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Displayed below are some selected recent viaLibri matches for books published in 1929

        Alraune. Translated from the German by S. Guy Endore. Illustrated by Mahlon Blaine.

      New York: The John Day Company, 1929 - Octavo. Original black cloth, spine lettered in gilt with red ornament, gilt, red and black illustration to front cover, pictorial endpapers, top edge red. With the dust jacket. Spine ends and top edge lightly bumped. An excellent copy in the dust jacket, slightly soiled, a few short closed tears, spine panel faded, spot of abrasion and chip to rear cover, slightly chipped at extremities. Original illustration, frontispiece and 11 full-page black and white illustrations by Mahlon Blaine. First edition in English, presentation copy, with an original signed illustration by Blaine in pencil and green pen to the second half-title, signed "for Dunninger Mahlon Blaine 1936", depicting a demon pulling a mandrake-like woman from a hat. The recipient Joseph Dunninger (1892–1975) was one of the foremost magicians and mentalists of the time, making this a fine association copy, given the book's occultist subject matter. The translator, S. Guy Endore, was the author of the 1933 novel The Werewolf in Paris, perhaps the most influential piece of werewolf fiction. The novel was originally published in Germany in 1911. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Namas 13: romanas [House 13: a novel]

      Kaunas and Riga: Audros, 1929. Octavo (20.4 × 15 cm). Original pictorial wrappers by Niklavs Strunke; 64 pp. Very light wear to overlapping wrapper edge; very good. First edition of this novel by Lithuanian writer, poet, and translator Kazys Boruta (1905-1965), who was also a leftist political activist. In 1925 he was expelled from Kaunas University for his anti-governmental protest and in 1927 exiled from Lithuania, after which he settled in Riga for two years, where he collaborated with leading left-wing artists of the time. This title is thus a rare example of a Lithuanian-Latvian collaboration: the book was published in Kaunas and Riga, and printed in Riga. It is illustrated with a striking black and white cover design, including typographic layout on the back wrapper, by Niklavs Strunke (1894-1966), one of Latvia's most important artists of the avant-garde. A painter, graphic designer, and illustrator, Strunke studied at the Imperial Academy in St. Petersburg, Russia and trained with noted Russian artists such as Bilibin, Roerich, and Bakst. Beginning in the late 1910s, he helped implement Cubism in Latvian book and graphic design, as well as painting. A later design for Strunke, the drawing still shows the influence of cubist abstraction and the experimental lettering typical of his covers. Not in Fraser, Publishing and Book Design in Latvia, 1919-1940. Rare, with KVK and OCLC only showing the copies at NYPL and Kent State University.

      [Bookseller: Penka Rare Books, ILAB]
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      GIOVANNI CHIANTORE, 1929. ITALIANO 1,16 Annualità completa composta da 4 fascicoli trimestrali rilegati assieme, con coperta rigida, in mezza tela verde, con piatti neri, con segni di usura ai bordi e mancanze di colore alle punte, dorso con titoli d'oro, ingiallito e con tracce d'uso alla cima ed al piede, pagine brunite attorno ai testi causa tempo, tavola in nero fuori testo ripiegata USATO

      [Bookseller: Biblioteca di Babele]
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        The Sound and the Fury

      New York: Jonathan Cape and Harrison Smith, 1929 New York: Jonathan Cape and Harrison Smith, 1929. First edition, first printing. Publisher's quarter cream cloth, lettered in black, black and white patterned paper-covered boards, matching black and white coated endpapers, top edge stained black, fore edge untrimmed; lacking the original dust jacket. A very good copy with some wear and toning to extremities, minor tearing to cloth at spine ends, light toning to page edges, and offsetting to pp. 370-371 from something laid in that has since been removed, contemporary ownership signature to front pastedown. An attractive copy. From the library of Pulitzer Prize winning author Kenneth Silverman. The Sound and the Fury is Faulkner's fourth novel and features the Compson family, a once respected aristocratic family that has fallen into hard times, both financially and socially, in the 20th century. Like many of the author's works, The Sound and the Fury is set in the fictional Yoknapatawpha County in Mississippi, based on Faulkner's childhood experiences in Oxford. The novel is primarily written in stream-of-consciousness style and each of its four sections is narrated by and/or focuses on a different family member, each of which is affected by the family's plight in his or her own way. In Faulkner's non-chronological plot, the story is interspersed with characters' asynchronous thoughts and flashbacks. The Sound and the Fury is one of Faulkner's most highly acclaimed novels and played a major role in his receiving the 1949 Nobel Prize in Literature. Chiefly a biographer, Professor Kenneth Silverman co-directed the American Civilization program at NYU, and won not only the Pulitzer but also the Bancroft Prize for his work The Life and Times of Cotton Mather. Other notable works of his include biographies of Edgar Allan Poe and Samuel F. B. Morse. A magician himself, he also profiled the life of Harry Houdini. . First Edition. Hard Cover. Very Good.

      [Bookseller: B & B Rare Books, Ltd., ABAA ]
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        A Room of One's Own

      The Fountain Press; The Hogarth Press, New York; London 1929 - First edition, no. 419 of 492 copies, signed by the author in violet ink on the half-title. [viii], 162 pp. Tall 8vo. "A WOMAN MUST HAVE MONEY AND A ROOM OF HER OWN ." Signed first edition of Woolf's seminal essay on women and writing, a classic feminist text. "A woman must have money and a room of her own if she is to write fiction," said Woolf, "and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unsolved." Woolf's "aim was to establish a woman's tradition, recognizable by its circumstances, subject-matter, and its distinct problems. A Room of One's Own charted this vast territory with an air of innocent discovery which itself sharpens the case against induced ineffectiveness and ignorance that for so long clouded the counter-history of women" (Gordon, 182). "Woolf is brilliantly persuasive when she ridicules the power bias of male history narrowing in on war and kings with golden teapots on their heads. A counter-history waits in the wings: the untried potentialities of women, nurtured but unspoilt in women's colleges, who are not to be imitation men but are to think back 'through their mothers'" (ODNB). Printed in the U.S. by Robert Josephy and published on October 21, 1929, this edition preceded the English edition (both trade and signed) by three days. Woolmer 215A; Kirkpatrick A12a Maroon cloth, untrimmed. Spine slightly sunned, some uneven toning of cloth, a few small spots to cloth, still a near fine copy. Housed in a custom quarter morocco box First edition, no. 419 of 492 copies, signed by the author in violet ink on the half-title. [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Moon Pool

      Liveright Publishing Corp. New York [1929] - Later Printing, but First with Lee Conrey dustjacket art (the 1919 edition features artwork by Joseph Clement Coll). Very scarce printing of this classic fantasy novel. Dr. David Throckmartin's scientific expedition to the South Sea Islands discovers among ancient ruins a portal into Muria, an unknown underground world. Near Fine in Very Good dustjacket, some modest shelf wear, small chip at top spine end. [Attributes: Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        The World Below

      London: W. Collins & Sons, 1929. First Edition 1st Printing. Blue Cloth. Very Good/No Dust Jacket. Vi, 314 Pp. True First Book Ediiton Of The Complete Story: Book I Was First Published In 1925 As "The Amphibians"; Book Ii Is First Printed Here. A Very Scarce Edition And Almost Unobtainable Signed By The Author. This Copy Is Bound In Blue Cloth With Gilt Lettering On Spine " The World Below / Wright ", Which May Be A Remainder Binding With The Original Endpapers. Signed Clearly In Ink By Wright Below The Publisher's Introduction, Facing The Title Page. Signed Copies Of The True First Are Incomparably Scarcer Than The Signed Subscribers' Copies Of The Later Reprints; We Have Not Seen Another Signed Copy Of The First Edition Offered For Sale In The Past Twenty Years.

      [Bookseller: Arroyo Seco Books]
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        A Farewell To Arms

      New York: Charles Scribner's Sons, 1929 First edition, first printing. Publisher's black cloth with gold paper labels lettered in black to front board and spine, fore edge untrimmed; in the original unclipped dust jacket. A near fine copy with a slight lean to spine and a touch of foxing to top edge; in a very good or better dust jacket with the $2.50 price slug, some toning and wear to extremities, a few small chips to top edge, previous bookseller's price written in ink to rear flap. An attractive and sturdy copy. Housed in a custom folding case. Hanneman A8a. Set in Italy during World War I, A Farewell to Arms tells the story of a romance between the protagonist Frederic Henry, an American serving as a lieutenant in the Italian ambulance corps, and Catherine Barkley, a British nurse tending to wounded soldiers. Widely considered one of the best novels to come from the war, the novel is, as the dust jacket proclaims, "the very essence of beauty as twisted and made tragic by war" that "expresses the innermost nature of war." Unlike many of the other war novels by contemporary writers, A Farewell to Arms addresses not only the aftermath of WWI but the events of the war itself and specifically the Italian Front around the Battle of Caporetto of Autumn 1917. Accordingly, it stood out amongst the war novels, becoming Hemingway's first best-seller and establishing him as a premier American writer. Interestingly, in his 1958 interview with The Paris Review, Hemingway famously remarked, "I rewrote the ending to A Farewell to Arms, the last page of it, thirty-nine times before I was satisfied." . 1st Edition. Hard Cover. Near Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Alice's Adventures in Wonderland by Lewis Carroll

      New York: E.P. Dutton, 1929. Large Paper Issue #196 of 200, signed by the Illustrator. Illustrated in black and white by Will Pogany. 192pp. 8vo. Original red cloth and patterned boards, paper spine label, in printed red original slipcase with wear. Book fine with original glassine. Pogany, Willy. Large Paper Issue #196 of 200, signed by the Illustrator. Illustrated in black and white by Will Pogany. 192pp. 8vo.

      [Bookseller: James Cummins Bookseller]
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        Die Neubauten und Betriebseinrichtungen der Tabakfabrik in Linz

      107 pp. text discussing the influential state tobacco factory in Linz (1929-1935) designed by Peter Behrens and Alexander Popp, known for its vast scale that encapsulates the style of inter-war institutional buildings, 176 illustrations on plates showing images from photographs of interior and exterior views of the factory and earlier incarnations of the Linz tobacco factory, 59 highly detailed floor plans (some color). Small note in ink on half-title. 4to. Original dust jacket over cloth, some minor soiling and losses to jacket, especially along edges and spine, corners of cloth boards slightly frayed. Salzburg (R. Kiesel) n.d. (1936). The Tabakfabrik Linz complex was Austria's first steel frame building constructed in the "New Objectivity" style and has been listed as a heritage site since 1981 due to its architectural importance. Features such as handrails and interior and exterior doors are almost entirely made from the copper alloy Tombak, and the characteristic turquoise color is known as "Linzer Blau" or Linzer Blue. Many particular characteristics of the structure, including the continuous bands of windows and the integration of cork into the outer skin of the building, were due to the necessities of cigarette production, including regulating temperature and humidity.

      [Bookseller: F.A. Bernett Books]
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        Société Anonyme des Anciens Establissements E Borderel et Robert: Ferronnerie d'Art

      1929. Borderel et Robert. Unpag. (3 pp.) introductory material and 4 parts laid in one portfolio: I. La Rue Moderne. II. L'Interieur Moderne. III. Créations R. Subes. IV. Créations de Style. 36 variously paginated plates (pt. I numbered 101-109, pt. II: 201-211, etc.) showing dozens of photographs of fine decorative metalwork in interior and exterior applications, including furniture, picture frames, floor detailing, window and door grilles, railings and bannisters, gates, and occasional religious items. Folio. Plates loose in wrpps., all in decorative wrpps. and original boards portfolio. Paris (Société Anonyme des Anciens Establissements) n.d. (ca. 1929). Many works in this presentation reflect a Beaux-Arts influence, but some possess the strong clarity of the Art Deco style.

      [Bookseller: F.A. Bernett Books]
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      E. P. Dutton and Co. New York (1929) - First Edition stated. M. B. K. dustjacket art. Extremely scarce Bleiler and Hubin listed horror novel which served as the basis for several films including Mad Love, (which is noted on the MGM Script Dept. slip pasted to front endpaper) directed by Karl Freund and starring Peter Lorre. Orlac, a famous concert pianist, who is severely injured in a train wreck that fractures his skull and mutilates his hands. The supervising surgeon, however, decides to amputate Orlac's ruined hands and replace them with the hands of a recently executed prisoner who was serving time for murder. Once the pianist recovers and realizes that his hands are those of a killer, he becomes too distraught to resume his career and begins to question his sanity. Who is that strange man who is shadowing him? Why do his hands seem to have a life of their own? The storyline becomes increasingly grim as Orlac's father is found murdered and the fingerprints on the knife match those on the pianist's new hands. Very Good, paste discoloration at front endpaper where MGM File Copy envelope was pasted (and which is now laid in), nick to cloth at upper front cover, in nearly Very Good dustjacket, top edge with perhaps a half centimeter of loss, some shallow edge chipping at spine ends and flap corners, lower edge of rear panel with sustained centimeter deep chipping, upper rear panel with a square inch sized chip. [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        foto-auge / oil et photo / photo-eye. Stuttgart, Akademischer Verlag, 1929; 20,8 x 29,6 cm. 76 Schwarzweiss-Aufnahmen auf Tafeln, 18 Seiten Text. Ill. Orig.-Broschur; Blindprägung. - Einband etw. berieben u. angestaubt, minimal stockfl.; Kapitale mit kl. Fehlstellen; Buchrücken mit etw. Benutzungsspur; vord. Innendeckel u. Titelblatt zum Bund zu etw. stockfleckig, die Klammern mit leichten Rostspuren; insgesamt recht gut erhalten. - Fotografien zum Grossteil von Lehrern und Mitarbeitern des "Bauhaus" - Aufnahme auf dem Vorderdeckel von El Lissitzky; Inh. u.a. mit Aufnahmen von: Agtet, Max Buchartz, Max Ernst, Andreas Feiningner, Hans Finsler, George Grosz, Dr. Gutschow, John Heartfield, Florence Henri, Letteverein Berlin, Moloy-Nagy, Walter

      - ***** ROH, Franz and Jan TSCHICHOLD: foto-auge / oil et photo / photo-eye. Stuttgart, Akademischer Verlag, 1929; 20,8 x 29,6 cm. 76 B/W photographs on plates; pp, 18 text + plates. Illustrated original paperback with blind stamp. - Cover slightly used, slight dusty, slight foxed; spine head and feet with damage; title leaves slightly foxed; staples slight rusty; altogether satisfiable. Sprache: Deutsch Gewicht in Gramm: 1600 [Attributes: First Edition; Soft Cover]

      [Bookseller: FOTO-Antiquariat Joachim FAHL]
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      Hastings-on-Hudson: Self-published, 1929. Limited Edition. Very Good binding. Signed. One of the earliest efforts by Prokosch, bound by him. Poems, divided into four sections: Amores, Elegies; Pastorals and Sonnets; a bound typescript consisting of 41 unnumbered leaves. "This edition of these poems was made in the Summer of 1929. It is limited to 4 copies, numbered and signed by the author, this being no. 4". The title page has a drawing of a stylized willow tree in red pen; there are a couple of corrections in pen, presumably by Prokosch. A true rarity by this rather elusive and mysterious literary figure (and forger of some of his own productions -- the so-called "Butterfly Books"): "All the facts in Who's Who, or whatever, are so utterly meaningless ... my real life have been subversive, anarchic, vicious, lonely and capricious" [see Robert Greenfield, Dreamer's Journey: The Life and Writings of Frederick Prokosch (2010), p. 17]. Bound by Prokosch, rather rudimentarily, in marbled boards backed in blue cloth with a hand-lettered paper label; the hinges have been discreetly reinforced. We locate one copy at the Beinecke Library, and one copy at UCLA. Very Good binding.

      [Bookseller: Black Swan Books, Inc.]
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        Diary of Travel Cruises to the West Indies and Bermuda 1929-1930

      n.p.: n.p., 1929. Diary. Very good. Approx. 6.5" x 4" diary with leather covered boards and working metal locking clasp. The diary is in very good condition with light edge rubs to the leather. Diary has gilt decorated borders and "My Trip" in gilt letters on the front cover. White glossy end papers. All edges gilt. Large, folded, color lithograph map of the United States tipped in on the rear paste down. The diary has seven small leather tabs with gilt lettered subject headings including The Journey, The Places, People I Met, Autograph, Addresses, Side Trips, and The Return. No address of Ruth Gilbert or location where the diary originated was found inside. Pasted down on the verso of the right front flyleaf are 3 thin cut paper clippings arranged to provide the time and location of the Steamer departure. The front blank end paper has a pasted down trimmed map illustration of the cruise course with "Furness Bermuda Line" printed below. The front blank end paper has a pasted down, trimmed notice, typed on Thos. Cook & Son Company letterhead, and addressed to Miss Ruth Gilbert. This notice is signed by the company agent and provides details of the ship's departure. Contents of the diary consist of 118 pages of manuscript diary entries, autographs, and a few sketches recorded during two separate cruises in early 1929 and in the summer of 1930. Ms. Gilbert traveled on the Steamer "Nova Scotia" and visited St. Thomas, St. Croix, St. Kitts, Antigua, Guadeloupe, Martinique, St. Lucia, Barbados, Trinidad, Dominica, and Bermuda. The first entry is dated February 9th, 1929 as the ship set sail at 3:00pm. Miss Gilbert describes her daily observations while aboard on ship and while exploring the Islands. Some of the entries include racist names and period stereotypes for people of color. One entry refers to children of color as ..."N...r tots" (Guadeloupe Feb. 16, 1929). While in Trinidad, February 22, 1929, Gilbert observes, "The Island has quite a population of Indians and they are so much more intelligent looking and of stronger character apparently then the blacks.." Entries of hurricane damage to the Islands from the previous year are also recorded. In two entries Miss Gilbert writes, "We went ashore about 3:30 taking our bathing suits. Had to go in large rowboats propelled by negroes. Upon arrival, all took a bus across the island from Frederiksted to Christiansted, 14 miles. The country was rather barren and dreary. There is quite a lot of destruction from the hurricane. The Marines are at Christiansted. In one street as a result of the hurricane a house had collapsed on top of a car, puncturing all the tires." (St. Croix, February 14, 1929)  "Went ashore here about 8. From the ship the place looked wrecked from the hurricane and upon landing found that to be true and reconstruction very slow. The streets are dirty, the shops filthy and not much in them." (Basse Terre, Guadeloupe, February 16, 1929) The hurricane referenced was called the San Felipe Segundo Hurricane (1928), one of the deadliest hurricanes in the Atlantic. When the same hurricane hit Florida it was called the Okeechobee hurricane. The contents of the diary also include an autograph and address section with several names and and locations of people Miss Gilbert met during her cruise. Several of the people came from New York City and Boston. A type name card of "Richard E. Dillon" is placed just before the tab section "People I have Met". The name at the top of the page is "Mr. R. E. Dillon - "Boston Rusher". A few original pencil sketches were drawn on the pages. One of the sketches, protected by tissue, is of an unnamed clipper ship. The drawing is signed "S. Moore.

      [Bookseller: Americana Books ABAA]
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        Schwimmer, Max. - "Pariser Straßenszene".

      - Zeichnung / Kreidezeichnung, in Schwarz, auf getöntem Zeichenkarton, 1929. Von Max Schwimmer. 26,8 x 31,8 cm (Darstellung / Blatt). Rechts unten in schwarzer Kreide mit Monogramm signiert: "MS." - Linker Blattrand mit originaler Perforationskante. Sehr guter Zustand. Max Schwimmer (1895 Leipzig - 1960 Leipzig). Deutscher Maler, Grafiker und Illustrator des expressiven Realismus. Ab 1919 Studium der Kunstgeschichte und Philosophie an der Universität Leipzig. Beginn der künstlerischen Tätigkeit u.a. für die Zeitschriften "Die Aktion" und "Der Drache". Studienreise nach Frankreich und Italien. 1926 Dozent an der Kunstgewerbeschule in Leipzig. 1933 aus dem Lehramt entlassen, neun Werke wurden als "entartete Kunst" diffamiert und konfisziert. Bis 1945 arbeitete er als Illustrator. 1944 als Soldat der Wehrmacht eingezogen und Ausbildung zu Wachmann eines Kriegsgefangenen-Lagers in Mühlberg an der Elbe. Im April 1945 Flucht der Wachmannschaft nach Altenburg in die amerikanische Besatzungszone. Nach Kriegsende Eintritt in die KPD. 1946 Berufung als Professor und Leiter der Abteilung Graphik an die Staatliche Akademie für Graphische Künste und Buchgewerbe in Leipzig. 1951 infolge einer Kampagne von seinem Dienst entbunden. Im selben Jahr Berufung an die Dresdner Hochschule für Bildende Künste (HfBK) als Leiter der Abteilung Grafik. Seit 1952 Mitglied der Akademie der Künste zu Berlin. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        [Photo Album]: Mediterranean Travel Photos

      , 1929. 1929. Near Fine. Oblong octavo. Measuring 11" x 7.5". String-tied brown papercovered boards with gilt decoration. Containing 194 gelatin silver photographs measuring between 3" x 2" and 4.5" x 2.5", most with captions. Overall near fine with wear at the edges and scuffing to the boards with internally fine photos. A collection of photos assembled by a young Ohio woman of a trip to Northern Africa, the Middle East, and Southern Europe with family and friend. The photos start on board the S.S. New York before arriving on the island of Madeira, followed by images of Morocco (Casablanca and the Rabat), Algiers (various street views), Tunis (Carthage Amphitheater), Malta, Jerusalem (Wailing Wall, Garden of Gethsemane, native guides), Egypt (sailing on the Nile River, riding camels in the Sahara Desert, views of the Sphinx and the Pyramids of Giza), Constantinople [Istanbul], Greece (The Acropolis, the island of Corfu), Italy (Venice Canals and St. Mark's Square, Mt. Vesuvius and Pompeii, the island of Capri), Portugal, and finally Gibraltar. The album ends with a dozen photos at home and another dozen in and around the Grand Canyon in the American West. A nice collection of travel images taken between the two wars.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Typed Letter Signed, "Theodore Roosevelt" to Seymour Halpern

      New York, 1929. 1p., on personal "Oyster Bay" letterhead. 8vo. Old folds, toning, minor chipping at the bottom of the page not affecting text, else fine. 1p., on personal "Oyster Bay" letterhead. 8vo. The Most Perilous Time in My Life. Reading in part: "I don't know what the most perilous time in my life was, but I suppose it must have been various times during the war. The hunting trip that was the biggest success was the one we have just finished, because on that we got the giant panda, which has never been shot by a white man before... Neither Kermit nor I really enjoy fully exploring or hunting unless we are together. On this last expedition he had to leave two months before the end, and I missed him greatly..." The eldest son of President Theodore Roosevelt and First Lady Edith Roosevelt, Theodore "Ted" Roosevelt III, known as Theodore Jr., grew up listening to his father's stories of wars and great battles and the expectations that every man should do his part. After graduating from Harvard Roosevelt launched a successful career in investment banking. At the outbreak of WWI, he volunteered to be one of the first American soldiers to go to France, serving as a battalion commander with the First Division, where he was gassed and wounded at Soissons in 1918. After the war, he served as Assistant Secretary of the Navy, Governor of Puerto Rico, and Governor-General of the Philippines. In the 1930s, he reentered the business world becoming Chairman of the Board of American Express and Vice President of Doubleday Books. Despite arthritis brought on from injuries of the previous war, and a serious heart condition that Roosevelt hid from his superiors, he returned to active military duty in WWII and was promoted to the rank of brigadier general. A cane in one hand a pistol in the other, Roosevelt led his troops into action in North Africa, Tunisia, and the invasion of Sicily, where he was cited for "showing complete contempt for personal danger." His insistence on leading his men from the front culminated in June 1944, when he led the first wave of troops ashore at Utah Beach, on D-Day, during the invasion of Normandy. After being one of the first men on the beach, Roosevelt discovered that they had landed south of their objective. He personally reconnoitered the area and returned with a revised plan of attack, famously declaring that "We'll start the war from right here." Roosevelt adroitly directed troops to their new objectives, remaining cool under intense fire and inspiring confidence in his men. When asked to name the single most heroic action he had ever seen in combat, General Omar Bradley replied that it was "Ted Roosevelt on Utah Beach." Roosevelt died of a heart attack in France a month after the Normandy landings. He received the Medal of Honor, which was awarded posthumously for his actions on D-day.

      [Bookseller: James Cummins Bookseller]
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      SF: John Henry Nash, 1929. 8 1/4 x 12 1/2. xviii, 35 pages. Tipped in leaf from Doves Press edition of Goethe. Full vellum, top edge gilt. Typographic bookplate inside front cover. Base of spine rubbed, some pinpoint speckling to vellum, all else fine in very good slipcase. No. 40 of 312 copies containing a Doves leaf on paper (of 339 copies total). Handsomely printed in Cloister Lightface, "a recutting of Nicolas Jenson's Roman letter, by Morris Fuller Benton, who also cut the accompanying Italic." Shoulder titles in red.

      [Bookseller: The Veatchs Arts of the Book]
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        DODO: Hinter Gittern (Originalzeichnung)

      1929 - Gouache über Bleistift auf Karton. 40,5 x 30 cm. Links unten signiert und datiert. Literatur: ULK Nr. 25, 21. Juni 1929, Rückwärtiges Cover Renate Krümmer (Hg.): Dodo. Leben und Werk 1907–1998, Ostfildern 2012, S. 99 Ausstellungen: „Dodo – Leben und Werk“, Staatliche Museen zu Berlin, Kulturforum, Berlin, März-Mai 2012 The London Jewish Museum of Art, Ben Uri Gallery, London, Juni-September 2012 [Attributes: Signed Copy]

      [Bookseller: Kunkel Fine Art]
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        Von Kerenski zu Lenin. Die Geschichte der zweiten russischen Revolution.

      Zürich / Leipzig / Wien. Amalthea. 1929. Halbleinen. gr. 8°. 323 Seiten. mit 91 Abbildungen (die Karte FEHLT). berieben. ausgeschiedenes Bibliotheksexemplar (viele Stempel!!). so gutes Ex. in deutscher Sprache Versandkostenfreie Lieferung

      [Bookseller: Antiquariat am Flughafen]
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        [Photo Album]: Mediterranean Travel Photos

      1929. Near Fine. Oblong octavo. Measuring 11" x 7.5". String-tied brown papercovered boards with gilt decoration. Containing 194 gelatin silver photographs measuring between 3" x 2" and 4.5" x 2.5", most with captions. Overall near fine with wear at the edges and scuffing to the boards with internally fine photos. A collection of photos assembled by a young Ohio woman of a trip to Northern Africa, the Middle East, and Southern Europe with family and friend. The photos start on board the S.S. New York before arriving on the island of Madeira, followed by images of Morocco (Casablanca and the Rabat), Algiers (various street views), Tunis (Carthage Amphitheater), Malta, Jerusalem (Wailing Wall, Garden of Gethsemane, native guides), Egypt (sailing on the Nile River, riding camels in the Sahara Desert, views of the Sphinx and the Pyramids of Giza), Constantinople [Istanbul], Greece (The Acropolis, the island of Corfu), Italy (Venice Canals and St. Mark's Square, Mt. Vesuvius and Pompeii, the island of Capri), Portugal, and finally Gibraltar. The album ends with a dozen photos at home and another dozen in and around the Grand Canyon in the American West. A nice collection of travel images taken between the two wars.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Catalogue de reliures du XV au XXe siècle. Catalogue X!!

      Paris 1929 - 135 plates, some in color. [2], vi, 180, [2]pp. 4to. Breslauer p. 37 Bound in quarter olive morocco and cloth, gilt spine and t.e.g., with wrappers bound in. Bookplate of Julia Parker Wightman 135 plates, some in color. [2], vi, 180, [2]pp. 4to

      [Bookseller: James Cummins Bookseller, ABAA]
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        Soziologie und Geschichte Epilog zum Methodenstreit in der Nationalokonomie

      1929 - Tiré à part paginé 465-512 de la célèbre revue dirigée par Werner Sombart & Max Weber & Joseph Schumpeter [Attributes: First Edition; Soft Cover]

      [Bookseller: LA 42EME LIGNE - LIBRAIRIE-GALERIE]
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        Catalogue de reliures du XV au XXe siècle. Catalogue X!!

      Paris, 1929. 135 plates, some in color. [2], vi, 180, [2]pp. 4to. Bound in quarter olive morocco and cloth, gilt spine and t.e.g., with wrappers bound in. Bookplate of Julia Parker Wightman. 135 plates, some in color. [2], vi, 180, [2]pp. 4to. Breslauer p. 37

      [Bookseller: James Cummins Bookseller]
 25.   Check availability:     Biblio     Link/Print  

        Our Exagmination Round His Factification for Incamination of Work in Progress

      Shakespeare and Company, Paris 1929 - Paris, 1929. Softcover. First edition. With letters of protest by G.V.L. Slingsby and Vladimir Dixon. Self-wrappers as issued. Mostly unopened. chiping at the corners , due to the paperquality browning and deteriorating appearance ( acidity of the paper used). Contributors include Samuel Beckett, Marcel Brion, Frank Budgen, Stuart Gilbert, Eugene Jolas, Victor Llona, Robert McAlmon, Thomas McGreevy, Elliot Paul, John Rodker, Robert Sage, and William Carlos Williams. Beckett's contribution is his first appearance in print. A tribute to James Joyce that also contains brief quotations from *Work in Progress*, including text which was not later incorporated into *Finnegans Wake*. The "Letters of Protest" are reputed to have been written by Joyce himself. Some browning and weakness on the cover with loss of upper corner and small losses on the side and bottom, dustwrapper with small parts torn off, given the fragility of the print a good and resonable copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Franz Schmadl]
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        Tales Told of Shem and Shaun:

      Black Sun - Black Sun, 1929. First edition, from a total of 650 copies, 50 of which were hors commerce, 100 were signed by Joyce, and the remaining 500 of which were numbered. This is #34. Near Fine, showing small stains at the spine ends and a tiny chip at the base of the spine. The upper tip of the font panel shows some discoloration. Light dust stain to the top page edges. Lacking its slipcase but retaining its glassine dust-wrapper, which is tanned at the spine and moderately toned overall. Small chips to the wrapper's spine ends and at the flap hinges. Also retaining its original tissue guard for the Brancusi frontispiece. An extraordinarily low number of this beautifully-produced and legendarily sought-after edition. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: ThriftBooks - Second City]
 27.   Check availability:     AbeBooks     Link/Print  

        Basketball for Women

      New York: The Macmillan Company, 1929. 1st. Decorative Cloth. Collectible; Very Good/Very Good. The 1929 1st edition, IN THE UNCOMMON PICTORIAL DUSTJACKET. Clean and VG in its navy-blue cloth, with crisp silver-lettering and design to the front panel and spine. And in a bright, price-intact, VG+ example of the powder-blue dustjacket, with very light scuffing sat the panel lower-edges. 12mo, 129 pgs., including wonderful black-and-white photographs.

      [Bookseller: Appledore Books, ABAA]
 28.   Check availability:     Biblio     Link/Print  

        The life and strange surprizing adventures of Robinson Crusoe of York Mariner

      London: Frederick Etchells & Hugh Macdonald,, 1929. Octavo. Original blue quarter morocco, titles to spine silver, blue buckram boards with Kauffer design in silver to front, edges untrimmed. With 7 hand coloured illustrations by E. McKnight Kauffer, using the pochoir process. Spine sunned, some light scuffing to ends and corners, sound and fresh within, a very good copy indeed. First McKnight Kauffer edition, signed limited issue, number 30 of 35 copies signed by McKnight Kauffer, printed on T. H. Saunders mould-made paper, and bound in quarter morocco, aside from 500 numbered copies unsigned on normal paper and bound in cloth. This deluxe signed issue is rare, with only two copies recorded at auction in the past 70 years. McKnight Kauffer was born in the United States but settled in England in 1914. He was a member of both Wyndham Lewis's Group X and the Cumberland Market Group. A good painter, Kauffer's real genius was in advertising art; he produced seminal posters for the London Transport Board and for the Great Western Railway, as well as book jackets and illustrations.

      [Bookseller: Peter Harrington]
 29.   Check availability:     Biblio     Link/Print  

        Garibaldi and The New Italy: Defeat (and) Garibaldi and The New Italy: Victory

      London: Alfred A. Knopf, 1929. Fine/Fine. First English edition(s). Together two volumes. Translated from the German by Catherine Alison Phillips. Defeat is very good or better with bumped corners, a small bookstore label on the front pastedown, and slightly bowed boards in fine dustwrapper; Victory has an identical small bookstore label, else fine in fine dustwrapper. Issued separately, matched sets of Huch's great epic in complimentary jackets are nearly impossible.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 30.   Check availability:     Biblio     Link/Print  

        Documents. Archéologie beaux-arts ethnographie varietés. Magazine illustré.

      2me année. No. 3. "Hommage a Picasso". 4. 5 Bll., S. 113-183 (1). Mit zahlr., tlw. ganzseit. Abb. OBrosch. Textes de Jacques Baron, Georges Bataille, Robert Desnos, Carl Einstein, Maurice Heine, Eugène Jolas, Marcel Jouhandeau, Edouard Kasyade, Michel Leiris, Camille Mauclair, Marcel Mauss, Georges Monnet, Léon Pierre-Quint, Jacques Prévert, Charles-Henri Puech, le Dr Reber, Georges Ribémont-Dessaignes, Georges Henri Rivière, André Schaeffner, Roger Vitrac. - Rare document bien préservé. "Documents was a Surrealist art magazine edited by Georges Bataille. Published in Paris between April 1929 and January 1931, it ran for 15 issues, each of which contained a wide range of original writing and photographs. It was overseen by the writer-philosopher Georges Bataille, who became more and more its single guiding figure as the issues progressed. Primarily through the pages of this journal, Bataille forcefully challenged the tenets of Surrealism espoused by André Breton in favor of an alternate model, in which humanity could embrace the formless, the sordid, the discarded and disregarded." (monoskop)

      [Bookseller: Antiquariat Burgverlag]
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      LUIGI DRUETTO, TORINO 1929 - ITALIANO Traduzione di Renato Zuccarelli, pagine brunite da fattore tempo e qualità della carta, con lieve fioritura, legatura allentata e strappetti ai bordi interni, tagli non rifilati, brossura editoriale ingiallita, con fioritura, strappetti e piccole mancanze ai bordi

      [Bookseller: Biblioteca di Babele]
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        Comeriner, Erich. Bamberg. Vintage-Print.

      Ca. 1929/30. - 13,1:17,9 cm. Glänzender Silbergelatineabzug auf Barrytpapier. Rückseitig mt Tinte handschriftlich bezeichnet: Bamberg. Mit Stempel: Comofot. Foto Erich Comeriner. Von Comeriner auf schwarzem Fotokarton montiert. Zustandsbeschreibung auf Anfrage.

      [Bookseller: M + R Fricke]
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        Von Material zu Architektur. Bauhausbucher 14

      München: Albert Langen 1929 - OBrosch. mit Vorderseite des OUmschlags, 244 Seiten, 209 Foto-Abb. 18 x 23; ohne Hinterseite des Umschlags, Vorderseite abgeschürft und eine Ecke eingerissen, Buchblock fest, innen tadellos. Book Language/s: de [Attributes: Soft Cover]

      [Bookseller: Antikvariat Valentinska]
 34.   Check availability:     ZVAB     Link/Print  

        Missions and Pueblos of the Old Southwest

      Arthur H. Clark Co., Cleveland, OH 1929 - 2vol.set: 386pp.incl.index&210pp.+map; HBs burgundy w/gilt; some rub w/wear on edges&corners; pencil PONs w/clean,tight pgs. "Their Myths, Legends, Fiestas, and Ceremonies with some accounts of the Indian Tribes and their Dances; and of the Penitentes.One hundred copies of this work were specially printed on Strathmore deckle-edged paper, accompanied by an atlas of plates and a colored map; this being number 54" Size: 4to - over 9¾" - 12" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Xochi's Bookstore & Gallery]
 35.   Check availability:     AbeBooks     Link/Print  

        La rôtisserie de la Reine Pédauque. Illustrée par Auguste Leroux de 176 compositions gravées par Duplessis, Ernest Floriant, les deux Froment, Gusman et Perrichon.

      Paris, Editions d'Art Edouard Pelletan, 1911, maroquin havane, premier plat décoré d'une importante composition de filets dorés et de jeux de listels entrelacés de maroquin grenat accompagnés de filets en croisillon dorés au pointillé, un bois original a été encastré au centre de cette composition, dos à 4 nerfs, second plat orné d'un encadrement de filets, listels et compartiments rappelant ceux du premier plat, cadre intérieur agrémenté d'un filet doré et de listels fleuronnés aux angles, doublure et garde de soie brochée décorée de branches fleuries, coupes filetées, tranches dorées sur témoins, couv. et dos conservés, chemise à dos et rabats de maroquin, étui (René Aussoud, 1929). - in-4 de 1 portrait-442-(1) pp. ; On a relié à la fin le prospectus de l'ouvrage de 4 ff., dont 1 pl. en couleurs.Tiré à 410 exemplaires. Un des 333 ex. sur vélin à la cuve des Papeteries du Marais, filigrané KTHMA.Mahé, Bibliographie des livres de luxe de 1900 à 1928, II-p. 131 ; Carteret, Le trésor du bibliophile, livres illustrés modernes, 1875 à 1945, IV-p. 170 ; Gordon N. Ray, The art of the French illustrated book, 1700 to 1914, pp. 414-416."Ouvrage capital de l'artiste Auguste Leroux. Ses remarquables illustrations sont gravées sur bois avec un art consommé. Un livre de cette qualité dans une bibliothèque fait pâlir bien d'audacieuses productions modernes !" (Carteret)."The versatile and accomplished Auguste Leroux illustrated many books after the war, but he never again equalled this early achievement. Il was also Pelletan's most ambitious work." (Gordon N. Ray).

 36.   Check availability:     AbeBooks     Link/Print  

        Dearest Idol

      Bobbs Merrill 1929 - Very Good book with a few small fade spots in upper left of front cover, slight color fade at top edge of spine, and a little rubbing to heel and to the tips. Jacket edge worn, with wear at spine head, heel and tips. Front panel a little shelf rubbed, creased near bottom edge. A little smudging to back panel. Beckett aka Martin à Beckett Boyd, was an Australian novelist, memoirist and poet. Scarce in dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Avol's Books LLC]
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        Ancestry and posterity of Joseph Smith and Emma Hale,: With little sketches of their immigrant ancestors, all of whom came to America between the . the states of Massachusetts and Connecticut,

      [Herald Pub. house] - B00085T33C Herald Publishing, 1929. Hard cover, first edition. Front hinge is weak, minor rubbing to edges, otherwise Good condition with no dust jacket, as issued. [Attributes: First Edition; Hard Cover]

      [Bookseller: Turgid Tomes]
 38.   Check availability:     AbeBooks     Link/Print  

        The Man Who Mastered Time (Signed copy)

      A C McClurg, Chicago 1929 - First edition in book form, first printing. Hardback rebound in half-leather with five raised bands, gilt titling and contrasting title label to spine. New endpapers (with the originals), boards in red cloth. 19.5 × 12.5cm, 351pp. Signed by Ray Cummings with a charming lengthy inscription to the original ffep. It isn't particularly easy to read but it goes a little something like this, "Dear Mr Livesey (?), I contemplate with regret that I cannot endow you with a time-traveling vehicle. With it, what audiences you would conquer! How your voice would ring over those great amphitheatres of Ancient Greece! What vast Athenian prospectors [?] would, in [?] future ages, fling the replica of your living characterizations over all the Earth and to the audiences of half a dozen planets at once! I am sorry I can only envisage it. Regretfully, Ray Cummings, Hamilton, Bermuda, July 1st, 1930". A time travel novel from one of the founding fathers of the science fiction pulp genre. "It took what seemed but half a day’s traveling to traverse the 28,000 years that separated Loto Rogers from the most beautiful girl he had ever seen. He had expected to find mighty cities and a flowering civilization in that future world, but instead he found only ice and snow - and Azeela." The Man Who Mastered Time was the third in a Matter, Space, and Time trilogy by Cummings which included his best known work The Girl in the Golden Atom. Condition: The binding is in very good condition (though the titling to the spine is a little skewiff). The boards are in good, solid shape and the rebinding has been done well. The original text pages are all a little tanned with some foxing throughout, mostly to the prelims and page edges. The book is complete, and very readable, with the inner binding tight. The pages are slightly and intermittently creased to the edges. It also appears there are some pen-mark indentations (no ink) to the title page, perhaps where someone has tried to go over a little of the printed title. However, this remains a very good copy of a scarce signed science fiction pulp classic. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Cox & Budge Books]
 39.   Check availability:     AbeBooks     Link/Print  


      New York: Harcourt, Brace and Co, 1929. First Edition. Cloth. Fine/near fine. 1st edition, and a scarce copy of it. 1st binding, one of the first 500 (900 also reported) in orange cloth, issued in late February 1929, preceding the 2nd binding in blue cloth (March) which was about a billion copies (Lewis isn't on Facebook or I'd ask him exactly how many were published, and by the way, the only reason to go on Facebook anymore, is to monitor which of your former classmates has the least attractive children). Fine in a near fine 1st issue dustjacket (no reviews on front flap), and at a kindly price, the combination that threatens all the right people. Though most copies in the orange 1st binding were issued without a jacket, the cloth on this one is so new looking as to lend credence to the idea that it always had a dustjacket on it, and the same value proportions apply, as does the customary warning: Do not buy this book without a dustjacket, or even with a jacket if the cloth shows any signs of not having always been covered by one from its day of publication. And that is a shrewd rule to follow for all 1st editions obtainable in a jacket (Book Code).

      [Bookseller: Biblioctopus ]
 40.   Check availability:     ABAA     Link/Print  

        PROYECTO DE FARMACOPEA PARAGUAYA (Preparaciones y materiales farmacéuticos) 2 Tomos OBRA COMPLETA

      IMPRENTA NACIONAL Asunción 1929 - TAPA DURA -448 pgsn+346 pgns -2 tomos OBRA COMPLETA

      [Bookseller: CALLE 59 Libros]
 41.   Check availability:     AbeBooks     Link/Print  

        Fleurs de marécage. Poèmes de J. Slauerhoff. Précédés d'une lettre de Franz Hellens.

      [Chaumont-Gistoux, E. du Perron, 1929]. Ingenaaid. Gedrukt [door Breuer te Brussel] in een oplage van 30 ongenummerde exemplaren. 32 p. 2e druk. Rug aan bovenzijde iets ingescheurd, omslag deels verschoten en iets watervlekkig.l Uit de bibliotheek van Nico Donkersloot, met diens handtekening op de Franse titel. Door Du Perron verzorgde heruitgave van deze Franstalige gedichten van Slauerhoff. De eerste druk verscheen eerder in hetzelfde jaar bij Stols in een oplage van 75 exemplaren. Niet in de KB. Batten/ Stols 83 (jaartal: '1928'). Storm 11.

      [Bookseller: Antiquariaat Fokas Holthuis]
 42.   Check availability:     Link/Print  


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