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Displayed below are some selected recent viaLibri matches for books published in 1935

        Le vieux Montluçon. Gravures originales de Ferdinand Dubreuil. Préface d'André Gervais.

      Tours, Chez l'Auteur, 1935 (Imprimerie Barbot & Gallon à Tours) ; album grand in-4 en feuilles sous chemise, titre imprimé sur le plat sup. 11ff. (1f. bl. avec en vignette une gravure du clocher du château de Montluçon, titre, préface- 4ff., table des illustrations, justification du tirage, achevé d'imprimé, liste des souscripteurs) - 25 planches sous passe partout légendés. Parfait état. On joint le prospectus de présentation de l'ouvrage, au même format, avec un texte de présentation par le Dr. Piquand, illustré en titre d'une silhouette du château de Montluçon, et de 3 vignettes. Edition originale tirée à 300 exemplaires numérotés (N° 78, exemplaire du folkloriste Emile Pauly). Un des 265 exemplaires sur papier Chatélio crème Montgolfier. Chaque gravure est numérotée et signée par l'artiste. Se dernier joue, comme souvent dans ses oeuvres gravées, sur les nuances de noir parfois beulté, teinté d'ocre ou presque brun; Une seule planche (Saint-Pierre sous la neige) est en deux tons. Outre les planches, les feuillets préliminaires sont ornés de 12 vignettes in-texte gravées sur bois et imprimées en bistre. l'exemplaire est dans un parfait état de fraicheur. Dubreuil composa cette série de gravures sur bois à la gloire de Montluçon, alors qu'il était déjà installé depuis plusieurs années en Touraine. Né à Doyet (1884), il avait déjà illustré la vie des mineurs et Commentry dans deux recueils de gravures ("J'ai vu mourir sainte Barbe au pays des mineurs", et "Commentry et ses alentours"). Il était sociétaire du Salon des Artistes Français, où il expose à partir de 1929.

      [Bookseller: La Librairie Bourbonnaise]
 1.   Check availability:     Livre-rare-book     Link/Print  


        Tortilla Flat

      New York: Covici Friede. New York, Covici Friede, 1935. First Edition. First Impression. First issue, priced $2.50. Good only copy. Jacket with insect damage, fading to the spine, soiling to the white, wear to the corners with some loss, loss (25mm to the lower edge of the spine and 10mm to the top edge - see photos). Book has an owner's inscription to the front pastedown and a seller's stamp. Some markings to endpaper (glue from label?), some spotting throughout. A rare book, but sadly not a great copy. Cover art / illustrations by Ruth Gannett [5432, Hyraxia Books]. . Good. Hardback. 1st Edition. 1935.

      [Bookseller: Hyraxia]
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        Uniformkunde (Uniformenkunde). Das Deutsche Heer. Friedensuniformen bei Ausbruch des Weltkrieges, 4 Bände: Textband Erster Teil: Generale, Generalstab und Kriegsministerium, Infanterie, Jäger und Schützen / Textband Zweiter Teil: Artillerie, Ingenieur- und Pionierkorps, Verkehrstruppen usw., Sanitätspersonal usw., Kadetten usw., Leibgarden usw., Offiziere außer Regimentsverband, Beamte, Marineinfanterie und Schutztruppen / Bildband Erster Band: Generale, Generalstab und Kriegsministerium, Infanterie, Jäger und Schützen / Bildband Zweiter Band: Kavallerie

      Hamburg, Verlag von Diepenbroick-Grüter & Schulz, 1935 - 1942. - Vollständige Ausgabe im Original-Verlagseinband (4 Bände, gebunden jeweils in dunkelblauesGanzleinen / Leinen / OLn / Ln gr.8vo im Format 19,5 x 26 cm) mit Rücken- und dekoriertem Deckeltitel in Goldprägung. XII,375 Seiten und 122 Farbtafeln. Steinzeichnung. Friedrich Krekler. - Erste Auflage, EA, Erstausgabe in sehr guter Erhaltung. - Deutsches Kaiserreich, deutsche / preußische / kaiserliche Uniformen vor 1914, illustrierte Bücher, Heerwesen, Militär, Militaria Bitte beachten Sie: Auf Grund der besonderen Versandkostenvorgaben vom ZVAB und Abebooks, kann es bei schwereren oder mehrbändigen Werken zu höheren Portokosten kommen, da der Preis sich nicht am Gewicht, sondern nach der Anzahl der Artikel richtet. Sprache: Deutsch Gewicht in Gramm: 2000 [Attributes: First Edition; Hard Cover]

      [Bookseller: Galerie für gegenständliche Kunst]
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        Seven Pillars of Wisdom A Triumph

      London: Jonathan Cape,, 1935. Large octavo (260 x 200 mm). Finely bound by the Chelsea Bindery in terracotta morocco, titles to spine gilt, single rule to boards gilt, Eric Kennington's crossed swords blocked to front board gilt, twin rule to turn-ins gilt, Cockerill endpapers, top edge gilt. With 4 maps and 54 other illustrations. A fine copy. First trade edition. Originally published in a very limited edition in 1926, Seven Pillars of Wisdom was published by Cape in a trade edition immediately following Lawrence's death. A monumental work.

      [Bookseller: Peter Harrington]
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        Dunbar Broadside Containing My Little Dreams. Illustrated by Rockwell Kent

      Enoch Pratt Free Library Poetry Broadside, Baltimore, Maryland 1935 - Broadside, sea-green/blue paper, size: 22 x 16-3/4 inches, designed by Norman T. A. Munder, using Munder Types. Printed in blue ink with triple rules at either side in grey and blue, image by Rockwell Kent of woman dancing in front of the rising sun, tiniest bit of sunning at extremities else fine. There are two other poems -- Dawn and Life -- on the broadside, both by Paul Lawrence Dunbar (1872-1905). This broadside was printed as part of a series of poetry broadsides distributed to the Baltimore City Public Schools, created by Munder and the Enoch Pratt Free Library and funded by the Humphrey Moore Fund. "My Little Dreams" had appeared in only two previous texts: Johnson's own THE HEART OF A WOMAN (1918) and James Weldon Johnson's THE BOOK OF NEGRO AMERICAN POETRY (1922).Georgia Blanche Douglas Camp Johnson (1877-1966) was an African American poet and playwright, and considered part of the Harlem Renaissance. She became the first widely recognized African American female poet since Frances Harper, and like Harper was at the forefront of political and social events of her time. She and her husband opened their home to other writers; their "Saturday Nighter's Club" was attended by writers such as Jean Toomer, Langston Hughes, Angelina Grimke and Alice Dunbar-Nelson. T. A. Munder was a well-known type designer who was awarded the gold medal for excellence in 1920 by the AIGA. Rockwell Kent (1882-1971) noted American artist worked in oils, watercolors, studying with Robert Henri and was closely associated with his Monhegan Island (Maine) group. He worked in graphic arts and design and was well known for his wood engraving and lithography. He designed bookplates as well as illustrating books. Oxford Companion to Women's Writing in the US, pp. 447, 29-30, 640-642.

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        ALL ABOARD

      - DUVOISIN,ROGER. ALL ABOARD. NY: Grosset & Dunlap (1935). Folio (10 x 13 1/4") cloth backed pictorial boards, fine in dust wrapper with small piece off of lower corner, some creasing but bright and VG. 1st edition of this striking children's book, written by Duvoisin as well as illustrated by him. The story is told from the train's point of view. Nearly every other page features a large, bright and bold full color lithograph in a folk art style including 16 full page color illustrations, pictorial endpapers and title page plus several half page black and whites. Well printed on good quality paper and more reminiscent of foreign children's books of the era than of those done in the U.S. (Bader p. 271). Nice copies in dust wrapper are scarce. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Im Krater des Vesuv. Radierung von 1935. Signiert, datiert \'1935 Nov.\' und bezeichnet \'4. Zustand Probedruck\'. In der Platte zusätzlich signiert. 35,5 x 49,5 cm; Blattgr. 45,5 x 62 cm.

       1935 Anblick des rauchenden Vesuvs; inmitten der Vulkanlandschaft einige Männer.- Berühmte und mit Preisen ausgezeichnete Radierung. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Schramm]
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        [Seidmann-Freud, Tom] The Magic Boat; A Book to Turn, Move and Alter

      Berlin: Herbert Suffer, [1935]. First edition. Original color pictorial paper covered boards, blue cloth spine. In remnants of original glassine dust wrapper. An extremely fine copy, the nicest by far we have ever seen, and perhaps the finest available in many years. With the 'lay-over" sheet at end in folder, used to isolate various pictures. Also with the original red glassine transparent sheet used to isolate certain components in a picture and make others disappear. Six full-page color illustrated pages, featuring: "The Wonderful House," a pull-tab moving windows of a house revealing different occupants, five different sets: Evening, Afternoon, Lunch, Morning, Early Morning; a rotating wheel revealing various figures crossing a bridge as well as occupants in a boat; "Grand Theatre" which has three pull-tabs, one which opens the window, and the other two (Gentleman and Punch) reveal different figures. A rare opportunity to obtain the best of the best. One of the truly greatest moveables of the 20th Century.

      [Bookseller: Nudelman Rare Books]
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        The History of Herodotus of Halicarnassus.

      London: The Nonesuch Press,, 1935. Translation of G. Rawlinson. Revised & Annotated by A. W. Lawrence. To which is added a Life of Herodotus and the Behistun Inscription. Quarto. Original blue quarter vellum, blue cloth sides, spine lettered and decorated in gilt with vermiculated rules extending onto sides, top edge rough gilt, others untrimmed. Title page printed in red and black, wood-engraved half-title and 9 similar headpieces by V. le Campion, 9 engraved maps to rear by T. Poulton of which 7 double-page. The spine only faintly faded (usually white), the tiniest nicks to vellum at spine ends, a really excellent copy. First Nonesuch Press edition, limited to 675 copies of which this is number 312. A superb example of book design and presswork, and a very handsome copy, with the spine comparatively unfaded.

      [Bookseller: Peter Harrington]
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        The History of Herodotus of Halicarnassus. Translation of G. Rawlinson. Revised & Annotated by A. W. Lawrence. To which is added a Life of Herodotus and the Behistun Inscription.

      London: The Nonesuch Press, 1935 - Quarto. Original blue quarter vellum, blue cloth sides, spine lettered and decorated in gilt with vermiculated rules extending onto sides, top edge rough gilt, others untrimmed. The spine only faintly faded (usually white), the tiniest nicks to vellum at spine ends, a really excellent copy. Title page printed in red and black, wood-engraved half-title and 9 similar headpieces by V. le Campion, 9 engraved maps to rear by T. Poulton of which 7 double-page. First Nonesuch Press edition, limited to 675 copies of which this is number 312. A superb example of book design and presswork, and a very handsome copy, with the spine comparatively unfaded. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Amelia Earhart writes a check for $50 to the Carlton Hotel

      New York, August 16, 1935. 6" x 2.75". "Check Signed ""Amelia Earhart"", drawn on The Fifth Avenue Bank dated ""August 16, 1935"" and made payable to the ""Carlton Hotel"" for ""50.00"", also written as ""Fifty-, 00/100"" Dollars. PSA/DNA encapsulated graded Near Mint/Mint 8. Measures 6"" x 2.75"", with saw tooth edging. Verso stamped three times, once as ""Carlton Hotel, Cash Account, For deposit in the Riggs National Bank, Washington Properties …"", with a second stamp from ' The Riggs National Bank, Aug 18 1935 …"" With the third stamp being somewhat illegible, but dated ""August 20"".A near mint example of a check written to the Carlton Hotel in Washington D.C. which today is known as The St. Regis Hotel . Earhart was known to have stayed there on multiple occasions. The Carlton was frequented by numerous notables and celebrities of their day. President Calvin Coolidge cut the hotel's ceremonial grand-opening ribbon eight decades ago, and since then, the hotel has been visited by every U.S. president (Reagan had his hair cut there) and numerous celebrities (Audrey Hepburn, Elizabeth Taylor, and Cher) were frequent guests. Howard Hughes kept a permanent suite at the Carlton during World War II. In 1999, the hotel -- formerly known as the Carlton Hotel -- changed hands and became the second St. Regis in the world.Amelia Earhart was photographed at that hotel during her stay on several occasions, which may be seen along the bottom of the listing.Earhart's plane crash in 1937 remains shrouded in mystery. In an official report, the U.S. government concluded that the two seasoned flyers, unable to locate their destination of Howland Island, ran out of fuel, crashed into the water and sank. Earhart was declared legally dead on January 5, 1939. The question of why and where her plane went down, however, has never been put to rest. In the seven decades since Earhart’s disappearance, a number of hypotheses have emerged, some with scientific evidence behind them and others based on more dubious claims. Some theorists, for instance, believe Earhart was actually a secret agent working for the U.S. government, pointing to her close friendship with Franklin D. Roosevelt and his wife, Eleanor. They suggest that the plane crashed after its pilots intentionally deviated from their course to spy on Japanese-occupied islands in the Pacific, or that Earhart and Noonan landed on one of them and were taken prisoner. Yet another theory holds that Earhart returned safely to the United States, changed her name and lived a long life in obscurity. And yet a more current theory believes that the legendary American pilot died as a castaway, not in a plane crash, with the skeleton of a castaway found on the island of Nikumaroro, Kiribati, in 1940 possibly belonging to Earhart. In August of 2016, the TIGHAR team revealed Earhart made more than 100 radio transmissions calling for help between July 2 and July 6 of 1937, which rules out the possibility of her plane crashing. Her plane had disappeared the morning of July 3. The airplane's radio would not have worked if the engine was not running... For more on this new information, see http://www.cnn.com/2016/11/01/world/history-rewritten-amelia-earhart-trnd/A fantastic personal example of this Amelia Earhart signed check."

      [Bookseller: University Archives]
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        La route du bagne

      1935. Ferenczi., Paris 1935, 12x19cm, broché. - Ferenczi., Paris 1935, 12x19cm, broché. - Edizione su carta corrente, è stato girato solo 5 Olanda e 20 in grande carta velina. Precious dedica autografa firmata dall'autore al suo amico pittore di Montmartre (Andre) Dignimont "il mio vecchio amico André Dignimont ricordate la canzone Bat 'd'Af' / affetto / Francis Carco." Torna leggermente irradiati senza gravità. [FRENCH VERSION FOLLOWS] Edition originale sur papier courant, il n'a été tiré que 5 Hollande et 20 vélin en grands papiers. Précieux envoi autographe signé de Francis Carco à son ami le peintre montmartrois (André) Dignimont : " à mon vieil ami André Dignimont en souvenir de la chanson des Bat' d'Af' / très affectueusement / Francis Carco." Dos légèrement insolé sans gravité.

      [Bookseller: Librairie Le Feu Follet]
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        RECONSTRUCCION DE POBLET OBRAS REALIZADAS DE 1930 A 1934 POR EL PATRONATO DEL MONASTERIO

      CASA MIGUEL RIUS, 1935. SPAGNOLO 0,4 Timbro biblioteca al frontespizio, pagine in buonissimo stato di conservazione, illustrazioni in nero fuori testo, coperta morbida con lievi segni di usura,piccoli strappi ai bordi ed al dorso e leggermente ingiallita USATO

      [Bookseller: Biblioteca di Babele]
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        Almanach der österreichischen Bundesgendarmerie. [Konvolut für die Jahre 1935 bis 1939.]

      Wien, Selbstverlag der Herausgeber, 1935 - 1939. 5 Bde. 322 + 10, 324, 332, 332, 409 S. + Tafelanhang. OLwd. Mit dem Frontispizen im Jg. 1935 (Dollfuss mit Todesanzeige) bis 1938 sowie den 20 Tafeln des Jg. 1939. - Besitzsign. a. Ebd. bzw. V. oder recto des Frontispizes, leichte Gbrsp. Versand D: 7,00 EUR Polizei-Gendamerie; Zeitgeschichte

      [Bookseller: Antiquariat Weinek]
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        20,000 Streets Under The Sky

      A First UK printing published by Constable in 1935.The BOOK is in near FINE condition.The book is tight and the red boards are very clean.Black titling very sharp.Minor pushing at the spine ends.Pages very clean and one neat previous owner's penned name to the upper front end paper. The WRAPPER is complete and is in Very Good++ condition.Very mild edge wear to top of spine with a tiny area of loss.Mild toning to the spine with a small area of staining to the upper spine extending across onto the upper rear cover.Small closed tear to the front upper spine fold and to the rear upper edge.A lovely example of the scarce paper wrapper which looks stunning in the removable Brodart archival protector.Author's iconic work - this omnibus printing of the trilogy comprising The Midnight Bell, The Siege of Pleasure and The Plains of Cement. Extremely scarce to find with such attributes.

      [Bookseller: Ashtonrarebooks]
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        Map of Mexico City and Valley.

      Frances Toor Studios. Mexico. 1935. - Color pictographic / pictorial street map, 19 3/4 x 25 inches on sheet size 20 1/2 x 26 inches, professionally mounted on linen. Light wear to folds, tears to mid right map now visible only on close examination. Brightly colored pictorial map designed by the Guatemalan artist Carlos Merida (1891-1984) showing a street plan of central Mexico City with pictographs of many buildings and a numbered "Business Directory" of 21 places in the cartouche, referencing numbers on the map. A note under the map states that "the motifs of the border consist of Aztec and colonial symbols of the names of suburban places." At the lower centre of the map is an inset map of the valley surrounding Mexico City. A wonderful example of the "translation" of the twentieth century decorative map that MacDonald Gill pioneered, here with a Hispanic sensibility.

      [Bookseller: old imprints ABAA/ILAB]
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        Derrydale Press Ephemera

      New York: Derrydale Press, 1935. 1 vols. 8vo. Laid into a half brown morocco folding box. Condition generally fine. 1 vols. 8vo. From the collection of Don Frazier. An excellent group of Derrydale catalogues and pamphlet ephemera, with notable provenance. - Books on Horses and Hunting Publishes by The Derrydale Press. Pamphlet. N.d. - Derrydale Press & Windward House Sporting Books. Catalog Number Eight [Supplementary to Catalogue Number Six]. [1932]. - Derrydale Press & Windward House Sporting Books. Catalog Number Nine. 1935. - Derrydale Sporting Books and Prints. Catalogue Number 5. 1930-1931. - Derrydale Sporting Books are the ideal Christmas Gifts. Pamphlet. N.d. - Derrydale Sporting Books. Catalogue Numer 6. 1931-1932. - Derrydale Sporting books. Suggestions Which will Help you Sell Them. Pamphlet. N.d. - Derrydale Sporting Prints. Catalog Number 7. 1931-1932. - Fall Announcement 1931. Fine Sporting Books. (with a photocopy). - Fine Sporting Books of the Derrydale Press. The most appreciated Gifts for Sportsmen. Pamphlet. N.d. - Modern Fine Sporting Books of The Derrydale Press. Especially Selected for Collectors of Fine Editions. Pamphlet. N.d. - New Derrydale Press Books. Advertisement. N.d. - Order Form. N.d. - Spier, Franklin. "Selling Sportsmen - A Problem in Special Promition (in Sport and the Bookseller). Pamphlet. N.d. - Sporting Books. Sporting Prints. Catalog No. 4. Autumn 1929. Signed by Connett. - The Derrydale Press Announcement for Autumn of 1928. Catalog. - The Derrydale Press…Hints in Proof Correcting. Pamphlet. N.d. - We will be settled at 127 East Thirty-fourth Street New York on July eleventh…pamphlet. N.d. [1928]. Provenance: Don Frazier

      [Bookseller: James Cummins Bookseller]
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        Seven Plays.

      London: John Lane, 1935 - Octavo. Original grey cloth, titles to spine and front board in brown. With the dust jacket. Boards lightly spotted. An excellent copy in a toned and edge-chipped price-clipped jacket. First UK edition, second issue binding with stiff boards. Signed by the author on the front free endpaper. Seven Plays includes an introduction by Toller and the first editions in English of Transfiguration, Draw the Fires! and Mary Baker Eddy (co-written with Hermann Kesten, and originally entitled Miracle in America). The other plays are: The Machine-Wreckers, Masses and Man, Hinkemann, Hoppla! Such is Life! The Blind Goddess! This collection was also published in the US in the same year. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Trois typographes en avaient Marre

      Editions G.L.M., Paris 1935 - In-8 (cm. 19,5), pp. (32). Rara prima edizione, di soli 145 esemplari (il nostro, n. 77, su hélio). Con una immagine di Raymond Gid. Ottimo esemplare. [Attributes: First Edition; Soft Cover]

      [Bookseller: AU SOLEIL D'OR Studio Bibliografico]
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        Edmund Campion.

      London: Longmans, Green and Co.,, 1935. Octavo. Original red cloth, titles to spine gilt, top edge red. Spine faded and gently rolled, head of rear board faded and board edges rubbed, some light foxing to endleaves. A very good copy. First edition, limited issue. Presentation copy, inscribed by the author on the first blank, "Pansy, with best love from Evelyn." Lady Pansy Lamb, neé Pakenham (1904?1999), had been sharing a flat with Evelyn Gardner, Waugh's first wife, at the time of their engagement. A Catholic convert like Waugh, she was an obvious recipient of Edmund Campion, which won the Hawthornden Prize and foreshadowed Campion's canonization in 1970. AMory notes that "she wrote many serious letters to Waugh, but his to her have been lost". Following a dinner with Lamb, Waugh described her in a letter to Nancy Mitford on 27 November 1946 as "thin old half starved clever shy". Number 34 of 50 copies, specially bound for "private distribution".

      [Bookseller: Peter Harrington]
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        Seven Pillars of Wisdom.

      London: Jonathan Cape, 1935. First trade edition. Quarto, original cloth. Signed by actor Peter O'Toole under the frontispiece of the author on page 610. O'Toole starred as T.E. Lawrence in the 1962 epic historical drama film Lawrence of Arabia. It was directed by David Lean and produced by Sam Spiegel through his British company Horizon Pictures, with the screenplay by Robert Bolt and Michael Wilson. It is widely considered one of the greatest and most influential films in the history of cinema. Fine in a near fine dust jacket. Very desirable signed by O'Toole. Fine in a near fine dust jacket with a few small closed tears and rubbing. Seven Pillars of Wisdom is a biographical account of T.E. Lawrence's experiences during the Arab Revolt of 1916-18, when he was based in Wadi Rum (now a part of Jordan) as a member of the British Forces of North Africa. With the support of Emir Faisal and his tribesmen, he helped organize and carry out attacks on the Ottoman forces from Aqaba in the south to Damascus in the north.

      [Bookseller: Raptis Rare Books]
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        Beyond the Black River in Weird Tales May and June 1935

      Indianapolis: Popular Fiction Publishing Company, 1935. First Edition. Pictorial wrappers. The complete first appearance of the Conan story Beyond the Black River serialized in two issues. Details as follows: 1) May 1935; pages are mildly toned, a couple of short, closed tears along the spine, small wormhole to lower edge (not affecting text); a bright, very good copy; contributions by Arthur B. Reeve, Robert Bloch, August Derleth, H. P. Lovecraft, Otis Adelbert Kline, and others; cover art by Margaret Brundage. 2) June 1935; pages are mildly toned, tiny corner crease and short, closed tear to front cover; a bright, very good+ copy; contributions by Dorothy Quick, Donald Wandrei, Robert Bloch, Otis Adelbert Kline, and others; cover art by Margaret Brundage. A nice set. ; Quarto.

      [Bookseller: Parigi Books, ABAA/ILAB]
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        Dictionnaire de droit canonique contenant tous les termes du droit canoniques avec un sommaire de l'histoire et des institutions et de l'état actuel de la discipline (7 volumes).

      1935Librairie Letouzey et Ané, 7 volumes, 1935-1965, demi-toiles à bande, environ 27x18cm, tomes 6 et 7 reliés différemment, des tampons sur les pages, bon état pour le reste.Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.

      [Bookseller: Librairie Diogène]
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        The Tragedy of Romeo and Juliet

      New York: Heritage Press, 1935 - Very good plus. With a pencil gift inscription to movie and theater director and producer Peter Glenville by Katharine Hepburn, "Glen, With the hope that I receive one of [illegible] with his sketches in return. Kate." Glenville may be best known as the director of the film Becket.

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        Autograph letter signed. Apparently Paris, 11. XI. [1935].

      1935. Large 8vo. 1½ pp. on double leaf. With autogr. envelope. To the painter, art critic and writer Walter Kern (1898-1966), inviting him to lunch, and remarking that Hans Arp will come, too. - On stationery with printed letterhead of the hotel "Le Select".

      [Bookseller: Antiquariat Inlibris]
 25.   Check availability:     maremagnum.com     Link/Print  


        The Story of the The Star Stones [together with], The Story of the Pearl, The Story of the Emerald, The Story of the Diamond and The Story of the Sapphire & The Ruby.

      New York, NY: Marcus and Company, Jewellers, 1935-8.. First (and only) editions. 5 volumes. Slim octavos, each in printed colour card boards. With colour-plate frontispieces and other illustrations within. Designs by Rockwell Kent. A lovely fine set in the fragile original bindings, housed in a fleece-lined collector's clamshell box, titled in gilt to spine. A series of five books about precious stones issued by jewellers Marcus and Company, the Manhattan retailers and manufacturers of luxury goods from 1892 to 1962. The company was sold to Gimbels in 1941 and merged with Black, Starr and Frost in 1962. Included within this collection are four loose invitation cards for various exhibitions of gemstones.

      [Bookseller: Adrian Harrington Rare Books]
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        Dunbar Broadside Containing My Little Dreams. Illustrated by Rockwell Kent

      Baltimore, Maryland: Enoch Pratt Free Library Poetry Broadside, 1935. Broadside, sea-green/blue paper, size: 22 x 16-3/4 inches, designed by Norman T. A. Munder, using Munder Types. Printed in blue ink with triple rules at either side in grey and blue, image by Rockwell Kent of woman dancing in front of the rising sun, tiniest bit of sunning at extremities else fine. There are two other poems -- Dawn and Life -- on the broadside, both by Paul Lawrence Dunbar (1872-1905). This broadside was printed as part of a series of poetry broadsides distributed to the Baltimore City Public Schools, created by Munder and the Enoch Pratt Free Library and funded by the Humphrey Moore Fund. "My Little Dreams" had appeared in only two previous texts: Johnson's own THE HEART OF A WOMAN (1918) and James Weldon Johnson's THE BOOK OF NEGRO AMERICAN POETRY (1922). Georgia Blanche Douglas Camp Johnson (1877-1966) was an African American poet and playwright, and considered part of the Harlem Renaissance. She became the first widely recognized African American female poet since Frances Harper, and like Harper was at the forefront of political and social events of her time. She and her husband opened their home to other writers; their "Saturday Nighter's Club" was attended by writers such as Jean Toomer, Langston Hughes, Angelina Grimke and Alice Dunbar-Nelson. T. A. Munder was a well-known type designer who was awarded the gold medal for excellence in 1920 by the AIGA. Rockwell Kent (1882-1971) noted American artist worked in oils, watercolors, studying with Robert Henri and was closely associated with his Monhegan Island (Maine) group. He worked in graphic arts and design and was well known for his wood engraving and lithography. He designed bookplates as well as illustrating books. Oxford Companion to Women's Writing in the US, pp. 447, 29-30, 640-642.

      [Bookseller: Priscilla Juvelis, Inc.]
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        LITTLE ORPHAN ANNIE AND JUMBO THE CIRCUS ELEPHANT

      POP-UP. (BLUE RIBBON / PLEASURE BOOKS) LITTLE ORPHAN ANNIE AND JUMBO THE CIRCUS ELEPHANT by Harold Gray. Chicago: Blue Ribbon / Pleasure Books (1935). 4to (7 3/4 x 9 1/4"), pictorial boards, covers lightly soiled else near Fine. Featuring 3 marvelous double page color pop-ups and many black and whites in-text.

      [Bookseller: Aleph-Bet Books, Inc.]
 28.   Check availability:     Biblio     Link/Print  


        TERROT CYCLES DIJON

      Lyon, Imprimeries réunies (sans date vers 1935). Une affiche originale entoilée. Dimensions: 1,19m x 0,78m (+4cm de marge toilée). Très bon état. LIVRAISON ROULEE SOUS TUBE DE PROTECTION

      [Bookseller: Librairie Merolle]
 29.   Check availability:     Livre-rare-book     Link/Print  


        The Egyptian Coffin Texts. Volumes I-VII: Texts of Spells 1-1185; Volume VIII: Middle Kingdom Copies of Pyramid Texts. (Oriental Institute Publications, 34, 49, 64, 67, 73, 81, 87, 132). [EIGHT VOLUMES].

      Chicago, Oriental Institute of the University of Chicago, 1935-61.. Eight volumes. Royal quarto. Pp. xix, 405; ix, 405; xi, 400; xv, 413; xv, 400; xv, 415; xvii, 521, plus 15 fold-out plans bound at end; xv, 456. Hardcover, uniformly bound in the original publisher's duo-colour full cloth, spines gilt; last volume mint in blue full cloth with dust-jacket. In about fine condition. An excellent set. ~ First edition. The Egyptian Coffin Texts Project began by Breasted and Gardiner in 1922 and was edited by De Buck from 1935 until his death in 1959. It encompassed seven volumes with the 7th volume published posthueously. The work was completed in 2006 with the publication of the 8th volume, edited by James P. Allen. The present complete set comprises entirely of rare first edition volumes. ~ Provenance: From the library of renowned Egyptologist Prof. Dr. Heerma van Voss (1923-2015) with his charming bookplate inside cover of each of the first seven volume. The first volume includes also the flap with introductory text from the original dust-jacket, loosely inserted, and the title from the dust-jacket, mounted on paste-down. Oriental Institute Publications, 34, 49, 64, 67, 73, 81, 87, 132. Beinlich-Seeber 4196.

      [Bookseller: Librarium of The Hague]
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        Appointment In Samarra. (In Superb Condition)

      The First UK printing published by Faber and Faber in 1935.The BOOK is tight and in near FINE condition. Light pushing to the spine tips with a hint of fading to the spine.Gilt titling remains very bright.Light spotting to the text block and end papers.Occasional spot in places otherwise a very clean copy free from inscriptions.The fragile paper WRAPPER is complete and is in near FINE condition.Small closed tear to lower rear spine fold and also to upper rear edge. Colouring remains very bright.Minor edge wear in places.The iconic deco wrapper design of Alfred Maurer looks superb in the removable Brodart archival protector.This title is accompanied by the Faber review slip which is in near FINE condition which has some pencilled comments on the verso in an unknown hand.A very presentable copy of a scarce and fragile item.The authors first novel and No. 22 on the Modern Library's list of the best 100 novels of the 20th century.The story describes how, over the course of three days, Julian English destroys himself with a series of impulsive acts, culminating in suicide. Preceded by only a small shipboard newsletter that O'Hara edited.Ref. Bruccoli, A2.1.a; Ahearn 002b.Very scarce as a UK first edition with such attributes.

      [Bookseller: Ashtonrarebooks]
 31.   Check availability:     PBFA     Link/Print  


        The Theory of Money and Credit

      Harcourt, Brace and Company 1935 - First American edition. 445 p. Brown cloth with gilt lettering on spine. Translated by H.E. Batson. About Very Good. No jacket. Late IMF economist and conservative political consultant Edward D.W. Spingarn's copy with his occasional small checkmarks in margins, a few underlines, and name at front paste down. Lettering a bit rubbed. Cloth has light wear and rubbing spots. A rare US first of an important work by the famous libertarian economist. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
 32.   Check availability:     AbeBooks     Link/Print  


        ACTUATION POETIQUE suivie d'exemples

      René Debresse, Paris 1935 - EDITION ORIGINALE. Préface à quatre mains et deux textes de Bryen et Michelet. Le premier est illustré de la reproduction d'un dessin automatique de Bryen, le second de 5 photographies de Raoul Michelet. [Attributes: Soft Cover]

      [Bookseller: Librairie-Galerie Emmanuel Hutin]
 33.   Check availability:     AbeBooks     Link/Print  


        Le repos de l'équipage.

      NRF. Paris 1935 (9 avril) in-12 relié en demi maroquin marron à coins. Dos à cinq nerfs, titre et nom d'auteur dorés. Couverture et dos conservés. Reliure signée J. Rabaud. Edition originale, exemplaire sur papier bleu spécialement imprimé pour le Dr Léon Michaux. Petit envoi autographe signé "Jef". Ce qui signifie que Léon Michaux était un proche de Jef Kessel.

      [Bookseller: Librairie La Rose de Java]
 34.   Check availability:     Livre-rare-book     Link/Print  


        'Mr Norris Changes Trains' First UK Edition 1935

      A first edition, first printing published by The Hogarth Press in 1935. A near fine book without inscriptions with the usual browning to the spine (one thin stain therein), in a remarkably fresh and fine unclipped wrapper with some light spotting to the back panel and internally. An exceptional copy - comes with custom-made solander box.

      [Bookseller: John Atkinson Fine & Rare Books]
 35.   Check availability:     PBFA     Link/Print  


        "N'ai pas peur petite...".

      1935 1Encre de Chine et aquarelle signée en bas à gauche et titrée, (1900), 40 x 18.5 cm.pour un calendrier pour l'année 1935, gouache Maquette originale de presse (vraisemblablement pour "Le Petit Illustré Amusant") réalisée à l'encre de Chine aquarellée de bleu sur deux papiers dont l'un contrecollé représente une jeune gardienne d'oies à moitié dépoitraillée saisie par deux hommes de troupe avec comme légende au crayon " N'ai pas peur petite les boulets nous on connait". Auguste ROUBILLE (1872-1955) humoriste modern-style, réalise des illustrations au parti-pris décoratif. Sociétaire des "Humoristes", il expose aux "Indépendants" et à "L'Araignée" ; il illustre durant 30 ans la couverture de "Fantasio", et collabore à "Le Rire", "La Vie Parisienne", "La Baïonnette", "L'Assiette au beurre"... (Dico Solo, 753-754). Petites taches et infimes piqures.

      [Bookseller: Librairie Chrétien]
 36.   Check availability:     Livre-rare-book     Link/Print  


        Max Reinhardt's production of A Midsummer Night's Dream

      Warner Brothers, Los Angeles 1935 - Poster 28 x 20" - Original illustrated three color poster. Rare variant announcing the 1935 Warner Brothers adaptation of the play by William Shakespeare directed by Max Reinhardt and William Dieterle starring James Cagney, Joe E. Brown, Olivia de Havilland, Mickey Rooney and many others. Music by Felix Mendelssohn, arrangement by Erich Wolfgang Korngold. The poster displays the major credits for cast and crew and is framed by red neo-classical illustrations. It was the only Hollywood feature film directed by Max Reinhardt. Some small discoloration along edges and closed tear at upper left fold. poster in overall very good condition. [Attributes: First Edition]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
 37.   Check availability:     AbeBooks     Link/Print  


        Sergeant Larson 4th Cavalry

      San Antonio: Southern Literary Institute, 1935. Book. Very Good+. Hardcover. First Edition. 326 pages, frontis, illustrations, front hinge starting but solid, INSCRIBED by the author's daughter who wrote the foreword for the book, 1 of 300 numbered copies. Larson joined the army in 1860, and served in the West until joining the Civil War. Fort Laramie, Riley, Fetterman, Bent's Fort, Santa Fe, etc..

      [Bookseller: Old West Books]
 38.   Check availability:     Biblio     Link/Print  


        Chats

      1935 - NAM, Jacques Lehmann and COLETTE, (Sidonie-Gabrielle). Chats. Paris: Chez l'Artiste Jacques Nam, circa 1935-38. Large original portfolio (18 by 21 inches) with printed label, containing six loose folio gatherings, five original aquatints (as issued), and one original large (17-1/2 by 12-1/2 inches) signed gouache painting, laid in. $28,000.Limited first edition of this portfolio of five wonderful large color lithographic portraits of cats, each signed and numbered by Jacques Nam, accompanied by amusing commentaries by Colette, this copy one of only 25 issued on Imperial Japon paper with multiple original watercolors of cats in the margins of each leaf of text, initialed by Nam, as well as a lovely original charcoal and watercolor drawing on the half title inscribed and signed by Nam, "A Lucien Jonas, en témoignage de ma ___ amitie, Jacques Nam" [For Lucien Jonas, a token of my friendship]. This copy additionally with a splendid large (17-1/2 by 12-1/2 inches) original gouache watercolor painting inscribed and signed by the artist laid in, not called for on the limitation leaf."Time spent with cats is never wasted" (Colette). Jacques Nam was known primarily for his paintings and illustrations of animal subjects, mostly cats, which found their ways into the Salon d'Automne and the National Gallery of Beaux Arts. During the early 20th century, Nam provided illustrations for such French magazines as La Vie Parisienne and Le Petit Journal Illustré de la Jeunesse. Colette's works "express a sensibility shaped by the style of the belle époque and informed by a sensual responsiveness to the life of nature and the world of childhood" (Drabble, 213). No one who is fond of cats can afford to miss her descriptions of "Le Siamois," "Simplette," and "Fastagette." This is copy number 27; the 25 copies in this limitation are numbered 6-30, from a total edition of 380 copies. Text in French. Evidence of mounting to verso of gouache painting, image fine. Just a touch of rubbing to corners of portfolio; plates, text and watercolors all in very fine condition. A splendid production, very scarce and exceptionally desirable with the original large signed gouache painting. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
 39.   Check availability:     AbeBooks     Link/Print  


        Call it Sleep

      Robert O. Ballou 1935 - First edition, first printing. Very Good, lacking the dust jacket. Cloth heavily toned at spine and along edges of boards. Light fraying at corners and spine ends. Hinge at title page shows minor separation. Pages toned; erased pencil notation on rear paste down. Nearly forgotten shortly after publication, this American Jewish classic was revived some thirty years later after receiving a front page review in The New York Times Book Review. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Stuffer-Bilderbogen,. Serie I. ( Nr. 1 - 6 ), Bunte Ausgabe + ( mitangebunden: Serie II, Nr. 7-12, Bunte Ausgabe )

      Stuffer Berlin 1935 Der Band enthält folgende farbige Bilderbögen: Der Band enthält folgende Bilderbögen: Kapitän Knackbrot gründet einen Zirkus ( ( Eine Geschichte von Friedrich Böer mit Bildern von Werner Bürger ) / Das schöne Heidelberg ( Bilder von Andreas Meier, Worte von E.A. Hermann ) / Hans findet ein Pferd ( Bilder und Reime von Günter Bartlick ) / Die spielenden Kinder ( Worte von E.A. Herrmann, Scherenschnitte von E.M. Engert ) / Die Ahnen ( gezeichnet von Susanne Ehmcke ) / Das Gottes Kind ( Bilder von Andreas Meier, Worte von E.A. Herrmann ) Serie II: Ammenuhr: Aus des Knaben Wunderhorn, Bilder von Marianne Scheel / Die Blumen im Feld: Worte von E.A. Herrmann, Bilder von Esther Bartning / Durcheinand: Bilder und Reime von Susanne Ehmcke / Der Osterhase: Bilder von Andreas Meier, Worte von E.A. Herrmann / So einen Kerl....von Heinrich von Kleist ( Anekdote aus dem letzten preußischen Kriege ), Scherenschnitte von E.M. Engert / Die sieben Sterne: Worte von E.A. Herrmann, Bild von Margarete Kellner. Ohln-Broschur mit montiertem Titelschild auf dem Vorderdeckel, Folio ( 45,5 x 33 cm ). Einband etwas fleckig, angestaubt, berieben, Ecken und Kanten bestoßen und angeknickt, obere rechte Ecke durchgehend stärker angeknickt bzw. eselsohrig ). Innen wenige Seiten gering fleckig, Ecken teils auch stärker angeknickt, die Bilderbögen der zweiten Serie teils etwas stärker fleckig. . - sehr selten - ( Gewicht 500 Gramm ) ( Pic erhältlich // webimage available ) Versand D: 5,00 EUR Stuffer, Bilderbogen, Google, Werner Bürger, Marianne Scheel, Karl Kämpf, Margarete Kellner, Estner Bartning, Bilderbögen

      [Bookseller: Antiquariat Friederichsen]
 41.   Check availability:     buchfreund.de     Link/Print  


        King Jasper. WITH: Autograph Letter signed

      1935 - (FROST, Robert) ROBINSON, Edwin Arlington. King Jasper. A Poem by Edwin Arlington Robinson. WITH: FROST, Robert. Autograph letter signed. New York: Macmillan, 1935. Octavo, original half black cloth, green cloth covers, original glassine, original slipcase with printed paper label. $5000.Limited first edition of Arlington's final narrative poem, number 64 of only 250 copies, with an Introduction by Robert Frost. This copy signed by Frost on the final page of his Introduction, and further inscribed by him, "For my friend James Patrick J. Murphy, Coconut Grove Florida, February 12, 1936." Accompanied as well by an autograph letter signed by Frost to Murphy, inviting him to send his copy of this book to Frost for him to sign: "I shall be glad to write my name in it for you."Pulitzer Prize-winning American poet Edwin Robinson was "the most highly regarded and widely read poet of his generation" (Hamilton, 456). "The first major American poet of the 20th century, [he was] unique in that he devoted his life to poetry and willingly paid the price in poverty" (ANB). This volume is also prized for Frost's perceptive and elegiac Introduction, in which he praises Robinson and mourns his passing, as Robinson died mere hours after he finished revising the galley proofs of this work. "Robinson has gone to his place in American literature and left his human place among us vacant." This essay marks Frost's beginning in literary criticism. In addition to being a poignant tribute to Robinson, it is also a distancing of Frost's own poetry from the Modernist experiments in imagism and the politically influenced experiments in propaganda.The laid-in autograph letter signed by Frost is dated February 1, 1936, just a few days before the February 12 inscription in the book. Following the address and date the letter reads: "Dear Mr. Murphy: If you hurry and send your King Jasper to me it should easily reach me at the above address before I leave for Cambridge Mass on February 15th. I shall be glad to write my name in it for you. And here enclosed is an item of mine you may care to have. Any help I can give you in collecting please let me know. Sincerely yours, Robert Frost." The envelope, addressed to Murphy in Frost's hand, is also present. In addition, a typed letter (not signed) from Frost to Murphy from 1960 is included, in which an 86-year-old Frost apologizes to Murphy for not being able to see him during a recent visit to Bryn Mawr. He writes, "I have always wondered about you and your interest in my books. I believe I have here in Brewster Street some of your collection I have yet to put my hand to. I must tend to it when I get back from my next excursion. Would it be too much to ask you to sort of catalogue what you already have? I try to take care of my collectors sooner or later."Though they never met, Frost and recipient James P.J. Murphy, an aspiring poet and avid collector, corresponded for nearly a quarter of a century. "Murphy was a shy man with a passion for literature and fine printing. He found both in Frost's books. The poet autographed Murphy's copies of his works""often after considerable delay""and sent him his special Christmas cards" (Burch, "Three Unpublished Letters of Robert Frost to James P.J. Murphy," in ANQ, 13:2, 35-40). Unpublished letters between the two""such as the two present letters, one signed""show Frost giving the young poet sound advice on getting his poems published, and promising to get around to autographing copies of his works that Murphy had sent to him for that purpose. Fine condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bauman Rare Books]
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        MIMES DES COURTISANES. Illustrations d'Edgar Degas

      Paris. Ambroise Vollard 1935. 1 volume in-4 (340 x 270 mm) en feuilles, couverture imprimée rempliée. Célèbre édition illustrée de 34 compositions dont 22 GRAVURES SUR CUIVRE EN HORS-TEXTE DONT 4 EN COULEURS SUR JAPON et 12 bois dont certains en hors-texte gravés par Aubert. Table des illustrations en fin d'ouvrage. Les gravures furent réalisées par Maurice Potin d'après les monotypes d' Edgar Degas (1834-1917) achetés par Ambroise Vollard à René Degas avant la vente de l'atelier du peintre. Vollard entreprit l'édition de deux ouvrages : Mimes des Courtisanes de Pierre Louÿs et La Maison Tellier de Guy de Maupassant. Il s'adressa au peintre-graveur Maurice Potin pour reproduire sur cuivre ces scènettes de maisons closes que Degas appelait lui-même ses "petits plats du jour". M. Potin réussit à merveille à pénètrer la sensibilité du dessin et la subtilité des tons de Degas. L'entreprise prit 6 ans aux deux hommes pour faire paraître les deux ouvrages. Tirage unique à 350 exemplaires numérotés sur vélin de Rives. 1 book, 4to, on loose sheets (340 x270 mm) under the original printed grey wrappers. 34 compositions after Degas (1834-1917) comprising 22 copper etchings outside the text by Maurice Potin after Edgar Degas (4 in color printed on japan paper) and 12 woodcuts by Aubert. Here is 1 of the 325 numbered copies printed on vélin de Rives paper. Très bel exemplaire en feuilles en excellent état, tel que paru: Les 22 gravures sont sous une chemise papier à rabats insérée en fin d'ouvrage. A beautiful copy of this famous edition by Vollard.

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
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        Official Program of the Inauguration of the Commonwealth of the Philippines and the Induction into Office of Manuel L. Quezon (First President of the Philippines) and Sergio Osmena (First Vice President of the Philippines) Friday, November 15, 1935

      Manila: The Government of the Phillipines, 1935. Original wraps. Near Fine. A wonderful piece of Philippino history. THE OFFICIAL PROGRAM OF THE 1935 INAUGURATION OF THE NEW PRESIDENT AND VICE-PRESIDENT, INSCRIBED BY BOTH THE PRESIDENT (MANUEL QUEZON) AND THE VICE-PRESIDENT (SERGIO OSMENA) IN THE YEAR OF THE INAUGURATION underneath their official portraits in the program. The program itself is solid and bright and easily VG+ in its ribbon-tied, beige card wrappers, with just a touch of light staining at the front panel's lower-edge. The inscriptions as well --in their blue ink-- are clear and completely legible. Quarto, printed glassine endpapers, lavish color rendering (with gilt-bordering) of the proud Phillipines flag. "Manuel Quezon served as president of the Commonwealth of the Philippines from 1935 to 1944. He was the first Philippino to head a government of the Philippines and is considered to have been the second president of the Philippines, after Emilio Aguinaldo (1897-1901). Quezon was the first president elected through a national election and the first incumbent to secure a re-election. He is a lso known as the 'Father of the National Language'"

      [Bookseller: Appledore Books, ABAA]
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        So Red the Nose or Breath in the Afternoon

      New York: Farrar & Rinehart Incorporated,, 1935. Illustrated by Roy C. Nelson. Octavo. Original purple boards, pictorial decoration to front board in silver. With the dust jacket. Illustrated throughout by Roy C. Nelson. Spine gently rolled, in the price clipped dust jacket with chip to top end of spine and along rear top edge, wear to extremities, light rubbing to rear panel. A very good copy. First edition, first printing. Cocktail recipes by 30 authors, including Edgar Rice Burroughs, Erskine Caldwell, Theodore Dresier, Ernest Hemingway, and Rockwell Kent.

      [Bookseller: Peter Harrington]
 45.   Check availability:     Biblio     Link/Print  

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