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Displayed below are some selected recent viaLibri matches for books published in 1929

        Grand Constructions; Vols. 1-2 of L'Art International d'Aujourd'hui

      Paris: Charles Moreau, 1929. First edition. Hardcover. Orig. board portfolios lettered in black, decorated with front cover red stripe, contents loose as issued laid-in. Very good. 2 vols. 33 x 25 cm. The first two publications of L'Art International D'Aujourd'hue are scarce, the early and leading publication of the New International Architecture and Art Deco design. The first two volumes of Grand Constructions carry 50 plates from photographs -- by Mallet-Stevens, Frank Lloyd Wright, Victor Bourgeois, Le Corbusier, M. Ginsbourg, Otto Haesler, J.J.P Oud, Th. Van Doesburg, W.M. Dudok, et al. All are sound copies in original portfolios, interior contents crisp and fresh. Portfolio cover of Vol. I nicked at front cover head corners, lacks one tie. Portfolio cover Vol. II abraded at front cover fore-edge front center to head, ties intact.

      [Bookseller: Royoung bookseller, Inc.]
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        Wissenschaftliche Weltauffassung Der Wiener Kreis Herausgegeben vom Verein Ernst Mach

      Wien, A. Wolf 1929.. 8°. 64 S. OBrosch. In tadellosem Zustand. - (Veröffentlichungen des Vereines Ernst Mach) EA. Gewidmet Moritz Schlick. Enthält u. a. eine Bibliographie der Mitglieder des Wiener Kreises: Carnap, Feigl, Bergmann, Ph. Frank, Gödel, Hahn, Kraft, Menger, Neurath, Natkin, O. Hahn-Neurath, Radakovic, M. Schlick, Waismann und dem Kreise nahestehender Autoren:Dubislav, J. Frank, Grelling, Härlen, Kaila, Loewy, Ramsey, Reichenbach, Reidemeister, Zilsel, außerdem von Wittgenstein, B. Russell u. A. Einstein.

      [Bookseller: Antiquariat Burgverlag]
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        Identity, Variables, and Impredicative Definitions" in The Journal of Symbolic Logic, Vol. 21, No. 3, Sept. 1956, pp. 225-245 AND "Vicious Circle Principle and the Paradoxes" in The Journal of Symbolic Logic, Vol. 22, No. 3, Sept. 1957, pp. 245-249

      FIRST EDITION IN ORIGINAL WRAPS, two papers (in two separate issues), of Jaako Hintikka's systematic investigation of Wittgensteinian predicate logic (W-logic), the first ever performed. Jaakko Hintikka (1929-2015) was a Finnish philosopher known for his work in logic and epistemology. He was awarded the Rolf Schook Prize in Logic & Philosophy in 2005, "widely viewed as the Nobel of its field. He is also one of only four philosophers this century to be the subject of a volume of the Library of Living Philosophers" (The Philosophers' Magazine 40, 2008, 44). "Hintikka's development of systems of modal logic, the logic of knowledge, and game-theoretic semantics was inspired in part by the Tractatus, and in part by Wittgenstein's notion of a language game" (Shapiro, Oxford Handbook, 114). In the Tractatus, Wittgenstein wrote: 'Identity of the object I express by identity of the sign and not by means of a sign of identity. Difference of the objects by difference of the signs.' Wittgenstein, however, only proposed the problem; he did not posit the answer. The two Hintikka papers offered here amplify Wittgenstein's elimination of identity (as enunciated in the Tractatus) by constructing a logic without identity. "Hintikka distinguishes the usual 'inclusive' reading of the variables (i.e. we are allowed to assign the same object to distinct variables) from the 'exclusive' reading, and then proves [his] key theorem: "[E]verything expressible in terms of the inclusive quantifiers and identity may also be expressed by means of the weakly exclusive quantifiers without using a special symbol for identity" (Logic Matters Portal; Hintikka 1956). CONDITION & DETAILS: Two issues in original paper wraps. [No place]: The Association for Symbolic Logic. Quarto. (10 x 7 inches; 250 x 175mm). Volume 21, Number 3, September 1956: Slight creasing (see photo). Bright and clean inside and out. Very good condition. Volume 21, Number 3, September 1957: Near fine condition. Bright and clean inside and out.

      [Bookseller: Atticus Rare Books]
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        Poems 1886-1929

      London: Macmillan & Co., Limited, 1929. One of 525 Sets Signed By the Author In Publisher's Full Morocco Binding KIPLING, Rudyard. Poems 1886-1929. London: Macmillan & Co., 1929. First edition, limited to 525 copies signed by the author, this being copy no. 404. Three tall octavo volumes. [4, blank], xviii, 395, [1, blank], [1, colophon], [5, blank]; [4, blank], xxii, 367, [1, colophon], [4, blank]; [4, blank], xxi, [1, blank], 354, [1, colophon], [3, blank] pp., printed on hand-made paper. Title pages printed in black and red. Frontispiece portrait to Volume I. Publisher's original full crimson polished morocco, raised bands, gilt-lettered compartments, gilt dentelles. (The American edition was issued in cloth). Top edge gilt. Publisher's original printed dust jackets over original glassine wraps. Marbled endpapers. In the publisher's original (lightly scuffed) box with printed title label and set number in autograph. A very fine set. Housed in a quarter morocco solander case. "Joseph Rudyard Kipling was born December 30, 1865, in Bombay, India, to a British family. When he was five years old, he was taken to England to begin his education, where he suffered deep feelings of abandonment and confusion after a pampered lifestyle as a colonial. He returned to India at the age of seventeen to work as a journalist and editor for the Civil and Military Gazette in Lahore. Kipling published his first collection of verse, Departmental Ditties and Other Verses, in 1886 and his first collection of stories, Plain Tales from the Hills, in 1888. "In the early 1890s some of his poems were published in William Ernest Henley's National Observer and later collected in to Barrack-Room Ballads (1892), an immensely popular collection which contained 'Gunga Din' and 'Mandalay.' In 1892 Kipling married and moved to Vermont, where he published the two Jungle Books and began work on Kim. He returned to England with his family in 1896 and published another novel, Captains Courageous. Kipling visited South Africa during the Boer War, editing a newspaper there and writing the Just-So Stories. Kim, Kipling's most successful novel (and his last), appeared in 1901. The Kipling family moved to Sussex permanently in 1902, and he devoted the rest of his life to writing poetry and short stories, including his most famous poem, 'If-'. He died on January 18, 1936; his ashes are buried in Westminster Abbey" (Poets Organization). According to critic Douglas Kerr, "He is still an author who can inspire passionate disagreement and his place in literary and cultural history is far from settled. But as the age of the European empires recedes, he is recognized as an incomparable, if controversial, interpreter of how empire was experienced. That, and an increasing recognition of his extraordinary narrative gifts, make him a force to be reckoned with." Kipling was, purportedly, offered the post of Poet Laureate of Britain but declined the honor. He did, however, accept the Nobel Prize for Literature in 1907. Stewart 574.

      [Bookseller: David Brass Rare Books, Inc.]
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      Paris: Shakespeare & Company, 1929. Large octavo. Printed wrappers. Wrappers lightly dust soiled, tiny nick in fore-edge of upper wrapper, two shallow snags at toe of spine, otherwise a very good, internally fine and unopened, copy. First edition, large paper issue. Copy #73 of 96 machine numbered copies printed on untrimmed Vergé d'Arches paper, in significantly larger format than the trade issue. This collective symposium on WORK IN PROGRESS includes contributions by Beckett (his first appearance in a book), Williams, Jolas, Gilbert, McAlmon, McGreevy, Paul, Rodker, Budgeon, Dixon, et al. A passage from WIP which did not make it into the final text of FINNEGANS WAKE is included. A few unnumbered copies, presumably hors commerce, also exist. SLOCUM & CAHOON B10. WALLACE B11. F&F 1.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Film: Gegner von Heute - Freunde von Morgen [Enemy of Film Today - Friend of Film Tomorrow] (First Edition)

      Berlin: Verlag Hermann Reckendorf G.M.B.H., 1929. First Edition. First Edition. Small quarto. A companion volume to Werner Graff's "Es Kommt der Neue Fotograf," an early and highly influential study of experimental film published to coincide with the 1929 Film und Foto exhibition in Stuttgart. Illustrated with numerous photographs, film stills, and film strips, with photographic reproductions by many of the important avant-garde `artists of the era, including Man Ray, Duchamp, Leger, and Richter himself. A fascinating book from several perspectives. Not only one of the first books to attempt to characterize early avant-garde filmmaking, but a lushly produced volume, with hundreds of stills from various early experimental films, speaking not only to concept but also to technique and method. The stills selected by Richter include not only strips and stills of the films discussed, but also rare images of candid on-set images of the filmmakers at work. Fine in an Near Fine, exceptionally sharp example of the scarce dust jacket, with only a bit of horizontal creasing on the jacket spine panel to note.

      [Bookseller: Royal Books, Inc.]
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      Stuttgart: Akademischer Verlag Dr. Fritz Wederking & Co, 1929. First edition. 4to., 76 b&w plates. Illustrated and embossed wrappers (designed by El Lissitzky). There is slight rubbing and toning to the edges of the wrappers, with two moderate stains on the blank white portion of the rear wrapper. Original German bookseller's stamp on the title page. A very good copy. This book heralded the modernist movement in photography, published in conjunction with the renowned Film und Foto exhibition of 1929. Photos by Eugène Atget, Andréas Feininger, Florence Henri, George Grosz, Gunther Petschow, Man Ray, Max Ernst, Edward Weston, Moholy-Nagy and others. One of the most influential photographic books of the modern era.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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        Bitter Sweet

      London: Martin Secker, 1929. 1st Edition. Hardcover. Near Fine/Near Fine. Dj By G E Calthrop. 1st Printing 111 Pp. Gray, Possibly Gray-Green, Cloth, With Paper Spine Label Printed In Red And Black. Near Fine In Near Fine White Dj, No Fading At All, Just A Trace Of Rubbing, No Chips Or Stains Or Fraying, Just A Single One Inch Long Closed Tear At Top Edge Of Rear Panel. Exceptionally Scarce Without Fading To The Pink Spine, This Example Preserved As One Of A Group Of Dj's From The 1920'S And 1930'S Which Were All Stored Flat Apart From The Books. Book With Small Ownership Name "M Bell", Possibly The Actress Marie Bell But No Example Of Her Signature Has Been Compared To This One.

      [Bookseller: Arroyo Seco Books]
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        Der babylonische Talmud. Nach der ersten zensurfreien Ausgabe unter Berücksichtigung der neueren Ausgaben und handschriftlichen Materials neu übertragen.

      12 Bände. Ca. 21 x 15 cm. Schwarze Originalleinenbände mit Rücken- und Deckelgoldprägung. "Nach Bombergs erster Ausgabe ist vorliegende Übertragung gefertigt, handschriftliches Material ausgiebig benutzt, und Besserungen der Neuausgaben, ihre Zusätze auch, erschöpfend berücksichtigt. vollständig ist diese Übertragung ganz und gar, keine Lücke darin und keine Zensurkorruption der ersten Niederschrift wohl am nächsten. ... Gemieden ist jeder Gelehrtenkram, kein Raum für Scholien über Text und Sprache unerläßliche sachliche Erläuterungen sind es, kurz in Fassung möglichst, die in den Fußnoten geboten. ... Dank gebührt dem Verlag für opferwilliges Bestreben, Dank seinem Eigner, Jankew Seidemann, für gewissenhafte Korrektur ... Lichterfelde W. im Februar 1929, Goldschmidt". Einbände minimal berieben, einige Kapitale leicht bestoßen. Ein goldenes Rückenschild leicht abweichend in der Farbe.

      [Bookseller: Antiquariat Rainer Kurz]
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        Laughing Boy

      Boston: Houghton Mifflin, 1929. First edition. Yellow cloth, fine copy in slightly edge-worn first printing dust jacket. Small name stamp on endpaper. Winner of the Pulitzer Prize for Fiction.

      [Bookseller: Thomas A Goldwasser Rare Books]
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        Urformen der Kunst Photographische Pflanzenbilder Hrsg, mit einer Einl v Karl Nierendorf

      Bln., Ernst Wasmuth 1929.. 2. Aufl. 4°. XVII (1) S. u. 120 Tafels. in Kupfertiefdruck. OLn. Mit Goldpräg. Heidtmann 14471

      [Bookseller: Antiquariat Burgverlag]
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        The Canterbury tales With wood engravings by Eric Gill

      Waltham Saint Lawrence, 1929. Edition limited to 500 copies, this no. 457 on paper; 4 volumes, folio, numerous wood-engraved illustrations, borders and initials throughout, original morocco-backed decorative paper-covered boards, gilt-lettered spines, t.e.g., others uncut, printed by Robert & Moira Gibbings in black, with initials in red and blue, the text from the edition of the Rev. Walter W. Skeat; fine set. Sanford, Chanticleer, 63. Sister Elizabeth Marie, Eric Gill, p. 31: "Two hundred sixty-seven wood-engraved borders desiged by Gill as a setting for the 18-point Caslon Old Face has the impact of living tradition...The Gill designs blend every word and every page (printed on hand-made Batchelor paper with the cockerel watermark). This is a work of exquisite harmony."

      [Bookseller: Rulon-Miller Books]
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      Waltham St. Lawrence: Golden Cockerel Press, 1929-31. No. 343 OF 485 COPIES on paper (and 15 on vellum) n. With the "Four Gospels" of 1931 and "Troilus and Criseyde" of 1927, this is one of the three greatest Golden Cockerel Press books. It was produced at a time when the name "Golden Cockerel" was of considerable interest, not just in the private press world, but in the general popular culture as well. As Cave & Manson says, "The production of the Chaucer was regarded as a literary event, and was well reported in the press." When the book was completed, "there were notices in papers as different as the 'Liverpool Post,' the 'Glasgow Daily Recorder,' and the 'Chicago Evening Post' [as well as] reviews in magazines ranging from the 'Bookman' or the 'Spectator' to the 'Studio' and the 'Connoisseur.' . . . Golden Cockerel was news." Although reviews were not entirely favorable (some critics were put off by what were deemed to be "inappropriate" illustrations), the book was very profitable, grossing some £14,000 for the Press. Apart from the buzz it generated as a cultural event, Gill's "Canterbury Tales," for which the artist is said to have engraved some 160 blocks, is one of the best examples in modern fine press work of the successful collaboration of text, decoration, and typography.. 318 x 197 mm. (12 1/2 x 7 3/4"). Four volumes. No. 343 OF 485 COPIES on paper (and 15 on vellum). Original morocco-backed patterned paper boards by Sangorski & Sutcliffe, raised bands, gilt titling, top edges gilt, others untrimmed. In a cloth slipcase. Red and blue initials, and VERY PLEASING WOOD-ENGRAVED BORDERS (frequently inhabited) BY ERIC GILL on every page except in the last part of volume IV. Verso of front free endpapers with bookplate of William A. Risenfield. Chanticleer 63; Gill 281. Joints somewhat rubbed and a bit darkened (from dye), portions of the upper joint of volume I cracked (no other cracking), corners rather mashed, leather a little marked, but all the volumes solid, the covers unsoiled, and the spines uncharacteristically close in color; very fresh, clean, and bright internally. With the "Four Gospels" of 1931 and "Troilus and Criseyde" of 1927, this is one of the three greatest Golden Cockerel Press books. It was produced at a time when the name "Golden Cockerel" was of considerable interest, not just in the private press world, but in the general popular culture as well. As Cave & Manson says, "The production of the Chaucer was regarded as a literary event, and was well reported in the press." When the book was completed, "there were notices in papers as different as the 'Liverpool Post,' the 'Glasgow Daily Recorder,' and the 'Chicago Evening Post' [as well as] reviews in magazines ranging from the 'Bookman' or the 'Spectator' to the 'Studio' and the 'Connoisseur.' . . . Golden Cockerel was news." Although reviews were not entirely favorable (some critics were put off by what were deemed to be "inappropriate" illustrations), the book was very profitable, grossing some £14,000 for the Press. Apart from the buzz it generated as a cultural event, Gill's "Canterbury Tales," for which the artist is said to have engraved some 160 blocks, is one of the best examples in modern fine press work of the successful collaboration of text, decoration, and typography.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Menschen ohne maske (Men without masks)

      OFFERING: An extraordinary signed presentation with a full-page homage to Stefan Lorant from Gunther Sander, documenting this copy was the first printed and bound. Stefan Lorant is widely considered the first major editor of modern photojournalism, credited with publishing countless historical images for the first time. As editor of the Münchner Illustrierte Presse (1929-1933), he was among the first to publish August Sander's photographs. Gunther Sander (August Sander's son) devoted years to organizing and restoring August Sander's print archives after the devastation caused by bombs during World War II. The book is the first since Faces of our Times in 1929 ("Antlizer der  Zeit") illustrated with a sizable and representative selection of reproductions from the 40,000+ prints in August Sander's archives. Gunther Sander selected the illustrations and contributes an excellent biographical essay. August Sander [1876-1964] is remembered as one of the greatest photographers, for his monumental portrait series, People of the 20th Century ("Menschen Des 20 Jahrhunderts"), shot between 1910 and the early 1950s. He was only able to publish small parts during his lifetime. EDITION: No German limited edition was issued and this edition precedes all other editions. The gravure reproductions are of excellent quality. CONDITION: Book: Good / Jacket: Acceptable / Lacks plain card slipcase. / Detail: Pages: bright and clean, most with a gentle top corner bend. / Covers: light fading to top and bottom edges, lower side with lightly bumped corners, spine with slight crown and foot wear. / Binding: Very Good / Jacket: all-around edge wear and rubs with a few small vertical tears and slight loss to three tips, spine with irregular 5 mm loss at the head and irregular 2 mm loss at the foot. PAGINATION: Complete; 313 pages with 240 full-page, b/w gravure reproductions, a tipped-in frontispiece portrait of August Sander, and 24 small photographic reproductions in text. FORMAT: Publisher's gray paper boards and photographic jacket. SIZE: 310 mm. STEFAN LORANT [1901-1997] capitalized on the possibilities opened up by use of the new small cameras with high-speed lenses, exemplified by the Leica and became a leader in the creation of the photo essay. He was among the first to employ celebrated photographers as photojournalists, including August Sander, Henri Cartier-Bresson, Alfred Eisenstadt, and Andre Kertesz and published the early photographs of Felix Man, Kurt Hutton, Alfred Eisenstaedt, Erich Salomon and Robert Capa. His journalistic credo was, "the photograph should not be posed; the camera should be like the notebook of a trained reporter."[Whiting] ADDITIONAL IMAGES: by request.

      [Bookseller: Steven Waldman]
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        The Sun Also Rises

      New York: Charles Scribner's Sons, 1929. First Edition. Hardcover. Good. First edition, first printing, first issue with "stoppped" on page 181, line 26. Good. Cloth a bit worn and soiled, faded at spine and frayed at edges. Title labels darkened and worn. Staining to top edge of page block, only slightly affecting margins. Pages toned, sporadically foxed, end sheets offset. Front and rear inner hinges a bit slack, with a short bit of exposed webbing at the bottom of the front hinge. Lacking the dust jacket.

      [Bookseller: Burnside Rare Books]
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        All Quiet on the Western Front

      Putnam, 1929. Hardcover. Near Fine. A first edition, first printing published by Putnam in 1929. A near fine book without inscriptions, with a little browning to the spine tips. In the true first issue dust wrapper which has benefitted form some expert restoration to the spine and edges and now presents as a near fine example. Exceptionally rare World War One novel.

      [Bookseller: John Atkinson Books]
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        The Colophon, A Book Collectors' Quarterly 1929-1950 48 volumes

      New York: Pynson Printers, 1929-01-01. Hardcover. Very Good. Set consists of all 48 publications of the Colophon: Original series (1930-1935) 20 volumes; Three Years & This Year pamphlet, 1933; Index, the Colophon, 1930-1935; with a history of the quarterly; The Colophon New Series (1935-1938) 12 Volumes; 4 volumes of the New Graphic Series (1939-1940); the Annual of Book Making (1938); The New Colophon, Vols I & II in 8 parts & Vol III* Index, (1948-1950). Hardcovers. Beautifully illustrated boards. Good bindings and covers. Several volumes have additional ephemera from the Colophon and Pynson Printers when issued. Shelfwear. Clean, unmarked pages. Contains the much sought after Part 5 with the David B. Milne print "Hilltop" or Painting Places. This print is signed by Milne and has a few foxing spots to the margins. This is an oversized or heavy book, that requires additional postage for international delivery outside the US. The Colophon, subtitled A Book Collectors' Quarterly or A quarterly for booklovers, was a limited edition quarterly periodical begun late in 1929 and continuing in various guises until 1950. It was the brainchild of Elmer Adler, founder of Pynson Printers of New York City. Each issue would also include an original piece of graphic art, some signed by the artist, many produced by using etching, lithography, or engraving. The articles comment on a current or historical issue related to printing, publishing or art. Other articles were themselves intended to be an example of printing or a work of art. As each article or item was normally a short section produced by a different designer and printer, a typical issue included a range of styles, papers, and typography, often using unusual or experimental approaches not widely seen in longer or mainstream printed items.

      [Bookseller: SequiturBooks]
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        All Quiet On The Western Front - in the first issue wrapper

      Putnam, 1929. Hardcover. Fine. A first edition, first printing published by Putnam in 1929. A fine book without inscriptions. Some cracking to the front hinge and a little to the rear. Some light wear to the topstain. In a very good+ unclipped wrapper with a patch of repair to the top of the front panel. Internal tape repair to the head and tail of the spine. Top of the spine has been repaired to the top of the spine. One closed tear to the top of the rear panel. The true first issue dust wrapper with a list of 'German Opinions' to the front flap. The first appearance in English of this WW1 novel.

      [Bookseller: John Atkinson Books]
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        The Red Letter New Testament: Translated out of the Original Greek; and with the former Translations diligently Compared and Revised, by His Majesty's Special Command

      London & New York: Collins' Clear-Type Press, n.d. (1929?). Very good antiquarian condition. 358, [2] p. (last 2 pages blank). Illustrated throughout with color illustrations. Bound in original quarter brown morocco, wooden boards with an overlay of approximately 100 pieces of mother-of-pearl arranged ornamentally: central panel enclosing a five-pointed star on upper cover, on lower the Jerusalem Cross. One piece of mother-of-pearl lost from the upper corner of lower board, another slightly damaged on front cover. An extremely elaborate mother-of-pearl binding on the "Red Letter Testament," possibly bound in Jerusalem. For no apparent reason, the foot of the spine is stamped "Jerusalem," the upper cover bears the Star of David, and the lower cover bears the ornamental design of the Jerusalem Cross. These clues suggest that the volume was bound in Jerusalem, not London or New York. Certainly it is unlikely that a London or New York binder would have utilized wooden boards. A brilliant specimen.

      [Bookseller: Michael Laird Rare Books LLC]
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        Spider Kin.

      Chicago: Robert Packard & Company,, 1929. Illustrations by Marian Brand. Octavo. Specially bound green-cloth backed green spider-web patterned boards, titles to spine and front cover gilt. With the illustrated dust jacket. Frontispiece and 3 full page woodcuts, all with spider-web patterned glassine guards. Light rubbing to spine ends and tips, an excellent copy in the jacket with chipping to spine and folds of flap ends, some missing, closed tear to head of rear panel, tape repair to verso. First edition, first impression, presentation copy, inscribed by the author, "For Mr and Mrs Parker – a very meager recognition of all their kindness – Forman Brown" on the front free endpaper. The cloth issue with the illustrated jacket precedes the wrappered version, which was issued with a jacket retrospectively advertising this cloth issue and its "webbed boards". This is the first book of noted gay author Forman Brown, also remembered for writing, under the pseudonym Richard Meeker, the 1933 novel Better Angel, about a young man coming to terms with his homosexuality. It is seen as one of the first American novels to view being gay in a positive light. After graduating from the University of Michigan in 1922 Brown began travelling in Europe and the United States with a group of strolling puppet players serving as puppeteer and playwright, eventually establishing the noted Turnabout Puppet Theatre in Los Angeles, which drew celebrity attention and support from Greta Garbo, Marie Dressler, Douglas Fairbanks, and even Albert Einstein.

      [Bookseller: Peter Harrington]
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        Ulysse. Traduit De L'Anglais Par M. Auguste Morel Assiste Par M. Stuart Gilbert. Traduction Entierement Revue Par M. Valery Larbaud Avec La Collaboration De L'Auteur

      Paris: Maison Des Amis Des Livres. Fine in Very Good dust jacket. 1929. First Edition; First Printing. Softcover. First edition, first printing in French. This is a limited edition of 100 copies on Velin D'Arches paper, numbered 59 of 100. Original stiff tan wrappers with blue lettering and original glassine dust jacket with chips and edge creasing. In a custom slipcase matching the cover of the book. Untrimmed pages with some toning on edges. Auguste Morel took on the translation of Joyce's masterpiece with Valery Larbaud to review it, and Stuart Gilbert and the publisher Adrienne Monnier later completed the project. ; 8vo - over 7¾ - 9¾" tall; 870 pp .

      [Bookseller: Back of Beyond Books, ABAA]
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      Paris: La maison des amis des livres, 1929. Fine. La maison des amis des livres, Paris 1929, 18x23,5cm, broché. - First edition of the French translation entirely reviewed by Valéry Larbaud, one of 1045 numbered copies on alfa paper. Spine slightly sunned, otherwise a very good copy. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française entièrement revue par Valéry Larbaud, un des 1045 ex numérotés sur alfa. Dos légèrement insolé, sinon bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Ulysse. Traduit de l'anglais par M. Auguste Morel assisté par M. Gilbert Stuart. Traduction entièrement revue par M. Valery Larbaud avec la collaboration de L'Auteur

      Paris: La Maison de Amis des Livres, Adrienne Monnier, 1929, 1929. First edition in French, number 509 of 875 numbered copies, out of 1200 copies of this edition. Slocum and Cahoon D17. Spine skillfully repaired; tear in the lower front wrapper, without loss; some light foxing; very good copy, enclosed in a cloth clamshell box.. Large 8vo, original printed wrappers, untrimmed, 870 pages. The first French translation of Joyce's Ulysses, a complicated endeavor as indicated by the hierarchy delineated on the title-page. The poet and critic August Morel was the primary translator; he was assisted by the young (and later very important) Joyce scholar Gilbert Stuart; and their work was then reviewed by French poet and novelist Valary Larbaud (who had been the first choice as translator, but he was too busy) and Joyce himself. Joyce worked hard to balance the strengths of the collaborators and was on record as being pleased with the final result. The office of the publisher, Adrienne Monnier, was across the street from Sylvia Beach's Shakespeare & Company.

      [Bookseller: The Brick Row Book Shop]
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        The Odyssey

      Cambridge: Houghton Mifflin, 1929. hardcover. fine. Wyeth. Translated by George Herbert Palmer. 15 color illustrations by N.C. Wyeth. 4to, rebound in full red leather; leather label. Cambridge: Houghton Mifflin, (1929). A fine copy.

      [Bookseller: Argosy Book Store]
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        Dunoyer de Segonzac

      Librairie Floury. Good. 1929. B0042P2W96 Good. (Binding: Hardcover, Jacket: No Jacket) Half brown Morocco, 26 cm, 247 pages, with four original etchings and unnumbered color and black & white plates and illustrations. Includes bibliography. Stamped number 63 from an edition of 200. Rebound in leather and with original paper spine laid in. Marbled end papers. Top edge gilt. Good condition but for clipped book description fastened to front blank with degraded cellophane tape, edges of binding rubbed, some losses to corners, and some stray scratch marks across back cover. . B0042P2W96 .

      [Bookseller: Moe's Books]
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        Svenska fåglar

      Bok. Förlaget Svenska Fåglar 1929. Andra upplagan. Vackra dekorerade linnepärmar och gulddekorerade ryggar. Mycket fint marmorerade snitt. Folioformat. Förutom alla fina målningar är böckerna illustrerade med foton i texten. Text av Einar Lönneberg. Totalt 902 sidor. Vikt knappt 16 kg. Skickas billigast med Bussgods.

      [Bookseller: Staffan Eriksson]
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        Le paradis perdu EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: Grasset, 1929. Fine. Grasset, Paris 1929, 12x19cm, broché. - First Edition, one of 62 numbered on Madagascar, leading copy. Friendly autograph dedication of the author Daniel Halévy. A small tear minor head back, very slight pitting affecting the first and last pages, otherwise nice copy in double coverage. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 62 ex numérotés sur Madagascar, tirage de tête. Amical envoi de Pierre-Jean Jouve à Daniel Halévy. Une petite déchirure sans gravité en tête du dos, très légères piqûres affectant les premières et dernières pages, sinon agréable exemplaire sous double couverture.

      [Bookseller: Librairie Le Feu Follet]
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        La ligne d'ombre

      First edition of the French translation, one of 109 numbered copies on "pur-fil" paper Lafuma laid Navarre and reimposed in quarto foolscap, deluxe edition. Binding half morocco ... Back with tiny bites are not serious, nice copy. Nrf Paris 1929 16,5x21,5cm relié

      [Bookseller: Librairie Le Feu Follet]
 28.   Check availability:     Direct From Seller     Link/Print  

        Jolly Jungle Jingles

      Joliet, IL: P.F. Volland Co, 1929. Cloth. Near Fine. Eleanore Barte. INSCRIBED BY THE AUTHOR OTTILIE AMEND on the half-title. A crisp, very nice copy to boot of the 1929 1st edition. Clean and Near Fine in its wonderful pictorial boards, with just a touch of light, inconspicuous wear along the fore and bottom-edges. Oblong quarto, beautifully illustrated thruout in rich color by Eleanore Barte.

      [Bookseller: Appledore Books, ABAA ]
 29.   Check availability:     ABAA     Link/Print  

        The Long Eared Bat (The Tale of the Long-Eared Bat)

      Akron and New York: The Saalfield Publishing Company, 1929. First edition. Hardcover. Fine/Very good plus. Fern Bisel Peat. Thin folio. 64pp. Each page of text encased in a black and white frame illustrated by Fern Bisel Peat. In addition there are four full page illustrations in color. Publisher's black cloth spine, decorated paper boards by the illustrator, yellow endpapers. A fine, gift-quality copy exhibiting essentially no trace of wear. The dustwrapper is not clipped; it has a little wear along the edges and folds but is very good or better. You will not find this title in better condition.

      [Bookseller: Thorn Books]
 30.   Check availability:     Biblio     Link/Print  

        La compagnia della morte 1915-1916

      Istituto Editoriale Veneto, 1929. ITALIANO 0,4 Volume in brossura, la copertina in cartoncino si presenta scurita e con fioriture, il dorso pure scurito, i tagli non sono rifilati e le pagine non separate mostrano un normale ingiallimento, presenti immagini in b. e n. USATO

      [Bookseller: Biblioteca di Babele]
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      Faber and Faber, 1929 One of 125 copies SIGNED and numbered by Eliot. Very good condition, spine faded as usual. Housed in a custom-made collector's slipcase.

      [Bookseller: Bookbid Rare Books]
 32.   Check availability:     Biblio     Link/Print  

        ROD AND LINE Essays,together with AKSAKOV ON FISHING

      Jonathan Cape, London 1929 - A surprisingly very well preserved copy of this highly acclaimed 20th Century fishing book by the author of Swallows and Amazons. The book has very small amounts of foxing. The spine tips are a little pushed and the leading corners are very lightly bruised.There are ghosts of two small pencil inscriptions to the ffep. Includes two laid in publishers advertisements, one for Downland Man by H J Massingham and the other the recipient to post the card off to Jonathan Cape to receive a periodical by post. The dust jacket is housed in a none adhesive archival clear sleeve, is price clipped, has tiny amounts of chipping to the head and toe of the spine and some minor dulling down to the spine. A handsome copy in a very rarely seen dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: TheBookRoom (IOBA)]
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        Vies des Dames Galantes. 2 volumes.

      Paris, A la Librairie Paul Cotinaud 1929 - Ornées de trente Eaux-fortes originales en couleurs par André Collot. Édition tirée à 331 exemplaires. Celui-ci (n°3) un des 30 de tête sur JAPON impérial comprenant : 1 cuivre de l'édition, une aquarelle originale, une suite en couleurs des 10 eaux-fortes non retenues, une suite en noir des 40 eaux-fortes avec remarques, les 30 eaux-fortes en couleurs. (Complet & Contrôlé) Paris, A la Librairie Paul Cotinaud - 1929 - 333 et 315 pages. Très belle reliure plein maroquin bleu foncé signée R. et A. Mondrac. Dos lisse orné et doré. Contreplats avec décors mosaïqués en couleurs. Gardes de velours bleu. L'aquarelle originale est contrecollée sur le premier plat du tome 1 et le cuivre sur le tome 2. Couverture et dos conservés. Pas de rousseur. Très bon état. Format in-4°(25x21). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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        Kim NOVAK original Autogramm auf Zeitungsfoto original autograph on picture from a journal

      15 x 21,5 cm tadelloser Zustand - mint conditionLifelong authenticity guarantee! Lebenslange Echtheitsgarantie!Grace Patricia Kelly (* 12. November 1929 in Philadelphia, Pennsylvania ? 14. September 1982 in Monaco) war eine US-amerikanische Filmschauspielerin und Oscar-Preisträgerin. Infolge der Hochzeit mit Fürst Rainier III. von Monaco im Jahr 1956 änderte sich ihr Name mit dem neuen Titel in Princesse Grace de Monaco beziehungsweise Grace Patricia Grimaldi. Im deutschen Sprachraum ist die Bezeichnung Fürstin Gracia Patricia von Monaco oder verkürzt Gracia Patricia üblich.Von August 1950 bis März 1956 wirkte Grace Kelly in insgesamt elf Spielfilmen mit, nachdem sie bereits Schauspielerfahrungen am Theater gesammelt hatte. Erste Erfolge feierte sie 1952 an der Seite von Gary Cooper im Western Zwölf Uhr mittags und 1953 mit Clark Gable in Mogambo, für den sie ein Jahr später den Golden Globe als beste Nebendarstellerin erhielt. Die Charakterrolle der Georgie Elgin im Filmdrama Ein Mädchen vom Lande brachte ihr 1955 den Oscar als beste Hauptdarstellerin ein. Auf dem Höhepunkt ihrer Karriere hatte sie zudem Hauptrollen in drei Spielfilmen unter der Regie von Alfred Hitchcock, von denen der 1954 gedrehte Thriller Das Fenster zum Hof mit James Stewart zu den bedeutendsten Werken der Filmgeschichte zählt. Darüber hinaus trat sie zwischen 1948 und 1954 in mehr als 40 Fernsehproduktionen auf.1956 beendete Grace Kelly mit dem Musicalfilm Die oberen Zehntausend ihre Arbeit als Filmschauspielerin und heiratete Fürst Rainier III. von Monaco, den sie ein Jahr zuvor anlässlich der Filmfestspiele von Cannes kennengelernt hatte. Aus der Ehe gingen die Kinder Caroline, Albert und Stéphanie hervor. Im Rahmen ihrer Pflichten als Landesmutter widmete sie sich fortan repräsentativen und wohltätigen Aufgaben. Zwei Monate vor ihrem 53. Geburtstag starb sie an den Folgen eines Autounfalles, der sich im Beisein ihrer jüngsten Tochter Stéphanie in der Nähe von Monaco ereignete.Grace Kelly war für ihr stilsicheres Auftreten bekannt und setzte weltweit modische Trends. Ihre Präsenz im Fürstentum verhalf Monaco zu neuem Ansehen und wirtschaftlichem Aufschwung. Das American Film Institute wählte sie auf Platz 13 der 25 größten weiblichen amerikanischen Filmstars aller Zeiten.[1](Quelle: Wikipedia) Lager 1

      [Bookseller: Antiquariat Arzt - Der Buecherdoktor]
 35.   Check availability:     Link/Print  

        Hello Towns!

      Horace Liveright, NY 1929 - Rust blindstamped cloth title in orange. First edition, no add'l printings listed. Flat signed by Anderson to the half-title page. Ex-college library gift from author Ward Ritchie, with his handwritten note laid in requesting that Anderson sign this book. 2 bookplates to fep, pencilled call numbers to rear endpage/copyright page, no other library markings. Sound binding and very slight rubbing to points. Frontis map. ; 8vo 8" - 9" tall; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: curtis paul books, inc.]
 36.   Check availability:     AbeBooks     Link/Print  


      New York: D. Appleton & Company, 1929.. Octavo, pp. [1-6] 1-274 [275] [276: blank] [277: ads] [278: blank], original light green cloth, front and spine panels stamped in black. First U.S. edition. First printing with code "(1)" at base of text on page [275]. Published earlier in Britain as OLD MAN'S BEARD (1929). Collects fifteen stories. "... features several fine studies of supernatural malevolence, two of the best being 'The Cairn' and 'Blind Man's Buff.'" - Barron (ed), Horror Literature 3-200. Bleiler, The Guide to Supernatural Fiction 1642. Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, p. 446. Bleiler (1978), p. 201. Reginald 14767A. Some light dust soiling to cloth, a tight, very good copy. Formerly fantasy author A. Merritt's copy with his signature on front free endpaper and note in his hand on blank page facing first page of text: "Personal property / of A. Merritt / cherished for reasons / known to himself. / (Do not steal, / lose or forget if / loaned or / borrowed.) / A. Merritt." A nice association copy. (#147328)

      [Bookseller: L. W. Currey, Inc.]
 37.   Check availability:     Biblio     Link/Print  

        Dark Star

      Bobbs Merrill Co. Indianapolis (1929) - First Edition. Author's first book and a moving love story. Basis for the George Hill film Min and Bill that featured Marie Dressler and Wallace Beery in their first pairing as a romantic duo. Dressler went on to win the Academy Award for Best Actress for her role as Min. The author herself had very close and direct ties to the Hollywood power players of the day. This title was pushed into publication and into a film by the author's close friends Marion Frances and Mary Pickford. The author also had a son by Director William DeMille who was raised by Cecil B. DeMille. Near Fine in Very Good dustjacket with red faded at spine, dime sized chip at top front flap [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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      MacMillan, 1929 A very good first edition in a very good dust jacket with some small chips, this was the Newberry Medal Winner in 1930. Housed in a custom-made collector's slipcase.

      [Bookseller: Bookbid Rare Books]
 39.   Check availability:     Biblio     Link/Print  

        Extraordinary Women

      London: Martin Secker, 1929. 2nd Edition. Hardcover. Near Fine Book. Color Dj By John Austen. 1st Printing 392 Pp. Green Cloth, Gilt, Top Edge Stained Purple, Foredge Deckled. Second Edition, Slightly Abridged. Near Fine. In An Extraordinarily Well Preserved And Entirely Unfaded Dj With Color Design By John Austen, No Wear With Light Rose Colored Dampstaining On Half Of Rear Panel, 3/4" Similar Spot On Spine, And Almost-Closed Split Along Top And Bottom Of Rear Spine Edge [ The Dj Had Been Folded Flat And Stored Away From Light And Wear, Part Of An Archive Of Similarly Preserved Jackets 1925-1935, All Entirely Unfaded].

      [Bookseller: Arroyo Seco Books]
 40.   Check availability:     Biblio     Link/Print  

        The Worst Journey in the World; Antarctic 1910-1913: Vols I and II

      Constable and Co Ltd, London, UK 1929 - Original blue cloth covers with gilt tiles to spine. 1929. Second edition. Volumes I and II. Spine ends bumped and rubbed with minor tears, cloth to spines tanned, corners largely intact. Frontispiece of both volumes have plates of watercolour drawings by Edward Wilson with tissue guards, numerous other watercolour drawings and sketches with tissue guards and b/w photographs throughout both volumes plus 4 maps in Volume I. One photographic plate of the 'Terra Nova' in Volume I detached but present. There is foxing to the edges of the text block which has 'bled' slightly onto the page margins but does not affect the plates. A lovely copy of the account of this epic journey containing numerous classic and evocative illustrations. These books are heavy and our standard postage charges may not apply. Please phone or e-mail us for teh cost of posting to your address. [Attributes: Hard Cover]

      [Bookseller: Oxfam Bookshop Thame - F3715]
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        Jahres-Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung and other works

      Th. Schatzky, Breslau 1929 - 1) Heinemann, Isaak; Die Lehre von der Zweckbestimmung des Menschen im griechisch-römischen Altertum und im jüdischen Mittelalter. (Erscheint gleichzeitig im Verlage von M. & H. Marcus in Breslau). 95pp. 2) Lewkowitz, Albert. Mechanismus und Idealismus. II. Seele und Wert. 95pp.3) Jahres-Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung. Zur Gedächtniss-Feier für den Stifter, Dienstag, den 27. Januar, 1903, Vorm. 11 Uhr, Wallstrasse 1 b, 2 Tr. Voran geht: Der Mikrokosmos des Josef Ibn Saddik. von Dr. S. Horovitz. Breslau, Druck von Th. Schatzky, Neue Graupenstrasse 5. 1903. xix,79,12pp.4) Jahres-Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung. Zur Gedächtniss-Feier für den Stifter, Sonntag, den 28. Januar 1906, Vormittags 11 Uhr, Wallstrasse 1 b, 2 Tr. Voran geht: Die Psychologie bei den jüdischen Religionsphilosophen des Mittelalters von Saadia bis Maimuni. Heft III. Die Psychologie der jüdischen Neuplatoniker. B. Josef Ibn Saddik. Von Dr. S. Horovity. Breslau, Druck von Th. Schatzky, Neue Graupenstrasse 5. 1906.147-207pp.5) Jahres-Bericht. Breslau. (1906), 15pp. 6) Jahres-Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung für das Jahr 1919. Zur Gedächtniss-Feier für den Stifter, Dienstag, den 27. Januar 1920, vormittags 11 Uhr, Wallstrasse 14, 2 Tr. Voran geht: Mechanismus und Idealismus. I. Der Begriff des Lebens. Von Dr. Albert Lekowitz. Breslau, Druck von Th. Schatzky G.m.b.H., Neue Graupenstrasse 5, 1920. 56,15pp.7) Jahres-Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung für das Jahr 1920. Zur Gedächtniss-Feier für den Stifter, Donnerstag, den 27. Januar 1921, vormittags 11 Uhr, Wallstrasse 14, 2 Tr. Voran geht: 1. Gedächtnisrede auf Prof. Dr. Brann s. A. von Dr. A. Lewkowitz. 2. Die griechische Quelle der "Weisheit Salomos" von Dr. I. Heinemann. Breslau, Druck von Th. Schatzky G.m.b.H., Neue Graupenstrasse 5, 1921. viii,136-153,[1]pp. 8) Jahres-Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung für das Jahr 1921. Zur Gedächtniss-Feier für den Stifter, Freitag, den 27. Januar 1922, vorm. 9 3/4 Uhr, Wallstrasse 14, 2 Tr. Breslau, Druck von Th. Schatzky G.m.b.H., Neue Graupenstrasse 5, 1922. 16pp.9) Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung für die Jahre 1922 und 1923. Zur Gedächtniss-Feier für den Stifter, Sonntag, 27. Januar 1924, vorm. 11 Uhr, Wallstrasse 14, 2 Treppen. Wissenschaftliche Beilage: "Die Ahnlehnung". Ein Kapitel aus der halchischen Exegese von Prof. Dr. Michael Guttmann. Breslau 1924. Druck von Th. Schatzky Aktiengesellschaft. 19,50pp. 10) Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung für das Jahr 1924. Zur Gedächtniss-Feier für den Stifter, Sonntag, 25. Januar 1925, vorm. 11 1/2Uhr, Wallstrasse 14, 2 Tr. Wissenschaftliche Beilage: Mechanismus und Idealismus. II. Seele und Wert. Von Dr. Albert Lewkowitz. Breslau 1925. 14pp. 11) Jahres-Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung für das Jahr 1926. Zur Gedächtniss-Feier für den Stifter, Sonntag, 30. Januar 1927, vorm. 11 1/4 Uhr, Wallstrasse 14, 2 Tr. Wissenschaftliche Beilage: Vom Rechtskampf der Juden in Schlesien (1582-1713). Breslau 1927. 16,xx,84pp.12) Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung für das Jahr 1927. Zur Gedächtniss-Feier für den Stifter, Sonntag, den 29. Januar 1928 vorm. 11 1/2 Uhr, Wallstrasse 14, II. Wissenschaftliche Beilage: Eine Untersuchung der mosaischen Gebote von Seminar-Rabbiner Professor Dr. Michael Guttmann. Breslau 1928. 19,67pp.13) Bericht des jüdisch-theologischen Seminars Fränckel'scher Stiftung für das Jahr 1928. Zur Gedächtniss-Feier für den Stifter, Sonntag, den 27. Januar 1929 vorm. 11 1/4 Uhr, Wallstrasse 14, II. Wissenschaftliche Beilage: Das Judentum und die geistigen Strömungen der Neuzeit. I. Die Renaissance von Dr. Albert Lewkowitz. Breslau 1929. 27,96,[1]pp. Collection of papers by Jewish scholars, including annual reports of the Jewish [Attributes: Soft Cover]

 42.   Check availability:     AbeBooks     Link/Print  

        Die literarische Welt. Konvolut von 42 Nummern (davon eine Doppelnummer) der Jahrgänge 5 (1929) und 6 (1930).

      Die Literarische Welt Verlags-Gesellschaft 1929-1930, Berlin - Zusammen ca. 340 Seiten im Zeitungsformat (ca. 45 x 32 cm). Mit Texten von und über Walter Benjamin, Italo Svevo, Franz Hessel, Else Lasker-Schüler, Erich Kästner, Heinrich Mann, Alfred Döblin, Gerhart Hauptmann, Victor Klemperer, Franz Blei, Joseph Roth, Gottfried Benn, Robert Walser, Stefan Zweig u. a. Die Illustrationen von Ottomar Starke, Olaf Gulbransson, George Grosz, Ferdinand Dolbin u. a. Lose Hefte, jeweils mit Namenszug in Bleistift und mittig mit Knickfalte. Teils etwas angestaubt und leicht vergilbt, gelegentlich mit kleinen Randläsuren oder Einrissen. Jg. 6, Nr. 1 querüber zerrissen, sonst handelt es sich um ein ordentliches, noch gut erhaltenes Exemplar der mit Abstand bedeutendsten Literaturzeitschrift der Weimarer Republik. [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat Rolf Bulang]
 43.   Check availability:     ZVAB     Link/Print  


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