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Displayed below are some selected recent viaLibri matches for books published in 1929

        A FAREWELL TO ARMS

      New York: Grosset & Dunlap Publishers, 1929 Hanneman A8d. Black cloth, [7 1/4" x 5 1/4"] red decorative border on the title page. Embossed Grosset emblem on the upper cover. Printed red paper labels on the upper cover & spine. A very rare book especially in the correct silver, black & red dustwrapper & much less available than the true first trade - [Hanneman A8a]. Almost all of the Grosset reprints are incorrectly listed & are much later & usually taller printings. This is a superb, indeed stunning copy [neat name on the ffe - just a hint of archival restoration to the rare dustwrapper]. Excellent..

      [Bookseller: TBCL The Book Collector's Library]
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        A Farewell to Arms ( 1st/1st - First Issue - Film - Nobel Prize Winner )

      Charles Scribner's Sons, 1929. Hardcover. Very Good/Very Good. Charles Scribner's Sons, New York 1929. First Edition / First Printing / First Issue. Scribner's Seal is present on the copyright page. There is no disclaimer on page X. First issue jacket with the heroine's name misspelled, Katharine Barclay instead of Catherine Barkley. {ref: Hannemann A8a, McBride}. Book Condition: Very Good, light shelf wear, minor age toning, repaired rear endpaper hinge, clean pages. Dust Jacket Condition: Very Good, wrapped in a new clean removable mylar cover, first issue jacket priced at $2.50 with the misspelled heroine's name at the front flap, darkening at the jacket spine and rear panel, shelf wear, professional restorations at the opposite side of the jacket with acid free tape at the folds and edges.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        FAREWELL TO ARMS

      London: Jonathan Cape. 1929. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. English issue precedes by 4 days the American. Artwork by Hans Tisdall; 8vo 8" - 9" tall; 350 pages .

      [Bookseller: Rare Book Cellar]
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        A Farewell To Arms

      Cape, 1929. 1st edition. Hardcover. Fine in fine dustwrapper, with the word 'seriosu' on p.66 denoting the true first issue. The distinctive Lee Elliott dustwrapper is in excellent condition, not clipped, with strong bright colours, lightly rubbed to the rear panel, and enclosing a book whose pages are very clean, with no inscription, and whose boards are also in an excellent state, with just very light offset strips on the endpapers. A very nice example of the author's famous First World War novel, and very uncommon thus.

      [Bookseller: Shellhouse Books]
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        Dearest Idol

      Indianapolis, IN: Bobbs-Merrill Co., Inc, 1929. GOOD- book condition/NO dust jacket. Grey/brown cloth hard cover with black lettering on front & spine. Corner, edge & spine end rubs & small shelf dents. Small rub through to lower front corner, Small amount of foxing to bottom edges of front & back cover. Mild surface scratches. Mild overall shelf scuff. Page edges & end papers are age tanned & have some small surface scratches on the edges. Front hinge is connected only with the binding gauze (the paper covering the gauze is unattached on one side, but present). Spine binding gauze is also visible at pages 80/81. Ffep is loose along the spine for the top 1 1/2". 3/4" split in binding paper at bottom of back spine. Pages 251 through 264 have serious corner creases (about 1/2 way across the top), which also has caused some shelf soil & light foxing to the opposing pages (250 & 265). A few of the other page corners show the same type of very light foxing. One other page had a smaller corner crease at one time, but has been flattened. Because this book is not in the very best of condition & doesn't have a dust jacket, it's not necessarily highly collectible. But, it should be considered as 'SCARCE'. Only in better condition could it be called "RARE'. This was Walter Beckett's (Martin Boyd) fourth novel and only 1 of 2 that were published in the United States. The novel is about a 16 3/4 year old boy named Tony (called "Boysie by Aunt Matilda), his friend Hopkins, and is set in Europe. As an adolescent, Tony left school & went to work in a well-known bank. When Tony was 19, he & Matilda moved to London where he meets Boris & brings him home to dinner with Aunt Matilda. How does the friendship between Tony & Boris grow? 284 pp. Pages are unmarked. Picture is provided by the seller & is of the actual book you will receive. For additional high resolution pictures and/or more information, contact seller. Specific pictures of condition can be taken & e-mailed to you upon your request. . First Edition Stated. Hard Cover. Good/No Jacket. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Denney Book Shelf]
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        Le Livre de la vérité de parole. Transcription des textes égyptiens antiques par le Dr J.-C. Mardrus, établie par F.-L. Schmied

      Paris: François-Louis Schmied, 1929. Livre. Illus. by François-Louis Schmied. Bon. En Feuilles. Signé par l'illustrateur. Édition illustrée. Paris, François-Louis Schmied, 1929. 34 x 24 cm, in-4, 3 ff. bl. - 52 ff. n. ch. - 12 planches hors texte - 3 ff. bl., en feuilles sous couverture illustrée à rabats, chemise et étui de l'éditeur. Tirage à 150 exemplaires tous sur vélin d'Arches (n° 27). Très belle édition, entièrement réalisée par François-Louis Schmied sur le texte transcrit et traduit par Mardrus, paru une première fois en 1924 chez Bernouard. Elle est illustrée de 12 gravures sur bois en couleurs hors texte, toutes signées à la mine de plomb par l'artiste, de même que le feuillet de justification. Le texte lui-même, composé à la main d'une typographie soignée et pure, est orné à chaque page de nombreuses compositions géométriques, également gravées sur bois, et d'ornements en couleurs. Une mise en scène graphique d'apparence limpide mais d'une grande complexité qui demanda à Schmied, à ses élèves et à son fils Théo trois années de travail entre la réalisation de la maquette, exposée à la galerie Petit en 1926, et la fin de l'impression, le 30 avril 1929. L'un des plus beaux livres de François-Louis Schmied et l'un des quelques chefs-d'oeuvre du livre art-déco. Quelques rousseurs, éparses, pour l'essentiel marginales et sans gravité, sauf au revers de la couverture, au double feuillet liminaire et à deux feuillets en fin de volume, où elles sont plus prononcées. (CARTERET, IV, 264 ; MONOD, 7207).

      [Bookseller: Des livres autour (Julien Mannoni)]
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        VISIONI ARCHITETTONICHE. Con prefazione di Alberto Calza-Bini.

      In-4, cartonato edit. figur., pp. 16 (prefaz. e Indice descrittivo delle tavole), con una raccolta di 40 tavv. f.t. di cui alc. ripieg. Si tratta di una interessantiss. serie di progetti architettonici presentati al ?Salon d?Automne 1928-29?, elaborati tra il 1926 e il 1929. Prima edizione. ?L?architetto bolognese Guido Fiorini (1891-1965) negli anni Venti fu spesso a Parigi dove conobbe Le Corbusier, con cui stabilì un rapporto di amicizia e collaborazione. In quegli stessi anni iniziò gli studi sull?utilizzazione delle strutture metalliche che lo condurranno all?invenzione della tensistruttura (1928-35), una tipologia di edificio alto in cui i piani sospesi sono collegati mediante strutture di acciaio al nucleo centrale?. Così Diz. Biografico Treccani,XLVIII, pp. 201-03. Esemplare ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Original Drawings for The Fox and the Stork

      (Moscow, 1929). Six pen-and-ink drawings colored with watercolor, with an expressionistic look, each measuring 7 3/4 by 6 1/2 inches. These delicate, stylized illustrations are tinted with shades of orange, purple, and green. The first drawing has the title and illustrator’s name, Ausbrey, below it in Russian. The images recount La Fontaine’s fable of getting one’s just deserts: the fox exasperates the stork by offering her food in a plate, which, with his long beak, the stork cannot eat. However, the stork retaliates by offering the fox a drink from a narrow, long-necked vessel. Attractive and unique illustrations for a book never published. Two have paperclip marks to edge, else fine, mounted without adhesive in a paper portfolio.

      [Bookseller: Bromer Booksellers]
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        The life and strange surprizing adventures of Robinson Crusoe of York Mariner

      London: Frederick Etchells & Hugh Macdonald,, 1929. Octavo. Finely bound by The Chelsea Bindery in terracotta morocco, titles and decoration to spine , raised bands, single rule to boards, twin rule to turn-ins, dark green endpapers, gilt edges. With 7 hand coloured illustrations by E. McKnight Kauffer, using the pochoir process. A fine copy. Limited Edition of 535 numbered copies of which this is number 128. Kauffer was born in the United States but settled in England in 1914. He was a member of both Wyndham Lewis's Group X and the Cumberland Market Group. A good painter, Kauffer's real genius was in advertising art; he produced seminal posters for the London Transport Board and for the Great Western Railway, as well as book jackets and illustrations.

      [Bookseller: Peter Harrington]
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        The Christopher Robin Story Book. From When We Were Very Young, Now We Are Six, Winnie-The-Pooh, the House At Pooh Corner. Illustrated by Ernest H. Shepard

      London: Methuen & Co., 1929., 1929. FIRST EDITION. 8vo. With numerous illustrations by Shepard. Publisher's gilt-decorated blue cloth in original dustwrapper. One small chip to foot of upper, and with a neat closed tear across the panel, otherwise a clean fresh copy.

      [Bookseller: Adrian Harrington Rare Books]
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        MYSTICISM AND LOGIC. Signed

      New York: W.W. Norton & Co., 1929 Russell, Lord Bertrand. MYSTICISM AND LOGIC. Signed. New York: W.W. Norton & Co., 1929. First Norton Printing & First American Edition. 8vo., 234pp. Neatly signed by Russell on the front free endpaper. Black cloth with printed red paper labels to the spine & upper cover. A very good example in like dustwrapper showing modest use. Originally published London, 1917. Signed Russell books are uncommon. In this work, Nobel Prize-winning philosopher Russell offers 10 brilliant essays challenging romantic mysticism & promoting a scientific view of society & nature. Russell explains his theory of logical atomism in these witty, cogent writings, which include popular treatments of religious & educational issues as well as more technical examinations of problems of logic. Custom TBCL embossed red cloth slipcase in very fine condition. . Signed by Author. First Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        MUMMY'S BEDTIME STORY BOOK

      London, Cecil Palmer, (1929).. FIRST EDITION, (1929). 4to, 285 x 230 mm, 11¼ x 8¾ inches, bright colour illustrated boards by King (different upper and lower) blue and yellow pictorial endpapers, 56 pages. Coloured frontispiece, orange and grey title illustration and 11 enchanting full page coloured illustrations plus very pretty smaller monochrome and 2 colour illustrations all around the text in wide borders. Spine worn, discoloured and lacking some surface paper ("Bedtime Story" still visible), corners slightly worn, board edges rubbed, no inscriptions, tiny graze to Dedication page with partial loss of "W", an occasional pale fingermark, page 23 has some old pencil marks on lower blank half, erased but signs still visible, tiny closed edge tear to 1 margin, 10 mm (½") chip to 1 lower inner margin with short closed tear, no loss of text or image, small split to top and bottom of centre fold on rear endpapers. A good copy of a scarce book, lacking glassine dustwrapper. MORE IMAGES ATTACHED TO THIS LISTING.

      [Bookseller: Roger Middleton]
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        Mummy's Bedtime Story Book

      London: Cecil Palmer, n.d. [1929]. Hard Cover. With its large format and beautiful color illustrations on every page, this is one of Jessie M. King's most desirable books. The stories are charming, and many impart a gentle moral to the children reading them. For many years there was some uncertainty about the identity of the author, "Marion." Many believed that Jessie M. King was the author because her middle name was Marion. It was finally established by her descendants, however, that the author was Mrs. Alexander (Marion) Gemmel. (B199, Colin White bibliography). The illustrations are exuberant and playful, as befits stories for small children. There are eleven full page illustrations, with color decorations on each text page. Octavo volume in bright pictorial covers, with title and illustrator in red to front cover and spine. Some wear and chipping to spine edges and corners but in very good condition. Original glassine jacket not present. Interior pages are in near fine condition. 56 pages. CHILD/111412. Near Fine.

      [Bookseller: The Kelmscott Bookshop]
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        PAUL KLEE. Association Copy

      Paris: Editions Cahiers d'Art,, 1929 Grohmann, Willl. PAUL KLEE. Association Copy. Paris: Editions 'Cahiers d'Art, 1929. Illustrated. Cream Wrappers. First edition. With line drawings & 84 plates of Klee's work, an edition limited to 900 numbered copies. An early exposition of Klee's work. A near fine copy. Very uncommon. This copy from the working library of noted Canadian & International artist, Alfred Pellan, who has turned the book into a private scrapbook having added many relevant cuttings of Klee's work as well as a portrait of him to the title page. It was Pellan's habit to add to his reference books in a a distinctly creative manner - sparking his extraordinary imagination so reflected in his own fantastical works. A wonderful Association Copy from the working library of a noted artist. Alfred Pellan [1906 - 1988] Quebec/Canada Painter, Sculpter, Lithographer. In the early 50's, Pellan was the first Canadian to hold a solo exhibition at the Musée national d'art moderne in Paris. Pellan's production is large & varied. His early canvasses, from his first stay in Paris, show a marked fauvist influence. From the 1940s on, his works become closer to cubism & surrealism, then branch out into their own distinctive style. Though primarily a painter, Pellan enjoyed working with many different materials, including hooked rugs & glass. He also did costume & set designs for the theatre. Pellan received a great number of prizes & distinctions, including four honorary doctorates. In 1967, he was made Companion of the Order of Canada. He was awarded the Paul-Émile Borduas prize in 1984 & made an officer of the Ordre National du Québec in 1985. Over the years, he participated in over one hundred collective exhibitions abroad, strengthening his international reputation.. Association Copy. 1st Edition. Illus. by Paul Klee.

      [Bookseller: TBCL The Book Collector's Library]
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        OUR EXAGMINATION ROUND HIS FACTIFICATION FOR INCAMINATION OF WORK IN PROGRESS

      Paris: Shakespeare and Company, 1929. FIRST PRINTING. ONE OF 96 SPECIAL COPIES IN THE LIMITED EDITION (there was also a trade edition of 200 copies). Beckett's First Appearance in Print, as One of 12Commentators on Joyce's Linguistic Innovations 191 x 140 mm (7 1/2 x 5 1/2"). 4 p.l., [3]-194 pp., [1] leaf (limitation, imprint). Original printed paper wrappers designed by Sylvia Beach. Front flyleaf with ink ownership inscription of "Arthur W. Poulin / November, 1944 / San Francisco." Slocum & Cahoon, B-10. One-inch tears at top of front and bottom of rear joint, spine a little scuffed, covers with faint soiling, two small chips to fore edge of front cover, otherwise the fragile wrappers in excellent condition. Except for slight browning at edges because of paper stock, fine internally. Called by Richard Ellmann the "first apologia" for "Finnegans Wake," this is Sylvia Beach's third and last Joyce publication, the Shakespeare & Company printing of 12 studies by well-known writers dealing with Joyce's linguistic innovations in the published installments of the experimental "Work in Progress," which was to become "Finnegans Wake." The dozen writers, all of whom were supporters of the project, included Samuel Beckett, Marcel Brion, Frank Budgen, Stuart Gilbert, Eugene Jolas, Victor Llona, Robert McAlmon, Thomas McGreevy, Elliot Paul, John Rodker, Robert Sage, and William Carlos Williams. The section by Beckett constitutes his first appearance in print. There are also two letters here finding fault with the writing, one of them apparently written by Joyce himself, and there are a number of quotations from the work, including a section (on Swift and blindness) that did not make it into the final version of the novel. This special limited version is uncommonly seen for sale: ABPC lists just three copies (one of them bedraggled) in the past 20 years.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        The Steadfast Tin Soldier: A Fairy Tale SIMEON, Margaret (Illustrator, calligrapher, and embroiderer)

      No publisher, unique hand-made book. 1929. Oblong 8vo.. H Decorated Cloth. Very Good. unpaginated, hand lettered text with beautiful hand coloured illustrations and embelllishments, hand sewn and bound in decorative embroidered linen cover. A unique item. Very good. 103c

      [Bookseller: Stephen Foster Books]
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        Pride and Prejudice

      London - Peter Davies, 1929 Book. Very Good. Hardcover. First edition. A charming copy of this highly sought after edition withtwelveillustrated platesby Vera Willoughby. First edition thus. Published by Peter Davies, husband of illustrator Vera Willoughby. Willoughby was a prolific painter, and artist, she designed posters for the London public transit system from 1928 through 1935. Condition: In original cloth binding. Externally, cloth is smart and bright, with minor fading to the spine. Internally, firmly bound, bright and clean, with the odd spot to text block edge, not encroaching on text, and very light spotting to title page. Overall: VERY GOOD INDEED..

      [Bookseller: Rooke Books]
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        The Canterbury Tales

      Waltham Saint Lawrence: The Golden Cockerel Press, 1929. Four volumes complete - Volume One - [4], 150pp, [2]; Volume Two - [4], 188pp, [2]; Volume Three - [4], 196pp, [2] and Volume Four - [4], 218pp, [4]. Original publishers quarter morocco and paper over boards, raised bands, spines in six panels, title and author lettered direct in gilt to second panel, volume number to third, t.e.g. Very light white marking to top panel of second and fourth volumes, slightly browned to board edges, corners slightly worn, spines slightly darkened. Internally the page edges are lightly browned, but otherwise clean and bright. Limited edition of five hundred copies, this is number four hundred and seventy-three. Now housed in two velvet lined cloth drop back boxes, with paper (designed by John Buckland Wright) sides, with title in gilt to spines, made by Temple Bookbinders. Published between 1929 and 1931, bound by Sangorski and Sutcliffe, this book, with Gill's wonderful borders, is regarded as one of the finest productions of any private press. Chanticleer 63. First Thus. Hardback. Good+/No Jacket (as Issued). Illus. by Gill, Eric. Folio. Limited Edition.

      [Bookseller: Temple Rare Books]
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        Les Liaisons Dangereuses

      Paris: Black Sun Press,, 1929. 2 volumes in one, quarto. Finely bound by The Chelsea Bindery in full black morocco, spine gilt in compartments, double rule to boards gilt, elaborate pictorial decoration after Alastair to front board gilt, inner dentelles gilt, marbled endpapers, top edge gilt. With 14 full plate illustrations by Alastair. A fine copy. One of a limited edition of 1020 numbered copies.

      [Bookseller: Peter Harrington]
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        THE WINDING STAIR

      New York:: Fountain Press,. 1929. First edition. One of 642 SIGNED, numbered copies. This volume was published just after his masterpiece The Tower (1928). The title refers to the staircase in the Thoor Ballylee castle which Yeats had purchased and lived in with his family for some time. Yeats saw the castle as a vital connection to the aristocratic Irish past which he admired. The phrase "winding stair" is used in the book's third poem, "A Dialogue of Self and Soul," which depicts two aspects of Yeats' personality in confrontation. His soul rejects mundane concerns in favor of metaphysical contemplation, while his self cherishes worldly concerns and affirms the sufferings of Yeats' life. Self is given the final word. The other poems included in this volume are, "In Memory of Eva Gore-Booth and Con Markiewicz," "Death," "Blood and the Moon," "Oil and Blood," and "A Woman Young and Old." The trade edition with the same title was published in 1933 with 28 poems, including all of these with the exception of the last one, "A Woman Young and Old." The book was distributed in both America and England. It is consider one of his most important works after The Tower. Blue cloth boards stamped in gold (author's and publisher's names stamped on separate leather spine labels). A fine copy, with only the barest of wear on corners and slight fading to endpaper edges; as issued, without dust jacket.

      [Bookseller: Quill & Brush]
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        The Winding Stair

      New York: The Fountain Press,, 1929. Octavo. Original blue cloth, titles to spine and floral roll to boards gilt, red morocco labels to spine, purple endpapers, top edge gilt, others untrimmed. Ownership signature to first blank, small white spot to spine. Very good. First edition, first impression. One of a limited edition of 642 numbered copies signed by the author on the half-title.

      [Bookseller: Peter Harrington]
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        Hoboken-Blues: "Das Lied von Hoboken": Negerkomödie

      Volksbunen Verlags und Vertriebs G.m.b.H Berlin: Volksbünen-Verlags- und Vertriebs-G.m.b.H, 1929. Softcover. vg. 8vo. 100pp. Maroon cloth spine over green wraps with red lettering. Sunning to top edge of front- and rear wraps. Translated from the American into German by Hermynia zur Mühlen. "Bearbeitung, Lieder: Günther Weisenborn." The News Playwrights' Theatre production of "Hoboken Blues" in 1928 was a bold experiment that failed with audiences and critics because it appeared to be racist although the playwright wrote it to expose the injustice done to African-Americans. Michael Gold wanted African-Americans to play the parts but director E. Massey cast white actors wearing black make-up. Fascinating piece of American Theatre history. Mimeographed typescript. Wraps in very good, interior in near fine condition. Rare German edition.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        The Omnibus Jules Verne. (Comprising five novels; Twenty Thousand Leagues Under the Sea, Around the World In Eighty Days, Floating Island, The Blockade Runners, Hector Servadac)

      London: Victor Gollancz 1929., 1929. Classic Sci-Fi. FIRST ENGLISH EDITION thus. 8vo. Unabridged. Publisher's black cloth lettered in red, in printed dustjacket. A very good copy (slight parting at inner joints) in the scarce and fragile wrapper, which has a few chips and tears, and some overall toning. Scarce; the first copy we have seen in the jacket- 1920's yellow Gollancz jackets are notoriously poor in quality, and seldom survive.

      [Bookseller: Adrian Harrington Rare Books]
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        Poems 1886-1929. I. Departmental Ditties. Barrack-room Ballads. The Seven Seas. II. The Five Nations. Songs from Books. III. Verses from "Sea Warfare". The Years Between. The Muse among the Motors. Verses from "A History of England". Verses from "A Diversity of Creatures". Verses from "Land and Sea Tales". Verses from "Debits and Credits". Verses not collected in Book form

      London: Macmillan and Co. Limited, 1929., 1929. 3 volumes, large 8vo. LIMITED EDITION to 525 of which this No.433, SIGNED by the Author on to limitation page, vol.I. Publisher's full dark red morocco, corners a little bumped, with raised bands and gilt titles to spines; top edges gilt, others untrimmed; marbled end papers, gilt dentelle. With the original glassine under their respective red entitled grey dust wrapper. Frontispiece portrait of Kipling by Francis Dodd to first volume, signed by the Artist in pencil. A fine set in near fine dustwrappers; very slight edge wear to wrappers, light uniform toning to spine panels. Complete with glassine and dust wrappers as originally published; sound, internally clean. A superb set, rarely seen thus.

      [Bookseller: Adrian Harrington Rare Books]
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        The Escaped Cock

      Paris: Black Sun Press, 1929. Number 17 of the limited edition of 50 printed on Japan vellum, signed by Lawrence and the copy number written in longhand by him; with decorations in color by the author; David Herbert Lawrence (1885-1930) British poet, novelist and essayist, passionately sensitive to nature, always possessed simple tastes, indifferent to material success, left England, largely because of hostile attitude towards himself and some of his writings, both prosecutions for obscenity in Sea and Sardinia and Lady Chatterley's Lover caused a great stir at the time. (DNB); (with) a loosely laid-in portrait etching of D.H. Lawrence very intensely & realistically portrayed, bearded and thin-faced, by American artist Bernard Sanders (b. 1904) with a pencil presentation inscription "To John Vassos" and pencil signed by the artist below the image, as well as signed in the plate, the image about 3 1/4" x 5" and 6 1/4" x 8" overall; the endpaper with a Christmas presentation of the book to John Vassos from a Carl Weck(?), dated 1929; some light edge, tips wear, darkening in spots to original paper wraps binding, the spine paper of which is about gone and signatures loosened, with the remains of most of the original glassine wrapper (for both front and back cover); with the gray-brown marbled paper slipcase, with wear and splitting; very good condition overall (ref. Minkoff Bibl. Of the Black Sun Press A-27); especially nice as being the copy owned by John Vassos (1898 - 1985) American industrial designer, painter, illustrator, lecturer, graphic designer, President of the influential Silvermine Guild of Artists; his papers are at Syracuse University. (WWW in American Art 1999) . Signed by Author. First Edition. Soft Cover. Good.

      [Bookseller: Certain Books, ABAA]
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        Tales Told of Shem and Shaun [with Brancusi Portrait] Three Fragments from Work in Progress

      Paris: The Black Sun Press, rue Cardinale, MCMXXIX [1929]. Limited Edition. Stiff Wraps. Fine-. Preface by C. K. Ogden. 4to: [12],xv,[1],55,[9]pp, with frontispiece portrait of the author by Brancusi, protected by glassine sheet. Printed in red and black on white laid paper watermarked VGZ Van Gelder Zonen Holland, No. 107 of just 500 copies. About Fine, very slightly darkened at spine ends, in original gilt slipcase (according to Minkoff, green suede and red suede slipcases were also issued), beautifully restored by a paper conservationist to about Fine condition. Slocum & Cahoon A36. Minkoff A-21. Connolly, The Modern Movement, 87. & The second separately published portion (preceded by Anna Livia Plurabelle) of what would become Finnegans Wake. "In spite of its random melodies and inspissated felicities, [Finnegans Wake] somehow belongs to the passing of the Modern Movement, and fails to communicate its grandeur of conception. The best way to come to it is through the 'Anna Livia' recording and 'Tales Told of Shem and Shaun.'" (Connolly). Brancusi's portrait is apparently the only graphic the sculptor created for a book. Note: With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
 26.   Check availability:     Biblio     Link/Print  


        TALES TOLD OF SHEM AND SHAUN. THREE FRAGMENTS FROM WORK IN PROGRESS

      Paris: The Black Sun Press, 1929. FIRST EDITION. ONE OF 500 COPIES on Van Gelder Zonen paper (this is copy #249). (There were also 50 copies hors commerce and 100 copies on Japanese vellum.). 210 x 168 mm (8 1/4 x 6 5/8"). 4 p.l. (first blank), xv, [i], 55, [3] pp., [1] leaf (blank). Original white paper wrappers, title printed in black and red on front cover and spine, printer's device on back cover, in the original glassine dust jacket. In a (slightly worn and expertly repaired) cardboard slipcase of orange cloth covered with gilt paper and with orange ribbon pull (apparently a variant of the publisher's slipcase described in Slocum & Cahoon). With frontispiece portrait of the author by Constantin Brancusi, original tissue guard. Printed in red and black. Slocum & Cahoon A-36; Ransom, p. 111; The Artist and the Book 32. A minuscule chip to glassine at head and tail of spine, otherwise IN PRISTINE CONDITION. This is an immaculate copy of the second separately published excerpt from "Finnegans Wake" (preceded by "Anna Livia Plurabelle"), a work clearly reminiscent of avant-garde Paris in the 1920s. The text is by one of the great Modernist writers, the illustration is by a leading abstract artist, and the printing is by a private press founded by two American expatriates, Harry and Caresse Crosby, who were part of the literary circle that included F. Scott Fitzgerald, Ernest Hemingway, and Gertrude Stein. This is the only book illustration by Brancusi (1876-1957)--a sculptor who did very little graphic work--listed in "The Artist and the Book," which notes that the portrait is "as abstract as the text." This was one of the last books printed at the Black Sun Press during Harry Crosby's lifetime; he committed suicide in December 1929 (Caresse Crosby continued the enterprise after his death).

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 27.   Check availability:     Biblio     Link/Print  


        TALES TOLD OF SHEM AND SHAUN: THREE FRAGMENTS FROM WORK IN PROGRESS

      Paris: The Black Sun Press, 1929. First Edition. wraps. Glassine wrapper lacks the spine. About Fine in a Near Fine example of the fragile original slipcase which has short splits at the edges. Original printed wraps in glassine wrapper and original red suede and gold paper slipcase; printed under the direction of Harry and Caresse Crosby at their Black Sun Press. Copy #82 of only 100 (of a total edition of 650) numbered copies printed on Japanese Vellum and SIGNED by the author on the half-title page. Illustrated with an abstract portrait of the author by Brancusi, the only example of a graphic made for a book by the sculptor. With a preface by C. K. Ogden. The second separately published portion (preceded by ANNA LIVIA PLURABELLE) of what would become FINNEGANS WAKE. Two pages in the preface bound out of order but present and complete.

      [Bookseller: Charles Agvent]
 28.   Check availability:     Biblio     Link/Print  


        Bifur, collection complète

      Paris: Editions du Carrefour, 1929. relié. 19x24cm. Edition originale, un des 3000 ex numérotés sur alfa pour les 4 premiers volumes, un des 2000 ex numérotés sur alfa pour les 3 suivants, un des 1700 ex numérotés sur alfa pour le dernier. Reliures en demi chagrin rouge, dos uniformément passés à cinq nerfs ornés de filets dorés, couvertures conservées, reliures signées de Laporte. Collaborations, textes ou illustrations de G. Benn, B. Cendrars, H. Michaux, I. Babel, P. Soupault, T. Tzara, J. Lurçat, G. Ribemont Dessaignes, P. Drieu La Rochelle, F. Kafka, H. Arp, M.-A. Asturias, B. Fondane, J. Baron, F. Hellens, E. Berl, J. Joyce, E. Hemingway, A. Carpentier, H. Hölderlin, G. de Chirico, F. Picabia, R. Daumal, J. Giono, M. Leiris, P. Mac Orlan, R. Desnos, P. Minet, N. Altmann, C. Evans, P. Nizan, S.-M. Eisenstein, J. Prévert, P. Sabon, M. Heidegger, J.-P. Sartre, D. Milhaud, A. Döblin, B. Keaton, J. Supervielle, V. Huidobro, R. Gilbert-Lecomte, A. Rolland de Renéville entre autres. Photographies hors-texte de Man Ray, Bunuel, Stone, Modotti, Keystone, Lotar, Cahun, Eisenstein, Leistikow, Yvens, Krull, Kertesz, Moholy-Nagy, Tabard, Kesting, Halasz, Dumas entre autres. Quelques rousseurs. - Editions du Carrefour, Paris _Mai 1929-Juin 1930, 19x24cm, 8 volumes reliés en 4. - 8 volumes reliés en 4

      [Bookseller: Librairie Le Feu Follet]
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        FILMGEGNER VON HEUTE - FILMFREUNDE VON MORGEN

      Berlin: Verlag Hermann Reckendorf, 1929. First ed. Richter, Hans. Small 4to., 125 pp., fully illustrated from photographs and filmstrips. Red cloth titled in blue. Fine and bright in the scarce dw that is lightly chipped and worn at the edges. A companion volume to ES KOMMT DER NEUE FOTOGRAF by Werner Graff, who assisted in the production of this volume. The text by Richter deals with Dada, Surrealism in film, and the emerging avant-garde. The illustrations are from works by Richter, Man Ray, Marcel Duchamp, Sascha Stone, Eisenstein, Pudowkin, Walter Ruttmann, et al.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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        The Jungle Book [and] The Second Jungle Book

      London: Macmillan and Co.,, 1929 & 1924. With Illustrations by J. L. Kipling and W. H. Drake. 2 works, octavo. Finely bound by Riviere and Son in red straight-grain morocco, brown morocco labels, elaborate decoration to spines in compartments separated by raised bands, twin rule to boards with pictorial block to front, inner dentelles, marbled endpapers, gilt edges. Frontispiece to each volume and black and white illustrations in the text throughout. Spines a little rubbed and a couple of minor nicks to one label, an excellent copy. A handsomely bound set of The Jungle Books which were first published in 1894 and 1895.

      [Bookseller: Peter Harrington]
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        TRANSITION STORIES

      New York: Walter V. McKee., 1929 First edition. A fine copy in a near fine bright dust jacket showing minimal use. Very attractive cover art. An extremely important anthology with works by Joyce, Stein, Kafka, Schwitters & other strong contributors. A very handsome copy.. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Die Augen des ewigen Bruders. Eine Legende

      Lpz., Insel o. J. [1929].. 81.-100. Tsd. 63 (1) S. OPbd. - (Insel-Büchere Nr. 348) Klawiter 142 - Mit eh., 4-zeil. Widmung Stefan Zweigs a. d. Titelbl.

      [Bookseller: Antiquariat Burgverlag]
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        The London Aphrodite: A Miscellany of Poems Stories And Essays By Various Hands Eminent or Rebellious

      An extraordinary example of the first collected edition with 6 pieces of documentation carefully preserved by the owner (1 mounted, 5 formerly laid in-now in archival sleeves) that trace step-by-step (September 9, 1929-November 12, 1929) the seizure and release of the book by U.S. Customs officials at the Port of New York under statutes of the Federal Anti-Obscenity Act. 3 are government documents: 1 is the original packaging paper with applied U.S. Government Seals and handwritten notations by Custom officials (1 is dated, 2 initialed) during the seizure-release process and 2 are original, excellent content letters from Brian Penton [1904-1951] to John Kramer, (the buyer), on Fanfrolico Press stationary that provide an interesting perspective on the seizure and background information on the Press. Penton, like Lindsay, an Australian, was the business manager, then co-editor of the Fanfrolico Press (as documented by the letters). He would go on to become a notable journalist and novelist, writing 2 of the most esteemed Australian novels of the first half of the 20th century, "The Landtakers" and "The Inheritors", (part of a planned trilogy), before his untimely death. Printed by Botolph Printing, London in July 1929, a complete collection. PROVENANCE: John Kramer, purchaser and the importer of record is named in all documents and letters. He signed the front endpaper after taking possession of the book with November 1929 date. BACKGROUND: In 1873 Anthony Comstock, founder of the N.Y. Society for the Suppression of Vice mounted a successful lobbying campaign and the U.S. Congress enacted federal legislation that made it illegal, "to send obscene, lewd or lascivious books through the mail". Cited part of the act was only repealed in 1961 and was applied by U.S. Customs to many books. CONDITION DETAIL: Pages: clean, some lightly toned, some with humidity rippling, p. 83 and p. 141 with a margin tear. Boards: clean: trace wear. Gilt: bright. Binding: front hinge cracking and slight gutter separation at pp. 208-209 and pp. 400-401 but solid and reliable. Jacket: clean: 2 instances of light edge toning: tears with some edge loss at the 4 corners: spine edge wear includes crown with some loss and 2 vertical tears at foot. Ephemera Condition: About Good-Very Good: 2 pieces with inner margin tear: some general wear: paper clip impressions. FORMAT: Publisher's marine blue, woven cloth boards in the sewn binding, top edge gilt, gilt letters and gilt satyr decoration after Norman Lindsay on the spine and moss paper jacket with black letters, decorated with the satyr decoration in black. SIZE: 24.8 x 16 cm or 9.76 x 6.3 inches, as issued. PAGINATION: Confirmed complete, 2 leaves, prelims, 496 pages with decorated title division sheets for each issue, [8] pages + 5 captioned b/w plates on coated paper, printed on one side of the sheet, reproducing works by Norman Lindsay (2), Lionel Ellis (2) and Elioth Gruner. ADDITIONAL: 1) Handwritten date-September 9, 1929, Prohibited Importation Notice (handwritten entry)-printed government document 1, heading-Customs Bureau, NY Post Office, in accordance with Section 614, informing importer-Kramer, he has 60 days to appeal prohibition by Collector of Customs; 12 typed lines with 8 handwritten entries; recipient-J. Kramer; address-116 West 39th St., New York City; quantity-2 packages; brief description-obscene books, "The London Aphrodite"; handwritten signature of P. Sheehy-Acting Deputy Collector. 2) October 21, 1929, (TLS) typed letter signed on 1 sheet of handmade Press stationary decorated with satyr publisher's mark, heading with 2 cross-outs, listing B. Penton as business manager, body of letter, 10-lines on the seizure, signed in full by Penton with descending, curling flourish to ending n, beginning; "very sorry to hear that the United States Customs has turned Puritan again". And, "If you cannot get the book through, try to have them send it back, and I will return them to you. They usually get in the second time." 3) October 30, 1929 Reference Indorsement -printed government document 2-U. S. Customs Service heading-short typed note with recipient address, signed P. Sheehy, Acting Deputy Collector, body of letter-2-lines, confirming following Mr. Kramer's appeal and per phoned request, seized book is being sent  to Mr. Eaton at Customs House for review. 4) November 12, 1929 (date handwritten), printed government document 3, Receipt to Importer for Duty Paid on Merchandise Imported Through Mails, U.S. Customs Bureau, Treasury Department heading , entries handwritten in black ink include tariff charges, signed by Collector of Duty. 5) Mounted over rear endpapers, a neatly cut part of the original brown paper packaging for the imported book, 26.5 x 19.4 cm, stamped twice on address label with U.S. censorship seals stating, "Seize for Violation of Section 305, Tariff Act of Sept. 21, 1922"; initialed twice by Customs Inspector with handwritten note in black ink-"Opened book for Customs Inspection", etc, and in blue ink, "Prohibited hold off" and also, "Released Nov. 12", with stamped seals, "Applied by U.S. Customs, Duty to be Collected". 6) Undated but after November 12, 1929 release, (likely at least 30 days), heading with Penton as co-editor with Jack Lindsay, (ALS) handwritten letter signed on 3 note sheets of handmade printed Press stationary, 14 x 21.8 cm, signed in full by Penton with underscore, body of letter-20 lines, in reply to inquiry about state of affairs at the Press; "We are having a desperate fight to get the Fanfrolico properly on its feet and our handpress on which in future all out books will be printed is working at last". And with background on Press logo; "The eye of the peacock feather is a symbol of the womb". OTHER IMAGES: by request. 

      [Bookseller: Steven Waldman]
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        For Lancelot Andrewes

      Garden City, Doubleday, Doran and Company,, 1929. Essays on Style and Order. Octavo. Original purple-brown cloth, star decoration and titles to spine and upper board in silver. With the dust jacket. Spine faded with light damp stain to tail and rear board, jacket with slight chipping to folds and small, internal tape repair to head of spine panel. First US edition, first printing. Inscribed one week prior to the official publication, expressing Eliot's apparent dissatisfaction with the jacket design, "Eleanor Hinkley from T. S. Eliot affectionately 30.iv.29 (I am not responsible for the stars, on the wrapper).

      [Bookseller: Peter Harrington]
 35.   Check availability:     Biblio     Link/Print  


        THE FIRST AMERICAN BIBLE. A LEAF FROM A COPY OF THE BIBLE TRANSLATED INTO THE INDIAN LANGUAGE BY JOHN ELIOT AND PRINTED AT CAMBRIDGE IN NEW ENGLAND IN THE YEAR 1663

      Boston. 1929.. 20pp. and tipped-in leaf. Original cloth, stamped in gilt. A fine copy. In a quarto- sized half leather and cloth folder. This is the first leaf book to contain a leaf of the Eliot Indian Bible, the first Bible issued in America and one of the great monuments of early American printing. The book was issued in an edition of 157 copies by Goodspeed's Book Store, with printing by D.B. Updike and an introduction by George Parker Winship. The leaf is chapters 28 and 29 of Numbers. PRINTING AND THE MIND OF MAN 142.

      [Bookseller: William Reese Company - Americana]
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        Skalden offrar till Gratierna. - Illustration till Goethes elfte romerska elegi.

      Laverad pennteckning. Ytterst diskret signerad "Yngve" i nedre vänstra hörnet. 39,5 x 29 cm. Bladet lätt gulnat.<p>Litteratur: Detta är en variant av den utgivna illustrationen. Jämför helsidesplansch mot s. 26 i Goethes Romerska elegier (Stockholm, Albert Bonniers förlag, 1929). Litteratur: Karl Asplund, Yngve Berg (1964), s. 119-26, särskilt s. 124: "Där skalden i den följande [=elfte] elegien offrar åt gratierna, stiger de för Amor försmådda romerska gudarna fram i ett moln. I båda dessa bilder har konstnären anslutit till 1700-talsteaterns sceniska arrangemang med gudarna sänkande sig från scentaket, så som vi ännu kan bevittna det på Drottningholmsteatern".. Denna variant av motivet är i själva verket långt mer levande och elegant än den som ingår i den utgivna boken, där bilden tyngs av rekvisita och huvudfigurens statiska ställning. Goethes text lyder, i Allan Bergstrands översättning: "Gratier, här på ert rena altare lägger poeten / ned några fattiga blad, knoppar av rosor därtill. // Full av förtröstan ger han offret. Konstnären glädes, / när han sin verkstad ser ständigt ett Pantheon lik. // Jupiter sänker gudomliga pannan, Juno den lyfter; / Foibos [=Apollon] skrider där hög, skakande lockarnas prakt; // nyktert och kallt Minerva ser ned, och Hermes, den lätte, / vänder åt sidan sin blick, skälmsk och på samma gång öm. // Men till Bacchus, den veke, drömmande, höjer Cythere / trånsjukt smäktande blick, fuktig i marmorn ännu, // drömmer sig vila ljuvt i hans famn, ser ut som hon sporde: / Varför står Amor, min son, ej här vid sidan av oss?"<p>"Goetheutstyrseln är en höjdpunkt i svensk bokkonst och den internationellt mest berömda. Tyskarna blevo så hänförda av den att Bauersche Giesserei 1938 lät utge den i en tysk upplaga och originalen införlivades med Goethemuseets i Frankfurts samlingar" (G. Svensson, Den svenska boken under 50 år).<p>Av 1900-talets bokkonstnärer är det ingen som tagit intryck av 1700-talets laveringskonst såsom Yngve Berg, som även är känd för sina kongeniala illustrationer till Bellman (1917-1918)

      [Bookseller: Lorenz B. Hatt]
 37.   Check availability:     Antikvariat     Link/Print  


        The Bridge of San Luis Rey. Illustrated By Rockwell Kent

      New York: Albert and Charles Boni, 1929., 1929. Signed Limited Edition, No. 154 /1100. Tall 8vo., pp. 120. Bound in the publisher&#39;s original specially designed pictorial cloth with brown leather title label to spine, top edge gilt. Held in a new protective slipcase of green cloth with green leather spine, titles in gilt. Colour illustrations by Rockwell Kent. SIGNED by the author and the illustrator. Slightly sunned spine. A lovely example of fine book production. &#39;Either we live by accident and die by accident, or we live by plan and die by plan&#39;. The story opens with the breaking of &#39;the finest bridge in all Peru&#39;, built of osier by the Incas more than a century before, killing the five people who were crossing it at the time. The author, through the character of Brother Juniper who witnessed the accident, then takes up, each in turn, the lives of these five people and brings before the readers their inmost thoughts and desires; and shows how, in different ways, this final crossing of the bridge was the fitting consummation of their lives. Pulitzer Prize winner. Listed in Time Magazine&#39;s 100 Best Modern Novels.

      [Bookseller: Adrian Harrington Rare Books]
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        Kikai to Geijutsu to no Koryu / The Correspondence [or Cultural Exchange] between Machine and Art

      Tokyo: Iwanami Shoten, 1929. First Edition. Octavo. Cover design by Masao Horino, "the most important proponent of the shinko shashin movement." (Maggs). Text by Takao Itagaki, himself the foremost proponent of modernism in Japan. An anthology of images of modernist architecture and its precursors, reproducing work by Le Corbusier, Gropius, Mies van der Rohe; and with images and film stills by Man Ray and Hans Richter among others. No copies in OCLC. (Maggs 78). Long, presumably non-authorial inscription in Japanese on the front endpaper; a near fine copy in Bauhaus inspired textured linen boards with two small black and white photographs mounted on, in a very good (if worn) example of the fragile slipcase. The highspot of Japanese constructivist design between the wars.

      [Bookseller: Harper's Books, Inc.]
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        Verraten durch die S.P.D. - Wählt Kommunisten! ["Betrayed by the Social Democrats - Vote Communist!"]

      Berlin: Peuvag, [1929/30]. Lithographed poster in 4 colors; 140cm x 96cm (ca 55" x 38"). Printed in two sheets (here assembled); archivally backed on linen. Minor restoration to extremities, with several small (ca. 1/2") areas of fill-in (not approaching image or text); light soil. Grade A-/B+. & & One of the most graphically sophisticated of Slama&#39;s many posters executed for the German Communist Party (KPD) for the 1928 General Elections, all produced under the pseudonym "A. Malsov" (an anagram of "V. Slama"). Slama (1890-1973) was clearly influenced by the design aesthetic of the Bauhaus, and the dramatic red fist rising from inside the walls of a prison has a decidedly architectural quality. As in many Bauhaus compositions the text is integrated as a vital element of the overall design. A celebrated and oft-reproduced Slama work, rarely seen in commerce; the present example truly impressive in scale and in exceptional condition.

      [Bookseller: Lorne Bair Rare Books]
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        Tarzan and the Forbidden City (Signed)

      Burroughs, 1929. Signed and inscribed by Edgar Rice Burroughs. Inscription reads:To Kenneth Donald Alley Best Wishes. Edgar Rice Burroughs. Book plate name is Kenneth D. Alley. Blue boards. Red Lettering. Wear to head of spine. Corners slightly nicked. Jacket-wrapped in mylar has most of the word Tarzan missing on spine. Jacket has been reinforced around all edges. Top Front of jacket has damage-part of letter T-left hand side of the crossbar -and damaged to letter N also in the title line. Small piece missing back bottom of jacket. Jacket is not price clipped. Some tape marks on jacket. COver is bright and original.Stated First edition. All illustrations present.. Signed and Inscribed By Author. First Edition. Hardcover. Very Good/Good. Illus. by John Coleman Burroughs. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: St Peter Books]
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        Our Exagmination Round His Factification For Incamination of Work in Progress

      Paris, Shakespeare and Company,, 1929. With letters of protest by G.V.L. Slingsby and Vladimir Dixon. Octavo. Original wrappers printed in black, edges untrimmed. Housed in a black cloth solander box made by The Chelsea Bindery. Pages tanned as usual, edges of wrappers with a few minor chips, a little loss at the base of the spine not effecting the lettering. First Edition, First Printing, Trade Issue. Signed by Beckett at the start of his contribution. This early critique of Joyce&#39;s final work was published some 10 years prior to the publication of the finished novel. Part of the incentive to publish was apparently to raise funds for the perennially impecunious Joyce. A myth surrounding this work is that one or both of the two letters of protest were written by Joyce himself. However both authors existed - indeed Beach herself commissioned Slingsby. Dixon&#39;s effort - which is marvelous - was an unsolicited one by a Russian émigré who was to die in Paris in 1929 - just as the book was published. A very uncommon work to find in signed state.

      [Bookseller: Peter Harrington]
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        Art Forms in Nature. Examples from the Plant World Photographed Direct from Nature

      New York: E. Weyhe 1929 New York: E. Weyhe, 1929. First American edition. Folio. Illustrated with 120 plates in heliogravure. Original green cloth stamped in gilt. Fine in good dust jacket (front panel partly detached with closed tear, 1-inch chip from foot of spine, other chipping, still quite presentable. Roth 101, pp. 48- 49; Parr/Badger I, p. 96; Hasselblad, pp. 66-67 . The first American edition of Blossfeld't masterpiece in the scarce photographically illustrated dust jacket. A remarkable book that traces a curious path from Art Nouveau to Modernism and forshadows Conceptual Art

      [Bookseller: James Cummins Bookseller ]
 43.   Check availability:     ABAA     Link/Print  


        La Plante -d&#39;aprËs des dEtails trËs aggrandis de formes vEgetales. Introduction de Charles Nierendorf

      Paris: Librairie des Arts DEcoratifs, A. Calavas &#139;diteur, [n.d., ca. 1929]. French issue of Urformen der Kunst [1928]. Folio. Illustrated with 120 plates in heliogravure. Original green cloth stamped in gilt. Fine in near fine dust jacket. Roth 101, pp. 48-49; Parr/Badger I, p. 96; Hasselblad, pp. 66-67 . The French issue of Blossfeldt&#39;s masterpiece in the scarce photographically illustrated dust jacket. A remarkable book that traces a curious path from Art Nouveau to Modernism and forshadows Conceptual Art. In exceptionally fine condition

      [Bookseller: James Cummins Bookseller]
 44.   Check availability:     Biblio     Link/Print  


        Art Forms in Nature. Examples from the Plant World Photographed Direct from Nature

      New York: E. Weyhe, 1929. First American edition. Folio. Illustrated with 120 plates in heliogravure. Original green cloth stamped in gilt. Fine in good dust jacket (front panel partly detached with closed tear, 1-inch chip from foot of spine, other chipping, still quite presentable. Roth 101, pp. 48- 49; Parr/Badger I, p. 96; Hasselblad, pp. 66-67 . The first American edition of Blossfeld&#39;t masterpiece in the scarce photographically illustrated dust jacket. A remarkable book that traces a curious path from Art Nouveau to Modernism and forshadows Conceptual Art

      [Bookseller: James Cummins Bookseller]
 45.   Check availability:     Biblio     Link/Print  


        Art Forms In Nature: Examples From The Plant World Photographed From Nature

      New York: E. Weyhe, 1929. First edition. Hardcover. Introduction by Karl Nierendorf. Text in English. Blossfeldt&#39;s classic first volume of photographs of plants with 120 pages of gravure prints. An about very good copy with some wear to the bottom of the spine and bottom corners and edge of bottom of the boards as well the gilt of the lettering on the spine is somewhat dimmed. Internally though this copy is clean. Lacking the scarce dust jacket.(Parr & Badger v1, 96, Roth 48-49)

      [Bookseller: Jeff Hirsch Books, ABAA]
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