deux hommes de troupe avec comme légende au crayon " N'ai pas peur petite les boulets nous on connait". Auguste ROUBILLE (1872-1955) humoriste modern-style, réalise des illustrations au parti-pris décoratif. Sociétaire des "Humoristes", il expose aux "Indépendants" et à "L'Araignée" ; il illustre durant 30 ans la couverture de "Fantasio", et collabore à "Le Rire", "La Vie Parisienne", "La Baïonnette", "L'Assiette au beurre"... (Dico Solo, 753-754). Petites taches et infimes piqures.

      [Bookseller: Librairie Chrétien]
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        Max Reinhardt's production of A Midsummer Night's Dream

      Warner Brothers, Los Angeles 1935 - Poster 28 x 20" - Original illustrated three color poster. Rare variant announcing the 1935 Warner Brothers adaptation of the play by William Shakespeare directed by Max Reinhardt and William Dieterle starring James Cagney, Joe E. Brown, Olivia de Havilland, Mickey Rooney and many others. Music by Felix Mendelssohn, arrangement by Erich Wolfgang Korngold. The poster displays the major credits for cast and crew and is framed by red neo-classical illustrations. It was the only Hollywood feature film directed by Max Reinhardt. Some small discoloration along edges and closed tear at upper left fold. poster in overall very good condition. [Attributes: First Edition]

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        Sergeant Larson 4th Cavalry

      San Antonio: Southern Literary Institute, 1935. Book. Very Good+. Hardcover. First Edition. 326 pages, frontis, illustrations, front hinge starting but solid, INSCRIBED by the author's daughter who wrote the foreword for the book, 1 of 300 numbered copies. Larson joined the army in 1860, and served in the West until joining the Civil War. Fort Laramie, Riley, Fetterman, Bent's Fort, Santa Fe, etc..

      [Bookseller: Old West Books]
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      1935 - NAM, Jacques Lehmann and COLETTE, (Sidonie-Gabrielle). Chats. Paris: Chez l'Artiste Jacques Nam, circa 1935-38. Large original portfolio (18 by 21 inches) with printed label, containing six loose folio gatherings, five original aquatints (as issued), and one original large (17-1/2 by 12-1/2 inches) signed gouache painting, laid in. $28,000.Limited first edition of this portfolio of five wonderful large color lithographic portraits of cats, each signed and numbered by Jacques Nam, accompanied by amusing commentaries by Colette, this copy one of only 25 issued on Imperial Japon paper with multiple original watercolors of cats in the margins of each leaf of text, initialed by Nam, as well as a lovely original charcoal and watercolor drawing on the half title inscribed and signed by Nam, "A Lucien Jonas, en témoignage de ma ___ amitie, Jacques Nam" [For Lucien Jonas, a token of my friendship]. This copy additionally with a splendid large (17-1/2 by 12-1/2 inches) original gouache watercolor painting inscribed and signed by the artist laid in, not called for on the limitation leaf."Time spent with cats is never wasted" (Colette). Jacques Nam was known primarily for his paintings and illustrations of animal subjects, mostly cats, which found their ways into the Salon d'Automne and the National Gallery of Beaux Arts. During the early 20th century, Nam provided illustrations for such French magazines as La Vie Parisienne and Le Petit Journal Illustré de la Jeunesse. Colette's works "express a sensibility shaped by the style of the belle époque and informed by a sensual responsiveness to the life of nature and the world of childhood" (Drabble, 213). No one who is fond of cats can afford to miss her descriptions of "Le Siamois," "Simplette," and "Fastagette." This is copy number 27; the 25 copies in this limitation are numbered 6-30, from a total edition of 380 copies. Text in French. Evidence of mounting to verso of gouache painting, image fine. Just a touch of rubbing to corners of portfolio; plates, text and watercolors all in very fine condition. A splendid production, very scarce and exceptionally desirable with the original large signed gouache painting. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Call it Sleep

      Robert O. Ballou 1935 - First edition, first printing. Very Good, lacking the dust jacket. Cloth heavily toned at spine and along edges of boards. Light fraying at corners and spine ends. Hinge at title page shows minor separation. Pages toned; erased pencil notation on rear paste down. Nearly forgotten shortly after publication, this American Jewish classic was revived some thirty years later after receiving a front page review in The New York Times Book Review. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Stuffer-Bilderbogen,. Serie I. ( Nr. 1 - 6 ), Bunte Ausgabe + ( mitangebunden: Serie II, Nr. 7-12, Bunte Ausgabe )

      Stuffer Berlin 1935 Der Band enthält folgende farbige Bilderbögen: Der Band enthält folgende Bilderbögen: Kapitän Knackbrot gründet einen Zirkus ( ( Eine Geschichte von Friedrich Böer mit Bildern von Werner Bürger ) / Das schöne Heidelberg ( Bilder von Andreas Meier, Worte von E.A. Hermann ) / Hans findet ein Pferd ( Bilder und Reime von Günter Bartlick ) / Die spielenden Kinder ( Worte von E.A. Herrmann, Scherenschnitte von E.M. Engert ) / Die Ahnen ( gezeichnet von Susanne Ehmcke ) / Das Gottes Kind ( Bilder von Andreas Meier, Worte von E.A. Herrmann ) Serie II: Ammenuhr: Aus des Knaben Wunderhorn, Bilder von Marianne Scheel / Die Blumen im Feld: Worte von E.A. Herrmann, Bilder von Esther Bartning / Durcheinand: Bilder und Reime von Susanne Ehmcke / Der Osterhase: Bilder von Andreas Meier, Worte von E.A. Herrmann / So einen Kerl....von Heinrich von Kleist ( Anekdote aus dem letzten preußischen Kriege ), Scherenschnitte von E.M. Engert / Die sieben Sterne: Worte von E.A. Herrmann, Bild von Margarete Kellner. Ohln-Broschur mit montiertem Titelschild auf dem Vorderdeckel, Folio ( 45,5 x 33 cm ). Einband etwas fleckig, angestaubt, berieben, Ecken und Kanten bestoßen und angeknickt, obere rechte Ecke durchgehend stärker angeknickt bzw. eselsohrig ). Innen wenige Seiten gering fleckig, Ecken teils auch stärker angeknickt, die Bilderbögen der zweiten Serie teils etwas stärker fleckig. . - sehr selten - ( Gewicht 500 Gramm ) ( Pic erhältlich // webimage available ) Versand D: 5,00 EUR Stuffer, Bilderbogen, Google, Werner Bürger, Marianne Scheel, Karl Kämpf, Margarete Kellner, Estner Bartning, Bilderbögen

      [Bookseller: Antiquariat Friederichsen]
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        King Jasper. WITH: Autograph Letter signed

      1935 - (FROST, Robert) ROBINSON, Edwin Arlington. King Jasper. A Poem by Edwin Arlington Robinson. WITH: FROST, Robert. Autograph letter signed. New York: Macmillan, 1935. Octavo, original half black cloth, green cloth covers, original glassine, original slipcase with printed paper label. $5000.Limited first edition of Arlington's final narrative poem, number 64 of only 250 copies, with an Introduction by Robert Frost. This copy signed by Frost on the final page of his Introduction, and further inscribed by him, "For my friend James Patrick J. Murphy, Coconut Grove Florida, February 12, 1936." Accompanied as well by an autograph letter signed by Frost to Murphy, inviting him to send his copy of this book to Frost for him to sign: "I shall be glad to write my name in it for you."Pulitzer Prize-winning American poet Edwin Robinson was "the most highly regarded and widely read poet of his generation" (Hamilton, 456). "The first major American poet of the 20th century, [he was] unique in that he devoted his life to poetry and willingly paid the price in poverty" (ANB). This volume is also prized for Frost's perceptive and elegiac Introduction, in which he praises Robinson and mourns his passing, as Robinson died mere hours after he finished revising the galley proofs of this work. "Robinson has gone to his place in American literature and left his human place among us vacant." This essay marks Frost's beginning in literary criticism. In addition to being a poignant tribute to Robinson, it is also a distancing of Frost's own poetry from the Modernist experiments in imagism and the politically influenced experiments in propaganda.The laid-in autograph letter signed by Frost is dated February 1, 1936, just a few days before the February 12 inscription in the book. Following the address and date the letter reads: "Dear Mr. Murphy: If you hurry and send your King Jasper to me it should easily reach me at the above address before I leave for Cambridge Mass on February 15th. I shall be glad to write my name in it for you. And here enclosed is an item of mine you may care to have. Any help I can give you in collecting please let me know. Sincerely yours, Robert Frost." The envelope, addressed to Murphy in Frost's hand, is also present. In addition, a typed letter (not signed) from Frost to Murphy from 1960 is included, in which an 86-year-old Frost apologizes to Murphy for not being able to see him during a recent visit to Bryn Mawr. He writes, "I have always wondered about you and your interest in my books. I believe I have here in Brewster Street some of your collection I have yet to put my hand to. I must tend to it when I get back from my next excursion. Would it be too much to ask you to sort of catalogue what you already have? I try to take care of my collectors sooner or later."Though they never met, Frost and recipient James P.J. Murphy, an aspiring poet and avid collector, corresponded for nearly a quarter of a century. "Murphy was a shy man with a passion for literature and fine printing. He found both in Frost's books. The poet autographed Murphy's copies of his works""often after considerable delay""and sent him his special Christmas cards" (Burch, "Three Unpublished Letters of Robert Frost to James P.J. Murphy," in ANQ, 13:2, 35-40). Unpublished letters between the two""such as the two present letters, one signed""show Frost giving the young poet sound advice on getting his poems published, and promising to get around to autographing copies of his works that Murphy had sent to him for that purpose. Fine condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bauman Rare Books]
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        MIMES DES COURTISANES. Illustrations d'Edgar Degas

      Paris. Ambroise Vollard 1935. 1 volume in-4 (340 x 270 mm) en feuilles, couverture imprimée rempliée. Célèbre édition illustrée de 34 compositions dont 22 GRAVURES SUR CUIVRE EN HORS-TEXTE DONT 4 EN COULEURS SUR JAPON et 12 bois dont certains en hors-texte gravés par Aubert. Table des illustrations en fin d'ouvrage. Les gravures furent réalisées par Maurice Potin d'après les monotypes d' Edgar Degas (1834-1917) achetés par Ambroise Vollard à René Degas avant la vente de l'atelier du peintre. Vollard entreprit l'édition de deux ouvrages : Mimes des Courtisanes de Pierre Louÿs et La Maison Tellier de Guy de Maupassant. Il s'adressa au peintre-graveur Maurice Potin pour reproduire sur cuivre ces scènettes de maisons closes que Degas appelait lui-même ses "petits plats du jour". M. Potin réussit à merveille à pénètrer la sensibilité du dessin et la subtilité des tons de Degas. L'entreprise prit 6 ans aux deux hommes pour faire paraître les deux ouvrages. Tirage unique à 350 exemplaires numérotés sur vélin de Rives. 1 book, 4to, on loose sheets (340 x270 mm) under the original printed grey wrappers. 34 compositions after Degas (1834-1917) comprising 22 copper etchings outside the text by Maurice Potin after Edgar Degas (4 in color printed on japan paper) and 12 woodcuts by Aubert. Here is 1 of the 325 numbered copies printed on vélin de Rives paper. Très bel exemplaire en feuilles en excellent état, tel que paru: Les 22 gravures sont sous une chemise papier à rabats insérée en fin d'ouvrage. A beautiful copy of this famous edition by Vollard.

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
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        Official Program of the Inauguration of the Commonwealth of the Philippines and the Induction into Office of Manuel L. Quezon (First President of the Philippines) and Sergio Osmena (First Vice President of the Philippines) Friday, November 15, 1935

      Manila: The Government of the Phillipines, 1935. Original wraps. Near Fine. A wonderful piece of Philippino history. THE OFFICIAL PROGRAM OF THE 1935 INAUGURATION OF THE NEW PRESIDENT AND VICE-PRESIDENT, INSCRIBED BY BOTH THE PRESIDENT (MANUEL QUEZON) AND THE VICE-PRESIDENT (SERGIO OSMENA) IN THE YEAR OF THE INAUGURATION underneath their official portraits in the program. The program itself is solid and bright and easily VG+ in its ribbon-tied, beige card wrappers, with just a touch of light staining at the front panel's lower-edge. The inscriptions as well --in their blue ink-- are clear and completely legible. Quarto, printed glassine endpapers, lavish color rendering (with gilt-bordering) of the proud Phillipines flag. "Manuel Quezon served as president of the Commonwealth of the Philippines from 1935 to 1944. He was the first Philippino to head a government of the Philippines and is considered to have been the second president of the Philippines, after Emilio Aguinaldo (1897-1901). Quezon was the first president elected through a national election and the first incumbent to secure a re-election. He is a lso known as the 'Father of the National Language'"

      [Bookseller: Appledore Books, ABAA]
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        So Red the Nose or Breath in the Afternoon

      New York: Farrar & Rinehart Incorporated,, 1935. Illustrated by Roy C. Nelson. Octavo. Original purple boards, pictorial decoration to front board in silver. With the dust jacket. Illustrated throughout by Roy C. Nelson. Spine gently rolled, in the price clipped dust jacket with chip to top end of spine and along rear top edge, wear to extremities, light rubbing to rear panel. A very good copy. First edition, first printing. Cocktail recipes by 30 authors, including Edgar Rice Burroughs, Erskine Caldwell, Theodore Dresier, Ernest Hemingway, and Rockwell Kent.

      [Bookseller: Peter Harrington]
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        The Egyptian Coffin Texts. Volumes I-VII: Texts of Spells 1-1185; Volume VIII: Middle Kingdom Copies of Pyramid Texts. (Oriental Institute Publications, 34, 49, 64, 67, 73, 81, 87, 132). [EIGHT VOLUMES].

      Chicago, Oriental Institute of the University of Chicago, 1935-61. - Eight volumes. Royal quarto. Pp. xix, 405; ix, 405; xi, 400; xv, 413; xv, 400; xv, 415; xvii, 521, plus 15 fold-out plans bound at end; xv, 456. Hardcover, uniformly bound in the original publisher's duo-colour full cloth, spines gilt; last volume mint in blue full cloth with dust-jacket. In about fine condition. An excellent set. ~ First edition. The Egyptian Coffin Texts Project began by Breasted and Gardiner in 1922 and was edited by De Buck from 1935 until his death in 1959. It encompassed seven volumes with the 7th volume published posthueously. The work was completed in 2006 with the publication of the 8th volume, edited by James P. Allen. The present complete set comprises entirely of rare first edition volumes. ~ Provenance: From the library of renowned Egyptologist Prof. Dr. Heerma van Voss (1923-2015) with his charming bookplate inside cover of each of the first seven volume. The first volume includes also the flap with introductory text from the original dust-jacket, loosely inserted, and the title from the dust-jacket, mounted on paste-down. Oriental Institute Publications, 34, 49, 64, 67, 73, 81, 87, 132. Beinlich-Seeber 4196.

      [Bookseller: Librarium of The Hague]
 21.   Check availability:     ZVAB     Link/Print  


      1935. Masson et Cie. 1935. In-4.Carré. Relié demi-cuir. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 8 tomes de 650 à 950 pages chacun. Illustré de très nombreuses gravures en noir et blanc dans le texte et de dessins en couleur sur planches hors texte. Reliure d'éditeur avec motifs décoratifs dorés sur le dos. Pièces de titre vertes sur les dos, avec auteurs, titres et tomaisons verts. Tranches de tête dorées. Traces de colle sur les plats. Publé par MM. Darier, Sabouraud, Gougerot, Milian, Pautrier, Ravaut, Sézaryn Clément Simon.

      [Bookseller: Le-Livre.Com]
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        The Dog Beneath the Skin or Where is Francis? A play in three acts.

      Faber and Faber, London. 1935 - First edition. Octavo. 180 pages. The authors' first collaboration, in book form at any rate. Review slip laid in. Signed by the authors on the title-page, Auden using the full "Wystan". On the front free endpaper is the ownership signature of Eric J.N. Bramall who in 1928, just after the publication of Isherwood's first novel All the Conspirators and apparently at the suggestion of A.S.T. Fisher, took several photographs in Oxford of Auden and Isherwood together.Head and tail of spine just a little bumped. Very good indeed in very good dustwrapper just a little chipped at head of spine, a little rubbed at edges, and with an enclosed tear at upper hinge neatly and internally repaired. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        The seven pillars of wisdom A triumph

      Jonathan Cape. Very Good with no dust jacket. 1935. Reprint. Hardcover. First trade edition after 1935 limited edtion. First impression. Buckram cloth, gilt cover and spine title lightly sunned but still bright and readable. Gilt scimitars, motto to front cover. Plain endpapers. Deckled edges. Includes 4 fold-out maps, b/w plates only, no color. Illustration to pp 304-5 incorrectly listed as pp302-3. Binding tight and straight, corners show light wear. Owner name, date (11/30/35) to inner pastedown. Inner pages crisp and unmarked. Several pages unevenly cut but no tears or edgechips. ; 672 pages .

      [Bookseller: Books On The Boulevard]
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      1935.. 1935.. Very good. - sc A soft-hued 5-3/4 inch high by 9 inch wide gelatin-silver photograph depicting a row of 5 cylindrical industrial gas tanks nested on a supporting structure. Mounted by the photographer with glue from the verso onto 16 inch high by 11 inch wide cream mat board. The photograph is titled, signed and dated 1935 in pencil by Fritz Reiner on the mat under the image. A title label with Fritz Reiner's name is mounted onto the verso of the mat. There is some minor brown spotting to the top left of the image. The corners of the mat are creased with a tiny tear to the bottom edge and some minor staining to the mat. A beautiful evocative industrial image. <p>The Hungarian-born conductor Frederick Martin "Fritz" Reiner (1888-1963) was highly regarded for his performances of Opera and symphonic music. Born in Budapest to a secular Jewish family he studied the piano and composition at the Franz Liszt Academy. Among his teachers was the young composer Bela Bartok. For a time, he worked closely with Richard Strauss before moving to the USA in 1922 to take over as condutor of the Cincinnati Symphony Orchestra. Taking citizenship in his new country, he taught at the Curtis Institute in Philadelphia. Both Leonard Bernstein and Lukas Foss where among his students. His appointment as music director of the Chicago Symphony Orchestra in 1953 marked the pinnacle of his career which included landmark recordings.<p>Philip Hart, in his book "Fritz Reiner: A Biography" writes "Reiner's absorbing hobby was photography, which had fascinated him from childhood. The Avondale home contained a well-equiped darkroom in the basement. For many years he was an active member of the Circle of Confusion, an exclusive group of celebrity amateur photographers in New York. Reiner kept abreast of the latest development in cameras, lenses, and film.<p>Original Fritz Reiner photographs are rare.

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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      The Derrydale Press, New York,1935 - 8vo.pp.xii+ 237.profusely illustrated.original green cloth gilt,map endpapers One of 950 copies.This is a unique copy with two of Harry Worcester Smiths bookplates one dedicated to ken Austin and signed by HWS.and dated 1935.The second variant bookplate is free of marks. This copy has loosely inserted several letters of correspondence between HWS and Ken Austin and a prospectus for A Sprting Family of The Old South.pp.12.with a small tear. The correspondence varies from discussion about the HWS bookplates,to HWS inventions to KA breaking a record .HWS wrote to an American journal to report the Ken Austin New Zealand recond run. There is a post envelope from HWS and a couple of the sheets are typwritten duplicates to let ken Austin have a copy. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: A&F.McIlreavy.Buderim Rare Books]
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        The Wishing Horse of Oz.

      Chicago: The Reilly & Lee Co, 1935 - Octavo. Original purple cloth, colour pictorial image pasted down to front board, titles and decoration to spine in black, blank endpapers as issued. With the dust jacket. Ends of spine and corners lightly bumped, front inner hinge starting, in the dust jacket with wear to the extremities, shallow chipping to ends of the spine, closed tear along front spine edge, small areas of abrasion to the front panel. A lovely copy. 12 colour plates by John R. Neill. First edition, first impression, with correct issue dust jacket. The last Oz title to be issued with colour plates. Bienvenue & Schmidt p. 117 [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Katalog ausgeführter Gebäude der Firma Reimold-Supper Holzhausbau Rohr. Wohnlauben und Wohnhäuser.

      Rohr (Stuttgart) ohne Jahr (um 1935). 23 x 32,5 cm. 20 Bl. (dunkelbraune Kartons) mit 17 Zeichnungen und 18 montierten Original-Photographien. Original-Karton (Kordelbindung). Einband angestaubt, berieben und bestoßen. Innen einge Blätter mit Abklatsch von den weißen Zeichnungen der gegenüberliegenden Seiten. 17 Original-Zeichnungen (Deckweiß oder Kreide) zeigen jeweils den Grundriß einer Wohnlaube bzw. eines Hauses (bei Wohnhäusern Unter- und Obergeschoß) mit Namen des Bauherren und teils mit Ort (z.B. Blümle, Rohr; Schädle, Vaihingen; Stappenbeck, Botnang), Maßen und Preis sowie teils mit Erbauungsjahr (1930 bis 1933). Auf den rechts gegenüberliegenden Seiten folgen zu den Grundrissen jeweils eine oder zwei eingeklebte Original-Photographien der Lauben und Häuser. Photographie zu Grundriss 1 (Wohnlaube Knodel) fehlt bzw. scheint, da keine Leimspuren sichtbar sind, nie vorhanden gewesen zu sein. Architektur, Architektur 20. Jahrhundert, Bauwesen / Bauingenieur / Bautechnik, Holz / Holzbau / Holzverarbeitung, Musterbücher, Stuttgart, Verkaufs-Kataloge / trade catalogues

      [Bookseller: Antiquariat Roland Gögler]
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      Date : 1935 Dimensions : 62x100cm Imp : A.D.I.A. NICE Condition : entoilée A Affiche originale entoilée en parfait état. Rare.

      [Bookseller: Philippe Beguin livres anciens affiches ]
 29.   Check availability:     Livre-rare-book     Link/Print  


      Date : 1935 Dimensions : 100x151cm Imp : ETS DE LA VASSELAIS, PARIS Condition : entoilée A Affiche originale entoilée en parfait état.

      [Bookseller: Philippe Beguin livres anciens affiches ]
 30.   Check availability:     Livre-rare-book     Link/Print  


      Date : 1935 Dimensions : 62x99,5cm Imp : l'Action Publicitaire, Paris Condition : entoilée A Affiche originale entoilée en très bon état.

      [Bookseller: Philippe Beguin livres anciens affiches ]
 31.   Check availability:     Livre-rare-book     Link/Print  


      Date : 1935 Dimensions : 63x100cm Condition : entoilée A Affiche originale entoilée en très bon état.

      [Bookseller: Philippe Beguin livres anciens affiches ]
 32.   Check availability:     Livre-rare-book     Link/Print  

        Requiem. Wien, Gilhofer & Ranschburg, ca. 1935.

      1935. Titel und 9 Steindrucke nach Tuschfederzeichnungen, diese jeweils unter Passepartout. Schwarzer Originalleinenband mit goldgeprägtem Deckeltitel. Gr.-4to. Eines von 100 Exemplaren des Künstlerbuchs. - Der Maler und Graphiker Goebel (1906-75), ehedem Student an der Akademie der bildenden Künste bei Rudolf Jettmar, nahm an Ausstellungen des Hagenbunds teil und war Mitglied der Wiener Künstlervereinigung "Der Kreis". Auch im Atelier seiner Lebensgefährtin, der Malerin Greta Freist (1904-93) verkehrend, wurde er mit Schriftstellern wie Otto Basil oder Elias Canetti bekannt. 1936 nach Paris übersiedelt, wurde er zu Beginn des Zweiten Weltkriegs interniert, 1944/45 hatte er unter Repressalien der deutschen Besatzer zu leiden. Nach dem Krieg sich vornehmlich der neoexpressionistischen Malerei zuwendend, gründete er 1950 im Atelier Greta Freists die französische Sektion des Internationalen Art-Clubs. - Deckel etwas geworfen, sonst tadellos.

      [Bookseller: Antiquariat Inlibris]
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        Eddy Duchin's Pianostyles (1935) (Signed)

      New York, NY: Remick Music Corporation, 1935. Sheet music. Good. Soft cover. Signed by Author(s). 1st Edition. 4to - over 9¾ - 12" tall. 48-page Music Book, SIGNED and INSCRIBED in fountain pen on inside front cover by EDDY DUCHIN "To Mary Helen, Best wishes, Eddy Duchin" Top of table of contents has a small hand stamp of The Dayton Company Music Department, whatever that was. This music book contains piano scores for 12 of Duchin's favorite songs: Memories, Shine On harvest Moon, Chinatown My Chinatown, Nagasaki, and others. Duchin died young of leukemia and his life was made into a movie in the 1950s. In Good condition. Rare one of a kind piece..

      [Bookseller: Rare Finds Booksellers]
 34.   Check availability:     Biblio     Link/Print  

        Mr Norris Changes Trains

      A First UK printing published by The Hogarth Press in 1935.The BOOK is in VERY GOOD ++ or better condition.There is the usual fading to the spine with some very slight sunning to cloth edges.Otherwise bright, crisp and clean apart from some mild offsetting and light foxing to the first and last few pages.Dusty top edge.The WRAPPER is complete and in near FINE condition.It is lightly toned to the spine and with negligible wear to extremities. You would be hard pushed to find as nice a wrapper elsewhere!The John Banting period designed wrapper looks very striking in the removable Brodart archival protector.One of Isherwood's Berlin stories,published in the USA as 'The Last of Mr Norris'.Extremely scarce in such collectible condition.

      [Bookseller: Ashtonrarebooks]
 35.   Check availability:     PBFA     Link/Print  

        Les Beaux Dimanches de la Comtesse de Narbonne

      Paris: Editions de France (1935). 4to. 193pp - Paris: Editions de France (1935). 4to. 193pp. Fellowes was a celebrated 20th-century society figure and heiress to the Singer sewing machine fortune. This is her most acclaimed novel, issued in English as "Sundays" and illustrated with a suite of amusing drawings by Marcel Vertes.One of 20 copies of the tete de l'edition (#15) printed on Japon, signed by both the author and the illustrator, which also includes two states of the illustrations as well as an original illustration by Vertes. Original wrappers present, bound in a full morocco pink binding by Riviere, occasional very light spotting, light wear at joints. In addition, there is another original illustration by Vertes bound in to the text (not called for in the colophon). A lovely book. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Elysium Books]
 36.   Check availability:     AbeBooks     Link/Print  

        Per i nostri cari defunti Considerazioni e pratiche per il mese dei defunti

      Pia Società San Paolo-Roma-Alba-Messina, ALBA 1935 - ITALIANO Volume discretamente conservato, coperta illustrata in cartoncino, bordo stanco, macchie, dorso brunito, taglio di testa brunito, ingialliti gli altri, tutti con tracce di fioritura, margini delle pagine leggermente bruniti, macchie su risguardia, frontespizio, controguardia. III edizione.

      [Bookseller: Biblioteca di Babele]
 37.   Check availability:     AbeBooks     Link/Print  

        Tortilla Flat

      Covici-Friede, New York 1935 - First Edition, First Printing authentically SIGNED by John Steinbeck on front free endpaper. The ORIGINAL UNRESTORED dustjacket has some light wear to the spine and edges. The book is in great shape and is bound in the ORIGINAL publisher's tan cloth. The binding is tight with light wear to the edges. The pages are clean with NO marks or bookplates in the book. Overall, a wonderful copy SIGNED by the author. Includes a custom clamshell slipcase for preservation. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
 38.   Check availability:     IberLibro     Link/Print  

        Autograph letter signed. Prob. Garmisch, 26. I. 1935.

      1935. 8vo. ¾ p. on double leaf. To Edgar Luis at Innsbruck, regarding the impossibility to come to Vienna in April, and with his best wishes for a concert. - On headed paper.

      [Bookseller: Antiquariat Inlibris]
 39.   Check availability:     Link/Print  

        Arts et Metiers Graphiques Paris. Nº31 Especial Caricatures - Nº45 - Nºespecial Victor Hugo ( Sin numerar) - Nº51 - Nº52 - Nº53 y Nº54. Paris, 1932 - 1935 y 1936.

      - Muy grueso volumen con distinta paginación. Casi todas las páginas ilustradas, más numerosas láminas con fotografías, facsímiles, grabados, encartes originales, propaganda, . Impresionante revista sobre grafismo y publicidad, sobre libros y grabados, sobre arte e imprenta. En muy correcto estado de conservación. Los siete números encuadernados en un volumen en arpillera. Size: 31,5 x 25,5 Cm. [Attributes: First Edition; Hard Cover]

 40.   Check availability:     AbeBooks     Link/Print  

        Saint Peter Relates an Incident; Selected Poems

      New York: The Viking Press, 1935. First printing. -. Fine in a price clipped dust jacket/-. 8vo, 105pp; black cloth.

      [Bookseller: Locus Solus Rare Books]
 41.   Check availability:     Biblio     Link/Print  

        Fortune [Signed]

      New York: William Morrow & Company, 1935. First Edition. Raynolds's third novel, dedicated to his friend Thomas Wolfe of whom he would later write a short memoir, Thomas Wolfe: Memoir of a Friendship (1965). In the memoir Raynolds details his difficulty in getting Fortune published and the "despoiling" revisions he had to make in order to see it into print, turning it into a "mutilation of a better work I had done" (Thomas Wolfe: Memoir of a Friendship (2014 ed.)). The finished work portrays the decline and fall of a small east-coast American city from 1921 to 1934, populated with diverse characters ranging from wealthy ladies in failing marriages to menial laborers to suave businessmen. HANNA 2974. Octavo (21cm.); original charcoal cloth in black pictorial dust jacket by Andor Braun, dark blue topstain; [6],424pp. A few tiny chips and small scratches and bald spots along jacket flap folds, else Near Fine in a Very Good or better copy of the scarce jacket. Signed by the author on front free endpaper.

      [Bookseller: Lorne Bair Rare Books]
 42.   Check availability:     Biblio     Link/Print  

        Géographie Ancienne et Moderne de la Chine

      Hien Hien, Imprimerie de la Mission Catholique, 1935. 1 volume in-8, 425 pp., reliure moderne plein cuir brun, très bon état. L'ouvrage est enrichi de 4 cartes dépliantes: carte des neuf Provinces, carte du Tch'ouen et du Tso tchouan et carte de la Chine actuelle. Ces cartes sont très fragiles, le papier étant cassant et friable, 2 cartes sont à consolider. There are 4 folding maps, very fragile due to the brittle paper, 2 of them have to been consolidated.

      [Bookseller: Librairie Ancienne Indosiam]
 43.   Check availability:     Livre-rare-book     Link/Print  


      Oxford University Press. London. 1935. FIRST U K TRADE EDITION. 8vo.(8.8 x 6.1 inches). Aside from some browning to the blank endpapers, this is a fine, bright copy in thye scarce Publishers delux leather binding of full mid blue morocco. Spine with blind ruled bands. Compartments lettered, decorated and double ruled in gilt. Two panels of double ruled borders on boards, gilt to the front and blind stamped to the rear. All edges gilt. A lovely example of a delux publishers leather bound copy of Lawrence's translation, previously published in the U.S.A in 1932.

      [Bookseller: Paul Foster Books]
 44.   Check availability:     Biblio     Link/Print  

        Das Zauberboot. Ein Bilderbuch zum Drehen, Bewegen und Verwandeln. (Das neue Wunderhaus).

      Stuffer., Berlin, 1935 - 12. - 16. Tausend. Halbleinenband mit buntem Deckelbild und einer kleinen Farbvignette auf dem Rückdeckel; 24 x 21 cm; 6 Blatt mit durch Ziehstreifen, Drehscheibe, Schablone und rotem Transparentpapier verwandelbaren Farbbildern. Sprache: de (Kanten wenig berieben; vorderer Innendeckel mit kleinem Besitzvermerk in Sütterlinschrift, kleiner Kritzelei und kleinen Flecken; Blatt 1 am unteren Rand mit kleiner Verfärbung durch abgelöstes Tesa; Schablone und Transparentpapier in der hinteren Deckeltasche mit kleinen Mängeln; gedruckte Schablonenbeschriftung zusätzlich handschriftlich ins Französische übersetzt, Transparentpapier etwas knitterig und mit kleiner Fehlstelle) - *** vgl. Kohlweyer Teil 2, 483.

      [Bookseller: Wolfgang Kohlweyer]
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        Eigenh. Schreiben ohne U. O. O., 19. XII. [nach 1935].

      1935. 1 S. Qu.-8vo. An einen Herrn mit Korrekturen zu einem Manuskript und über Kokoschkas Masaryk-Portrait: "[...] Bitte fragen Sie in der Kunsthandlung Valentin N. York 32 East Fifty-Seventh Street ob mein Masarykbild dort gut aufgehoben und ob eine Verkaufschance ist. Ich brauch es bald für Frl. Edith Sachsel die in Paris vielleicht Not leidet". - Der linke und rechte Rand stärker lädiert und mit Spuren von Klebefilmstreifen.

      [Bookseller: Antiquariat Inlibris]
 46.   Check availability:     Link/Print  


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